Episode 75 of Voices in AI features host Byron Reese and Kevin Kelly discuss the brain, the mind, what it takes to make AI and Kevin's thoughts on its inevitability. Kevin has written books such as 'The New Rules for a New Economy', 'What Technology Wants', and 'The Inevitable'. Kevin also started Wired Magazine, an internet and print magazine of tech and culture.
Byron Reese: This is Voices in AI, brought to you by GigaOm, and I'm Byron Reese. Today I am so excited we have as our guest, Kevin Kelly. You know when I was writing the biography for Kevin, I didn't even know where to start or where to end. He's perhaps best known for a quarter of a century ago, starting Wired magazine, but that is just one of many many things on an amazing career [path]. He has written a number of books, The New Rules for a New Economy, What Technology Wants, and most recently, The Inevitable, where he talks about the immediate future. I'm super excited to have him on the show, welcome Kevin.
Kevin Kelly: It's a real delight to be here, thanks for inviting me.
There's a hard version and a soft version, and I kind of adhere to the soft version. The hard version is kind of a total deterministic world in which if we rewound the tape of life, it all unfolds exactly as it has, and we still have Facebook and Twitter, and we have the same president and so forth. The soft version is to say that there are biases in the world, in biology as well as its extension into technology, and that these biases tend to shape some of the large forms that we see in the world, still leaving the particulars, the specifics, the species to be completely, inherently, unpredictable and stochastic and random.
So that would say that things like you're going to find on any planet that has water, you'll find fish, it has life and in water you'll find fish, or will things, if you rewound the tape of life you'd probably get flying animals again and again, but you'll never, but I mean, a specific bird, a robin is not inevitable. And the same thing with technology. Any planet that discovers electricity and mixed wires will have telephones. So telephones are inevitable, but the iPhone is not. And the internet's inevitable, but Google's not. AI's inevitable, but the particular variety or character, the specific species of AI is not. That's what I mean by inevitable—that there are these biases that are built by the very nature of chemistry and physics, that will bend things in certain directions.
And what are some examples of those that you discuss in your book?
So, technology's basically an extension of the same forces that drive life, and a kind of accelerated evolution is what technology is. So if you ask the question about what are the larger forces in evolution, we have this movement towards complexity. We have a movement towards diversity; we have a movement towards specialization; we have a movement towards mutualism. Those also are happening in technology, which means that all things being equal, technology will tend to become more and more complex.
The idea that there's any kind of simplification going on in technology is completely erroneous, there isn't. It's not that the iPhone is any simpler. There's a simple interface. It's like you have an egg, it's a very simple interface but inside it's very complex. The inside of an iPhone continues to get more and more complicated, so there is a drive that, all things being equal, technology will be more complex and then next year it will be more and more specialized.
So, the history of technology in photography was there was one camera, one kind of camera. Then there was a special kind of camera you could do for high speed; maybe there's another kind of camera that could do underwater; maybe there was a kind that could do infrared; and then eventually we would do a high speed, underwater, infrared camera. So, all these things become more and more specialized and that's also going to be true about AI, we will have more and more specialized varieties of AI.
So let's talk a little bit about [AI]. Normally the question I launch this with—and I heard your discourse on it—is: What is intelligence? And in what sense is AI artificial?
That collection is still being mapped, and we know that there's something like symbolic reasoning. We know that there's kind of deductive logic, that there's something about spatial navigation as a kind of intelligence. We know that there's mathematical type thinking; we know that there's emotional intelligence; we know that there's perception; and so far, all the AI that we have been 'wowed' by in the last 5 years is really all a synthesis of only one of those types of cognition, which is perception.
So all the deep learning neural net stuff that we're doing is really just varieties of perception of perceiving patterns, and whether there's audio patterns or image patterns, that's really as far as we've gotten. But there's all these other types, and in fact we don't even know what all the varieties of types [are]. We don't know how we think, and I think one of the consequences of AI, trying to make AI, is that AI is going to be the microscope that we need to look into our minds to figure out how they work. So it's not just that we're creating artificial minds, it's the fact that that creation—that process—is the scope that we're going to use to discover what our minds are made of.
The web, the information machine, you can apply algorithms and search and stuff, and that was the huge big platform of the web and everything changes. The second platform was this hyperlinking of all human behavior in humans, and we have the social graph which is making human behavior machine readable for better or worse. Now we're going to make the rest of the world machine-readable, and the rest of all places and objects put into this world that's machine readable and it's like a virtual map that's the size of the world. It's a 1-to-1 map, and this is the same world that [self] driving cars, robots will see. When they look at the world, this is the world that they would see, and we'll be able to see into it as well, and it comes into our living rooms. It's the entire world that's digitized and spatially represented, and that's the organizing principle, because we're made, we've evolved to be spatially the navigators. That is the next big platform after the web and mobile phones.


The Bernews "Photo of the Day", featured on both social media and our emails newsletters each morning, aims to give readers a taste of Bermuda's unique beauty as they start their day.
Always popular, January's top photos attracted thousands of likes and shares on social media, and judging by the number of readers' "likes", the month's most popular photos included shots of Horseshoe Bay, the world's smallest drawbridge, lightening over Bailey's Bay, Cooper's Island, and more.
The stunning Horseshoe Bay on a Friday afternoon in January. This was the most popular photo of the month, attracting some 1,400 shares and likes on Facebook.
Depicting a beautiful day for a walk across the world's smallest drawbridge, this picture gathered more than 1,250 likes and shares.
Clearwater Beach looks stunning on an early afternoon in January, with this photo garnering about 875 likes and shares.
Highlighting one of the many beautiful sunrises over Hamilton Harbor, this shot earned more than 850 likes and shares from our Facebook followers.
A perfectly calm evening over Hamilton as the sun sets. This shot also attracted more than 850 likes and shares on Facebook.
A gentle reminder of our beautiful summers, just around the corner, from Cooper's Island. This photo received nearly 800 likes and shares on Facebook.
Another shot of Cooper's Island ranked among the month's favorite photographs, with this entry earning more than 775 likes and shares.
Gorgeous sunsets are a regular occurrence over the City of Hamilton. This photo attracted nearly 770 likes and shares on Facebook.
The sun sets over the horizon at Church Bay, Southampton. This photo made the list with more than 765 likes and shares on Facebook.
A hectic day was capped off with an active sky, with lightning visible across the island on January 26, 2015. This perfectly timed photo was taken from Bailey's Bay, overlooking the North Shore, earning nearly 750 likes and shares on Facebook.


A new English translation of the celebrated Poem of the Cloak (Qasidat al-Burda) by Imam Busiri (may Allah be pleased with him) is now available. With calligraphy by Betul Krkan and illumination by Ersan Percem, the beautiful production of this edition reflects the esteem in which the poem is held, as well of course as its high purpose, the remembrance and honouring of God's Beloved and Final Messenger, Muhammad, may the peace and blessings of Allah be upon him.Sheikh Abdal Hakim's translation renders the poem in beautiful and moving English in a parallel text alongside the original Arabic. In addition, each verse is followed by lines from other poets - classical and modern, and from many parts of the world - echoing and amplifying its theme, encouraging the reader to reflect on its meanings more fully."
In its moment of great splendor the novel was held as a mirror of society: Merc_ Rodoreda shatters that mirror in this, her most ambitious novel, which tells its story in brilliant fragments, a vision reflected and refracted and finally coming together in a richly articulated mosaic of life. Through this Broken Mirror, the reader sees events and characters spanning three generations and composing a kaleidoscopic family history ranging over six decades and turning upon events both intimate and historic?most notably the Spanish Civil War. Opening with Teresa Goday, the lovely young fishmonger?s daughter married to a wealthy old man, the story shifts from one perspective to another, reflecting from myriad angles the founding of a matriarchal dynasty?and its eventual, seemingly inevitable disintegration. A family saga extending from the prosperous Barcelona of the 1870s to the advent of the Franco dictatorship, A Broken Mirror is finally also a novel about the inexorable passing of time.


The Call & Response effect when you play a solo is very important, not only for Blues players. You try to make your licks connected to each other. The same lick with two different end notes, one lick slow, the other faster, one lick quit and the other louder etc. These licks should give you some idea about that topic.


WOULD YOU LIKE TO BE PART OF OUR TEAM SPIRIT?
Selge Beach Resort & SPA is always looking for loyal and professional employees. Would you like to hold a position at this firm which is meeting expectations and making an effort in becoming the best in tourism and continuously growing? You can reach us by using the following e-mail address. ik@selgebeachhotel.com.
Personnel employment in our facility starts as of the month of January. If you like to work with us please forward your résumé to the following e-mail address ik@selgebeachhotel.com .


Are you searching for the perfect bowl to store jewelry, small items, candy or trinkets? Or maybe you're looking for a fun DIY holiday gift idea for family, friends and teachers? This adorable melted bead bowl is a fun craft to do with the kids whether you make just one or a stackable set of melted bead bowls in different sizes. Watch the video on how to create a melted bead bowl, then have fun making one – or many!
Preheat oven to 350 degrees. Spray cooking spray in your oven-safe glass bowl. Next, pour fuse beads into the bowl. Carefully press down on the beads to form one layer going up the sides; the cooking spray will help the fuse beads stick to the sides of the bowl. You may need to pour more fuse beads in depending on the size and shape of your bowl. Just go slowly and take your time!
Once finished, place your bowl in the oven for 10 to 15 minutes. Cooking time will vary depending on your oven so make sure you keep an eye on your bowl. Don't be alarmed if you smell burning plastic; fuse beads are non toxic, however if the smell bothers you, open a window or turn on your exhaust fan. The larger bowl in this video took a solid 15 minutes to melt.
Remove the bowl carefully from the oven with an oven mitt and let it cool for 10 minutes. You may need to take a knife to loosen the edges before it slides out. And that's it – now you have a colorful melted bead bowl that you can use to store items in or give as a special gift to someone you love.
For more DIY craft videos, check out our videos page here.
Rebecca Schwartz is an intern with Boston Parents Paper. Cheryl Crosby is senior editor of Boston Parents Paper.


The reasons are limitless – choose margarine for an important part of a heart-healthy lifestyle! But it's just one simple sub we can make in our diets – this blog will be a forum for all those interested in reducing the risks of heart disease and taking care of our hearts.
This blog seems like a great idea!


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Barbie Gone Wild?
I've been so distracted by minor but flashy news stories this year like the NCAA Finals, the nation's finances, and the new Obama administration, I missed the big story of 2009: to help celebrate Barbie's 50th birthday, Mattel came out with "Totally Stylin' Tattoo Barbie." She comes with a set of tattoos that kids can place on that iconic body. The doll also comes with a tattoo gun so children can stamp these washable stickers on themselves. Barbie with tattoos? I know what you're thinking: what's next? "Hooker Barbie?" "Pothead Barbie?" "Premarital Sex Barbie?"
Many parents had exactly this reaction when the doll came out a few months ago. They felt this would encourage kids to think prematurely about getting real tattoos for their real bodies. They thought that Barbie with tats was too slutty for their children. They were outraged that a "role model" like Barbie had sunk so low. Meanwhile, it became a big seller.
This wasn't the first time that some adults have objected to Barbie. Some have felt that her unrealistic figure has made young girls yearn for an unrealistic figure of their own. Some parents believe that tattoos for Barbie continues this obsession with one's body rather than other more important characteristics of a woman.
If you go to the archives of some universities, I'm sure you'll find more than one Ph.D. thesis called something like, "Barbie and Body Image: The Downfall of American Womanhood." I admit I was somewhat shocked when I heard about Barbie and body art. My first reaction was, "Now parents of seven-year-olds are going to have to deal with them wanting tattoos."
But then I did something uncharacteristic for me: I started thinking. Maybe anti-Barbie papers aren't the only theses in those dusty university archives. Maybe there are some with titles like, "Relax, Folks. Barbie Isn't a Role Model. It's Just a Toy." Or if there aren't any, there should be.
When you were a kid, weren't you able to tell the difference between a toy and something real? When you played "war" with a friend, didn't you know you were just playing? And did your putting on temporary tattoos make you get real ones? Besides, isn't it a bit ironic that the anti-Barbie-ites who feel that the doll puts too much emphasis on appearance are concerned with the appearance of tattoos?
So it's possible that the actual reason that Tattoo Barbie has some parents' (old-fashioned) underwear in a bunch is because this kind of thing wasn't around when they were kids. Maybe it's like adults in the '50's who were shocked by Elvis and convinced he would destroy our civilization. Or maybe they're like parents like me who, in the '90's, thought video and computer games would ruin children forever. (I'm still not sure I was wrong about that one).
Tattoos don't have the same connotations today that they had when I was a kid. Back then, it seemed like only sailors, truck drivers, and other "tough guys" had tattoos. Certainly, we never saw a woman with one. Today, your doctor or your kid's teacher is more likely to wear a tattoo than a hat.
I confess that I'm still getting used to looking at tattoos without making any kind of knee-jerk judgment about the wearer. Whenever I go on vacation where there's a swimming pool, I'm still a little surprised by the fact that the nice couple we sat next to at dinner the night before has more tattoos than a basketball team. And guess what? Barbie's the same age as that couple. She's fifty now. She might not look like it, but many 50-year-old women don't look their age these days. So maybe it's fitting that 50-year-old Barbie has broken out the tattoos.
I also realized that mothers who have real tattoos might be embracing Tattoo Barbie. Maybe the doll helps their children understand that their mother is someone who just found a way to express herself rather than someone who hangs out with a gang during their naptime.
As a fuddy-duddy, it's not easy for me to accept change, but I do -- eventually. I accept texting, cars that talk, and milk in cartons. So I can certainly accept Barbie wearing tattoos. But I do think you have to draw the line. Where? I'll tell you where, and this is a warning to the people at Mattel: Don't even think about making a Ken doll with pierced nipples.
barbie, body image, children and parents, mattel, tattoos, toys
Computers in Jeopardy?

redpajama_set_name: RedPajamaCommonCrawl


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Serenity Gardens
Memorial Gardens
Meet with a Professional
Family Pay
Tribute to Tex
Kilpatrick Cemeteries
Helen C. Hawley
May 25, 1926 - October 24, 2016
Kilpatrick Funeral Homes - Monroe
1200 Lamy Lane
New Chapel Hill Church Cemetery
West Monroe, LA 71291
Saturday 10/29, 10:00 am
Graveside services for Helen C. Hawley of Shreveport, LA, formerly of Monroe, LA will be held at 10:00 am. Saturday, October 29, 2016, at the New Chapel Hill Cemetery, West Monroe, LA under the direction of Kilpatrick Funeral Home, Monroe. Bro. Ramsey Ogg and Bro. Darrell Washam will be officiating. Pat Clark will deliver a eulogy.Mrs. Hawley was born May 25, 1926 and passed away on October 24, 2016. Mrs. Hawley was preceded in death by her parents John Houston Cheeks and Bradis Windham Cheeks and husband, M. A. Hawley, Jr.; Kand relatives from North Carolina who preceded her include Norman F. Hawley, Vance C. (Minkey) Hawley, Myrtle Cashwell and Margaret Hawley Bucy.She is survived by one son, Dr. Maurice A. Hawley, III and wife, Mary Nell; grandchildren, Maurice A. Hawley, IV and wife Meg, Elizabeth Ann Hawley and John Kendrick Hawley. In North Carolina she is survived by William R. Hawley and wife Barbara, Jackie Hawley wife of Norman F. Hawley and Joyce Hawley, wife of V. C. (Minkey) Hawley.She cherished her Louisiana and North Carolina family members as well as her many friends at College Place Baptist Church where she was a long time member. She was a graduate of LA Tech University and a member of Alpha Lambda chapter of Phi Mu Fraternity. As a teacher, she touched many lives while teaching Home Economics for 30 years at Start High School.Visitation will be from 4:00 pm until 6:00 pm, Friday, October 28, 2016, at 1200 Lamy Lane,Kilpatrick Funeral Home, Monroe.Online condolences may be made to the family at www.kilpatrickfuneralhomes.com
To leave a condolence, you can first sign into Facebook or fill out the below form with your name and email.
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keyboard shorcuts (F3, Control+F3, Shift+F3).
checkbuttons to select bold and italic fonts.
- Now there is an option in the preferences windows to show line numbers.
- Added a tooltip with the widget name to glade GUI widgets.
- Now external files can be opened in a read only mode.
- A basic and very easy to use CVS support has been added.
- Fixed a bug in the GUI tab. Now it's correctly refreshed.
- The option to change the background color works again.


Organic search traffic takes time and expertise to build, but all your hard work can be undone much faster than you'd think. How, exactly? The answer lies in 'black hat' SEO.
Building your organic traffic is essential to seeing those conversions roll in. So if you're going it alone, ensure that you only stick to best-practice techniques. If you're working with a cheap SEO agency – or are just learning the ropes yourself – watch out for these three traffic-shrinking black hat tactics.
What is 'black hat' SEO?
Black hat SEO involves bad-practice tactics that may have once worked, but will now leave you quickly trying to recover from a Google penalty. These outdated techniques focus on bumping up your search rankings, regardless of how damaging they are to the user experience. No matter how much time you may have put into your site and digital strategy, black hat tactics are a sure way to eventually destroy your rankings and your traffic..
High quality links are said to be one of the top Google ranking factors. A healthy backlog of credible, industry-related links is one of the best ways to boost your online credibility, your rankings, and, of course, your traffic. Best-practice SEO prioritises quality over quantity – but black hat SEO does just the opposite.
An aggressive black hat SEO strategy will leave you with a tonne of 'spammy' links – a fast way to immediately damage what traffic that you have.
Link buying is an outdated black hat strategy, which involves buying unrelated, low-quality links to build your site backlog in an attempt to manipulate Google's rankings. Google flags these link-buying sites as spam, and drops them off the page rankings entirely.
Link spamming, or comment spamming, is another black hat traffic-slashing tactic. This involves commenting on other blog posts with links back to your own site, no matter whether that page is industry-related or not.
Original, high-quality, and relevant content is one of the best ways to ensure steady traffic back to your site. A best-practice SEO agency will focus on creating just that for your business.
However, when it comes to black hat SEO, quality page copy is no longer a priority. One of the most damaging black hat techniques involves something called 'content scraping', or duplicating content. Cheap SEO companies will often plagiarise already-high ranking content from other websites. While the aim is to mimic the high ranking of these sites, the result often is instead being completely dropped off the ranks.
Low-quality copy will also often be overloaded with keywords. This black hat technique is called 'keyword stuffing'. Keyword stuffing involves plugging content with high-ranking keywords, no matter how difficult this makes your site to read. Keyword-stuffed content will immediately lower your credibility, and is a sure-fire way to see your traffic disappear.
These days, having a mobile-optimised site is more important than ever. Best-practice SEO companies make mobile optimisation a priority. It ensures that your site looks great no matter the user's device, and keeps your search rankings high.
Avoiding mobile optimisation will significantly lower user experience, which will certainly be damaging to your organic traffic. On a mobile device, desktop-only optimised sites often won't display properly – images will be oversized, and may even obscure your copy. If users can't physically navigate your site via mobile, it means missing out on those crucial mobile conversions.
Pop-ups – which can be annoying on desktop – can be impossible to navigate on mobile devices. Intrusive pop-ups, in particular, are a huge turn-off for users.
If you're working with an SEO agency, the last thing you want is to be worrying about is whether or not they're using black hat tactics.
While partnering up with a credible SEO agency might mean setting aside a little more of your budget, it allows you to be rest-assured that your SEO strategy – and your business – is in the right hands.
Chat with one of our digital marketing specialists about our SEO services and your business.


Good aim can get you out of a bad situation, like a mistimed rush or a weapon disadvantage. Even if you've been playing CS for a decade, I'm willing to bet that, like me, you've got some bad... Note that in CS:GO, AMD GPUs perform better than their equivalently priced NVIDIA cards. Either brand works very well for CS:GO, but if you're building a computer specifically for Counter Strike, you'll get a performance bump for your money by going with AMD.
I again recommend CS:GO because it's full of community made maps custom built for this purpose. Muscle memory is pretty straight-forward, and you're looking to train your body to do things without thinking. You're programming your reflexes to transcend active thought. You see something, you do something, it's done. how to get freckles with sun The map uses dynamic "ghosthairs" painted onto a target wall to show where you need to reposition your aim to continue hitting that sweet spot at head height.
MSAA (Multisampling Anti-Aliasing) will help you to see your enemies better in same situations (e.g. through the graveyard on de_inferno). It smoothes the edges of the bars and improves the overall look of CS:GO. how to get the asus t101 to run better Which is the best map to improve your aim in Counter Strike 1.6? What is the best sensitivity to play with in Counter Strike 1.6? Where can I get all the professional Counter-Strike 1.6 tricks and practice tutorials under a single roof?
My Aimbooster score is 43 ms better, my Sheep Dash score is 19 ms better, my Aimbooster score is 37.4 seconds better, and my CS:GO aim map score is 19 points better, and compared to all the other previous scores, my final benchmark is definitely up there.


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Q: How to fix a corrupt java file (link?) in Eclipse (maven, svn) The project is a maven project and stored in SVN.
Suddenly when I was editing the java file an error message showed up: An error has occurred. Se errorlog for more details. offset 71980, count -47813, length 97754.
When i left-click on the java file in the Package explorer window I get this error message immediately. When right-click on this file and open it, the java-file above (in the package explorer) opends.
I can not delete the file: An unexpected exception occured while performing the refactoring. se error log for more details. offset 71980, count -47813, length 97754.
I can not not run Maven update project: Errors occurred during the build.
Errors running builder 'Java Builder' on project 'jdbcconnection'.
offset 71980, count -47813, length 97754.
I can not update the file from SVN since the "Team" option is gone for this java file.
Log file:
    !SESSION 2022-05-17 10:51:04.056 -----------------------------------------------
eclipse.buildId=4.17.0.I20200902-1800
java.version=14.0.2
java.vendor=Oracle Corporation
BootLoader constants: OS=win32, ARCH=x86_64, WS=win32, NL=sv_SE
Framework arguments:  -product org.eclipse.epp.package.java.product
Command-line arguments:  -os win32 -ws win32 -arch x86_64 -product org.eclipse.epp.package.java.product
This is a continuation of log file C:\Program Files\nyDatorWorkspace\.metadata\.bak_6.log
Created Time: 2022-05-17 13:50:33.749
!ENTRY org.eclipse.e4.ui.workbench 4 0 2022-05-17 13:50:33.750
!MESSAGE An exception occurred while notifying part listeners
!STACK 0
java.lang.ClassCastException: class org.eclipse.ui.internal.ErrorEditorPart cannot be cast to class org.eclipse.wb.internal.core.editor.multi.DesignerEditor (org.eclipse.ui.internal.ErrorEditorPart is in unnamed module of loader org.eclipse.osgi.internal.loader.EquinoxClassLoader @4087c7fc; org.eclipse.wb.internal.core.editor.multi.DesignerEditor is in unnamed module of loader org.eclipse.osgi.internal.loader.EquinoxClassLoader @45382749)
at org.eclipse.wb.internal.core.editor.multi.DesignerEditorContributor.setActiveEditor(DesignerEditorContributor.java:33)
    at org.eclipse.ui.internal.EditorActionBars.partChanged(EditorActionBars.java:335)
    at org.eclipse.ui.internal.WorkbenchPage.updateActivations(WorkbenchPage.java:329)
    at org.eclipse.ui.internal.WorkbenchPage.access$2(WorkbenchPage.java:310)
    at org.eclipse.ui.internal.WorkbenchPage$E4PartListener.partActivated(WorkbenchPage.java:218)
    at org.eclipse.e4.ui.internal.workbench.PartServiceImpl$2.run(PartServiceImpl.java:249)
    at org.eclipse.core.runtime.SafeRunner.run(SafeRunner.java:45)
    at org.eclipse.e4.ui.internal.workbench.PartServiceImpl.firePartActivated(PartServiceImpl.java:246)
    at org.eclipse.e4.ui.internal.workbench.PartServiceImpl.activate(PartServiceImpl.java:770)
    at org.eclipse.e4.ui.internal.workbench.PartServiceImpl.activate(PartServiceImpl.java:679)
    at org.eclipse.e4.ui.internal.workbench.swt.AbstractPartRenderer.activate(AbstractPartRenderer.java:97)
    at org.eclipse.e4.ui.workbench.renderers.swt.ContributedPartRenderer.lambda$0(ContributedPartRenderer.java:63)
    at org.eclipse.swt.widgets.EventTable.sendEvent(EventTable.java:89)
    at org.eclipse.swt.widgets.Display.sendEvent(Display.java:4195)
    at org.eclipse.swt.widgets.Widget.sendEvent(Widget.java:1037)
    at org.eclipse.swt.widgets.Widget.sendEvent(Widget.java:1061)
    at org.eclipse.swt.widgets.Widget.sendEvent(Widget.java:1046)
    at org.eclipse.swt.widgets.Shell.setActiveControl(Shell.java:1469)
    at org.eclipse.swt.widgets.Shell.setActiveControl(Shell.java:1432)
    at org.eclipse.swt.widgets.Control.sendFocusEvent(Control.java:2974)
    at org.eclipse.swt.widgets.Widget.wmSetFocus(Widget.java:2266)
    at org.eclipse.swt.widgets.Control.WM_SETFOCUS(Control.java:5440)
    at org.eclipse.swt.widgets.Control.windowProc(Control.java:4831)
    at org.eclipse.swt.widgets.Text.windowProc(Text.java:2681)
    at org.eclipse.swt.widgets.Display.windowProc(Display.java:4913)
    at org.eclipse.swt.internal.win32.OS.SetFocus(Native Method)
    at org.eclipse.swt.widgets.Control.forceFocus(Control.java:1111)
    at org.eclipse.swt.widgets.Control.setFocus(Control.java:3459)
    at org.eclipse.swt.widgets.Composite.setFocus(Composite.java:1072)
    at org.eclipse.ui.internal.ErrorEditorPart.setFocus(ErrorEditorPart.java:84)
    at org.eclipse.ui.internal.e4.compatibility.CompatibilityPart.delegateSetFocus(CompatibilityPart.java:222)
    at jdk.internal.reflect.GeneratedMethodAccessor56.invoke(Unknown Source)
    at java.base/jdk.internal.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:43)
    at java.base/java.lang.reflect.Method.invoke(Method.java:564)
    at org.eclipse.e4.core.internal.di.MethodRequestor.execute(MethodRequestor.java:58)
    at org.eclipse.e4.core.internal.di.InjectorImpl.invokeUsingClass(InjectorImpl.java:319)
    at org.eclipse.e4.core.internal.di.InjectorImpl.invokeUsingClass(InjectorImpl.java:325)
    at org.eclipse.e4.core.internal.di.InjectorImpl.invoke(InjectorImpl.java:247)
    at org.eclipse.e4.core.contexts.ContextInjectionFactory.invoke(ContextInjectionFactory.java:147)
    at org.eclipse.e4.ui.internal.workbench.swt.PartRenderingEngine.focusGui(PartRenderingEngine.java:792)
    at org.eclipse.e4.ui.workbench.renderers.swt.ContributedPartRenderer$1.setFocus(ContributedPartRenderer.java:106)
    at org.eclipse.swt.custom.CTabItem.setFocus(CTabItem.java:379)
    at org.eclipse.swt.custom.CTabFolder.setFocus(CTabFolder.java:2676)
    at org.eclipse.swt.widgets.Control.fixFocus(Control.java:1066)
    at org.eclipse.swt.widgets.Control.setVisible(Control.java:3970)
    at org.eclipse.swt.custom.CTabFolder.setSelection(CTabFolder.java:3229)
    at org.eclipse.swt.custom.CTabFolder.setSelection(CTabFolder.java:3186)
    at org.eclipse.e4.ui.workbench.renderers.swt.StackRenderer.showTab(StackRenderer.java:1221)
    at org.eclipse.e4.ui.workbench.renderers.swt.LazyStackRenderer.lambda$0(LazyStackRenderer.java:83)
    at org.eclipse.e4.ui.services.internal.events.UIEventHandler.lambda$0(UIEventHandler.java:38)
    at org.eclipse.swt.widgets.Synchronizer.syncExec(Synchronizer.java:236)
    at org.eclipse.ui.internal.UISynchronizer.syncExec(UISynchronizer.java:133)
    at org.eclipse.swt.widgets.Display.syncExec(Display.java:4725)
    at org.eclipse.e4.ui.internal.workbench.swt.E4Application$1.syncExec(E4Application.java:219)
    at org.eclipse.e4.ui.services.internal.events.UIEventHandler.handleEvent(UIEventHandler.java:38)
    at org.eclipse.equinox.internal.event.EventHandlerWrapper.handleEvent(EventHandlerWrapper.java:205)
    at org.eclipse.equinox.internal.event.EventHandlerTracker.dispatchEvent(EventHandlerTracker.java:203)
    at org.eclipse.equinox.internal.event.EventHandlerTracker.dispatchEvent(EventHandlerTracker.java:1)
    at org.eclipse.osgi.framework.eventmgr.EventManager.dispatchEvent(EventManager.java:234)
    at org.eclipse.osgi.framework.eventmgr.ListenerQueue.dispatchEventSynchronous(ListenerQueue.java:151)
    at org.eclipse.equinox.internal.event.EventAdminImpl.dispatchEvent(EventAdminImpl.java:132)
    at org.eclipse.equinox.internal.event.EventAdminImpl.sendEvent(EventAdminImpl.java:75)
    at org.eclipse.equinox.internal.event.EventComponent.sendEvent(EventComponent.java:44)
    at org.eclipse.e4.ui.services.internal.events.EventBroker.send(EventBroker.java:55)
    at org.eclipse.e4.ui.internal.workbench.UIEventPublisher.notifyChanged(UIEventPublisher.java:63)
    at org.eclipse.emf.common.notify.impl.BasicNotifierImpl.eNotify(BasicNotifierImpl.java:424)
    at org.eclipse.e4.ui.model.application.ui.impl.ElementContainerImpl.setSelectedElementGen(ElementContainerImpl.java:170)
    at org.eclipse.e4.ui.model.application.ui.impl.ElementContainerImpl.setSelectedElement(ElementContainerImpl.java:188)
    at org.eclipse.e4.ui.internal.workbench.PartServiceImpl.hidePart(PartServiceImpl.java:1378)
    at org.eclipse.e4.ui.internal.workbench.PartServiceImpl.hidePart(PartServiceImpl.java:1332)
    at org.eclipse.e4.ui.workbench.renderers.swt.StackRenderer.closePart(StackRenderer.java:1182)
    at org.eclipse.e4.ui.workbench.renderers.swt.StackRenderer.access$0(StackRenderer.java:1168)
    at org.eclipse.e4.ui.workbench.renderers.swt.StackRenderer$3.close(StackRenderer.java:1042)
    at org.eclipse.swt.custom.CTabFolder.onMouse(CTabFolder.java:1958)
    at org.eclipse.swt.custom.CTabFolder.lambda$0(CTabFolder.java:335)
    at org.eclipse.swt.widgets.EventTable.sendEvent(EventTable.java:89)
    at org.eclipse.swt.widgets.Display.sendEvent(Display.java:4195)
    at org.eclipse.swt.widgets.Widget.sendEvent(Widget.java:1037)
    at org.eclipse.swt.widgets.Display.runDeferredEvents(Display.java:4012)
    at org.eclipse.swt.widgets.Display.readAndDispatch(Display.java:3612)
    at org.eclipse.e4.ui.internal.workbench.swt.PartRenderingEngine$5.run(PartRenderingEngine.java:1157)
    at org.eclipse.core.databinding.observable.Realm.runWithDefault(Realm.java:338)
    at org.eclipse.e4.ui.internal.workbench.swt.PartRenderingEngine.run(PartRenderingEngine.java:1046)
    at org.eclipse.e4.ui.internal.workbench.E4Workbench.createAndRunUI(E4Workbench.java:155)
    at org.eclipse.ui.internal.Workbench.lambda$3(Workbench.java:644)
    at org.eclipse.core.databinding.observable.Realm.runWithDefault(Realm.java:338)
    at org.eclipse.ui.internal.Workbench.createAndRunWorkbench(Workbench.java:551)
    at org.eclipse.ui.PlatformUI.createAndRunWorkbench(PlatformUI.java:153)
    at org.eclipse.ui.internal.ide.application.IDEApplication.start(IDEApplication.java:150)
    at org.eclipse.equinox.internal.app.EclipseAppHandle.run(EclipseAppHandle.java:203)
    at org.eclipse.core.runtime.internal.adaptor.EclipseAppLauncher.runApplication(EclipseAppLauncher.java:134)
    at org.eclipse.core.runtime.internal.adaptor.EclipseAppLauncher.start(EclipseAppLauncher.java:104)
    at org.eclipse.core.runtime.adaptor.EclipseStarter.run(EclipseStarter.java:401)
    at org.eclipse.core.runtime.adaptor.EclipseStarter.run(EclipseStarter.java:255)
    at java.base/jdk.internal.reflect.NativeMethodAccessorImpl.invoke0(Native Method)
    at java.base/jdk.internal.reflect.NativeMethodAccessorImpl.invoke(NativeMethodAccessorImpl.java:62)
    at java.base/jdk.internal.reflect.DelegatingMethodAccessorImpl.invoke(DelegatingMethodAccessorImpl.java:43)
    at java.base/java.lang.reflect.Method.invoke(Method.java:564)
    at org.eclipse.equinox.launcher.Main.invokeFramework(Main.java:657)
    at org.eclipse.equinox.launcher.Main.basicRun(Main.java:594)
    at org.eclipse.equinox.launcher.Main.run(Main.java:1465)

How can I fix this problem?

redpajama_set_name: RedPajamaStackExchange


It's that time of year again when the very fashionable descend on the Victoria Quarter in Leeds for the Harvey Nichols SS14 Fashion Show. The Victoria Quarter happens to be one of my favourite places in Leeds and I think it makes the perfect venue for a fashion show.
This will be the last show before work starts on the multimillion pound up-grade to the store, adding to the exciting fashion scene in Leeds. With brands such as Dolce & Gabanna, Givenchy and Saint Laurent this promises to be an exciting show.
You can buy tickets from here – you can even upgrade to a VIP experience and get a meal thrown in too. I'll see the on the front row, I'll be the one with my camera and a glass of bubbly.
"In The Spotlight: Colie Co"
"Lust List: George @ Asda"


text:
Boris Johnson Has Admitted The "Eat Out To Help Out" Scheme Could Have Helped Spread Coronavirus
Boris Johnson has admitted Eat Out to Help Out may have helped spread Covid-19, but defended the scheme, saying he wanted to protect two million jobs in hospitality.
It came as the Prime Minister told people they must "behave fearlessly but with common sense" as he warned of the UK could still be in for a "tough winter".
Speaking as the annual Conservative Party conference gets underway, he responded to criticism from his backbenchers saying if he behaved with his usual "buoyancy and elan" to deal with the pandemic "people would think that was totally inappropriate".
Asked on the BBC's Andrew Marr Show if drives to get people into restaurants and back in the office had helped spread the virus, Mr Johnson said: "We had to go into lockdown in March and April and that was effective in bringing the virus down.
"I think it was right to reopen the economy. I think if we hadn't done that Andrew, if we hadn't got things moving again in the summer, I mean we would be looking at many more hundreds of thousands of jobs lost."
In response to the suggestion the flagship Eat Out To Help Out programme had a negative impact on tackling Covid-19 he replied: "It unquestionably helped to protect many... [of the] two million jobs at least in the hospitality sector.
"It was very important to keep those jobs going.
"Now, if it, insofar as that scheme may have helped to spread the virus, then obviously we need to counteract that and we need to counteract that with the discipline and the measures that we're proposing."
He went on to say: "On the one hand we have the imperative to save life, it is a moral imperative to save life if we possibly can.
"On the other hand we have to keep our economy moving and our society going.
"That is the balance that we are trying to strike and that's why we have got the package of measures now that are in force both nationally and locally.
"What we want people to do is behave fearlessly but with common sense, to follow the guidance - whether national or local - get the virus down but allow us as a country to continue with our priorities."
"It's drivel… its balderdash and nonsense"
Prime Minister Boris Johnson tells #Marr he doesn't have Long Covidhttps://t.co/pkdleB8JwW pic.twitter.com/3PrVj4UCi2
— BBC Politics (@BBCPolitics) October 4, 2020
The PM admitted people are "furious" at him and the government, but added: "I've got to tell you in all candour it's going to continue to be bumpy through to Christmas, it may even be bumpy beyond.
"But this is the only way to do it."
He added it "could be a very tough winter for all of us", however he said he also wanted to offer hope, saying: "It is up to Government to show we have the tools and the imagination and the creativity to get through this and we certainly will.
"And if you ask me 'do I think things can be significantly different by Christmas?' Yes I do, and we're working flat-out to achieve that."
He said the situation will look "radically different" come the spring because "that is the normal cycle of a pandemic like this".
And on a potential vaccine for coronavirus Mr Johnson said: "It's possible that we will make significant progress on the vaccine this year.
"I went to see the scientists at AstraZeneca in Oxford and those teams and they seem to be doing fantastically well.
"But I don't want to get people's hopes up on the vaccine unnecessarily because I think there is a chance but it is not certain."
Asked about the criticism of his handling of the coronavirus crisis by his own MPs the PM said: "I think the reality is this is a Government that is facing an unprecedented crisis and I think if people wanted me to approach it with the sort of buoyancy and elan and the qualities I usually bring to things, I think people would think that was totally inappropriate."
Responding to comments made by Tory former minister Steve Baker criticising the lockdown, he said: "Nobody in my position wants to do any of the things that we've had to do.
"I'm a freedom-loving Tory... I don't want to have to impose measures like this, are you crazy?
"This is the last thing we want to do. But I also have to save life. And that's our priority."
And he said the reports he was still suffering physically from his own case of coronavirus were "balderdash".
"No, no, not in my case", he said when asked if he had "long" Covid.
"This is total tittle tattle, it is drivel. It is not tittle tattle, it is balderdash and nonsense.
"I can tell you I'm fitter than several butchers' dogs."
Rishi Sunak's Economic Plan Does Nothing To Help Freelancers, New Starters and Some Women On Maternity Leave, MPs Say
boris johnson Covid-19 local lockdown Eat Out To Help Out


text:
Q: How to scatter all points at identical locations in CartoDB? I am working on a project in which data points are often at the same location (e.g. Rome). This poses a problem because the data points then overlap and cannot be clicked on.
I found some SQL at http://bl.ocks.org/andrewxhill/8695515 that scattered the points very well when I applied it to one location. However, my final dataset could have dozens of identical locations, and I don't want to enter the same SQL dozens of times for each identical location.
Is there a way to modify this SQL (or something similar) so that it scatters all points at the same location (i.e. it identifies the locations at which there are multiple data points, and then scatters the points at each of those locations)?


text:
NDSU › Agriculture Law and Management › Applied Agricultural Law / Course Materials / Easements, Profits & Licenses
An easement and profit are the concepts that one person has the legal right to a limited use of another person's real property. A license also allows the license holder to use another person's property, but a license does not include as many legal rights as an easement or a profit.
This web page addresses "sharing sticks in the bundle" wherein one person is considered the owner but another person has a right to a "limited" use of the property.
Easements, Profits and Licenses
Easement - The owner of an easement has a right to lawful but limited use of another person's property; e.g., I have the right to drive across your land to reach my land.
An easement is a burden on one estate for the benefit of another. See Nagel v. Emmons County ND Water Resource District, 474 N.W.2d 046 (ND 1991).
An easement is a nonpossessory interest in land belonging to another which entitles the owner of the interest to a limited use or enjoyment of the land in which the interest exists. See Estate of Schatz, 419 N.W.2d 903 (N.D. 1988).
Think of an easement as "a stick in the bundle" that allows me to have a limited use of your land; such as "I can drive on the path that crosses your land," or "you can build and maintain a powerline across my land."
An easement generally involves two tracts of land; the tract that is burdened with the easement and the tract that benefits from an easement on another tract.
When you can drive on my land to reach your land, my land is burdened with your easement and your land benefits because the easement on my land provides you access to your land. In this example, my land would be the servient tenement and your land would be the dominant tenement.
Servient tenement - land subject to an easement ( N.D.C.C. §47-05-04)
N.D.C.C. §47-05-04. Servient tenement defined. A servient tenement means the land upon which a burden or servitude has been placed.
Dominant tenement - particular property benefited by easement (N.D.C.C. §47-05-03)
N.D.C.C. §47-05-03. Dominant tenement defined. A dominant tenement means the land to which an easement is attached.
An important point about an easement is the idea of a "limited use". Once an easement is created, the "limited use" cannot be expanded without the agreement of the owner of the servient tenement.
Assume you have an easement to drive over my land to reach your agricultural land, but you are interested in developing your land by subdividing it to sell for homes. The scope of the "limited use" of your easement (which you used occasionally to reach your land during the growing season) would not allow you to build a street for the new homeowners.
Excerpt from an AP article that appeared in the The Forum several years ago also illustrates this point.
"An appeals court is being asked to decide whether an oil company seeking to replace a pipe will have to do it the old-fashioned way -- with human hands and horses. In August, Judge ... Evans ruled that the Ohio Oil ... could not be barred from replacing the pipe it installed more than 60 years ago. But he said the company could not use heavy machinery that might damage the property outside the 10-foot easement it was granted in 1924. ...Evans ... citing a handwritten statement ... in the original document that said: "This grant covers the pipe line in the place and manner it is now laid." The judge ruled that ... statement limited the methods and machinery that could be used to those available in 1924. While the company may employ some modern materials.., the company "is not free to invade the defendants' land with a horde of monstrous machines which subject the land to much greater damage than ... was ever thought of ... in 1924." A witness for the company ... said that when the pipes were laid, men with shovels dug the trench, the pipes were hauled to the site by teams of horses and the pipes were laid by hand."
The outcome of this case probably was that the oil company paid the current owner for an expanded right to enter onto the land; it is doubtful that the new pipeline was installed with old technology, or that the oil company moved the pipeline or stopped the project.
The creation and termination of easements is discussed on another page.
When the dominant tenement is sold or transferred, the easement on the servient tenement transfers to the new owner of the dominant tenement and the new owner of the dominant tenement has the right to use the easement as the former owner did. The owner of the servient tenement cannot stop the transfer of the easement when the dominant tenement is transferred, but the owner of the servient tenement can require that the new owner of the dominant tenement (and easement) abide by the limitations imposed in the original agreement creating the easement. This point is discussed again on another web page (HINT: violating the "limited use" of an easement is a trespass).
When the servient tenement is sold or transferred, the owner of the dominant tenement is unaffected. The owner of the dominant tenement may continue to use the easement as before, and the new owner of the servient tenement cannot stop the owner of the dominant tenement from doing so.
Answer to a frequent question: "A landowner may not be held liable for a claim resulting from the use or condition of a road across the landowner's property unless the landowner is primarily and directly responsible for the construction and maintenance of the road or an affirmative act of the landowner causes or contributes to the claim." N.D.C.C. §47-01-23.
Profit - right to lawful but limited use of another's property when there is no dominant tenement; e.g., you have the right to construct and maintain a powerline over my land.
Easements and profits:
An easement and profit are similar; the primary difference is that a profit does not include a dominant tenement. However, we often use the word easement to also refer to a profit. See the following excerpt from a North Dakota Supreme Court decision.
"where Minnkota had acquired a general easement for a power line which said nothing about the maximum voltage that the line would carry, we said that that utility company had "the right to uprate the line to a reasonable degree." ... we said that the holder of a general easement may avail himself of all modern inventions and all improvements reasonably necessary, consistent with the purpose for which the easement was granted. It naturally follows that these rules do not apply when the easement contains specific limitations." Otter Tail Power Co. v. Demchuk , 314 N.W.2d 298 (N.D. 1982)
The owner of servient tenement can assure (enforce) that owner of easement or profit does not exceed the limited use by seeking an injunction or compensation for violating the use.
Easement or profit can be transferred by sale, gift or bequest (N.D.C.C. §47-10-11).
Easement or profit cannot be terminated by owner of servient tenement.
Restated, the owner of the easement or profit holds a stick in the bundle of rights that can be transferred like any other property right; similarly, the owner of the servient tenement can do nothing to take "the stick" from the owner of the easement or profit.
Interesting fact pattern:
[¶2] In 2003, BNSF closed a grade crossing on a spur line connecting BNSF's main line with the State Mill and Elevator in Grand Forks. The grade crossing provided access from State Mill Road across BNSF's spur line to property now owned by Home of Economy, and there was evidence BNSF ran forty to seventy cars per day on the spur line to the State Mill and Elevator. According to Cliff Olson, the previous owner of Home of Economy's property, the grade crossing had existed on BNSF's spur line since 1925. According to Olson, until the early 1950s, the grade crossing provided the only access from State Mill Road to his property, but in the early 1950s, Highway 81 was routed to also provide access to his property, and each access road had been used equally by his customers. According to Olson, there were no signs at the crossing when he owned the property, and BNSF placed a stop sign at the grade crossing after Home of Economy acquired the property from him in 1994. According to Wade Pearson, a vice president of Home of Economy, BNSF informed him in 1994 that it intended to close the grade crossing, but Pearson objected and BNSF placed a stop sign at the crossing.
[¶3] In June 2003, without notice to Home of Economy or any other entity, BNSF removed the wooden planks between the tracks, excavated the soil, and bulldozed a barrier on both sides of the spur line, making it impossible for vehicular traffic to cross the spur line from State Mill Road to Home of Economy's property. Home of Economy sued BNSF in a North Dakota state court for damages and to reopen the crossing, claiming an easement for access to its land had existed from the State Mill Road across the spur line since the 1920s. Home of Economy alleged an easement by prescription, easement by necessity, and easement by estoppel. Home of Economy v. Burlington Northern, 2005 ND 74, 694 N.W.2d 840.
North Dakota's WIND ENERGY PROPERTY RIGHTS, see N.D.C.C. 17-04
"... wind easement means a right ... for the purpose of ensuring adequate exposure of a wind power system to the winds."
North Dakota's RIGHT OF ACCESS FOR HUNTING, see N.D.C.C. §47-05-17
"Severance of the right of access for hunting access prohibited. The right of access to land to shoot ... may not be severed from the surface estate. This section does not apply to deeds, instruments, or interests in property recorded before August 1, 2007."
License - A license (a right to use) differs from an easement of profit because the owner of servient tenement can terminate "right to use"; e.g., I give you permission to hunt on my land; but I can revoke that permission at any time.
How would one distinguish a license from an easement or a profit?
In Lehman v. Williamson, 533 P.2d 63, 65 (Colo.App.1975), the Court said:
"There is a clear distinction in the legal interest conveyed by a license and an easement. An easement, while distinct from ownership of land itself, is an interest in land. [Citation omitted.] A license is, however, merely a personal privilege to do some particular act or series of acts on land without possessing any estate or interest therein. [Citations omitted.] Also, a license is, ordinarily, revocable at the will of the licensor and is not assignable." Lee v. North Dakota Park Service, 262 N.W.2d 467 (N.D. 1977)
What is the significance that permission to drive, hunt or use software is called a license?
How does the concept of a license apply to the bio-technology that is being incorporated into plant and livestock genetics?
Often the company providing the bio-tech seed has the farmer sign a document stating that the farmer is merely acquiring a license to use the seed. Why would the company want the relationship to be considered a license? Also, do not overlook that the bio-technology that has been incorporated into the seed is an "intangible property."
Additional Examples of One Person having a Right in Another Person's Land
Mineral owner's use of surface owner's land
Also consider the situation where one person owns the surface rights to land and another person owns the mineral rights (that is, the ownership of the mineral rights has been separated or severed from the ownership of the surface). What legal authority does the owner of the severed mineral rights have to enter onto the land to explore for or develop the minerals? Is the surface owner entitled to be compensated for disruptions or damages caused by the exploration or development of the severed mineral rights? See N.D.C.C. 38-18.
Mortgage (a lien against the land)
Another common situtation wherein someone holds "a stick in the bundle of rights" in property owned by someone else is a mortgage (or more generally referred to as a lien against the land). In these situations, the property owner has likely borrowed cash from a lender (such as a bank), and in exchange has promised to repay the loan (with interest), plus provide the lender the legal right to seize the property if the loan is not repaid. This legal right to seize the property is often referred to as a mortgage or a lien; this legal right can also be considered "a stick in the bundle" entitling the lender to seize the land if the debt is not repaid according to the terms of the loan agreement (or note).
A mortgage is another example of someone other than the property owner holding a stick in the bundle of property rights.
This page introduced easements and profits, licences, and several other examples of one person having a right ("stick in the bundle") in another person's land. Review:
The concept of a "limited use" of someone else's property.
Easement/profit as stick in the "bundle of rights."
The next page introduces the process of transferring property rights from one owner to another.


text:
Himawari-9, Japanese advanced meteorological satellite
The Japan Aerospace Exploration Agency (JAXA) together with the private sector launched the Himawari-9 on 2 November 2016 from the JAXA's Tanegashima Space Center in Japan's southwestern Kagoshima prefecture. It will join Himawari-8 that was launched on October 2014, to complete the next-generation of Geostationary Meteorological Satellites (GMS) that aim to improve meteorological services in the Asia Pacific region, especially giving complete and opportune images of storms, clouds and other weather systems. Himawari-9's position will be fixed at 140 degrees east longitude and the mission will serve the Japan Meteorological Agency during the following 15 years.
The old meteorological satellites MTSAT 1R and MTSAT 2, which were launched on 2005 and 2006 respectively, will be replaced by Himawari-8 and Himawari-9. The old satellites were taking update images of East Asia and the Western Pacific every 30 minutes, while the new ones provide up to dated imagery every 10 minutes.
Precise details of typhoons, volcanic ash and smoke plumes, fog and low lying clouds are among the resolution improvements of the Himawari couple.
Japan launches advanced weather satellite Himawari-9


On February 16th 25 year old Jazzy Kuykendall mother is 2 passed away due to complications of a gun shot to the head. Her brother was arrested after the shooting. As a mother I am torn and heartbroken. I feel as If I am losing 2children. I'm burying my Babygirl as my son sit in jail facing charges. I'm left to raise her 2children who witness there moms shooting. No mother ever expects to bury her 25 year old Babygirl, Jazzy has no life insurance. We are asking for any and all donations to help me bury my Babygirl and take care of her 2 kids.
On February 8th my daughter was shot in the head as her 3year old son watched and four-year-old daughter heard the gunshot. Jazzy fought for her life seven days after this traumatic event. No mother ever expects to bury her 25 year old Babygirl, so Jazzy has no life insurance. We are asking for any and all donations to help me bury my Babygirl and take care of her 2 kids.
A former colleague of mine has had a recent unexpected family tragedy and they need funds to cover the funeral costs of her cousin. She was 25 years old and is survived by her two young children.


text:
Petite Leçon d'amour est une comédie romantique franco-suisse réalisée par Ève Deboise et sortie en 2021. C'est le second long métrage de cette réalisatrice.

Synopsis

Julie trouve par hasard dans un café les copies égarées par un professeur. L'une d'elles est celle d'Océane, qui annonce son intention de se suicider demain à l'aube par amour. C'est le début d'une course effrénée pour empêcher le pire...

Fiche technique
 Titre original : Petite Leçon d'amour
 Réalisation : Ève Deboise
 Scénario : Ève Deboise
 Musique : Xavier Grin
 Décors : Aurette Leroy
 Costumes : Oriol Nogues
 Photographie : Lazare Pedron
 Montage : Chantal Hymans
 Producteur : Nathalie Mesuret
 Producteur associé : Bertrand Gore et Sandra Da Fonseca
 Sociétés de production : Blue Monday Productions et P.S. Productions
 Société de distribution : KMBO
 Pays :  et
 Langue originale : français
 Format : couleur — 2,35:1
 Genre : comédie romantique
 Durée : 87 minutes
 Dates de sortie :
 France :
  (Saint-Jean-de-Luz)
  (en salles)

Distribution
 Lætitia Dosch : Julie
 Pierre Deladonchamps : Mathieu
 Paul Kircher : Lancelot
 Lorette Nyssen : Lia-Shrek
 Anouar Kardellas : Ajit
 Alizée Caugnies : Margot
 Kim Truong : Océane
 Aaron Kadouche : Sumo
 Évelyne Istria :  Marquet
 Stéphanie Bataille : la pharmacienne
 Léo Boucry : Staline
 Max Hertz : Trump

Tournage
Bien que l'action du film soit située à Paris et dans sa banlieue, le tournage a été partagé entre la capitale et la région Auvergne-Rhône-Alpes.

Notes et références

Liens externes

Film français sorti en 2021
Comédie romantique française
Film suisse sorti en 2021
Comédie romantique suisse

redpajama_set_name: RedPajamaWikipedia


text:
Q: JsTree remove and create folder? Anyone out there who's knows the JsTree jQuery plugin well?
I have implemented it and got it working ok for most basic functionality, but now I want to be able to use the functionality for removing and creating new folders. I can't find information about how to do this in the documentation.
Here's how I use it right now:
    $("#divLeftPane")
                .bind("reselect.jstree", function () {
                if ($(".jstree-clicked").length == 0)
                    url = "";
                else
                    url = "?url=" + $(".jstree-clicked").attr("rel");
                loadFiles(url);
                $("#currentDir").val($(".jstree-clicked").attr("rel"));

                $("a").click(function () {
                    url = "?url=" + $(this).attr("rel");
                    loadFiles(url);
                    $("#currentDir").val($(this).attr("rel"));
                });
            }).jstree({
                "html_data": {
                    "ajax": {
                        "url": "/Customers/Directories/"
                    }
                },
                "ui": {
                    "select_limit": 2,
                    "select_multiple_modifier": "alt",
                    "selected_parent_close": "select_parent"//,
                    //                  "initially_select": ["phtml_2"]
                },
                "themes": {
                    "theme": "classic",
                    "dots": false,
                    "icons": true
                },

                "plugins": ["themes", "html_data", "ui", "cookies"]
            });
};

A: Oops, didn't read the docs carefully enough, it was under one of the plugins named CRRM (maybe the name threw me off a bit :-)) http://www.jstree.com/documentation/crrm


text:
Q: How to Implement Square payment method by using ASP .Net web api How to implement the Square payment method by using an ASP.NET web API Actually, I am trying to implement the Square payment method in the asp.net core web API, but I got an error. This is the Controller Part of the Square Package in Visual Studio.
Error show CreateAsync method
CreatePaymentRequest does not contain a definition for CreateAsync and no accessible extension method CreateAsync accepting a first argument of type CreatePaymentRequest
This is Controller Part
public class SquareController : Controller
    {

        private readonly ISquareServices _services;
        public SquareController(ISquareServices squareServices)
        {
            _services = squareServices;
        }
        [HttpPost("customer/add")]
        public async Task<ActionResult> AddSquearCustomer([FromBody] AddDetails addDetails, CancellationToken cancellationToken = default(CancellationToken))
        {
            var result = await _services.CreatePaymentAsync(addDetails, cancellationToken);

            return StatusCode(StatusCodes.Status200OK, result);

        }
    }

// This is repository part
public class SquareServices : ISquareServices
    {
        private readonly CreatePaymentRequest _createPaymentRequest;
        public SquareServices(CreatePaymentRequest createPaymentRequest)
        {
            _createPaymentRequest = createPaymentRequest;
        }
        public async Task<CreatePaymentResponse> CreatePaymentAsync(AddDetails addDetails, CancellationToken cancellationToken = default(CancellationToken))
        {

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            return (response);
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    }


text:
Das Autobahndreieck Fulda (Abkürzung: AD Fulda; Kurzform: Dreieck Fulda) ist ein Autobahndreieck bei Fulda in Hessen. Hier endet die Bundesautobahn 66 (Wiesbaden–Frankfurt am Main–Fulda) und geht in die Bundesautobahn 7 (Flensburg–Hannover–Kassel–Fulda–Würzburg–Füssen) (Europastraße 45) über. Das Autobahndreieck entstand im Zuge des Ausbaus der Bundesstraße 40 zur Bundesautobahn 66. 2005 wurde die Umgestaltung der damaligen Anschlussstelle Fulda Süd zum Autobahndreieck fertig gestellt. Seitdem befindet sich eine Anschlussstelle Fulda Süd an der Bundesautobahn 66 unweit der ehemaligen gleichnamigen Anschlussstelle.

Geographie
Das Dreieck liegt auf dem Gemeindegebiet von Eichenzell. Die umliegenden Städte und Gemeinden sind Dipperz, Neuhof und Fulda. Es befindet sich etwa 10 km südöstlich der Fuldaer Innenstadt, etwa 85 km nordöstlich von Frankfurt am Main und etwa 80 km nordwestlich von Würzburg.

Unweit des Dreiecks befindet sich die Fulda, die von beiden Autobahnen durch Brückenbauwerke überquert wird.

Die nächstgelegenen Naturparks sind Hessische Rhön und Hessischer Spessart.

Das Autobahndreieck Fulda trägt auf der A 7 die Nummer 93 und auf der A 66 die Nummer 55.

Ausbauzustand und Bauform
Die A 7 ist in diesem Bereich, genau wie die A 66 vierstreifig ausgebaut. Die Relation Frankfurt am Main–Hattenbacher Dreieck ist zweistreifig, alle anderen Überleitungen sind einstreifig.

Das Kreuzungsbauwerk ist in Form einer linksgeführten Trompete aufgebaut.

Verkehrsaufkommen

Einzelnachweise

Fulda
Bundesautobahn 7
Bundesautobahn 66
Verkehrsbauwerk im Landkreis Fulda
Eichenzell
Verkehrsbauwerk im Rhein-Main-Gebiet
Verkehrsbauwerk in Europa


text:
Q: How to solve 'a÷b(c+d)'? How to solve $a÷b(c+d)$?
For example, $2÷4(8+16)$.
Is it $($$\frac{2}{4}$$)(8+16)$ = $\frac{1}{2}$(8+16) = $\frac{1}{2}$(24) = 12?
or $\frac{2}{4(8+16)}$ = $\frac{2}{4*24}$ = $\frac{2}{96}$ = $\frac{1}{48}$?
Which one is the right one?

A: I'd argue that a better solution is to ask the person who wrote this expression down to re-write it in a more clear manner.
The purpose of notation (and implicitly, the order of operations rules people talk about) is not to torture and confuse students, but to communicate information successfully from one person to another. Expressions like
$$
a \div b (c + d)
$$
are technically unambiguous if we have all agreed on the order of operations beforehand. However, they aren't very clear (and hence are in practice ambiguous) and so a better solution is to either add more brackets before you write it down, or to write it as either
$$
\frac{a}{b(c + d)}
$$
or
$$
\frac{a}{b}(c + d)
$$
depending on which of those two is actually meant.
Written mathematics shouldn't be a guessing game for the reader. If they don't know what you meant due to potentially unclear notation, this isn't their fault.

A: They way it is written, assuming the usual order of operations, it should be
$$2/4(8+16) = 2/4(24) = .5(24) = 12$$ since you do division OR multiplication from left to right, after parentheses and exponents.

A: Never forget your order of operations:
Parentheses
Exponentiation
Multiplication and Division
Addition and Subtraction
For the "and" lines: these operations have the same level of priority. Now you go left to right.
For example: $35 \cdot 2 / 7 \cdot 6 = 70 / 7 \cdot 6 = 10 \cdot 6 = 60$


text:
Calendar Girls Credit: Karen Dunbar
Salford QuaysTo do & see
Calendar Girls the Musical. The Great British Take Off
Carmel Thomason9 min readOctober 12, 2018
Home » To do & see » Calendar Girls the Musical. The Great British Take Off
Over a cuppa with the cast of 'Calendar Girls the Musical' Vicky Edwards discovers that Ruth Madoc is 'perky,' Fern Britton's intuition sometimes malfunctions and Gary Barlow and Tim Firth are to musical comedy what Mary Berry is to baking.
l-r Rebecca Storm, Fern Britton, Anna-Jane Casey, Sara Crowe, Ruth Madoc, Karen Dunbar & Denise Welch in CALENDAR GIRLS THE MUSICAL
If Calendar Girls the Musical were a cake, the recipe would read something like this:
Take an inspirational true story and add one super-talented writer, one world-famous pop star and mix their expertise thoroughly. Once you have a perfect blend of warmth, humour, poignancy and music, line a 12-inch diameter cake tin with an accomplished production team and cast in a clutch of our finest actors and singers. Lace with a sublime supporting cast and rehearse well. Garnish with a stunning set and gorgeous lights and serve to rapturous applause up and down the country.
Thrilled to be one of the girls, (but keeping her kit firmly ON – "I'm playing Marie, so no nipps or noo for me!") presenter and best-selling novelist, Fern Britton cheerfully admits that she almost missed out, initially telling her agent that on instinct it wasn't for her.
"And then came the call saying that Gary Barlow would like to have a cup of coffee and a chat with me!" she exclaims, eyes bright and smile wide. "Suddenly I found myself in a room reading the script, with Gary, Tim Firth [writer], the producers and the casting director. And boy am I glad that they persisted!" she laughs, admitting that her instinct must have been on the blink.
"Never was I happier to be wrong about something. Some people don't like musicals because of all the bursting into song, but with this you hardly know that a song has started until it's halfway through. You are totally pulled along by your earholes and the songs really advance the story. Tim Firth is a God! He wrote the play, the movie and the musical and he's like a Yorkshire Stephen Sondheim with the lyrics. As for Gary, he has written some incredible songs," she enthuses.
Having previously starred in the stage play version, Ruth Madoc is the old hand of the assembled cast, but she wasn't convinced about returning to the subject.
"And then I realised that my agent had been working on it for the past six months so I thought I'd jolly well better go and do the audition!" she hoots, adding: "I expected them to want me to play Marie again, but they said they wanted me to play the older woman this time, which is wonderful; Jessie has got some fantastic lines."
LtoR Anna-Jane Casey, Ruth Madoc, Tim Firth, Denise Welch, Gary Barlow, Fern Britton & Rebecca Storm, credit Matt Crockett
But if Fern and Ruth had reservations, you could say that Rebecca Storm was born to play the role of Chris. Literally: the West End leading lady with a career spanning four decades was been born and raised just a few miles from where the real Calendar Girls is set.
"The local relevance is extraordinary, but also David Pugh [Calendar Girls producer] was my first ever producer! In 1984 he gave me my first opportunity in the world of proper grown-up theatre in Blood Brothers." she says, smiling at the memory.
Based on the true story, Tim Firth's film and his subsequent award-winning play, Calendar Girls is a reworking of the award-winning and critically acclaimed The Girls, which played to packed houses in the West End last year and is now returning home to Yorkshire to kick-off a new UK & Ireland Tour.
'It is about friendship and community and I think we all relate to that" – Denise Welch.
Loose Women's Denise Welch stirs her tea and ponders on why the story, in various incarnations, has endured. "It is about friendship and community and I think we all relate to that. Celia, my character, has been off as an air hostess and has always been looking for something more. When she comes back she realises that it was already there. As we get older we all realise that," she says thoughtfully.
"I think people will go away thinking about the value and the shortness of life," says Scottish comedy actress, Karen Dunbar, who plays, Cora.
"And that positivity can come from awful situations and swing people into action," adds Anna-Jane Casey (Annie), whose musical credits include Billy Elliot and Stepping Out.
"The power and innovation of women is amazing," says Karen, to general agreement.
Best known as the first bride in the hit movie Four Weddings and a Funeral, Sara Crowe (playing Ruth) picks up the baton. "It is an instinctive thing to do, especially in situations that are terrible. Doing something positive becomes a survival mechanism."
"I love men, but women make things happen," says Denise, who confesses that while she is absolutely a woman's woman, the first question she asked was who else was in the show. "Because I'm too old and long in the tooth to be dealing with egos and temper tantrums," she explains. "Thankfully we all get on, but second to the script that was the most important thing to me."
It is a show that attracts a hugely diverse audience, for sure. So why do they think that is?
"This is an incredibly human story," Fern explains. "Life is all about loss, love, making a mess, making mistakes, clearing it up and atoning. It is a terribly hackneyed phrase, but our show is life-affirming."
"And it is a different proposition when you have music to the extent that we have," says the Ruth Madoc, who, as an experienced musical theatre actress, knows a thing or two about the genre. "The music expands the subject far bigger than the play ever was. It's fabulous and audience are in for a real treat. The music makes it a wonderful emotional journey but it is seamless; it slides into the dialogue. It never feels like 'here comes a song', and that makes it a very powerful piece of theatre. I am really on the boil about it!" she proclaims, the Welsh lilt making her words sound appropriately musical.
Are they worried about disrobing on stage – does the 'Great British Take Off' hold any fear?
"We're not prancing around like we're in Hair!" laughs Rebecca. "And it's done with so much comedy."
"We'll have great big pineapples or whatever in front of us, so the audience won't see much," Ruth waves any concerns aside. "Besides," she says, a naughty glint in her eye, "at 75 you don't care!"
Noisily chorusing that Ruth Madoc has the most fabulous boobs of them all, Anna-Jane cuts across the good-natured rabble-rousing: "It's more of a celebration of how different everyone is."
"As you get older you get back to who you really are and the nakedness is part of that," says Sara.
But the show has even more to offer. Having already raised huge amounts of money through merchandise and bucket collections at each performance, the charity Bloodwise will continue to benefit from the production – a fact of which the ladies are extremely proud.
"These women did something spectacular," says Rebecca, recalling how 20 years ago members of a small Yorkshire Women's Institute produced a nude calendar that captured global attention and that, to date, they have raised in excess of £5 million for research. Quite something when you consider that they intended only to raise enough to buy a sofa for a hospital waiting room.
The Original Calendar Girls at the Curtain Call of the Final Dress Rehearsal for CALENDAR GIRLS THE MUSICAL. Credit Matt Crockett
"We need that research," says Ruth, quietly telling of the loss of a young father who died from leukaemia in her home village. "The whole village was broken-hearted. I have had bladder cancer, but I am fine now. I am a very lucky woman."
"Perhaps nobody knew how much this man John meant to them until he was suddenly no longer there?" adds Fern. "My mum died recently and only today did I acknowledge that my landscape has changed. It can be hard to make sense of."
What they are adamant about, however, is that this is a show that should not be missed. "It's universally appealing," says Karen.
"And a tribute to friendship," Sara adds.
Discussing the tour, which takes them all over the UK, the ladies are all looking forward to seeing new places and revisiting old friends.
"I prefer touring to West End. I like the feel of companies; the family orientation that happens and that harks back to how it was when I started out 60 years ago," says Ruth, who is going to bring her husband along for the ride. "The kids and the grandchildren will come in dribs and drabs. I'm a National Trust fan so we'll be exploring and we will see lots of friends along the way, too."
Salford is my home town so it will be great to be there," says Anna-Jane. "It's always special to play your home town."
"For those who say that they don't like musicals, just book! I promise that there are no jazz hands," declares Anna-Jane.
"My hope is that people leave the theatre with massive smiles on their faces," says Denise.
I don't doubt they will.
Calendar Girls the Musical is at The Lowry, Salford Quays from 30 October to 10 November 2018. Read our review at The Lowry. Visit website for full tour details.
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The water crisis
Generational change
Stunning photos reveal rare insight in to the changing lives of India's remote tribal communities
India, Water, Toilets, Hygiene, Girls and women
WaterAid/Ronny Sen
A series of intimate pictures taken by award-winning photographer, Ronny Sen, for international development charity WaterAid, reveal the changing lives of some of India's remote tribal communities.
See the full photo gallery >
Sen visited Baiga and Gond tribes in the highland district of Dindori in central India, as part of WaterAid's summer campaign, The Water Fight, which aims to bring access to clean water and decent toilets for every child, globally.
The photos, taken on the lush-green eastern flank of Madhya Pradesh, document how the arrival of infrastructure such as roads and schools, as well as technology like televisions and mobile phones are slowly changing traditional tribal customs. They also reveal how access to basic amenities like clean water and decent toilets are helping tribal communities adapt to a new way of life.
For generations these ancient tribes lived almost entirely self-sufficiently among the region's resource-rich forests. However, the forest laws introduced in the early 1980s have changed their way of life.
Today, the Baiga and Gond tribes live in small villages on the edge of the forest belt, dependent on subsistence farming to scrape together a living.
The arrival of modern amenities along with a major road connecting tribal villages to the city of Dindori has seen a cultural shift among communities. Younger generations are rejecting ancient tribal customs and traditions.
Traditionally Baiga girls, aged between 10 and 12, are tattooed in a ceremony called 'Godna' conducted in the middle of the forest. Patterns are drawn in to the skin using bamboo sticks and the tattoos are etched on to the skin with the powder from Niger seeds. Now, with the influence of education and popular television shows, girls no longer want to adorn themselves in the tribal art worn by their mothers for centuries.
Badri Bai, pictured with her 15-year-old daughter, Anita, said:
"I have 'Godna' on most of my body as I never went to school. I got it done on Anita's forehead but she has refused to get it done on the rest of her body.
"The traditions are getting lost. These girls have started going to school and are choosing not to get their bodies tattooed."
However, despite modern influences, many within the Baiga community are still living without clean water, decent sanitation and hygiene. Women and girls spend up to two hours collecting dirty water from open wells or springs. Open defecation is rife due to a lack of water and education despite the ongoing construction of toilets under the Indian government's 'Clean India' campaign. Water-related illnesses such as diarrhoea and vomiting are prevalent, with many children missing vital hours at school as a result.
WaterAid India is working in the Dindori district with local partner, the National Institute of Women Child & Youth Development (NIWCYD) to empower communities to realise their rights to clean water, sanitation and hygiene; providing technical advice, training and support to local communities. As a result, in Padhariya village - a predominantly Gond community – where piped water has now been installed, people are spending less time collecting water and children are spending more time in schools.
Prem, 35, lives with his wife and three children in Padhariya village, says:
"Piped water has given a lot of time to the women in the community. Now we can at least spend time with our children. I am happy that with this piped water supply, my kids have extra time to devote to studies.
"A lot of our troubles have been sorted due to the toilets, they have given us safety. Before people used to go out in the nearby fields. They faced issues such as being bitten by dogs and snakes too.
"Most importantly, it was a problem for girls. There are some bad people in society. If they see a girl defecating in the open, they would pass shaming comments. Going out in the night was a major challenge."
Photographer, Ronny Sen, said:
"It was incredible to visit these remote tribal communities with WaterAid and witness, first hand, how their lives are slowly changing. For the Baiga tribes, this is the first generation of children going to school. Access to television and local markets are also having an impact. Traditional customs such as the 'Godna' tattoo – so distinctive among the Baiga women – is getting lost as girls decide that they don't want it.
"However the lack of clean water and decent sanitation is holding communities back as they spend hours collecting water from dirty streams or are unable to go to school due to diarrhoea and vomiting. Where children do have access to piped water – like in the predominantly Gond village, Padhariya – it is transformative, with children spending less time on daily chores and more time in the classrooms.
Chief Executive of WaterAid India, VK Madhavan said:
"These photos not only provide a rare insight in to the changing lives of some of India's most vulnerable tribal groups, they also highlight the transformative effect that clean water, decent toilets and hygiene can have on people's lives. However, as the pictures taken from the Baiga communities reveal, there is still a long way to go.
"As per the recent definition of basic services* of the WHO and UNICEF, 157 million people in India are still living without basic access to water while 734 million are living without access to sanitation. Providing access to clean water or decent toilets without a corresponding investment in efforts to change attitudes and behaviours will not change our reality. WaterAid's global campaign - The Water Fight - aims to make clean water and decent toilets normal for every child because all children, whether they are living in India or elsewhere across the globe, deserve the chance to be healthy, happy and to reach their full potential."
Across the world, 1 in 10 children don't have basic access to clean water and 1 in 3 don't have a decent toilet. The Water Fight is a global campaign to bring access to clean water and decent toilets to every child, globally. It's a fight against the inequalities that hold children back from the healthy childhood they deserve, the education they need, and the chance to turn their dreams into reality.
Rosie Stewart, Senior Media Officer, [email protected] or +44 (0)207 793 4943, or Suzy Vickers, PR manager, [email protected] or +44 (0)207 793 4495. Or call our after-hours press line on +44 (0)7887 521 552 or email [email protected]
In Delhi: Pragya Gupta, Media & Communications Coordinator, [email protected]
For more information about the WHO and Unicef's Joint Monitoring Programme on water, sanitation and hygiene, please visit: WASH Data.
WaterAid's vision is of a world where everyone has access to clean water and sanitation. The international organisation works in 37 countries across Africa, Asia, Latin America and the Pacific Region to transform lives by improving access to clean water, hygiene and sanitation in some of the world's poorest communities. Since 1981, WaterAid has reached 25 million people with clean water and, since 2004, 24 million people with sanitation. For more information, visit www.wateraid.org, follow @WaterAidUK on Twitter, or visit us on Facebook at www.facebook.com/wateraid.
Some 310,000 children die each year from diarrheal diseases caused by dirty water and poor sanitation. That's over 800 children each day, or one child every two minutes.
An estimated 785 million people (around one in ten) are without clean water
Nearly 2 billion people (around one in four) live without a decent toilet
For every $1 invested in water and sanitation, an average of £4 is returned in increased productivity.
Just $15 can help provide one person with access to clean water.
For details on how individual countries are keeping their promises on water and sanitation, please see our online database, WASHWatch.org.
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Introduction to Sociology 2eReferences
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Section URL: https://openstax.org/books/introduction-sociology-2e/pages/1-references


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Step 3 of the Fresh Start Body Ritual. Fresh Start Massage Oil is specially formulated to give you a great massage with the added benefit of an easy clean up. This oil instantly rinses off your body and towels with water. The ultra clean scents of lavender, cypress, basil & grapefruit essential oils will make any massage feel like a fresh start in life.
Ingredients: Glycine Soya (Soya Bean) Oil, Carthamus Tinctorius (Safflower) Oil, Refined Olea Europaea (Olive) Oil, Olive Oil PEG-7 Ester, Alpha Tocopheryl Acetate, Lavandula Angustifolia (Lavender), Cupressus Sempervirens (Cypress), Ocimum Basilicum (Basil) and Citrus Paradisi (Grapefruit) Essential Oils.
Step 4 of the Fresh Start Body Ritual. Fresh Start Scrub Gel is specially formulated to allow exfoliating particles to smoothly glide on skin, thoroughly removing dead skin without abrasion. Ginger and spearmint essential oils reinvigorate and protect newly exposed skin.
Ingredients: Aquadestillata, Glycerine, Carbomer, PEG 40 Hydrogenated Castor Oil, Sodium Lauryl Sarcosinnate, Triethanolamine, Disodium EDTA, Diazolidynil Urea, Methyl Paraben, Propyl Paraben, Prunus Armenica (Apricot) Seed, Zingiber Officinalis (Ginger) and Mentha Spicata (Spearmint) Essential Oils.
Step 6 of the Fresh Start Body Ritual. Fresh Start Moisturizing Cream is the perfect way to finish any treatment. This light, water based formulation is scented with lemon, basil & spearmint essential oils for the perfect ending to your fresh start.
Ingredients: Aquadestillata, Isopropyl Myristate, Glyceryl Monostearate, Dimethicone, Stearic Acid, Sorbitol, Allantoine, Alpha Tocopheryl Acetate, Methyl Paraben, Prophyl Paraben, Citrus Limonum (Lemon), Ocimum Basilicum (Basil) and Mentha Spicata (Spearmint) Essential Oils, CI 19140.