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Five Finger Death Punch, Illinois State Fair, August 19, Five Finger Death Punch
SPRINGFIELD, IL – Hot off its 2016 record breaking Grandstand lineup, the brianowens.tv State Fair is excited to announce five of the eleven headlining acts for the 2017 fair.
You are watching: Five finger death punch, illinois state fair, august 19
Chase Rice will be the headlining act on the Grandstand stage on Friday, August 11th. Chase Rice is a singer/songwriter who has toured the world with the likes of Kenny Chesney and Dierks Bentley. While he may be best known for his hit songs "Ready Set Roll," and "Everybody We Know Does," Chase Rice is also a talented songwriter. Rice co-wrote the song "Cruise" which was recorded by Florida Georgia Line and was dubbed the best-selling country digital song of all time in the United States in January 2014.
On Wednesday, August 16th the legendary group Alabama will perform on the Grandstand stage. The band broke a record that may never be duplicated by any musical genre by releasing 21 straight number one singles. The trio has 43 number one singles to their credit, nearly 200 industry awards, a star on the Hollywood Walk of Fame, and an exhibit at the Country Music Hall of Fame. The band, while still cranking out hits, has inspired many of today's brightest stars, including Kenny Chesney, Luke Bryan, Ed Sheeran and Jon Bon Jovi. Fairgoers of all ages will enjoy singing along with Alabama classics such as "Song of the South," "I'm In a Hurry (And Don't Know Why)," and "If You're Gonna Play in Texas (You Gotta Have a Fiddle in the Band)."
Opening for Alabama on Wednesday, August 16 will be Neal McCoy. The veteran county music performer has 15 studio albums, 34 singles, and multiple humanitarian awards to his credit. McCoy has been on 15 USO Tours around the world and to this day states this act as one of his crowning achivements. He is best known for songs like, "No Doubt About It," "Wink," and "Billy's Got His Beer Goggles On."
Also scheduled to perform at the 2017 brianowens.tv State Fair is singer/songwriter/dancer Jason Derulo. The 27-year-old has already sold over 50 million singles worldwide and has worked alongside a variety of artists ranging from Demi Lovato to Snoop Dogg. Jason Derulo is best known for his songs "Talk Dirty," "Whatcha Say," and "Want to Want Me." In addition, Derulo was honored in 2011 as BMI's Songwriter of the Year. He has penned hits for artists such as Lil Wayne, Pitbull, Sean Kingston and others. Derulo will perform in Springfield on Thursday, August 17th.
Building on the successes from last year, the brianowens.tv State Fair is bringing another heavy metal band to the Grandstand. On Saturday, August 19th fairgoers will have the opportunity to see Five Finger Death Punch perform on the brianowens.tv State Fair's biggest stage. The band recently wrapped up an Arena Tour where fans raved about the band's over-the-top production value and crowd pleasing sets featuring songs like, "I Apologize," and "Wrong Side of Heaven." The band is also a supporter of the Badge of Honor Memorial Foundation often raising funds to help survivors and departments of officers who have been killed in the line of duty.
Closing out the 2017 brianowens.tv State Fair on Sunday, August 20th will be Rock and Roll Hall of Famer, John Mellencamp. The iconic classic rocker has been cranking out hits and performing in front of live audiences for the last 40-years. While most known for songs like "Paper in Fire," "Small Town," and "Pink Houses," Mellencamp was among the founding members of Farm Aid. The annual event, co-launched by Willie Nelson and Neil Young, helps make people aware of the issues facing farmers and how those issues impact the entire nation.
Stage Side Parties will again be offered for all brianowens.tv State Fair concerts. An additional $30 ticket will provide fairgoers access to an exclusive pre-show party that includes a food buffet, beer and wine for purchase, entertainment, giveaways and early entry into the concert. The State Side Party ticket is only available to those who have purchased a ticket to attend that night's concert.
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Opening acts for the above concerts will be named at a later date. In addition, an on-sale date for the above mentioned acts will be announced at a later date, as will details of the 2017 concert packages offered by the brianowens.tv State Fair.
Ticket prices for each of the shows are listed below:
Friday, August 11: Chase Rice / TBATier 3 – $20 / Tier 2 – $25 / Tier 1 – $30 / Track – $30 / VIP – $40
Wednesday, August 16: Alabama / Neal McCoyTier 3 – $38 / Tier 2 – $43 / Tier 1 – $48 / Track – $48 / VIP – $59
Thursday, August 17: Jason Derulo / TBATier 3 – $19 / Tier 2 – $24 / Tier 1 – $29 / Track – $29 / VIP – $39
Saturday, August 19: Five Finger Death Punch / TBATier 3- $17 / Tier 2 – $22 / Tier 1 – $27 / Track – $27 / VIP – $39
Sunday, August 20: John Mellencamp / TBATier 3 – $42 / Tier 2 – $47 / Tier 1 – $52 / Track – $52 / VIP – $62
As a reminder to fairgoers, Admission Bargain Booklets are available for purchase at the Emmerson Building on the brianowens.tv State Fairgrounds. One booklet provides eleven any day adult admissions to the 2017 brianowens.tv State Fair. These booklets are currently on sale for $55 for a limited time only. Bargain Booklets will increase to $60 March 1st. Again, these booklets can only be purchased at the Emmerson Building, either in person or by phone at (217) 782-6661.
The brianowens.tv State Fair provides the ultimate entertainment for the young and the old. Whether you want to flip, spin, scramble or scream, the Carnival Midway and Adventure Village have a ride for you. The best way to enjoy these thrill seeking rides is to purchase an brianowens.tv State Fair Mega Pass. A Mega Pass provides a fairgoer with unlimited rides all eleven days of the fair. The Mega Pass is on sale now through July 31st for just $70. These can be purchased at the Emmerson Building, either in person or by phone at (217) 782-6661, or through the state fair website, www.brianowens.tv/statefair, just click on Rides and Attractions.
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More details regarding ticket sales, special events and additional grandstand acts will be released in the coming weeks and months. To be the first to know about all of the 2017 brianowens.tv State Fair announcements, you can also sign up for email updates on our website www.brianowens.tv/statefair. We look forward to seeing you at the 2017 brianowens.tv State Fair, August 10-20th in Springfield.
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Air and Missile Defense Software Systems Engineer-ASL
The Applied Systems Laboratory (ASL) of the Georgia Tech Research Institute (GTRI) is seeking two Software Systems Engineers with Air and Missile Defense experience for a full-time research faculty position. These positions are embedded at the Program Executive Office for Missiles and Space (PEO M&S) and support government acquisition of Integrated Air and Missile Defense capabilities.
Located in Huntsville, Alabama, ASL conducts world-class applied research in avionics modeling, simulation, analysis, testing, evaluation, and software development in support of the government sponsors.
Job Duties:
The successful candidate will be responsible for activities including but not limited to:
Participate in the development, analysis, and evaluation of Integrated Air and Missile Defense (IAMD) concepts, requirements, architecture, component designs, and implementation
Participate in technical working groups and provide leadership and subject matter expertise to support development and documentation of IAMD component architectures, capabilities, known issues, and limitations and recommend solutions or alternatives to close gaps
Participate in the definition and evaluation of candidate system software architectures, applications, components, algorithms, and data interface transport methods/schemas
Support integration activities
Travel to support IAMD tests and exercises
<10% travel
Education & Length of Experience
Research Engineer/Scientist II
A Masters degree in Electrical Engineering, Computer Engineering, Computer Science, or a relevant branch of engineering and three (3) years of relevant full-time experience after completion of that degree,
A Masters degree in Electrical Engineering, Computer Engineering, Computer Science, or a relevant branch of engineering and five (5) years of relevant full-time experience after completion of a Bachelors degree, or
A Doctoral degree in Electrical Engineering, Computer Engineering, Computer Science, or a relevant branch of engineering.
Senior Research Engineer/Scientist
A Masters degree in Electrical Engineering, Computer Engineering, Computer Science, or a relevant branch of engineering and seven (7) years of relevant full-time experience after completion of that degree,
A Masters degree in Electrical Engineering, Computer Engineering, Computer Science, or a relevant branch of engineering and nine (9) years of relevant full-time experience after completion of a Bachelors degree, or
A Doctoral degree in Electrical Engineering, Computer Engineering, Computer Science, or a relevant branch of engineering and four (4) years of relevant full-time experience after completion of a Bachelor's degree.
Integrated Air and Missile Defense experience
Experience in system and software requirements analysis
Experience with system and software integration
Experience with Agile software development and test methodologies
Ability to work well in a team environment with other contractors, government civilian, and military personnel
Strong background in all aspects of the SW engineering lifecycle
Experience with code analysis of Java, C++ programming languages
Working knowledge of Linux-based OS, e.g., Red Hat Linux, Ubuntu
Experience in Model-Based Systems Engineering Tools, especially MagicDraw and IBM Rhapsody
Experience with requirements development and tracking tools, e.g., IBM DOORS
Knowledge of OMG Data Distribution Services (DDS) standard
U.S. Citizenship Requirements
Due to our research contracts with the US federal government, candidates for this position are required to be US Citizens.
Clearance Type Required
Secret Clearance
Diversity & Inclusion (D&I) at Georgia Tech Research Institute aims to enhance the Institutes mission of solving the worlds most complex technical problems by creating a workforce with a shared appreciation for diversity, raising awareness around inclusiveness, and fostering a sense of belonging and appreciation for all members of our community.
Georgia Tech Research Institute is an Equal Opportunity Employer of individuals with disabilities and protected veterans and actively seeks diversity among its employees. Equal Employment Opportunity is the Law.
Back Submit Resume
Computer Programming/Systems
Located in Atlanta, Georgia, the Georgia Institute of Technology is a leading research university committed to improving the human condition through advanced science and technology.
Ranked as the #7 best public university, Georgia Tech provides a focused, technologically based education to more than 21,500 undergraduate and graduate students.
Georgia Tech has many nationally recognized programs, all top-ranked by peers and publications alike, and is ranked in the nation's top 10 public universities by U.S. News and World Report.
Degrees are offered through the colleges of Architecture, Computing, Engineering, Sciences, the Scheller College of Business, and the Ivan Allen College of Liberal Arts.
The strong academic work ethic at Tech is balanced by a collegiate atmosphere incorporating both intercollegiate and intramural sports, campus traditions, and some 400 student organizations.
Alongside their academic achievements, Tech students are also active in the community, earning a well-rounded education through community service activities.
As a leading technological university, Georgia Tech has more than 100 centers focused on interdisciplinary research that consistently contribute vital research and innovation to American government, industry, and business.
There is no doubt that Georgia Tech stands out as a distinctively different kind of university, one that is eagerly encouraging and developing the revolutionary technologies of the 21st century.
Equipped with the extremely rich resources of an outstanding student body and faculty; strong partnerships with business, industry, and government; and support from alumni and friends, Georgia Tech is designing a future of global preeminence, leadership, and service.
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redpajama_set_name: RedPajamaCommonCrawl


Case 16: A 16-year-old year-round runner has had left groin pain for two weeks. The pain initially started after an 8-mile run and has gradually progressed to occur during running and occasionally with walking. Menses began at age 14 but have never been regular as she has cessation of her periods during her heavy running. She has adequate calcium intake but a history of a tibial and metatarsal stress fracture last year. She sticks to a 2200 calorie/day diet to maintain her weight. She has painfully limited internal rotation of the hip and has pain with femoral loading.
Figure 13 Slipped capital femoral epiphysis. Klein's line shows slippage of the epiphysis on the left with a normal epiphysis on the right.
Stress fractures of the femoral shaft and neck are not common but do occur in adolescents, especially female athletes. Females with the female athlete triad (disordered eating, amenorrhea, and osteopenia/osteoporosis) are at significant risk for stress fractures secondary to poor bone density. Runners, dancers, gymnasts, and those in aesthetic sports are at high risk for this injury. Athletes present with hip, groin, or leg pain with or without a limp. Weight bearing activities increase pain. Pain initially occurs after activity and progresses to happen during activity, with walking, at rest, and then at night.
Physical examination may show a limp and pain or limited rotation of the hip especially internal rotation. Femoral loading may also increase pain. AP and cross table lateral or frog view may show a periosteal reaction or lucency suggestive of a stress fracture. A high index of suspicion is necessary as some stress fractures do not show up on radiographs for weeks. If suspected, the patient should be made non-weight bearing, evaluated with an MRI and sent for orthopedic care. Some stress fractures are stable and will heal with rest and others are unstable and require surgery. Discussion of training patterns, nutrition, menses, shoewear, and other stress injuries is necessary before considering return to sports activity. Proper calcium intake of 1500mg a day for females/1200mg a day for males should also be discussed.


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In short, if your camera uses digital technology to create images, then it is digital photography. Generally (not always), this is the case if your camera doesn't require adding a special photographic film to record images, you are most likely using a digital camera.... Photography Tips & Tutorials. We believe a little knowledge can be fabulous! Our photography tips, tutorials and events show you 'how'. But, it's your vision that answers 'why'.
Photography Tips & Tutorials. We believe a little knowledge can be fabulous! Our photography tips, tutorials and events show you 'how'. But, it's your vision that answers 'why'.... "digital photography" becomes redundant. It will be assumed, because that It will be assumed, because that is the way almost all photography will be done.
Lighting for Digital Photography: From Snapshots to Great Shots Syl Arena Peachpit Press www.peachpit.com To report errors, please send a note to errata@peachpit.com... Digital Photography Tips and Tutorials for Beginners A large proportion of the readers of Digital Photography School classify themselves as beginners – so we thought it might be helpful to have a page set up that collates some of our Digital Photography Tips for Beginners .
WC095 Digital Photography Composition Techniques1 Ricky Telg 2 1. This document is WC095, one of a series of the Agricultural Education and Communication Department, UF/IFAS Extension.


text:
La gare de Colombiers est une gare ferroviaire française, fermée, de la ligne de Bordeaux-Saint-Jean à Sète-Ville, située sur le territoire de la commune de Colombiers, dans le département de l'Hérault, en région Occitanie.

Elle est mise en service le  par la Compagnie des chemins de fer du Midi et du Canal latéral à la Garonne (Midi).

Situation ferroviaire
Établie à  d'altitude, la gare de Colombiers est située au point kilométrique (PK) 424,690 de la ligne de Bordeaux-Saint-Jean à Sète-Ville et au même PK de la ligne de Colombiers à Quarante - Cruzy

Elle est également l'origine au PK 0 de la ligne de Colombiers à Cazouls-lès-Béziers, avant la gare de Maureilhan. Sur cette ligne, seule la section de Colombiers à Maureilhan est encore en service.

Histoire
La gare de Colombiers a été mise en service le  lors de l'ouverture du tronçon de Toulouse à Sète de la ligne de Bordeaux-Saint-Jean à Sète-Ville.

Le , elle devient une gare de bifurcation avec l'ouverture de la section de Maureilhan à Colombiers de la ligne de Colombiers à Cazouls-lès-Béziers

Enfin, le  la gare accueille une troisième ligne de Colombiers à Quarante - Cruzy.

Le trafic voyageurs vers Cazouls et Quarante s'est interrompu respectivement le  et le .

En , le trafic marchandises sur la ligne vers Quarante s'est arrêté.

Depuis 2017, la section entre Colombiers et Maureilhan a été récupéré par la région Occitanie et est ouverte aux opérateurs pour du transport de marchandises.

Patrimoine ferroviaire
En , les bâtiments de la gare sont toujours présents.

Notes et références

Voir aussi

Articles connexes
 Liste de gares en France
 Ligne de Bordeaux-Saint-Jean à Sète-Ville
 Chemins de fer de l'Hérault
 Ligne de Colombiers à Quarante - Cruzy

Liens externes

Gare fermée dans l'Hérault
Ligne de Bordeaux-Saint-Jean à Sète-Ville
Gare mise en service en 1857
Ligne de Colombiers à Quarante - Cruzy

redpajama_set_name: RedPajamaWikipedia


Avaya has announced new measures aimed at enabling channel partner growth. The announcements were made at the Avaya Partner Summit 2019 in Dubai, where the company is hosting the EMEA and APAC channel heavyweights, market movers and technical and sales leaders.
The updates to Avaya Edge also place an emphasis on partner inclusivity, aiming to enable growth regardless of the size or business model of the channel partner. This means that Avaya Edge now provides equal growth opportunities to partners of any size.
Avaya is also leveraging its open standards-based communications platforms to encourage channel partners to provide holistic solutions to their customers. Through the programs, these solutions are made available to channel partners, who can use them to propose innovative, vertical-specific technologies for their customers.
Alternatively, Avaya's open ecosystem can be leveraged by channel partners to build their own solutions. With many of Avaya's most successful partners having built new innovations on top of Avaya's platforms for their customers, Avaya is rolling out new tools and APIs that enable and encourage channel partners to innovate.


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2019 So Far … Middle Grade and YA Graphic Novels - July 11, 2019
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Health and Inclusivity: Considering Identity in Okura's 'I Think Our Son is Gay' - January 12, 2023
Health and Inclusivity: Through Blackest Nights to Brightest Days with Jessica Cruz - February 9, 2021
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Health and Inclusivity: Breaking the Code in MY VIDEO GAMES ATE MY HOMEWORK - November 27, 2020
Health and Inclusivity: Embracing the New in SCHOOL FOR EXTRATERRESTRIAL GIRLS - July 21, 2020
History of Violence: The Brief History of Erika Storn - January 6, 2023
The Legion's Lightning Rod: The Growth and Evolution of Lightning Lad - June 11, 2022
Sigrid Nansen: Icemaiden to Glacier - December 19, 2021
Once and Future State: Revisiting DC's LEGENDS OF THE DEAD EARTH - June 24, 2021
Father's Day Special: Devin Grayson on ARSENAL and Lian Harper - June 20, 2021
KIRBYOLOGY!: Tom Scioli Tells the Greatest Jack Kirby Story Possible (His Own) - July 22, 2020
KIRBYOLOGY!: The Kirby-esque Joys of CANKOR: CALAMITY OF CHALLENGE - July 12, 2020
KIRBYOLOGY!: Getting Through 2020 with Jack Kirby - April 7, 2020
KIRBYOLOGY!: Peanut, Dumpling, and Big Daddy - November 24, 2019
KIRBYOLOGY!: Warren Ellis's KARNAK and a Reminder to Not be the Worst - October 10, 2019
Learning to Love the Legion: FUTURE STATE: LEGION OF SUPER-HEROES #2 - March 1, 2021
Learning to Love the Legion: FUTURE STATE: LEGION OF SUPER-HEROES #1 - January 26, 2021
Learning to Love the Legion: LEGION OF SUPER-HEROES #12 - January 19, 2021
Learning to Love the Legion: LEGION OF SUPER-HEROES #11 - November 27, 2020
Learning to Love the Legion: LEGION OF SUPER-HEROES #10 - October 28, 2020
Visual Stories to Face a Brutal World: Fuego lento - September 13, 2021
A Missing Car and a Big Purple Smile: Nueva Berlín - July 11, 2021
Ghost, Cities, and Other Pains: The Sad Violence of LOS FANTASMAS DE MI CIUDAD - March 2, 2021
The Harsh Experience of Survival with DESERTER - May 25, 2020
The Expansion of Comic Language: MELANCOLíA and Graphic Poetry - March 30, 2020
Truth-Telling: Tynion and Simmonds' THE DEPARTMENT OF TRUTH as Art - January 12, 2023
Letter from the Senior Editor: John Ernenputsch - January 10, 2023
TRADE WAITING #17: Week of January 12, 2022 - January 9, 2022
HOT FIVE: Week of January 5, 2022 - January 5, 2022
TRADE WAITING #16: Week of December 22, 2021 - December 19, 2021
Tag Archives: Jim Cheung
Review: ORIGINAL SIN #0
Aaron Long - April 22, 2014 - Marvel Comics, Reviews
ORIGINAL SIN #0 Written by Mark Waid Art by Jim Cheung, Paco Medina Published by Marvel Comics Release Date: April 23, 2014 Mark Waid and Jim Cheung team up for this issue of Nova…er…Original Sin warmup issue that does an adequate job of catching readers up on the events of Nova, but does it fire…
Tags: Jim Cheung, Justin Ponsor, Mark Waid, Marvel Comics, Original Sin, Paco Medina
Review: INFINITY #6
Aaron Long - November 27, 2013 - Marvel Comics, Reviews
INFINITY #6 Written by Jonathan Hickman Art by Jim Cheung, Dustin Weaver Published by Marvel Comics Release Date: November 27, 2013 The mega-event storms to the finish line as Hickman and Cheung bring all the fireworks to this fantastic finale of one of the strongest Marvel events in recent history. Hickman brings his epic to…
Tags: Infinity, Jim Cheung, Jonathan Hickman, Marvel Comics
Hot Five: Week of November 27, 2013
John Ernenputsch - November 26, 2013 - Columns, Hot Five, Special Features
Welcome to Comicosity's Hot Five. Hot Five is a short list of the top books we think you'll want to be checking out. Be they new title launches, key issues or just continuing stories from some of the industry's most acclaimed books, this list is your guaranteed gold for the week in the comic market!…
Tags: Alberto Albuquerque, Brian Buccellato, Charles Soule, Chris Sprouce, DC Comics, Emma Rios, Francis Manapul, Image Comics, Infinity, Jim Cheung, Jonathan Hickman, Karl Story, Kelly Sue DeConnick, Letter 44, Marvel Comics, Oni Press, Pretty Deadly, Rick Remender, Steve McNiven, The Flash, The Hot Five, Uncanny Avengers
This Week in INFINITY: Week Two
Aaron Long - August 24, 2013 - Special Features, This Week In Infinity
Welcome to the weekly Comicosity roundup of all things Infinity, including issue power rankings, previews, interviews and more. This is your one-stop shop for everything Infinity! The reviews are in… INFINITY #1 *(Hickman, Cheung) Infinity #1 is a fantastic first issue, building the situation for this event very well and delivering some of the best artwork you…
Tags: Avengers, Avengers Assemble, Barry Kitson, Charles Soule, Infinity, Jefte Palo, Jim Cheung, Jonathan Hickman, Kelly Sue DeConnick, Leinil Yu, Marvel Comics, Thunderbolts
Marvel Announces Second Printing for INFINITY #1
Aaron Long - August 15, 2013 - News
Marvel Comics has announced a second printing for Infinity #1 by Jonathan Hickman & Jim Cheung. Official Press Release It's the marquee comics event of 2013, and today Marvel is proud to announce that Infinity #1 has sold out at Diamond (though copies may be available at retail level) and will be immediately going back…
Aaron Long - August 14, 2013 - Marvel Comics, Reviews
INFINITY #1 Written by Jonathan Hickman Art by Jim Cheung Release Date: August 14, 2013 The event Marvel has been building toward since the outset of Marvel NOW! is finally here…and the first issue is epic. In Avengers and New Avengers Jonathan Hickman has been building to a major event. Readers have felt this from…
Review: FREE COMIC BOOK DAY Double Header
Matt Santori - May 8, 2013 - Marvel Comics, Other, Reviews
FREE COMIC BOOK DAY: INFINITY 2013 Lead story written by Jonathan Hickman Lead story art by Jim Cheung Published by Marvel Comics FREE COMIC BOOK DAY: STAR WARS and CAPTAIN MIDNIGHT 2013 Written by Brian Wood and Joshua Williamson Art by Ryan Odagawa, Pere Perez and Roger Robinson Published by Dark Horse Comics It's a…
Tags: Brian Wood, Captain Midnight, Dark Horse Comics, Free Comic Book Day, Infinity, Jim Cheung, Jonathan Hickman, Joshua Williamson, Marvel Comics, Pere Perez, Roger Robinson, Ryan Odagawa, Star Wars
Marvel Announces Summer Event INFINITY
Aaron Long - April 1, 2013 - News
Marvel Comics has released more details about the summer event Infinity. Official Press Release New York, NY—April 1st, 2013—Earth has been marked as an "Avengers World", protected by Iron Man, Captain America, Thor and more from the deadliest threats facing humanity. A powerful and destructive race is on a collision course with Earth and the…
Tags: Dustin Weaver, Infinity, Jerome Opena, Jim Cheung, Jonathan Hickman, Marvel Comics
Marvel Teases INFINITY by Hickman & Cheung for Free Comic Book Day
Aaron Long - February 5, 2013 - News
Marvel Comics has released a teaser for an upcoming event entitled Infinity by Jonathan Hickman and Jim Cheung. A preview for the event will be released on Free Comic Book Day. Official Press Release The biggest super heroes in comics today – the Avengers, X-Men, Guardians of the Galaxy, Fantastic Four, Inhumans, Superior Spider-Man &…
Tags: Free Comic Book Day, Infinity, Jim Cheung, Jonathan Hickman, Marvel Comics
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text:
Film and Television: Biographies
Nationality: French. Born: Thumeries, France, 30 October 1932. Education: Collège des Carmes; Institut d'Études Politiques at the Sorbonne, Paris, 1951–53; Institut des Hautes Études Cinématographiques (IDHEC), 1953–54. Family: Married 1) Anne-Marie Deschodt, one son, one daughter (divorced 1967); 2) actress Candice Bergen, 1980, one daughter. Career: Assistant and cameraman to Jacques Cousteau, 1954–55; assistant to Robert Bresson on Un Condamné à mort s'est échappé, 1956; cameraman on Tati's Mon Oncle, 1957; directed first film, 1958; reported from Algeria, Vietnam, and Thailand for French Television, 1962–64; moved to India, 1968; moved to the United States, 1976; returned to France to make Au revoir les enfants, 1987. Awards: Palme d'Or, Cannes Festival, 1956, and Oscar for Best Documentary, 1957, for The Silent World; Prix Louis Delluc for Ascenseur pour l'échafaud, 1958; special jury prize, Venice Festival, for Les Amants, 1958; special jury prize, Venice Festival, for Le Feu follet, 1963; Italian Critics Association Best Film Award, for The Fire Within, 1964; Grand Prix du Cinema Francais, 1965, and Czechoslovakian best film award, 1966, for Viva Maria; Grand Prize, Melbourne Film Festival, for Calcutta, 1970;
Prix Raoul Levy and Prix Méliès for Lacombe, Lucien, 1974; five Academy Award nominations, including best picture and best director, for Atlantic City, 1980; Golden Lion, Venice Festival, and Prix Louis Delluc, fo Au revoir les enfants, 1987; British Academy of Film and Television Arts Awards nomination, best director, and Felix Award, European Film Awards, for Au revoir les enfants, 1988; elected Film Academy Fellow, British Academy of Film and Television Arts, 1991. Died: Of lymphoma, in Beverly Hills, California, 23 November 1995.
Films as Director:
Le Monde du silence (The Silent World) (co-d, ph)
Ascenseur pour l'échafaud (Elevator to the Gallows; Frantic) (+ pr, co-sc); Les Amants (The Lovers) (+ pr, co-sc)
Zazie dans le Métro (Zazie) (+ pr, co-sc)
Vie privée (A Very Private Affair) (+ pr, co-sc)
Le Feu follet (The Fire Within; A Time to Live, a Time to Die) (+ pr, sc)
Viva Maria (+ co-pr, co-sc)
Le Voleur (The Thief of Paris) (+ pr, co-sc)
"William Wilson" episode of Histoires extraordinaires (Spiritsof the Dead) (+ pr, sc)
Calcutta (+ pr, sc); L'Inde fantôme (Phantom India) (+ pr, sc) (six-hour feature presentation of TV documentary)
Le Souffle au coeur (Murmur of the Heart) (+ pr, sc)
Humain trop humain (+ pr, sc)
Lacombe, Lucien (+ pr, co-sc)
Black Moon (+ pr, co-sc)
La Petite (+ pr, sc); Pretty Baby (+ pr, co-story)
Atlantic City (+ pr, sc)
My Dinner with Andre (+ pr, sc)
Crackers (+ pr, sc)
Alamo Bay (+ pr, sc); God's Country (+ pr, sc)
And the Pursuit of Happiness (+ pr, sc)
Au Revoir les enfants (Goodbye, Children) (+ pr, sc)
Milou en Mai (May Fools) (+ pr, sc)
Vanya on 42nd Street
Other Films:
La Fiancée du pirate (Kaplan) (role)
By MALLE: books—
Lacombe Lucien, with Patrick Modiano, New York, 1975.
Louis Malle par Louis Malle, with S. Kant, Paris, 1978.
Au revoir les enfants, Paris, 1989.
Milou en mai, with Jean-Claude Carrière, Paris, 1990.
Malle on Malle, Paris, 1993.
By MALLE: articles—
"Avec Pickpocket, Bresson a trouvé," in Arts (Paris), 3 January 1960.
"Les Amants," (text) in L'Avant-Scène du Cinéma (Paris), 15 March 1961.
"Le Feu follet," (text) in L'Avant-Scène du Cinéma (Paris), 15 October 1963.
"Louis Malle: Murmuring from the Heart," interview with N. Pasquariello, in Inter/View (New York), July 1972.
"Phantom India," with E.L. Rodrigues, in Film Heritage (New York), Fall 1973.
"Louis Malle on Lacombe Lucien," in Film Comment (New York), September/October 1974.
"Like Acid," interview with Gordon Gow, in Films and Filming (London), December 1975.
"From The Lovers to Pretty Baby," interview with Dan Yakir, in Film Quarterly (Berkeley), Summer 1978.
"Creating a Reality That Doesn't Exist," interview with A. Horton, in Literature/Film Quarterly (Salisbury, Maryland), no. 2, 1979.
Interview with P. Carcassonne and J. Fieschi, in Cinématographe (Paris), March/April 1981.
Interview in Post Script (Jacksonville, Florida), Autumn 1982 and Winter 1983.
Interview in Jeune Cinema (Paris), June/July 1987.
Interview in Cineforum (Bergamo), June/July 1987.
Interview in Cahiers du Cinéma (Paris), October 1987.
Interview with Robert Benayoun, and others, in Positif (Paris), October 1987.
"Focus: Au Revoir les Enfants," an interview with D. Chase, in American Film (New York), January/February 1988.
"Off Screen: Louis Malle, Remembrance of Things Past," interview with Stephen Harvey, in The Village Voice (New York), 23 February 1988.
"Movies: Childhood's End," interview with Elvis Mitchell, in Rolling Stone (New York), 24 March 1988.
"Dialogue on Film: Louis Malle," in American Film (Washington, D.C.), April 1989.
Interview with Candice Bergen in Interview (New York), June 1990.
"My Discussion with Louis," an interview with George Hickenlooper, in Cineaste (New York), vol. 18, no. 2, 1991.
Interview in Mensuel du Cinéma, no. 1, November-December 1992.
Interview in Time Out (London), no. 1171, 27 January 1993.
Interview with Andre Gregory in Vogue, November 1994.
On MALLE: books—
Chapier, Henri, Louis Malle, Paris, 1964.
On MALLE: articles—
Strick, P., "Louis Malle," in Film (London), Spring 1963.
Ledieu, Christian, "Louis Malle détruit son passé à chaque nouveau film," in Arts (Paris), 9 October 1963.
Gow, Gordon, "Louis Malle's France," in Films and Filming (London), August 1964.
Price, James, "Night and Solitude: The Cinema of Louis Malle," in London Magazine, September 1964.
"Director of the Year," International Film Guide (London, New York), 1965.
Lej, Russell, "Louis Malle," in the New Left Review (New York), March/April 1965.
McVay, D., "Louis Malle," in Focus on Film (London), Summer 1974.
"Black Moon," in Avant-Scène du Cinéma (Paris), December 1975.
Rollet, R.T., and others, "The Documentary Films of Louis Malle," in special Malle issue of Film Library Quarterly (New York), vol. 9, no. 4, 1977.
Article in Cahiers du Cinéma (Paris), July/August 1987.
Chemasi, A., "Pretty Baby: Love in Storyville," in American Film (Washington, D.C.), November 1977.
"Louis Malle," in Film Dope (London), December 1987.
Indsorf, Annette, "Coming Home," in Premiere (New York), February 1988.
Denby, David, "Murmurs of an Expatriate's Heart," in Premiere (New York), May 1988.
"Au revoir les enfants Issue" of Avant-Scène du Cinéma (Paris), July 1988.
Martin, M., "Le cinéma d'auteur," in Revue du Cinéma (Paris), no. 441, September 1988.
Prédal, René, "L'oeuvre de Louis Malle, ou les étapes d'une évolution personnelle," in Jeune Cinéma (Paris), September/October 1988.
Chase, D., article in Millimeter (New York), January 1989.
Roud, Richard, "Malle x 4," in Sight and Sound (London), Spring 1989.
Chutnow, P., "Louis Malle Diagnoses His Murmur of the Heart," in New York Times, 19 March 1989.
"Louis Malle Works Both Sides of the Pond," in Variety, 21 March 1990.
Bernstein, R., "Malle Uncorks the '68 Crop," in New York Times, 17 June 1990.
Bishop, K., "My dejeuner with Louis," in American Film (New York), July 1990.
Weinraub, Bernard, "Louis Malle Cuts a Film and Grows Indignant," in The New York Times, 22 December 1992.
Guare, John, article in New Yorker (New York), 21 March 1994.
"Louis Malle" (special section), in Positif (Paris), no. 419, January 1996.
Toubianc, Serge, "La cinéphile au juste," in Cahiers du Cinéma (Paris), no. 498, January 1996.
In the scramble for space and fame that became the nouvelle vague, Louis Malle began with more hard experience than Godard, Truffaut, or Chabrol, and he showed in Ascenseur pour l'échafaud that his instincts for themes and collaborators were faultless. Henri Decaë's low-light photography and Malle's use of Jeanne Moreau established him as emblematic of the new French cinema. But the Cahiers trio with their publicist background made artistic hay while Malle persisted in a more intimate voyage of discovery with his lovely star. As the cresting new wave battered at the restrictions of conventional narrative technique, Malle created a personal style, sexual and emotional, which was to sustain him while flashier colleagues failed. Of the new wave survivors, he was the most old-fashioned, the most erotic, and, arguably, the most widely successful.
Re-viewing reveals Ascenseur as clumsy and improbable, a failure redeemed only by the Moreau and Maurice Ronet performances. A flair for coaxing the unexpected from his stars had often saved Malle from the consequences of too-reverent respect for production values, a penchant for burnished low-lit interiors being his most galling stylistic weakness. But playing Bardot against type in Vie privée as a parody of the harried star, and using Moreau as one of a pair of comic Western trollops (in Viva Maria) provided an indication of the irony that was to make his name.
Thereafter Malle became a gleeful chronicler of the polymorphously perverse. Moreau's hand falling eloquently open on the sheet in Les Amants as she accepts the joy of cunnilingus is precisely echoed in her genuflection to fellate a yoked George Hamilton in Viva Maria. Incest in Souffle au coeur, child prostitution in Pretty Baby, and, in particular, the erotic and sadomasochistic overtones of Nazism in Lacombe, Lucien found in Malle a skillful, committed, and sensual celebrant.
Malle's Indian documentaries of 1969 belong more to the literature of the mid-life crisis than to film history. Black Moon likewise explores an arid emotional couloir. Malle returned to his richest sources with the U.S.-based films of the late 1970s and after. Pretty Baby, Atlantic City, My Dinner with Andre, and Alamo Bay delight in overturning the stones under which closed communities seethe in moist darkness. The ostensible source material of the first, Bellocq's New Orleans brothel photographs, receives short shrift in favour of a lingering interest in the pre-pubescent Brooke Shields. Atlantic City relishes the delights of post-climactic potency, giving Burt Lancaster one of his richest roles as the fading ex-strong-arm man, dubbed "Numb Nuts" by his derisive colleagues. He seizes a last chance for sexual passion and effective action as the friend and protector of Susan Sarandon's character, an ambitious nightclub croupier.
My Dinner with Andre focuses with equal originality on the social eroticism of urban intellectuals. A globe-trotting theatrical voluptuary reviews his thespian conquests to the grudging admiration of his stay-at-home colleague. An account of theatrical high-jinks in a Polish wood with Jerzy Grotowski and friends becomes in Andre Gregory's fruity re-telling, and with Malle's lingering attention, something very like an orgy. Again, production values intrude on, even dominate the action; mirrors, table settings, the intrusive old waiter, and even the food itself provide a rich, decorated background that adds considerably to the sense of occasion. Malle sends his audiences out of the cinema conscious of having taken part in an event as filling as a five-course meal.
Given this general richness, it may be by contrast that certain of Malle's quieter, less vivid works shine. Zazie dans le Métro, his fevered version of Queneau's farce, marked his first break with the stable pattern of the new wave. Compared with Godard's Une Femme est une femme, it shows Malle as the more skillful of the two at remaking the genre film. The terse Le Feu follet, a vehicle for Maurice Ronet adapted from F. Scott Fitzgerald's Babylon Revisited, showed Malle moving towards what had become by then the standard "new" French film, characterized by the work of the so-called "Left Bank" group of Resnais, Varda, Rivette, and Rohmer. But again Malle found in the character a plump, opulent self-regard that turned Le Feu follet, despite its black and white cinematography and solemn style, into a celebration of self-pity, with Ronet at one point caressing the gun with which he proposes to put an end to his life. Like the relish with which Belmondo's gentleman thief in Le Voleur savours the objects he steals, Malle's love of physicality, of weight and color and texture, seems so deeply rooted as to be almost religious. (And Malle did, after all, work as assistant to Bresson on Un Condamné à mort s'est échappé.)
The latter stages of Malle's career included one well-publicized fiasco and two very different but equally brilliant films. The former is Damage, a boring adaptation of Josephine Hart's best-seller, crammed with boring sex footage of Jeremy Irons (as a British politician) and Juliette Binoche (as his son's girlfriend, with whom he commences an affair). The film is of note only for the hubbub created when Malle was forced to edit footage to earn the film an R (rather than NC-17) rating, and for Miranda Richardson's brief but riveting presence as Irons' rejected wife.
Au revoir les enfants, on the other hand, is as fine a film as Malle ever has made. It is set at that point in time, if such a moment can be measured, in which childhood inevitably and irrevocably ends. The film is a heartbreaking autobiographical drama which tells the story of Julien Quentin, a universal 11-year-old: a spirited prankster who attends a rural Catholic boarding school in Occupied France. Julien senses something unusual about a new classmate, a sweet-faced, bushy-haired, exceptionally intelligent boy called Jean Bonnet. Jean really is a Jew, in hiding at Julien's school. And Julien is oblivious to what Jean knows all to well: In Occupied France, it's highly dangerous—and nearly always fatal—to be Jewish. The film, ultimately, is a story of heroes and villains, of those who will risk their all to shelter the needy and those who will collaborate with the enemy to fill their pockets or gain a false sense of power. Malle slowly, carefully introduces you to his characters, so the resulting impact of the unfolding events is that much more profound. One example of Malle's mastery: Julien and Jean become lost in a forest, and are come upon by German soldiers. Jean's sense of all-encompassing terror, revealed in a split second as he panics and runs, is explicitly real. Additionally, there is a sequence in which the students come together for some entertainment and laugh at Chaplin cavorting in The Immigrant. Here, Malle communicates how film can be a true universal language, how the genius of an artist such as Chaplin is timeless. In its overall setting and view of life and loyalty in Occupied France, Au revoir les enfants is related thematically to Lacombe, Lucien. Julien's feelings for his mother, as personified by his sniffing for her scent after reading one of her letters, mirrors the intense mother-son relationship in Murmur of the Heart. Vanya on 42nd Street, which reunites Wallace Shawn and Andre Gregory, the entire cast of My Dinner with Andre, is as stunningly original as the earlier film. The setting is a crumbling theater in midtown Manhattan that once was home to the Ziegfeld Follies. The film opens with actors converging on the theater, where they will rehearse a stage production of an adaptation by David Mamet of Chekhov's Uncle Vanya. Gregory is the director, while Shawn plays the title role. As the rehearsal proceeds, Vanya on 42nd Street becomes at once a highly cinematic example of filmed theater and an intimate look at the illusion that is the theater.
Sensual and perverse, Malle is an unlikely artist to have sprung from the reconstructed film-buffs of the nouvelle vague. It is with his early mentors—Bresson, Cousteau, Tati—that he seems, artistically and spiritually, to belong, rather than with Melville, spiritual hero of the Cahiers group, and there is a strong flavour of essentially French autobiographical soul searching in his Au revoir les enfants and Milou en mai. If Truffaut turned into the René Clair of the new French cinema, Malle may yet become its Max Ophüls.
—John Baxter
International Dictionary of Films and Filmmakers Baxter, John
Baxter, John "Malle, Louis ." International Dictionary of Films and Filmmakers. . Encyclopedia.com. 13 Jan. 2021 <https://www.encyclopedia.com>.
Baxter, John "Malle, Louis ." International Dictionary of Films and Filmmakers. . Encyclopedia.com. (January 13, 2021). https://www.encyclopedia.com/movies/dictionaries-thesauruses-pictures-and-press-releases/malle-louis
Baxter, John "Malle, Louis ." International Dictionary of Films and Filmmakers. . Retrieved January 13, 2021 from Encyclopedia.com: https://www.encyclopedia.com/movies/dictionaries-thesauruses-pictures-and-press-releases/malle-louis
French director Louis Malle (1932-1995) was both a part of and separate from French cinema's new wave. By showing audiences the humanity beneath his characters' moral failings, Malle became one of the most celebrated directors of postwar cinema. His films, in French and English, won acclaim and sparked controversy in his native France and America.
Malle was one of eight children born to a wealthy family in northern France. His mother's family owned a giant sugar concern, and his farther, a former naval officer, ran the family's sugar factory. Wealth provided Malle with private tutors at the family's chateau in Thumeries, France. He spent his summers in Ireland and became fluent in English. Malle was eight when World War II broke out and his family went to Paris. Rebelling against his religious education and bourgeois upbringing, Malle sought refuge in the cinema.
Career Began Undersea
At the end of World War II, Malle studied political science; however, against the wishes of his family, he soon switched to the Institut des Hautes Etudes Cinematographiques. Malle's 40-year career began with his direction of the 1956 undersea documentary Le Monde du silence, or The Silent World. He had left school to assist undersea explorer Jacques-Yves Cousteau aboard his boat, the Calypso. Malle shot footage in 1954 and 1956 to create Silent World. The film captured the Palme d'Or at the 1956 Cannes Film Festival and won an Academy Award for best documentary in 1957. "When I started out, it infuriated me that people seemed to think I could never be anything but a dilettante -that I was riding on my family's money. It was not true, " Malle told a writer for French newspaper Le Monde. Having something to prove perhaps inspired Malle to work all the harder.
Sexual Themes Caused Controversy
Malle became famous with his film Les Amants, (also known as The Lovers; 1958) about the sexual awakening of a middle-class woman. With Lovers, Malle broke taboos about on-screen eroticism. An Ohio theater was convicted of obscenity charges for showing the film. The success was followed by Zazie dans le metro (also known as Zazie in the Underground; 1960), a comedy about an eleven year old girl's visit to Paris with her uncle. Other films in French followed, including the documentary Calcutta L'Inde Fantome (also known as Phantom India; 1969), a seven-part television series made from film shot during Malle's six-month sojourn in India.
Lacombe, Lucien (1974) sparked the career of at least one filmmaker: Jodie Foster. "As a young moviegoer and aspiring filmmaker, I left my first Louis Malle film that day and said, 'That's it. That's what I want to do, "' Foster wrote in a tribute to Malle in Premier magazine following his death. Foster's directorial debut, Little Man Tate, was inspired by Malle's Murmur of the Heart (1971). She continued, "I loved the awkwardness, complexity, and pain of the adolescent boy in the film. He wasn't just a cute little prop filled with ironic witticisms. He was suffering and became impossible because he couldn't name his fears."
Murmur of the Heart (also known as Le Souffle Au Coeur; 1971) is the story of an incestuous encounter between a mother and her son while the two are away at a spa for treatment of his heart murmur. Malle countered conventional ideas of morality and incest by having the boy walk away from the tryst emotionally unscathed. "I'm always interested in an aspect of the truth which goes against preconceived ideas, including mine. So I end up working on material that often has something controversial about it, " Malle once said.
Childhood Shaped Work
Many of Malle's films tell their stories through the eyes of children whose perspective is shared by the audience. Malle had three of his own. Malle's first marriage to Anne-Marie Deschodt ended in divorce. It wasn't until Malle was in his mid-40s that he married American actress Candice Bergen in 1980. The couple's daughter, Chloé, was born in 1985 in New York. Malle also fathered two children during the 1970s by actresses Gila von Weitershausen and Alexandra Stewart.
Malle wrote, produced and directed Lacombe, Lucien (1974) nearly 30 years after World War II, and it was inspired, in part, by a pivotal childhood event he would later document in another film set during World War II, Au revoir les enfants. The part of Lucien is played by Pierre Blaise, a woodsman who had never acted before. As is evidenced by casting in Au revoir and Murmur, Malle preferred using child and young actors with little or no experience. "With very few exceptions, professional child actors are so gimmicky, they're like little monkeys, they scare me, " he commented in Horizon magazine.
Pretty Baby (1978), Malle's first American film, is another initiation story with controversial sexual content. American actress Brook Shields, in her first important film role, portrays Violet, a young girl reared in a brothel in the New Orleans' Storyville section. The story was inspired by a 1970 New York Museum of Modern Art exhibition of photographs of prostitutes taken by Ernest James Bellocq around 1912 around New Orleans' infamous red light district. Violet's eyes are also those of the audience to whom the world of her prostitute mother is revealed as Violet moves through the brothel and the streets of Storyville. Pretty Baby was criticized for having no moral point of view, an assessment Malle disagreed with in a 1990 Newsday interview. "This was a true story that fascinated me. There was nothing graphic about the movie."
Atlantic City (1980) garnered Malle an Academy Award nomination for best director in 1982. The film was nominated for best picture and it is another Malle film in which the transformation of characters happens against the backdrop of their changing environment. My Dinner with Andre (1981) was the filmed conversation over dinner between two actors who wrote and improvised their dialogue. Despite its static setting, the film won Malle much acclaim in America. Less successful were subsequent efforts Crackers (1983) and Alamo Bay (1985).
Goodbye Children
Perhaps Malle's most noteworthy film and certainly his most personal is Au revoir les enfants (also known as Goodbye, Children), released in 1987. This film marked Malle's return to French filmmaking after years in America. Written and directed by Malle, the film is based on a childhood event that haunted the artist all his life, one which took years to commit to film.
Malle was eleven when his Jesuit boarding school sheltered three Jewish boys from the Nazis. Set in the German-occupied France of 1944, the film tells the story of friendship between one of the boys, Jean Bonnet, and Julien Quentin, a wealthy young Catholic boy and the character representing Malle as a child. In the film and in reality, the boys and the school's priest-director were betrayed to the Nazis and arrested by the Gestapo. As the Germans took the four away to be executed in the Nazi death camps, the school director turned to Malle and the other remaining students and said, "Au revoir, les enfants … á bientoÃt" (meaning "Goodbye, children … see you soon").
Malle revealed in an interview for Le Monde, that his friendship with the real Bonnet never existed. "I was the good student, the star pupil. He was bigger, stronger, better than me. I hated him. We did not know that our days together were numbered. Afterward, I could never get rid of the idea that all of us, I and the others, were a little guilty of his death-maybe just because we belonged to the human race. More than 40 years later, I finally wanted to tell Bonnet that I liked him." Au revoir gave Malle's career a boost in the United States where it won larger audiences than those typically attending art house films. The film won the Golden Lion at the Venice Film Festival, the Prix Louis-Dellec in 1987, and the Felix Award from the European Film Awards in 1988; Au revoir was also nominated for an Academy Award for best original screenplay and for a British Academy of Film and Television Arts Award for best director.
Among Malle's last work is the production Vanya on 42nd Street (1994), a filming of a rehearsal performance of David Mamet's reworking of Anton Chekhov's Uncle Vanya. Stage actors recreate the play in their street clothes, and the film's dialogue is interwoven with that of the play. Malle's other films include Ascenseur Pour L'Echafaud (Frantic), 1957; Vie Privee (A Very Private Affair), 1961; Le Feu Follet (The Fire Within), 1963; Viva Maria, 1965; Le Voleur (The Thief of Paris), 1966; Histoires Extraodinaires (Spirits of the Dead), 1967; Humain, Trop Humain, 1973, a documentary; Black Moon, 1975; And the Pursuit of Happiness, 1986, a documentary; Milou en mai (May Fools), 1990; and Damage, 1992.
Malle died November 23, 1995, at 63 of complications from lymphoma; he was buried in France. "For me, his work opened up a glimpse into humanity that I had never seen before, an eye toward forgiveness that no other person, place, or thing had ever presented to me, " actress Jodie Foster wrote in her tribute to Malle.
Malle, Louis, Malle on Malle, Faber & Faber, 1992.
American Film, July 1990.
Detroit News, November 25, 1995.
Entertainment Weekly, December 8, 1995.
Horizon, January-February, 1988.
Newsday, November 25, 1995.
New York Times, November 25, 1995; December 3, 1995; March 1, 1996.
Premiere, February 1996.
San Francisco Chronicle, November 25, 1995.
Time, January 4, 1993.
Time International, March 22, 1993.
U.S. News & World Report, February 15, 1988.
Variety, November 27, 1995.
Vogue, June 1990.
World Press Review, January 1988.
Encyclopedia of World Biography
"Louis Malle ." Encyclopedia of World Biography. . Encyclopedia.com. 13 Jan. 2021 <https://www.encyclopedia.com>.
"Louis Malle ." Encyclopedia of World Biography. . Encyclopedia.com. (January 13, 2021). https://www.encyclopedia.com/history/encyclopedias-almanacs-transcripts-and-maps/louis-malle
"Louis Malle ." Encyclopedia of World Biography. . Retrieved January 13, 2021 from Encyclopedia.com: https://www.encyclopedia.com/history/encyclopedias-almanacs-transcripts-and-maps/louis-malle
Malle, Louis (1932–95) French film director. Malle's first feature, Ascenseur pour l'Echafaud (1957), was a landmark in the French nouvelle vague. Other films from this period include Les Amants (1958) and Le Feu Follet (1963). Malle first English language film was Pretty Baby (1978). Other US films include Atlantic City (1980) and My Dinner with Andre (1981). His best-known film is Au Revoir Les Enfants (1987). Malle's final film was Uncle Vanya on 42nd Street (1995).
"Malle, Louis ." World Encyclopedia. . Encyclopedia.com. 13 Jan. 2021 <https://www.encyclopedia.com>.
"Malle, Louis ." World Encyclopedia. . Encyclopedia.com. (January 13, 2021). https://www.encyclopedia.com/environment/encyclopedias-almanacs-transcripts-and-maps/malle-louis
"Malle, Louis ." World Encyclopedia. . Retrieved January 13, 2021 from Encyclopedia.com: https://www.encyclopedia.com/environment/encyclopedias-almanacs-transcripts-and-maps/malle-louis
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When a business recognizes the value of websites as one of the most critical components of their overall marketing strategy then it is no brainer. Almost 2.51% of owners perceive their website as the top 10 marketing tool used for their businesses.
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Despite the disinterest, establishing a proper business website can work great to improve the bottom line. According to Ispos, almost 44% of online shoppers start their search from a search engine and around 61% of internet users, all over the globe, perform online research for products. In this modern era, a running business without a website is considered to be non-existent.
When a business has a great website, it assures online visitors, an enjoyable experience, as soon as they land on their website. If done properly, it can easily lead the visitors or users out of the unknown and into the known. A good website provides adequate business knowledge and offers access to a solution that fully meets their needs.
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text:
Wild winds wreak havoc along east coast
Wild winds up to 100km/h bring down trees along Australia's east coast
by Jack Paynter, Erin Lyons
26th Oct 2020 7:46 AM
Australia's east coast has been battered by wild winds up to 100km/h with volunteers responding to hundreds of calls for help across multiple states.
In Melbourne's outer east a woman aged in her 50s was hospitalised with non-life threatening injuries after crashing into a tree that had fallen onto the Maroondah Highway at Kilsyth.
Victorian State Emergency Service volunteers have responded to more than 240 requests for assistance in the past 24 hours for trees fallen onto buildings, roads and powerlines.
Kilsyth, Montrose and The Basin in Melbourne's outer east were the worst affected areas with more than 100 call outs, while a large Moreton Bay fig tree caused significant damage to a house in Glen Iris.
About 2000 houses, mostly in the eastern suburbs, are also still with power on Monday morning.
SES volunteers work to remove a large tree that caused significant damage to a home in Glen Iris in Melbourne's southeast. Picture: Facebook/SES Malvern Unit
In Queensland, SES, the Rural Fire Service and Queensland Fire and Emergency Services crews were called to 200 jobs for fallen trees, fallen powerlines and property damage.
Brisbane has recorded almost 34mm of rain since 9am on Sunday, while Oakey near Toowoomba saw 42.6mm.
In New South Wales, Sydney was hit by wind gusts of up to 80km/h and more than 40mm of rain in the past 24 hours, with Cabramurra in the Snowy Mountains recording the strongest winds in the state with gusts of 100km/h.
The wild weather has trigger traffic chaos for Sydneysiders with several roads blocked off ahead of the Monday morning commute.
Wakehurst Parkway is closed in both directions from Oxford Falls to North Narrabeen due to flooding. Drivers have been urged to use Pittwater Road and Warringah Road as an alternative.
Oxford Falls Road is also closed between Wakehurst Parkway and Aroona Road.
OXFORD FALLS TO NORTH NARABEEN: Wakehurst Parkway is closed in both directions from Oxford Falls to North Narabeen due to flooding. Use Pittwater Rd and Warringah Rd as an alternative. Oxford Falls Rd is also closed between Wakehurst Parkway & Aroona Rd. pic.twitter.com/q44oUnW3ly
— Live Traffic Sydney (@LiveTrafficSyd) October 25, 2020
pic.twitter.com/q44oUnW3lyOctober 25, 2020
Galston Road, in Sydney's north west, was closed in both directions due to a rockfall west of the bridge but the incident was cleared before 7.30am.
The soggy conditions after expected to continue for the entire week, despite some areas such as Sydney's northern beaches already receiving 100mm of rain over the last three days.
A severe weather warning is in place for damaging winds in the Southern Tablelands, Snowy Mountains and the ACT.
Hazardous surf conditions are also expected along the NSW coast.
Surfers enjoying large swells at Bronte Beach, NSW. Picture: NCA NewsWire / Dylan Coker
Melbourne's outer east saw winds between 60 to 70km/h with fallen trees causing several road closures, including Dorset Rd in Boronia.
Sky News Weather meteorologist Rob Sharpe said there were more thunderstorms on the way for Queensland and rain and showers for NSW.
He said the strong winds and rain would continue in NSW until Wednesday, while in Queensland the thunderstorms would gradually move away from the coast on Monday morning.
"We could still see the odd storm but there won't be nearly as many storms as there will be in central and tropical Queensland and that's going to be the focus on Monday," he said.
"We'll see those storms drifting back south again during the middle of the week, on Tuesday storms are a pretty decent chance again for southeastern Queensland, we could be seeing further severe thunderstorms as well and a similar story into Wednesday."
In Melbourne, it will be cloudy with possible showers for most of the week.
jack.paynter@news.com.au
jack.paynter@news.com.aujack.paynter@news.com.au
Originally published as Wild winds wreak havoc along east coast
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Woolies sued for $1.3 million over grape
Airport's excuse for examining genitals
east coast editors picks weather wild weather wind


text:
Casey, Isakson, Warren, Rubio: Stop Terrorist Financiers
Senators introduce bill to equip POTUS with additional sanctioning power on countries turning blind eye to terrorist money trails
Washington, D.C. - Today, U.S. Senators Bob Casey (D-PA), Johnny Isakson (R-GA), Elizabeth Warren (D-MA) and Marco Rubio (R-FL) are introducing the Stop Terrorists Operational Resources and Money (STORM) Act of 2017. This legislation would provide the President additional leverage in penalizing foreign governments that fail to shut down terrorist financiers and facilitators.
The STORM Act would authorize the President to designate a country that is not adequately combating terrorism financing as a "Jurisdiction of Terrorism Financing Concern." This designation triggers a range of penalties or requires that the country enter into a capacity building agreement with the U.S. Government to improve their ability to end terrorist financing.
"We cannot allow terrorist organizations, particularly ISIS, to continue operating throughout the world" Senator Casey said. "Cutting off the money that terrorist groups use to pay fighters' salaries, buy weapons and IED components and control territory is essential to the strategy to degrade and ultimately defeat these groups."
"Cutting off financial resources from terrorist groups is essential in our efforts to degrade and defeat them," said Senator Isakson, a member of the Senate Committee on Foreign Relations. "This bill will enable the United States and our partners to crack down on those involved in financing the Islamic State and other terrorist groups, effectively adding another tool to our fight against terrorism."
"We need to use all our financial tools to target the resources of terrorist groups and those who bankroll them," said Senator Warren. "This bill enhances those tools and boosts the capabilities of our allies to combat the financing of this global threat."
"If we want to defeat ISIS and other terrorist groups, we must cut off the money they use to plot and carry out attacks," Senator Rubio said. "This legislation will help ensure terrorist financiers are ultimately shut down and penalized for funding violence and bloodshed against innocent people."
Under current law, the U.S. has limited leverage to penalize a foreign government for allowing terrorist financiers to operate using its jurisdiction. The STORM Act will strengthen the President's tools to ensure all foreign partners are investigating and prosecuting terrorist financiers in the most effective way possible. It also authorizes sanctions on foreign banks that do business with ISIS and requires the State Department to report to Congress and the American people on countries' effectiveness at stopping terrorist financiers.