Kayon Reynalls is the founder and editor of The Supper Club Magazine and today she shares a delicious side salad and vinaigrette for your table this Thursday!
This is an incredibly easy, comforting and delicious salad that can be enjoyed as a light lunch or a side dish. Roasting the shallots/red onions really helps to round out the typical harshness associated with onions and introduces a deeper, more caramelized and more complex flavor. I chose a mild, smooth and slightly firm goat cheese for creaminess, and played up the autumn flavours with the addition of cider to the vinaigrette. Be sure to check out the notes below for additional tips and suggested substitutions.
Prepare the shallots and/or red onions by removing the papery skin on both ends with a knife. If you wish, you can slice a couple of them lengthways, but this is completely optional.
Transfer to a baking dish and add the olive oil, apple cider, balsamic vinegar and rosemary sprigs. Toss to coat the shallots/red onions. Add salt and pepper to taste.
Transfer to the oven and allow to roast for about an hour or until the shallots/red onions are a lightly browned (not burned). Be sure to keep an eye on them and turn and base your shallots/onions halfway through the roasting time.
Once the shallots are tender and browned to your liking, remove from the oven and add the butter. Allow it to melt before gently tossing the shallots/onions, ensuring they're well coated. Set them aside to cool.
For the Vinaigrette: Combine all the ingredients in a blender and process until emulsified, which takes about a minute. Alternatively, you can put all the ingredients for the vinaigrette into a mason jar, or use another sealable container. Cover it, and shake until well combined.
In a serving or salad bowl, add your washed baby kale leaves (or whatever your preferred leafy greens are!), shredded purple cabbage, apple slices and parsley leaves. (Editor's Note: Take a couple of tablespoons of the liquid from the roasted shallots and add to your salad mix before tossing. This is a completely optional but very delicious recommendation.) Toss to combine.
Transfer the desired amount of salad mix to each plate making sure to scoop enough apple pieces for each person's plate, arrange a couple (or more) of roasted shallots/roasted red onions on top.
Dot chunks of goat cheese in and around the leaves and roasted shallots before topping with walnut pieces and drizzling with the apple cider vinaigrette. Alternatively, you can allow your guest to dress their salads with their desired amount of vinaigrette.
+ Vinaigrette will store in the fridge for up to a week.
+ Be sure to shake well before serving.
+ You can substitute your favourite nut in place of the walnuts. Pecans will work beautifully with this recipe. Feel free to substitute the baby kale leaves with your favourite leafy green. You'll want to pick something flavorful and tender.
+I used Colman's mustard powder in this recipe because I love the flavor. But if you aren't able to find it, feel free to use Dijon mustard.
+If you opt not to use Pink Lady apples, you'll want to substitute with another sweet and crisp variety.
+"Cider" refers to the alcoholic beverage, not the vinegar.
+For the dressing, I used the English Vintage Cider, a medium-sweet cider by Sainsbury's. I know this is not available in the States; in this case, go for any other medium-sweet cider by whichever brand is local to you. If you'd like to keep your dressing alcohol-free, go for a non-alcoholic cider or use organic pressed apple juice in its place.
Thank you so much Kay! You can follow Kay's delicious and beautifully photographed recipes over on Instagram.
Gorgeous recipe, I love Kay ❤ ❤Her food always looks so vibrant!
I have been a fan for many years, and I feel the same. The colors are always so beautiful.
Oh how magical!! This vinaigrette sounds super delicious! Just in time for the holidays!
Yay! so happy. Kay is amazing.
Awww! This looks wonderful, beautiful fall salad well presented! Very elegant!
When I saw the images I thought the same. And a easy fall salad is always good in my book! So happy you like it.
So gorgeous!! I cannot wait to make this.
The art of salad making 😍. Growing up in a household where most of the meals that were served were not the best choices I became accustomed to eating food that was lacking in nutrients and unhealthy for me overall. Recently I have been making the efforts to make healthier choices without complicating things too much and this salad fits perfectly with what I would want to eat. Looking at this salad I feel like I have found a recipe that is simple and easy to make and I can't wait to serve this on my table this coming Christmas. Thank You for providing such a beautiful recipe for the community and those looking for something new to try this Holiday season.
Thank you so much for your wonderful words Sue-Tanya. I often feel the same, and have learned most of my own healthy eating habits from watching friends cook or recipes. But my requirement is that its easy. If its too overly complicated, I'm usually turned off. Even with feeding the kids, I feed them very healthy, but it is always EASY. I don't want to be turned off and I don't want them to be. Looking forward to see how you like this.
Deliciously stunning work, as always. Gotta love Kay and her beautiful creative mind.
This salad sounds just the thing for healthy and tasty weeknight meals at my place. With one coeliac, one vegetarian and one low carb dieter this ticks all my boxes! Thanks for featuring Kay's great recipe!
Wow, this salad is so vibrant and the dressing sounds fresh and and punchy while.also sweet, just how I like it, I'll definitely have to give this intriguing combo a try!
This looks soo0o0o goooddddd… I need to make this. Thanks for Sharing!


I had a strong religious upbringing. My parents sent me to yeshiva (Orthodox Jewish school) from first grade through high school. Had you asked me at the age of 9 what I want to be when I grow up, I would have answered, "a rabbi." As I grew up and learned more about science, my appreciation of religion waned and I came to prefer the scientific way of thinking. In college, after undergoing a few changes in majors, I ultimately decided on studying psychology so I could have a career as a psychotherapist. I felt that the objective, non- judgmental approach of "scientific" psychotherapy was preferable to the moralistic, guilt inducing approach of religion in helping people deal with life. With twenty-five years of professional experience behind me, I can see things I hadn't seen before. For one, the "scientific" field of psychology is not nearly as "non-judgmental" as I assumed it was. Especially in recent years, with all our concern with "bullies" and "abusers," I realize that the field makes some pretty strong value judgments about people's behavior. At a professional presentation on bullying, a pair of psychologists said research shows it doesn't help when teachers intervene in student bullying, "but teachers should intervene anyway because it is the moral thing to do." If an action isn't helpful, how can it be called "moral"? And even worse, what if the intervention actually exacerbates the problem (which it does)? Is it still moral to intervene? How many mental professionals do you know who had a college or graduate course in morality? Unless they were in divinity schools or minored in philosophy, probably none. Morality is neither a simple nor an obvious matter, yet the mental health fields make decisions about right and wrong while having no academic training in morality. In comparison to religion, psychology's overall contributions to human happiness aren't terribly impressive. I have known many individuals who turned their lives completely around thanks to religion. Many people have implored me to join their religious groups so I can get the kinds of benefits they did. But rarely has anyone raved to me about their psychotherapy and beseeched me to go, too. And recent research shows that people who are involved in religious groups tend to be happier, healthier, and longer-living than people who don't. Some of the most successful therapeutic milieu, like the Twelve Steps of Alcoholics Anonymous, are based on belief in a higher power. So where has psychology gone wrong? Psychology Compared to Other Sciences If we compare the accomplishments of psychology with other branches of science, there is even less to write home about. The physical sciences have made mind- boggling advances, revealing the hidden worlds of outer space, the depths of the sea, and the composition of atoms. They have dramatically improved health, transportation and communication. Technology has brought us levels of luxury previously unknown even to kings. In contrast, what have the psychological sciences contributed to overall human happiness? Despite the objective advances in standard of living; despite the growing legions of mental health professionals in all types of settings; despite the laws forbidding various forms of abuse and neglect; and despite the entitlements granted individuals with disabilities, people feel as miserable and abused as ever. Families are falling apart faster than ever (the divorce rate in the US is now well over 50% and is even higher in many other developed countries). Depression and violence are considered epidemics, and almost everyone is being diagnosed with Post Traumatic Stress Disorder. Why Psychology Hasn't Fared as Well as Other Sciences The great advances in other sciences were made possible by the invention of new tools like telescopes, microscopes, and all types of electrical and electronic devices, that gave access to information otherwise beyond our grasp. On the other hand, the primary tools of the psychological professions – talking, listening, and observing – have always been around and used by people seeking to understand and improve the human condition. Thousands of years of observation by wise people have yielded many universal or near-universal principals that work to make life better. Sure, we've made big advances in neurological understanding thanks to the tools of the physical sciences. But our current general understanding of psychological health is not substantially different from that obtained by philosophers thousands of years ago. In fact, if we had to choose between ancient wisdom and modern psychological teachings, I suspect we would often do better betting on the ancient wisdom. The psychological sciences, now in their second century, set out with a new approach – using the scientific method to learn about people. In a sense, they threw away previous knowledge and set out to reinvent the wheel. The problem is that the lens through which they have studied people is a limited one and has missed what the religions have taken for granted. What is that limited lens? The lens of the individual. Psychology is essentially INDIVIDUAL psychology. We study individuals in depth in the psychotherapy office, we do psychological testing on individuals, we perform experiments on individuals, and we survey individuals. But the study of the individual is inadequate to accurately understand human behavior. Why? Three Levels of Existence We ARE individuals, but we are not ONLY individuals. Though we are not aware of it, we actually live at three levels simultaneously, and I do not mean this in any mystical sense. Our simplest level of life is the cellular. We are each comprised of approximately one hundred trillion cells! Each cell is a complete living organism that performs all the tasks that define life: they eat, eliminate, reproduce, and try to stay alive and healthy while avoiding harm. Each cell does two things at one time: it maintains its own health while performing a service that contributes to the health of the whole individual. Yes, reader, you are literally a galaxy of active, living cells working to keep you alive. But can you feel the life of these individual cells? Of course not. You are conscious of only one living entity. And none of your individual cells are aware of you, either. The third level of existence is as part of the larger group of humans (which in turn is a subgroup of the whole of life on the planet). We exist only by virtue of the activity of other humans that form our species, and of the countless generations of humans that preceded us. The well-being of humanity is dependent upon the activity of the individuals, and the well-being of the individuals is dependent upon the well-being of humanity. Like our cells, we are biologically programmed to perform functions that benefit the larger group without being aware of this programming. As it is impossible to make sense of the individual behavior of our cells without considering that they are part of a larger body, it is impossible to comprehend individual human behavior without considering its role within the larger social group. And this is where the limitation of psychology comes in. With its overwhelming focus on the individual as the unit of life, psychology has developed a skewed image. We've sympathetically listened to the complaints of individual clients and concluded that human misery is caused by the abusive, neglectful, and traumatizing events in their lives, or by inequities resulting in handicapping conditions. In the belief that happiness comes from a life free of such events, psychology has lobbied for individual rights and entitlements – requiring society to protect people from harmful experiences and to level the playing field for those dealt a deficient biological deck. The problem with this is that our individual happiness does not come from society guaranteeing us as pleasant a life as possible. As we see so clearly with children, the harder we try to prevent them from experiencing frustration and deprivation, the more spoiled they become. And instead of appreciating all we do for them, they explode in anger when we don't give them what they want. The key to happiness lies not in the struggle to receive your individual entitlements, but in acting for the welfare of others. As President Kennedy said, "Ask not what your country can do for you; ask what you can do for your country." And this is what religions have understood – that we are part of something bigger. That is why religions encourage things like respecting parents, giving charity, praying for others, helping the sick, weak, and downtrodden, and loving thy neighbor as thyself. The day that psychology recognizes this fully is the day that psychology may be able to compete with religion.


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Home / Sports / Mom, to them all
Mom, to them all
ESPN will have special Mother's Day feature
It was just really inspiring to see the number of lives that she's been able to change through this. A coach impacts the lives of all the kids that come through his program and they become his sons in some way, but it's nice to look at the other side and see the number of lives Peggy has impacted in her own way." - Ben Webber, ESPN Features Unit producer
Sunday ESPN Feature to Focus on Wife of Presbyterian College Coach
For Mother's Day, the Sunday, May 8, SC Featured segment on ESPN SportsCenter tells the story of an important decision made 10 years ago by Peggy Nibert, wife of Presbyterian College basketball coach Gregg Nibert, that changed their lives and the lives of a number of suffering children.
As Tom Rinaldi reports, by choosing to be foster parents, the Niberts have taken in more than 40 children, many with injuries such as concussions and broken bones. Peggy has given these children a chance at life, a chance to love, and most importantly, a mother.
"A Mother's Mission" will debut in the 10 a.m. ET edition of SportsCenter and will re-air in other editions throughout the day.
Preview clip HERE
Some additional information:
http://www.espnfrontrow.com/2016/05/espns-journalism-showcase-may-6-2016/
Peggy Nibert

redpajama_set_name: RedPajamaCommonCrawl


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Ashvegas movie review: The Great Gatsby
in Asheville film — by Lurphy DePalma — May 14, 2013
Do your cocktails come with fireworks?
(Warner Bros.)
On a visual and sonic level, Baz Luhrmann's The Great Gatsby lives up to its glittery timeline-blurring potential. His camera swooping through a gorgeously rendered 1920s New York that out-sparkles his similar Parisian swoops in Moulin Rouge!, the director updates F. Scott Fitzgerald's beloved tragedy of the self-made American Dream with energy to spare. Expectedly taking its fair share of liberties, it's the film's surprising adherence to the source material, however, that prevents it from truly rising above. As such, a rousing good time gives way to dramatic drudgery that sorely lacks the eye and ear candy to overcome the classic story's onscreen weaknesses.
What a waste of good Andre…
Framed by an effective writing-as-therapy angle that, like many of The Great Gatsby's elements, also mirrors Moulin Rouge!, the film recounts the great love and respect of Nick Carraway (Tobey Maguire) for his neighbor Jay Gatsby (Leonardo DiCaprio). Simply trying to work his way up in the world as a bond salesman, Nick is catapulted into the booming society around him and its opulent homes, beautifully rendered by Luhrmann and his gifted production designers. Guided by wealthy Tom Buchanan (Joel Edgerton, embracing his inner bastard), the husband of his cousin Daisy (Carey Mulligan), Nick experiences the splendor and frenzied danger of this lifestyle, capped with a party at Tom's secret apartment where an unrecognizable Isla Fisher as his saucy mistress Myrtle Wilson holds court.
Cue the neurotic narration!
The world becomes an even more exciting place once Nick at last meets the elusive Gatsby. As played by DiCaprio, looking boyishly handsome and happy for the first time since Catch Me If You Can, the eponymous hero wields a confidence and magnetism that outshines his contemporaries. Joyfully speeding through the city in his yellow custom convertible, he and Nick pass such distinctly Luhrmannesque delights as a car of wealthy African Americans blasting Jay-Z's "Izzo (H.O.V.A.)" and receive V.I.P. treatment at a speakeasy where the rapper's music continues its oddly fitting Idlewild-like appeal. In Gatsby's care, Nick experiences the peak of high society at his new friend's grandiose, all-inclusive parties, and with the assistance of Gershwin's "Rhapsody in Blue" (set to fireworks, no less, in a boozy, colorized nod to Woody Allen's Manhattan) the lavishness of the particular time and place come through in delicious fashion.
OK, now I see what Sinatra's talking about.
The purpose of this friendship, however, is for Nick to help Gatsby reconnect with Daisy, the old flame for whom the millionaire's showmanship is solely designed. Once they are indeed reunited, the mystique and discovery that carries the film's first half gives way to a stodgy, somewhat repetitive secret love section, paired with a more subdued visual style and a considerable decrease in atmospheric splendor. Even at Gatsby's subsequent parties, the mood is noticeably less vibrant, and though Luhrmann manages to occasionally revive the allure, both the story's intrigue and its dizzying sensory display never quite recover.
Where's the Elton John singalong when you need it?
These issues are likely more inherent of Fitzgerald's writing than Lurhmann's film, but by remaining faithful to literary events that translate poorly to the screen, The Great Gatsby does itself a disservice. Similar issues dog Joe Wright's recent Anna Karenina, another visually creative adaptation whose imaginative style ultimately has its limits. In both cases, a little more movie magic is required to overcome the respective source material's cinematic flaws, yet the calls go unrequited. For Gatsby especially, that's not to say that the magic is missing on the whole, just that it's mysteriously absent when needed most. Still, if Luhrmann's showmanship can't elevate these crucial scenes while capturing the essence of the novel, perhaps no one can.
Rated PG-13 for some violent images, sexual content, smoking, partying and brief language.
The Great Gatsby is currently playing at the Carolina Cinemas on Hendersonville Rd.
[youtube http://www.youtube.com/watch?v=TaBVLhcHcc0]
Tags: Baz Luhrmann, Carey Mulligan, featured, Isla Fisher, Joel Edgerton, Leonardo DiCaprio, movie review, The Great Gatsby, Tobey Maguire
Author: Lurphy DePalma
Larry Halstead is a tech nerd with an affinity for arts & sports. Reppin' the hard streets of South Asheville for almost 15 years. He's made this city home and has vowed to never stop fighting to keep it as weird & unique as possible.
Pingback: The Week in Film: 21st century 'Say Anything' edition


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Spray a muffin tin with nonstick baking spray and set aside.
cereal and milk and let soak for about 2 – 3 minutes.
In a large bowl, sift together the flour, baking powder, cinnamon, nutmeg and salt.
In another bowl, beat the egg until it is slightly fluffy.
Mix in the applesauce, brown sugar and butter until everything is combined.
Add the flour mixture to the wet mixture, making sure to mix thoroughly.
cereal mixture and the apples until it forms a bit of a lumpy batter.
Bake for about 20 – 25 minutes or until a toothpick inserted in the center comes out clean.
Let rest in the pan for about 5 minutes or so and then remove to a wire rack to cool.


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If Syria is attacked, don't expect a big Canadian role
Stephen Saideman
Published August 27, 2013 Updated May 11, 2018
With the apparent use of chemical weapons against civilians, Syrian president Bashar al-Assad has crossed Barack Obama's red line. There is now renewed discussion of the possibility of Western intervention. With a Russian veto certain at the United Nations Security Council, Mr. Obama's staff is looking at the Kosovo example to see how to get as much international support and legitimacy for any military options.
Hitting Syria with cruise missiles is relatively cost-free (even in a time of sequestration). But it would be kabuki theater, as the missiles would do some minimal damage but not make a difference on the ground. It might satisfy demands to "do something," but maybe not even that.
There is some discussion of a no-fly zone – an option that would theoretically not allow us to avoid using ground troops, as we did in Libya – but people are confusing what really happened in Libya with a no-fly zone. Sure, NATO stopped Libya from flying its planes and helicopters, but it did far more than that. Its stance of "protecting civilians" really meant taking the side of the rebels against Moammar Gadhafi and becoming the source of close air support that any land force would want and need. In Syria, a no-fly zone on its own would not make that much impact since Mr. Assad could still rely on missiles and artillery to do significant damage to his opposition and to the civilians. A Libyan-type operation faces a key constraint: the Syrian opposition is deeply divided and much of it hostile to the West, so taking sides is really hard.
The use of ground forces would be necessary to secure the chemical weapons and probably to remove Mr. Assad. Yet most countries are unlikely to take that kind of risk and pay that kind of price after several wars and a 5-year period of austerity.
We not only face some huge questions about how to respond to the Syrian use of chemical weapons, but about who will be joining the United States. If we are to learn from the 1999 Kosovo action (aside from how to act in concert without a United Nations resolution) and from Libya, the first lesson is that getting a NATO decision is really difficult, and that even when you reach consensus in NATO's Brussels headquarters, that does not mean that everyone will contribute. Previous efforts to help Syria's neighbour Turkey (a NATO member), which is how a NATO decision would be justified, have often foundered on the sad reality that many NATO countries are fairly antagonistic towards Turkey.
France and the United Kingdom might be likely to join such an effort because of historic interests in the region, large immigrant communities with ties to those being harmed. While both are in the middle of significant austerity-induced military cuts, they still have the capabilities to help out. Germany is far less likely to join in despite still having a fairly robust (in European terms) military. Germany opted out of Libya, which had far fewer risks, so it is hard to see how German leaders would be more enthusiastic about a more complex Syrian mission. Also, Germany has elections coming up. Poland, which ducked out of the Libyan effort but did operate in dangerous places in Afghanistan, apparently is more willing to participate here.
So, when the question turns to what will Canada do, it is hard to believe that Prime Minister Stephen Harper will be as enthusiastic this time as he was two years ago. The probability of success is low. The Libyan mission should remind people that these efforts take much time and money. Given that the budget situation back in Ottawa is still quite tight, and Mr. Harper's focus has been on putting the military back in the background as the 2015 election approaches, it is not clear why the Prime Minister would decide that Canada will make a meaningful contribution.
However, there is a wild card in the Canadian outlook. Mr. Harper's enthusiasm for Israel and antipathy towards Iran are both well known. Given that Hezbollah, the pro-Iranian militia, has sided with Mr. Assad, it might be the case that Syria is viewed through the same lens that led to Canada's closing of its embassy in Tehran and of Iran's embassy in Ottawa. Another added layer of complexity is that many of the forces arrayed against Mr. Assad within Syria are hostile to Israel and to the West, so it is not clear what would be best for Israel, except perhaps a stalemate. Would the West be so cynical as to do just enough to keep the civil war going? Would Mr. Harper support such an effort? It is not clear, but with a majority in parliament, the Prime Minister has a far freer hand now than he did when the Libyan effort started.
Would it harm relations with the United States to stay out of it? Probably not. Given Mr. Obama's ambivalence, it is hard to see how anyone in the U.S. would mind other countries being less enthusiastic. Moreover, Mr. Obama's diplomacy would be focused on Russia, China and Europe. Finally, Canada would not be alone, no matter which course of action it follows, as some NATO members will participate, some will opt out, and others will contribute in a most token way.
Mr. Harper has surprised people before, with the sudden announcements of the Afghanistan training mission and the military assistance to France in Mali last year. So predicting what he will do next can be a foolish enterprise, but if I had to bet, I would put my money on Canada not taking a substantial part in the upcoming effort against Syria.
Stephen Saideman is the Paterson chair in international affairs at Carleton University.
Syria: War is looming, but is justice possible?
Latest developments in world's reaction to Syrian gas attack allegations
On Syria's atrocities, the Security Council must seek justice


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35 dengue deaths in West Bengal since January, says Chief Secretaryhttps://indianexpress.com/article/india/35-dengue-deaths-in-west-bengal-since-january-says-chief-secretary-4904713/
35 dengue deaths in West Bengal since January, says Chief Secretary
Dey said the state government is not trying to suppress any information regarding dengue cases or deaths. Though dengue is mostly a city-centric, this year, such cases were from suburban areas and districts, he said.
By PTI |Kolkata | Published: October 24, 2017 8:24:49 pm
Maharashtra: Dengue toll rises to three; 1,059 cases so far
Bengaluru: BBMP registers 1041 dengue cases in 2019, doctors say numbers downplayed
Study to identify dengue hotspots across country
18,238 cases of dengue have been reported from different parts of West Bengal. (Representational Image)
Since January this year, 18,238 cases of dengue have been reported from different parts of West Bengal, while 35 people have died due to the vector-borne disease till today, state Chief Secretary Malay Dey said. He said during the same period last year, 20,140 cases of dengue were reported and the number of deaths stood at 40.
Asserting that there was nothing to panic, Dey told reporters, "There have been reports of viral fever but not all are dengue. Laboratories are conducting rapid tests to ascertain dengue which is not acceptable." While ascertaining dengue, laboratories should follow the protocol set by the World Health Organisation (WHO) or else the state government would take necessary action against them for wrong diagnosis and creating panic, he said.
"We are monitoring the situation on a daily basis. We have taken appropriate preventive measures," Dey said, adding that all municipalities and panchayats have been asked to be cautious. "The figures (dengue cases and deaths) were much higher last year. There is no abnormality in dengue incidences this year. So there is nothing to panic," the officer said.
1 Money Laundering case: Telangana legislative council leader named in chargesheet against meat exporter Moin Qureshi
2 Sambit Patra's appointment to ONGC Board challenged in Delhi High Court
3 No stage, loudspeaker at Chhath Puja ground: Delhi High Court


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In the Spider's Web
A Nonfiction Novel
Jerome Gold
Black Heron Press (May 20, 2015)
2015 INDIES Winner
Silver, True Crime (Adult Nonfiction)
Striking, deeply honest, and sensitively told, this novel based in real life considers juvenile prisons and all its dramas.
Jerome Gold calls In the Spider's Web a "nonfiction novel." In it, he depicts the routines and characters of a prison for juveniles, centering on one young woman in particular. All the events really happened and are drawn from his years working as a rehabilitation counselor at the institution he calls Ash Meadow—some supporting characters are composites, but all the major players are real people; names except his own, places, and some other details are changed to shield identities. As might be expected, the stories Gold relates are often disturbing, but they are beautifully told from a sober and compassionate perspective.
Caitlin Weber was convicted of the murder of her mother's employer. Caitlin and four other teens, under the direction of her mother, to whom Caitlin was said to be "uniquely loyal," beat the man with baseball bats and stabbed him to death, when Caitlin was thirteen. At fourteen, Caitlin entered Ash Meadow, where Jerry requested to be assigned as her case manager. The two became very close as Caitlin worked toward recovering from her trauma, establishing healthier relationships, and, ultimately, being rehabilitated.
Gold also details the drama and dysfunction of staff relationships. Gifted and caring counselors do immensely good work there, but at the other end of the spectrum lie abuse, neglect, and failures that are as troubling to read about as the lives of the young prisoners.
Gold's characters are fully developed and complex; even juvenile murderers are surprisingly sympathetic once their full stories are told. The dialogue is not always linear and clear, thus accurately representing the troubled minds involved. The tone of Gold's remembrances is wandering, quiet, and contemplative, and also often searingly angry or hurt. A war veteran, Gold brings his own wounds to this different field of conflict.
Caitlin's story does not wrap up neatly, because it is true. But in Gold's tender, precise prose, Caitlin comes vividly to life and gains the fair consideration he asks for her.
Reviewed by Julia Jenkins
Certain and Impossible Events
Last Second in Dallas


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There were a lot of highlights from this morning's Trooping the Colour celebrations – from Meghan Markle's stunning pink ensemble to the moment when Prince William & Prince Charles lost a battle with their bearskin hats – but the standout of the day has to be Savannah Phillips. The Queen's seven-year-old great granddaughter stole the show several different times during the ceremony: jokingly conducting the orchestra, putting a hand over cousin Prince George's mouth, and generally making her excitement adorably clear. Here are the key things to know about her.


text:
Home Food+Drink Asheville's Craft Beer Explosion
Asheville's Craft Beer Explosion
by Marla Hardee Milling
Margaret Hester photo
Two of the nation's top craft breweries, New Belgium, based in Fort Collins, Colo., and Sierra Nevada, based in Chico, Calif., are moving full steam ahead on plans to expand their production with new breweries in Asheville and Mills River, respectively.
Anna Wong worried at times about her husband's decision to come out of retirement to launch a brewery in Asheville, N.C. "Do you have any idea what you're doing?" she asked the former engineer. But Oscar was persistent, and in eight years Highland Brewing Company finally broke even.
The first legal brewery to open in Asheville since the Prohibition, Highland Brewing surpassed 30,000 barrels of beer last year—25 times its 1994 production. Today Highland offers five year-round beers—St. Teresa's Pale Ale, Gaelic Ale (the best seller), Kashmir IPA (British styled), Oatmeal Porter and Black Mocha Stout. Seasonal brews include the popular Cold Mountain Winter Ale and Thunderstruck Coffee Porter, among others.
The 73-year-old Wong holds status as somewhat of a rock star in the Asheville craft brewing scene since he helped blaze the path that's led to a growing interest in regional craft beers, as well as, Asheville's claim to fame as Beer City U.S.A. for four straight years as the result of an online poll conducted by the Examiner.com.
"I'm a very fortunate pioneer," Wong said. "It was the right time in the right category. My thought was we'd become the top in the area with maybe one or two other breweries opening up. But there are ten, soon to be twelve, in Asheville alone.
"I see Western North Carolina becoming a real brewing Mecca," he continues. "The fact that New Belgium and Sierra Nevada are moving here shows there is a good water supply, accepting community and quality of life. That's what happened in Colorado and Portland."
Heading East
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"Our hope is to do some test batches later on this summer and ideally be producing beer and getting it out the door this fall," says Ryan Arnold, communications manager for Sierra Nevada.
A small portion of Sierra Nevada's 180-acre site in Mills River will be used for the production facility. The majority of land will remain untouched and in its natural state.
"We'll look at how to incorporate that into outdoor recreation," Arnold said. "We will have a tap room and restaurant, river access and hiking trails, but those items won't start surfacing until 2014."
Once the tap room and other things get cranked up, Arnold estimates Sierra Nevada will employ 80 to 100 people in Mills River, with an additional 40 to 60 part-time jobs.
At the site of New Belgium's facility in Asheville's River Arts District, spokesman Brian Simpson says the company is finishing up deconstruction of old buildings on the property. "We are working with Old World Architectural Salvage in Asheville to reuse and repurpose as much as possible," he said.
The next step focuses on flood plain mitigation, with ground breaking expected to be held in September with an estimated completion date of January 2015.
The site will include a 400,000-barrel production facility, brewhouse, and bottling line. "We'll also have a tasting facility called the Liquid Center which is an opportunity for folks to try our beers, plus on-site tours, and an open space—green pasture area for events down the road," says Simpson.
"Quality of life was really the determining factor," Simpson said, when asked how Asheville was chosen for their new brewery. "It's a great community that appreciates craft brewing. There's great quality water and it's centrally located, which makes it perfect for distributing up and down the East Coast."
Simpson said the company looks forward to collaborating on new varieties with other breweries in the area. While their main production will focus on the core products, they will make some interesting smaller batch beers in Asheville.
Down the road in Brevard, Oskar Blues, based in Longmont, Colo., opened the doors of a new facility in December 2012. While Brevard is 45 minutes from Asheville, the company has found a way to appeal to Asheville's craft beer fans by offering free trolley rides to its brewery. Every Saturday and Sunday, the Oskar Blues trolley picks up riders on a first come, first serve basis in front of the Aloft Hotel at 51 Biltmore Avenue in Asheville. Aloft is located right across from Barley's Taproom—one of the town's best-known places for a pint. Pick up is at 5 p.m. on Saturday with participants dropped back in Asheville at 9 p.m. On Sunday pick up is at 3 p.m. with drop off at 7 p.m.
Dodie Stephens, senior communications manager at the Asheville Convention & Visitors Bureau, sees the craft beer scene growth as an acknowledgement of the industry's strength in the region. "The fact that several respected national craft beer brands have chosen the Asheville area further solidifies Western N.C. as a brewing stronghold in the east," she said. "It's no coincidence these breweries have planned significant tourism and experiential components."
"Some say we've reached critical mass, but I don't believe we're there yet," said Julie Atallah who, with her husband Jason, owns Bruisin' Ales beer store in downtown Asheville. "Time will tell the impact of big players like New Belgium, Sierra Nevada and Oskar Blues, but it does mean jobs, and the industry, as a whole, is good for the community."
Nationwide Trend
Latest figures from the Brewers Association, the largest organization of brewers in the U.S., indicate there were 2,403 total breweries across the country in operation for some or all of 2012. This is the largest number of brewers since before the Prohibition. The retail dollar value for craft brews in 2012 was an estimated $10.2 billion, up from $8.7 billion in 2011. Craft brewers sold an estimated 13,235,917 barrels in 2012, an increase over the 11,467,337 barrels in 2011.
"Beer has been a big part of U.S. history. Prohibition got in the way of that," Atallah said. "Beer never went away, but many styles were lost. I like to think of the resurgence of craft beer breweries as a 'renaissance.' There's a new awareness and creativity and the craft beer resurgence follows the trend to bring things back to the local level. It's nice to drink a beer that came from five miles down the road."
One of those favorite breweries "down the road" for many Asheville locals, as well as tourists, is The Wedge, owned by Tim Schaller, a past president of the Asheville Brewers Alliance. The brewery is located in Asheville's trendy River Arts District.
The late John Payne, who once owned the building where The Wedge is housed, used to hang out with Schaller. The two would frequent Dirty Jacks bar—now part of Green Man Brewery in downtown—and they envisioned a similar place, "an old man's bar with no TV and about 20 to 30 people sitting around voicing their opinion."
As beer lovers tasted the brews, word spread and the crowds grew larger. The rising exposure of the River Arts District also attracted new people. "People kept coming," says Schaller. "They would sit on rocks in the parking lot so we've had to adapt to that.
"We're not big in terms of production," he adds. "That allows us to make really good beer. It's less pretentious, but good quality. People come in to have a conversation. That's a big deal right now in an age where everyone is texting and no one is talking to each other."
One of the The Wedge's beers received a nod on CNN blog's "Best beers of 2012." The Vadim Bora Russian Imperial Stout honors the memory of the internationally known sculptor and artist who lived in Asheville and suddenly passed away in 2011.
Asheville's Emerging Brewery District
The newest buzz in Asheville's craft beer scene is coming from an area of town known as the South Slope. Green Man Brewery, which is the second oldest in Asheville, has been flying under the radar a bit for years at its unassuming location on Buxton Avenue, but everything is about to change.
Green Man, owned by Dennis Thies, has gone through a massive expansion with a new 30-barrel system and 12-ounce bottle production. Thies also purchased another building at the corner of Buxton and Lexington as well as an adjacent lot where he plans to build an 8,200-foot warehouse. The tasting room once known as Dirty Jacks now features a 10-barrel brewing system, a laid back bar in a welcoming environment and outdoor patio.
"What's happening is quite epic," Thiese said. "They used to say you couldn't swing a yoga teacher without hitting a massage therapist in Asheville. Now, it's you can't swing a brewer without hitting another brewer.
"Certainly with competition, it's been like the Las Vegas strip of breweries, but we don't worry about that," Thiese said. "We will just focus on what we do. We feel like we have a brand that's important to Asheville. We'll never compromise the quality of our beer or our brand. In a nutshell, it's the craft beer lovers of Asheville who have enabled all of this."
Burial Beer is one of the newcomers to the South Slope area. The three partners—husband and wife team Doug and Jessica Reiser and Tim Gormley—plan to open what they call a "nano-brewery" by early June.
"We're starting with a 30-gallon or 1 barrel system," Jessica Reiser said. "Most production breweries are doing at least seven barrels, so we're starting out small."
They are looking for two to eight acres of land outside of Asheville where they can expand their operation. Right now, though, they are focused on making their mark at their location on Collier Avenue.
"We're right around the corner from Green Man," Jessica Reiser said. "We feel really lucky to be close to them. They've been really supportive of our tiny little operation. We've gone to them for advice and information. They have such a great business model."
Similarly, Steph Weber says she and her husband, Tim, can't believe their luck. They made plans to open Twin Leaf Brewery at the corner of Coxe and Banks Avenues before hearing about other South Slope activity.
"We chose the spot because we like the laid-back, open feel of that area of downtown, and the building is absolutely perfect for a brewery," Steph said. "After we chose it, we started hearing all the news about the up-and-coming South Slope and all the new businesses and growth coming to the area."
Steph and Tim are both mechanical engineers by training. They began making their own home brews right after college in 2006 and soon began dreaming of one day opening their own brewery. When they realized they were miserable in the corporate world, they decided the time was right last summer to move from southeast Pennsylvania to Asheville and launch their business.
The couple received certification from the American Brewers Guild after completing an intensive Brewing Science and Engineering Program in 2011. "Tim built our computer-controlled automated pilot system, and we've brewed around 250 test batches over the last 7 years," Steph said.
Hi-Wire Brewing is up and running in space once occupied by Craggie Brewing on Hilliard Avenue. Adam Charnack and Chris Frosaker are the two primary owners, and they're excited to introduce Asheville to what they call "sessionable" brews. "These are craft beers that are not overly alcoholic," explains Charnack. "This allows people to have sessions where they can have more than one or two at a time."
The brand features a circus theme with hand drawn artwork and four year round brews—the Hi-Wire Lager, Prime Time Pale Ale, Hi-Pitch IPA and a brown ale called Bed of Nails Brown. They'll also create an eccentric line up of seasonal beers.
"We think people will find our beers approachable and find our brand fun," Charnack said. "2013 is going to be crazy and we're excited. I firmly believe Asheville will become the east coast capital of craft brewing."
Brewing frenzy
The boom in craft brewing isn't limited to what's going on in Asheville, N.C. Brewers in other parts of WNC and East Tennessee are also jumping on the bandwagon.
"We're not quite at the pace of Asheville, but we're catching up," says Marty Velas, director of brewing operations of Smoky Mountain Brewery, which has locations in Pigeon Forge, Gatlinburg, Turkey Creek and Maryville.
Smoky Mountain Brewery produces ten regular beers and four seasonal varieties. The staff also experiments at times with one-off flavors. Of the regular offerings, the Mountain Light (pale, American style lager) is the best seller, followed by the Velas Hellas (German styled lager) and the Cherokee Ale (amber ale).
"I did my training in Bavaria," says Velas. "We specialize in lager beers and brew them without preservatives. It's making the craft brewing industry so popular—people tasting beer at the source. Beer doesn't age well. The closer you can get it released from the brewery, the better it is."
Part of the reason for Tennesee's delay in brewery industry growth has been the state's regulatory atmosphere. "We've actually had some laws changed in the past couple of months," Velas said.
One issue was the Tennessee Alcoholic Beverage Commission's restriction on "to-go" beer sales, which Velas says is being addressed. Taxing was another issue. "The taxing had been punitive to small brewers," Velas said. "Craft beer is a higher cost per unit to produce, but we were taxed on those numbers instead of a flat excise tax." A new law changes the tax rate to volume, making it the same for all brewers.
Velas says among tourists who visit Smoky Mountain Brewery, many say they build their trips around a night or two at the brewery. They enjoy the fresh beer and the music. The brewery also offers sales of 12 ounce bottles featuring eight flavors as well as growler jugs that are filled right at the tap and mini-kegs.
Learning the Craft
With all the interest in the craft beer industry, new programs are popping up at area tech schools and colleges. Asheville-Bumcombe Technical College in Asheville has added craft brewing classes to its slate of offerings as well as classes in beer management and distribution and sales. At Appalachian State University in Boone, N.C., students are signing up for a new B.S. degree in Fermentation Sciences or earning a B.S. in Chemistry with a fermentation concentration.
"The industry is growing quite rapidly and I think that growth will continue for some time," says Dr. Brett Taubman, assistant professor in the Department of Chemistry at Appalachian and head of the High Country Brew Fest held on the ASU campus each September.
"Our program is designed to accommodate growth in many industries and gives students a very hands on experience," he continues. They can pretty much hit the ground running when they graduate."
One student, Nathan Kelischek, has already opened his own brewery in Boone—Appalachian Mountain Brewery. Kelischek ran the High Country Brew Fest's pizza and beer pairing class last year, leading a group of more than thirty eager drinkers and eaters through rounds including Duvel paired with Mellow Mushroom's Philosopher's Pie featuring an olive oil and garlic base with grilled steak, portobello mushrooms, artichoke hearts, and Kalamata olives; Stone Brewing's Arrogant Bastard, and American Strong ale, partnered with the aptly named Mighty Meaty; Sam Smith Oatmeal Stout with Funky Q. Chicken, a barbecue sauce based pizza; and the floral and hoppy Bell's Two Hearted Ale with Maui Wowie, a pesto pie with pineapple, jerk chicken, and banana peppers. Kelischek's own Appalachian Mountain Brewery is open on Boone Creek Drive and offers Long Leaf IPA, 163 Pale Ale, King's Kolsch, and Black Gold Porter.
ASU's program is in high demand, but Taubman is quick to point out that it's about far more than fun. Students graduating from the program have gone on to work at major breweries across the industry and are trained to do a lot more than just drink a cold one.
"We've got about a dozen students in the major right now with the same number in the chemistry degree program with the fermentation concentration," says Taubman. "Next fall we expect close to 50 majors. It's a very rigorous scientific program—not just for people who want to brew beer. This is for people who want to be fermentation scientists. They could go to work in many industries from environmental consulting to alternative fuels to pharmaceuticals."
From tasting rooms at the breweries to area restaurants and bars featuring craft beers on tap,
as well as festivals and special events, there are many ways to enjoy Asheville's beer scene and to develop an expanded appreciation for the craft beers being produced. Here's a quick look at some things to put on your craft brewing bucket list:
Beer City Fest: This annual event takes place in downtown Asheville on the Roger McGuire Green. Dozens of breweries will be pouring their brews, plus live music. Asheville Beer Week leads up to this festival and offers a variety of tastings, dinners, speakers and other beer-related fun.ashevillebeerweek.com
Brewgrass Festival: There's always a mad scramble for tickets once they go on sale for this festival. More than 40 different breweries will set up booths where they will distribute samples of more than 120 different beers. Set this year for September 21, noon to 7 p.m. in Martin Luther King Jr. Park in downtown Asheville. brewgrassfestival.com
Book a Tour: Asheville Brews Cruise provides an easy way to visit a variety of breweries, tour the facilities, sample the beer and learn more about the history of why Asheville has risen to Beer City status. ashevillebrewscruise.com
Buy a Book: Anne Fitten Glenn, the former beer columnist for Asheville's Mountain Xpress and current regional marketing rep for Oskar Blues brewery in Brevard, authored a comprehensive guide called Asheville Beer: An Intoxicating History of Mountain Brewing. Published in 2012, the book details the history of beer in Asheville and how it has evolved, along with information about area breweries. She's @brewgasm on Twitter and has a website of the same name: brewgasm.com
Asheville, N.C. industry brewing Feature


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redpajama_set_name: RedPajamaGithub


Cloverleaf was Mackenzie Webster's second chance. It was the place where she dreamed of starting over and creating a new life for her and her children. She had a carefully thought-out plan for what this new life would look like, and nowhere in it was there room for a relationship. But the one thing Kenzie never counted on was meeting Brett Halstead.
Brett was all about fun and friends. "Long term" wasn't a phrase that fit his lifestyle. That was, until Kenzie walked into town and turned his laid back world on its head. Now he wants serious. He wants long term. And he wants it with Kenzie and her kids.
But her past refuses to go away, threatening to tear the couple apart.
Praying that the damage hasn't already been done, Brett decides to take on the task of breaking through Kenzie's walls to show her that love doesn't always hurt. She's a challenge he's determined to win, because a life with Kenzie is worth the wait. And he'll do whatever it takes to prove that to her.


text:
Dutchmen Rally to Force Extras but Lose in 11 Innings
Tuesday, June 15, the Albany Dutchmen fall to the Amsterdam Mohawks 11-10 in 11 innings. The Dutchmen trailed 8-3 after five innings but battled back to tie the game and send it to extra innings.
The Amsterdam Mohawks opened up the scoring in the bottom of the first inning when Bryce Eblin (Alabama) crossed the plate to make it 1-0. The Mohawks would then tack on another run later in the inning when Robbie Armitage (Marist) drove in Brett Coker (Middle Tennessee St) on a single.
The home side would keep on rolling in the next two innings. Adding two more runs in the bottom of the second when Jake Reinisch (Wake Forest) scored on a wild pitch and Eblin drove in Keith Jones (Washington St) on a sac fly. It was an unearned run in the third that saw CJ Funk (Pittsburgh) score on an error by first baseman Kyle Vinci (Princeton).
The Dutchmen then got on the board with a three-run fourth inning highlighted by a Logan Beard (Louisville) rbi double that plated Adam Zebrowski (St. John Fisher). The other two runs were driven in by Jake Defayette (RPI) and Ryan McGee (Siena) on walks to make it 5-3.
That momentum would not last long for Albany as the Mohawks responded with three runs of their own in the bottom of the fifth. Starting with a Matt Shaw (Maryland) 2-run blast before Jones drove in Funk with a single.
That's when momentum shifted towards the Dutchmen. Down 8-3, the rally started in the seventh inning when Beard drove in Tom Kretzler (Brockport) on a groundball. Vinci then added to the fun with a double that brought in Zebrowski.
It went down to the wire before Albany could tie the game. With two outs in the ninth, down by 3 runs, Isaac Humphrey (Louisville) blasted a 3-run home run to left to tie the game at 8 runs apiece.
It was back and forth in extra innings. The Dutchmen struck first in the top of the tenth on a McGee double that drove in George Rainer (RPI) to make it 9-8, but the lead would not last. In the bottom half of the inning, the Mohawks struck back. Kai Roberts (Utah) crossed home plate to tie things up at 9-9.
The following inning, the Dutchmen re-took the lead on an rbi double by Zebrowski that brought Kretzler across home plate to give Albany a 10-9 lead. The Mohawks would then tie and win the game in the bottom half of the inning on a hit by pitch and an infield single to walk it off.
With the loss, the Dutchmen fall to 3-8 on the season. They return to action tomorrow when they face the Oneonta Outlaws on the road before returning home Friday night to face the Outlaws again.


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text:
The Rite of Spring 2021
Maiko Kasai, Meaning of the Lily, 2020
Yuka Tsuruno Gallery is pleased to present the group exhibition The Rite of Spring 2021, with Tim Barber, Tetsuro Kano, Maiko Kasai, Manika Nagare, Tomomi Nitta, and Raul Walch, from January 23rd to February 20th, 2021. Even amidst the threat of the virus and the protraction of global social uncertainty, the cycle of the seasons persists. In the same way that the long dormant spring abruptly swells up again and rekindles the light in each form of life, the exhibition seeks the breath of spring woven by a creative energy threaded through the six artists' practices.
Maiko Kasai, who often depicts young girls who appear to be floating in space, creates a timeless vibrance in combining recurring themes from the Western art historic tradition with her distinctive stylistic use of bold brushstrokes and white space. Composed of motifs such as girls, angels, doves, and white lilies, the annunciation scene delves into the essence of the relationship between painting and composing a new story, while incorporating a personal perspective and interpretation of the narrative.
Tomomi Nitta explores painting as an empirical extension that is both haptic and an experience of sensibility, as opposed to merely visual effect. She expresses the existential pursuits of the human being, as well as the infinite world and obscure perception engendered by such a practice. Recently she uses familiar plants as motifs in addition to the body, and the wild daffodil, which begins to bloom towards the end of winter, is an indication of spring to come, as well as a measure of recovery of life after a long hibernation under the snow.
Manika Nagare's early works consist of countless layers of colors and forms that assemble images induced by a curious imagination into the lives of others; people with whom she had no connection other than passing by them in the street. For Nagare, who examines colors that appear in paintings and Japanese culture from her personal perspective, this is also an attempt to use color and light to resonate the yet unseen vibrations that are concealed in seemingly insignificant moments.
The dynamics and contexts that inhabit public spaces are temporarily written by Raul Walch, who sheds light on various boundaries drawn in these spaces through public intervention. He creates mobile works that incorporate fabrics printed with patterns inspired from events and experiences whilst traversing various boundaries, which become a patchwork of diverse cultures, flags, and banners.
Tetsuro Kano uses daily objects and tools, and deconstructs their socially constructed symbols, meanings, and roles. He creates new environments and landscapes that exceed even the intention of the artist by incorporating birds and plants, beings that embrace a different perceptual awareness than that of humans. Considering how the fragmental parts come together, he works toward sculptures that are both a temporary installation and exist as a complete whole.
The photographic works of Tim Barber, who is at once a photographer, editor, and curator, capture familiar or nondescript scenes, yet evoke an enigmatic narrative. Weaved within these photos are hints as to how we coexist with these delicate moments in daily life, how we connect with the objects that appear within them, and how we can experience these things from a different perspective.
Maiko Kasai
Born 1983, Aichi. Kasai received an MA in oil painting from Kanazawa College of Art Graduate School. She received Second Prize in the Shell Art Award in 2008. Selected exhibitions include VOCA (The Ueno Royal Museum, Tokyo, 2016), Shell Art Award Artist Selection (The National Art Center, Tokyo, 2012), and 30th Outstanding Rising Artists Exhibition (Sompo Japan Museum of Art, Tokyo, 2011).
Tomomi Nitta
Born 1978, Nara. Nitta graduated with a law degree in 2001 from Kyoto University, and Tama University of the Arts in 2010. She previously studied art at Corcoran College of Art and Design and Pennsylvania Academy of the Fine Arts. Selected exhibitions include Hanging Garden at Japan Creative Centre (Embassy of Japan in Singapore, 2016), Presence: Figurative Painting (The Morris and Gwendolyn Cafritz Foundation Arts Center King Street Gallery, Maryland, 2015) and Likeness: Tomomi Nitta + Karen Ann Myer (The Athenaeum Gallery, Virginia, 2012).
Manika Nagare
Born 1975, Osaka. Nagare graduated from the department of painting at Joshibi University of Art and Design. She was an overseas artist-in-residence in the US sponsored by the Agency for Cultural Affairs (2002) and a recipient of the Pola Art Foundation Grant staying in the US and Turkey (2004). Her recent exhibitions include Re Construction (Nerima Art Museum, Tokyo, 2020), Tracing the Colors (POLA Museum of Art, Kanagawa, 2018), Takamatsu Contemporary Art Annual vol.05 – Visible Scenery, Invisible Scenery – (Takamatsu Art Museum, Takamatsu, 2016), and VOCA (The Ueno Royal Museum, Tokyo, 2000, 2006). She also engages in public art, collaborations with fashion brands, artistic supervision of dance performances and architectural spaces.
Raul Walch
Born 1980 in Frankfurt am Main, Raul Walch began studying sculpture at the Kunsthochschule Berlin-Weißensee, completed his studies Freien Kunst (free art) at the University of the Arts in Berlin with Olafur Eliasson and became a scholarship holder at Institut für Raumexperimente Berlin. His work has been exhibited at the Neue Nationalgalerie Berlin, Hamburger Bahnhof Berlin, Kunsthaus Dresden, and Kunstverein Arnsberg. Numerous artist-in-residence programs have made it possible to work internationally, such as Tokyo Arts and Space, the Nida Art Colony, and the Hessian Cultural Foundation. Walch currently teaches "Public Art and New Artistic Strategies" at the Bauhaus-University Weimar.
Tetsuro Kano
Born 1980, Miyagi. Kano holds a bachelor's degree from the Department of Environmental Design/City Environmental at Tokyo Zokei University (2005), and a master's degree in Fine Art from Tokyo Zokei University (2007). Recent exhibitions include ART MIYAGI 2019 (Miyagi Museum of Art, 2019), A bird in the garden, a cat in the room (Japan Creative Centre, Embassy of Japan in Singapore, 2017), BETWEEN BOTANY AND ART (Aichi Prefecture Museum, Aichi, 2015), Abstract maps, Concrete territories (Moerenuma Park, Sapporo, 2013), and Clear signs, Vivid tones (HARA MUSEUM ARC, Gunma, 2012).
Born 1979. Barber grew up in Amherst, Massachusetts, and is based in New York City. Known equally for his curatorial practice in addition to his photography, Barber was photo editor of Vice Magazine, and the mind behind the hugely influential online gallery and image archive www.tinyvices.com. He is also active commercially for fashion magazines, gaining momentum as one of New York's edgiest photographers.
Exhibition Outline
Tim Barber, Tetsuro Kano, Maiko Kasai, Manika Nagare, Tomomi Nitta, Raul Walch
Date: January 23 – February 20, 2021
Opening hours: Tue – Sat, 11am – 6pm (*During this exhibition period the gallery will also be open until 6pm on Fridays)
* Closed on Sunday, Monday, and National holidays
Works in Exhibition
©Yuka Tsuruno Gallery


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Area officials, Central Hudson prepare for…
Area officials, Central Hudson prepare for worst as Henri approaches Mid-Hudson region
Henri threatens to drop up to 6 inches of rain on region through Monday
This OES-16 East GeoColor satellite image taken Friday, Aug. 20, 2021, at 11:40 a.m. EDT., and provided by NOAA, shows Tropical Storm Henri in the Atlantic Ocean. Henri was expected to intensify into a hurricane by Saturday, the U.S. National Hurricane Center said. Impacts could be felt in New England states by Sunday, including on Cape Cod, which is teeming with tens of thousands of summer tourists. (NOAA via AP)
PUBLISHED: August 21, 2021 at 5:02 p.m. | UPDATED: August 21, 2021 at 8:12 p.m.
KINGSTON, N.Y. — Members of Ulster County's Division of Emergency Management were closely monitoring the weather situation as Hurricane Henri approached the Northeast and the Hudson Valley, Assistant Deputy County Executive Daniel Torres said Saturday morning.
Torres said the county had increased the number of emergency dispatchers working this weekend in the event there was a need for manpower to respond to issues with the storm. County officials have been updating local town supervisors and emergency responders with information about the changing weather conditions, he said.
The National Weather Service issued a flood watch for the Mid-Hudson Valley through Monday morning, August 23, and Gov. Andrew Cuomo declared a state of emergency for the Hudson Valley, the Capital District, Westchester County, New York City, and Long Island.
According to a weather service statement, moderate to heavy rain from Henri could result in widespread 2- to 5-inch rainfall amounts through Monday. The weather service said that up to 6 inches or more of rain was possible, especially in higher terrain areas.
Rainfall rates could cause flooding in urbanized and low-lying areas, according to the weather service, which said heavy rain falling in a short period of time could lead to quickly rising water levels in area rivers and streams.
Central Hudson Gas & Electric Corp. said in a press release Friday that it was readying crews and urging customers to be prepared for severe weather that could affect the region. In addition to rain, the storm could bring moderate winds to the area, the utility said; the combination could break tree limbs and topple trees onto power lines, causing electric service interruptions.
"We are closely monitoring weather conditions and our crews are prepared to respond if outages do occur," Ryan Hawthorne, vice president of electric engineering and operations at Central Hudson, said in a statement. "More than 100 mutual aid personnel are en route from outside our area to assist in system repairs and service restorations as needed. We also ask residents to exercise extra caution, as severe weather can create hazardous conditions."
Residents are advised to stay at least 30 feet away from downed power lines and remember that lines may be entangled and hidden in fallen trees and limbs. Residents should assume all downed lines are live, the utility said.


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The 41st National Smile Month, which has been taking place since 15 May, encourages health professionals to spread positive oral health messages in their communities. At hospitals across Kent, Surrey and Sussex, dental professionals are training ward staff on the importance of oral health with the Mouth Care Matters programme. The programme evolved when it was discovered that many inpatients at East Surrey Hospital had very dry mouths and there was no consensus of opinion over where mouth care should be recorded. Today, 12 hospital trusts in the region have Mouth Care Leads - dental nurses, general nurses and speech and language therapists - who are training hospital staff in mouth care and helping to maintain the health and dignity of numerous patients.
One of National Smile Month's key messages is to cut down on how often you have sugary foods and drinks. In this issue of BDJ Team our verifiable CPD article looks at the links between consuming sour novelty sweets such as 'Toxic Waste', 'Brain Ulcer' and 'Brain Blasterz' and developing dental erosion. These sweets, say the researchers, are of particular concern because they contain high levels of free sugars and acids, and they are marketed directly at children.
Have you ever wondered what it would be like to get involved in researching a dental-related topic yourself? Then be sure to read my interview with dental hygienist turned researcher Susan Bissett this month. Susan describes the moment when she was given a research fellowship as like a 'lottery win, a life changing-moment'. Her enthusiasm and passion for research are infectious.
BDJ Team will soon be launching its own submission site for original research - watch this space!


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Street Scene, DFest announce hiatuses
May 27, 2010 | 4:16pm ET
For all the Verge and Nateva's of the world (aka those music festivals set to debut this summer), there are even more which will be calling it a day. Following in the footsteps of 10,000 Lakes, All Points West, Rothbury, No Fun Fest, and Detour, both the Tulsa based DFest and the San Diego based Street Scene music festival have also announced plans for hiatuses in 2010.
Over the last eight years, DFest has taken over downtown Tulsa with an electric lineup of mainstream and local acts. Last year's edition, for example, featured The Black Crowes, Gogol Bordello, Cake, Bassnectar, and Delta Spirit. However, organizers of the festival say the "tough economy, rising production costs, and a decline in lower level corporate sponsorships and support," prevented them from going forward with this year's edition, reports Tulsa World.
"At the point we knew that we had exhausted any and all options and head into July 2010 with full steam, we decided to postpone the event on our own terms. The integrity and quality of Dfest is of the utmost importance to us as the creators of the event," explaiend DFest co-founders Tom and Angie Green in an issued press release.
Street Scene, on the other hand, blames major financial losses during its 25th anniversary edition last year. Despite a bill featuring M.I.A., Modest Mouse, Black Eyed Peas, The Dead Weather, and Cake, the festival drew an an attendance of nearly half of what was initially hoped. As a result, organizers founded themselves in debt for $2.8 million and were forced to liquidate assets, according to SignOnSanDiego.com.
Organizers of both festivals expressed hope for a return in 2011.
DFest


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REAL News 45
Chinese National Arrested for Stealing Apple's Trade Secrets
A Chinese national working for Apple's autonomous vehicle program — codenamed Project Titan — has been charged by the FBI with crimes related to intellectual property theft.
Jizhong Chen was arrested by FBI agents a day before he was scheduled to fly to China to begin work with a China-based autonomous vehicle company and direct competitor of Apple's vehicle project.
NBC Bay Area reported:
Apple learned Chen recently applied for a job at a China-based autonomous vehicle company –[XMotors] — that is a direct competitor of Apple's project, according to the complaint. A photo found on Chen's computer, which Apple provided to the FBI, showed an assembly drawing of an Apple-designed wiring harness for an autonomous vehicle.
Apple security found thousands of files — including hundreds of photographs taken from inside Apple's Project Titan building, and diagrams, manuals, and schematics — on Chen's personal computer related to the company's autonomous vehicle project.
Chen's arrest marks the second time in six months that FBI agents have accused a Chinese national working for Apple of stealing trade secrets related to the company's developing self-driving car project.
Apple Insider reported on the FBI's arrest of Xiaolang Zhang, who also sought to return to China to join China-based autonomous vehicle company XMotors:
Zhang made preparations to depart from Apple earlier this year while on paternity leave. During a meeting with management, Zhang said he intended to move to Guangzhou to tend to his ill mother and would take a position at Chinese electric car startup XMotors.
When the engineer handed over his company-issued laptop and iPhones, Apple's security team discovered unusual download activity that included access to confidential files. Security camera and security badge swipe data also placed Zhang in Apple labs during his leave, an action in violation of company policy.
Zhang was arrested at the San Jose International Airport while attempting to board a flight to Beijing.
Last week, Apple cut 200 employees from Project Titan.
Last October, Apple CEO Tim Cook said his company is committed to protecting the privacy of user information, despite Apple's storing of such data on servers in China.
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The list below includes 49 free or cheap things to do in or near Cleveland, Tennessee, including 61 different types of inexpensive activities like Parks, Movie Theaters, Bowling and Children's Play Area.
From Cherokee National Forest to Red Clay State Historic Park, there are a variety of budget-friendly attractions in Cleveland and in nearby cities within 25 miles like Ocoee, Hixson, Chattanooga and Benton.
From the merchant: Personalized one on one training for those looking to live better, increase athletic performance, or loose weight.
There are more than 600 miles of trails within the Cherokee National Forest within the Appalachian Moutains of east Tennessee. Within the large span of trail mileage, 150 miles are actually part of the Appalachian National Scenic Trail.


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Philippe puts 'terrifying' BBL debut behind him
Opener named Player of the Match
Batsman Josh Philippe basked in the Player of the Match award, after guiding the Sydney Sixers to a 19-run victory over the Melbourne Stars in Saturday's Big Bash Final at the Sydney Cricket Ground.
Phillipe struck 52 from 29 balls, as the Sixers posted 116 for five. The Stars were then limited to an insufficient 97 for six. Inclement weather had reduced both innings to a dozen overs each.
The hard-hitting Phillipe will play for the Royal Challengers Bangalore in the Indian Premier League later this year.
"When I played my first Big Bash game two years ago I was terrified, so I definitely think after getting a few games under your belt you get used to a lot of the external pressure and noise that you don't really get playing state cricket. When there's 20 or 30 thousand people compared to a 100 it's a different feel. It's definitely something I've worked on and comes with playing a lot of games," said Philippe.
"I've had a few games this year where I haven't seen it through, I've got out and it's really cost us. A few of them stuck in the back of my mind. I just knew if I was out there towards the back end, it's funny it somehow gets easier, you might nick a four, and you get away and it's a different game so I just try to take it as deep as I can.
"I guess looking at the forecast it continued to get worse, we almost thought we probably weren't going to get on at all. That's not how we wanted to do it, we really wanted to play in front of our home crowd. When you aren't expecting to play you don't get especially nervous, I was actually incredibly calm last night and all day today. When we started I still remained calm which surprised me a bit."
Henriques on Philippe
Sixers captain praised Philippe. The right-hander was the franchise's leading wicket-taker this season, with 487 in 16 innings at an average of 37.46. He was the tournament's top-scorer overall, behind the Stars' Marcus Stoinis and Sydney Thunder's Alex Hales.
"What he has done this year, we've seen him bat in many different modes throughout the season. We all know he can whack it everywhere around the park but you can't score as many runs as he did throughout the season without composure and making the right decisions at the right times. Not only just whacking it around the park but knowing how to build an innings and get through some tough times through the 20-over period," added Henriques.
Home > Philippe puts 'terrifying' BBL debut behind him


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Kathleen Harleman has been director of Krannert Art Museum, University of Illinois at Urbana-Champaign since 2004. She has a M.A. and a M.B.A. Her close to thirty years of museum experience include a range of positions across institutions large and small, Canadian and American, public and academic. She worked for twelve years in Canada at the National Gallery of Canada and the Art Gallery of Ontario, assumed leadership roles at Wellesley College's art museum as well as at public museums in the Fort Lauderdale, FL and Seattle, WA areas, and was a consultant with the Canadian Centre for Architecture in Montreal.
In addition to her work as director of Krannert Art Museum, Kathleen has also served on the 40 North board of directors, Illinois Arts Council grant review board, and the board of directors of the Public Art League of Champaign-Urbana. She has recently been named a board member of the Illinois Arts Alliance, the leading state-wide arts advocacy group.
Steven Hudson is a prolific figurative oil painter known for his masterly paint handling, moody space and use of color in his works. Mr. Hudson grew up in rural New England and moved to Illinois for graduate study at SIU Carbondale. After graduation Steven immediately began exhibiting his work professionally in Chicago where he lived as a practicing artist. He also has had an exhibition at the Krannert Art Museum, was awarded a National Endowment for the Arts Midwest Award, an Illinois Arts Council Fellowship and has received national recognition. Mister Hudson's works continue to provoke controversy as they probe our frail relationships with our environment, each other, and our endeavors. Currently he lives in Champaign with his wife and son, he has an active studio and teaches at Parkland College and the U of I.
Leonard Doyle entered the doors of the Virginia Theater in 1947 starting a life long journey between the two. He could not have foreseen his "2nd home" that was being created. His involvement with the Virginia started when he first took the job of usher, and his commitment to the theatre remains unwavering to this day. He has been the best of friends to the Virginia, freely offering his time and his extensive knowledge of local theatre history. When the Virginia was threatened with demolition in the 1990s, Leonard was among the community members and organizations that stepped forward to prevent the loss of a local icon.
In his many roles at the theater, Leonard has been there to warm you with his smile and share his passion for the Virginia. His favorite topic of discussion puts a hint of pride and excitement in his voice. You can see the history passing thru his eyes as he relives, "if these walls could talk." Anyone who has met Leonard Doyle knows that he is an outstanding example of the most dedicated of volunteers.
Started in 2010 to have a local impact on the arts and the environment, The I.D.E.A. Store is a drop-off for quality materials that people no longer need (to keep them out of the landfill) and a retail market of creativity for teachers, artists, crafters, makers, tinkerers, designers, club leaders and more! Creative educational workshops for children and adults have made creative reuse household words in our community and hundreds of thousands of items have moved through the store to find new homes.
Operated by dedicated volunteers and a couple of paid staff, the store profits all go to support local K-12 education through the Champaign Urbana Schools Foundation. Last year the I.D.E.A. Store and a group of its steadfast store volunteers coordinated a new creative-reuse arts festival called HATCH. The festival featured more than 40 reuse artists, an art exhibition, a juried art fair, workshops, and other activities. HATCH 2014 planning is underway with hopes for an even bigger community presence.
Chris Berti received his BFA from Alfred University in NY and his MFA in Ceramics from Cranbrook Academy of Art in Michigan. Soon after his graduation when he inherited a set of stone carving tools from his grandfather, who worked as a stonemason and bricklayer in New York City, he changed creative directions. Eventually Berti shifted mediums once again and began carving reclaimed brick. As a Professor of Art at Parkland College, Chris successfully helps and prepares many students to transfer to quality undergraduate and graduate programs across the country as well as takes great satisfaction in seeing them succeed in their chosen careers. He has been a visiting artist at the Cleveland Institute of Art, the School of the Art Institute of Chicago, Nova Scotia College of Art and Design, University of Iowa, Indiana University, as well as Penland and Arrowmont Schools of Craft. Chris has received Illinois Arts Council Individual Artist Grants in both Sculpture and Crafts as well as an award from the National Council for the Education of Ceramic Arts. His artwork can be found at Cinema Gallery in Urbana in addition to Tory Folliard Gallery in Milwaukee, WI. His work is in many public collections including Alfred University in NY, Mint Museum in Charlotte, NC, Montreal Museum of Art and the Smithsonian Museum.
Emily Denis has a BFA in Painting and Art Education and is currently in her second year of graduate school to earn her MA in Art Education at the University of Illinois. Although she grew up in Carbondale, Illinois, Champaign-Urbana has become a second home. While an undergrad, Emily was a visiting artist at the Carbondale, Illinois Family Advocacy Center, collaborating with middle school students to create a community mural. As a graduate student she supervises and mentors pre-service art educators during their first teaching practicum in the UIUC Saturday Art School. From January 2012 through May 2013, Emily worked for the UIUC Center for Education in Small Urban Communities as the instructor for the After School Arts Program at Franklin Middle School. This past summer Emily was an Out-of-School Youth Educator for the Illinois Migrant Education Program and this semester she began as the Art Educator for the ArtSpeak After School Art Program, funded and presented by 40north. Emily's career in the arts has expanded exponentially through teaching, directing a local gallery, and practicing as an artist. Emily's primary passion is teaching and striving to create social justice through the arts.
Donnie Heitler, born blind, attended the Jacksonville School for the Blind. As a youngster, Heitler began to ask for permission to go downtown where he would listen to jazz records. Heitler had dedicated music teachers, among them piano teachers George Gerlach and Edward Jacobs. By the time he was in seventh grade he was playing on stage with adults at McMurray College in Jacksonville. Upon graduation, he decided to major in piano performance at Illinois Wesleyan University. He transferred to the U of I to study with Stanley Fletcher and earned his bachelor's degree in music performance and music education. In the late '60s, Heitler moved to New York City where he had a steady gig at the Waldorf-Astoria but after five years he returned to Champaign.
He continued playing venues in C-U as well as booking venues in Las Vegas, Hollywood, San Diego, and Canada. In 2008 he also performed at the 30th annual Chicago Jazz Festival. He continues to play weekly gigs at Minneci's and the Great Impasta well into his 70s.


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St Finbarr's GAA are a well-established and successful Gaelic football and Hurling club. The club was formed in 1953, initially combining both codes of hurling and football.
Based in the heart of Warwickshire, playing in their club colours of orange and black the club enjoyed years of success as a senior side with many dedicated and talented players.
In 2013 the 'Youth' section was established and has gone from strength to strength in the intervening years with nearly 100 playing members. Underage teams tog out at all age levels from under 7s to under 17s. With many representing the county. A highlight of the year for the young players is an annual trip to Ireland.
All three sections of the club are flourishing and thriving, as you might expect from a club with over 250 members. There is a great social side to the club with many events planned through the year.