text:
Brad Buschur
Urgent Land Projects
Brad Buschur: Building Community through Conservation
Brad Buschur, Project Director at Groundwork Lawrence, has been managing the implementation of the Spicket River Greenway initiative for the past three years. This hybrid community building/land conservation program in the City of Lawrence has had a tremendously positive impact on the health of nature and people's connection to it to date, and that impact continues to grow every day.
Groundwork Lawrence is part of a national organization, called Groundwork USA, which consists of a network of local trusts working to revitalize neighborhoods and transform community liabilities, like abandoned brownfield sites, into community assets. Heather McMann, Executive Director at Groundwork Lawrence elaborates on the organization's approach, "Groundwork integrates its open space projects into people's lives by providing programs that increase healthy food access, provide environmental education for children, and create employment opportunities for young adults. I think we're successful because of the broad way we engage in partnerships to improve the community."
Simply put, the Spicket River Greenway is a system of seven riverfront public parks linked by a walking path–but it is so much more than just that. Perhaps most significantly, the Greenway is changing the way people perceive and enjoy their local natural resources and outdoor spaces, and it demonstrates many outstanding examples of the link between open space and healthy community.
The Greenway project began with visioning sessions in 2002 orchestrated by the Commonwealth's Urban River Visions program, involving Kurt Gaertner of the MA Executive Office of Energy & Environment. At the time, a few local organizations were beginning to formulate the idea of linking two existing city parks with a walkway tracing along the river. The meetings helped define a vision among the local, community-based, organizations like Groundwork Lawrence, and shortly thereafter the Greenway began taking shape.
In 2012, after five new parks were created and linked by a walkway to the original two, the expanded "Greenway" became visible as a 7-park "bracelet" of open space strung throughout a series of disadvantaged neighborhoods. Residents were pleasantly surprised to see the parks take shape out of brownfields and abandoned, fenced off, lots. The new open space was instantly integrated into people's lives. "What the Greenway did was create a whole new way for people to move around the city—for kids to walk to school and ride their bikes, for people to walk their dogs and get exercise" explained Brad.
The Greenway is an avenue for connecting people with the nature of Lawrence, and its working. Public appreciation of the Spicket River is obviously growing. "Every autumn we do a Spicket River Clean-Up Day to address decades of illegal dumping along the river. Over 400 people volunteer annually to pull trash from the river." Sites along the greenway are now being used for environmental education, often in partnership with Mass Audubon, for children of all ages. Programs focus on the ecological attributes of a site through learning and discovery of the plants, fish and animals that live there.
Another great initiative by Groundwork Lawrence is the "Green Team"—an employment program for high school age young adults which employees 10 young adults year around, and about 30 in the summer. The workers are divided up into two different groups: the "So Fresh Crew" focuses on healthy living and gardening while the "So Green Crew" helps manage and steward open spaces throughout the city.
Mass Audubon and Groundwork Lawrence have worked in partnership for over 4 years. Most recently Mass Audubon's Education Department worked with Groundwork Lawrence to help them build their capacity in the area of environmental education. In the summer of 2012 the two organizations together ran a summer camp in Lawrence. This past summer, the environmentally focused camp curriculum was taught at many existing summer programs operating in Lawrence. This year's approach increased the number of children and teens who receive the environmental education experience.
Brad says "We had the ribbon cutting for the Greenway this past summer, but we're already looking to acquire another brownfield to extend the Greenway to the Spicket's confluence with the Merrimack River. The Ferrous site is remarkable because it has incredibly significant natural, scenic and cultural attributes. Located at the confluence of the Merrimac and the Spicket Rivers, the 7.4 acre parcel provides core habitat for rare and uncommon birds and fish. There is even a man-made canal and 35-foot waterfall that forms part of the northern boundary of the site. Groundwork has conducted educational programs at the Ferrous site for well over a decade, and kids are always excited to learn that bald eagles hunt there in the winter, and peregrine falcons hunting there in the summer. The site is truly an urban wild, and we're optimistic and hopeful that we will be able to add it to the Greenway."
Brad also shared that he is "completely humbled by the opportunity to work with Groundwork Lawrence, and the Spicket River Greenway project. We wouldn't be so successful without the many partners who helped make the Greenway a reality." To see the host community rally around this new urban jewel so immediately is full validation of its significance, and another great example of the power of connecting people with nature.


text:
Q: Remove specific characters from column I would like to remove specific characters from a column using regexp.
As an example, I have this:
declare @a nvarchar(50) = '(djfhsd-kjfhksd'
select  Replace(@a, Substring(@a, PatIndex('%[^0-9.-]%', @a), 1), '')

But I want to remove just parenthesis (), spaces and dashes -
I don't have experience on regexp but I would like to remove them in one shot.

A: declare @a nvarchar(50) = '(djfhsd-kjfhksd'
Select  @a =Replace(@a,RemChar,'')
  From  (Values ('('),
                (')'),
                ('-'),
                (' ')
            ) B (RemChar)

Select @a

Returns
djfhsdkjfhksd

For something straight forward.  Otherwise you will need a UDF or a Cross Apply
Replace(Replace(Replace(Replace(YourCol,'(',''),')',''),'-',''),' ','')

redpajama_set_name: RedPajamaStackExchange


WASHINGTON, D.C. -- In the U.S., music enthusiasts are finally embracing dance music as more than just a club staple. Lagging behind is the recording industry, which when considering dance music's success throughout Europe, still has a long way to go. But this, too, is changing.
One artist who's witnessed this change firsthand is British DJ Paul Oakenfold. A true champion and pioneer of house/trance music, Oakenfold has toured the globe numerous times, manning the turntables in clubs and at stadium-held festivals.
In the early '90s, Oakenfold spent 18 months opening for U2 during the rock act's international Zoo TV tour. He ended the decade with two North American 50-date DJ tours (1998 and 1999) and a listing in the "1999 Guinness Book Of World Records" as the world's most successful club DJ.
Throughout, he's held down DJ residencies at several influential U.K. clubs, including Ministry of Sound, Cream, and most recently, Home.
Now signed to London-Sire for a three-album deal, Oakenfold is preparing for the Sept. 12 release of his beat-mixed, two-disc compilation, "Perfecto Presents Another World."
The set follows in the steps of several Paul Oakenfold-mixed dance compilations, including such titles as "Fluoro," "Global Underground 002: New York," and "Tranceport"; the latter was released by Kinetic Records in 1998 and has sold 125,000 units, according to SoundScan.
According to Oakenfold, "Perfecto Presents Another World" is the result of nearly a year of planning and recording. It intertwines movie soundtrack clips, original dialogue, and exclusive remixes.
"It's a musical journey that hopefully takes people places that they've never been and makes them feel things they've never felt before," explains Oakenfold.
The end result is a unique, beat-savvy soundscape. The experimental layering of a wide array of electronic sounds and wavering beats, combined effortlessly with sporadic vocals and mood-altering tempo changes, creates a comprehensive exploration of house, trance, techno, and other musical styles.
Tone Depth's "Majestic," Timo Maas' "Ubik," Salt Tank's "Eugina," Ralph Fridge's "Paradise," and Highland's "No Way Out" are some of the set's highlights.
"It's not just tracks mixed together," explains Oakenfold. "I really wanted to do something that represents me, not just as a mix album, but something more original with a little more depth."
Which makes perfect sense, considering Oakenfold's diverse discography, which encompasses producer (Happy Mondays), remixer (Rolling Stones, Massive Attack, Olive, Snoop Doggy Dogg), and label owner (Perfecto Records).
Prior to the set's release and in support of it, Oakenfold will embark on an extensive North American summer tour, giving him the postcard-perfect forum to promote his innovative vision of a global dance community, which is equal parts entertainment and education.
"The live show is so great," says Guy Leger, director of marketing at London-Sire. "His live performances are so uplifting and energetic. He also has a built-in fan base, so we're really going to do a lot of promoting around [his tour] dates. Every party he plays, we'll turn into an event."
Oakenfold is scheduled to DJ July 13 in New York; July 15 in Montreal; July 16 in Calgary, Canada; July 17 in Vancouver; July 19 in Las Vegas; July 21 in Denver; July 22 in San Francisco; and Aug. 19 in Hampton, N.Y., with additional dates being confirmed for the fall and winter.
London-Sire will also conduct a heavy online campaign to promote Oakenfold and "Perfecto Presents Another World," incorporating Perfecto Records' Web site (perfecto-fc.com), which is currently being redesigned; its new look is scheduled to be unveiled in late summer.
At press time, Leger was unable to confirm if the set would produce any commercial singles. "There are remixes of some tracks that no one's ever heard before," Leger notes. "So, we'd like to get those out."
At the end of the day, Oakenfold simply wants "Perfecto Presents Another World" to "really reflect what I do at home in England. It's also meant to represent the whole story of what's been going on with me for the past two years while touring America.
"I'm determined to do something different and original," he says.
© 2000 Billboard and BPI Communications Inc. All rights reserved.


Shopping for low cost homeowners insurance in Fawnskin, CA does not have to be difficult. We are here to help you find and compare multiple providers. Simply enter your Zip in the form above and you will be taken to a page which will list the top most reputable home insurance companies in your San Bernardino county.
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To get cheap Fawnskin, CA home insurance quotes use our simple comparison tool and you will be ahead of most regular consumers who do not do their own comparison or rely on an agent to do it for them.
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Make sure you have enough protection for the contents within your home. Most of the time standard homeowner's insurance policies will be adequate to go over your contents if something occurs, but if you have really valuable products, you may possibly want to acquire extra coverage for those products or increase the content insurance policy.
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I have a question about the property at 46 Wednesday Hill Road Lee NH 03861 (#4723577).
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CONTINUE TO SHOW WOW! If you've been looking for the wow factor and a brand new kitchen in your next home, your search is over. Set back from the road to maximize privacy on a great corner lot, this home offers so much! Located in a fantastic neighborhood with deeded access to the Lamprey River. This 16 year young home is truly turn key. Brand new kitchen, granite counters, stainless steel appliances, pantry with barn doors, trendy subway tile backsplash and hardwood floors throughout first floor make this home shine. Spacious, open flow and clean lines allow for easily defined spaces without ever feeling boxed in or closed off from other parts of the living space. The family room offers a gas fireplace for your enjoyment and just off the back is a very large deck so there is room for you, all your guests, and a grill. From the deck you can overlook your expansive backyard. The second floor offers the master bedroom/master bath along with two more bedrooms. There is also a spacious room, ideal for home office/homework/play area, as you make your way toward the finished third floor. The third floor is fully finished offering the fourth bedroom plus a large bonus room. Interested in a movie night? The finished room in the lower level offers a full theater experience so grab the popcorn and come visit 46 Hobbs Road. This is a home you won't want to miss!
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You have enough tree surgery work to get by, but there's always room for more. When you're looking for your next tree surgery job, MyBuilder will be there with leads in Romford that fit into your schedule.
Remove 3 conifers and trimming about 10 conifers.
Cut 3 conifers as agreed. Came on time I was impressed with way his team worked and cleared all the rubbish. I would recommend them to my friends and family.
Removal of 5 tree stumps (various heights) Removal of 6 rose bush roots.
I need tree cut and taken away in Seven Kings area.
I had my Tree taken down. I am very pleased with the service. Landscaping Kent been very professional, punctual and will not hesitate to use them again. Thank you Max you done good job.
Overgrown Tree/Bush needs removal, tidying.
Need a small thin tree (Might be a plant that has become a tree due to lack of care) removed from my neighbours garden (I have her permission) as it is encroaching into my garden and also a forsythia bush cutting back in my garden. All waste to be removed from the property on day of job.
Job completed in good time and all waste removed from property. Quoted a competitive price and would definitely use again. Very happy with service.
Great job completed quickly, professionally and our house was left tidy.
Mark came and removed the tree, taking away all the branches and not leaving any rubbish or tree bits behind. It was all very efficient and reasonably priced. Thanks!
Hi I want to cut tree down!
When a tree surgery job is posted in Romford, you'll get the tree surgery lead if you are relevant for the job. You then have the choice to express interest, which is free. If the homeowner likes your profile and decides to shortlist you, contact details will be exchanged and you will get charged a small fee. The size of the fee depends on the estimated size of the tree surgery job, which is determined by our in house team. You'll know what the fee is before you express interest.


In sport, if you're not improving, you're losing ground on the competition. It's the same for your applications.
Whether Lotus Notes or IBM Notes, IBM has built a strong reputation on backwards compatibility for the platform. And with HCL Nomad, a free entitlement with your Domino S&S, your Notes Client applications are extended to iPad and in the future other mobile devices.
But just because it keeps working, that doesn't mean you should forget about your Notes applications. An application that looks old, feels old. And an application that looks ten years old on the desktop feels even older on a mobile device.
UX design and what users expect has changed. Your applications' user interfaces need to change too.
At Intec, we can help.


What Seat Leasing offers are numerous benefits from conserving expenses, effort, & time, permitting you to focus more on your business.
Okay, Seat Leasing Is Good, So Why Choose BPOSeats Particularly?
BPOSeats.com stands as the LARGEST and most innovative space leasing for BPO companies in the Metro.
We look after the welfare of your business.
Offices we provide are neat, completely geared up, and professionally modified for our clients.
We don't do "shared" floors – all of our spaces are built out to be exclusive 24/7 managed offices for our clients.
Our pricing is the most competitive option that starts at $130 per seat per month.
Moreover, BPOSeats offers custom exclusive solutions as additional services including Office Space Rentals, Call Center Office for Lease, Office Hire, Payroll and Business Creation, Recruitment and Staffing, Technical Support, Virtual Assistants, and VOIP Services.
BPOseats.com is ideal as it not only cares to see your business succeed but also we help you put together a trained team to help your Call Center/ BPO office operations run as smoothly as possible. BPOSeats.com cares to invests in your growth, making our terms flexible to make sure we get you your most desired improvement for the company. You get more than what you can actually get!
So, what are you waiting for? Contact me today!


Low cost airline, Ryanair, will add a new route to its summer schedule next year.
The airline will fly twice a week between Belfast and Girona, Barcelona.
This popular city break destination will be extremely popular with travellers – with its mix of culture, cuisines, architecture, history, beaches and night life; you can see why Barcelona is the No.1 city break destination for UK travellers.


text:
Q: How to check if a value in a text box exists in a folder currently i'm developing the image load system using C# (windows form). I have problem on how to enable/disable search button if value entered in text box exist or not exist in folder. I want the search button cannot be click if the value in text box not exist in the folder and the search button can be click if value in text box exist. The issue is the button search cannot be click even tough the value I entered is exist in a folder. Please someone help me. Here is my code:
 private void textBoxEmpNo_TextChanged(object sender, EventArgs e)
 {

        string baseFolder = @"\\\\egmnas01\\hr\\photo";

        string checkEmpNo = "*" + textBoxEmpNo.Text + "*.jpg";

        bool fileFound = false;

        DirectoryInfo di = new DirectoryInfo(baseFolder);

        foreach (var folderName in baseFolder)
        {
          var path = Path.Combine(baseFolder, checkEmpNo);

          if (File.Exists(checkEmpNo))
          {
            buttonSearch.Enabled = true;

            fileFound = true;
            break;
            //If you want to stop looking, break; here
           }
         }
         if (!fileFound)
         {
           //Display message that No such image found
           buttonSearch.Enabled = false;
         }
    }

A: try to use the following.
//Search for the filename that you have entered in textBoxempNo.

string[] fileFound = Directory.GetFiles(baseFolder, "*" + textBoxEmpNo.Text
+ "*.jpeg", SearchOption.AllDirectories)

//Then check if there are files found.

`if (fileFound.Length ==0 )
{
  buttonSearch.Enabled = false;
}
else
{
  buttonSearch.Enabled = true;
}`

A:  private void textBoxEmpNo_TextChanged(object sender, EventArgs e)
        {
            bool fileFound = false;
            const string baseFolder = @"\\\\egmnas01\\hr\\photo";

            string[] matchedFiles = Directory.GetFiles(baseFolder, "*" + textBoxEmpNo.Text + "*.jpeg", SearchOption.AllDirectories);

            if (matchedFiles.Length == 0)
            {
                buttonSearch.Enabled = false;
            }
            else
            {
                buttonSearch.Enabled = true;
                fileFound = true;
            }
        }

Addressing Adriano Repetti suggestion.
 private void textBoxEmpNo_TextChanged(object sender, EventArgs e)
        {
            bool fileFound = false;
            const string baseFolder = @"C:\Users\matesush\Pictures";

            if (Directory.EnumerateFiles(baseFolder, "*" + textBoxEmpNo.Text + "*.jpeg", SearchOption.AllDirectories).Any())
            {
                buttonSearch.Enabled = true;
                fileFound = true;
            }
            else
            {
                buttonSearch.Enabled = false;
            }
        }


A collection of worksheets featuring characters from the Wizard of Oz. Each sheet contains an image of the character and then a selection of adjectives to describe them, with a lined area at the bottom. These sheets are ideal for helping children understand how to use adjectives.
I love this idea that children can select the adjectives having the image in mind.


text:
Alfred and Adda Wintemute (1889) and William and Elizabeth Innes (1898)
photo credit: Paul Fuoco
This is a tale of one house on two lots. A Victorian-style workers' cottage, it was built in 1889 on a lot at 516 St. George Street and moved to its current site by William and Elizabeth Ennis around 1907.
Style elements: Some Victorian cottage features remain, but the house has undergone significant alterations, possibly when it was moved to its present location.
Architectural Significance: The house originally was one of many small inexpensive workers' cottages built in the area before the turn of the century. With ongoing renovations, it's now a spacious family home that continues to showcase some of its original features, blended with sympathetic modern updates.
What to look for: The house evokes an interesting blend of Victorian and Arts & Crafts styles. The hallway, dining room and main floor bedrooms (now a den and a bathroom) reflect its early 1880s Victorian style, which can be seen in the home's original millwork. The 1910 expansion shows less elaborate millwork is in the front room. The main floor bathroom was formerly a bedroom – the original bathroom was at the back of the house with the original horse stable underneath.
First Homeowners: Some questions surround the identity of this home's first occupant, thought to be the Wintemutes, who may have been tenants to either father Joseph or uncle John – ownership is unclear. Alfred was listed as a "boot and shoe dealer" on Columbia Street. William Innes, a local mill worker and later a builder, was listed as the owner/occupant in 1898. He likely moved the house around 1907. His two daughters, Alice and Edith McCormack (a widow) lived in the house until they died in the 1980s.
Both families suffered loss in WWI. One of the Wintemute's sons, Henry Lansing, and Elizabeth Innes' nephew, Charles E. Clapp, both died in the Great War. Look for more information about these two young men at the house.
Wintemute House, with its combination of old and new, is a fascinating look at how buildings are adapted through time to fit the needs of new owners and families. Making its debut on the homes tour, 506 St. George is one of this year's most interesting stops.
The Whole Story
Step back in time: Jamie Neilson's home on St. George Street. Photo: Kevin Hill, The New West Record
See Theresa McManus' May 24 story in the New West Record: https://bit.ly/2GML4yH
Looking at an archival photo of 506 St. George Street in 1910, compared to how it looks today, it may be difficult to believe that it is the original 1889 house that's still standing. But a closer look at the house then and now shows that they are in fact the same home – an example of how old buildings can be transformed through the years to remain as viable places to live today, rather than demolished.
The current owners – who purchased the home in 1992 – have continued the evolution and transformation of 506 St. George Street. They lifted the house in 1998 and set it on a new foundation (when purchased, the basement was still only a dirt floor with extremely low ceilings, accessed from outside, inhabited by uninvited wildlife and supported on unstable wood posts; the owners said when the washing machine was turned on the whole house would wobble!) They added a full basement to accommodate their young family , building new inside basement stairs under the staircase to the charming top floor. Upstairs are two bedrooms, a small bathroom and an office, much of it finished in original tongue-and-groove wood walls with painted fir floors. The tiny original kitchen, renovated by the previous owner, was expanded and updated by the current owners in 2005 by incorporating an outside porch area, transforming the room into the spacious and bright room you will see on tour.
These renovations indicate the biggest changes at 506 St. George have occurred recently – but nothing can be further from the truth.
Recent research shows this Victorian cottage began its life on a lot three doors west of its present location and it remains as the oldest house on the street. Built in 1889, it was home to Alfred and Adda Wintemute, who had married in 1886. Alfred was the son of city pioneers Joseph and Jane Wintemute who operated Wintemute's Furniture Factory located on Columbia Street. Alfred, trained as a carpenter, had tried to escape the family business by operating a boot and shoe store, but later returned to the family business. This cottage was likely built by Alfred for his family who called it home until moving to a larger house in 1898.
The cottage was then sold to William Innes, a mill hand at the Royal City Planning Mills. In 1907, Innes decided to move the cottage from its former location to this site to allow the move of another house to its former location at 516 St. George Street (since demolished). Innes moved in with his family and the cottage was later renovated with a new rear wing, while the front of the house was extended to provide an expanded second floor and new front porch.
Due to this major alteration, the house showcases an interesting blend of original Victorian millwork and later renovations. Note how the hallway, dining room and former main floor bedrooms reflect its Victorian roots, illustrated in features such as the V-joint wainscotting, panelled doors, elaborate baseboards and window mouldings. Less elaborate millwork is in the front parlour and archway that separates the space from the dining room, which reflects its expansion after 1910.
There was a horse stable attached to the rear of the house at the turn of the century and the current owners report they found several horseshoes buried in the back walls when renovating. A small bathroom was above the horse stable with a shed roof above, since removed.
The house, with its combination of old and new, is a fascinating look at how buildings are adapted through time to fit the needs of new owners and families. The first time on tour, 506 St. George is one of the this year's most interesting stops.
Thank you to our sponsor: Circa Restorations Inc. – Master Home Renovator Graham Sievers is truly a jack of all trades, whether your renovation or restoration needs are big or small. From master carpenter to expert tiler, from pulling permits to designing kitchens, he does it all professionally and precisely, including a complete restoration of the 1905 Queen Anne cottage he shares with his wife and daughters. Contact Graham at 778-323-6142 | info@circarestorations.com

redpajama_set_name: RedPajamaCommonCrawl


Posted on 2013.09.30 月曜日, 20:28, by mimm, under PICTURE DIARY.
Posted on 2013.09.26 木曜日, 19:36, by mimm, under PICTURE DIARY.
Posted on 2013.09.25 水曜日, 20:00, by mimm, under PICTURE DIARY.
Posted on 2013.09.25 水曜日, 19:59, by mimm, under PICTURE DIARY.
Posted on 2013.09.25 水曜日, 19:25, by mimm, under NEWS.
Posted on 2013.09.24 火曜日, 20:48, by mimm, under PICTURE DIARY.


text:
First Look at Broadway Mart-N-Diner
By Eddy / March 26, 2021 July 3, 2021 / American, Breakfast, First Look, Review
A new convenience store called Broadway Mart-N-Diner opened earlier this year. Inside they have a full kitchen and a big menu of burgers, sandwiches, chicken meals, breakfast and more. I've been hearing some good things about them so decided to go check it out for myself.
1815 S Broadway, Wichita, KS 67211
Tuesday – Friday: 10am – 6pm
Cash/Card Accepted
Walking in the place has the feel of a small-town convenience store, there were knick-knacks, groceries, tools, etc all on hand. It was actually quite a handy little spot on Broadway.
But let's face it, the sole purpose for my visit was the food. Broadway Dine-N-Mart is owned by a couple who worked hard through COVID to get their business up and going. They were incredibly nice and friendly to talk to. I let them handle the order for me and make suggestions.
The wife told me her favorite was the Aloha sandwich which was a deli smoked ham topped with Swiss cheese and pineapple slice on a glazed donut. It came with donut fries drizzled with a chocolate sauce. That sounded great so I went with it. They were also advertising mini-waffles with fruit on their Facebook page and asked for a strawberry and peach one.
It was definitely a hearty but extremely delicious meal. The waffles were about the size of a coaster and freshly made to order. Once topped with the fruit and some whipped cream, it was a rather heavenly way to start my lunch.
The donut fries were devoured immediately. They came right out of the fryer, were pillowy soft and nearly melted in my mouth.
All of that was finished off with the Aloha sandwich. I could feel my chest thumping with every bite but it was worth it. The donut was about as soft as the donut fries but remained intact throughout the course of eating the whole thing. Pineapple and ham go fantastic together, but who would have thought a donut in the mix would take it up a notch?
I was thoroughly impressed with both my breakfast and lunch items. Some people may not go here based off appearance or area of town but I implore you to give them a try. It's certainly a gem of a place ran by an extremely nice couple. The wife was truly a sweetheart and helpful and caring every step of the way.
It's one of those places you know they appreciate you the moment you walk in the door. You just feel it. You're not just another customer or sell to them.
Here's their menu:
To nominate your business or event to be considered for a review, please email us with your restaurant information. We are always open to suggestions.


"My mission is to provide exceptional dental care while making each patient's visit enjoyable and fun. I particularly enjoy providing care that can significantly improve the quality of a patient's life."
Dr. Golbek has had extensive continuing education in cosmetic dentistry, dentures and TMJ. He is Invisalign certified and also offers traditional orthodontics. Dr. Golbek is a member of the Tulsa Community Dental Society, Oklahoma Dental Association, American Dental Association, and the American Orthodontic Society.
Dr. Golbek's wife, Requil, served as the Oklahoma state president for the Alliance to the American Dental Association. The two spend time together in dentistry, but also when they are not at work. He enjoys being with her and their two boys, as well as working on classic cars and carpentry/woodworking.
"Every day, I have the opportunity to spend time with my wonderful family of patients. I get to enjoy the company and personal and professional growth of our team members. This is not a job, this is a blessed life."
"To exceed our patient's expectations with compassion, excellence, and value, while building a team with trust, respect, and loyalty."
Dr. Hammond is currently an active member of the American Dental Association, Oklahoma Dental Association, and Academy of General Dentistry. Dr. Hammond specializes in several different branches of dentistry: general dentistry, pediatrics, cosmetic dentistry, bone grafting, endodontics, oral surgery, restorative dentistry, implantology, and Invisalign. The dental professional also offers conscious sedation dentistry, which allows her patients to be completely relaxed and comfortable while receiving treatment.
"I look forward to spending my evenings and weekends with my two fur babies, Addie and Max. I love going to sporting events, especially to watch OKC Thunder, Houston Astros, and of course, the OU Sooners football games. BOOMER SOONER!"


Magic Development's new 25,000-square-foot headquarters and sales office will be among the first buildings to open in Kissimmee's Magic Place by Pininfarina.
Each residential tower will have an exterior courtyard featuring a massive boardwalk area.
Magic Development and Pininfarina released a new set of renderings on Friday for the $1.7 billion Magic Place community scheduled to start construction in July.
GrowthSpotter was the first to publish the initial rendering of the Magic Place towers on March 18. Magic Development CEO Rodrigo Cunha said the design team from Pininfarina would release more images in the coming weeks and months.
"They're very protective of the images," Cunha told GrowthSpotter on Friday. "It's like when you take a beautiful woman out to dinner, you don't want her to be to naked. If you show everything, it's not a surprise anymore. If you do it slowly, it creates the effect they want. They're romantics."
One of the highlights of this release is the first image of Magic Development's new 25,000-square-foot headquarters and sales center.
Project Manager James Mincy said Pininfarina has "absolute creative freedom" to design the building. "The signature feature is the entire outer wall is glass with LED lighting," he said. "The Magic Development logo is projected in LED lighting, so we can change it and move it."
For more information go to GrowthSpotter's Magic Place project page.


John Oliver's Last Week Tonight kicked of with an opening sequence nod to Sunday's "Hostus Ghostus" Oscars, taking place as he broadcast.
Quickly recapping the week, as Melissa McCarthy was stealing the Hollywood awards ceremony and Spike Lee tried to do same after Green Book was named Best Picture, Oliver noted President Donald Trump would name a Princeton University professor emeritus who once compared "the demonization of carbon dioxide" to " the demonization of the poor Jews under Hitler" to head a panel looking at whether climate change poses a threat to national security.
Noting it's a $2.2B industry, Oliver admitted it's easy to dismiss psychics as a joke – "fun too," he added. But four in 10 Americans believe in them, explaining why the TV landscape is so littered with them.
These free psychic readings, Oliver assured, are "exactly as accurate" as readings for which you would shell out big bucks.


text:
The War On Drugs (Photo: Shawn Brackbill)
War On Drugs Drops Support Acts For North American Tour
Posted on 10 January, 2022, 05:40 pm EST by CelebrityAccess Staff Writers Contact Me
(CelebrityAccess) — Indie rock band War On Drugs announced revised plans for their current tour, dropping several dates due to coronavirus restrictions and announcing that their support act will not be joining them for the run.
According to a statement from the band, WOD has pulled the plug on planned shows at Toronto's Queen Elizabeth Theatre on February 5 and 6 have been canceled due to capacity restrictions.
"We've always loved playing for you in Toronto and have had some of our most memorable nights as a band there – playing "like a hurricane" at Massey Hall in 2017, the power going out an hour before our show at Lee's Palace in 2014, playing two sweaty, sold out horseshoe Tavern shows, the massive Slave Ambient artwork/window display that the folks at Soundscapes made for us (that I still cherish). We're so disappointed to be doing this, but we promise we'll make it up to you in 2022 (and beyond). Wheels are already in motion as they say."
While the tour lost some shows, it also expanded in the U.S. replacing the Toronto shows with performances in Pittsburgh on February 5th, and Cincinnati on February 6.
The band also asked fans to wear masks for the show to protect the health of other fans, as well as the band, their crew and venue staff.
"We're also requesting that as many of you as possible wear a mask when you come see us play this tour – especially if you're in the first few (50) rows. I know we're all over masks but for one, it makes me more at ease cuz now I don't get self conscious (and dark) when I see y'all yawn out there but also because we want our fans, our crew and our band to stay healthy so we can honor the commitments we've made to every city on this tour. Seriously, we would really appreciate it. "
In addition, WOD revealed that their previously announced support acts, including Lo Moon, Caroline Kingsbury, Rosali, Joseph Shabason, and Tomi, will not be joining the North American leg of the tour.
"Due to this latest Covid surge and our need to exist within the tightest possible tour bubble, there will be no support acts on this run. We know how excited all of the opening acts were for this tour and we sincerely appreciate them being so f'n understanding," the band announced.
The tour officially kicks off on January 19 and 20 with a pair of shows at ACL Live.
#TheWarOnDrugs
Posted by Hypebot - January 14, 2022


text:
Champian Fulton Reinvents Charlie Parker with Her Usual Purist Style and Sense of Humor
Champian Fulton made a mark as a purist, Dinah Washington-influenced singer while still in her teens, but in the years since she's developed piano chops to match that erudite sensibility. There is no other artist in jazz with as much mastery of both the mic and the 88s. Until the lockdown, she maintained a punishing tour schedule, continuing to release albums at a steady clip. Her latest one, Birdsong – a celebration of the Charlie Parker centennial, streaming at Bandcamp – is a logical step in the career of an artist who approaches jazz as entertainment and never stops pushing herself. It's a mix of vocal and instrumental numbers, more of them associated with Bird than actual Parker compositions.
As usual, Fulton takes a painterly approach, parsing the lyrics line by line. The take of Just Friends, shifting subtly from a jazz waltz to balmy swing, is a good choice of opener. As silky and expressive as her vocals are, her jaunty Errol Garner-ish piano solo is even more adrenalizing.
Fulton chooses her accomplices well. With his smoky tone and uncluttered melodicism, tenor saxophonist Scott Hamilton is a perfect fit, and Fulton's longtime rhythm section of bassist Hide Tanaka and drummer Fukushi Tainaka (no relation) provide an aptly spring-loaded, low-key groove.
Her trumpeter dad Stephen Fulton harmonizes and then offers a mix of carbonation and restraint in a tightly bouncing version of Yardbird Suite. Hamilton matches the frontwoman's balmy vocals in This Is Always; her droll ornamentation at the keys is irresistibly funny.
Star Eyes is a vehicle for Fulton's command of a familiar Washington trope, going from mist to bite in barely the space of a syllable. The brightly swinging piano trio version of Quasimodo captures the bandleader in a particularly determined mood and gives the rhythm section a chance to stretch out. Then the three pick up the pace with a breakneck instrumental take of All God's Chillun Got Rhythm.
Hamilton's spacious solo makes an apt centerpiece in a midtempo swing version of Dearly Beloved. The decision to approach Out of Nowhere as loose-limbed tropicalia pays off, especially for the rhythm section. The band revert to strolling swing with If I Should Lose You, Hamilton's most acerbic solo here handing off to the elder Fulton's Satchmo-influenced lines and a coyly triumphant solo from the younger one.
The best version of My Old Flame may be by Spike Jones: Fulton creates nebulous wee-hours atmosphere with it. The whole band close the record with a comfortably conversational Bluebird. If you like the originals, there's plenty more entertainment here.
November 6, 2020 Posted by delarue | jazz, Music, music, concert, review, Reviews	| album review, Champian Fulton, Champian Fulton Birdsong, Champian Fulton Birdsong review, Champian Fulton review, charlie parker, Fukushi Tainaka drums, Hide Tanaka bass, jazz, Music, music review, Scott Hamilton sax, Stephen Fulton trumpeter, vocal jazz | Leave a comment
Transcendence and Joy with Souren Baronian's Taksim at Barbes
Every year here, sometime in December, there's a list of the best New York concerts from over the past twelve months. Obviously, it's not definitive – nobody has the time, and no organization has the manpower to send somebody to every single worthwhile concert in this city and then sort them all out at the end of the year.
But it's an awful lot of fun to put together. Legendary Armenian jazz multi-reedman Souren Baronian has a way of showing up on that list just about every year, and he'll be on the best shows of 2018 page here, too. This past evening at Barbes, he and his Taksim ensemble – Adam Good on oud, son Lee Baronian on percussion, Mal Stein on drums and Sprocket Royer on bass, tucked way back in the far corner – channeled every emotion a band could possibly express in a tantalizing fifty minutes or so onstage. Surprise was a big one. There were lots of laughs, in fact probably more than at any other of Baronian's shows here over the past few years. There was also longing, and mourning, and suspense, and majesty and joy.
Baronian came out of Spanish Harlem in the late 40s, a contemporary of Charlie Parker. Considered one of the original pillars of Near Eastern jazz, as he calls it, Baronian immersed himself in both bebop and what was then a thriving Manhattan Armenian music demimonde. In the years since, he literally hasn't lost a step. Much as he can still fly up and down the valves, and played vigorously on both soprano sax and clarinet, his performances are more about soul than speed and this was typical. Some of his rapidfire rivulets recalled Coltrane, or Bird, but in those artists' most introspective and purposeful moments. And neither dove headfirst into the chromatics to the extent that Baronian does.
He opened with a long, incisively chromatic riff that was as catchy as it was serpentine – a typical Baronian trait. Good doubled the melody while Royer played terse low harmonies against it, the percussion section supplying a solid slink. Baronian's command of Middle Eastern microtones is still both as subtle and bracing as it ever was as he ornamented the tunes with shivery unease as well as devious wit.
Throughout the show, he'd often play both soprano and clarinet in the same tune, then put down his horn and play riq – the rattling Middle Eastern tambourine – while other band members soloed. The night's two funniest moments were where he led them on boisterous, vaudevillian percussion interludes with as many cartoonish "gotcha" moments as there was polyrhythmic virtuosity.
Where Baronian made it look easy, Good really dug in and turned a performance that, even for a guy who's probably one of the top half-dozen oudists in New York, was spectacular. Brooding, ominously quiet phrasing quickly gave way to spiky, sizzling tremolo-picking, pointillistic volleys of sixteenth notes and a precise articulation that defied logic, considering how many notes he was playing. Getting the oud sufficiently up in the PA system helped immeasurably – oud dudes, take a look at this guy's pedalboard, for the sake of clarity and a whole lot more.
The night's best number also happened to be the quietest and possibly the most epic – considering how many segues there were, it sometimes became hard to tell where one tune ended and the other began. Baronian played this one on clarinet, looming in from the foghorn bottom of the instrument's register and then rising with a misty, mournful majesty. As the song went on, it took on less of an elegaic quality and became more of a mystery score. Royer's spare, resonant groove, Stein's elegant rimshots, the younger Baronian's otherworldly, muted boom and Good's shadowy spirals completed this midnight blue nocturne.
They picked up the pace at the end of the show, taking it out with a triumphant flourish. On one hand, that Baronian chooses Barbes to play his infrequent New York gigs (he's very popular in Europe) is a treat for the cognoscenti, especially considering how intimate Brooklyn's best music venue is. But if there's anybody who deserves a week at the Vanguard or Jazz at Lincoln Center, it's this guy.
Watch this space for upcoming Baronian Barbes gigs. In the meantime, Good is playing one of his other many axes, guitar, with slashing, careening heavy psychedelic band Greek Judas – who electrify old hash-smuggling anthems from the 30s and 40s – tomorrow night, Sept 8 at Rubulad. It's a lo-fi loft space situation with a Burning Man vibe – fire twirlers, space cake and absinthe could be in the picture. Cover is $10 if you show up before 9; email for the Bushwick address/info.
September 7, 2018 Posted by delarue | concert, jazz, Live Events, middle eastern music, Music, music, concert, New York City, review, Reviews	| adam good oud, armenian music, charlie parker, concert, concert review, jazz, john coltrane, lee baronian, mal stein drums, middle eastern jazz, middle eastern music, Music, music review, souren baronian, souren baronian barbes, souren baronian barbes review, souren baronian review, souren baronian taksim, souren baronian taksim barbes, souren baronian taksim barbes review, sprocket royer | Leave a comment
Bird With Strings Reinvented Live at the New School
Wednesday night the New School auditorium on 12th Street drew a sold-out crowd for a live recreation of the Charlie Parker With Strings albums that transcended the originals. Sixty-plus years after they came out, the controversy hasn't dimmed. Some see the two records as vital cross-pollination and a paradigm shift, others dismiss them as schlock and an ugly precursor to the syrupy orchestration that ruined a whole bunch of Sinatra and Wes Montgomery records. The involvement of Mitch Miller as orchestrator only bolsters that second argument.
The genesis of the albums is clouded as well. Conventional wisdom is that Charlie Parker, a huge Stravinsky fan, wanted to record with an orchestra. Was it time constraints, lack of label money, or the fact that Miller wasn't able to round up an orchestra either capable or willing to play bebop, that explains why the songs chosen for the album are standards rather than Bird originals? We'll never know for sure.
What was most strikingly rewarding about this performance was how much more present the strings were, compared to the original, rather tinny analog recordings (scroll down for a list of the talented up-and-coming New School students who pulled off this mighty feat). And as conductor Keller Coker told the crowd with not a little pride, this group swung the hell out of the music. For many students on the classical track, that's a genuine stretch.
The role of Bird himself – thankless task? Monumental challenge? – was assumed by alto saxophonist Dave Glasser, who approached it with unselfconscious bliss. All but a couple of these songs are ballads, a showcase for Bird in what was becoming increasingly rare lyrical mode, and Glasser gave them every bit of elegance in his valves, more than ably channeling those graceful blue notes. He also duetted amiably and eruditely with guest trumpeter Frank Owens on a bouncy Dizzy Gillespie number – the lone tune on the program that wasn't on the original albums.
The most striking performance was the lone number written specifically for the original sessions, Neal Hefti's Catskill bossa nova Repetition. Dynamic shifts were strong and seamless when the orchestra would kick in or out. Oboeist Dave Briceno played Milller's own parts with a crystalline clarity that surpassed the originals, and pianist Michael Sheelar contributed nifty, dancing solos when given a tantalizingly brief few bars. Alongside him, bassist Joshua Marcum and drummer Adam Briere walked, shuffled and swung tirelessly, in period-perfect early 50s mode.
And big up to the rest of the orchestra: violinists Daniel Zinn, Nathalie Barret-Mas, Sesil Cho, So Young Kim, Chloe Kim and Yukiko Kuhara; violists Hsuan Chen and Seo Hyeon Park; cellists Juie Kim and Mark Serkin; horn player Josh Davies, harpist Skyla Budd and guitarist Nick Semenykhin.
This performance was part of this year's Charlie Parker Jazz Festival, celebrating its 25th anniversary as a New York institution. The festival continues tonight at Marcus Garvey Park in Harlem at 7 with saxophonist Camille Thurman and her combo, followed by stellar reedwoman Anat Cohen's Tentet
August 25, 2017 Posted by delarue | concert, jazz, Live Events, Music, music, concert, New York City, review, Reviews	| adam briere drums, alex briceno oboe, charlie parker, Chloe Kim violin, concert, concert review, Daniel Zinn violin, dave glasser sax, dizzy gillespie, frank owens trumpet, Hsuan Chen viola, jazz, Josh Davies, joshua marcum bass, Juie Kim cello, keller coker, Mark Serkin cello, michael sheelar piano, mitch miller, Music, music review, Nathalie Barret-Mas, neal hefti, Nick Semenykhin., Seo Hyeon Park viola, Sesil Cho violin, Skyla Budd, So Young Kim violin, Yukiko Kuhara | Leave a comment
Rudresh Mahanthappa Brings His Sizzling Indian-Flavored Take on Charlie Parker to the Jazz Standard
Alto saxophonist Rudresh Mahanthappa is one of the world's most individualistic and thrilling musicians, a wide-ranging scholar of jazz as well as Indian music. His latest album, Bird Calls – streaming at Spotify – is a characteristically unconventional effort, heavily influenced by Charlie Parker, although not a tribute album per se. His performance with the quintet on the album at this year's Winter Jazzfest was a spine-tingling display of chops, ideas, and high-voltage banter between the musicians. He's doing it again, playing the album release show at the Jazz Standard on March 24 with sets at 7:30 and 10 PM with a slightly different crew: trumpeter Adam O'Farrill, pianist Bobby Avey, bassist François Moutin and drummer Jordan Perlson. Cover is $25.
Musicians have been highfiving each other in song for eons. The shout-outs to Bird on this album are all over the place, some as simple as Mahanthappa playing his own tune over Parker's changes, to switching up the rhythm of a Bird melody or solo, along with more artfully concealed passages. Whatever the case, it's classic Mahanthappa, ancient-sounding, often majestic Indian motifs within a somewhat harder bop framework than usual.
The album juxtaposes brief interludes with larger-scale numbers. Bird Calls #1, which opens it, is a brief, murkily suspenseful modal platform for the first of many animated sax-trumpet conversation (at Winter Jazzfest, they really took their time and had a ball with this). On the DL (a reference to Bird's Donna Lee) opens with the same interplay at triplespeed or more – how firebrand young trumpeter Adam O'Farrill (son of latin jazz maven Arturo) matches Mahanthappa's silken, precise intonation is stunning. At Winter Jazzfest, Indian percussion master Vish, of dancefloor groove instrumentalists SuKhush commented that if this was a sine wave, it would be completely flat [thanks for the company and the erudite insights, guys!].
Sax and trumpet join in a tightly rhythmic duet with echoes of Indian bhangra brass music, followed by Chillin', referencing Bird's Relaxin' at the Camarillo in bubbly, joyous trumpet/sax eschanges, graceful melismas from O'Farrill and long, elusive flights from Mahanthappa. They follow a playful, masterful solo sax passage replete with overtones and subtle rhythmic shifts with Talin Is Thinking, inspired equally by Parker's Mood and Mahanthappa's young son. A pensive march that rises to majestic, fiery heights, pianist Matt Mitchell's resonant, hard-hitting but surgically precise pedalpoint enhances the shadowy Indian-tinged mystery underneath. Moutin's dancing, kinetic lines blend with and then leap from drummer Rudy Royston's steady, subtle rat-a-tat drive: who knew he could channel an intricate tabla rhythm yet bring it into the 21st century, thousands of miles away?
Both Hands (based on Dexterity) is another showcase for clarity and rapidfire precision from sax and trumpet, hard bop over a briskly rumbling, hypnotic backdrop, Mitchell nimbly choosing his spots. A rustling Moutin solo leads into the wryly tiltled Gopuram (referencing Steeplechase – in India, a gopur is a temple tower), a tersely simmering, modally-charged number that reminds of Marc Cary (has he played with Mahanthappa? What a collaboration that would be!).
Maybe Later (drawing on Now's the Time) contrasts lively, upbeat postbop horn riffage with a sternly rhythmic underpinning, with an acidically rippling Mitchell solo over Royston's tumbling aggression and jabs. An expansive Mitchell solo sets the stage for Sure Why Not? (a shout-out to Confirmation and Barbados), the album's least Indian-flavored and most lightheartedly pulsing track. The album winds up much the way it started, but with a staccato pulse, referencing Bird's Anthropology with all hands on deck, blistering spirals from Mitchell and a hard-charging sax/trumpet debate. In case you haven't figured out, there's no one on earth who sounds remotely like Rudresh Mahanthappa, and he's a force of nature live. This show promises to be amazing, get there early.
March 21, 2015 Posted by delarue | jazz, Music, music, concert, review, Reviews	| adam o'farrill, album review, charlie parker, francois moutin, indian jazz, jazz, matt mitchell piano, Music, music review, rudresh jazz standard, Rudresh Mahanthappa, Rudresh Mahanthappa bird calls, Rudresh Mahanthappa birda calls review, Rudresh Mahanthappa review, rudy royston | Leave a comment
Highlights of This Year's Charlie Parker Festival
The way to approach the Charlie Parker Festival in its early years was to show up early, not only because Tompkins Square Park would be packed. If you were lucky, this being the pre-internet era, you'd find a flyer that would give you an idea of whether to spend the afternoon in the park or at Lakeside Lounge around the corner. Often the bill would be so good that the bar wouldn't even be a consideration until after the show was over. Then the festival became a two-day thing that started uptown at Marcus Garvey Park, winding up the next day downtown, which was twice as cool – a whole weekend full of mostly top-level, big-name jazz, for free. But recent years have not been so kind. Last year's initial slate was cancelled by Bloombergian edict in anticipation of a hurricane that mysteriously never arrived; the substitute lineup that the promoters cobbled together a few days later for a single Harlem show slipped under most everyone's radar. This year's festival continued a downward slide, mirrored by the size of the crowds. Although all the seats uptown were taken by mid-afternoon, downtown seemed to be more poorly attended than ever, no great surprise considering what the bill had to offer in terms of star power and otherwise. If Lakeside was still open, Sunday would have been about about 80% Lakeside and 20% festival.
But over the course of the weekend, there were plenty of memorable moments. Saturday's bill began with drummer Jamire Williams' quartet Erimaj. The only thing in their set that alluded to a past prior to about 1967 was a sample from Charlie Parker – who sounded long past his prime whenever the snippet happened to be recorded, Kris Bowers stepping on him with a beautifully lingering series of lyrical piano phrases as he'd continue to do alongside Williams, Vicente Archer on bass guitar, guitarist Matt Stevens on Les Paul and Jason Moran guesting on Rhodes on a funk number. The opening number, aptly titled Unrest, saw Williams rising from tense, portentous In a Silent Way atmospherics to an increasingly agitated state, pushed further in that direction by Bowers' elegantly biting phrases and Stevens' crying single-note accents. From there they segued into a radically reinvented, basically rubato take on Ain't Misbehaving, with fractured lyrics delivered haphazardly by the bandleader as he created a snowy swirl with his hardware, Bowers moving to Rhodes for a bubbly two-chord vamp out. Moran then came up to take over the Rhodes on a steadily paced funk number that evoked the Jazz Crusaders right before they dropped the "jazz." Stevens' Choosing Sides set a potently crescendoing, anthemic rock tune to a trickier tempo, then the guitarist went off on a long, meandering tangent, playing endless permutations off a single string in the same vein as 90s indie rock stoners like Thinking Fellers Union. Sometimes rock and jazz are like the sheep and the wolf that you're trying to ferry across the river along with the lettuce. This was one of those case where the boat wouldn't hold all three, with predictable results. They went back to the pretty straight-up, echoey Rhodes funk to close it out with an amiably energetic groove.
After a set of standards and soul hits by chanteuse Rene Marie and her trio, a well-liked local attraction, 87-year-old drummer Roy Haynes practically skipped to the front of the stage. Playing with the vigor of a man half his age and working the crowd for all it was worth, he took his time getting going, choosing his spots, leaving all kinds of suspenseful spaces for the Fountain of Youth Band: Jaleel Shaw on alto sax, Martin Bejerano on piano and a bassist who took considerably fewer chances than his bandmates. It didn't take long for Haynes and Bejerano to engage in clenched-teeth polyrhythms, the pianist quoting Brubeck's Camptown Races and then Monk, Shaw – who rose gracefully to the impossible task of filling Charlie Parker's shoes alongside Bird's old drummer – weaving his way expertly into a climactic series of trills.
Haynes is the prototype for guys like Tyshawn Sorey, who rather than banging a beat out of the kit, let the sound rise from within: his big, boomy sonics bely the fact that he's actually not wailing all that hard. That became key to a long, stunningly energetic solo that Haynes eventually used for comic relief as he spun in his seat, dashing from tom to tom, telling the crowd that, no, it wasn't over yet and he'd let them know when it was. They did a couple of pretty ballads, the second, Springtime in New York rising to a brisk latin pulse, Shaw finally cutting loose with a raw shriek after playing steady, thoughtfully bright bop lines all afternoon, Bejerano taking it back down into darker modal territory before a brief duel with Shaw and a clever series of false endings. All that made their blithe, carefree, casually allusive take on Ornithology seem almost like an afterthought.
Opening Sunday's festivities with a trio set featuring bassist Philip Kuehn and drummer Kassa Overall, Sullivan Fortner made no attempt to bond with the crowd; he let them come to him. And they did, throughout an enigmatic, introverted, quietly fascinating set. From the still, meditative solo introduction to Thelonious Monk's I Need You So, the pianist – best known at this point for his work with Roy Hargrove – reinvented it as a tone poem, taking his time building it with stately clusters and big banks of block chords. As he would do throughout the show, Fortner turned the tune over to Kuehn early on, who responded simply and effectively, a potently melodic foil to Fortner's nebulous sostenuto. An original, Purple Circles built from a similar atmospheric backdrop to hints of a jazz waltz and then samba, once again putting the bass front and center for a long, incisive solo. They took the old standard Star Eyes from rubato expansiveness to a casual bounce, up and then down again. From there they picked up the pace and swung, took a memorable diversion into a beautiful ballad (anybody know what that one was?) and closed with a original that pretty much summed up the set, Overall's animated swing and Kuehn's sometimes incisive, sometimes hypnotic pulse walking a tightrope between contrast and seamlessness with Fortner's opaquely lit chromatics.
And that was pretty much it for Sunday. There was poetry – really, really bad poetry, which no jazz could redeem. There was one of those selfconsciously fussy, arty bands, there was a crooner, and also Patience Higgins and the Sugar Hill Quartet, who excel at what they do – but where they excel the most is on their home turf, after the sun goes down, where it's a lot easier to get close to the stage and feed off their oldschool energy. At times like this Lakeside becomes even more sorely missed.
August 28, 2012 Posted by delarue | concert, jazz, Music, music, concert, review, Reviews	| charlie parker, charlie parker festival, charlie parker festival 2012, charlie parker festival 2012 review, charlie parker festival review, classic jazz, concert, concert review, jaleel shaw, jarime williams, jason moran, jazz, kassa overall, kris bowers piano, martin bejerano, matt stevens guitar, modern jazz, Music, music review, philip kuehn bass, rene marie, roy hargrove, roy haynes, sullivan fortner, thelonious monk, vicente archer | Leave a comment
Album of the Day 10/4/11
As we do pretty much every day, our 1000 best albums of all time countdown continues all the way to #1. Tuesday's album was #484:
Jazz at the Philharmonic 1949
These concerts were parties, not sedate mellow jazz, and the crowd got passionately involved. For that reason (and because the recordings tended to be noisy as a result), there is a jazz element that has looked down on this annual series of recordings that went on through the 1950s. This one is probably the wildest: after promoter Norman Granz's interminable band intros, it's got the landmark moment where Lester Young famously leaps in during Charlie Parker's Leap Here. There's also Coleman Hawkins wailing on Rifftide, chilling out on Sophisticated Lady and the whole crew (especially trumpeter Fats Navarro) getting involved on The Things We Did Last Summer along with bluesy, Bird-driven versions of Lover Come Back to Me and Back Home Again in Indiana. And where can you grab a download? Nowhere! Blame the snobs, not us.
October 5, 2011 Posted by delarue | jazz, lists, Music, music, concert	| best jazz albums all time, best jazz albums alltime, best jazz albums ever, charlie parker, classic jazz, coleman hawkins, fats navarro, greatest jazz albums all time, greatest jazz albums alltime, greatest jazz albums ever, jazz, jazz at the philharmonic 1949, norman granz | Leave a comment
Every day, our 1000 best albums of all time countdown continues all the way to #1. Monday's album is #722:
The Quintet – Jazz at Massey Hall
The evening got off to a bad start. Charlie Parker was missing his sax, as usual, and had to borrow a plastic one. Then hardly anybody showed up – it was a cold spring night in pre-global warming era Toronto, 1953, and there was a big hockey playoff game going on. So a tiny crowd got to see a hall of fame lineup – Dizzy Gillespie, Charlie Parker, Bud Powell, Charles Mingus, and Max Roach – play an absolutely scorching set. And to be fair to Bird, he'd been working out a lot of material on the new Grafton plastic sax, so he knew what he was doing – which is something of an understatement. He didn't phone this one in, and the rest of the crew rose to the occasion despite not drawing enough bodies to get paid. The original lp only contains about half of the material on the 2004 reissue, which was remastered to include the original rhythm tracks (Mingus redid his basslines in the studio on the original album because the original concert master had him too low in the mix). The songs are a mix of dark burners – Juan Tizol's Perdido, Diz's A Night in Tunisia – plus jazzed-up Broadway tunes like All the Things You Are, Embraceable You and Lullaby of Birdland along with a mellower trio set and a long drum solo not included on the original record. Here's a random torrent.
February 7, 2011 Posted by delarue | jazz, lists, Music, music, concert	| be-bop, bebop, bebop jazz, best albums, best albums all time, best albums alltime, best albums ever, best albums list, best albums lucid culture, best jazz albums all time, best jazz albums alltime, best jazz albums ever, best music, best music ever, best obscure albums, best obscure albums all time, best obscure albums alltime, best obscure albums ever, best rock albums, best underrated albums, bop jazz, bud powell, Charles Mingus, charlie parker, classic jazz, dizzie gillespie, greatest albums all time, greatest albums alltime, greatest albums ever, greatest jazz albums all time, greatest jazz albums alltime, greatest jazz albums ever, greatest obscure albums, jazz, jazz at massey hall, max roach, most underrated albums, most underrated albums all time, Music, quintet jazz at massey hall, top albums all time, top albums alltime, top albums ever | Leave a comment
Doug Webb Provides Perfectly Lowlit West Coast Ambience
If we told you what character saxophonist Doug Webb plays on tv, that would be distracting. His new album Midnight is probably a lesser-paying situation but it's just as fun (more about that later). Webb is pretty ubiquitous on the West Coast and has played with everybody: Freddie Hubbard, Quincy Jones, Horace Silver and many others. The setup behind him is interesting: Larry Goldings on piano rather than organ, Stanley Clarke on upright bass instead of electric and Gerry Gibbs adding counterintuitive, understated flash behind the kit. This is a fun session, pure and simple, a bunch of pros prowling familiar terrain: most of the time they achieve a nocturnal, oldschool West Coast cool, but when the good times spill over they ride the energy for all it's worth.
Try a Little Tenderness breathes some fresh bubbles into a piece that gets flat quickly since everybody plays it. I'll Be Around (the pop standard, not the Howlin' Wolf classic) has a swing wide enough to get a Mack truck through and a genuinely gorgeous, starry Goldings solo. Gibbs works Fly Me to the Moon as a subtle shuffle beneath Webb's mentholated, opening tenor solo and Goldings' more expansive spotlight. And it's cool hearing Clarke, probably the last person you'd expect to get a Ray Brown impression out of, do it with a grin.
You Go to My Head gets a gently pulsing alto-and-piano duo treatment with Joe Bagg on the 88s. The Boy Next Door, with Mahesh Balasooriya on piano, has Clarke seizing more territory as he typically does, Gibbs all too glad to jump in and go along for the ride. Webb's warm, lyrical alto work sets the stage for another glistening gem of a solo from Goldings on Crazy She Calls Me. They take Charlie Parker's Quasimodo and set it up straight, Goldings' unselfconscious geniality giving way to Webb to take it into the shade and then joyously out again. They close with Emily, by Johnny Mandel (who has raved about Webb's version), a clinic in nuance on the part of the whole quartet, poignancy through a late-evening mist, an apt way to close this very smartly titled album. It's out now on Posi-Tone. Oh yeah – Doug Webb plays Lisa Simpson's sax parts on tv. There is a slight resemblance.
September 15, 2010 Posted by delarue | Uncategorized	| cd review, charlie parker, classic jazz, cool jazz, doug webb, doug webb midnight, doug webb review, doug webb sax, freddie hubbard, gerry gibbs, horace silver, jazz combo, jazz review, joe bagg, joe bagg piano, johnny mandel, larry goldings, lisa simpson, lisa simpson sax, Mahesh Balasooriya, quincy jones, saxophone jazz, stanley clarke, west coast jazz, who plays lisa simpson's sax | 1 Comment
Tamir Hendelman's New Album Packs a Punch
Tamir Hendelman is the pianist in the Clayton-Hamilton Jazz Orchestra. His hard-hitting, intense new album Destinations firmly establishes him as a force to be reckoned with as one of this era's cutting-edge jazz piano stars: Vijay Iyer, Gerald Clayton, Dred Scott and Marc Cary. Like Clayton, he can go deep into the blues; like Scott, he sometimes exhibits a vivid late-Romantic streak, but his style is ultimately his own. Marco Panascia plays bass here, a terse and frequently incisive presence, with the reliably stellar Lewis Nash on drums.
The opening track, Wrap Your Troubles in Dreams gets an inspired, no-nonsense, purist bluesy treatment. Passarim, by Antonio Carlos Jobim begins as a tight, spring-loaded ballad that picks up and takes on increasing shades of irony and grit, with some marvelous interplay between insistent bass and piano shadowing it about four minutes in. Fletcher Henderson's Soft Winds has Hendelman scouting around aggressively for a comfort zone, eventually launching into a purposeful swing on the second verse, with an equally purposeful, to-the-point conversation between Panascia and Nash following. A radical reworking of Ravel's Le Tombeau de Couperin takes on an insistent rippling intensity: the band grab it by its tail and swing it around a little – and then they take it to Brazil. Keith Jarrett's My Song quickly shifts from its lullaby intro to the tightly wound precision of the second track, a vibe they maintain on their expansively Oscar Peterson-inflected cover of You Stepped Out of a Dream, Panascia getting to cut loose a little and bounce some horn voicings around.
Auspiciously, the two strongest performances here are both originals: the brooding, Brubeck-esque Israeli Waltz, and the haunting, elegaic Babushka, both of which pick up with a clenched-teeth resolve. There's also a brisk and satisfying version of Bird's Anthropology; On the Street Where You Live, which takes on not a wee hours vibe but a happy hour swing; Makoto Ozone's BQE, a well-chosen springboard for both Hendelman's blues and Romantic sensibilities; and a lyrical version of Fred Hersch's Valentine, which begs the question of which came first, Paul McCartney's Blackbird or this? It's just out on Resonance Records.
August 20, 2010 Posted by delarue | jazz, Music, music, concert, review, Reviews	| album review, charlie parker, classic jazz, Clayton-Hamilton Jazz Orchestra, dred scott pianist, dred scott piano, gerald clayton, israeli jazz, israeli pianist, jazz, jazz album, jazz music, jazz piano, jazz review, jobim, keith jarrett, lewis nash, marc cary, Marco Panascia, Music, music review, oscar peterson, piano jazz, piano music, resonance records, tamir hendelman, tamir hendelman destinations, tamir hendelman destinations review, tamir hendelman review, traditional jazz, vijay iyer | Leave a comment
The Joel Yennior Trio's Smart, Entertaining Debut
Trombonist Joel Yennior is best known for his work with Either/Orchestra, but he's also a composer and bandleader with an often deviously witty signature sound. His free jazz quartet Gypsy Schaeffer's most recent album, from last year, was an absolute delight. So is his latest project, the Joel Yennior Trio's debut cd, Big City Circus. And it's more diverse than the wickedly playful improvisations that he excels at: his dark, pensive central suite here is just as compelling as the more upbeat compositions. This group has an interesting configuration: Yennior is joined here by Eric Hofbauer on guitar and Gary Feldman on drums: as a bassless outfit, the trio deftly switch around to provide a low-register pulse, whether the guitar is pedaling a chord or a low note on the beat, Yennior pulls his slide all the way out, or the drums rumble around. And it makes the arrangements interesting, particularly on Monk's Gallop's Gallop, Yennior and Hofbauer switching roles, Hofbauer doing subtly spot-on rhythm and bass at once during the first verse.
The genial original swing tune Dancing Dave sets a warmly melodic tone that remains throughout the album. Burt Bacharach's A House Is Not a Home is a showcase for gently swaying, warmly tuneful upper-register work from Yennior as the guitar and drums swing tersely underneath. A shapeshifting Ran Blake ballad, Breakthru is closer to Gypsy Schaeffer's unpredictable jams than anything else here, Hofbauer and Feldman prowling around, waiting for the moment when they all pull it together at the end.
Another original, Postcard to Dorothy is a vividly expressive, wistful jazz waltz. Yennior goes low and outside as Hofbauer solos gently up to a simple Coltrane-esque hook, some deft drum accents and then back. The centerpiece of the album is the practically sixteen-minute three-part suite Justice Lost, inspired by a dispiriting turn Yennior took as a jury member (it was a murder trial: they didn't convict). They kick it off with a big, cynical intro, liberally quoting the Godfather theme, Feldman's cymbals and eventually Hofbauer's guitar chords resounding memorably beneath Yennior's protesting trombone. The second part is a mournful Ellingtonian blues with some bitterly rustic muted playing by Yennior and a couple of pointedly ironic passages where guitar and trombone go off on completely different tracks but then lock back in a split second. It winds up with a staccato tango that hints at collapse, which it does after a bright solo by Yennior. Feldman gets marvelously suspenseful and whispery, trombone and guitar diverge further and further from any kind of resolution, and then it's over. The album closes with a brightly tuneful, shuffling version of Estrellita, a Mexican pop song from the 1950s popularized by Charlie Parker. It's a stealth candidate for best jazz album of 2010.
August 11, 2010 Posted by theamyb | jazz, Music, music, concert, review, Reviews	| album review, big city circus album, Burt Bacharach, cd review, charlie parker, classic jazz, Eric Hofbauer, eric hofbauer guitar, gypsy schaeffer, jazz, jazz ballad, jazz improvisation, jazz review, jazz trio, jazz trombone, joel yennior, joel yennior review, joel yennior trio, joel yennior trio big city circus, john coltrane, mark feldman drums, modern jazz, Music, music review, ran blake, thelonious monk, trombone music, tronbone jazz | Leave a comment


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The Lightning are locked and loaded and have their sights set high for this upcoming season. Led by a youthful roster and a high powered offense, Tampa Bay is poised to take the reigns of the Atlantic Division and bring home another Stanley Cup. They will have to go through division rivals the Florida Panthers and the Detroit Red Wings on their pursuit of hockey immortality.
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The Tampa Bay Lightning has been on a roll lately. Since its formation twenty five years ago, the team has appeared in the playoffs multiple times. They have also won two conference titles and one Stanley Cup. However, last season, the team couldn't perform to their level and failed to qualify for the playoffs.
While the 2018-19 campaign of the NHL is scheduled to begin on October 6, will The Bolts be able to find their lost form?
The Tampa Bay Lightning has experienced many ups and downs but there is no doubt that they have delivered some unforgettable moments along the way. Here are some of them.
Game 6 of the Stanley Cup Finals (2003-04 Season) - The stage was set for Game 6 of the Stanley Cup Finals at the Pengrowth Saddledome on June 5, 2004. The Tampa Bay Lightning was looking good as they locked horns with the Calgary Flames. The Flames were looking to win the series and were leading three games to two but then something miraculous happened. With both teams tied at two and just 33 seconds left till the end of second overtime, Martin St. Louis scored out of the blue and saved the day for the Lightning. This led to the decisive Game 7 between these two sides.
Stanley Cup comes home – The final game of the Stanley Cup Finals between the Tampa Bay Lightning and the Calgary Flames was held at the St. Pete Times Forum on June 7, 2004. The two teams gave it their all but in the end, it was the Lightning who lifted the Stanley Cup for the first time by winning, 2-1.
The Tampa Bay Lightning has had heated rivalries with the Florida Panthers and the New York Rangers.
Lightning-Panthers rivalry – The rivalry between the Tampa Bay Lightning and the Florida Panthers is an intense one. It stems from the fact both teams are located along Interstate 75. On top of that, these two teams have played in the same division since 1993 which has added another dimension to the rivalry.
Lightning-Rangers rivalry – Players like, Brad Richards and Dan Boyle have represented both teams which has formed the base of this rivalry. The intensity of the rivalry increased in 2014 when Martin St. Louis was signed by the New York Rangers while former Rangers captain Ryan Callahan went in the other direction as part of the same trade. It is a budding rivalry, one that many pundits think has the potential to reach new heights.
Often known as The Bolts, the Tampa Bay Lightning was founded in 1992. Jon Cooper is the team's coach at the moment. The Lightning is owned by the chairman of Tampa Bay Sports and Entertainment, Jeffrey Vinik. The team's home ice rink is the Amalie Arena.
Located in downtown Tampa Bay, Amalie Arena provides fans with a great night out. Boasting unique features like lightning-throwing Tesla coils, an 11,000 square-foot Bud Light party deck with incredible views of the city, and a massive five-manual digital pipe organ, the Amalie Arena provides fans with a five star, one of a kind, hockey experience.
There have been some star performers on the Tampa Bay Lightning's roster. The Bolts have recognized the efforts of players like, Denis Savard, Mark Recchi and Dino Ciccarelli by inducting them into the Tampa Bay Lightning Hall of Fame.
Nikolai Khabibulin is another star player whose journey with the Lightning began in 2001. During his time with the team, he was selected to appear in the All-Star Game in 2002. Moreover, his performance in the 2003-04 season is worth mentioning. He recorded five shutouts in 23 playoff games and led his team to their first Stanley Cup.
Then there is Steven Stamkos who has been with the team since 2008. He has not only appeared in four NHL All-Star Games but also won the Maurice Rocket Richard Trophy twice in 2010 and 2012. In addition, Steven also played in the World Cup of Hockey in 2016.
Nothing comes close than watching the Tampa Bay Lightning play live. If you want to watch this team in action then all you have to do is grab Tampa Bay lightning playoff tickets.
It looks like the 2018-19 NHL season will be full of nail biting games.
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John Fuller, Leader of South Norfolk Council, was invited on to the iconic radio programme last week to speak about Business Rates and support for Market Towns.
A cross-Norfolk initiative has been set up, the original idea for which came from our friends in Broadland. The aim of ENGAGE is to encourage discussion on local Norfolk and national issues with like-minded people.
District Elections 2019 - Could YOU stand and represent your area?
Norfolk Conservatives County Council Elections May 2017 - success!
Lorne Green has been selected as the Conservative candidate for Police and Crime Commissioner in Norfolk, ahead of the national PCC elections in May 2016.
Jaan Larner was elected to represent Chedgrave & Thurton in the by election held on 24th September 2015.


text:
Filipovići is a village in the municipalities of Foča, Republika Srpska and Foča-Ustikolina, Bosnia and Herzegovina.

Demographics
According to the 2013 census, its population was 124, with 38 of them living in the Republika Srpska part, and 86 living in the Foča-Ustikolina part.

References

Populated places in Foča
Populated places in Foča-Ustikolina

redpajama_set_name: RedPajamaWikipedia


We are pleased that people think enough of us to offer Little Dogs Laughed awards. And we thank you all.
I appreciate the thoughts but have decided to keep this blog award free.
Just saw this – sorry – understand your sentiments.
How nice! More goodness to look forward to on your blog. So glad you don't mind.
Exactly! I've turned them down as well, and I do appreciate the thought behind them.
A great place, Omaha! Always glad to meet other Cornhuskers here, and, to my knowledge Peggy of https://leggypeggy.com/ is the Cornhusker living farthest from the state now. She's married to an Australian. and the two travel all over the world. If you aren't familiar with her blog, I highly recommend it and another one where she presents recipes from page 32 of her extensive collection of recipe books from all over the world. Quire an interesting person!
Thank you for the heads up! I will definitely be checking her blog–Appreciate you visiting!