text:
What Is Ranchera Music?
How did ranchera music originated?
When was ranchera invented?
Who is the singer that is a national hero of Mexico?
What is the time signature for a ranchera Lenta?
What is capital of Mexico?
What does mariachi music celebrate?
Who is the best ranchera singer?
Does Vicente Fernández have a daughter?
Did Mexican music come from Germany?
What is Latin music called?
Are cumbias Mexican?
Was Petra Herrera successful?
Who wrote Adelita?
Is Mexico a poor or rich country?
Who founded Mexico?
What is mariachi dance?
What are the origins of mariachi music?
Who is the richest Mexican singer?
Who is the best Hispanic male vocalist?
When did Vicente Fernández died?
Who was Vicente Fernandez Jr married to?
What does Alejandra Fernandez do?
Who is the most famous Hispanic singer?
What Mexican singer has sold the most albums?
Similarly, What is the meaning of ranchera music?
Ranchera music is a prominent Mexican kind of music that gets its name from the ranch areas where it was first played. Despite its rural themes, the music's popularity grew throughout Mexico's Revolutionary War and spread across the nation.
Also, it is asked, What is ranchera music most known for?
Ranchera music, which sprung from the Mexican revolution, celebrates the beauty and simplicity of everyday life in Mexico for all residents. This form of music, which is known for its drama, passion, and patriotism, conjures up pictures of Mexican ranch life.
Secondly, What is the difference between ranchera and mariachi?
The distinction between mariachi and ranchera as nouns is that mariachi is a traditional type of Mexican music that may be sung or is entirely instrumental, while ranchera is a classic Mexican song played alone with a guitar.
Also, Who started ranchera music?
Mariachi Vargas de Tecalitlán, formed in 1898 by Gaspar Vargas in Tecalitlán, Jalisco, is the most influential ensemble in mariachi music history. It was taken over by his son, Silvestre Vargas, in the 1930s, who is regarded as the greatest mariachi organizer and visionary of all time.
People also ask, Why was ranchera created?
In response to the aristocratic preferences of the time, the ranchera emerged as a symbol of a new national identity based on rural traditional folk music.
Ranchera is derived from the term "rancho," which refers to the music's origins on rural Mexican ranches. Ranchera music is supposed to have emerged as a response to the aristocratic preferences of the time during the Mexican revolution, as a new national consciousness.
Ranchera began in the mid-nineteenth century, soon before Mexico's revolution. Traditional themes of love, patriotism, and nature were central to the song.
synthesizer and guitar Vicente Fernandez is a ranchera singer who is regarded a Mexican national hero. The Day of the Dead, also known as Dia de Muertos, is a Mexican celebration that honors the lives of those who have died.
Ranchera is a 2/4, 3/4, or 4/4 musical style. The majority of the time, it's in a major key. The ranchera is a sensation as well. The Ranchera Corrido or Polka in 2/4, the Ranchera Valseada in 3/4, and the Ranchera Romántica in 4/4 are the three forms of rancheras.
Mexico City is the capital of Mexico. Mexico City is the capital.
The mariachi music is the music of the people of the countryside; it commemorates their difficulties, happiness, and progress. Mariachi music is often heard at key events and festivities in Latino culture. The mariachis are often heard during baptisms, weddings, festivals, and even funerals.
No. 10-1 on the list of the 20 Greatest Ranchera Singers of All Time Sols, Javier. The biggest what-if in Mexican music is Sols. Jiménez, José Alfredo Antonio Aguilar is a character in the film Antonio Aguilar. Pedro Infante is a character in the film Pedro Infante. Negrete, Jorge. Beltrán, Lola Luis Perez Meza is a character in the film Luis Perez Meza. Cuco Sánchez is a character in the film Cuco Sánchez.
Alejandra Fernández is a Mexican actress. Vicente Fernández / Vicente Fernández / Vicente Fernández / Vic
Tejano (a mariachi style with a European accordion) and other mixed Mexican music have their origins in German and Czech peoples and have made their way back to the north.
All the many styles of music you may expect to hear in Latin. Salsa is a kind of Latin music. Salsa is a genre that many people think of when they think of Latin American music. Cumbia is a kind of music. Reggaeton is a kind of reggaeton music. Bachata is a kind of Latin music. Merengue is a kind of Latin American music. Music in the style of bossa nova. Rumba is a kind of music. Music for sons.
Cumbia rhythms are as synonymous with Mexico as the taco, torta, and tequila, although they originated in Colombia before crossing borders and continents to reach the United States. Cumbia sonidera, a subgenre of this immensely danceable musical form, was born in Mexico at that time.
According to Elizabeth Salas' book Soldaderas in the Mexican Military: Myth and History, Herrera was promoted to captain in the rebel army after distinguishing herself as a committed and capable soldier with a propensity for blowing up bridges. She even headed a brigade of 200 soldiers.
Francisco Tárrega is a composer from Spain.
Mexico is one of the world's 15 biggest economies and Latin America's second largest economy, with a population of almost 130 million people, a rich cultural heritage and variety, and immense natural resources. The nation is open to commerce and has robust macroeconomic institutions.
The Aztecs were defeated by Spanish adventurer Hernan Cortes in 1521, and Mexico became a Spanish province. Spain governed the country for 300 years, until the early 1800s.
The most frequent mariachi dancing style is zapateado, a kind of Spanish footwork. Percussion is often provided by the pounding of feet on an elevated platform.
The modern mariachi ensemble developed in Cocula, Mexico's state of Jalisco, in the 19th century, and is known as "La Cuna del Mariachi" or "The Cradle of Mariachi." The ensemble developed differently in various sections of the nation, such as Veracruz and Huasteca in the northeast.
Julio Iglesias is a singer and composer from Spain. During his career, he is reported to have performed over 5000 performances in front of over 60 million people on five continents. Julio Iglesias has a net worth of $600 million as of 2022.
Male singers from Spain 1 Enrique Iglesias is a popular singer in the United States. 38. Singer-songwriter is a term used to describe someone who is well-known. Ricky Martin is number two. 47 13. Prominent for his work as a singer-songwriter. Julio Iglesias is number three. 24.10 Known For: Singer-Songwriter Placido Domingo (no. 4) 32. 11 Opera singer and conductor are two of his most well-known roles. 5 José Carreras (20.5), 6 Manu Chao (15.4), and 7 Xavier Cugat (20.5). 14 4. Alejandro Sanz, 13 3. 8
Vicente Fernández, Decem.Vicente Fernández, Decem.Vicente Fernández, Decem.Vicente Fern
Karina Obregón is a Spanish actress. Vicente Fernández (m. 2017–2020) Vicente Fernández (m. 2017–2020) Vicente Fernández (m. 2017–2020) Vicente
Alejandra Fernandez is a Los Angeles-based Mexican American designer and artist. Alejandra was born in Mexico and moved to the United States with her parents when she was a little child. Her art is infused with brilliant color and subtle humor, and it represents her roots.
Shakira is number one. Shakira is one of the most well-known Hispanic singers in the world.
Luis Miguel was the first Latin performer to earn two platinum-certified Spanish-language albums. Shakira, a Colombian artist, has three of the best-selling Latin albums in the United States Albums with the highest sales. Album Record label "Dreaming of You" EMI LatinReleasedJ.Chart peak1 EMI LatinReleasedJ.Chart peak2 EMI LatinReleasedJ. Profits (as of date) 3,000,000,000 (Dec 2020) There are 24 more columns to come.
Ranchera music is a genre of popular Mexican music that originated in the state of Jalisco. In Spanish, it means "little rancher" which refers to the people who work on ranches. The instruments used in this type of music are guitar, accordion, violin and trumpet.
Ranchera music is a genre of Mexican popular music that originated in northern Mexico and southern United States. The term "ranchera" comes from the rancheras, songs about rural life. The most famous ranchera songs are "La Bamba", "El Cielito Lindo", "Guadalajara", and "Cielito Lindo".
ranchera music artists
ranchera music characteristics
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How to See What Songs You Listened to on Apple Music?
People Who Like Classical Music?
How to Search for People on Apple Music?
ContentsHow to find people on Apple Music How to use the search feature on Apple Music How to find music by genre on Apple Music How to find music by artist on Apple Music How to find music by album on Apple Music How to find music by song on Apple Music How to find…
Read More How to Search for People on Apple Music?Continue
Who Writes Taylor Swifts Music?
ContentsWho wrote exile Taylor Swift?Does Taylor Swift write her own songs folklore?What songs did Taylor Swift wrote about her exes?What song did Taylor Swift wrote for Rihanna?How many songs has Taylor Swift written about her exes?Can Taylor Swift buy back her music?Who writes Adele songs?Who wrote happier than ever?Who is Billie Eilish's ex?Who writes Billie…
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The Best of Jazz, Blues, and Soul Music
ContentsThe Best of JazzThe Best of BluesThe Best of Soul MusicThe Best of Jazz, Blues, and Soul MusicThe Best of Jazz, Blues, and Soul Music – Part 2The Best of Jazz, Blues, and Soul Music – Part 3The Best of Jazz, Blues, and Soul Music – Part 4The Best of Jazz, Blues, and Soul Music…
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What Is a Plugin in Music?
ContentsDo I need plugins?Do plugins matter?Are plugins expensive?What kind of plugins are there?Can you record with plugins?How do I use an audio plugin?What does VST stand for?How do I install plugins?What is plugin in JavaScript?What is plugin in Jenkins?How do I disable plugins?How do I view plugins in Chrome 2021?Are extensions and plugins the same?How…
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How to Rip Music From Ipod to Itunes?
ContentsHow do I transfer music from my old iPod to my computer Windows 10?How do I transfer iTunes from iPod to Windows 10?What happens if I plug my iPod into a new computer?Can I transfer music from iPod to USB stick?How do I get music off my old iPod to my Mac?How do I transfer…
Read More How to Rip Music From Ipod to Itunes?Continue
What Is a Count in Music?
ContentsWhy do musicians count 1234?How do you count 8 counts in a song?How do you practice counting rhythms?How many beats is a quarter note?What are the rhythm syllables?How do you rehearse a choir?How long is a bar?How long is a beat?How many counts does a dot get?How many counts does a whole rest get?How much…
Read More What Is a Count in Music?Continue


Boston Globe reporter Meghan Irons hosted an intimate conversation with new City Council President Michelle Wu Monday at the Capitol One 360 Café at 799 Boylston St.
The crowd of about 45 included young professionals, homeless shelter directors and even some retired residents.
Wu began the conversation by describing a typical day in her life as City Council president. Wu said she likes the balance between the "big picture" and the "nitty-gritty," but her main responsibility is being a resource for her colleagues.
Some of the policy goals Wu discussed included criminal justice reform, environmental initiatives, education and housing.
Wu said members of city government are responsible for this movement's momentum because they are closest to those affected.
When asked about the "mood" in City Hall, Wu said that she hopes to maintain a good relationship with both Mayor Martin Walsh and the City Council.
Wu grew up in the suburbs of Chicago, where politics were hardly part of her life. She is the daughter of Taiwanese immigrants and a granddaughter of immigrants from China to Taiwan. As the product of a family who fled from government oppression, Wu said politics were never a part of her family's conversations.
Several attendees said that the conversation was a good way to promote a connection between policymakers and Boston residents.
Aubre Carreón Aguilar, 29, of the West End, said she was impressed that Wu is trying to engage with citizens.
"Being civically engaged is important and something that is accessible to everyone, and she's taking that extra step to do that," she said.
Attendees also said they were inspired by Wu's accomplishments and her goals for the future.
Rachel Lake, 23, of Jamaica Plain, who is also an administration and technical assistant at City Hall, named affordable housing is the most important issue that Wu discussed.
Leah Campbell, 23, of Jamaica Plain, said she wished she had heard a response to Boston's recent ranking as the city with the most income inequality in the United States.
"While she did talk about the amazing work she's done with paid family leave, there wasn't as much focus on income inequality, particularly between men and women," she said.
However, Campbell was particularly inspired by all of Wu's accomplishments at such a young age.
"Knowing that there's someone there who really understands the experience we're having in a position where she's communicating with really important people is really nice to know and really important to hear," she said.


text:
First American Financial's principal subsidiary, First American Title Insurance ...
March 10, 1998, SANTA ANA, CALIFORNIA
The First American Financial Corporation (NYSE: FAF) announced today that its principal subsidiary, First American Title Insurance Company, has acquired 100 percent of the issued and outstanding stock of Home Title Company of Mason County, Inc., announced Parker S. Kennedy, president of the company.
Home Title, which was founded in Shelton, Washington, in 1973, has been renamed First American Title Insurance Company. The new acquisition will serve the Mason County cities and towns of Shelton, Belfair, Union and Hoodsport. Lonnie Holt will serve as vice president and branch manager. Holt, who has 34 years of title industry experience, had served as president and branch manager for First American Title Insurance Company in Olympia, Washington, since 1985.
"This is a small county with a population of 45,000," said Holt. "First American will make an impact and add to the success of the state of Washington."
The First American Financial Corporation, based in Santa Ana, California, is the nation's leading provider of real estate-related financial and information services. The corporation's subsidiaries include First American Title Insurance Company, a national and international title insurer; First American Real Estate Information Services, Inc., which offers tax monitoring, credit reporting, property data services, flood certification, field inspection services, appraisal services, mortgage loan servicing systems, and mortgage document preparation nationally; First American Home Buyers Protection Corporation, a home warranty company; and First American Capital Management, an investment advisory firm. The Corporation also operates First American Trust Company and First Security Thrift Company in Southern California. First American Financial has more than 13,000 employees in over 400 branch offices in the United States and abroad. Information about the company's subsidiaries and an archive of its press releases can be found at http://www.firstam.com on the Internet.

redpajama_set_name: RedPajamaCommonCrawl


What are the Direct Bank Transfer details?
All products are made in Austria.
As soon as your money is transfered, KAMPUSCH starts with the production. So every piece is specially made for you! To guarantee the maximum quality of your personal piece, the production and delivery may takes 14 days.


Because this is a window into the violence of Brazilian society.
Want to know what movie Brazilians watch? Actually, it's two: two sequels that repeat on TV here every weekend. They are two films that first struck a chord in Brazil eight years ago, reflecting a world many lived but few knew: Elite Squad and its sequel. They're career-making works for both the director, José Padilha, and its star, Wagner Moura — the same names that have paired for the newest Netflix series, Narcos.
With a soundtrack that tingles, lightly tapping at the back of your neck, and jerky, swinging camerawork that emphasizes the chaos and aimlessness of the situation, the Elite Squad films dunk the viewer into the hairy world of crime and justice in Rio's hillside favelas. Told in the omniscient voice of SWAT (called BOPE) team police captain Nascimento, played by rising star Moura, the film recalls Traffic in its brutal and bloody assessment of a complicated situation. But it goes further. UCLA professor Randal Johnson notes, "It was one of the first, if not the first," to show the complicity of the middle- and upper-middle class, and particularly students, in the drug violence.
Do the films glorify abusive officers like Nascimento? Do they strip the humanity from poor favela residents?
The film was director José Padilha's first feature; he had previously directed the highly acclaimed documentary Bus 174. The original Elite Squad movie won Best Film at the 2008 Berlin International Film Festival, but a better indicator of its success was domestic: When the film was illegally leaked on YouTube, 11 million Brazilians ate it up. Three years later, Padilha released a sequel called Elite Squad: The Enemy Within (the real translation is "Now the Enemy Is Another"). The film takes a step back from the gun-barrel-level view of the first, and scans the interlocking systems of politics and media that propel and then feed off of the street violence. By the time the controversy-licking sequel hit, the result was no surprise: It swept the Brazilian film awards, picked up an Oscar nomination and quickly became the highest-grossing Brazilian film of all time.
Since they boomed onto the Brazilian film scene, the Elite Squad films have launched Padilha into different, Californian territory. A double-edged symbol of success for Brazilian directors is that they move to Hollywood: Padilha did so under death threats following the Elite Squad films. He would end up directing the remake of RoboCop in 2014. Perhaps as a result of its roaring success, the films set off a massive debate in Brazil over the criminalization of recreational drug users, combined with the use of torture by police forces cracking down on the trade. Do the films glorify abusive officers like Nascimento? Do they strip the humanity from poor favela residents? Do they normalize Rio's violence? As more favela pacification sweeps roll out and crime rates climb in a city primed to take the world stage again during the 2016 Summer Olympics, those questions still linger.
To be sure, the Elite Squad films fit into a certain narrative being told about Brazil: one of high contrasts in Rio de Janeiro, of saturated violence and scrambling lives. It's strangely, perversely attractive to the foreign viewer: a voyeuristic glimpse into a world so exotic and dangerous that it defies nightmares — slum tourism without needing to board a bus. "Stereotypical at this point," adds McCann. But every rainy weekend, Brazilians keep watching, scanning the mirror to see how much they've changed.


The dual processor 16 core Intel Xeon E5 2630 V3 offers an improved clock frequency over previous generation E5 along with faster performance at each clock cycle. In addition to processor improvements, the platform is the first to support DDR4 memory. Memory on this server is upgradeable to 256 GB ECC Registered along with up to 4 SATA3 SSDs or hard drives. There are several RAID options available free of charge, including RAID0, RAID1, RAID5, and RAID10. Hardware RAID is available for an extra monthly fee. In stock servers are typically setup in 12 - 48 hours of payment.


text:
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The face value of the bond is its final value, how much the seller will pay when the bond matures, or comes due.  Bonds usually do not sell for their face values.  They may sell at a premium -- more than the face value -- or at a discount -- less than the face value.");

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       .html("Correct!  As more sellers try to sell more product, some combination of two things will happen:

Each seller will sell fewer products.
The price of the product will fall.
This should mean less revenue, on average, for each machine.");
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I assume that the demand for the machine's product is inelastic.  That way, a price drop reduces revenue for all the sellers together.  If demand were elastic, then the early adopters should have charged more than they actually were.  (I have tutorials about elasticity at sambaker.com/econ )
I also assume that the demand curve does not move outward.");
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	$("#irr9-button").click(function(){
        var response = parseFloat($("#irr9-response").val(),10);

        if (response >= 1) response = response/100;
        if (response > 0.1) response = response/10;
        if (response > 0.1) response = response/10;
        if (response > 0.1) response = response/10;
        if (response > 0.1) response = response/10;

        $("#irr9-drate").html(Math.round(response*100*1000)/1000);

        var pv1 = 0;
		var pv2 = 200/((1+response)*(1+response));
        $("#irr9-pv2").html(Math.round(pv2*100)/100);

 	  	var pv3 = pv2/(1+response);
       	$("#irr9-pv3").html(Math.round(pv3*100)/100);

 	  	var pv4 = pv3/(1+response);
       	$("#irr9-pv4").html(Math.round(pv4*100)/100);

 	  	var pv5 = pv4/(1+response);
       	$("#irr9-pv5").html(Math.round(pv5*100)/100);

 	  	var pv6 = pv5/(1+response);
       	$("#irr9-pv6").html(Math.round(pv6*100)/100);

 	  	var pv7 = pv6/(1+response);
       	$("#irr9-pv7").html(Math.round(pv7*100)/100);

    	var total = -1000 + pv1 + pv2 + pv3 + pv4 + pv5 + pv6 + pv7;
    	$("#irr9-total").html(Math.round(total*100)/100);

        if( (total < 0.10) && (total > -0.10) ) {
			$("#irr9-answer").addClass("correct")
       		.removeClass("incorrect")
            .html("Good!  Within 10 cents is good enough.");
            $("#irr9A-answer")
            .html("");
        }

        });

    $('[name=irr10][value=no]').click(function() {
       $("#irr10-answer")
       .addClass("correct")
       .removeClass("incorrect")
       .html("Yes, they could.  A price cut of $33 each on 10,000 machines is $330,000.  More than enough to make delaying the regulations a profitable strategy.");
    });

    $('[name=irr10][value=yes]').click(function() {
       $("#irr10-answer")
       .addClass("correct")
       .removeClass("incorrect")
       .html("Correct!  A price cut of $33 each on 10,000 machines is $330,000.  More than enough to cover the $100,000.");
    });

});

redpajama_set_name: RedPajamaGithub


text:
Q: different Models in MVVM I am working with Linq to sql wich provide me some basic class like Car. So that I get a list of cars as IQueryable.
These cars are then processed by my business Logic to become CarProcessed with two added property so that I have an IList.
This IList is called by my silverlight application and  I am to use this list in a grid,  and do things with this information in order to change the color of the line according to the type of the car. Therefore I will get CarModel with a color property that  I will be able to bind to my view directly.
Is it a normal process? That means I am not working with a single Model but Three. One for the Data, one for the Business Logic, and a last one for the presentation layer.
Do you think it is correct?

A: I think it depends. If you're having some complex transformations between models then they can affect performance. Otherwise, what you're doing is a common practice given that different devices and by the way interfaces require different presentations models, also the business logic manages entities with certain properties not UI nor Data must know about it and finally your data requires some specific transformation to persist and load that maybe require some other ones.
However try to see for common patterns like DAO and DTO to see if no other one suits your needs.
Also, remember that multi-model presentation if one the advantages of MVVM.

A: If the color property is only used for presentation purposes you don't usually make it part of the model, but define a DataTemplate for the Control you are displaying CarProcessed objects with.
In this DataTemplate, or in the DataTemplates Style, you define a Trigger that checks for a specific condition of your CarProcessed and sets the color accordingly.
Here is the part of a WPF tutorial that deals with DataTemplates: http://www.codeproject.com/KB/WPF/GuidedTourWPF_4.aspx

redpajama_set_name: RedPajamaStackExchange


text:
Q: Is this task freeze related to ReiserFS (v3)? (or: is ReiserFS getting so old that it should be actively replaced?) I just had a weird system freeze that I resolved using alt-sysrq-e. Here's my dmesg: https://gist.github.com/1609263
I was wondering whether it might be some kind of deadlock in the reiserfs3 code since it's mentioned so many times (and in nearly all the call traces)? Or would it look the same with any other file system?
I just want to know if ReiserFS v3 is getting so old that I should bother reformatting, just to get rid of this. If this call trace would be produced with other filesystems too, I guess it's not resolvable by changing FS.
I've been running this system for years now daily, and I never had this problem before. Not running a bleeding edge kernel either, just the standard Ubuntu 10.10 (3.0.0-14).

A: I ran a Slackware system for 8 years using ReiserFS v3 as the main filesystem. I don't think I ever had a problem until the disk started having hardware problems. I looked at your messages, and although the problem appears to come from filesystem code, it also looks like ext3 messages are mixed in there.
Personally, I'd suspect a disk going bad, especially when you say "I've been running this system for years". Disks are complicated mechanically and electronically.  They do go bad, in strange and unpredictable ways.


I love sitting in my patio because there I can inhale some fresh air and we love to have our lunch or dinner in the patio and also to perform recreational activities there. My patio adjoins my house and it is also typically paved. At the end of the day when I return home tired and messed up from my work, I take my kids along in the patio, we play there some hide and seek game, we gossip there and have a cup of tea. So after my green landscape, this is probably the best space for killing time. Earlier I had some branded sofa arrangements in the patio which were quite expensive. But when they had become totally deteriorated, I had to switch to some fine pallet made chair which were meant to equate the earlier branded sofas and coffee table. I have seen many pallet made furniture items in house hold, they offer the best utility inspite of being cost friendly.
Here is our day's project where we are going to repurpose wooden pallet patio chair. This is a sort of some easy chair. You can sit and completely relax on this master art craft recycled by some fine wooden pallet. As it is pretty visible that the entire structure of the chair is made of raw wooden pallet and nothing else is used as basic material in the making of this chair. This curved easy patio chair is going to give all possible ease and comfort to your backbone and your neck as well. Neither it is going to cost you any piles of bucks. All you have to do is to just grab some old pallets from your backyard and upcycle them just by employing some basic wood work skills and techniques. And it is all set for you.


The All-India Power Engineers' Federation (AIPEF), along with power sector employees, has planned a massive rally at Delhi on April 3 against the Electricity (Amendment) Bill, 2014.
Shaliendra Dubey, AIPEF Chairman, said all state constituents would hold conventions by February 28, followed by massive demonstrations at state capitals on March 14, through which resolutions against the Bill will be passed and sent to the Prime Minister, Union Power Minister, and various chief ministers.
A massive rally at Delhi on April 3 against the Electricity (Amendment) Bill, 2014, has also been planned. In the meantime, if the Centre takes step to rush through the Bill in the Parliament, then 25 lakh power employees and engineers will resort to one-day lightning strike.VK Gupta, spokesperson for the AIPEF, said under the proposed amendments, the financial condition of incumbent state licensee as well as the government-owned intermediary company would become unsustainable from the very beginning and the purpose of the Bill will be defeated. He demanded that the government should conduct a detailed study on the aftermath of the implementation of the Electricity Act, 2003.
"The latest move of the government to separate carriage from the content of electricity is a copy of a British practice, while the conditions in India are different. The transmission and distribution losses are high, most of the discoms are facing acute financial losses and reeling under loans," he said.
The state-owned distribution companies have already borne losses of more than Rs 3.8 lakh crore because they have no control over the cost of generation. The ultimate losers are the government and the consumers in this game.
This Bill would further deepen the financial crisis. Besides creating problems for the power sector, the stressed assets are threatening the health of banks and financial institutions such as the Power Finance Corporation and Rural Electrification Corporation, he said.


text:
Alleged Couchsurfing attacker behind bars
5:38pm Aug 20, 2018
A man is accused of using the popular Couchsurfing app to prey on women after two tourists separately accused him of attempted rape.
The 30-year-old Wolli Creek man was refused bail in Sutherland Local Court on Monday accused of two separate attacks and a police pursuit in the past few days.
He offered accommodation to a 38-year-old Brazillian woman on the Couchsurfing app before meeting up with her and other people at The Rocks on Saturday, police said in a statement.
The woman agreed to get in the accused's car but ran from the vehicle to flag down another motorist after she was allegedly indecently assaulted at Audley Weir in the Royal National Park.
A similar attack occurred on Thursday when a Japanese woman fought off the man and ran from a basement carpark after meeting the accused on Couchsurfing, an app and website that lets hosts offer travellers free accommodation.
Police allege the man was drunk when he led officers on a pursuit through the southern suburbs in the early hours of Sunday before he was arrested.
He's charged with attempted sexual intercourse without consent, indecent assault, detaining a person to obtain advantage and a host of driving offences.
Emergency blazes flare across NSW
Drunk driver 'pinned man to ATM', crushing his leg
The man is due to appear back at Sutherland Local Court via video link on October 15.
Five bushfires at emergency level in NSW, ACT


Take command of the road in the 2019 Ram 1500 Classic. This 4 door, 6 passenger truck is ready to drive off the showroom floor! It features an automatic transmission, rear-wheel drive, and a powerful 8 cylinder engine. It distinguishes itself from the competition with features such as: a front bench seat, air conditioning, power door mirrors and heated door mirrors, remote keyless entry, cruise control, a bedliner, and power windows. With side curtain airbags supplementing the rest of the safety network, you can be assured that you and your passengers will experience top-tier protection. Our aim is to provide our customers with the best prices and service at all times. Please don't hesitate to give us a call.


text:
Sanlorenzo Asia announces sale of SX112 into Hong Kong
The new 34m yacht will be delivered in 2021
APB Staff
| 2 February 2021
Sanlorenzo Asia, represented by Simpson Marine, has announced the sale of the flagship of the Sanlorenzo SX range, the 34-metre SX112, into Hong Kong. Delivery is to take place in the summer of 2021. The sale continues the good fortunes of Sanlorenzo Asia and Simpson Marine, which announced sales figures for 2020.
The SX112 was first shown to the public at the 2020 Genoa Boat Show. It continues Sanlorenzo's SX line, which is focused on open on-board spaces and a sense of closeness to the sea. Sanlorenzo describes the SX112 as a mix of classic flybridge yacht and explorer superyacht.
"She is a yacht that takes the crossover concept to the extreme with its new way of thinking," said Nick Stratton, Sanlorenzo Asia Sales Manager. "We are all looking forward to seeing the yacht arriving this summer in Hong Kong, where she will be a striking addition to the city's superyacht fleet."
Bernardo Zuccon of Studio Zuccon International Project was recruited as exterior designer for the SX range. A key element is the oversized stern area, with a large, internal beach club that has retractable side terraces. The interiors of the new SX112 will feature an open plan concept that extends almost the entire length of the yacht.
The yacht will be powered by four Volvo Penta IPS 1350 pods, yielding a maximum speed of over 20 knots. The hull will be finished in silver metallic.
Source: Asia-Pacific Boating


text:
JumpClimb closure leaves unpaid Fringe World artists worried
30 Apr 2018 | Filed under Local,News | Posted by Leigh Andrew Hill
The Fringe World festival team have confirmed today that one of their largest affiliated events management companies may be preparing for voluntary administration.
JumpClimb, an independent presenter of Fringe World events, were behind a number of venues and events at the 2018 festival – including the ever-changing Noodle Palace venue.
The company posted a message to their website and social media channels announcing they would be closing.
A number of artists have raised concerns over the announcement, with many losing out on their investment and earnings from the festival's 2018 run.
"Fringe World has been informed that a range of artists are owed monies by JumpClimb for their Fringe World seasons," a spokesperson for Fringe World said.
"The Festival is in the process of finding out exactly who is owed what and is in communication with affected artists about the situation. The understanding at this time is that close to $200,000 is owed to artists for their JumpClimb seasons."
Speaking to OUTinPerth a Fringe World spokesperson said that JumpClimb were responsible for over 90 events in this year's program, but it was not a significant increase from their previous years commitment.
"In 2018, JumpClimb had 94 registered events. In 2017, JumpClimb had 90 registered events,"
The spokesperson confirmed that no government funding given to the festival, was in turn given to JumpClimb.
The events management company has operated for the last seven years and have been behind some of Perth's most popular events including the management of the Beaufort Street Festival and Beauvine Food and Wine Festival.
The company posted a statement to their website announcing on their imminent closure.
"Unfortunately, a combination of factors including a downturn in ticket sales on recent projects, debtors going into receivership and the general economic slow-down, has led to a financial predicament wherein it is no longer viable or responsible we continue to operate." the statement said.
While the company confirmed they has sold off the BeauVine Food and Wine Festival to another event management company, and were hopeful that they would be able to raise additional fund by selling off other flagship events.
"We will be reaching out and communicating to all artists and suppliers affected by our situation in the coming days with the intent of finding solutions. Thank you to all of our staff and the hundreds of thousands of people of Perth who came to our events and helped make our city a better place to play." Jumpclimb said on their website.
The collapse of the company leaves many Fringe World artists and suppliers concerned that they will not be paid for their work at this year's event.
Performer Zuleika Khan who had sold out sessions of her show Triage said she was looking at losing half of her annual income.
The news of the company's collapse means she has been forced to cancel her season at this year's Edinburgh Fringe.
"This is the event that sets me up for whole year."
"It's very disappointing and upsetting", Khan said, "We know there was a downturn in audiences at this year's Fringe World but this news has left us in shock and despair. The money we work for months for has been stolen."
Khan said she had begun speaking to other artists affected by the closure of the company and people were only just beginning to get a clear picture of how much money was owed.
Magician Matt Tarrant shared his concerns on ABC Perth this morning sharing that he was owed $30,000 for his 2018 Fringe World shows.
"Unfortunately all those ticket sales that the good people of Perth purchased for my shows has unfortunately not reached me," Tarrant said. "It's a really devastating and disappointing position to be in."
Tarrant said the money was basically represented his living expenses for the coming months, having spent around $15,000 developing the show and bring it to Perth he was seeing no return. The magician said the loss of income also cast a shadow over his wedding which was coming up in the next few months.
Michael Algeri, who provided lighting and power to the Noodle Palace venue said his company would be $25,000 out of pocket.
"It hurts, I'm only a small business, I only employ one person full-time, we're not a huge company it's a lot of money to lose." Algeri said.
Fringe World founder Marcus Canning also appeared on the program and highlighted that JumpClimb was a independent producer of events separate to the organisers of the festival.
"Fringe is an open access and open market model of festival, which means that there is a wide array of people who participate in the festival including independent producers."
Canning said that around half of the festival was created by independent producers and artists. Canning said that Fringe World was devastated to find out that JumpClimb were closing and there had been no indications that they were in financial difficulty.
"This has come as a shock to everyone involved." Canning said.
Tiffany Venning, the Media Arts and Entertainment Alliance's Regional Director for Western Australia said the union was very concerned about the impact the closure of Jumpclimb would have particularly on artists.
"Some of them are owned substantial amounts of money, one I've seen is around $30,000, which is a lot of money in the vicarious life of a performer."
Venning said the MEAA would work with members to provide assistance in recouping unpaid fees, but was would also be providing mental health support.
"I've approach the four members of our wellness committee who are in here in Western Australia about holding a session not just for MEAA members, but for all artists who are finding this financial impact quite traumatic."
Venning said that there continued to be concern in the local arts communities about the model Fringe World uses and how it can leave artists vulnerable.
"There is some concern that it is a behemoth, and it seems to be getting ever bigger." Venning said.
OUTinPerth contacted JumpClimb for additional comment.
Graeme Watson
Tags: ARTRAGE, Fringe World, Jumpclimb, Marcus Canning, Noodle Palace


Maria Waters creates a Baci Christmas Pudding Gelato to beat the heat this Christmas!
Silvana Finest Quality Arabica Coffee at the Beaufort Street Festival with Something Good baristas!
Villa Massa Limoncello is the perfect accompaniment to spring dining!
Braziliano Coffee at the WA state heats of the Australian Barista Championship 2011, 6-7 November.


text:
Peoplealexburness2020-05-07T11:51:00+01:00
The combination of a strong and experienced management team, innovative and experienced underwriters and an enthusiastic support team, offer insurance carriers and brokers a highly effective service.
Simon Byrne FCAChairman, Pardus Holdings Ltd
Simon was appointed a Non-Executive Director and Chairman of Pardus Holdings Limited in March 2016. He has extensive senior management and board experience having held executive roles as a CEO, CFO, Operations Director and Claims Director over the past twenty- two years.
Brian KingNon-Executive Director, Pardus Holdings Ltd
Brian was appointed a Non-Executive Director of Pardus Holdings Limited in March 2016. His working career in the Insurance industry commenced in 1966 and during the next forty- two years he held various senior roles in the broking community, including Managing Director of Arthur J Gallagher & Co (UK) Limited and Corporate Vice President of Arthur J Gallagher &Co.
Keith ThompsonChief Executive Officer
Keith has been involved in the insurance industry for some forty years, predominantly in the Lloyd's Market. He has been Chief Executive Officer of the Lloyd's Managing Agency business, Advent Underwriting Limited, as well as being part of the executive team that took Advent Capital onto the London Stock Exchange.
As a founder director and shareholder of Pardus, Keith looks to use his experience in developing the business in line with the long- term objectives of the Company and achieving its full potential over the coming years.
Direct Line: +44 (0)203 735 1602
Email: keith.thompson@pardusunderwriting.com
Darren Stockman ACIIChief Underwriting Officer
Darren's career to date spans over twenty- five years in the London Insurance Market. He was the Active Underwriter of Advent Syndicate 780 at Lloyd's where he oversaw the development of business in such areas as Property D&F, Property Treaty, Marine, Energy, Accident & Health and Terrorism.
As a founder director and shareholder of Pardus, Darren will oversee the underwriting activities of the business as it develops and look at new opportunities which fit the business strategy of the Company.
Email: Darren.Stockman@pardusunderwriting.com
Chris Dale ACIISenior Accident and Health Underwriter
Chris has over twenty years experience in the London non-marine insurance and reinsurance market.
His career to date has spanned the Company and Lloyd's markets and more recently, before joining Pardus, Chris was a Senior Underwriter with Aspen, developing a worldwide Accident and Health portfolio.
Email: chris.dale@pardusunderwriting.com
Joseph Bell Cert CII
Direct Line: 0203 735 1605
Email: joseph.bell@pardusunderwriting.com


PARENTS have demanded a ban on sweets and junk food at store checkouts for years to stop their children demanding treats and throwing tantrums.
Now the Government plans to halve childhood obesity by 2030 with the banning of unhealthy products at supermarket checkouts — and as our investigation shows, the new plans can't come soon enough.
Seven-year-old Annie Axworthy wore a strap-on camera this week to show exactly what children can see when they are going around the supermarket with their parents.
And it became clear why pester power is costing the average parent £460 a year as Annie went shopping in her home town of Plymouth wearing a GoPro.
She visited Tesco, Sainsbury's, Asda, Lidl, Morrisons and Co-op.
Her mum Clare, 39, says: "Annie is always asking me for treats when we go shopping and now I know why.
"This really did open my eyes to what is going on too.
"I'm always so busy getting my shopping that I don't pay attention to what's in her eye line.
"There was a lot of rubbish and the fact the energy drinks are on her eye level in some shops is worrying.
"In Co-op at the checkout there was a 'decorate your own pack of biscuits' kit.
"She always wants that, it's not surprising. I now realise it is right in front of her.
"Tesco has already banned sweets at the checkout but there were other temptations there including crisps, Lucozade and sugary bars.
"Throughout the shops I realised there were temptations up and down the aisles at her level, not just at the checkouts.
The UK is the most overweight nation in Western Europe and the strategy unveiled on Monday by the Government to tackle childhood obesity also includes a ban on "two for one" junk food deals and the sale of energy drinks to kids.
There is also a consultation on whether to ban junk food ads on TV before 9pm.
Mum-of-three and writer Clare said: "I think this is a great idea.
But now Clare realises it is also because of all the temptations that are put in front of Annie throughout a typical shopping trip.
Clare says: "She really is a kid in a candy store, it's not fair on her.
"Even the energy drinks were at her eye level.
Annie has often complained about feeling hungry during the shopping trips. The youngster told us: "A lot of my favourite things are in front of me but I am not allowed them.
"I love cereals like Frosties, Coco Pops and chocolate hoops but we only have them as a treat.
"There was porridge in front of me too, but I don't like that.
"I saw loads of fizzy drinks and chocolate in the aisles but the thing that really made me hungry was the sweets, there was Galaxy right in front of me.
"My favourite. I asked Mummy for some but she said 'no'.
"In the biscuit aisle the animal biscuits in bags were there right in front of my eyes, too.
"The boring biscuits were higher up.
"Some tills just had healthy things like seeds and crackers.
"I don't like them so I wasn't tempted at all.
"One had some dried fruit rolls so I thought I would get some of them but Mummy says they're packed with sugar and real fruit is better for me.
"I love Smarties and the chocolate aisle had Unicorn Smarties which I've never tried but Mummy said I wasn't allowed them.
"I really wanted an ice cream too because it was hot.
NUTRITIONIST Kim Pearson says: "It's no surprise supermarkets target children – pester power is incredibly potent and big brands know that.
"There's a pandemic of dental disease in this country with children younger than three needing their teeth extracted because of tooth decay caused by a sugary diet.
"Not to mention the fact that childhood obesity is increasing and with that comes a risk of Type Two diabetes, so children's health and their diets really are a ticking time bomb.
"It's disappointing the Government isn't protecting the next generation more.
"Many children struggle to eat healthily because their palate is tuned to sugar and sweet foods.
"If we packed the aisles at their eye level with healthier options they might be more encouraged to pester their parents for different types of food.


text:
ARTS AND CULTURE HOME
Writing Tips From San Diego Writing Women
By Maureen Cavanaugh / KPBS Midday Edition Co-Host
Published February 15, 2011 at 5:19 AM PST
Nine members of San Diego Writing Women are organizing an offshoot group, not only for themselves but for aspiring writers in San Diego who want some advice on how to write that book and get it published.
Caitlin Rother, true-crime author. Books include Poisoned Love and Dead Reckoning.
Laurel Corona, writer of historical novels; The Four Seasons, Penelope's Daughter.
Kathi Diamant- author of the biography Kafka's Last Love.
This is a rush transcript created by a contractor for KPBS to improve accessibility for the deaf and hard-of-hearing. Please refer to the media file as the formal record of this interview. Opinions expressed by guests during interviews reflect the guest's individual views and do not necessarily represent those of KPBS staff, members or its sponsors.
CAVANAUGH: I'm Maureen Cavanaugh and you're listening to These Days on KPBS. Ever think you've got a really great idea for a book? Or do your friends or family keep mentioning that book they intend to write some day? People often talk about writing the same way they talk about moving to an island in the south Pacific, as a dreamy blissful fantasy, well, my guests are here to tell you that writing professionally may be many thing, but dreamy and blissful, it is not. [CHECK] have formed an off shoot of the San Diego writing women's group to talk about the reality and the business of writing. They are launching effort this weekend at a reading signing and wine event on Adams avenue. I'd like to welcome three members of the San Diego writing women group. Caitlin Rother is a true crime author, her books include poisoned love and dead reckoning, she is a former report for the San Diego Union Tribune. Caitlin, good morning.
ROTHER: Thank you for having us.
MAUREEN CAVANAUGH: Laurel Corona is a writer of four historical novels, including the Four Seasons and Penelope's Daughter. She is a professor of humanities at San Diego City College. Laurel, Good morning.
CORONA: Good morning Maureen.
MAUREEN CAVANAUGH: And Kathy Diamond, is author of the biography Kafka's Last Love. Former San Diego TV newscaster and personality, and often seen on fundraisers right here on KPBS. Good morning.
DIAMOND: Good morning, Maureen.
MAUREEN CAVANAUGH: Now, we're inviting our listeners to join the conversation. This is your chance to ask, how do they do it? In how do they find the time, get their ideas, find a publisher? How much do they make? Give us a call with your questions and your comments. 1-888-895-5727. So Caitlin, what's the mission of this group of San Diego writing women.
ROTHER: Well, when I history the Union Tribune in 2006, I really missed the sense of community that I had in the news room. There's that family kind of a feeling or feeling part of a tribe. And so I joined the larger group, writing women, where I found that, we had each other, we were networking we could share advice with each other, knowledge and experience, and as I grew a little bit in my author's careers, I felt I really wanted to get a smaller network together, [CHECK] and this grew out of that, to form a writing community in San Diego where, you know, there are authors, there are writers but there's really no way for us all to come together.
CAVANAUGH: Right. How many different kinds of writers are involved in terms of what they write about?
ROTHER: Well, we have nine authors, and we have three pHDs, we have some masters degrees and a veterinary surgeon, so we have some pretty educated and diverse group here. So we have a travel writer, we interviewed two people who write about pets and animals and we have a chicklit author and historical novelist, and a biographer, Kathy, it comes from pretty much every place you did think of.
MAUREEN CAVANAUGH: Laurel, when tell people that you are a published writer, what are the first things they ask you?
CORONA: Well, they want to know how they can do it. One thing that I've noticed is that they really seem to admire that you can do it, and they want to know how they can do it themselves, they generally say, oh, I have a book in me too.
MAUREEN CAVANAUGH: Yeah, I would misdemeanor. Is it a little like being a doctor.
CORONA: You know, my background is as an English professor. [CHECK].
MAUREEN CAVANAUGH: Do they actually go on and say, you know, I'm trying to develop this idea or what kind of questions do they ask you?
CORONA: Well, I think that they want to know what kind of work is involved? Because, you know, the blank pain is always scary, I mean, even for us, I've written a number of books, and I face the blank page like everybody else does. And I think the big difference between somebody who has written a book and somebody who hadn't, is you look at the blank page and you know you can do it. And I think people who [CHECK] you have to write. Then you have to write better. And then you have to write as well as you can. And then you have to put it away, and you have to write it better, if you want to succeed. And I think a lot of people just have no idea just how much work it is to put together a book. It is an astonishing effort. I have a rule that I call the 60 percent rule, which is when you photocopy the first draft, you're about 60 percent done with the total work you're about to do.
MAUREEN CAVANAUGH: Wow, wow. We're taking your calls at 1-888-895-5727. Kathy, I know that your background is not in academia, but you wrote a detailed biography of Dora diamond, and the life she shared with the great writer, Franz Kafka. Would you advise an aspiring writer to take on a challenge like that, or would you say it's -- [CHECK].
DIAMOND: No, I would say do what you're driven to do. I did not set out to write a biography of Kafka's 50 love. [CHECK] then you feel the need, often, to write it. And if don't have the skills, then you're probably the luckiest person in the world because I don't think there's any other profession that has more help available, in magazines, in other writers, in books on how to write, in classes, I'm teach, I think we all teach writing, Caitlin and I teach extension writing, extension courses she at UCSD, me here at San Diego state university, and the fact is, there is help if you want to write. And I believe anybody can write. As Laurel said, it's a matter of rewriting, you write, and you rewrite, and you rewrite. Brenda Ueland, [CHECK] and that's the secret.
MAUREEN CAVANAUGH: I wonder, Caitlin and Laurel, do you agree is it important to write about the what you love, or is it important to find out where the market is and direct your efforts there? Let me go to you first, Caitlin.
ROTHER: [CHECK] there is a myth out there that authors are rich, and make a lot of money at books, and I can't tell you how many times I run into that. But I think you have to do a little of both. You have to look at the market, if you want to be a commercial writer, which I consider myself to be, or more of a literary writer, if you want to sell books, you need to write about what people want to read, but you also really need to write with what you want to write about, as Kathy said, you need to have a passion for it. This book, my new book, dead reckoning, I spent five years on that. [CHECK] the amount information I had in my brine, that never got into the book, and that's not the writing. That's the retch.
MAUREEN CAVANAUGH: That's amazing.
ROTHER: I really had to love the story, [CHECK] but I love doing this. And although it doesn't pay all that much, it's more about the journey and enjoying what you do, and getting out and talking about it, and then helping other people with their careers. I enjoy that as well.
MAUREEN CAVANAUGH: Laurel, how do you balance that practical aspect with writing about what you love? You must keep this in mind, right? The idea of who's gonna buy this? How am I gonna sell this 1234.
ROTHER: How do you balance those ideas.
CORONA: Well, I think you have to write passionately. [CHECK] in historical fiction because I can teach and tell a great story at the same time. And I've just been discovering over the course of the books that I've written, I'm finishing up number four, and working on the early stages of number five now, and I'm just discovering that my passion it is for the stories of misrepresented or forgotten women, and I just have so much upon energy to tell as much of those stories that I can. And fortunately the people you're trying to sell your book to have to love it too. And one of the things that [CHECK] and the thick that is compelling about that is that the editors can only do a certain number of projects a year, and they have hundreds probably pitched to them so they can like your book a lot and still not buy it. It has to be one of the dozen or so that they love. And of course, one of the reasons that they love it is because they can picture what shelf it's gonna go on in Barnes and Noble. And one of the mistakes, I think that neophyte writers make is, they just say, I'm gonna wight what I feel like writing, and it's gonna appeal to everybody. Well, that's a fatal error. Because there isn't a shelf [CHECK] you're probably not going to sell it, because they won't know what shelf to put it on. So you have to be extremely practical about genre, they have to know what genre your book is, mine are historical fiction. This is simple. If they don't have a shelf for that, they have a shelf for fiction. And they put it under the Cs in ever Corona, and everybody will be very happy.
MAUREEN CAVANAUGH: We're taking your calls at 1-888-895-5727. Donna is calling us, she's on the line from Michigan, I think. No, San Diego from Michigan. Donna you're from Michigan.
NEW SPEAKER: Yes, I am.
MAUREEN CAVANAUGH: How can we help you.
NEW SPEAKER: I have written a detailed family history, I have about 400 plus page, not including the preface, and I don't want know where to go from here. First of all, I want to say that your 60 percent rule is absolutely correct. I have what I think to be, which I've taken ten years to write a first draft, and I know that I'm already 60 percent there, I can already feel that myself, and I've never done this before. [CHECK] what form does a publisher want? [CHECK] and then how do you find someone that you can trust that you can publish a book? Is it okay to do it on line? Or do you do someone locally?
MAUREEN CAVANAUGH: I think there are an awful lot of questions, here, don allele stop you and get some advice from the writing women, but I'm also going to throw out the idea, there are an awful lot of seminars for people who want to learn how to market their books, aren't, Caitlin?
DIAMOND: I was just gonna say, I teach a writing fiction course [CHECK] this lady sounds like she would be the perfect -- this would be the perfect plates for her to shape her book into a marketable manuscript.
CAVANAUGH: Right. Because what she's saying to us is that she's done 60 percent, she's got the makings of a book, but now she doesn't know what to do with it. And so how much does she have to learn to get this packaged into something that she can send out?
DIAMOND: I knowledge people need to learn what publishers want. And it depends how much education she's gotten. I went to the San Diego state writing conference three times through the extension here, and I learned a lot about the publishing industry. I had to read a lot of books like the ones that I wanted to write, and then I had to did and listen to authors speak, go to readings, get an idea of the voice, read it aloud to myself, I mean, there's all kinds of tips that you can get if you learn about writing. But if you finish a manuscript [CHECK] what hers looks like, but there are just certain things that they look for, formatting and character development, and plot, and scenes and setting and description, and if you're writing that without having any kind of education in that, you might set yourself up for disappointment.
MAUREEN CAVANAUGH: As I'm saying issue all three of you, in fact, all nine of the members of the group ever this San Diego writing women are published writers, and Laurel, let me ask you, when we talk about Caitlin just used that word, rejection, which I know writers talk about a great deal. Talk to me a little bit about that. How did you deal with getting started and perhaps sending your material out and publishers liking it, as you say, but not loving it enough to publish it.
ROTHER: Well, you only need one [CHECK] it's not hike you get accepted once, and then you're in. That was one of the big fantasies that I had.
MAUREEN CAVANAUGH: Right. I would think so too.
ROTHER: Right, no, it doesn't work that way, because they have to love your next work too. [CHECK] so I have several going on right now, and so I can take bad news about one of them a lot more easily if I would if I was just sitting there waiting for my life to change because I was going to sell this book and it was going to be fabulously successful.
MAUREEN CAVANAUGH: Let me ask you about rejection too, Kathy.
CORONA: Oh, I know rejection. [CHECK] [CHECK].
DIAMOND: Love it and buy it, that each rejection got me closer, Alex Haley selling Roots got what? 123 rejections before he got sold. That may be an exaggeration. But rejection is a part of it. And I put all my eggs in one basket. I had one story I wanted to tell. So each rejection was a blow. In the beginning. But I learned that each rejection got me closer to a yes, and timely it did. Don't give up. The rejections just mean you need to look at what you've done, maybe make a couple of tweaks if you've gotten some really good advice in that rejection, and then move on. What was it? Was it Jan who said that the rule was never sleep with a rejected manuscript in the same house? Get it back out. Once a manuscript is rejected, send it back out again into the world. Yes.
MAUREEN CAVANAUGH: Takes a lot. Julio is calling us from Imperial Valley. Good morning, Julio, welcome to These Days.
NEW SPEAKER: Morning. It's been about two years, [CHECK] I'm hearing you guys say sometimes it takes people much longer than it should. And I have no training in writing. This is a first work that I've ever started to do. And I'm getting a little disappointed with all the quirks and things that you actually have to do. And it seem it is like I have no idea of what I'm doing but I continue writing on it every now and then. So I'm wondering which direction should I take? That's no training seminars or anything like that, especially here in Imperial Valley that are available. So I'm wondering should I continue finishing this the way I'm doing it with no direction or should I wait until I get a little bit more educate indeed this area?
MAUREEN CAVANAUGH: Let's get some advice, Julio, Caitlin.
ROTHER: I was gonna recommend that you pick up a copy of poets and writers magazine. They have all kinds of writing seminars and fellowships, and that sort of thing, you know, out of town, that you might have to go maybe for a week or maybe a weekend. But just because it's not offered in your area, doesn't mean it's not available. They may have something on lineup. I don't know. But I definitely recommend that you get some training. [CHECK] and figuring out where you are.
DIAMOND: There are also tons of books, one of my favorite new ones is 50 Writing Tools, by Peter Clark. [[]] Writing is a lot like carpentry in that you can learn specific skills, and you practice and practice. So that you can learn to build that cabinet. There are skills, there are books, there are magazines. There are workshops and conferences, but the fact is, you've got the passion, you've got the need to write. And that comes first. So far I would encourage you to keep writing and learn as you go. But keep writing.
MAUREEN CAVANAUGH: Let's take another call, Debra is calling from Encinitas, and I've been told Debra, take us off speaker phone. Okay? Good morning.
NEW SPEAKER: Good morning. Can you hear me?
MAUREEN CAVANAUGH: Yes we can.
NEW SPEAKER: Oh, requested, good. So I have total and complete writer's block. And I have had many, many people tell me I should write a book. And I know I have at least one phenomenal book in me. So is there and way that you can help me? Is there must be people who like to write that would love to have something to write about. I'm sure that my book would be great.
MAUREEN CAVANAUGH: Okay. Debra, thank you so much for the call. Upon and there it is of it's a classic. So can somebody like Debra who really doesn't have the facility to actually sit down and write or feels she doesn't talk to somebody who wants to write her story?
DIAMOND: I tried that. I did try that. I tried to interest even else in Kafka's last love because I wasn't a writer. Nobody else would take the story. So I had to learn how to write in order to do it. And I learned how to write.
ROTHER: If she has a story to tell, I think she needs to sit down and try to write it. And if she has problems doing that, she can [CHECK] and just see what comes out, and by association, write about your dreams, write about your goals, write about what happened today, and try to free up the writer's block. [CHECK] you have your story to tell issue you just didn't have access to it somehow you goes.
NEW SPEAKER: I'm still here. Oh, yes.
CORONA: Debra, do you consider yourself a perfectionist?
NEW SPEAKER: Oh, total. I can't do marketing. I'm a very successful professional in my field. I'm the director of supervision at the place where I work. And I have a ton to offer. I know my supervisors love what I teach them.
MAUREEN CAVANAUGH: Debra, let's get an answer. Thank you.
CORONA: I think that's probably your biggest enemy. Because when you're writing, [CHECK] crap the first time, and you just have to keep working on it until it's not. So one of the things that keeps me going, and gets me so that I'm not afraid of the blank pain is that I can write pretty much anything as long as I've gotten it down, and then when I have it down, I go back over it and I revise it. So I think of writing as being a layering process. So I just get whatever I can get down first, and then I go over it again. And then I add a little. And I add a lot. [CHECK] or I don't actually know what this room looks like yet. And so I'll go through, and by the time I've finished a scene [CHECK] but nobody ever sees the thing that you write first, so who cares how good it is? The important thing is just to get something down and don't worry about it being good. So try to get that perfectionist out of you, and be what I call an approximist, it just has to be somewhere close that I beginning.
CAVANAUGH: We're just about out of time. You about I want to ask you, Caitlin, what is the Saturday night launch going to be like?
DIAMOND: Well, it's gonna be great, I have to say. We have great a good RSVP list coming, there's gonna be nine of us, doing presentations, [CHECK] and we're gonna have a plates, basically, where people can mingle with each other and start building this writing community which I really hope that grows from here. So it's the launch of our group, and I hope that it's the launch of a movement that we can really keep this community growing.
CORONA: And to also invite people to come to our blog, because all of this blog once a week, with advice and all the how tos, that we've experienced that we're now sharing so we want to make sure we let people take advantage of that as well.
MAUREEN CAVANAUGH: I want to let everyone know once again, [CHECK] with reading, wine, hors d'oeuvre, and live music, Caitlin, Laurel, and Kathy, thank you so much. I appreciate it.
ROTHER: Thanks for having us.
DIAMOND: Thank you, Maureen.
MAUREEN CAVANAUGH: And if you would hike to comment, please go on-line, KPBS.org/These Days. Coming up, the latest on orthopedic surgery as a national convention of surgeons assemble in stealing, that's as These Days continues here on KPBS.
Arts & Culture Books
Maureen Cavanaugh
Maureen Cavanaugh has been a familiar voice for KPBS listeners for more than 15 years, serving in a variety of capacities including announcer, host, and producer. As host of KPBS Midday Edition, Maureen has interviewed a wide range of notables, such as comedienne Sandra Bernhardt, actor John Lequizamo, author Chuck Palahniuk, composer Marvin Hamlisch, artist Robert Irwin, and designer Zandra Rhodes. But of all the interviews Maureen has conducted, her most special was with His Holiness, the Dalai Lama. Before joining KPBS in 1997, she worked as a news anchor for KSDO and KOGO News Radio in San Diego. While working for commercial radio stations in San Diego and in Salt Lake City, Utah, Maureen reported on both hard news and lifestyle features. Maureen has received three "Golden Mike" awards from the Radio and TV News Association of Southern California for economic reporting and breaking news. She has also received a "Best of Show" and "Best Radio Newscast" awards from the San Diego Press Club and the "Flo" Award from Public Radio Program Directors Association for Best Public Radio Announcer in a large market. Maureen is a native of Queens, New York, but after more than 20 years in San Diego she feels she qualifies as a real Southern Californian.
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text:
Celia Imrie to open our new office!
Alison Baum
Award winning actress Celia Imrie is to open the new office of national child health charity Best Beginnings on Thursday May 27th 2010.
Celia will cut the ribbon at 11am to launch a new chapter for Best Beginnings, a charity dedicated to giving every baby in the UK the healthiest start in life.
Set up in 2006, Best Beginnings works to change the unacceptable health inequalities that exist in the UK. A baby born in Birmingham is six times more likely to die in infancy than a baby born in Eastleigh, Hampshire.
Celia, who has a 15-year-old son, said: "I count my blessings every day for my son Angus. Giving our children the healthiest possible start in life is absolutely crucial. It is shocking to think that in this day and age, it could make a difference to a baby's survival if they are born in the north or south of the country. We are all born equal, and we should all enjoy the same chances from the very beginning. Best Beginnings offers this kind of encouragement, help and advice to parents wherever they live, and I am delighted to champion their excellent cause."
Best Beginnings has created a DVD for every pregnant woman in the country, and is developing the 'Small Wonders' project to help parents of sick and premature babies.
Also at the launch will be Sky Sports presenter and Best Beginnings Ambassador Charlie Webster, and up-and-coming actor Leon Ockenden, who was most recently seen in Secret Diary of a Call Girl alongside Billie Piper.
Leon is getting married in October and is having an unconventional stag party – he is taking part in a Best Beginnings London to Paris bike ride in September. Along with 10 of his actor friends, he is training for the three-day challenge by undertaking a boot-camp style programme devised by the super-fit Charlie.
Charlie and Leon will be encouraging the public to get on their bikes and join them on the ride to raise vital funds for Best Beginnings.
Leon said: "It's not the usual stag do, but you know what? I've been to enough bars and clubs in my time – I'd like to do something meaningful. I'm chuffed that so many of my actor buddies are rising to the challenge and a little bit scared at what Charlie has in store for us. I'm looking forward to celebrating my new beginning by supporting Best Beginnings!"
Our new office marks a new era for the charity as we embark on the Small Wonders project to create a DVD for the parents of premature and sick babies in the UK. We rely heavily on the support of individuals, so I'm thrilled that so many people are cycling with Charlie, Leon and I to the Eiffel Tower. Already signed up are midwives, our Patron James Sainsbury and people from all walks of life. The more the merrier – please join us!
During the launch Charlie Webster will be putting Leon through his paces and a short film about 'Small Wonders' will be shown.
The ribbon will be cut at 11am by Celia Imrie. Best Beginnings is located at 112 Mill Lane, London NW6 1NL.
For further press information please contact John Smithies on 07881-552297 / [email protected].
--ENDS--
Best Beginnings works to give every baby in the UK the healthiest start in life. We use innovative approaches to ensure families have the information and support they need to protect their children's health. For further information visit www.bestbeginnings.org.uk.
Celia Diana Savile Imrie (born 15 July 1952) is an Olivier Award-winning English actress. In a career starting in the early 1970s, Imrie has played Marianne Bellshade in Bergerac, Philippa Moorcroft in Dinnerladies, Miss Babs in Acorn Antiques, Diana Neal in After You've Gone and Gloria Millington in Kingdom. She has been described as "one of the most successful British actresses of recent decades".
Charlotte "Charlie" Webster (born 9 November 1982) is a television presenter. Charlie attended Tapton School in Sheffield where she participated in elite junior athletics and went on to study Language and Linguistics at Newcastle University. At Newcastle Charlie worked as a fitness instructor, amateur model and actress. Charlie is a lifelong fan of Sheffield United. Charlie is now a full time roving reporter and sometime presenter on Channel Bee alongside Tim Lovejoy. Charlie can currently be seen regularly on Sky Sports Speedway interviewing riders before and after races.
Leon Ockenden (born 1978) has played supporting roles in a number of television dramas since 2003. He grew up in the resort town of Looe, in Cornwall, starring in plays at his school before pursuing a career in acting. Ockenden is probably most notable for his performances in the episodes of the Australian/English television series Tripping Over in which he played gay wild boy carpenter, Callum. He appeared in the film adaptation of Clive Barker's Dread in 2009. Ockenden lent his voice and likeness to the critically acclaimed video game Heavy Rain, in which he played FBI profiler Norman Jayden.
Stags taking part in the London to Paris bike ride are: Leon Ockenden, Michael Dixon, Philip Bulcock, Sam Heughan, Ben Batt, Samuel Roukin, Rupert Young, Joseph Chance, Harry Lloyd and Scott Brooksbank.
The move to the new office has been made possible because of funding from the Tedworth Charitable Trust.
Author: Alison Baum
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Best Beginnings launches Baby Buddy in Hounslow!
We are delighted that Healthcare professionals in Hounslow are now Baby Buddy Professional Champions! Best Beginnings launched Baby Buddy today in cooperation with Hounslow Council and Hounslow Clinical Commissioning Group.
Best Beginnings at the British 10K
On Sunday 9th July 2017, 10 runners represented Best Beginnings at the Virgin Sport Westminster British 10k and raised funds for Best Beginnings' work to support parents in giving their children the best start in life. The British 10k is considered a 'mini London Marathon'. It attracts thousands of runners to charge around the closed-off streets of Westminster.
Punjab and Kiran Open Up: From Discovery to Recovery
We spoke with mental health advocates and Best Beginnings supporters, Kiran and Punjab. Together, they share their journey with mental health, from discovering Punjab's difficulties and how they managed this.
Best Beginnings are the winners of the NHS in the North West Excellence in Supply - Support Services Award 2016!
Best Beginnings won this award for the work we have carried out in both Cheshire West and Chester and Blackpool, embedding Best Beginnings resources, including Baby Buddy app, into local care pathways in partnership with their healthcare professionals.
OUR CHANCE to make a difference
Our Chance aims to engage parents, particularly those in higher risk groups, and empower them with the knowledge and confidence they need to have healthier pregnancies By being aware of the symptoms of possible complications, however rare, and knowing what steps can be taken to reduce risks, including lifestyle changes, parents will be able to maximise their chances of healthier outcomes.
Our Chance Launches!
Today Health Secretary, Jeremy Hunt, launched a new safer pregnancy campaign led by Best Beginnings and Sands to help address the national ambition to halve the rates of stillbirth, neonatal death and harm and maternal death and harm by 50% in 2030.
Expanding our horizons
Have we ever really stopped to think how each step in bringing a baby into this world and looking after him or her affects our lives in a practical way? Given below is a list of interesting articles that look at a range of experiences in maternity and how it affects our mental and emotional well being.
Is it really baby blues?
It's mental health awareness week and it's time to really know the difference between baby blues and postpartum depression. Having a new baby has always been seen as a new exciting journey for parents. But like every other journey, this too has its ups and downs. The changes and adjustments in your life are diverse and the impact of the physical, emotional and relational changes varies from person to person.
Keeping an eye - from the London Eye
Baby Buddy app mum, Morgan meets with her midwife, Mitch Denny and share the story of her mental health journey with the Royal Highnesses at the London Eye on World Mental Health Day 2016
Baby Buddy app launches in Aylesbury!
On Wednesday 21st September 2016, we held a Baby Buddy local launch in Aylesbury in partnership with Aylesbury Vale CCG.40 training places were available to healthcare professionals in Aylesbury, with the local launch marking the end of training the beginnings of putting the plan in action!
Why #mentalhealthmatters... If you're feeling low during or post pregnancy, the best thing to do for you & your ba… https://t.co/hLbIqVWXEA
21stJanuary, 2021 @BestBeginnings


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How six women shaped the course of modern computing
Melissa Gerr, Maureen Harvie
Published November 28, 2022 at 10:05 AM EST
Photo: Provided by author
Even those of us who are not very tech-savvy have an idea that there's a gender gap in technology … but also that women seem to be closing it. What most of is don't know is much about what women were doing in the early days of the Information Age
Would you be surprised to learn that the very first programmers were women--and they did it on a project generated by U.S. Army's Aberdeen Proving Ground in the northeast corner of Maryland at the end of World War II?
Lawyer Kathy Kleiman tells the women's story in her new book: Proving Ground: The Untold Story of the Six Women Who Programmed the World's First Modern Computer.
Links: Kleiman in Conversation Wed. 11/30 6pm, ENIAC Programmers Project.
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Melissa Gerr
Melissa Gerr is a producer for On the Record. She started in public media at Twin Cities Public Television in St. Paul, Minn., where she is from, and then worked as a field producer for Oregon Public Broadcasting in Portland. She made the jump to audio-lover in Baltimore as a digital media editor at Mid-Atlantic Media and Laureate Education, Inc. and as a field producer for "Out of the Blocks." Her beat is typically the off-beat with an emphasis on science, culture and things that make you say, 'Wait, what?'
See stories by Melissa Gerr