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Reedy Branch Review 2017
Reedy Branch Review
Pitt Community College
Editor Daniel V. Stanford Creative Nonfiction Editor James Metzger Fiction Editor Scott Temple Poetry Editor Daniel V. Stanford Office Assistant Katie Barnes
Reedy Branch Review is the online literary journal of Pitt Community College. RBR is especially interested in publishing the work of Pitt Community College students, faculty, and staff, but we also accept work from writers associated with other community colleges and from anyone who supports the mission of America's community colleges.
Senior Advisors Dr. Stephanie Rook Sue Jefferson Reedy Branch Review
Cover photo: "Let Me Talk to You" by Destry Sparks Back cover photo: "Hibiscus with Dew" by Sabrina Westerman Graphic design and layout by Daniel V. Stanford Copyright © 2017 Pitt Community College
Contents Editor's Note ..................................................................................................... 4 The Black and White Nature Project—09 .................................................... 6 Umbrella Outcasts by Margaret Rogers ....................................................... 7 The Machine by Margaret Rogers ................................................................. 9 My World and Theirs by Margaret Rogers ................................................ 11 Ninety Degrees East by Joy E. Moses-Hall ................................................ 13 Over My Head by Joy E. Moses Hall .......................................................... 17 Down the Rabbit Hole by William Eddins ................................................ 22 Fear Calls Us to the Things of this World by William Eddins ............... 23 Stranger by William Eddins ......................................................................... 24 Our Faults by William Eddins ...................................................................... 26 Cousins ............................................................................................................ 27 The Shell Keeper by Millie Sparks ............................................................. 28 Caught in a Dangerously Revealing Disguise on a Lonely Day ........... 41 You Can't Be in Two Places at Once, but That Doesn't Mean You Can't Feel Like You Are........................................................................................... 42 Temple by Rebekah Woelkers ...................................................................... 43 Spirit Tattoo by Rebekah Woelkers ............................................................. 46 The Murder House by Joe Clark .................................................................. 48 Untitled by Sarah Grace Barnes ................................................................... 53 I Said No Folding! No Folding! ................................................................... 54 My Really Bad Poker Face at the Moment I Played My Card ............... 55 Molly Gator by Jade Ramsey........................................................................ 56 Meatless by Jade Ramsey .............................................................................. 60 Brassiere by Jade Ramsey ............................................................................. 61
Crimes Against the Garden State by Bradley Arrington ......................... 63 Brother John's Table by Bradley Arrington ............................................... 64 tired by Bradley Arrington ............................................................................ 65 Leaves by Amber Knox ................................................................................... 66 One Day by Amber Knox ............................................................................... 67 Sketch 1 ............................................................................................................ 68 Why I Sold My Kayak by Jim Metzger ....................................................... 69 Under Pressure by Sarah Saffron................................................................. 78 Bad Babysitting by Sarah Saffron ............................................................... 79 Coincidence or Providence? by Margaret Rogers ..................................... 80 Hidden Angels 2 ............................................................................................ 85 Waking Up between 1AM—3AM: Grief and Rage; Between 3AM— 5AM: Grief and Sadness by Nicolas Ball .................................................. 86 I Was Sitting at a Lonely Grave of Someone Who I've Never Known and I Was Thinking About How Long It Had Been Since I Last Saw You by Nicolas Ball ....................................................................................... 87 Sparkle by Gary V. Powell ........................................................................... 88 The Black and White Nature Project—04 .................................................. 99 Hanging on the Fence Line by Keegan Land ........................................... 100 Noisy Bird by Brittany Cooley .................................................................. 102 The Limits of Magic by C.G. Thompson ................................................... 104 Reaching for the Stars by Lauren Price .................................................... 114 The Black and White Nature Project—06 ................................................ 116 Contributors .................................................................................................. 117
Editor's Note In this second issue of Reedy Branch Review we wanted to continue to showcase the talents of Pitt Community College students, faculty and staff, and supporters while also appealing to a broader range of possible contributors. To that end, we opened up submissions to anyone supportive of the mission of America's community colleges. Many colleges try to sum up that mission in a tagline—a short phrase that tries to convey the goals of the institution. The tagline of Pitt Community College is, "Educating and Empowering People for Success." Most colleges who employ a tagline go for something similar, something inspirational or aspirational—Steve Kolowich takes an interesting look at taglines in this piece for The Chronicle of Higher Education. We see Reedy Branch Review as fitting squarely with the "Empowering" aspect of the PCC tagline. Programs and academic departments campus wide strive to do the "Educating," and they are mostly quite successful. Giving students—and others—the chance to demonstrate what they have learned by creating something that is uniquely their own is one way to "Empower" them. It is our desire to provide a venue for the sharing of these creative efforts. You may notice some changes this year. For instance, this issue is bigger, with more of everything. A sign that we are growing in a positive way can be seen in what did not make it into this issue. We received more than twice as many submissions as actually made it into the final version of RBR 2017. Many of those submissions might have made the cut last year, but with the luxury of so much to choose from, we were able to be more selective. There is also much more artwork this year, which was 4
one of the goals for this issue. One further change this year was the addition of fiction editor Scott Temple to the editorial board. We hope you enjoy this year's Reedy Branch Review, and encourage you to consider submitting something for the next issue. —the Editors
The Black and White Nature Project—09
photograph by Chris Fouts
Umbrella Outcasts by Margaret Rogers Rain fell in gray sheets, like the minutes passing by, while I and an army of one hundred more stood vigil for a bus, lazy and late, leaving us all in the gray of the sky, of the road, of the sea of trench coats, waiting, and the grove of umbrellas around me, a community banded against the rain, excluding me and another. Through the sea of rain-slick shields, I saw him there: Blonde hair plastered, gaze cast low, shoulders bearing the weight of the weather. Our genders differed, our lot in life the same, shunned by the safety of rotating black umbrellas, shared, the boy and I, Reedy Branch Review
the only outcasts of this umbrella community. I joined the stranger, to squelch and huddle, sharing our nothing in dreadful weather. We all had time before the bus came; why not be wet together?
The Machine by Margaret Rogers Sons and fathers, one by one, are fed into the machine, Casualties stained in crimson, and new recruits now clad in green. This machine, it had a name, befitting of its lore: The one who ate and killed with hate, was the one we all named War. They pack their bags, and smile thin, and laugh about their leave . . . Because they are our friends, we see them lying through their teeth. They step outside where the car awaits, and we bid our last "farewell!" They fade from view, now weeks are by, and we still don't check the mail. Green fought on in the twilight air, or dawn, as they all said, Stand down! This war has just begun, we don't yet count the dead! Green becomes red, but our hearts are black, and our minds are just confused, Why are we killers? Is this who we are? Or are we just being used? The gears still churn, the blades still cleave, and War continues to kill, Red pleads, "why did we get in this mess, and why are we in it still?" Reedy Branch Review
Silence meets the little sheep, and ushers them on in a line, Steadily more meet their death for naught, and somehow this isn't a sign? No one questions, no one fights the great machine of War, We only step so gladly to it, oblivious to the gore. And if we kill and maim and slay, we'll maybe just survive, And we'll go home and know of what is happening inside.
My World and Theirs by Margaret Rogers I'm in a world that's not my own, watching from on high. The scenes play out from others' lives, and I control them in time: Pause, fast forward, play, flip a page back and rewind. One life ends, another begins, and I move from world to world. New words pass by my reading eyes, and light passes by my page. Is it sunny up there in my world? I wonder, but burrow deeper into the pages. There's music, and it's beautiful. It crosses both worlds, soaks through the pages to reach me, but coming from what's beyond my sight. My bowed head moves at last; I look up from the book and see my world. The breathless world of fantasy lies paused upon my lap. There are no more of those come-and-go lives, those riveting stories. But up here the sky is shining, there are glimmering wheat fields of gold, serene music floods the senses, and I am home. Reedy Branch Review
The book is open, inviting, teasing with shapes of words I can almost read, but I close the book. Not today. I've read the lives of others, come-and-go, I must never forget to write my own life before I read it all away. I'll live another's life another day.
Ninety Degrees East by Joy E. Moses-Hall Scariest of them all was the East Beast. Scariest of them all, among the very scary, ever wary women of 1980, was the terrifying, soul-denying, female-belying warrior named Mary Jane East. The Class of 1980 was the first class in which women were admitted as cadets at the U.S. Coast Guard Academy (and other service academies), and MJ East was the Valkyriest. This was the prep school for Coast Guard officers: college, seamanship, and military training. The professors were all men. All of the command positions were held by men. And the shipboard billets provided communal berthing for men. The barracks had been a fine place where princes could grow to be kings under paternal nurturing. Now, infiltration by women meant bathrobes would be mandatory and Christie Brinkley forbidden; crybabies and airheads would take the leadership posts once reserved for superstars and crackerjacks. MJ, though, was no crybaby. Physically, she wasn't imposing, but what little there was of her was tougher than a baby blue ox. Her baritone bellow mingled indistinguishably with the ubiquitous male cadences. Occasionally, during a rare moment of regimental hilarity, a rusty stentorian rasp could be traced to her, but it didn't fit her humorless persona. Her hair was clipped precisely to the stiff cartilage of her ears; her jaw was rigid enough to crush steel; her shirts and trousers were pressed with impeccable creases that stayed ridiculously flat even when she was inside them. Her barracks room was devoid of dust and hollowed of humanity. And her shoe leather gleamed like onyx slippers with fresh spit shine. Reedy Branch Review
Her own classmates were wise to stand at attention in her presence. Officers with years of seniority cringed before her glare. Ships would cross the ocean rather than pass her in a channel. MJ East was a Wicked Witch in a land fit best for Odysseus and Poseidon. So when I made a mockery of squared corners under the very nose of Miss East, Her Beastliness cursed fiery rebuke upon me. Squared corners are a peculiar habit of the freshman swab year whereby all turns are effected at ninety degrees. Eschewing coddling behaviors that even hint at soft and rounded, first-year swabs are propelled at double time, and must veer around corners at pointy angles. This veering is both blind and slippery, as swabs are also forbidden to glance left or right to check for traffic, and they wear leather-soled shoes that slide like banana peels on the high-gloss flooring. Even the most alert swabs are caught in sidepanel collisions at reckless speeds. Damages are furthered by the decree that arms must remain at one's sides, bent at the elbows, but pasted to the waist as a training exercise in peripheral vision and thigh and elbow agility. On this particular occasion, I was visiting my best friend Patty, who had the misfortune to room directly across the hall from Miss Beast. All of the women of the Class of 1980 were beasts of some sort. They were the finalists in an eat-or-be-eaten Academy culture that from bottom to top rejoiced when they failed and despised when they inhaled, and the females were cranky about it. Their asbestos hearts neatly deflected the fire and flint of an abundance of androgens fired like tracers from the muscles and muzzles of military men. These women hauled hazing to a halt, compelled cosmetics etiquette, and clashed with the Alma Mater's gender. 14
They manned all the women's sports teams and sported government-issued boxer shorts. They cut their teeth on coral and their hair with swordfish. They fought fire with hellfire. They were tough and brittle stars. They were not about to have their hard-fought battles sullied by a bunch of weak-kneed yellowbellies like us, smearing their contrails, tracking mud across their proud pages. I ordinarily squared my corners, even on duty at 0500, when the suave swabs who steamrolled the system sashayed civilian style. But I was in a brazen mood that day, and as I turned the ninety degrees into Patty's room, I flung my arms wide and danced three beats of two-step, to Patty's dumbfounded look. "Miss!" Outrage thundered down the corridor in a Beastly bellow like steam from a flared snout. She could see noble female history pooling, squandered, in a puddle at my feet. "What was that?" I about-faced into the Wrath of East, immediately repentant. "A s-square corner, ma'am." She lectured for five minutes on squares and corners, beginning with precision motor control and ending with Pythagoras as I stood motionless and braced-up in the hallway, back straight, arms down, neck stiff, staring ahead. "At 1900 hours," she added, "you will report back here, and I want to see eighty squared corners to the left and eighty to the right." She chose eighty as a matter of class pride. Everything was counted that way. Precisely at 1900, I began marching tight little boxes in the corridor outside her lair. "One, ma'am. Two, ma'am." She watched each and every execution: not 89 degrees, not 91 degrees, Reedy Branch Review
but perfectly perpendicular corners. Occasionally my feet skidded on the tile floor. Classmates skirted me in the double-time lane like autos swerving around an accident scene. "Eight-one, ma'am. Eighty-two, ma'am." Class pride. When I finished my 164th corner, she let me go with a snarl and a warning. Patty, meanwhile, had evaporated to the nether regions of her room, out of sight of East Beast. That was her closest interaction with East, which was later construed by MJ as close personal friendship. I stood forever wary of MJ, even when I became an upperclassman myself. Patty, on the other hand, stood in full dress whites. She was the uniformed maid of honor at MJ's military wedding.
Over My Head
by Joy E. Moses Hall
USCGC Eagle—courtesy US Coast Guard
Is swimming in nine thousand feet of ocean any different than swimming in the fifteen feet of a pool? The nine thousand-footer was the Atlantic Ocean. We had just sailed the US Coast Guard Barque Eagle through the Bermuda Triangle on Friday the 13th, and were celebrating a robust emergence into the Sargasso Sea with a swim call. All hands (and feet) dove into the dappled sea, except for an armed small-boat crew patrolling for sharks. The water was gentle and blue from above, warm and clear from inside. I could see my startlingly white feet, whiter in the bluish water than their usual milky hue, dangling below like friendly squids, but nothing else stirred for a hundred feet. Below that, the light snuffed into an impenetrable gloom. I couldn't Reedy Branch Review
fathom the size of all that water between me and the bottom— what if I were to suddenly deflate and waft to the bottom like a human corn flake settling in the Atlantic cereal bowl? It could be days before I hit bottom. Three hundred degrees of empty horizon inspired little confidence in human grandiosity. There was naught but air and water. A few heads bobbed nearby, nearly swallowed up by the infinite blues of wet and dry. To the left was nothing and nobody at all. Nothing up. Nothing down. Nothing west. A whole arc of eternity was void. To the right was the ship. The Eagle was small and claustrophobic when we were on board; it teemed like an ant farm, with no place to go, no place to hide for a moment of solitude, everywhere and always within 300 feet of 200 people. Now, from the perspective of a plankter, it was huge. The vast world was all of three dimensions: sea and sky and ship. To be sure, there was drama below of which I was ignorant. A few feet into the dark haze, a tuna might be shredding a mackerel into fish sticks. Deeper, a saber-toothed viper-fish could be blundering into a hatchetfish, a round, skinny counter-predator doomed to forever peer upward—today toward my chalky white feet—and widen its ever-open, over-fanged gape. Way below that, in the coldest, darkest, heaviest part of the thickest ocean, might be a gulper eel, hardly a fish at all (being nothing but mouth and tail), distending over a much larger but pudding-shaped angler fish waving pustules of luminescent skin like bait, each trying to feed upon the other. Above, high above, comets were no doubt strafing planets and splintering into meteors, and super-novae were blistering the heavens with electromagnetic glare, all the while the galaxy 18
whirled around a super-sized gaping black hole, and star flares screamed out X-rays, but here, on the surface of our speck of cosmic dust, all was tranquil. The ship itself lured us gently closer, its maternal gravity borne down on us by the wind. To the west, there were only lemony sunbeams steeping into a relaxing marine beverage. Water wasn't always relaxing. In a fifteen-foot-deep pool, it wrestled, it pushed, it dragged and it sucked. The Coast Guard Academy pool was a synthetic puddle, a lap-pool raised in captivity, and was in a perpetually churlish humor. We were expected to be competent, even masterful, as swimmers. No drowning boater wants to be left adrift just because the rescuer can't do the side stroke. I was detailed to remedial swimming while the rest of the platoon challenged the obstacle course. The first lesson was to open our eyes under water. Babies learn such dignities before they even potty train. But up to now it had been unnecessary to see the water in the path ahead. The Coast Guard opened my eyes. It burned. I thought I'd be blinded. We were floating in the tears of all who had swum before. By the end of the summer, I could do a wide-eyed frog kick with my webless moby whites, though heaven help the unfortunate who drew me in the rescue lottery. Save yourself, man, the water's deep. But swimming did not end there. We were to hone our skills, strengthen our lungs and our strokes. Every year brought diving. The pièce de résistance was the high diving platform. Someday we might have to jump from a hovering helicopter hundreds of feet in Reedy Branch Review
the air—were we going to wimp out on a stable platform just thirty feet from death or irreversible injury? There was no time to reconsider between the moment of jumping and the start of free fall. There was plenty of time to reconsider, but no traction, during free fall, and the deed was done by the time one finished enumerating the wherewiths of the wheretofores in one's will. Worst of all was diving for bowling balls. Now, I don't know how many bowling balls actually drown in any given year, but, by golly, we would learn to save them. We donned masks, fins and snorkels. Masks? Why on earth did I have to learn to open my eyes under water if they were going to hand out masks? Snorkels? Snorkels are only good to about fifteen inches, then you start inhaling water. Even a bowling ball needs fifteen feet to drown. And one by one, they did. Bowling balls flung themselves into the deep end like hairless lemmings, straight to the bottom. Classmates jumped in and retrieved them, tucking them tenderly into an elbow or hugging them to a chest as they swished once or twice with the fins and rocketed to the fifteen inch zone, cleared the snorkels, and offered mouth-to-thumb-hole resuscitation before lifting the victims up to waiting hands on shore. I waited 'till the last round, so my bowling ball was tired and half-dead already. The eyeholes looked up at me, and somehow it knew it had lost the rescue lottery and slumped to the bottom. I held my breath and dove. I came within about three feet of it, arms still reaching, before bouncing back to the surface. Repeatedly, I bobbed back up. Finally, long after the ball had drowned, I managed to lunge and grab hold of it, but on the way up the added weight of the 20
ball held me down, and now I could not float. I jumped up from the bottom; I threw the ball up and nearly knocked myself out on the rebound, but we could not surface. I would get close, and raise the ball over my head, and take a breath of water through the snorkel, and we'd sink back down in a sputtering Sisyphean ballet. The ball doomed me, and I it. Together we sank, alone I floated. At the very floor of the ocean, 9,000' down, in the silt and ooze, how many bowling ball remains roll about in the abyss?
Down the Rabbit Hole by William Eddins If I were a rabbit, would I look for food in your garden? Could I find sanctuary there? It might be best for me to hop along and pass you by, refraining from eye contact like we do with homeless people on the sidewalk on the way to the parking lot after dinner or dash off down the rabbit hole, late for tea time. Would being a rabbit make me more compatible? Could you imagine petting my white fluffy fur and feel me nibble at your finger? Or, would you feed me carrots and keep me caged? Only allowing me out once a week to curl up on your stomach while you lay in bed, watching Netflix, thinking about how you thought a rabbit would make you feel less alone.
Fear Calls Us to the Things of this World
Eddins
My eyes open to the television still illuminating the bedroom. On screen, an elderly woman who claims to never leave her apartment peeks from behind a door. What is she so afraid of? When the host asks why she never leaves, she replies, "So I don't die." As if the Angel of Death cannot find her locked in a tower. Like he doesn't stalk, sensitive to the skipping of a heartbeat, prepared to creep in with the final slow breath.
Stranger by William Eddins You were the stop at the nail salon and Chinese buffet before me. Often, we played that game where we avoided eye contact, distracting ourselves with iPhones or what vibrant pattern socks the old man cloaked with a concoction of Clubman and wine flavored Black and Milds had peeking between his Dickies and loafers or steal glances through those reflective, broad bus windows. Every afternoon bouncing with pot holes, I daydreamed, you sat beside me, spoke to me, told me you admire my eyebrows and that you want our children's to be identical. I would get off with you, our fingers locked as you lead me home. Instead, our game ends when the brakes screech, sliding empty soda bottles across the floor, 24
and I watch you leave without saying hello.
Our Faults by William Eddins If words spill on the page, let them be for they do not know their mistakes. They can't possibly rearrange themselves for your pleasure or substitute each other like hockey players skating, racing into position. They couldn't attempt to know what you want to say or who you want to be or spill the secret about existence. It's up to you to unpack the universe and whine to the stars about loneliness.
photograph by Esther Metzger
The Shell Keeper
by Millie Sparks
I watch Sarah sweeping the floor. She's short and tiny and has pointy ears that poke through her hair like an elf. When we were in high school she ditched nine times one year and was still marked present in all her classes. Here, in the coffeehouse we both work at, customers and employees alike are always bumping into her. Sometimes I pretend like she is a ghost or hallucination that only I can see. As I stand drying coffee mugs, she bumps into an empty table with her broom and mutters, "Excuse me." She has a way of saying "excuse me" and "I'm sorry" all the time like she is trying to apologize for her existence. I try to imagine her having sex, but the thought is blasphemous. It's like imagining your mother going down on your dad. She is sexless. I imagine her naked body being something like that of a young girl—bald and blank—without form. She behaves much like a child. In the confines of her small frame there is an innocence that pervades her every movement and gesture. Like the way she just said "excuse me" to an empty table. Sometimes it's hard to know if she's nineteen years old or eight. Everyone has a way of dismissing Sarah. No one finds any relevance in the beauty or knowledge of a virgin, but for some reason, most people find a vast world of knowledge in these endless train wrecks of flesh and fuck. But virgins always get backstage no matter what they've got to say. That's a line from a Tori Amos song. Sometimes Tori narrates my life. Sarah once told me that for her it's the voice of the narrator from The Wonder Years. "That's sad," I told her. She said that it's fitting since she has a sad life. 28
I turn to my manager, Denise, who is counting the money in the cash register and ask, "So why don't people take virgins seriously?" The randomness of my question does not startle her. She is used to my questions. She continues to count bills and without looking up she answers, "It's the experience factor." Denise always adds little unnecessary tags to her sentences the way teachers and politicians often do to make themselves sound more intelligent and sophisticated. Everything with Denise is "a factor" or "indicative of." That's why I prefer Sarah. She's just plain folks. Despite the way Denise's auburn hair and flawless porcelain skin make her look like a china doll, the word "experience" is written into every curve of her voluptuous twenty-eight year old body, but her answer is bullshit. All of these train wrecks make for a whole lot of bullshit. Last year when we were eighteen, I told Sarah that I'm gay. "I'm gay," I said. She had been reading Sense and Sensibility. I'm a Libra," she offered as she looked up from her book. As she said it, she locked eyes with me, and the expression on her face was very serious. I remember trying to mask the fact that I didn't understand what she was trying to say. Sarah has a way of talking in metaphors and images, and sometimes she's hard to understand, but because I'm a poet she always thinks that we're on the same page. She has full confidence that I always understand just what she means. That day I finally had to give up guessing and just ask her. Reedy Branch Review
"Didn't you hear me? I'm a gay man!" "Yeah, I heard you." "So…you're a Libra?" I was desperate and frustrated. "I don't see what that has to do with anything." "Exactly," she said and resumed reading. I will always love her for that. Today we are on our way to the beach. I am driving because Sarah goes 45 in 70 mile per hour zones. She drives me crazy. She is like an old woman. She keeps looking out of the window instead of at the road. Once, she actually stopped in the middle of the road with a long line of cars behind us to point at some cows in a field. COWS IN A FIELD! She was excited because one of the cows had finally had her calf. People were blowing their horns at us. So now, I never ride with Sarah. She's sweet and all, but she's nuts, and I'm a far better driver. "What's an eight-letter word for nickname?" she asks. "Only sixty-year-old men do crossword puzzles," I respond. "The difference between me and a sixty-year-old man is that he's probably getting laid." The people at the coffeehouse would be shocked if they knew the way Sarah talks in contrast to the endearing way she walks into doors. No one would be able to tell it by her oversized, floralprint, cotton dresses, but she's pretty bold. "C'mon Encyclopedia Brown, don't hold out on me. I know you know an eight-letter word for nickname." "Try cognomen," I say. "Cog-what?" "Cog-no-men," I reply. She lets out a long slow whistle. "Now there's a doozy." 30
When we get to the beach, we set up our chessboard on the boardwalk. I pretend like we are old retired men who wear their pants up over their large stomachs and comb their hair across their bald spots. Sarah picks white. Sarah always picks white. And good always goes first. My mind's not on the game, and I'm losing. I stare at the white rook Sarah has her hand on. She cannot decide if she wants to move it. I hate rooks. They can only move forward, backward, and side to side. Sometimes I feel exactly the same way. I move forward and backward and never really get anywhere in our onei'd, crooked letter, crooked letter, town—in our humped back, humped back town. "What do you think of rooks?" I ask Sarah. "I think they're white castles," she says. She takes my queen with her white castle. I look up at a family playing tag in the sand. They're one of those Brady Bunch families. They all have blonde hair and blue eyes. They probably eat Quaker Oats for breakfast. Sarah pins my king between her rook and bishop. "Checkmate," she says. I look back up at the family—at the father. I'll rent your wife and kids today, Tori sings. I see Sarah's white castle. I see her bishop—her bishop in a Southern town. "Earth to David," she says. "Checkmate." She points to the board. "You're absolutely right," I say softly. Reedy Branch Review
I close my eyes. Sometimes I wish I were Sarah. Sometimes I wish I were anyone else but me. We move to a bench farther up the boardwalk to look out over the waves. "Do you want a piece of peppermint?" Sarah asks. We are acting out our favorite Golden Girls episode. We are boycotting television—except for reruns of The Golden Girls. I call her every night at eleven, and we watch it together in silence over the phone. Once she went with her parents to the mountains on vacation. The Golden Girls was pretty lonely that week. There is something about the constant in and out of her breathing—her presence that means that I am not alone. I have not picked up my line. Sarah tries again. "Do you want a piece of peppermint?" "I've always liked buttascotch. Have you got any buttascotch?" I am not sure we are getting the lines exactly right. I've found in life it hardly matters. Smile and nod and let people's perceptions do the rest. "Pep-O-Mint!" she continues. She is Sophia. "Seriously," Sarah asks, "do you want a piece?" She reaches into her giant blue jean pocketbook and pulls out a candy cane, offering it to me on the tip of her outstretched finger. I was born hypoglycemic. I have known Sarah since we were fourteen. She knows I'm hypoglycemic, and she knows that I can't eat hard candy unless my sugar's way low, and I'm about to pass out. But practically every day she asks me, "Do you want a piece of candy?" Like one day I will suddenly decide I am not 32
hypoglycemic anymore and accept her little sugar gifts—her little hard candy offerings. She sees the look of scorn on my face. "I'm sorry. I forgot," she mutters softly, looking away. She chews her bottom lip so hard I think that she will soon draw blood. Sarah kicks off her sandals and runs into the surf. She makes it a game. As the waves roll out to sea she chases them. When they turn again towards the shore, she runs and lets them chase her. Her feet are wet. A good portion of her black, floral cotton dress is wet. When she grows tired, she plops down beside me in the sand. Actually, she lies down beside me, getting sand all over the back of her dress and in her hair. Sarah has very pale skin, just like me, and in her black cotton dress she looks like a corpse. "You look like a corpse," I say. "Oh, yeah?" She smiles, closes her eyes, and wiggles in the sand, adjusting herself. "Okay. I'm ready," she says. "Ready for what?" "Ready for you to deliver my eulogy." "There once was a girl with big ears," I begin. I pause to think for a minute. "That despite the fact could never hear. She loved to eat. But she had stinky feet. That cute little elf with big ears." She opens up one eye, squinting in the sunlight. "I would haunt you for that eulogy." "I'm an honest man," I say, holding up my hands in surrender. Reedy Branch Review
"Only liars feel the need to say they're honest." She sits up and rubs the edges of a broken shell that lies between us. "What are you thinking?" I ask. I always ask this, and she is always refreshingly honest—even when she doesn't want to answer me. Even when she thinks that I will laugh at her. She tilts her head to one side, holding the shell up to her ear. She smiles at me. "It says that it is beautiful even though it is broken. What are you thinking?" she asks. "Nothing," I lie. "It's funny how you never think anything. Are all poets like that? They put all of their thoughts into their poetry, and then in the off season they don't think anything at all?" I sigh. Sometimes Sarah gets on my nerves. "Here," she says, grabbing two pens and two pads of paper from her denim purse and shoving one of each into my hands, "let's write poetry." I do not feel like writing poetry. I feel like reliving the ending of The Awakening. Sarah scribbles furiously, then she shoves the pad of paper in my face. "Here's my poem." She smiles gloatingly like it's all one big joke. Like life is one big joke that only she can laugh at. I read it. I read what she calls a poem. The white capped army storms the shores. Keeping bits of the world in our pockets… I am beautiful even though I am broken. La vida es muy corta. Vive.
"This is not a poem," I tell her. I am frustrated. Sarah does get on my nerves, but even beyond that, I take writing very seriously. For her not to take writing seriously is blasphemous to me. "It is a poem," she insists. "These are just lines and none of them even go together! They're not even related! There's no theme!" "They're stanzas," she says simply. "A stanza means more than one line." "Then they're my refrains," she says. "Refrains are in songs!" I am shouting. "Songs are not poetry?" I sigh. "This last line. What does it say? It's in Spanish, right? What does it say?" "It says life is very short. Live. Do you want to know a secret?" she asks, looking behind her to see if anyone is around. "The ocean told these to me." It seems the ocean has been watching Oprah. The constant roar of the waves sounds very much like self-help tapes. I repeat with disgust, "Life is very short. Live." I shake my head in disbelief. Sarah realizes that I am not in the mood to play her stupid make-believe games, and her bottom lip begins to shake. One lone tear trickles down her face. She looks away. My anger subsides as quickly as it began. I did not mean to make her cry. I feel guilty, but for some reason, I cannot stop myself from critiquing her "poem." I try a different approach. "The ocean did not tell you that it was beautiful," I say jokingly, "the seashell did."
She dries her eyes with the back of her hands and sniffs. She looks like a little girl who just found out there is no Santa Claus. No Santa living in a white castle at the North Pole. "The shell is part of the ocean. And so is the sand. And so are we. Life began in the ocean. Everything is related to everything else." No it's not, I want to scream. I think about my sexuality and about Sarah's, about Southern towns and about white picket fences—white picket fences that they hang queers on. Not everyone is like you, Sarah. It annoys me that she thinks that the grand total of the world rests within her tiny frame. "Let me see your poem," she says, trying to change the subject. Reluctantly, I give her my blank piece of paper. I have never let Sarah read my writing because often the metaphors and images she brings up in conversation are the basis of my poetry. It's not that I don't want her to get mad at me for ripping off her ideas. Because she wouldn't. She wouldn't get mad. It's that I don't want her shoving my poetry in people's faces and then explaining away the images because for one, that's exploitative, and for two, she would explain them wrong. What an image means to one person is not necessarily what it means to someone else, but Sarah is so sure that she is the entire world. We both silently agree that it is time to leave, and we say nothing on our way back to the car. The sun is setting and the wind has changed. On the way home I see a patch of daisies beside the road illuminated by my headlights. I will make it up to Sarah. I will be spontaneous and fun. We will pick flowers. 36
"What are you doing?" she asks a little bewildered as I pull off the road. I smile at her. "Get out," I say. She hesitates, smiles back, and then gets out of the car with me. I will pick all of these flowers and put them in the backseat of my car for Sarah. They will be my apology. I have picked six or seven flowers before she interrupts. "Stop!" she screams, frantic. "What?" I ask, confused. "Umm…David? You can't…well, you see you can't pick all these flowers." "Why not?" She looks down. "Because you can never possess the beauty of another thing. As soon as you pick a flower, it starts to die." Sometimes I think Sarah has swallowed a book of Chinese proverbs. I stand for a moment silently in front of her with several flowers in my hand—my guilty pleasures. "I was picking them for you as an apology," I say softly. "Oh." She hangs her head down and chews on her bottom lip. Even in the glow of the headlights, it's difficult to see Sarah's face, but I've known her long enough to know that when she bites her bottom lip and hangs her head like that, she's blushing. I take one of the corpses, intending to stick it in her hair as punishment. As I draw close to her to do this, I feel her suck in her breath and hold it. I feel her shudder ever so slightly. She is not looking at me. I pretend I don't notice.
"There," I say. As I step away I touch the flower in her hair. "Perfect." I lie so easily. Lying comes as naturally as breathing out. As we get back into the car, I realize that the androgynous ideal that we both have always unintentionally achieved is about to come to an end—killed by something as pure and snow white as a daisy. The next night we are watching The Golden Girls on the phone, and I ask Sarah if she would like to come with me to the gay bar near where we work. She hesitates. "Sure," she finally breathes out. She had been pretending she was Sophia. She was in the middle of calling me a big botchagaloop. "You don't have to go if you don't wanna." "Who said I didn't want to go?" "Well, there won't be anyone there for you," I say, already regretting having invited her. "Are you uninviting me? Too late, you said it. Let's go." "Right now?" "Well, believe it or not I hear gay bars are not happening places at 9am in the morning." "Aren't you already in your pajamas?" "Yeah, so? I'll change." I hear her rustling around and realize whatever I'm afraid of happening at the gay bar is closer to happening because my best friend in the world is getting ready to lead me gently to my doom. My blood is pounding in my ears, and I whisper, "Meet me there is thirty minutes." 38
When we get there, I am expecting Sarah to look different. To be dressed for the occasion of going to a gay bar for the first time. But instead, she is in her old faded jeans and sandals. No makeup. No toe or fingernail polish. Suddenly I hate this about her. This innocent eager face that she keeps showing to the world. I hesitate before going in, and she takes my arm. She is the brave one for once in our friendship. Our roles have reversed. I think about not going in. I think about lying down on the sidewalk right here and throwing a hissy fit, but this may seem odd since I am eighteen years old. Also, this is the only gay bar in town. If I lie down on the sidewalk and act crazy there's no going back. And so? And so Sarah Bellingham ushers me boldly into my future. We stand at the window showing our IDs to be let in. The man behind the window is tall, classically handsome, and in his forties. He takes my ID and laughs, "What have we here?" he asks looking at my driver's license. "A sweet young thing," he says and laughs again. His skin brushes mine as he hands me back my photo ID, and suddenly I am gasping for breath. Sarah is next behind me in line, and he takes one look at her picture and says she looks like an elf, to which she beams. I've never seen someone so happy with themselves for looking like one of Santa's henchmen. We go into the club and the music is so loud that Sarah and I cease verbal communication for the rest of the night. She holds my arm, but it is obvious that she is terrified of all these people. She has always been a bit claustrophobic and afraid of crowds. I feel her shake in time to the music beside me. And then, across the room I see him, Eric from homeroom. Blonde hair, good cheekbones. The sweater his mother gave him for Christmas. Sarah follows my gaze and then lets go of my arm. Reedy Branch Review
She nods towards Eric, and turns her head quickly away so I won't see. She is crying. She doesn't understand the difference in our sexuality. That I could never love her. She wipes her eyes and nods again towards Eric. For me to go talk to him. The music thumps loudly in rhythm with my quaking heart. I move forward, jostled by the crowd. When I turn again, she is gone. And I have no choice but to follow my destiny towards Eric, toward this new life that I have never known. In my pocket is the shell Sarah gave me at the beach. The one that said it was beautiful even though it was broken. Its jagged edge jabs deeply into my thigh, and I am torn between all I have been and who I will become.
Caught in a Dangerously Revealing Disguise on a Lonely Day
photograph by Nicolas Ball in collaboration with Amber Watts
You Can't Be in Two Places at Once, but That Doesn't Mean You Can't Feel Like You Are
Temple by Rebekah Woelkers They told me that my body Was a temple. Sacred Ground. Holy. They told me, When foreign hands crashed upon my walls And ruined the alter I had built; How could I know for sure that these vandals weren't Worshipers? Perhaps, they said, I had decorated my Temple too lavishly. After all, If I did not want visitors, why was my Temple So welcoming? I put locks on the doors and shuttered the windows, Only to hear their voices outside. And when I did not reply, They came in anyway. I objected as they broke down my doors, Wood splintering under pressure, Crawling through my windows, Reedy Branch Review
Glass crashing to the ground. I threw them out of my temple, and suddenly, I became a goddess of war They sought to conquer. When I raised my voice, They sought to silence me. My words, you see, Were blasphemy. My Temple, they claimed, Was not my own. The Deed did not my bear my name. Their gazes and unwanted words Should be seen as tribute. They said I was not grateful enough. Slut, Became my name. When I sought equal rights, Equal to whom? They asked, standing on the cliffs above me. I was told I was on the same plane, While below I struggled to climb.
Greedy Is what I became when I yearned to make A name For my Temple, For myself. I only wanted a place upon the mountain suitable for this Temple That is supposed to be Sacred. I only wish for my Temple To be my own, And not controlled By those who seek to Pillage And burn My temple, Which is not theirs, To be seen as something worth respecting. My Temple Is a magical place Guarded now by spells I've cast. Sigils line the entryways, And only the worthy Step to my altar now.
Spirit Tattoo by Rebekah Woelkers The Spirit of Detroit. The spirit of Motown Music, Rap Gods, riots, and comebacks, And you. You carried that spirit inside of you your whole life. You had music, and art, and love wrapped up inside of you. That man holding a family, and a sphere; head down in the presence of that great city. He is you. You held God in one hand, family in the other, Your head bowed, Ashamed of what your addiction did to both of those things you held so carefully. My calf burns with pain, and I keep telling myself It is nothing compared to the pain you carried. Your Motown spirit could not make a comeback From the empty bones that made up your soul city. Your addiction set fire to the abandoned buildings, And squatted in the ones it did not destroy. Although the great river of life flowed along your banks, It could not wash you clean from the dirt and grime that was left From so many battles that you fought. You were once the spirit that drove the city up, and up, and up. Higher than ever. 46
But you came crashing down, and those hands that once held it all Came up empty. This burning flesh of mine reminds me of that hand that once held God, And I pray my hands may one day do the same thing. I pray one day That Motown, and Rap bars, and the Spirit of those who come back Flows through me, So I can finish what you started. Your city may be broken, But mine is not, And I will not allow it to burn like yours did. I will drape my skyline in love and acceptance. My city will become a refuge for old and tired spirits whose cities have burned like yours, And with every city I build back up, I will whisper your name, Look at your hand holding God, Holding me up as I walk, And know You would be proud.
The Murder House by Joe Clark The May Museum is a treasure trove of local history—and the center of rumor, lore, and mystery. Located on Main Street in Farmville, the museum is a nicely restored, two-story house, built in the mid-1800s by the affluent May family. Ms. Tabitha (pronounced Ta-BEE-tha) DeVisconti, the last member of the May family to occupy the house, bequeathed it to the town upon her death in 1983, but the house was left abandoned and fell into disrepair. Finally, after years of neglect, the house was restored and transformed into the handsome monument to bygone eras that it represents today. As a museum, the house has a number of noteworthy items and collections. One of its most famous collections is a set of quilts that belonged to the May family; it is the largest single-family collection in the state. There are Civil War items, such as bullets and a sword, as well as clothing and furniture from the 19th and early 20th centuries. A couple of the more curious, if not macabre, items are what appear to be framed flower arrangements but are in reality hair wreaths—ornate wreaths woven from the hair of deceased loved ones. In the daytime, the house is quaint and inviting, evincing feelings of nostalgia. At nighttime, it arouses other feelings. It was night when we parked in front of the house and ascended the high steps to the front door. Lindsay Annis, the current director of the museum, and Michael Cable, member of the May Museum Board, welcomed us into the long, high-walled hallway draped with some of the museum's ornate quilts. To our right was a bedroom furnished with pieces from the late 1800s and early 1900s. We all peeked in curiously. "Is this where it 48
happened?" I asked. Annis nodded. "Yes," she said, "this is where Mr. Kettles murdered his wife back in 1919." His wife, though, according to locals, might still be lingering around the house. That was the purpose of our visit. As the Pitt Paranormal Research Association, a student organization at Pitt Community College, we had been invited to investigate claims that the house was haunted. I hoped we would be able to collect evidence—like recording disembodied voices or photographing the image of an apparition itself—to support those claims. Our hosts proceeded to recount the tale of the murder. In 1919, Ms. Tabitha DeVisconti was residing in the Davis Hotel (now gone) and had rented her house to the young Kettles family. Mr. W. B. Kettles had come to town to help pave the streets of Farmville. Mrs. Kettles was sick and frail, from what was likely tuberculosis. One August evening in 1919, W.B. Kettles walked into the house that he was renting, entered the bedroom of his ailing wife, and shot her three times, killing her. He then shot himself in the chest—twice—but survived to be eventually jailed in Greenville, where he attempted two more times to kill himself. Why exactly he murdered his wife is unclear. His story varied. One version is that he killed her to end her suffering. Another version is that his wife had discovered (or he had confessed to) an affair that he had with her sister and, because both he and his wife were ashamed of the affair, they had made a suicide pact. Because he pled guilty, the case never went to trial and no sworn account of that night exists. The motive for the murder remains a mystery… as does the disappearance of Mr. Kettles himself. For before he could be transferred to the state prison, Kettles vanished from his cell, apparently having effected an escape. He was never found. Reedy Branch Review
Perhaps it was inevitable that ghost stories would arise. Even before the house was leased to the Kettles family, another brutal murder was rumored to have occurred there. No records exist to substantiate such claims, though. Perhaps the earlier death is simply the stuff of myth and oral tradition passed down through generations. Regardless of however many murders have or have not been committed in the house, it has a reputation for being haunted, a reputation that was cemented, if not formed, as the house fell into decrepitude following the death of Ms. Tabitha. As vines grew up the walls and into the windows, children whispered stories about the house and grownups avoided it. Even now, restored and transformed into a museum, the house inspires fear. For example, Cable told of how, when the museum first opened, two female visitors who grew up in town walked wide-eyed through rooms, glancing fearfully over their shoulders as if expecting Ms. Kettles or even Ms. DeVisconti to emerge from the shadows. Young Farmville schoolchildren touring the museum are also a bit nervous when inside the house. They, too, have heard the house is haunted. What the stories were before the house was converted into a museum is unclear. However, since the house has come under town management, there have been various accounts of strange occurrences that have added to the house's lore. Donna Kemp, who volunteered at the May House, often worked there alone. She has heard sounds of doors opening and closing and of footsteps when no one else was in the house. According to Kemp, these were fairly common occurrences. Once, while she was in her office, she looked up to see a shadowy form passing across the doorway as it made its way down the hall. Another incident that Kemp recalled was the time an intern from ECU who was 50
working in the house had gone into the basement, where the bathroom was located, and someone turned out the light on him. Thinking it was a prank, the intern accused his co-workers of turning out the lights. They had no idea what he was talking about. He never went back into the house. Another time, a disembodied arm in what looked like a Confederate uniform was witnessed descending the stairs from the second floor. As for Annis and Cable, they have never experienced anything personally inside the house. Of course, Annis has only recently assumed the position of director, so she may yet have a story to add to the house's lore. Unfortunately, our investigation did not yield any compelling evidence that the house was haunted. This is not to say, though, that we did not have some interesting personal experiences while investigating. One team member suddenly felt compelled to step outside because he felt some oppressive presence. Another member of our group said he felt uncomfortable going upstairs or down in the basement where the intern had the lights turned off. Indeed, the basement is very creepy, possibly the creepiest part of the house. It is dark, even with the single light turned on; and the thought of being suddenly plunged into total darkness down therewell, that is a bit unnerving. I had been down there and did not stay long. However, I did not feel anything paranormal. (I am quite capable of scaring myself with my own hobgoblins without the aid of any real ghosts.) In fact, I did not feel or experience anything paranormal anywhere in the house during the investigation. Then again, we do not base our investigation on feelings or personal experiences but on audio or photographic evidence that can be objectively evaluated by others. Alas, we
were unable to record even a single spectral whisper, much less to photograph a full-bodied apparition. We were, however, able to learn a good deal more about bygone people and bygone times, thanks to our hosts, who took us on a tour of the house and its fascinating artifacts. The May Museum is a hidden gem that more people should visit. As for the murder, it was a sensational story in its day. Today, it remains a tantalizing mystery. Whatever secrets the May House holds, it will probably continue to hold them for as long as it stands. I was just thankful, as we drove away after our investigation, that I was not the one who would have to stay and cut off the lights.
Untitled by Sarah Grace Barnes I'm only going to live once That doesn't mean I have to make the right decisions And ponder every mistake Because I have a vision That if I hold my breath I'll lose everything that's at stake But what if I thought That through the life I live Once is enough
I Said No Folding! No Folding!
photograph by Amber Watts
My Really Bad Poker Face at the Moment I Played My Card
Molly Gator by Jade Ramsey At 42 She wasn't always this put-together—still isn't in many ways. Her naturally curling fingernails weren't always "done," and her never failing pale skin has just recently darkened in a tanning bed. She used to wear thick Coke bottle glasses (still does reluctantly), and she used to answer to the name Molly Gator. Her real name is June. Her children, Ryan, Timmy, Mark, and Ginny, are grown and/or have children of their own. Walking into the mall with her niece, Rose, she turns right, where her favorite clothing store, Talbot's, is having a sale. She says she only shops there when a sale is on, though she'll buy the full-priced dress or skirt or blouse if it's the last one in her size. At 17 In 1982, even though she couldn't afford it, she "bought" a television for a thousand dollars because it was "such a good deal"— her mother had to pay it off slowly. It remains in her mother's living room still. At 42 "Short women, like you and me, should shop in the petite department," June says, frowning down at her niece, shorter by three inches, who also wears glasses to hide green eyes. "You should stop browsing through the junior's department. No wonder your pants drag the floor and get ratty! If you'd look for petite jeans they might stay nice longer." "June," smirks Rose, who has never referred to her as "Aunt" because June doesn't like how it sounds with her name. She was eighteen when her niece was born and feels more like a big sister anyway. 56
"Pants," continues June holding up a pair of gray/red plaid dress pants, "should fit at the natural waist—it creates the illusion of longer legs. Besides, once you have children, you won't be able to wear those hip-hugger, low-rise things like I'm trying to wear right now." She tugs the gap in the back of her own jeans. "They aren't made for hips, really. And if you'd stop buying worn out clothes, you'll never look slouchy." June grins and pointedly looks Rose up and down, purses her lips, and squints her eyes. June's job title changes so often that even she forgets what her current position is—though her actual responsibilities remain. She has never been called "Supervisor" though in essence that's what she does. Instead, her names have included "District Trainer," "Human Resource Coordinator," and many other such labels. The Grocery Company for which she works has forced her to conform to the styles of clothes she wears with its many rules of dress and appearance—customers prefer to approach a "clean-cut" employee rather than one wearing black nail polish and a nose ring. Therefore, June always abides by the rules on the employee orientation videos: "no earrings larger than a quarter" and "no more than two rings per hand." At 18-19 Before she was "District Trainer," she was "Assistant Manager," and before that she was "Bakery Manager." Her family still expects her to decorate cakes for birthdays, though it's been more than fifteen years. She can ice a cake like no one else. She started in the Grocery Company working as a cashier when she was around nineteen, just after her third son, Mark, was born and her second son, Timmy, overdosed on Benadryl. She'd just moved out of her older sister and brother-in-law's home in another town and gotten back with Rust, after a doctor Reedy Branch Review
prescribed an eighteen month separation. Rust's addictions turned violent. It took three months for the purple bruises to yellow and peach back to normal. He's always used. And cannot hold a job. At 35 She was quite proud of herself when she bought her first home in the early nineties—just before finally having a daughter, Ginny. When she could afford to redo the kitchen, she went to the extreme to get her ideal color for the dining room walls. She whined, "I matched the paint strips to Rust's mother's house because she has the perfect cream color that I wanted. But what do I get? Butter. My walls are yellow. A yellow stick of butter—like someone smeared butter all over my walls." "Well, maybe it's the lighting. I'll bet sometimes it looks yellow in Rust's mother's house," her sister offered. "Oh, no. It wouldn't dare look yellow in her house." At 41 June began to notice how her hands would chap so badly after washing dishes she would bleed, then she noticed that her hands would swell, then she couldn't close her hands—no working the can opener, no more wedding ring. She went to the doctor who discovered she had C.R.E.S.T., standing for five different diseases. The S is most frightening; it stands for Scleroderma—where one's skin and organs calcify, literally turn to bone. At 11 Stringy black hair and bushy eyebrows framed in thick glasses—hiding her green eyes. Nicknamed such because her best friend's brother said she didn't look like a "June," she looked like a "Molly." She admits to being a little boy-crazy and was probably too starry-eyed to notice why the teenage boys added "Gator" to her "Molly." 58
Molly Gator's brothers and friends were shooting bottle rockets at the cars passing by on Jeff Davis Drive in January, 1976. She begged them to let her have some fireworks until they finally gave her a punk. But she had nothing to light. They began popping more fireworks at the neighboring houses and yards. When the police arrived, the boys scattered, leaving too-slow-tomove Molly to answer any questions. "Freeze! Are you popping fireworks and shooting bottle rockets?" "No," she said, "I'm just standing here smoking my punk." The ember hung from her lips like a long cigarette; her cloudy breath hung in the air.
Meatless by Jade Ramsey Before Anne put down the chicken leg for the last time, she spat on the floor in her mother's house. Before she spat, her mother told her she was having another baby. Before she told her she was pregnant at forty-three, her mother licked her fingers and hands free of the juices of fowl. Before her tongue touched her fingerprints, Anne's mother took a long drag on her Vantage cigarette. Before the deep intake of nicotine, Anne looked at her mother and smiled. Before Anne bared her teeth, she toasted her father, who died of lung cancer three years before, to the day. Before he died, Anne heard her mother promise by her husband's deathbed she would never sleep in a bed without him.
Brassiere by Jade Ramsey Emily refused to wear a bra; she wanted no part of the grownup undergarment. Breasts seemed too adult. The always-sore places on her chest didn't feel sexy like the brassieres hanging on puffed satin. She conceded at 11: a sports bra would be fine. Her best friend looked ridiculous in that blue and white checkered ultra-push-up 32 double-A nightmare, called "Dorothy." The girl had no need for a bra at all. But still, Emily stuck to her guns and wore only sports bras. She lay on her living room floor with a pillow every afternoon. Still sore. Still growing. Her mother's chest had dark mauve nipples, wide, swollen from sucking mouths. They hung low with stretch marks as though a finetoothed comb had rippled through her skin. Finally, her mother insisted she be fitted for a real bra when she was fifteen. Tenth grade. Though her breasts neared a doubleD, she still felt childish. She watched "Phineas and Ferb" and twisted quarters into tattoo vending machines at the theater. She walked slowly into Dillard's. The smell of Freon and perfume. The woman looked sixty, hanging a slip back where it belonged. Emily felt ill. Her mother asked for her to be fitted. Like a puzzle. Where does Emily fit? How does Emily fit? Her mother leaned into the woman's ear. The woman asked no questions. She removed a measuring tape of cloth and wrapped her arms around Emily, pulling the cord loosely around her chest just under her breasts in the middle of the underwear racks. No one looked up from their browsing. The woman did the same around Emily's biggest section—loose, careful not to hurt. The woman disappeared. Emily watched her flit through the shades of pink and white and ecru and beige and the lightest Reedy Branch Review
blues and then the flaming oranges and limes, the zebra stripes and polka-dotted frills. The woman bundled at least thirty bras in her arms and whisked Emily to the dressing room where the woman stayed, teaching her how to put one on. Upside down and backward—the hooks and eyes at her tummy, her waist, she was corrected. But the padded bras pushed her out. Up too much into her neck, her chin. The underwires poked and left indentions. The bright colors shone through her favorite pale blouse and the designs made her frown. The woman put her hand on Emily's breast. Look how your breast becomes a half-sphere when pressed; all women want that shape—I would have loved to have that shape at your age. So many girls are triangles wanting the shape you have naturally. She handed Emily a lace bra without padding. Just black lace with an underwire. It stretched over her chest like the bottom sheet to a mattress. There was no protection. Lace does not protect. Lace intrigues and scratches and asks to be touched, removed. Emily stared at herself in the mirror. The old woman and her mother in the background. Beautiful, they said. I'm not comfortable, Emily said. The woman shrugged, who is?
Crimes Against the Garden State
by Bradley Arrington
Yesterday, I sat on the back steps, steeped in brick, watching the woman across the road sheepishly "steal" from a rose bush behind the empty double shotgun house next door. She waved nervously as she pruned, bundling the broken branches in the fold of her elbow, cradling them like a new-born bouquet of pilfered treasures. I bit my tongue before I could ask her if it's really stealing when you take a flower from one side of the road to the other. If so, we need to do something about the bees. But the truth is you can't steal flowers from an abandoned home because the bank won't miss them, only that transplant from New Jersey, with the special needs kid. She misses the flowers behind her foreclosed home. And if she had a say, I bet she would tell you to dig it up by the roots and send it to the Garden state.
Brother John's Table
There are few artifacts to mark my brother Johnny's time on the drunk farm: just a story no one tells and a mostly pine-lumber picnic table, sanded - never stained, that daddy bought after Johnny was forced to build it to earn his keep as he rehabilitated. I don't know why they mixed in a little Oak, but it's a fine table, nothing to be ashamed of. But on the occasional Sunday when preacher Myers comes to visit, I've heard daddy swear up and down that he bought it at Southern States, back when they were on South Main, long before any of us kids were even born. He says he's always meant to finish it, but some things stay "a work in progress."
tired by Bradley Arrington tired (adjective). 1. feeling a need to rest or sleep: As in, when we got home from Raleigh, we were tired because we hadn't slept in two days; you were not as tired because the ephedra was still in your system, while I was just tired of you. 2. drained of strength and energy (fatigue to the point of exhaustion): I was tired after the second time; now, I'm exhausted. I'm tired of how you live your life in kinetic fits of unbridled self-loathing and selfindulgence. 3. obviously worn by hard use: As in, I was still tired months after you high-tailed it. As in, I was so tired of you, I had become tired of myself. 4. trite, hackneyed: As in, this is a tired topic, so I need to move on.
Leaves by Amber Knox It's a slow explosion The leaves falling down Broken shards of rainbow That join me on the ground Oak hands reach out Bending with a creak Searching for their prisoners Who escape in a red streak And here I lay On this crackling, crumbling bed As more leaves spin down To rest their crackling crumbling heads
One Day by Amber Knox Gentle waves upon the shore Gentle sand beneath your feet Just a few scattered trees To block the sun's relentless heat It's all we need Just for today A quiet place That's worlds away From crowded streets And grave cold rooms From the pains of life That always loom Just one day That's all we seek And when we return We'll remember this treat
by Luke Metzger
Why I Sold My Kayak by Jim Metzger I don't remember exactly how I happened upon the kayak, or who I bought it from. But it was acquired during an uncharacteristic spending-spree after five consecutive years of graduate school asceticism. Although my first job as a Methodist minister after graduating from seminary paid an embarrassingly low wage (even by eastern North Carolina's standards), every time I opened my monthly paycheck, I felt like I'd just won the lottery, as flush as any aspiring actor who'd logged years of menial labor before finally managing to land a part in a blockbuster film. So, month after month, I deposited and spent, deposited and spent, deposited and spent—generally without appropriate forethought, and naively confident that any (minor) overspending could be paid off by subsequent earnings. Poor stewardship habits from a pastor, I know, but after five uninterrupted years of living almost exclusively on Ramen, Mac-and-Cheese, Eggo waffles, and the occasional slice of (plain cheese) pizza from the school cafeteria, I just couldn't help myself. A number of my friends from high school and college had already purchased (well, mortgaged) their first homes and were driving new automobiles; was I not entitled to just a bit of financial indiscretion? For big-ticket items purchased during my first six months of fulltime salaried employment, I somehow managed to land a '91 Wrangler ($4,000—half owned by me, the other half by the bank), a '72 mint-green fiberglass Starcraft with a very fickle 25hp Chrysler (yep, Chrysler) outboard ($1,200), a lightly used sea kayak ($400), and gobs of cheap fishing gear from Wal-Mart ($200). Although I had no prior experience working (or even Reedy Branch Review
residing) in a rural setting, our bishop and district superintendent nevertheless had decided to appoint me to two very small, predominantly elderly congregations, the larger of which was located on Main Street in Belhaven, NC, and the other hidden away from the casual passerby in the residential district of a hamlet called Pantego. At the time, I can't imagine that the total population of Belhaven, Pantego, and four mile stretch between them exceeded more than about 2,000 people. The parsonage, a towering, unnecessarily massive home for a single young man, was located on Main Street in Belhaven, just a few blocks from a boat landing that offered easy access to the Pamlico Sound via Pantego Creek. From my bedroom on the top floor, I had a marvelous view of both the landing and the water, and I watched longingly, often late in the afternoons or early evenings, as men hauled in coolers full of stripers, drum, trout, and crab, wishing I was either there or out on the water—in either case, not performing the tasks for which I was being paid. While my little outboard was capable of running magnificently for weeks at a time, and did so almost without a single hitch through most of the fall fishing season, by Thanksgiving the Starcraft was spending far too many days sitting idly in the backyard as I slowly—and often ineptly—tinkered my way through problem after problem. If I hoped to continue fishing through the winter, I felt that I should probably invest in something dependable for when my Chrysler was ill, and since any boat with an outboard that I could also actually afford would not even come close to passing the criterion of "reliability," I opted for a sea kayak. My reasoning? Well, what could possibly go wrong with a paddle? I suppose an intellectually impaired or overly aggressive shark might bite the end off, or I might drop it 70
into a strong current and not be able to retrieve it, but the chances of either event occurring paled in comparison with the almost infinite array of difficulties my Chrysler might throw my way, no doubt when I was at my farthest point from the shoreline. But with a paddle, there were no moving parts to break, no fuel filters to clog, no spark plugs to change, no color-coded wiring to decipher … nothing, really, to render it totally unusable but human error or plain stupidity. The kayak—nearly twelve feet long, bright red, and outfitted with two foot pedals linked by cable to a rudder—was the last of my big purchases during my tenure at the church. But by that point, I was beginning to worry (perhaps from sheer paranoia) that a few parishioners might be wondering, "So, two boats now? How much are we paying this guy anyway? Aren't ministers supposed to be poor? Furthermore, if he's spending that much time on the water, is he really giving us the most bang for our buck?" I felt that I needed a bit of moral justification just in case someone decided to press me on the purchase, and the first plausible bit that came to mind was this: the kayak would serve as part of a larger effort at reducing my carbon footprint. And, although I preferred jetting about the Creek and Sound by outboard—there's just something glorious about setting the engine to full-throttle directly into a stiff wind and feeling the violent whack of the hull against cresting waves—it is, in fact, true that the Chrysler's ceaseless exhaling of dark oily fumes had begun to prick my conscience. So it goes with many of my generation whose moral compass was indelibly shaped by the release of Al Gore's An Inconvenient Truth. But while I was able to offer sound moral justification for having bought the kayak, it just wasn't much fun. No, that's not quite right. Let me be a bit more precise in order to Reedy Branch Review
reflect how I really felt while paddling: it was no fun and all work. The vessel was cramped and slow, and the all-plastic seat was nearly as hard as a slab of stone. Invariably, I spent more time paddling, rubbing aching back and neck muscles, and shifting back and forth from butt cheek to butt cheek, than with a line in the water. Nevertheless, I was determined to make it work. Al and the penguins, after all, were counting on me. Early in October, I was granted a three-day weekend for "spiritual renewal," which freed me from having to prepare for the Sunday worship service. I almost always found that simply being out on the water itself was refreshing, whether the fish were biting or not, or even whether the weather was agreeable. For a change of pace, I decided on a short trip to the Outer Banks. Not only did I have enough time to pull it off and actually enjoy it, but I thought the added solitude would grant me an opportunity to reflect on the wisdom of having chosen this vocational path, which primarily involved reassuring parishioners both of the existence and benevolence of a sacred order during a time when I myself was going through my "Jesus-was-just-an-especiallygifted-teacher" phase—a phase, incidentally, that would later evolve into a full-bodied and irremediable atheism that would severe my ties with the Church altogether. Moreover, much of this reassurance was sought by members who were suffering in ways with which I had little to no personal acquaintance. At that point in my life, I knew nothing about what it was like to live every day with chronic illness or disability, to have recently lost a spouse or child, to navigate strained or failing marital relations, or to have faced a major financial crisis precipitated by, say, the loss of a job or the sudden onset of a debilitating disease. And I certainly knew nothing about the experience of bodily decline due to ordinary 72
generative aging processes that all too often result in social isolation, chronic pain, and physical impairments that gradually rob one of the activities that once brought pleasure and meaning to one's day. Seminary had prepared me to teach Bible studies and write erudite sermons, but my rural congregation didn't give a lick about either of these skill sets. What they wanted was someone to accompany them through some of the toughest times in their lives, and ideally to offer them hope, something that for me felt forced and unnatural. Given my dearth of life experience and rapidly evolving conviction that the Church's claim in even the mere existence of a transcendent order was total bunk, I simply wasn't equipped for this task. Grateful and eager for the break, I woke early on Friday morning, strapped the kayak to the top of my Wrangler, and bumped all the way down Highway 264E—through Swan Quarter, Engelhard, and Stumpy Point—to Highway 12, then south to the first scenic outlook at Pea Island, where I lifted it from the roll bars and dragged it across knolls of tufted wind-sculpted white sand to what seemed like the very end of the earth. I wasn't thrilled about launching the kayak directly from the shoreline, but I was also wary of trying to safely navigate it out of Oregon Inlet into the open ocean. Thankfully, the evening beforehand, our local meteorologist noted that the surf was expected to be uncommonly calm all weekend, so I thought the breakers ought to be manageable. It was midday when I arrived, and because there wasn't even a wisp of cloud cover, I knew that enormous, merciless orange disk would have its way with my bare back and shoulders. (For some reason, I had no qualms packing Advil for the inevitable throbbing headache that would follow, but buying a small tube of Reedy Branch Review
sunscreen just wasn't the kind of thing that ever would have occurred to me in my 20s. Boys of my generation just never thought to use it—ever. If we got burned, we got burned. We'd worry about the consequences afterward.) Except for a few glassy-eyed gulls circling above, and for a few crabs peering nervously from their dens as if the beach were a war zone, I was alone. It was here, on this endless stretch of jade-blue, this heaving sea of shimmering glass, where I would test the kayak's true capabilities (and mine!) for the first time. I genuinely hoped this would be the beginning of a love affair for a hip new hobby with impeccable moral credentials. I had already burned up the 300 or so calories from my Wheaties just trying to keep my bucking Wrangler on the narrow two-lane roads, so little energy remained for wrestling the kayak over and out past the breakers. Strides against the waves, and against the left-to-right undertow that pushed hard against my legs and torso, were creeping, halting, all executed in slow-mo. I remember suddenly feeling so small and unwelcome, as if this undulating monster I'd stepped into were trying to spit me out, to gently expel the unpalatable foodstuff attempting to force its way into its gaping maw. When the last breaker had been conquered, I discovered that I was standing about chin-deep. The uncanny silence and placidity of this new world, of the infinite unknown that lay out before and beneath me, was admittedly unnerving. From above, I suppose I might have appeared as little more than a tiny bobbing skull that any passing bull or blue might snap between its jaws like a walnut in an instant. Immersed in an unfathomably vast pool of brine whose muckgreen wouldn't reveal the slightest clue as to what lay below, and 74
increasingly aware of the growing distance between me and the familiar safety of terra firma, I suddenly felt a jolt of terror shoot right through me. Instinct took over; my legs launched me straight out of the water, and I began kicking and thrashing about like some maniac in an attempt to board a vessel that appeared to have been designed to roll over more easily than any other watercraft ever made. After several frantic attempts, I eventually found myself sitting backwards in the seat—legs splayed, chest thumping, and utterly incredulous that I hadn't managed to tip the whole thing over on top of my head. Yes, I may have been utterly alone out here, suspended above infinity by a puny single shard of red plastic, easy prey for a teethy legion below (or so I imagined), but I wasn't about to back out of this venture now. Then the following event took place. On each side, no more than two or three feet from my still-submerged ankles, rose a large, smooth gray fin, glistening in the sun. My feet instinctively leapt aboard, and my lungs just stopped what they'd been doing without respite (presumably) for the last twenty-seven years. My mind, ordinarily inquisitive, inclined to hypothesizing, theorizing, and problem-solving, just went blank. Usually a reliable partner and guide in helping to extricate its host from even the most dire circumstances, my mind proved to be an enormous disappointment on this occasion: it entertained no inquiry into what sort of creatures these two dorsal fins might belong to, no plan as to what I might do to ensure my safety, and no thought about what sort of events to anticipate—and thereby prepare for— in the ensuing minutes. The sight of those two fins had so incapacitated my mind's executive function that it transformed this finely tuned problem-solving instrument with which evolution had so generously endowed us into a chaotic mass of Reedy Branch Review
randomly firing neurons that communicated but one piece of totally unhelpful information: "I'm scared!â€? So, I felt, to be sure, but this feeling of terror was so pervasive, so all-encompassing, that it unwittingly undermined one of the primary aims for which our brains had evolved: to motivate sensible actions that would improve our chances of survival when under duress. The two fins disappeared as quietly and as unobtrusively as they had emerged. I stared dumbfounded at their vanishing points for a few seconds, then frantically began scanning all around for any sign of where they might have gone, all the while anticipating a dramatic reemergence that would confirm my worst fear: the dorsals belonged not to porpoises with kindly Flipperlike dispositions, but to a pair of very hungry sharks. For several minutes, I continued searching anxiously for even the slightest hint of their whereabouts—a swirl, the tip of a caudal fin or snout, a slight change of color just beneath the surface. Three, four, five minutes passed  and nothing, only the gentle lapping of water alongside my tiny plastic shard, the searing of the sun's rays on my neck and back, the soft roar of the surf beyond the breakers. Until far up ahead, something caught my bleary, burning eyes: two dorsal fins, presumably the same two that had flanked the kayak before, arcing slowly upward in tandem, then disappearing once again beneath the surface. Not slicing, carving, or darting. And their tails? Flat and flush with the water's surface, not pointing upward. That's all the visual input my gray squishy lump of hyperactive neurons—a fleshy three pound mass that could not, at that very moment, really be dignified with a term like "mindâ€? or "brainâ€?—needed to retrieve one glorious wordpicture: dolphin-đ&#x;?Ź!
Although they would continue their journey parallel to the shoreline until finally vanishing altogether, I was still shaken, not quite capable of settling down enough to appreciate the magnificent beauty all around me, or to marvel at having nearly been caressed by two of Earth's most intelligent and friendly mammals. Furthermore, I was suddenly struck with the thought that this was their world, and so I decided then that I'd better take my leave before any of its unfriendly inhabitants showed up—or, having been watching curiously all along from below, merely chose to reveal themselves! So, I turned the vessel toward shore and rode four consecutive breakers back to oh-so-sweet terra firma, where my species has a secure footing, an astute lay the land, and a far more impressive resume. And what about the noble intention of reducing my carbon footprint, you may ask? The kayak went up for sale by the end of the following week, and I learned to cope with the guilt as well as the endless frustration of tinkering away on an underpowered, unreliable, antiquated outboard that was probably better suited to a nautical museum than to ferrying me—or anyone else, for that matter—around to their favorite fishing holes.
Under Pressure by Sarah Saffron He who resists his fate is shocked into complacency He pounds furiously against his mental prison walls Wants desperately to escape his personal hell It begins with a hairline fracture Which grows into a crack Radiates into a mosaic Of webbed glass Until he Shatters
Bad Babysitting
by Sarah Saffron
Running around chasing children, She wonders why she took this job. She can hear her stomach growling; She knows she can't eat on writing alone. The children don't listen to her. She doesn't care much though. She flops on the couch in exhaustion And lets the utterly unruly children fly. There's a broken lamp shattered on the floor— She's going to be to blame for it, she's sure, Instead of the spoiled brats that actually did it, So she tapes it up and hopes it's not seen by the parents. Going home with half her wage taken out, She forgoes the gas station and the food store. She's going to have to beg her parents again For help with making ends meet, oh joy! Mom and Dad say she needs to get a real job this time. As she stares at the novel she published a month ago That's sitting on their bookshelf unread and unloved, She feels gutted and betrayed but says nothing.
Coincidence or Providence? by Margaret Rogers Six long years ago, my grief-stricken family of four was just returning from my uncle's funeral in Maryland. Although mourning blurred most of my memories from that time, there was one event—rather, a series of events—that impacted my life in a way I cannot forget. My dad still worked close to home then, and we often rejoiced to see him return for a quick bite on his lunch hour. The sound of his old Cavalier's driver side door squeaking on well-aged hinges, then clattering shut, had become a cheery sign of his arrival. But on this day, several minutes passed after the familiar sound, and he still did not appear at the foyer. Soon, I grew worried. So although it broke routine, I slid into a pair of shoes and opened the door. I didn't have to step outside to see what had delayed him, for there he was in plain sight, holding a bedraggled baby kitten in each hand. For a moment, I was breathless. Then, in a rush, I joined him. My dad said that one kitten had been near the edge of the bushes that lined our apartment, wailing and trying to crawl over hurdles of mulch. It's crying brought a second out into the open. Moments after he told me where he'd found these two, a third bush began squeaking. There were three kittens in all: about three-weeks old, almost weightless, and one with an eye oozing yellowy mucus. We raced to find a box so we could carry them to the nearest vet. These little grey-brown scraps of fur were so small and frail that we feared something may happen to them any minute. Exactly what, I dared not to think. 80
That busy day felt far longer than just twenty-four hours. The kittens thankfully were cleared by the vet, so my dad and I then drove to PetSmart for supplies before returning home. To what, we barely even knew. Who could've told us what to expect? By the time we'd gotten back from our last supply run, the sky was solid cloud, like a sheet of liquid smoke. That night the sky poured its heart out into rain, and a chill took hold of autumn. There was little doubt those kittens wouldn't have survived the storm. Yet somehow, they were now in a box in our bathroom, cuddled to a surrogate mother sock, sleeping with stomachs full of formula they sipped from an eyedropper. Though they had to be fed every few hours, I managed to find a moment of rest—a moment to finish eating a cookie that I'd left to dust when I ran out the door earlier. A moment to realize by what a narrow margin these tiny creatures had lived instead of died. Six years ago, I believed that the only reason for their survival … was us. But I later began to question if this was really true. Early on, we were consumed with caring for these kittens, care that required mixing formula, preparing canned food on a plate, and cleaning the dirty paws of toddlers determined to walk through their meal instead of consume it. It was during this flurry of intensive care that my dad said something I will never forget. "Don't name them," he admonished, after hearing us try to tell the kittens apart, "I don't want you getting attached to them if they don't make it." In hindsight, his warning was sensible enough. But to me, it had seemed unnecessary. I remember looking at the helpless, ailing orphans and thinking, "Of course they aren't going to die. Why wouldn't they make it?" Reedy Branch Review
Many might call that a naïve notion, and if anyone had said so at the time, I wouldn't have argued. Yet no one did. I've never asked my family members whether they, too, were gripped by the same confidence—or even the same knowing that I was: these kittens would survive. I could not see the outcome of these events in any other way. Several years later, I asked myself if this conviction had divine origins. And to this day, I wonder. My family had been broken by the passing of someone we loved. Then, within a matter of weeks, these kittens appeared, abandoned on our doorstep, and we stripped our lives bare of any other duties except to care for these fragile things. There was no time to mourn the dead, only to nurture the living. Was it coincidence that the timing had been so? Or that the very night we found them was lethally cold and spat deluges of rain? That they wouldn't have survived without us? Was it coincidence that my conviction they would live did, in fact, turn out to be right? For to this day, they live: healthy, happy, boisterous, troublesome, loving—their trials forgotten, their lives somehow whole. My belief in God allows me to understand coincidence as miracle. And for a very long time, that belief seemed to be founded on blind faith. As a Christian raised in a family of Christians, I never considered requiring "proof" that God existed. Rather, I wholeheartedly believed that the world's existence was proof enough. I had not considered the possibility that subtler "signs" might be at work in the world. How many coincidences in our lives, I wondered, have not truly been the product of "chance"? How many times have we narrowly escaped a car crash that would've claimed our lives, or 82
"just so happened" across a homeless man in desperate need of help? How many times have we casually thanked our "good luck," when something other than fortune may have been responsible? That day six years ago, and the events that followed, caused me to ponder if proof of the divine truly existed. I've never meant to make a theologian of myself. Yet even now, I wonder if kittens left on a doorstep, ill-timed weather, and my unexplainable feeling of certainty together constituted a sign of the divine at work in the world, of our creator's way of speaking to us. My conviction that "nothing would happen" to those kittens did not feel divine. To be honest, I can't even imagine what a sign from providence would feel like. But this sense of knowing, freely offered and anonymously given, found me without me seeking it out. Some Christians may call it grace, but I have no name for it. A blanket of comfort and assurance about those little kittens' futures had been cast over me, and it haunts my mind with marvel to this day. Faith opens our eyes and closes them at the same time. It takes claims of simple chance and hints instead at greater causes. Faith offers assurance again and again, even though our doubts may not go away. And in this instance, faith triumphed, and gave me a new conviction: that my certainty can't have been simple naïveté, and that the unfolding of these events was more than mere coincidence. We knew the kittens' mother. We fed her for nearly a decade, and yet she remained as wild and fully spirited as the day we first tried to coax her to our porch. I knew her to be an incredibly special creature, intelligent and more than able to communicate
with my young soul. I think she understood that our intentions were harmless. But still, she never fully gave us her trust. The sense that possessed me to believe her kittens would survive in our care must have possessed her as well that day for her to abandon her very own brood by our door. If she trusted us so little, why leave her children where we'd find them? Unless she knew she couldn't save them from the storm that sat growling on the day's horizon. Unless she knew that the food she received from us daily was kept inside our house. Unless she, too, knew they would live, even thrive, with us. Years later, she still did not let us near the many litters that followed. Those three children were the only ones she allowed in our care. Something divine—however subtle, however indescribable— seemed to capture us all that week, and yet it vanished so quietly as the weeks that followed melted together, as these toddlers grew into rambunctious kids, and as the storm and bitter cold faded from memory. It was this turbulent series of events, and the peace with which they concluded, that to this day strengthens my belief in the presence of a higher being in this world, especially when I reflect on when these tiny gifts arrived: while grieving for my uncle as perilous weather loomed overhead, and during a time of my own religious doubt. The events in those days changed me; they strengthened my faith when my doubts were plentiful. That's not to say the doubts are gone; I still question my beliefs, and I am certainly no prophet. I do not know the sound of my own creator's voice. But maybe, during the course of these events, I really did experience God's providence, and in spite of not knowing for sure, my faith has been made stronger. That is why what some might dismiss as
coincidence can no longer pass my eye without the need for a closer look. And it is why, to this day, the wondering goes on.
Hidden Angels 2
photograph by Margaret Rogers
Waking Up between 1AM—3AM: Grief and Rage; Between 3AM—5AM: Grief and Sadness by Nicolas Ball 3:00 AM, Christmas morning; One soul awake; The house is dark except for the comfortless glow of the holiday lights; A sanctuary is filled with the confrontational quietness of others' comas; A sharp thrust of splintering cold wind taunts me from beyond my murky bedroom window; For a weird moment I feel that no one will ever wake up again; Tears held back by dams obscure my already dim vision; I find it increasingly hard to swallow; A silhouette; mourner or murderous specter is creeping to a distant threat of a death knell on the hallway wall, toward my bedroom; Something, I thought, is watching me now; I can't turn over in my bed and I wish that I could go back to sleep.
I Was Sitting at a Lonely Grave of Someone Who I've Never Known and I Was Thinking About How Long It Had Been Since I Last Saw You by Nicolas Ball Bleeding lungs, dying to breathe; Stagnant heart, waiting for me. No one's at fault, but I am to blame for telling the truth, keeping you away from me; Tell me why no one cares for the truth; It's the only thing keeping me from you; I want the truth to be covered in gold; Gold would make truth more appealing than bones. I cannot say that I want Summer to end, but I can't say that I want it to begin; All I've known about this life is a lie; I think I know now why people willingly die.
Sparkle by Gary V. Powell They rode bikes, crossing the interstate at the overpass, leaving behind trailers and teardowns on the east side of town in favor of upscale boutiques and two-story family homes to the west. Under cover of darkness, they pedaled out to where large McMansions backed up to Lake Norman. They didn't even have to break a window, walked straight in through the mudroom, using a house key copied by a handyman who'd repainted the kitchen three weeks earlier. The handyman's son passed the key and the alarm system deactivation code to McNulty in payment for fireworks swiped from another man's garage. No cams, the son promised. McNulty grabbed two beers from the fridge. Terence made ham and cheese sandwiches, spreading the mayo thick, leaving the open jar, crumbs, and table knife where they lay. Meanwhile, McNulty rifled through kitchen cabinets and drawers. He paused long enough to snarf a sandwich and chug his beer before heading into the dining room. Not far behind, Terence hogged down two Krispy Kreme donuts. Although the family was out of town on vacation, they'd left the oblong table set with more plates, glasses, and flatware than the boys knew how to use. An ornate chandelier hung overhead. Against one wall, a china cabinet displayed crystal goblets, a fancy beer mug collection, and some strange, gnomish figurines. Against the other wall, a wine rack offered a large selection of French and Italian wines. Across the hall, was a wet bar and sitting area. "Bet he keeps his hard stuff there," Terence said. "Roger that," McNulty said. "We'll get it on the way out." 88
Terence, drawn to the china cabinet, swept a handful of figurines into his backpack. McNulty frowned. "Try to be professional, all right?" "What? I'm professional." "That's real silver." McNulty pointed to the flatware. "We can melt that down for bullion." "Bullion?" "Trust me." Terence let go a fart like a chainsaw ripping timber. McNulty glared. "Really?" Terence shrugged and let go another. "I've got the downstairs," McNulty told him. "You take the upstairs. Remember what you're looking for?" "Jewelry and electronics." "That's right, jewelry and electronics. Don't turn on any lights." "I know. Use the flashlight app on my cell." Half-way up the staircase, Terence paused on the broad landing to catch his breath. McNulty sang out from downstairs. "Some kinda office down here. There's a TV and a laptop. I think I can break the lock on the desk." Terence wondered how they'd manage a TV on their bikes. He skipped the little kids' rooms. Spoiled brats had they own bathrooms. The older girl, Shannon Morey, attended the same middle school as Terence. A cute redhead with the greenest eyes he'd ever seen, Shannon belonged to the "Populars," the cool kids. Life-sized, stuffed animals guarded her bed, and soccer stars kept watch from posters on the walls. "Rich bitch," Terence hissed.
He searched her dresser, flinging bras, panties, and t-shirts across the carpet. A hand-written diary winked up at him from inside the drawer of a bedside table. He pulled back her bed covers, lay down on the crisp, clean sheets, and paged through. References to other popular kids—David and Marco, Ashley and Lexi—filled the pages. Girly crap, one girl dissing another. Shannon wrote how their History teacher, Mr. Adams, was "sooooo hot" and what a great time she'd had in Paris over spring break. Terence ripped out several pages and shredded them with his big hands. His Vans left a red-clay smudge on the sheets. Before moving on, he peed in Shannon's toilet, not bothering to close the lid or flush. After slamming those Krispy Kremes, he could've dropped a deuce but thought better of it. Be professional, right? She'd left her iPad on her desk, and he added it to his backpack. A pink panty he stuffed in his pocket. McNulty called from the landing. "Hey, check this out." He brandished a weapon Terence recognized as a ninemillimeter pistol. He'd seen them used in video games. "Beretta. Fully loaded, plus an extra mag," McNulty said. "Also, got credit card numbers and Socials." "Socials?" "Social Security numbers. I know a guy buys that shit. You get anything?" "Shannon Morey's iPad." "What I'm talking about. Keep looking." The master bedroom, about the size of Terence's whole house, was furnished with a four-poster bed, nightstands and dressers, sofa and chairs, and a big, stone fireplace. Terence's cell phone illuminated a gold and red comforter, pillows piled high on the king-sized bed. 90
He figured the couple in the ornately framed photograph on the night stand for Shannon's parents, the man in a tux and the woman in a wedding gown. A long, green lawn stretched behind them. They smiled, showing perfect, white teeth, like they deserved it. "Fuck you," Terence said before flinging the photograph and frame to the carpet and stomping down hard. The master bath came with marble floors, granite countertops, and separate sinks. Guess they couldn't wash up in the same sink after screwing all night. The crapper was encased in its own closet. He flipped a switch, and a ventilating fan roared to life. He left it running, just because. Make-up containers and perfume bottles graced the countertop. Terence sniffed and splashed before dumping a bottle into a sink. The glass-encased shower featured multiple shower heads set at different levels and angles. When he figured out the remote that operated the shower, he called to McNulty. "Gotta see this, dude." McNulty wasn't impressed. "Seriously? You brought up me here for this?" "Pretty cool, man." One button turned on the shower. Others adjusted temperature, added light and music. McNulty shook his head. "You find any jewelry?" "Not yet." Terence plugged the shower drain with towels and left the water running. Wonder how they'd like that? "How about you? You find anything good?" "Sixty bucks. Cash in an envelope." "Get some weed with that." Reedy Branch Review
"Or buy some seed. Plant it, grow our own, triple our money." "Sure," Terence said. "Whatever." He followed McNulty back to the bedroom. Inside a tall, skinny cabinet they found earrings, necklaces, and bracelets. Terence fingered the bling. "Jackpot." McNulty slammed the drawer shut, nearly catching Terence's hand. "This stuff's cheap. Anyone can buy it at the mall. The wealthy hide their good stuff. You gotta keep looking." "The wealthy," Terence repeated. After McNulty returned downstairs, Terence searched on his own. Mrs. Morey's closet held more tennis gear—racquets, shoes, and outfits—than Dick's Sporting Goods. In the dad's closet, gray and blue suits lined a rack. Starched shirts, fresh from the laundry, stacked high on one shelf, sweaters and jeans on another. Terence couldn't remember seeing his father in a suit and tie. Like, ever. He freed a shoe tree from a black wingtip and punched a hole in the wall board—used the shoe tree like a nunchuk. He'd once seen a man hit another man with a nunchuk out back of Big Lots. Blood splattered, and the smack of wood and metal on flesh and bone made a sickening sound. Terence's older brother, Reynaldo, be like, "He best not try that with me." Behind a pile of dirty laundry, he found a door that opened into a storage space that he had to force his wide shoulders and broad rump through. In his cell phone's beam, he could make out file boxes overflowing with tax returns and real estate papers. Next to the file boxes sat a beat-up trunk. Terence's heart beat a little faster when he opened the lid. On top lay tablecloths and napkins, neatly folded and smelling like his grandma's house. Underneath, he found a baseball card collection showing pics and stats of old or dead 92
guys—Hank Aaron, Mickey Mantle, and Willie Mays. Who'd want that shit? He palmed the deck, then shot the cards across the floor. In the bottom of the trunk he came across plastic soldiers and something called an Erector set. Next to the soldiers lay a tube similar to those used for wrapping tin foil. Painted on the outside with zoo animals, the tube provided an eye-piece on one end. Terence switched on an overhead light and peered into the eye-piece. Day-um. He'd never seen the like of sparkly colors in square, rectangular, and hexagonal shapes. When the tube shifted, the shapes and colors changed. Sweet. Must be where they hide the family jewels. What the wealthy do—hide they jewels. Terence backed out of the storage space and placed the tube inside his backpack. Before returning downstairs, he searched more drawers, turning up a watch, a silver cigarette lighter that didn't light, and an unopened package of condoms. He found McNulty downstairs in a room that looked like a mini-version of his school's auditorium. "Wow," Terence said. "Must be zillionaires." "You find anything else?" McNulty asked "A watch." McNulty studied the timepiece. "Ain't no Rolex." "And this." Terence showed him the tube. "What's up with that?" "Diamonds in here." Terence shook the tube, causing the jewels to rattle. McNulty broke out laughing. "That's a toy, fool. Ain't no diamonds in there." Terence returned the watch and tube to his backpack. "I know that." Reedy Branch Review
McNulty looked disgusted. "Yeah, right." They spent a few minutes figuring out the entertainment system before conjuring the latest Tom Cruise thriller. "Let's watch this," Terence said. "Who's gonna know?" McNulty rolled his eyes, but allowed they could spare a few minutes. Terence went to the kitchen for two more beers, taking the opportunity to polish off half a package of double-stuffed Oreos. The movie's plot was too complicated to follow, but Terence enjoyed the beautiful, half-dressed women running around, the cars and buildings blowing up. After finishing his beer, he started to nod off. He was nearly out when a loud pop startled him. He leapt to his feet, tripped over a chair, and fell backwards. McNulty giggled. "Sorry, bro. No, really, I shouldn't have done that." Terence put two and two together. McNulty had winged his empty into the big screen, shattering it. Terence called him an asshole. McNulty said, "Relax. Anyway, we best get going." He disconnected the Xbox and tucked it under his arm. "They won't be needing this." "We did good," Terence said. "Right?" "We did all okay, not great." In the dining room, McNulty loaded his backpack with silverware. "You get the liquor." "I'm already full," Terence protested. "We ain't leaving without booze." Terence searched the wet bar and found an unopened bottle of Maker's Mark. He carefully positioned it next to the sparkly tube in his backpack. "Top shelf," he said. 94
"My old man used to drink that." "Your old man?" Terence said. "How'd he afford that?" "Same as us." The boys shared a laugh. "What's out here?" "No, no. Don't do that." McNulty warned. Terence ignored him, pushed through the French doors leading out of the kitchen, and stepped onto a large patio. Outside, the warm, humid night felt like a steam bath after the dry cool of the air-conditioned house. Terence took two steps in darkness before motion lights flashed on, illuminating a pool, basketball court, and trampoline. "Shit," McNulty said. "We gotta go." The yard backed up to the lake and was fenced in on one side. Opposite the fence, on the far side of the lawn, a wooded lot lay between the Moreys' house and the next house over. "Relax," Terence said. "Ain't no one see us." "You don't know that." Terence picked up a basketball left lying on the court, dribbled twice, and tried a fifteen-footer. The ball bounced off the rim and into the swimming pool. McNulty rummaged around a stainless-steel grill the size of a small car. He held up an unopened box of high-end utensils. "We can get good money for this." Terence climbed onto the trampoline. He tried a seat drop and a knee drop. Two more bounces propelled him high enough to see far out onto the lake. Big cruisers, forty-footers, plied the dark waters. He heard laughter from a party across the cove. More rich kids. From the beach at the public park he'd seen them ripping it up on their jet skis. Cute girls like Shannon Morey wore bikinis Reedy Branch Review
and waved. Pass those same girls in the hall, and they acted like they'd never seen him. "You should try this," Terence called out, breathing hard from exertion. Both boys froze when a siren wailed in the distance. "Damn," McNulty said. "It's nothing. You don't know." "Can't take any chances. Let's hit it." Terence fell when dismounting the trampoline, landing hard on his shoulder. McNulty had him by the arm, dragging him along. They started inside, back through the French doors. They needed to get to their bikes out front but stopped short when lights flashed in the driveway and through the darkened house. "We're busted," McNulty said. "Go, go, go." They headed across the dew-slick lawn into the wooded lot. Heart pounding, Terence forced himself to run, dodging trees and taking shots from thorny bushes. The backpack bounced heavy on his shoulders, the figurines smashing, the Maker's Mark sloshing. After tripping over a tree root and crashing to the ground, he looked up to see McNulty standing over him. "We have to get to your mom's," McNulty said, his chest heaving. "Must be four or five miles." McNulty nodded. "Won't be easy. Skirt the shoreline. Keep to the shadows." "No way," Terence said. A cop with a bullhorn called for them to come out.
McNulty reached into his backpack and pulled out the Beretta nine. He took it off safety and pointed at Terence. "I told you not to go out back. Those motion lights set off a silent alarm." "Don't," Terence whimpered. "That thing's got a hair-trigger." McNulty raised the weapon skyward, testing. His eyes went holy shit when it fired. The blast unnerved Terence. Now, they were busted for sure. He admitted the obvious. "I can't run or swim five miles." "I should never have come here with a fat ass." Terence winced. "That's not professional." McNulty turned away, taking a moment to reset. He returned the nine to safety and handed it butt-first to Terence. "You take it." "Why?" "We need to split up." "Maybe we should get rid of it." "Whatever," McNulty said. "They know we have it, now." Terence accepted the weapon. He'd killed thousands of enemy troops in his video games but had never held a real gun. "Okay, then," he said. The boys high-fived, and McNulty apologized for calling him a fat ass. "It's all right. You better go." "Don't rat me out." "I ain't rat you out." McNulty extended a hand, helping Terence to his feet before setting off through the trees. Terence watched him out of sight. He held the weapon in his left hand, rubbing the fingertips of his right back and forth along the length of the smooth, cool barrel. His shoulder hurt from his fall off the trampoline, and he Reedy Branch Review
felt tired, more exhausted than he'd felt in his entire life. There was no point in trying to run, so he slipped the Beretta into his waistband and sat on a large stump. There were more sirens, more cops on bullhorns. A helicopter searchlight illuminated a light chop on the lake. What he hated most about getting caught was having to listen to the cops and home owners lord it over him. He hated apologizing, giving back what he'd stolen or fixing what he'd busted. He unslung his backpack and searched inside for the sparkly tube. He was so happy to find it undamaged. He heard dogs panting and the sound of men crashing through undergrowth. The men shouted for him to put it down, put it down, but Terence ignored their shouts and, instead, raised the tube. A half-moon shined through overhead branches, and he wanted to see. Backlit by the moon's glow, the shapes and colors formed and changed, formed and changed, the most beautiful sight he'd ever seen.
Hanging on the Fence Line by Keegan Land A man and woman, her on the inside, he being left out. A beautiful day, breeze in the leaves. Summer in the air. Darkening sky lit by the purple sunset, porch lights, and fireflies. It was too beautiful a day for the conversation they had. Once friends, that grew even warmer, inseparable, from the time they met, eloping after barely six months. But life caught up to them. Made adult decisions, tried for the American dream, to start a family, a home with a picket fence. New cars, a van for the Mrs., Red convertible for him to enjoy. Picking out room colors, pink or blue? Raising a child while still holding on to their childhood. Arguments arose, silly quarrels, money disputes, lifestyle choices. A free spirit and a responsible adult. 100
She'd had enough of his disappearing. With shaking hands she takes the engagement ring, Hands it over. The free spirit has no more ties. She has her whole life in front of her. Too beautiful a day, Or just beautiful enough.
Noisy Bird
by Brittany Cooley
Alone in my thoughts, The sun's warm beam cuts through the tress, Leaves whispering as the wind rolls over them. Nature, in my experience, has always been so polite. But the noise reaches my ears once again. The sound is better left unnoticed, But my eyes stray to the figure. There you are Little bird. Your chirps fill the sky For all to hear. Sometimes a song, But mostly tuneless chatter Whether we want it or not. Close your mouth. Think before you speak. Darling, I know it is hard To be so unheard, But I may snap if you say another word. I'm not calling you stupid, Nothing so crass. But say another word And I'm liable to kick your a--. Pardon me For nearly saying something so rude. After all, I am nothing like you. Not every chirp that comes from your lips 102
Is a song. Stay silent for once And maybe you wouldn't be so alone.
The Limits of Magic by C.G. Thompson "You bitch," he says. He swears he doesn't think I'm a bitch in real life, which is what I call life when he hasn't been drinking. Which isn't very often lately. "You bitch," he says again. He's leaning against me at the dining room table, a glass of bourbon in his hand. In front of me are ten empty beer bottles arranged like pins at a bowling alley. I try to figure out if he arranged them while sober or while drunk. Either way, he's got a sense of humor. "I'm trying to write," I tell him, nudging him so he'll sit up straight. "So, write," he says. He pushes my hand with the hand that's holding his drink. My pen travels in a long diagonal across the face of the check. Bourbon spills on an envelope. "Thanks," I say. "That was helpful." "Glad to be of service." Sarcasm runs in our family. Which is what I want to do at the moment. Run. Run as fast as I can toward the door and not look back. Leap the five brick steps in front of his house in a single bound. Leave him with his bills and his memories and the Mozart CDs he plays over and over. But first I'd like to do something startling, maybe fling his glass toward the corner cupboard filled with heirloom china. Would that wake him from his own destruction? Instead, I wipe the envelope with a dishcloth that's made its say to the table. Then I fan the paper and ponder sailing it across the room. If only it had more heft. 104
"This bill is like a week overdue," I say, opening the checkbook again. "You're lucky your power is still on." Derek slides his chair toward the wall and slouches in it like a child. If he were a child, things would actually be easier. He wouldn't be drunk, and when I talked to him, he'd remember what I said. "Your generation," he says. "It's always like this and like that. I really like mean it, you know." "Thanks for clearing that up. This bill is a week late. Like I care." "Do you even remember when phones had dials? Do you know what clockwise means?" "It means going around and around in circles, for one thing," I say. Derek isn't joking when he mentions my generation. He's sixteen years older than I am, more like a father than a brother to me. Our time together under the same roof was so short as to be almost non-existent. I was two when he left for college, seven when he married, and twelve when he fathered twins. Some of my friends from junior high still call me Aunt Renée. Now Derek is 54, born in the second wave of Baby Boomers, old enough to join AARP but entering his second childhood through the magic of the bourbon genie. That makes me 38, a member of Gen X. I'm supposed to be apathetic and disillusioned, but Derek has acquired those traits instead. "Rennie," he says. That's what he's always called me instead of Renée. He's the only one who's ever called me that, and I've always liked it. Until this very moment. Now it sounds like a shredded version of my real name, another sad reminder of Derek's numbed reflexes and emotions. Reedy Branch Review
"What?" "Can I tell you something, Rennie?" "Don't let me stop you." I tear off the check to the power company and place it under a bottle. Maybe tomorrow he'll be sober enough to sign it. "Rennie." "What?" "Can I tell you something?" "Go ahead. Lie to me if necessary." I pick up his phone bill. It's almost twice as high as last month's. Instead of using his cell phone to call long distance, he's been using his landline. "You aren't even interested." He scoots his chair up beside me again and rests his head on the table. The empty bottles rattle for a moment then settle into silence. I consider knocking them down, no strategy or finesse required. "If we could find you a cell phone with a dial, would you use it?" I ask. "What about the phone?" he says. "Never mind," I say. It seems as if he might go to sleep right there, with the side of his nose pressed against the tablecloth. His right hand is still gripping his drink, and I wish I could pry it from the glass, finger by finger. I've heard that if dieters lose weight slowly, they'll keep it off longer. Maybe if his grip were loosened one finger at a time—but I'm confusing metaphor with reality. Actually, I can't remember one day in the past year when he hasn't been drinking. "I lost my contacts, Rennie," he mumbles, his head still on the table. "I'm really worried about them."
"I know," I say. "We looked for them the other day. Remember?" As if he could. Waste of a question. "I don't know where they are." "I know." I slide his letter opener through a credit card bill and assess the damage. He's been buying stuff on line. Lots and lots of stuff. Books, DVDs, clothes. I remember a hoax from when I was in college, a supposed law making it a criminal offense to surf the Net while drunk. In Derek's case, not a bad idea. "Do you need, like, every version of Symphony No. 40?" I ask. "Bitch. You don't deserve having me as a brother," he says. "Like." "You're probably right," I tell him. "The lens case is—" "I know. Your contacts aren't in it." His VISA bill is two pages long. "It's so sad," he says. "Maybe you drank them." Another urban legend, the drunk guy who put his contacts in the water glass by his bedside table, then swallowed them the next morning. Maybe they're washing around in Derek's stomach. Or worse, lower down. "Only if they were bourbon," he says. "Or beer," I say. "Lots and lots of beer." He sits up. "Was I supposed to sign something?" "Maybe tomorrow," I tell him. I wave the pages of the VISA bill in front of him to divert his attention. "Wasn't there something on Amazon you didn't want to buy?" "It's so big there." "Where?" "On the Net. Make me another drink?" Reedy Branch Review
"No." "Bitch." He pushes his chair back and gets up as if he's trying to stand for the first time. It's hard not to feel a jolt of pain go through me, a shattering collision of past and present. Matter meets antimatter. Just a year and a half ago, Derek belonged to an adult hockey league and had the reflexes of someone half his age, skimming across the rink on eighth-inch-wide blades. Now he can't balance on anything narrower than the floor of a room. A clinking of crystal comes from the kitchen. No matter how drunk he gets, Derek still pours his bourbon into his wife's heirloom cut-crystal glasses. I'm torn between a charitable and uncharitable theory about why he does this. Maybe he thinks it makes him less of an alcoholic. Or maybe it's his way to imagine he's still holding on to her. Mattie was Derek's college sweetheart and died last winter after a long battle with ovarian cancer. They'd known each other since freshman year, when they met in line at the Bursar's office. There's a photo of them on their mantel, taken just a month later. You can look at it and know that those two people are going to be married. I used to invoke Mattie's name as a kind of magical charm to get Derek to stop drinking. "Mattie wouldn't want to see you doing this to yourself," I'd say. "Mention her name again, and I'll play a drinking game," he finally told me. "I'll have a drink, a whole drink, and nothing but a drink." As I said, sarcasm runs in our family. His twins gave up on him not long after the funeral. Anita lives out on the West coast, where she dropped out of college, married and then separated before giving birth to her son, Justin. 108
"I have two children already," she told me over the phone. "My ex and Justin. I don't need three." Alan never got along with his dad in the first place and won't return my calls, even though he's only thirty minutes away. He's still angry that his mother's medical bills meant he had to help pay his way through his last year of college. Derek ambles back into the room and sits down heavily. "You were an accident," he announces. "I was supposed to be an only child." You have to love the booze-soaked mind. It has no rules. It's sad and quiet, then lashes out. My boyfriend tells me not to take anything personally when Derek is drinking. Which, as I've said before, is pretty much always. The genie has left the bottle, and Derek has entered it. "Thanks for sharing." I open the checkbook again and consider the VISA bill. If I pay only the minimum, Derek will be in debt forever. Paying in full isn't an option, but he's not sober enough for me to get the point across. I consider letting his Internet bill slide so that his service will be disconnected. At least that way he couldn't buy under the influence. "Dad and Mom wanted to go to Europe. Then you came along." "That's me. An accident waiting to happen." "Never got to Europe." He starts to nudge my hand again, but I pull away before the pen strays across the check. "Then college," he says. "There went Acapulco, too." It's stupid to argue with Derek. Just as stupid as to try to reason with him. I'd like to use a polite word and call him an alcoholic, but the thudding truth is this: he's a drunk. Derek won't
even remember this conversation tomorrow. I realize that but can't help myself. "You're thinking of Alan," I tell him. "I worked through all four years of college." "Mom cried when she found out she was pregnant." "Like she'd tell you." I write down the minimum payment for his VISA bill. "She was forty-three." "Whatever." He and Mattie always wanted more children, but it never worked out. I set the VISA check under the bottle with the others. "Whatever. That's another thing from your generation. What does it even mean?" He lays his head down on the table again. "I think it means whatever." "You are such a bitch. Do you know that?" "Yes. Worst bitch in the history of ever." "Rennie, Rennie, Rennie. I'm worried about my contacts." "They'll turn up." I sort through more envelopes. Junk mail. The phone rings. Derek struggles to get up. I put my hand on his shoulder. "I'll get it." I hurry to the kitchen and answer. The voice at the other end asks for Mr. Bentley. A telemarketer. I say he's not in—which is metaphorically, if not literally, true. "Are you Mrs. Bentley?" "No. I'm the babysitter." I hang up and go back to the dining room. "Who was it?" Derek asks. He's hoping Anita or Alan called, as unlikely as that is. "Salesperson," I say. "Assholes," he says. 110
I've outwitted him by answering the phone, but in the few seconds I've been gone he's managed to spill his drink all over the bills I've just paid. I grab the dishcloth, but it's too late. They'll all have to be redone. I stop and peel my fingers from the towel, one by one. "OK, I'm just going to leave now," I tell him. "Whatever," he says. "Like." "I'll be back tomorrow." "Bitch." I pull my jacket from the back of the chair and shrug into it. "Where are you going?" "Outside," I tell him. "Away." "What did I just say?" he asks. "You asked where I was going." "Oh." "Why don't you lie down for a while? Come sit on the sofa." If he falls asleep, at least he won't be drinking. He unexpectedly becomes docile. "OK." He stands and shuffles ahead of me, holding onto the doorjamb to steady himself as he enters the hallway. It's hard to imagine that not so long ago he was dodging around on skates, changing direction in the blink of an eye. I rest my hand lightly on his back and guide him into the den. The floor is littered with pages of old sheet music. Derek and Mattie both played the piano, and I can't tell if Derek tossed the sheets onto the floor in a fit of rage or despair or if he dropped them while looking for something in particular. I use my foot to try to clear a path. Easier said than done. The paper arches in waves and sticks to the carpet.
Derek stops in the middle of the room and wobbles for a moment, like a colt that's just been born. I can only pray he doesn't fall. I couldn't catch him. "Easy," I say. "Just a few more steps." "Easy," he mimics. "Easy does it. Easy money." "Almost there." "You're always on task. Easy street. Easy bitch." I steer him so his back is to the sofa. He pauses for a moment, trying to calculate where the middle is, then lets gravity take its course. His body is almost dead weight when it lands. He looks surprised for a moment but sags onto his right side and pulls his feet up. I cover him with an afghan Mattie's Aunt Bonnie made when Anita and Alan were born. "Moon River" is at my feet. I recognize it from our parents' house. There's a coffee ring beside Audrey Hepburn's face. After our parents passed away, Derek and I decided that he should have the sheet music. I'm so musically dense that the only thing I can do with the piano is admire its keys. I crawl around the floor, gathering up pages and returning them to the piano seat. When I stand, Derek is sleeping soundly. There's everything and nothing to do, so I turn to go. I stop in the hallway and turn the heat up a couple of degrees. The overnight temperature is supposed to drop into the teens, and there's a possibility of snow before morning. In the dining room, I collect my knapsack from the table and ponder the ten empty bottles, still lined up like bowling pins, neat and precise. The game hasn't started yet. The scorecard is pristine. No mistakes have been made. I zip up my jacket, take the gloves from my pocket, and turn off the overhead light. Voilà! The room goes dark. 112
And for my next trick? If I were a magician, I'd grab the tablecloth and pull it away without shattering a thing.
Reaching for the Stars by Lauren Price The black sky above me glistened, each star in perfect rhythm as if Bob Ross himself painted it. "This star needs a friend,� I can almost hear him saying it. The night air brushed my ready face, her soft fingers wrapping me in warm embrace. Like a wool blanket by the fireside, comfort is given, and I abide. The grass beneath me shuffled, parting the way for me to nestle. The slightest movements of their blades, itching my open frame. Breathing in the smell of new growth, as the grass replaces what was removed. My lungs fill with fresh air, a rarity to them, they seem to waiver. Crickets chirping all around, welcoming me in as one of the crowd, Mimicking sounds they hear in their dreams of sunny skies and rustles in the leaves. I lay back and breathe, the grass crunching beneath my feet. 114
Watching for shooting stars, my dreams never out of reach. Irony. Desperate to fit into society, All the while shouting for individuality.
Contributors Bradley Arrington lives in Surry County, NC. He is an instructor at Surry Community College. Nicolas Ball is a recent student of Pitt Community College. He is interested in art and writing and plans to study music at university. He enjoys long, moonlit walks in the local cemetery and crying as The Cure plays softly in the background. Sarah Grace Barnes is a student at Pitt County Schools Early College High School through Pitt Community College. She is dedicated to her academics and hopes to pursue her childhood dream of becoming a professional writer. Joe Clark received his master's degree in English from East Carolina University in 1992. He taught at Roanoke-Chowan Community College for fourteen years before coming to Pitt Community College in 2007. He is one of the faculty advisors, along with colleague Cathy Reynolds, for the Pitt Paranormal Research Association. Brittany Cooley took creative writing classes at Pitt Community College. William Eddins was born and raised in Durham, North Carolina. He currently lives in Greenville, North Carolina, where he is a graduate student at East Carolina University, concentrating in creative writing. His work has appeared in Deep South Magazine, as well as various other online publications. Chris Fouts is a photographer from eastern North Carolina. Amber Knox was born in and has lived in Winterville, NC, for the past nineteen years. She is a Pitt Community College student who Reedy Branch Review
plans to complete an English degree and hopes to become a writer. Keegan Land took creative writing classes at Pitt Community College. Esther Metzger loves capturing candid shots of her family, friends, and nature. Jim Metzger teaches religious studies and philosophy at Pitt Community College. His current research focuses on the intersection of disability, chronic illness, and euthanasia legislation. Luke Metzger is a student at Aycock Middle School, where he plays soccer and trumpet in the School's band.. Joy E. Moses-Hall teaches physics, astronomy, and Earth science at Pitt Community College. She attended the U.S. Coast Guard Academy and has a PhD in oceanography. She writes a science column for The Daily Reflector and is the author of the novel Wretched Refuge. Gary V. Powell's short stories and flash fiction have been widelypublished in both print and online literary magazines and anthologies including The Thomas Wolfe Review, Carvezine, Fiction Southeast, SmokeLong Quarterly, Atticus Review, Jellyfish Review, and Best New Writing 2015. In addition to winning the 2014 Gover Prize for short-short fiction (Eric Hoffer Foundation), his work has placed in several other national contests including The Press 53 Prize (2012), Glimmer Train Short-Short Contest (2013), the Thomas Wolfe Fiction Prize (2014), and the Fiction Southeast Editor's Prize (2015). His first novel, Lucky Bastard, was published by Main Street Rag Publishing (2012). He's currently at work on a story collection, a novella, and a novel. He rarely sleeps. 118
Lauren Price took creative writing classes at Pitt Community College. Jade Ramsey holds an MFA from Bowling Green State University and is the author of Yawns Between Strangers (Finishing Line, 2014) and Ghost Matter (Dancing Girl, 2016). Her fiction and poetry can be found in The MacGuffin, Best New Poets 2013, Gargoyle, Whiskey Island, and many others. Margaret Rogers is an aspiring author and casual artist, and a Pitt Community College alum. She draws much of her inspiration and love of writing from music and the people she surrounds herself with. Sarah Saffron took creative writing classes at Pitt Community College. Destry Sparks is a mixed-media artist who currently lives in Greenville, North Carolina. He has done solo and group shows in Miami, New York, Atlanta, Washington D.C., and many regions of North Carolina. He was originally inspired to the type of artwork he currently produces by the contemporary artist Anselm Kiefer. Millie Sparks is the Collection Development and Outreach Librarian at Pitt Community College. C.G Thompson most recently had two poems displayed in public venues in downtown Winston-Salem as part of Poetry in Plain Sight. Her short stories and poetry have appeared in or are upcoming in Main Street Rag, North Carolina Literary Review, and Pinesong, among others. One of her stories appeared in the inaugural Reedy Branch Review. Amber Watts holds a BFA in Painting from University of North Carolina at Charlotte, and an MFA in Painting from East Carolina Reedy Branch Review
University. She taught in the Fine Arts area at ECU as well as Pitt Community College before relocating to Western North Carolina, where she teaches at Caldwell Community College. She is the recipient of numerous fine arts awards, including Best in Show at PCC's Annual Community Exhibit (2014 and 2017), and First Place in Downeast National Sculpture Competition (2015). Sabrina Westerman is an adjunct English instructor at Pitt Community College. She holds an AA from Pitt Community College, and a BA in English and MA in English with a concentration in creative writing from East Carolina University. Her hobbies include goat farming, gaming, and learning new skills. Rebekah Woelkers took creative writing classes at Pitt Community College.
Daniel Stanford