(National Sentinel) Budget Blues: Well, we did it, America. We allowed our elected leaders to officially spend the country into oblivion, and the really good news is, it comes at a time when we're going to have to spend billions more we don't have to clean up from two of the worst storms in a century.
That's a lot of numbers, but you get the idea: We're broke, and getting broker.
In case you were wondering, this is why dozens of Republicans — including four congressmen from Texas — voted against last week's debt ceiling package; it wasn't because they didn't want to help their fellow residents and other Americans, it's because we as a nation are so heavily in debt there isn't any realistic way to pay it off.
What are we supposed to do if we get into a major world war? Where's the money going to come from to pay for our defense? Can you imagine having to finance another Herculean war effort like that one it took to win World War II?
Congress would either have to raise taxes on everyone by high double digits, or impose some kind of war tax on purchases, goods and services just to break even.
Here's another thought. Sure, the Treasury can just print money and viola, we have the "funds" to pay off the debt. What the hell, right? The U.S. dollar is the world's reserve currency.
Yes, the dollar is the world's reserve. For now. What happens when that changes (and China is attempting to do just that, by the way)?
What happens when that confidence dissipates, for whatever reason, as it has from time to time through the years?
The national debt may seem like some abstract thing to most people, but it's just as real for a country as it is for a country's citizens who struggle every day to balance their personal budgets.
When individuals accumulate too much debt, they go to court, declare bankruptcy and start over.
When countries go broke, they collapse.


text:
WWO Roadmap
WWO Roadmap: Foundations for Active Engagement | Resources For Churches
Organization means World Without Orphans Global, a nonprofit 501(c)(3) organization registered in the United States (ID# 27-0816608).
DPA means the Data Protection Act 2018, which implements the EU's General Data Protection Regulation.
Responsible Person means Karmen Friesen.
Register of Systems means a register of all systems or contexts in which personal data is processed by the Organization.
1. Data protection principles
The Organization is committed to processing data in accordance with its responsibilities under the DPA.
DPA requires that personal data shall be:
a. processed lawfully, fairly, and in a transparent manner in relation to individuals;
b. collected for specified, explicit, and legitimate purposes and not further processed in a manner that is incompatible with those purposes; further processing for archiving purposes in the public interest, scientific or historical research purposes or statistical purposes shall not be considered to be incompatible with the initial purposes;
c. adequate, relevant, and limited to what is necessary in relation to the purposes for which they are processed;
d. accurate and, where necessary, kept up to date; every reasonable step must be taken to ensure that personal data that are inaccurate, having regard to the purposes for which they are processed, are erased or rectified without delay;
e. kept in a form which permits identification of data subjects for no longer than is necessary for the purposes for which the personal data are processed; personal data may be stored for longer periods insofar as the personal data will be processed solely for archiving purposes in the public interest, scientific or historical research purposes or statistical purposes subject to implementation of the appropriate technical and Organizational measures required by the DPA in order to safeguard the rights and freedoms of individuals; and
f. processed in a manner that ensures appropriate security of the personal data, including protection against unauthorized or unlawful processing and against accidental loss, destruction or damage, using appropriate technical or Organizational measures."
a. This policy applies to all personal data processed by the Organization.
b. The Responsible Person shall take responsibility for the Organization's ongoing compliance with this policy.
c. This policy shall be reviewed at least annually.
3. Lawful, fair, and transparent processing
a. To ensure its processing of data is lawful, fair, and transparent, the Organization shall maintain a Register of Systems.
b. The Register of Systems shall be reviewed at least annually.
c. Individuals have the right to access their personal data and any such requests made to the Organization shall be dealt with in a timely manner.
4. Lawful purposes
a. All data processed by the Organization must be done on one of the following lawful bases: consent, contract, legal obligation, vital interests, public task, or legitimate interests.
b. The Organization shall note the appropriate lawful basis in the Register of Systems.
c. Where consent is relied upon as a lawful basis for processing data, evidence of opt-in consent shall be kept with the personal data.
d. Where communications are sent to individuals based on their consent, the option for the individual to revoke their consent should be clearly available and systems should be in place to ensure such revocation is reflected accurately in the Organization's systems.
5. Data minimization
The Organization shall ensure that personal data are adequate, relevant, and limited to what is necessary in relation to the purposes for which they are processed.
6. Accuracy
a. The Organization shall take reasonable steps to ensure personal data is accurate.
b. Where necessary for the lawful basis on which data is processed, steps shall be put in place to ensure that personal data is kept up to date.
7. Archiving / removal
a. To ensure that personal data is kept for no longer than necessary, the Organization shall put in place an archiving policy for each area in which personal data is processed and review this process annually.
b. The archiving policy shall consider what data should/must be retained, for how long, and why.
a. The Organization shall ensure that personal data is stored securely using modern software that is kept up to date.
b. Access to personal data shall be limited to personnel who need access and appropriate security should be in place to avoid unauthorized sharing of information.
c. When personal data is deleted this should be done safely such that the data is irrecoverable.
d. Appropriate back-up and disaster recovery solutions shall be in place.
9. Breach
In the event of a breach of security leading to the accidental or unlawful destruction, loss, alteration, unauthorized disclosure of, or access to, personal data, the Organization shall promptly assess the risk to people's rights and freedoms and if appropriate report this breach to the ICO.
END OF POLICY
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redpajama_set_name: RedPajamaCommonCrawl


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Music, in general, helps you focus. Is the dog barking annoyingly in the backyard? Your significant other playing video games too loud? No problem! Put in some earbuds and tune into your favorite playlist as you tune out all of the distractions of daily life. Music will take you away from this world and give you your own little writing bubble. Listening to music with no lyrics, like movie scores, classical, and EDM, are actually proven to maximize your focus and memory, as it activates both your right and left parts of the brain at the same time (Godkin). So, whether you are writing a Comp II research paper or working on your first draft of a novel, choose what music works best for you.
Listening to music while you write will also get those inspiration gears going. When writing, there is something so satisfying about listening to music that pairs with the genre of your work like the way a wine pairs with cheese. For instance, say you're writing a short story about an elf prince on his journey to secure a precious treasure while listening to the Lord of the Rings soundtrack. It's going to feel so much more alive, right? Or listening to techno music while writing about someone who lives on a spaceship. Even listen to rock music while you build a character who's a total punk! Different genres of music will seep into your creativity and you will see clear results on the page.
So, moral of the story? Listen to music while you write. It helps you focus, it helps the creative process, and, frankly, it's fun.
Reference: "Can Music Help You Study and Focus?" Northcentral University, 2 Jan. 2018. Web.
I cannot write without listening to music (and having a scented candle lit). It's difficult for me to focus. Definitely put together a playlist specifically for your writing.


text:
import connectConfigureRelatedItems from '../connectors/connectConfigureRelatedItems';
import PropTypes from 'prop-types';

function ConfigureRelatedItems() {
  return null;
}

ConfigureRelatedItems.propTypes = {
  hit: PropTypes.object.isRequired,
  matchingPatterns: PropTypes.object.isRequired,
  transformSearchParameters: PropTypes.func,
};

export default connectConfigureRelatedItems(ConfigureRelatedItems, {
  $$widgetType: 'ais.configureRelatedItems',
});

redpajama_set_name: RedPajamaGithub


It is not a secret that many browser extension developers want to protect results of their work from copying. The problem is that Firefox and Google Chrome extensions can be unpacked without any problems. So, anyone can analyze a source code of any extension and investigate its internal logic. Of course, developers don't like a such state of things and want to protect their intellectual property.
The most common solution is to use some obfuscation tools. But the problem is that the most of obfuscators know nothing about Firefox or Chrome platform API and extensions simply don't work after obfuscation.
Wow! It looks really messy. It is absolutely impossible to understand something here. And the most pleasant thing is that it will work inside your Chrome extension without any problems.
Alright, we've found a good tool. But how to integrate it in the build process of the extension? It can be very annoying to obfuscate each file manually, especially if you're working on a large project. Now we will assume that you're using some build automation tools like Gulp or Grunt. To be honest, it can be not necessary to set up a build process for the project which can be completed and delivered in a couple of hours. But in the case of a complex project it is almost necessary.


text:
Thomas A. "Tommy" Jackson (* 3. November 1946 in Belfast) ist ein ehemaliger nordirischer Fußballspieler und -trainer. Der Mittelfeldspieler gewann mit seinem Heimatklub FC Glentoran als Spieler und Trainer die nordirische Meisterschaft. Zwischen 1967 und 1978 war er dazu im englischen Profifußball unterwegs. Dort feierte er 1970 beim FC Everton mit dem Gewinn der englischen Meisterschaft den größten Erfolg seiner aktiven Laufbahn.

Sportlicher Werdegang
Jackson war seit 1963 in seiner Heimatstadt Belfast beim FC Glentoran und dort zunächst vordergründig in der zweiten Mannschaft aktiv. Mit der Reservemannschaft gewann der Mittelfeldspieler 1965 und 1966 den Steel Cup, womit er sich nachhaltig für die A-Elf empfahl. Gleich zweimal in Serie gewann er 1967 und 1968 mit Glentoran schließlich die nordirische Meisterschaft. Womit er jedoch über die Vereinsgrenzen hinaus auffiel, war im Herbst 1967 seine Leistung in der ersten Runde des Europapokals der Landesmeister, in der er gegen Benfica Lissabon Eusébio in Manndeckung nahm – der große Favorit aus Portugal setzte sich letztlich nur knapp aufgrund der Auswärtstorregel durch. Noch vor Ende der zweiten Meistersaison 1967/68 gab er dem Werben des englischen Erstligisten FC Everton nach und im Februar 1968 wechselte Jackson für die Ablösesumme von 9.000 Pfund zu den "Toffees".

Nach seinem Einstand gegen Nottingham Forest (0:1) hatte er gleich in dem wichtigen FA-Cup-Halbfinalspiel gegen Leeds United Alan Ball zu vertreten und im Mittelfeldduell mit renommierten Gegenspielern wie Johnny Giles und Billy Bremner behauptete er sich gut – die Partie endete mit einem 1:0-Sieg. Im Finale war er jedoch nicht Teil des 14-Mann-Kaders und so musste er sich die 0:1-Niederlage gegen West Bromwich Albion von außen anschauen. Jackson erarbeitete sein den Ruf eines zuverlässigen Ergänzungsspielers, der zwar weniger mit technischen Fertigkeit und Schnelligkeit ausgestattet war, dafür aber Qualitäten im Bereich der Balleroberung hatte. Zumeist schlüpfte er im Mittelfeld in die Ersatzrolle, falls einer aus dem Mittelfeldtrio mit Alan Ball, Howard Kendall und Colin Harvey fehlte. In dieser Funktion setzte Trainer Harry Catterick häufig auf ihn und als Everton in der Saison 1969/70 die englische Meisterschaft gewann, war Jackson in 15 Partien zum Einsatz gekommen. Die sportliche Perspektive blieb jedoch beschränkt und nachdem Everton erhebliche Transferaktivitäten zur Titelverteidigung unternommen hatte, gab ihm der Verein im Oktober 1970 die Freigabe für einen Wechsel.

Mit dem Erstligakonkurrenten Nottingham Forest fand sich ein neuer Arbeitgeber. Dort war er sofort im gemeinsamen Kampf um den Klassenerhalt verwickelt, der im ersten Jahr noch gelang, aber in der zweiten Saison mit dem Abstieg in die Second Division endete. Eines der wenigen Highlights in der Abstiegssaison war sein 1:0-Siegtreffer im Dezember 1971 gegen den Ex-Klub aus Everton. Nach drei weiteren Jahren sorgte die Verpflichtung des neuen Trainers Brian Clough dafür, dass Jackson im Kader nicht mehr gebraucht wurde – im Gegensatz zu seinem Landsmann Martin O'Neill, der sich fortan im Mittelfeld zum Schlüsselspieler entwickelte. Da Jackson als nicht mehr benötigter Zweitligaspieler galt, überraschte es die Fachwelt, dass ihn mit Manchester United erneut ein Erstligist im Juli 1975 anheuerte.

Uniteds Trainer Tommy Docherty sah in Jackson zunächst den Kapitän seiner Reservemannschaft, aber nach ersten Trainingseindrücken reiften in ihm neue Ideen. Der Erstligaaufsteiger war mit einer großen Offensivkraft und vor allem mit vielen jungen Spielern ausgestattet und Jackson sollte im Mittelfeld für die nötige Ruhe sorgen. Dadurch konnten sich Spieler wie Steve Coppell und Gerry Daly besser entfalten und Jackson führte das Team in der Saison 1975/76 in 17 Ligapartien zum dritten Platz. Als dann jedoch der Neuzugang Gordon Hill in die Mannschaft drängte und den Spielstil im Mittelfeld veränderte, wurde Jackson ein weiteres Mal aussortiert. Er agierte noch bis 1978 zumeist in der Reservemannschaft von Manchester United, bevor es ihn zurück in seine nordirische Heimat zog. Dabei hatte er Trainerangebote in England auch deswegen ausgeschlagen, weil er selbst noch weiter aktiv bleiben wollte.

Nordirische Fußballnationalmannschaft
Am 10. September 1968 debütierte Jackson in Jaffa für die nordirische A-Nationalmannschaft gegen Israel. Das Freundschaftsspiel endete für ihn mit einem 3:2-Sieg und seine weitere Laufbahn ähnelte der im Vereinsfußball, da er zumeist als Ersatz für Stammspieler wie Eric McMordie, Jimmy Nicholson oder Dave Clements sowie später Tommy Cassidy, Sammy McIlroy oder Bryan Hamilton diente. Dessen ungeachtet kam er in neun Jahren auf 35 A-Länderspiele. Dank seiner vielseitigen Einsetzbarkeit half er bei Bedarf als linker Außenverteidiger oder im Abwehrzentrum aus und seinen sportlichen Höhepunkt für Nordirland erlebte er am 23. Mai 1972, als er im Wembley-Stadion einen 1:0-Sieg gegen England feierte.

Weitere Erfolge blieben für Jackson aus und vor allem für eine Endrunde bei Welt- oder Europameisterschaft qualifizierte sich Nordirland in dieser Zeit nicht.

Traineraktivitäten
Jackson konnte bei seiner Beschäftigung als Spielertrainer des FC Waterford ab 1978 auf einige Achtungserfolge verweisen, darunter der zweifache Einzug ins Finale des FAI Cups, das er im zweiten Anlauf 1980 gegen St Patrick's Athletic auch gewann – Waterfords erst zweiter diesbezüglicher Pokalsieg nach 1937. Im Oktober 1980 betreute er dann eine Ligaauswahl, die im River-Plate-Stadion gegen Argentinien antrat und nach einem Tor von Diego Maradona mit 0:1 unterlag.

Seine zweite Vereinstrainerstation ab 1983 waren, nachdem er seine eigene Laufbahn mittlerweile beendet hatte, die FC Crusaders. Dort verbrachte er rund drei Jahre und der Gewinn des Gold Cups 1986 nach einem Finalsieg gegen den FC Linfield war der einzige nennenswerte Titelgewinn. Im Jahr 1987 kehrte er zu seinem Heimatklub FC Glentoran zurück. Glentoran hatte zuvor seine Vorherrschaft im nordirischen Ligafußball eingebüßt und lange im Schatten des FC Linfield gestanden. Dies änderte sich unmittelbar nach Jacksons Ankunft und 1988 gewann der Klub das "Double" aus Meisterschaft und Irish Cup. Vier Jahre später wiederholte Jackson mit Glentoran den Gewinn des Ligatitels. Im Juni 1993 endete sein Engagement, nach Glentoran nur einen Platz im Mittelfeld belegt hatte. Es folgte ein wenig spektakuläres Jahr in Diensten von Ballymena United, bevor sich Jackson aus dem Erstligafußball verabschiedete.

Fortan kümmerte er sich mehr um die Betreuung von nordirischen Fußballschulen, in denen er besonders in den Sommermonaten selbst auf dem Trainingsplatz steht.

Titel/Auszeichnungen

Als Spieler
 Englische Meisterschaft (1): 1970
 Nordirische Meisterschaft (2): 1967, 1968
 FAI Cup (1): 1980

Als Trainer
 Nordirische Meisterschaft (2): 1988, 1992
 FAI Cup (1): 1980
 Irish Cup (3): 1987, 1988, 1990
 Irischer Ligapokal (2): 1989, 1991
 Gold Cup (3): 1985, 1987, 1992
 Irish Charity Shield (1): 1992 (geteilt)

Literatur

Weblinks
 Profil auf nifootball.blogspot.de
 Statistische Daten der Post War English & Scottish Football League A-Z Player's Database

Fußballnationalspieler (Nordirland)
Fußballspieler (Glentoran FC)
Fußballspieler (FC Everton)
Fußballspieler (Nottingham Forest)
Fußballspieler (Manchester United)
Fußballspieler (Waterford United)
Fußballtrainer (Nordirland)
Fußballtrainer (Irland)
Englischer Meister (Fußball)
Sportler (Belfast)
Brite
Geboren 1946
Mann

redpajama_set_name: RedPajamaWikipedia


Everyday is like being on vacation in this beautiful custom home ON A PREMIUM LOT THAT BACKS TO PRISTINE MATURE LANDSCAPING OVERLOOKING BEAUTIFUL WOODS IN THE HEART OF CRYSTAL LAKE! Clean & Move-in ready, this home offers 4 LARGE bedrooms, 3 baths and light, airy, open floor plan, great for entertaining and family. Dining room sliding doors open to HUGE deck and screened gazebo with FABULOUS view of nature. But that's not all...Master suite offers your own private deck! On cool nights, you'll love cozying up to the wood/gas burning fireplace in the large family room. New carpet, paint, roof, driveway, ANDERSON windows, garage door and even a BACK-UP GENERATOR and security system! Private & serene, yet steps to private beaches, boat access, fishing, hiking trails, Lippold park, shopping, restaurants, and close to Metra. This is your opportunity to live in this beautiful community, in a great home with lake rights that you can make your own.


Sometimes it takes the worst times in life to make us stronger and force us to change.
Somehow when the world around us is falling apart and we've finally come to the end of the road, we have to make a choice to fight or flight.
Painful lessons I didn't want to learn and had no choice but to endure.
A reminder of life's fleeting moments on this earth and how quickly life can change and turn your world upside down.
A realization of the importance of enjoying each and every day and trying to live in the moment instead of the past or future.
A reminder of what is most important in life and an incessant urge to hold on as tight as possible to what and who you love without letting go.
A loss of oneself and being; a dark and scary place filled with turbulent clouds. Yet there is a small, distant ray of hope.
I will never forget the dreadful call that broke my heart and brought me to my knees.
I had held out hope and positivity that the tumor inside my dad's bladder wasn't cancer. How could it possibly be? My father is one of the healthiest, fit 71-year-old men I know. He is my inspiration. My mountain climbing partner. My biggest cheerleader. My rock.
The earth shattering news of my father's diagnosis was terrifying.
Not only did he have bladder cancer, it had somehow spread throughout his lymph nodes and it was an aggressive stage four. My previously healthy, super active father would not be going to Bolivia to climb the Andes with me in October. Instead, he would begin a grueling six months of intensive chemotherapy in hopes of killing the cancer that was invading his body with rapid speed.
The first week after his diagnosis was hell. I couldn't sleep. I couldn't eat. I couldn't smile. I couldn't be me. All I wanted to do was curl up in a ball and cry. I found my life spiraling down into a dark and never-ending anxiety that was quickly filling me up with despair. I was beginning to become afraid.
You see, I have been down that dreadful dark road to depression before and it is a place that I never want to return. Thankfully the first time I was able to get help and pull myself out of the devastating postpartum depression and anxiety that was destroying my life after my son was born.
My body healed, my hormones returned, my sleep-deprivation faded and after three torturous months I was back to being me. That was nine years ago and I honestly try to forget.
This time however, none of the old tricks I'd learned from my past experience with postpartum depression had prepared me for the sheer terror, anguish, anxiety and pain of dealing with a loved one's cancer. I was a complete wreck and it was obvious that I could not continue living my life in this frenzied state of anxiety and despair. I was falling apart and my family needed me. I was no longer me. I needed help.
This was when I found yoga.
Right when I was at the bottom of the barrel and moving toward hopelessness—although it may sound rather cliché—yoga saved me.
I will never forget my first class.
Distraught and looking for any escape from my painful emotions, I signed up for a restorative class that combined meditation and slow-flow yoga. As I laid down on my mat and closed my eyes, I realized how incredibly tense my body felt. Every single muscle and bone ached.
Slowly as I began taking deep breaths, my body and soul began to feel at ease and all the stress surrounding my life disappeared. I clung to the Earth and let her receive me. The connection between body, mind and soul had never been so profound.
As the class ended, I rested on my mat breathing peacefully for the first time in months. My eyes welled up with tears and I quietly sobbed. The power of emotions released and it felt so incredibly good. For once, I didn't feel so overwhelmed and alone. For once, I knew I would be okay.
Over the last several months, I have become a regular yogi, going five to six times a week and trying out every class my studio offers. An inner peace has grown within me and made me realize that I would survive.
I would make it through my dad's cancer no matter the outcome or how painful it would be.
Today, I continue my practice after five steady months. I've learned a great deal about myself and how to live a healthier, happier life. Sadly, sometimes it takes a traumatic event to change our lives and make them better. The last six months have been layered with hardship. Yet I've also realized that I'm stronger than I think. It is amazing how powerful our minds can be and how easy it is to lose track of our own inner strength.
Thank you yoga, for reminding me.
Nicole currently writes three blogs: thirdeyemom.com, thethirdeyeworld.com and diaryofahappymom.wordpress.com and is a frequent contributor to worldmomsblog.com.


Wheelchair users come in all shapes and sizes. Often, larger users, especially those with a pear shape where the upper body is much smaller than the belly, will be better served by a two-point chest strap (attached to the chair in one place on each side) or belt than a four-point harness like the PivotFit™ or Stayflex™.
Chest strap options include (1) the Monoflex™ for dynamic padding, (2) the unpadded Chest Strap with a large D ring and Velcro®-style closure, or (3) a padded or unpadded hip belt worn on the chest, with the buckle of choice, such as a push button or our low-force Rehab Latch™.
That sounds like a lot, but it's just about who is wearing the strap, with what lifestyle and capabilities. Need help deciding? Drop us a line, give us a call or chat live!


The legislation narrowly passed, with 313 votes in favor and 312 against. If approved by the Lords, the bill put forward by Labour's Yvette Cooper and the Conservative's Oliver Letwin would seek a further delay to Brexit and legislate against the dreaded 'no deal' scenario. Opponents, however, have expressed concerns that the bill could set "a dangerous" precedent that would "constrain" the Prime Minister's power to conduct negotiations.


text:
Q: Rendering to a SWING surface (e. g. JPanel) using Cairo I'm currently working on a project where I need to plot the predicted footprint of a satellite on a mercator-projected world map with possible scaling/cropping/etc. done to the map.
I thought Cairo would be a good library to use for this purpose. There are Java-bindings available for it. However, I just can't find a way to make it render onto a SWING GUI (e. g. onto the surface of a JPanel). I thought about rendering into a byte buffer and plotting it out pixel by pixel using Java2D, but I can't find any API call to make Cairo render into a buffer (which is weird, as this is one of the most fundamental functionalities I'd expect to get supported by such a library).
Any way I can achieve this? I know there is Java2D, but it is fairly basic. I'd really appreciate a more powerful, widespread, well-tested, high-quality, free (LGPL) graphics library for this purpose. Cairo would be such a perfect fit, if I could get it to work with SWING somehow.
Thank you very much for your proposals.

A: One of the fundamentals in Cairo is that any non-abstract image context is bound to one of the supported back ends.
I've never tried the Java bindings, but it is likely they are a thin layer, not providing a a new surface type - you should use the "Image Surface" type.
On the C documentation for the Library, there is a "cairo_image_surface_get_data()" call
(here: http://cairographics.org/manual/cairo-Image-Surfaces.html ) which gives one acess to the buffer.
Maybe the bindings didn't expose this to Java due to the low level memory access required to actually use its contents. If that is true, then I propose you the following work-around:
(1)Render your results to a Cairo Image Surface, (2) Write a temporary file with the surface contents,(3) Read and display the temporary file with the Java 2D API.

A: Here is a example.
I found this examples on http://java-gnome.sourceforge.net
It create a gtk window, and actually a gtk DrawingArea widget, the onDraw() event uses cairo.
I compiled and run it on linux, it works good.
however java-gnome seems only have linux binary. Maybe somebody could make a windows binary, but need some work.
It is a gtk window, so have nothing to do with swing.
Maybe you don't need swing if gtk(java-gnome) can fit your needs.
If you must use swing, you can use cairo to render to a image in memory, then show it to JComponent by somthing like overriding paintComponent() method. I don't know the performance.

redpajama_set_name: RedPajamaStackExchange


Born in Los Angeles, kOko's been creating music since two years of age...and has never looked back. At eleven, he started his first band (as a drummer) playing for family and friends. He became a Beatles fan, and changed his instrument to Guitar. At the age of twenty-one, kOko was asked to play Bass in an emergency situation...and fell in love with it. He started hitting the Hollywood hotspots and ran into a rock-n-roll band called ''Crabby Appleton'' (who had a top 20 hit called ''Go Back''). While playing around town with Crabby, they opened up for ''The Spencer Davis Group''. Spencer took a liking to kOko's Bass playing and offered him his first touring gig.
And now, because of his good friends Chris Frazier and Jimmy Paxson....kOko has the opportunity to play with the Legendary Edgar Winter...and is still currently touring.


_Bucuresti - 08 februarie 2017 _– NU E CAZUL SA FIM TRISTI, STRUMFULETII NOSTRI VOR AVEA O MICA INTARZIERE PENTRU CA E TIMPUL SA INNOIASCA HAINUTELE! SHOW-UL ESTE PROGRAMAT, IN MOD CATEGORIC, PENTRU DATA DE 15 OCTOMBRIE LA SALA PALATULUI, TOT DE LA ORA 19.00!
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BILETELE RAMAN LA VANZARE, NIMIC NU SE OPRESTE, NIMIC NU SE SCHIMBA!
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Portable Cooler is a mini air-conditioning fan. It delivers continuous evaporated cool air flow to keep you cool anytime under the sun or at home. Portable Cooler takes evaporative cooling technology a step forward by engineering big cumbersome "swamp collers" into a lightweight mobile device. Designed to be used on the go, Portable Cooler runs on batteries (or USB) for true potability and versatility. Simply soak the cellulose sponge (included) with water and turn the power on, Portable Cooler will instatly provide you with blasting cool air with hours of relief from the heat.


text:
Colm Keane
Youghal, County Cork
Author, broadcaster, journalist
B.A. (Mod.), M.A., M.A.
Trinity College, Dublin; Georgetown University, Washington D.C.
Colm Keane is an Irish author, broadcaster and journalist who has published 28 books,[1] including eight No.1 Irish best-sellers.[2][3][4][5][6][7][8][9]
Keane was born in Youghal, County Cork, in 1951.[10][11] He attended Trinity College Dublin, where he graduated with a B.A. Mod., M.A. in Economics and Political Science.[12][13] Further postgraduate studies were undertaken at Georgetown University, Washington D.C., where he received an M.A. in Economics.[14]
Keane joined the Irish national broadcaster, Raidió Teilifís Éireann, in 1977, where he initially worked as a television journalist.[15] He co-presented the weekly investigative series Public Account with Pat Kenny,[16][17] and he worked as a reporter on the current affairs programme Today Tonight.[18] While in television, Keane won a Glaxo Fellowship for European Science Writers for his scripting and presentation of the science series A Future in Mind.[19] [20]
In the early 1980s, Keane moved to RTÉ Radio 1, where he worked as a reporter, presenter, producer and series producer.[21] He won a Jacob's Award in 1988 for American Profiles, which featured a visit to a prison death row in Texas, a profile of an Auschwitz survivor living in New York and a feature documentary on NASA astronaut James Irwin.[22]
As a radio producer, Keane compiled and presented documentaries based on interviews with musical figures including Burt Bacharach, Cat Stevens, Davy Jones of the Monkees, Dave Davies of the Kinks, Chubby Checker, Engelbert Humperdinck, Pete Seeger, Val Doonican, Glen Campbell, Neil Sedaka and more than 140 other performers and musicians.[23]
Among his documentary subjects was former Manchester United footballer George Best.[24][25] He also produced and presented A Belfast Game, profiling the Troubles in Northern Ireland through the experiences of the Ardoyne Kickhams Under-16 football team. A Belfast Game would later inspire the Andrew Lloyd Webber West End theatre production, The Beautiful Game.[26]
Colm's radio presentation work included Studio 10, which he co-presented with future President of Ireland, Mary McAleese.[27][28]
Retiring from broadcasting in 2003, Keane embarked on a career as a full-time author. He was responsible for the Irish national best-sellers Going Home (No.1),[29] We'll Meet Again (No.1),[30] Heading for the Light (No.1),[31] The Distant Shore and Forewarned. Most of the content of these books was based on research with survivors of near-death experiences.
Keane also wrote three national No.1 best-sellers on the Italian saint Padre Pio – Padre Pio: The Irish Connection,[32] Padre Pio: The Scent of Roses[33] and Padre Pio: Irish Encounters with the Saint.[8] He published a further No.1 bestseller, co-authored with Una O'Hagan, titled The Little Flower, St. Thérèse of Lisieux: The Irish Connection.[34]
Married to former RTÉ newsreader [35][36] Úna O'Hagan,[37] the couple's only son Seán Keane died in 2007.[38] Together, they collaborated on the best-selling book Animal Crackers: Irish Pet Stories, published in June 2016.[39] Their most recent co-written book is The Village of Bernadette: Lourdes, Stories, Miracles and Cures - The Irish Connection, published in September 2019.[40]
In 2008, Keane set up the publishing company Capel Island Press.[41] The company's first book was written by Colm and called The Beatles Irish Concerts.[42] Since its inception, Capel Island Press has published six No.1 best-sellers.[43][44][45][46][34][8]
Selected bibliography[edit]
The Village of Bernadette: Lourdes, Stories, Miracles and Cures - The Irish Connection, Capel Island 2019
The Little Flower, St.Thérèse of Lisieux: The Irish Connection, Capel Island 2018
Padre Pio: Irish Encounters with the Saint, Capel Island, 2017
Animal Crackers: Irish Pet Stories, Capel Island, 2016
Heading for the Light, Capel Island, 2014
Padre Pio: The Scent of Roses, Capel Island, 2013
We'll Meet Again, Capel Island, 2013
Forewarned, Capel Island, 2011
The Distant Shore, Capel Island, 2010
Going Home, Capel Island, 2009
The Beatles Irish Concerts, Capel Island, 2008
Padre Pio: The Irish Connection, Mainstream, 2007
Ireland's Soccer Top 20, Mainstream, 2004
Gaelic Football's Top 20, Mainstream, 2003
Hurling's Top 20, Mainstream, 2002
A Cut above the Rest, Town House, 1999
The ABC of Bullying (with Marie Murray), Mercier, 1998
The Teenage Years (with Marie Murray), Mercier, 1997
The Stress File, Blackwater, 1997
Death & Dying, Mercier, 1995
Nervous Breakdown, Mercier, 1994
The Jobs Crisis, Mercier, 1993
Mental Health in Ireland, Gill and Macmillan, 1991
^ Orpen, Joy. "I lost my beloved son to cancer and then faced it myself". The Irish Independent. Irish Independent. Retrieved 10 June 2015.
^ "Heading for the Light" (Irish Times 6 December 2014). Nielsen Book Research.
^ "Padre Pio: The Scent of Roses" (Irish Times 28 September 2013). Nielsen Bookscan.
^ "We'll Meet Again" (Irish Times 30 March 2013). Nielsen Bookscan.
^ "Going Home" (Irish Times 24 October 2009). Nielsen Bookscan.
^ "Padre Pio – The Irish Connection" (Irish Times 27 October 2007). Nielsen Bookscan.
^ "Nervous Breakdown" (Irish Times 16 April 1994). Book Sellers Association Irish Branch.
^ a b c Writing.ie. Editor Vanessa O'Loughlin. "Irish Bestsellers 30th September 2017". Writing.ie. Retrieved 18 December 2017.
^ Writing.ie. Writer Rebecca Brown. "Irish Bestsellers 29th September 2018". Writing.ie. Retrieved 8 October 2018.
^ https://www.colmkeane.com
^ "Youghal author 'Going Home' for book signing". youghalonline.com. Youghalonline.com. Retrieved 10 June 2015.
^ Dublin University Calendar 1974-5. p. 674.
^ Dublin University (Trinity College) Graduate Records. 6 July 1990.
^ Georgetown University Graduate Records. 29 August 1975.
^ "RTE crew outside Kerry Co-op, Listowel". rte.ie/archives/. Stills Library – RTÉ Archives. Retrieved 10 June 2015.
^ RTÉ Guide. 5 March 1982. pp. Front, 12.
^ "'Public Account' production team (1981)". rte.ie/archives/. Stills Library – RTÉ Archives. Retrieved 10 June 2015.
^ Today Tonight, season 1980–81. RTÉ Television Archives: RTÉ.
^ "Technology Ireland". August 1981: 7. Cite journal requires |journal= (help)
^ O'Connor, John. "Where do we go when we die?". munster-express.ie. The Munster Express. Retrieved 10 June 2015.
^ "RTE Radio producer Colm Keane". rte.ie/archives/. Stills Library – RTÉ Archive. Retrieved 10 June 2015.
^ "RTE Radio Archives 1 August 1987, 8 August 1987, 25 July 1987".
^ RTE Radio Archives 28 August 1997, 17 March 1999, 4 April 2002, 28 October 1996, 12 June 1997, 17 March 1998, September 1998 (3-part series), 18 March 1996, 7 August 2000, 28 December 1998.
^ "The George Best Story". RTÉ Radio Archives. 5 November 1984.
^ George Best, A Cut above the Rest. RTÉ Radio Archives. 24 September 2000.
^ Keane, Fergal. "The tragedy, hopes and fears behind the beautiful game". The Independent. Retrieved 10 June 2015.
^ McCarthy, Justine (1999). Mary McAleese : the outsider : an unauthorised biography. Dublin: Blackwater Press. pp. 26, 64. ISBN 978-1841314419.
^ Mánais, Ray Mac (2004). The road from Ardoyne : the making of a president. Dingle [u.a.]: Brandon [u.a.] pp. 169, 198. ISBN 978-0863223334.
^ "Padre Pio: The Irish Connection" (Irish Times 27 October 2007). Nielsen Bookscan.
^ a b Writing.ie. Writer Rebecca Brown. "Irish Bestsellers 29th September 2018". Writing.ie. Retrieved 8 October 2018.
^ https://www.independent.ie/entertainment/television/tv-news/legendary-anchor-una-ohagan-announces-shes-leaving-rte-news-36564541.html
^ "Colm Keane, Una O'Hagan and Sean". rte.ie/archives/. Stills Library – RTÉ Archives.
^ "Sadness at death of Sean". The Irish Independent. The Bray People. Retrieved 10 June 2015.
^ "Colm Keane – Animal Crackers Irish Pet Stories". colmkeane.com. Retrieved 18 December 2017.
^ https://www.knockshrine.ie/book-signing-with-authors-colm-keane-una-ohagan/
^ "Capel Island Press Ltd". companiesireland.com. Retrieved 10 June 2015.
^ "The Night Dublin Rocked The Beatles". The Irish Independent. Irish Independent. Retrieved 10 June 2015.
^ "Padre Pio:The Scent of Roses" (Irish Times 28 September 2013). Nielsen Bookscan.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Colm_Keane&oldid=931428390"
CS1 errors: missing periodical
EngvarB from January 2018
Use dmy dates from January 2018
AC with 0 elements


Jan 08 Abraham de Veer, Dutch governor-general of Suriname (1822-28) in the year 1767.
Feb 04 Johann Franz Volkert, composer on this day in history.
Mar 13 Heinrich Domnich, composer in the year 1767.
Mar 19 Leonhard von Call, composer on this day in history.
Mar 22 Cornelis T Elout, Dutch minister of Finance in the year 1767.
Apr 08 In the year 1767 ayutthaya kingdom falls to Burmese invaders.
Apr 27 Andreas Jakob Romberg, German violinist/composer (Song of the Clock) in the year 1767.
May 13 Mozart's opera "Apollo et Hyacinthus," premieres in Salzburg in the year 1767.
May 25 Ferdinand Franzl, composer on this day in history.
Jun 18 Samuel Wallis, an English sea captain, sights Tahiti and is considered the first European to reach the island on this day in history.
Jun 22 The birth of Karl Von Humboldt, German explorer in the year 1767.
Jun 29 British passes Townshend Revenue Act levying taxes on America in the year 1767.
Jul 03 On this day in history pitcairn Island is discovered by Midshipman Robert Pitcairn on an expeditionary voyage commanded by Philip Carteret.
Jul 11 John Quincy Adams, Braintree (Quincy) Mass, 6th Pres (D) (1825-1829) on this day in history.
Jul 31 Amelie Julia Candielle, composer on this day in history.
Sep 08 Karl August von Lichtenstein, composer on this day in history.
Sep 17 Henri-Montan Berton, composer in the year 1767.
Sep 20 Jose Mauricio Nunes Garcia, composer on this day in history.
Feb 04 Johann Franz Volkert, composer was born in the year 1767.
Mar 13 Heinrich Domnich, composer was born in the year 1767.
Mar 15 Andrew Jackson, Carolinas, General/(D) 7th pres (1829-37) was born on this day in history.
Mar 19 Leonhard von Call, composer was born in the year 1767.
Mar 07 Jean-Baptiste Le Moyne de Bienville, French colonizer (b. 1680) died on this day in history.
Jun 25 Georg Philipp Telemann, German late-barok composer, dies at 86 on this day in history.
Jul 15 Michael Bruce, Scottish poet (b. 1746) died in the year 1767.


A couple of shots from yesterdays coffee break.
Mum and I sat at Kirk's Wine Bar in the city (one of my absolute fave spots in Melbourne just as an aside) for lunch. We shared some polenta chips and dessert, because – Monday.
Anyways, my outfit was super chill – I love wearing all white with gold details all year round and yesterday was no exception. I got this little white top from H&M last week and the trousers from UNIQLO. Belt is vintage Versace (rescued from Mum's wardrobe and now proudly owned/stolen by me) and my gold necklaces are from CINCO, JOLIE & DEEN or vintage.
Those are some glam accessories!
Drinking coffee while wearing white. That's brave.
Shop Candles, Printed Sweaters, Bralettes, Tan Maxi Dresses and more. Get this widget.


text:
Home / Electronica / EDM
Baltic Audio
Festival Ammo Vol 1
Six banging EDM Construction Kits
MIDI Files, WAV
WAV, MIDI Files
'Festival Ammo Vol 1' from Baltic Audio includes six banging EDM Construction Kits at 128 BPM, with one-shots for every sound, MIDI for the most important sounds, and a lot of ideas for your next EDM banger.
The production team at Baltic Audio spent a long time to team up with experts and develop this product from the ground up.
Each sound is created by experts with the newest production techniques and passion.
These six Constructions Kits are waiting to be discovered and you'll need them to get your next EDM banger ready.
You'll get over 1450 MB split into sick melody lines, brutal synths and perfectly matched drums, percussion, and FX.
The anthemic drops answer your need of new and awesome innovative sounds for the clubs.
You'll get 24-Bit WAV, MIDI and everything with ending tails of reverb, etc.
- 6 Construction Kits (128 BPM)
- Each Kit tagged with perfect KEY
- Over 1450 MB of content
- 100% Royalty-Free
- Every Kit with 44.1khz/24-Bit WAV
- MIDI for the most important sounds included
- One-shots for every sound, tagged with the right pitch
- Unlooped tails allowing you to end a phrase with reverb and/ or delay
- PC & MAC compatible
MIDI Files/WAV Download includes
All: 1.57 GB
The Following End User License Agreement is included with Festival Ammo Vol 1. This License is only valid for the individual who has purchased an unopened, new and lawfully made copy of Festival Ammo Vol 1 from a dealer or distributor authorized by Big Fish Audio.
"PRODUCER LOOPS LICENSE AGREEMENT The copyright of Producer Loops's products, and any sounds, samples, loops, MIDI files, sequencer projects and/or audio demos they include, is retained by Producer Loops Limited, but is licensed to the original purchaser, for use in their own personal commercial and non-commercial releases. Only an original purchaser of this product has the legal right to use this product's contents within their own "original" musical releases and/or in advertisements, soundtracks, and television or film productions. All rights not expressly granted to the user are reserved. A purchaser of this license may use the contents of this product in their own commercial and noncommercial compositions, providing their name appears in the "credits" for the work used which incorporates an element of this product. Proof of purchase may be requested (subsequent to a release which uses one of our copyrights) to prove you had the legal right to release the work that includes one of Producer Loops's licensed copyrights, at the time of release. The proof of purchase must show that the purchase occurred before the release of the music that includes Producer Loops's copyright, or legal action will be taken to recover an adequate portion of the publishing and royalty income. Any remixer of the track you create which uses Producer Loops's copyright(s) will also need to purchase a license prior to the release, as our license is non-transferrable. The contents of this product may not be used (wholly or partly) in the creation of any competitive product, including, but not necessarily limited to, Sample Packs, Sample CDs, Sample DVDs, Virtual Instruments, Expansion Packs, Production Music, Library Music, App Contents, or any other collection, in any format, or in any product that would involve the re-licensing of Producer Loops's copyrights, without (taken out our) permission. The contents of this product are not to be used "isolated" in your musical works. They must be used within the context of a musical piece mixed with additional parts. Any audio demos are provided as "demos" and they are not licensed to you, and they may not be re-created in their current state. You may not re-sell this collection or transfer it to any third-party as a purchased license is a single-user license and non-transferable. All copying, lending, duplicating, re-selling, renting, uploading, file sharing or unauthorised trading of this content (or any part of this content) is prohibited by international copyright law. Producer Loops Limited will not hesitate to take legal action against any person(s), company or individual(s) who fail to adhere to the terms of this legal agreement. If you have any questions about this license or you wish to report an individual who has flouted the terms of this agreement, then please contact us. Producer Loops WWW.PRODUCERLOOPS.COM © Copyright, Producer Loops Limited (T/A Producer Loops)"


Venus Day Spa is a place where beauty and wellness are priorities. Enjoy invigorating and natural therapies in the most tranquil and modern facility in Greater Detroit, Michigian … everything you need to pamper every ounce of your from head to toe.
This design project was completed by Leslie McGwire™ ASID, Allied, while at The Industry Source: Salon & Spa Design Center.


Role DescriptionWe are looking for a temporary Finance Analys for VAT Compliance purposes: the preparation, review and filing of various Dutch VAT returns, Intrastat Reporting and EC Sales Lists. In addition to the above, the job comprises day to day support on other activities (perform checks, prepare reconcilliations, collect data for statistical sampling, etc). Adequate VAT knowlegde, SAP, Excel skills and English in reading and writing requried.
• Collect, analyze, process and reconcile data from all sort of SAP modules (Beacon, Lynx, Sustain, Galaxy) in order to prepare a data file that can be used for statistical sampling (by the Dutch Tax Authorities).
• Prepare VAT/EC Sales Listing and Intrastat returns.
• Analyze and improve (financial/tax) processes.
• Liaise with various stakeholders in.
• 6 –7 years working experience in process industry.
• Excellent Excel skills and knowledge of various financial SAP modules.
• Excellent command of Dutch & English.
• Understanding of VAT and company processes.
• Knowledge of accounting principles and practices and the analysis and reporting of financial data.


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Good idea – Secretary of State wants to give all voters mail-in ballots
Secretary of State Alex Padilla has proposed an idea that I've been thinking of for a long time – let's send all voters a ballot that they can either mail in or drop off at their polling place on or before Election Day. Let's have fewer polling places, but keep them open for a week or so before Election Day, so people have plenty of opportunity to turn them in if they tarried over the mail box.
They've tried this idea in Colorado, and early reports indicate they've raised voter participation while cutting election costs.
Our last election turn out was so bad – a record low 31 percent across the state – that it lowered the threshold by which measures can qualify for the ballot in 2016 – the signatures required to put a measure on the ballot are based on the turnout in the previous election. So, get ready for a lot of reading in 2016, many of them tax proposals.
In the Los Angeles Daily News,
http://www.dailynews.com/opinion/20150612/padilla-on-right-track-with-proposal-to-change-voting-daniel-borenstein
Daniel Borenstein says, "Our voting system in California, like most in the nation, is predicated on an antiquated notion. It assumes that on Election Day we walk to the neighborhood polling place — perhaps a school, a fire station, a church or nearby garage — wait in line to sign a register, step into a little canvas and wood-framed booth, and then mark our ballots."
Those days are gone, he says, and I agree. Chico is not a small town anymore. How many of your neighbors do you know? I've often wanted to take a straw poll at a public place – "Name your city councilors…name two of your city councilors…did you know Chico has a city council?"
Still, a vocal minority has always resisted mail in ballots. Some people complain they don't get returned. Well, more of them got returned in the last election than got used at polling stations – in all of Butte County, only 15 percent of registered voters walked into a polling place to case a vote, the rest were returned by mail.
Butte County actually had a good turnout – 54 percent, compared to 39 percent state wide. I believe County Clerk Candace Grubbs said participation was up from last year.
Enterprise Record editor David Little has in past complained that people in Butte County request mail-ins but don't return them by mail – who cares how they get back in, as long as they are returned on or before Election Day. He's complained that mail-ins delay the vote count – how? They are received before or on Election Day, or tossed. How would that hold up the count any more than the boxes received from the polling stations?
One thing I like about Padilla's idea is having polling stations open for a week or more, staffed with people who can answer questions about these measures. I would also like to see a very aggressive ad campaign that would start as the ballots are mailed out. I'd like to see the clerk mount a few billboards at election time, besides her own campaign ads.
I think there's people who would like to keep turn out low. I know when we tried to change the local election to June, there were some ugly loudmouths who made it clear they wanted to do that to keep college students out of the elections. That was sad, because there were many of us who believed separating the local elections from state and federal elections would help voters focus more closely on our issues.
I think there are plenty of people who would rather keep elections quiet, keep people uninformed, so a highly self-interested minority can run our town. I also believe there are a lot of people who live outside of Chico but register at addresses within the city limits. I know the liberals outed the owner of Payless Lumber when he registered to vote at his business, but I wonder what a quick survey of the voting rolls would turn up? I can't help but wonder if the county clerk would notice people registered at 400 West First Street, or 411 Main Street?
← Who is really in charge Downtown?
Will California voters overturn the bag ban? Maybe this issue will piss people off enough to raise voter participation in 2016 →
2 Responses to "Good idea – Secretary of State wants to give all voters mail-in ballots"
Jim June 14, 2015 at 8:22 am #
It's a very good idea. I've been voting absentee or mail in ballot for close to 15 years. I hate waiting in line, it's so much easier to just mail it in. The other big advantage is that it's a real paper ballot. Many people don't trust voting machines.
Juanita Sumner June 14, 2015 at 9:52 am #
Good points – I have not had a positive experience in a polling station since I was a young woman, living in the small town where I went to grammar school and high school. The nice thing was, you always saw people you hadn't seen for a while. There was only one polling station – the fire station. Everybody knew Chief Logsdon – he had lived behind my family, my older sister and I both babysat his kids, and my younger sister was best friends with his daughter. He loved being a public figure and loved being in charge of something so sacred as voting. He made it a big social occasion, shaking hands and offering coffee. After I'd moved out of my mom's house, she'd call to remind me – "I'll be down there cancelling all your votes!" I saw friends from school, their parents, folks I hadn't maybe seen for years.
Chico is not that kind of town anymore. Despite the fact that we both grew up here and have relatives in town, my husband and I never felt any kind of community at the polling station. We were treated badly at Chico polling stations by strange old ladies who always seemed to resent the whole thing. After one woman tried to tell us the polling place was closed at 7:45 (in those days my husband was leaving for work out of town by 6:30 am and coming home as late as 9pm, and taking a day off meant no money), we decided to give it up and go with mail-in. I don't know why anybody goes through that ridiculous rigmarole of running out before or after work, dragging kids, no matter what the weather, the dogged loyalty to that system is just beyond me. It's time for a change.


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Raising Kids Away From 'Home'
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Living overseas, away from our home cultures, our extended families, networks of friends and support systems presents both a world of opportunities and some significant challenges, especially for children and adolescents. Those of us who choose to live overseas often worry about how much of an impact raising our children away from their parent's home culture will have on them and their future lives. However, a great deal of research into expatriate children has shown that there are many advantages to raising a child internationally.
Children from expatriate families have been called "third-culture kids" and David Pollock, one of the key researchers in this area, offers a definition:
"a third-culture kid is an individual who has spent a significant part of his or her developmental years in a culture other than that of the parents, resulting in integration of elements from both the host culture and parental culture into a third culture. "
Researchers have identified some important characteristics that third culture kids share (also referred to as "TCKs"). For example, they are often able to develop friendships quickly and at a deeper level, because they have had to do so with each move. They are self-confident, possess flexibility and adaptability and often a high degree of independence. They often become innovators and leaders. In addition, teenagers may exhibit higher levels of maturity than their home- based counterparts.
Importantly, they also develop the ability to move between cultures, through their linguistic skills and their cross-cultural awareness. They develop what Pollock calls a "three dimensional world view":
It is three-dimensional, with not only knowledge but understanding and empathy. The sense of security in getting around in the world and acting appropriately in it is significant preparation. The person can become a cultural bridge and an active, positive influence in an increasingly intercultural world.
So there are many powerful benefits that come from living internationally, but there are some challenges. For example, during the adolescent years, young people are working out their identities, distinct from their parents, and friends and peers become central to their lives. Since many teenagers at this stage of development feel emotions intensely, the kinds of disruption – to social life, sense of stability and so on – that they experience during moving can put a great deal of stress on them and their families.
Stressful transitions occur in everyday life regardless of whether we are in our home countries or moving abroad. They can range from moving house, or changing schools, to the bigger transitions of a death in the family, for instance. However, there are aspects of the processes of transition for the third culture kid that can intensify the experience. For example, the transition cycle can occur more frequently for TCKs than for other children. Children might be moving every couple years, moving from entry to leaving stages (see below) very quickly, with little time to establish themselves in the new host country and experiencing multiple cycles of change.
In addition, TCKs are changing cultures as well as places and they can experience the added stress of cultural shock as they find they have to adapt to new languages, customs etc. It's also important to remember that "'culture" can also mean a different school culture, particularly when moving from a home country to an international school.
The research on third culture kids suggests that there are five stages in making a transition from country to country. These are: Involvement, Leaving, Transition, Entering and Reinvolvement (taken from David C. Pollock and Ruth E. Van Reken, Third Culture Kids: Growing Up Among Worlds and Mary Hayden Introduction to International Education)
At the Involvement stage, before leaving becomes an issue, life seems normal: we are part of a community, we follow its customs and we are focused on our present and immediate relationships.
The Leaving stage begins when leaving is raised and ends with the point of departure. The leaver begins loosening emotional ties and moving away from the relationships and responsibilities they have had. Added to this, we start to see a gap emerge between ourselves and the community: people are making future plans without us and we are beginning to feel like an outsider.
The Transition stage begins with the departure and ends with the decision to settle in and become part of the new place. This can be a chaotic time for families as they lose their previous anchors and support systems. This is the time families experience the enormous change directly in the difference between the everyday life of the old and new communities. Their connections with the past seem gone and they enter a community where relationships are already well-defined and where they seem without status.
At the next stage, the Entering stage, the individual has decided to become part of the new community but is still discovering what that means. While they may still feel vulnerable, and may fluctuate between excitement at being in the new place and homesickness for the old, life is no longer chaotic. There is the beginning of a sense of belonging to the new community.
Finally, at the Reinvolvement stage, the individual once again becomes part of the community. They accept their home and new community and their role in it.
They discover a sense of intimacy and a feeling that their presence matters.
All these stages present challenges for parents of young children and teenagers. Pollock and Van Renken argue that it is important that dealing with the upcoming transition begins early. They suggest that once a move is confirmed, it's important to communicate that to children and make it public, so the process of closure can begin. Parents and others in the community, such as teachers and support staff in schools, then need to work proactively to help students with the skills and knowledge they need to make a successful transition.
They also suggest thinking in terms of what they call a "RAFT," or Reconciliation, Affirmation, Farewells and "Think Destination." Essentially, this is a checklist of things to think through when helping children prepare for the transition and to provide effective closure for their time in their old host country.
Reconciliation means resolving any conflicts that may exist between friends, for example, to ensure that there is no unfinished business in existing relationships. Accompanying this, Affirmation means acknowledging the importance of those significant in our lives at the current place in order to prepare the ground for the future maintenance of these relationship.
Scheduling time for Farewells is crucial too: farewells may involve people, places and even possessions that may not make the cut in the shipment. On this, Pollock and Van Renken suggest that parents should talk with their children about what to take and what to leave behind. They state that, "everyone needs to carry some treasured item to the new location" to help "connect one part of the global nomad's life to the next."
Their final point, "Think Destination," they define as the need to think realistically about the destination (such as, for instance, providing pictures of the new house and school for the children), even while saying goodbye to the old.
The research on third culture kids gives us some further strategies for dealing with the impacts of such transitions. The first point to emphasise is how central the family is to the well-being and sense of stability of third-culture children. For third-culture kids, relationships are more important than geography, and their families become extremely important in providing a centre to their lives.
Bill and Ochan Powell, two experts in the area of third culture children, affirm the importance of stable families and state that "children need parents to share a strong set of values and beliefs with them (and if they don't have that framework of values, it is damaging). They don't necessarily need to have their roots in their national culture."
Bill and Ochan Powell with Mary-Lyn Campbell, Head of School, Inter-Community School Zurich, Switzerland
David C. Pollock and Ruth E. Van Renken, in their book Third Culture Kids: Growing Up Among Worlds, argue that the parent-to-child relationship is the most important factor in how international children face the challenges of living abroad. They argue that third culture kids need to be valued, to be thought of as special, to be protected and to be comforted. These factors are true for all children, but in the context of living far from home the need for this kind of care becomes acute.
They suggest some simple strategies that can help to meet the emotional needs of international children. Parents can listen carefully to their children's concerns and behavior and try to understand the reasons for it. They can value children's contributions to discussions of things that will affect them, such as a global move.
They can also ensure that there is family time available for being emotionally (and physically) present.
There are also a number of ways families can help their children adjust when they relocate. The Powells suggest that parents "should work with the school their child is leaving to support children in saying goodbye." Schools like ICS have programs that help with the transition both into the new school and which assist families when they have to leave. After the move, parents can support their child by helping them find new groups of friends and ways to connect with others. Parents can also work to maintain bonds with family left behind at home, a process greatly assisted by current social media technologies.
Living abroad is a challenging, at times stressful, but ultimately rewarding experience for families who have the good fortune to do it voluntarily. As the Powells state: "in an increasingly inter-dependent world, we need people who are able to see things through the eyes of other cultures. That is a great opportunity for Third Culture Kids. In many ways, children with an international education are at an advantage."
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2nd Annual Visitors Day Draws a Nice Crowd.
On a beautiful winter day, 17 Lexington Rotarians, 3 visiting Rotarians, and 9 Guests enjoyed lunch. As usual, the food was fantastic.
P Lori M. asked for a moment of Silence for the victims in Florida. PP Jim F. led the Pledge; the first verse of America was by PSA Charlie V., and the invocation by PP Jim S.
Bob C. paid for his trip to Colorado.
PP Don M. paid for the Olympics and drones.
P. Lori M. paid for all of the guests.
PP Dan O. paid for his granddaughter whose team came in 2nd in skating.
PP Jim S. paid for being happy that he is president of the Chamber and all of the events they are running.
PP Spencer B. paid for skiing with his son.
Meaghan M. paid for all of the guests.
FVP Michelle G. paid for seeing the ice castles in Lincoln NH.
PP Dan B. paid happy dollars for the wonderful spread put on by Patty.
Our District Guest Amy paid happy dollars for her Dad.
SA Alan A. paid happy dollars for a vacation.
PP Dom S. paid for the guests and one year in his new office.
DG David G. announced the World Peace Dinner next Wednesday. He also announced an Arbor Day Project and a Veterans Event prior to Memorial Day.
P Lori M. asked that we all register for club events on the APP.
Raffle Donations were from Bob C., Walpole Cooperative, Patriot's Bank and the Rotary Club of Lexington.
We had several speakers today for our club's open house. Amy, from the District, spoke on her involvement in Rotary. She spoke of her international service trips in Honduras and the Philippines. She also spoke of the friendships she has made at her club and at the District Level.
PP Don M. spoke on what it is like at the local level. Don spoke of many (too numerous to mention them all) of the events our club participates in and how being a member allows you to work with other likeminded Rotarians to get things done.
P Lori M. wrapped up the presentation with a listing of all of groups that the club serves including RYLA, Little League, Police, Fire and the Library to name a few.
Prospective members were asked to contact PP Dom S. if they wanted more information.
50/50 was won by PP Don M. and donated back.
Next Meeting March 5, 2018.


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Object Class: Safe
Special Containment Procedures: Samples of SCP-424 have been relegated to the laboratory of Dr. █████████, to be administered to by researchers Dr. Tidbury and Dr. Herman. The central contingent mass is allowed free run of personnel levels 2, 3, and 4 of Sector-28, as it has demonstrated an acceptable level of personableness, as well as basic understanding of the concepts of privacy and personal space. There are, however, isolated incidents in which these courtesies have not been observed by SCP-424, though not in such frequency as to merit additional containment procedures. Complaints are available to Level 3 Human Resource staff in Personnel Archive C-424.
Supplemental: Personnel are advised not to take violent action against SCP-424, due to the nature of its behaviour. If it becomes an annoyance, simply ask it to leave. If it refuses, file a complaint and report to one of my assistants. Thank you.
-Dr. █████████
Description: SCP-424 was discovered accidentally in early 2004 at a gas station in Campbell River, British Columbia. Documentation of discovery and capture can be found in Log #424-B, Files 424-1~10. SCP-424, at rest, appears to be a smooth, gelatinous mass, with equal black-and-white colouration. No patterns are observed to form on its surface while in this resting position, though the shades constantly shift position. In actuality, SCP-424 is a vast collection of microscopic organisms. Whether they function as a group, or by a single (or multiple) consciousness(es) is unknown, as samples taken display behaviour similar, yet independent, to that of the main mass. Origin of pigmentation is currently under investigation, but not prioritised under main research staff.
The central mass has a variable volume, and remains at a constant 34 degrees Celsius, regardless of the surrounding temperature. As far as can be determined, SCP-424 lacks detectable sensory features, though is capable of observing its environment by tactile, aural, visual, and olfactory means by methods still being tested and studied.
SCP-424 has the ability to mold and harden its malleable composition into the shape of any object or organism that it has previously "seen," though is not capable of reproducing the colour or function (other than movement) of that form. It can also rearrange its pigmentation to suit the surface patterns of any new form taken, despite not being able to reproduce colour. For tests and examples, those with Level 2 Security Clearance should see Log #424-F, Files 424-1~10.
Addendum: Escaped sample of SCP-424 has proven that the organisms can survive digestion. Staff mugs are to be labeled and painted brightly to avoid future incidents.
Addendum: Neither the central mass nor any samples taken require solid or liquid nourishment. Working theory is that it/they thrive through constant motion, hence the constant shift of surface patterning when at rest.
Addendum: While SCP-424 is more than willing to take suggestions for shapes to imitate, it should be noted that it is not human, and is not likely to respond as such to physical gestures of intimacy. This is to be considered a general warning to resident staff, and disregard of such is grounds for transfer to facility [INSUFFICIENT SECURITY CLEARANCE] for immediate reassignment.
Addendum: Should SCP-424 become still or hidden enough to be unable to locate, it may be called by number, or enticed into view by offering it something to mimic (moreso if it is something that hasn't been mimicked yet). Other methods are not generally recommended.
Addendum: Movies of the "horror" genre have been removed from recreational equipment storage cabinets, in regard to SCP-424's reaction to the August, 2005 screening of "Aliens." All ductwork is to be examined for any possible accidental fragments of SCP-424's main mass.
Relevant Files: ARCHIVE C-424: FILES 1~10
alivemetamorphicsafescpswarm
Marvel Revolution MUCK
WWW 10
Wakacyjne Warsztaty Wielodyscyplinarne 9


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Jane Grin is a Director of Operations at Opinion Corp, customer service, and consumer advocacy company. She has been in the customer service area for 11 years and has gained extensive experience in communication with consumers and businesses. With such a background, she has come to her current position to oversee the daily activities of the business, and coordinate teams towards the result.
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Music February 1, 2016 <March 25, 2016
Twenty Years Later: Tortoise's Millions Now Living Will Never Die
A post-rock masterpiece by one of the genre's best turns 20…
I am often in a position where in order to see a musician or band I admire deeply, I have to go it alone. While in the most ideal of situations I would choose to experience the gift of live music in companion, the fact of the matter is it isn't always easy to convince others to join me on some of my more idiosyncratic excursions. These lonely treks are most often made in pursuance of the genre of post-rock. In the words of critic Simon Reynolds, who is known to have coined the term "post-rock," the genre ((In his review of Bark Psychosis' album Hex.)) employs "rock instrumentation for non-rock purposes, using guitars as facilitators of timbre and textures rather than riffs and power chords." Post-rock oftentimes sources from dub music, electronica, jazz, and krautrock and is unconventional – and surely not for everyone.
This odd, or more aptly put, unique, appetence for post-rock can be traced back directly to my discovery of an album by a band out of Chicago called Tortoise. That album, TNT, had me wide open. TNT was like nothing I had heard prior, where evocative, seductive rhythms paired with driving, jazzy drum beats in a whirlwind of radical orchestral rock. Fascinated by TNT, I familiarized myself with Tortoise's catalog and quickly learned there was another, that TNT wasn't Tortoise's first masterpiece, but rather a follow up to a seminal album in post-rock's young history. The album, entitled Millions Now Living Will Never Die, Tortoise's second full length effort, turned twenty years old this past weekend and it's influence is as commanding today as it was back in January of 1996 ((The album's title, Millions Now Living Will Never Die, is a reference to a brochure by a former president of the Watch Tower Bible and Tract Society, J.F. Rutherford.)).
Tortoise is composed of drummer John Herndon (Wax Drippings), drummer/engineer John McEntire, bassist Doug McCombs (Eleventh Dream Day), percussionists Dan Bitney, and guitarist Jeff Parker. For Millions Now Living Will Never Die, famed Slint guitarist David Pajo stood in for founding member Bundy K. Brown on bass, and the story goes that this newly aligned formation escaped to the great state of Vermont for a ten day hermitage where the foundation for the album was laid. Inspired by the musical patchwork of sound that is David Byrne and Brian Eno's My Life in the Bush of Ghosts, Tortoise emerged galvanized and upon returning to Chicago, the band immediately dipped into the studio and went to work, crafting a forty two minute instrumental mind fuck that opens with a triumphant track entitled "Djed," which accounts for exactly half the length of the entire album.
I have heard "Djed" described before as post rock's manifesto, and this statement hits the nail squarely on the head. This twenty-one minute marathon of a song commences with the haunting sounds of echoed explosions and measured, pulsating suggestive bass licks that are brought to life by the invigorating drum work of John Herndon and John McEntire. It is here where the ride begins, an excursion down a long winding road where what starts as minimalistic meanderings in organ fueled psychedelia bleeds into a vibrating concoction of dub and trance music. "Djed" is patient and pointed at the same time, beaming with a hypnotic signature, at times a runaway train chugging with desperation, and in others an anesthetic, a meticulously built wall of sound that is wholly engrossing.
While "Djed" is surely the centerpiece of Millions Now Living Will Never Die, it is also the precursor to some of Tortoise's most affecting tracks, such as "Glass Museum" a consummately moody glance at the more organic sound that would arise in Tortoise's later work, and it is clear on tracks such as this the extensive influence that Tortoise has had on modern post-rock virtuosos such as Explosions in the Sky or Mogwai. Or "A Survey," a tense and foreboding moment that sets the stage for the excellent, "The Taut and Tame," a barefaced and engaging composition that features sharp, driving drumbeats and feathery chimes that are somehow both rattling and reassuring. "The Taut and Tame" is vintage Tortoise, where the physical alleviating reaction from the song is as powerful as the intellectual curiosity it invokes.
Millions Now Living Will Never Die closes with the terse, sulky "Dear Grandma and Grandpa" and "Along the Banks of Rivers," a fitting swan song to this classic work of art; an atmospheric, affectionate kiss good night where softly swirling guitar and bass riffs lull you into a fantastical dreamscape. "Along the Banks of Rivers" is as tranquil a song as you will come upon, in the most fascinating and beautiful of ways. An emotional end to an absolutely gripping album.
While heralded as the godfathers of post-rock, the term has never truly suited Tortoise as they are more interested in fusing genres rather than defining them. Through incorporating elements of dub, reggae, rock, hip-hop, free form jazz, and electronica, Tortoise birthed an altogether novel sound and went on to release a series of rhythm based, percussive masterpieces (("First and foremost, I'm a drummer. The drums are the foundation for everything else." – John McEntire, Tortoise's unofficial "frontman.")), with 1998's TNT and 1996's Millions Now Living Will Never Die being chief among them. Tortoise can easily be looked upon as sonic adventurers, and Millions Now Living Will Never Die finds them at their most brazen as within this avant garde whirlwind there is a bravado present, a sureness in spirit and delivery. The musical progressions of the album might appear meandering on the surface, but in design and execution they are both purposeful and urgent. Millions Now Living Will Never Die is amiable yet consistently challenging, and is a quintessential album not only within the genre of post-rock, but in the history of American music.
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After long last, we're ready to start announcing the talented winners of our Neil Cowley Trio #SpaceboundApesCompetition! We'll be announcing the winners gradually throughout this week, with our grand prize winner revealed on Friday, 21 October!
In celebration of the release of Neil Cowley Trio's latest album on Sheet Music Direct, we asked talented musicians around the world to submit videos of their musical interpretations of Neil Cowley Trio's, "The City And The Stars." The grand prize? An awesome Spacebound Apes prize bundle, including tickets to a Neil Cowley Trio show and a meeting with the band.
Over the course of the month-long contest, we received some fantastic entries. At the end, Neil Cowley himself reviewed each entry to determine our winners!
We're excited to reveal the Grand Prize Winner of the 2016 Spacebound Apes Competition!
Here's Neil one last time with the big announcement and a message to all our participants.
Congratulations to our Grand Prize Winner, Jonathan Hugh!
Watch Jonathan's grand prize-winning entry below.
Neil Cowley is back to announce our runner-up.
Congratulations to our 2nd place winner, Gary Franklin!
Here's Neil Cowley to announce and congratulate our 3rd place winner.
Congratulations to our 3rd place winner, Will Cruttenden!
Watch Will's winning entry below.
Neil Cowley Trio's album, "Spacebound Apes", is out now. You can download it on iTunes and download the sheet music on Sheet Music Direct. We also encourage you to explore the awesome interactive album website at www.spaceboundapes.com.


text:
Українська мова в Придністровській Молдавській Республіці є однією з трьох офіційних мов (разом з молдавською на основі кириличної графіки і російською). Українською мовою ведеться навчання у 7 з 181 шкіл республіки (в 3 лише українською, в 4 — українською та якоюсь із інших офіційних мов). У дошкільних установах українською мовою навчається 0,5% учнів, в закладах загальної освіти — 1,3%, в установах професійної освіти — 0,4%

Згідно з молдавським законодавством, українська мова є однією з офіційних в Автономному територіальному утворенні з особливим правовим статусом Придністров'я у складі Республіки Молдова, територія якого контролюється невизнаною Придністровської Молдавською Республікою.

Див. також
 Придністровський конфлікт

Примітки

Придністровська Молдавська Республіка
Україномовні країни і території