Whether you need a cost-effective manual station for probing 150mm wafers or a semiautomatic thermal station to probe 200mm or 300mm wafers, FormFactor offers a complete line of high-performance solutions for on-wafer probing, circuit boards and modules, vertical probe cards, MEMS, electro-optic devices and more. Probe stations are available with accessories such as thermal control systems, special cables, calibration software, and industry-leading probes that help you position, calibrate, and characterize your device under test. FormFactor pioneered the first 1 femtoamp measurement, and offers systems that probe up to 220 GHz with extremely low leakage and low contact resistance.
Pyramid Probe cards are rugged, robust, and well suited for the rigors of high-performance production wafer sort. Its industry-leading signal integrity and mechanical alignment capabilities make these probe cards the perfect fit for multi-die testing for RF wireless, high-speed digital in SiPs, SoCs, and leading edge DC parametric testing.


Today is March 15th, aka the Ides of March, the day on which Julius Caesar was betrayed and assassinated by his friends and colleagues. Nothing quite so memorable happened in Ipreo's world in February, but we're still going to share some of last month's headlines with you!
Throughout the second month of the year, we provided assistance to and had our work featured in many prominent publications, including the Wall Street Journal, Bond Buyer, and others.


text:
Q: Installing gtk2.0 on raspberry Pi I am quite new or Rasperry Pi and am working on an object detection project that I found online. I am having an issue when trying to install gtk2.0 on the PI. Its like the repo simply wont download for me.
I have tried
sudo apt-get install build-essential cmake pkg-config
sudo apt-get install libgtk2.0-dev libgtk-3-dev
sudo apt-get install libgtk2.0-dev

When trying to install the package it is able to retrieve the information about the package but not able to install it as seen in the screenshots below.

I have tried both Bullseye and Buster os for the PI and still the same issue.
I have installed gtk3.0 but still faces with the same issue if I try and run the final code.

*

*also have tried downloading the package on multiple different networks and its still the same

Any help would you be greatly appreciated as I really am losing hope for this project
The project guide I am following ishttps://core-electronics.com.au/guides/object-identify-raspberry-pi/

redpajama_set_name: RedPajamaStackExchange


All prices are subject to contract. We wish to advise prospective purchasers and tenants that property details are based upon the instruction of the Seller and do not constitute or form any part of any offer or contract. Legal title is subject to verification from the Solicitors involved.
All floor plans and photographs are for illustration purposes only. Internal measurements are approximate and their accuracy is in no way guaranteed, nor do they form part of any contract.
The website may contain links to websites operated by third parties. Such links are provided for your convenience only and we have no control over their individual content. Milton Stone therefore make no warranties or representations as to the accuracy or completeness of any of the information appearing in relation to any linked websites nor as to the suitability or quality of any of their products or services. We are not responsible for the content of external internet sites and accept no liability for them.
Due to the nature of the software and the Internet, no guarantee is given of uninterrupted or error free access to or running of this website or the information-transactions conducted through it and Milton Stone shall not be liable for any failure in processing your details due to software or Internet errors or unavailability, or circumstances beyond its reasonable control. Milton Stone makes no warranty that this site is free from errors, defects or viruses.


Looks like it is a problem with your generated Gcode.
If you attach your Gcode file it can be checked.
Looks like the macro did not attach.
A number of members are currently having issues with updates and Win7 / Win10 so my advice would be to stick with WinXP.
The only way you could use Win10 would be with an external motion controller (the usb/pp adapter's don't work).
Make a backup copy of your Mach3 folder.
(If that does not resolve the problem then, as you suspect, it may be time to replace your PC).
Have you tried another keyboard ?
Anyone have any more ideas? I can't keep throwing money at a problem.
For Mach3 I use WinXP and my CNC machines are operated by dedicated PC's which are not connected to the internet or receiving updates.
Thanks Daz for all the work you do in making these great videos which explain to us all the mysteries of Mach4.


Former Senator Matt Murphy asks questions after President of the Senate John J. Cullerton introduced a bill to help fund CPS.
The Republican Party has chosen a suburban Chicago mayor to replace state Sen. Matt Murphy, who resigned to take a job in the private sector.
The selection late Thursday of Rolling Meadows Mayor Tom Rooney came as three contenders removed their names from consideration.
Rooney said it will be an honor to represent the 27th Senate District, located northwest of Chicago.
The 48-year-old Rooney was elected to his second term as mayor last year. He says he'll step down in the coming weeks.
Murphy, a nearly 10-year Senate veteran and top spokesman for the Illinois GOP's agenda, announced his resignation last month, saying the job he is taking "allows me to better meet my family obligations." He began his new job Friday with Mac Strategies Group, a public affairs and lobbying firm.


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text:
Q: Safe String Functions In Mac OS X and Linux are there are equivalent secure string functions in Mac OSX and Linux just like the ones in Windows (strcpy_s,strncpy_s..etc) ?
What about functions that convert between multi-byte and wide characters?

A: OSX has strlcpy and strlcat. Linux doesn't currently have them, to my knowledge, but it's easy enough to bring those functions in from, say, OpenBSD.

A: You can use gcc's -D_FORTIFY_SOURCE=2 option, for Linux you can go more advanced, for that you should read Secure Programming with gcc & glibc .

A: If you have to use char buffers (NTBS=Nul terminated byte strings) there are no instrinsically safe string functions. Not even strlen() is safe.
Rather, there are intrinsically unsafe string functions such as gets() and most uses of sprintf(). These are unsafe because you cannot reliably predict the buffer size you need.
The other class of string functions can be used safely provided you keep track of the maximum buffer sizes used and required correctly.
One way to help doing this in C++ is to use a nice class like StringPiece in Google's RE2 package, which is a pointer and length, where the pointer points into an NTBS. By storing the correct length into the StringPiece once, the class can then track the length of various operations. You can write such a class yourself. Doing this will not make your code correct but it will isolate the critical spots (namely, getting the arguments to the constructor right).
In this case, encapsulation is your friend.

A: The standard C functions to convert between multibyte and wide characters are available: mbtowc(), mbstowcs(), wctomb(), wcstombs() and so on.

A: There are two strategies for safe string manipulation. The Linux / glibc maintainers refuse to add safe functions, arguing that you should keep the length of your strings at hand and use memcpy.
On the other hand, Mac OSX includes strlcpy and strlcat from BSD. snprintf and asprintf can be used on both platforms to much the same effect:
size_t strlcpy(char *d, char const *s, size_t n)
{
    return snprintf(d, n, "%s", s);
}

size_t strlcat(char *d, char const *s, size_t n)
{
    return snprintf(d, n, "%s%s", d, s);
}

You could also consider using the BSD implementation found here. If your code will be compiled on multiple platforms, you can test for the presence of glibc using pre-defined library macros:
#if defined __GNU_LIBRARY__ || defined __GLIBC__

    size_t strlcpy(char *, char const *, size_t);
    size_t strlcat(char *, char const *, size_t);

#endif

Conversion between character encodings is most easily handled using the iconv interface.


text:
REAL IDs to be issued in July
OKLAHOMA CITY (KFOR-TV) — The coronavirus pandemic pushed back the state's plans to start issuing REAL IDs. But now, officials say you will be able to start getting yours by this summer, according to KFOR-TV in Oklahoma City.
Thursday, Governor Kevin Stitt and First Lady Sarah Stitt got their REAL ID Compliant licenses.
The initial plans were to begin issuing REAL IDs in Tulsa and Oklahoma City in April, but Gov. Stitt says you can get your REAL ID in July.
You must have a REAL ID by October 2021 to board a plane or enter a federal building.
To determine the documents that will be required for a REAL ID, click here.

redpajama_set_name: RedPajamaCommonCrawl


Tractor Bill Of Sale – Excel is an accountant's device. What device do we make use of even more? We have our general journal programs, ERP programs, e-mail, Word, etc. As for me and most additional accountants, Excel is certainly the most utilized device we have.
There are many additional benefits to bespoke software. Your business procedures and workplace processes are inlayed in the system. The software program shall lead your employees down pre-determined process pathways. Believe how much less teaching would be needed, and how many fewer mistakes would end up being made. As you personnel would become more self-sufficient, this would allow you the manager of owner to consider a step back again from day-to-day business. Safe and sound in the knowledge that you can access all the comprehensive real-time reviews you want at any time so that you can maintain an attention on factors. If you wish to transformation the processes or techniques in the future, all you want do is amend your software program and it shall take your employees straight down a different route. Believe how much time and money that could save you.
There is absolutely nothing to worry about when downloading, as the majority of the released software types on the internet are free of charge. These budget spreadsheet software types possess everything that an individual or a family demands to consider keep of their funds. For example, there is definitely the House Budget Worksheet, which can be targeted to cater to a normal household's funding assessment requirements. The facility is definitely had by it to hold pieces of info like your money, home loans, and many more economic responsibilities. Many spreadsheets also have a support system for future plans. For example, aside from allotting your money for present expenditures, they also guideline you if ever you want to purchase a car or a brand-new house in the near future.
You can also create a appointments with a spreadsheet application and keep it within your budgeting workbook. You can list dates expenses are due and you may also make use of the calendar in accordance with your spending budget to program for particular products or holidays. Having everything in one place will make it easier to manage your finances and plan for the future.
20 Photos of "Tractor Bill Of Sale"


text:
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Home Gallery Rooms & Suites Restaurants Wellbeing Getaways Activities Groups & Events Madrid
Mad Cool 2019
The summer season of musical festivals is well underway throughout Spain, one of the most anticipated and most important on the national calendar is Mad Cool that takes place in Madrid during mid-July. In the run up to August, the traditional time when most people in Spain take their holidays, locals and visitors to the capital city are keen to get into the party mood. And parties don't come any bigger and more spectacular than Mad Cool which this year takes place between July 12th and 14th at Valdebebas.
Spain's Premier Rock and Indie Rock Festival
The summer season of musical festivals has already gotten underway in Spain, one of the most anticipated and most important on the national calendar is Mad Cool that takes place in Madrid during mid-July. The festival made the headlines in 2018 for all the wrong reasons with major delays in accessing some of the concerts. However this year changes have been made with restrictions on ticket sales, one less stage (six in total) and better public toilet and public transport arrangements. Mad Cool will take place between July 11th and 13th at Valdebebas.
Alternative, Indie and Rock
The 2018 edition of Mad Cool was recognised with an NME Festival Award for best festival musical line up and this year will not disappoint fans of alternative, indie and rock music either. The international acts include headliners drawn from around the world, the first night of the festival, Thursday July 11th features the American indie folk band Bon Iver, Noel Gallagher with his band the Highflying Birds as well as Vampire Weekend. While the following Friday night performances are dominated by American rock bands like The National and the renowned Smashing Pumpkins back after a long absence with a new album and tour. The closing night of the festival features the English band the Cure, The 1975 and Greta Van Fleet. See the official web site for a complete listing of all the bands and performers.
The festival precinct, located at Avenida de las Fuerzas Armadas, s/n includes a restaurant area, Mad Cool gallery exhibition space, safe space, shopping and merchandising as well as first aid facilities.
A new venue for a growing festival
Ever since the first edition of Mad Cool was held in 2015 it has become the premier showcase for rock, folk rock and alternative rock music on the festival circuit in Spain. Since 2018 all the concerts are being held at Valdebebas on the outskirts of the city. With more than 240,000 ticket sold for the 2018 edition of the festival Valdebebas is the ideal location with its wide open esplanade within a new urban zone located approximately 8 km from Plaza de Castilla in north-eastern Madrid, between the city centre and Barajas Airport, adjacent to Ifema (where the city's trade fairs are held). This year for the duration of the festival the organisers are laying on free transport back to Madrid city centre between 1.30 am and 5.30 am.
Tickets can be obtained direct from the Mad Cool web (www.madcoolfestival.es) or from usual outlets Ticket Master, Festicket as well as FNAC, Halcón Viajes and Carrefour.
Access to the festival is via wristband which is supplied at the festival ticket booth on presentation of a printed ticket from authorised dealers or can be delivered to you before hand. Children under eight are welcome if they have purchased a ticket and are accompanied by an adult (parent of legal guardian). Discounts are available with Club Mad Cool membership, see web for details.
The Viladebebas precinct can be reached by Metro (Línea 8, purple line) the stop is Feria de Madrid (previously known as Campo de las Naciones). By train, C1, Cercanías Renfe as well as the special bus service laid on by Mad Cool leaving from Plaza de Castilla, and Madrid's taxi service.
Rock n'Roll & Foodies
For festival visitors who want to combine gastronomy and rock music we highly recommend lunch and/or dinner at Ático Restaurant (The Principal Madrid) and Ramón Freixa Madrid (Único Hotel Madrid), the latter with 2 Michelin Stars and 3 Repsol 'Suns' and the former with one Repsol 'Suns'. Either restaurant provides a great opportunity for foodies to experience the intuitive Mediterranean cuisine of one of Spain's most renowned chefs. While Ático is ideal for a less formal dining experience Ramón Freixa Madrid is a full on gastronomic delight where the chef shows his Rock n'Roll avant-garde approach that combines creative technique with the utmost respect for raw material.
Listen to our Spotify playlist
Local agenda
Subscribe to our newsletter to find out what's on at The Principal Madrid.
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Calle Marqués de Valdeiglesias 1, (Esq. Gran Via, 2) 28004 Madrid info@theprincipalmadridhotel.com (+34) 91 521 87 43


The brother of Qandeel Baloch, a social media star, on Sunday admitted to strangling her in a crime that reignited debate about so-called "honour killings" in the South Asian nation.
Mohammad Waseem said he gave a "tablet" to Baloch to subdue her and then strangled her in their family home over the weekend.
"I have no regrets," he told journalists in a press conference arranged by the police early on Sunday.
The killing sent shockwaves across Muslim Pakistan and triggered an outpouring of grief on social media for Baloch, whose real name was Fauzia Azeem. In Facebook posts, Baloch, 26, spoke of trying to change "the typical orthodox mindset" of people in Pakistan. She faced frequent misogynist abuse and death threats but continued to post provocative pictures and videos.
"As per our initial investigation 'honour' is the motive of murder," said Azhar Ikram, the police chief in Multan, where Baloch was killed.
More than 500 people -- almost all women -- die in Pakistan each year in such killings, usually carried out by members of the victim's family meting out punishment for bringing "shame" on the community.
Waseem said he killed his sister due to her social media activities, which included a series of posts with a prominent Muslim cleric, Abdul Qavi.
Qavi, who was suspended from a prominent Muslim council in the controversy following the posts, told local media after Baloch's death he had "forgiven her" and the matter was now in God's hands.
After Baloch's death, many Pakistanis again called for the passage of an anti-honour killing law, aimed a closing a loophole that allows family members to forgive the killers.
"The death of Qandeel Baloch conveys an insidious message: that women will be kept back at all cost; murdered, if they dare nurture ambitions to break the glass ceiling," the English daily Dawn newspaper wrote in an editorial on Sunday.
Baloch, who called herself a modern day feminist, was described as Pakistan's Kim Kardashian and built a modelling career on the back of her social media fame.
"As women we must stand up for ourselves. As women, we must stand up for each other," she told her 758,000 followers on Facebook, days before her death.
On social media, some celebrated her killing as she had been a "disgrace" to Pakistan's culture.
"There are far too many people who only know how to respond with violence here," Meesha Shafi, a Pakistani model and actress, said on Twitter.


text:
/*
    Oroginally written by Per Liedman for Leaflet Routing Machine : https://github.com/perliedman/leaflet-routing-machine ,
    Several classes were re-written by Hanbyul Jo for Valhalla plugin for Leaflet Routing Machine : https://github.com/valhalla/lrm-valhalla
*/

html,body{
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#map{
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    width: 32px;
    height: 32px;
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redpajama_set_name: RedPajamaGithub


Each episode was digitised from analogue tape then edited slightly to remove 'auto reverse' gaps and other obvious tape glitches (there might still be a few glitches remaining). The torrents each point to a single mp3 file, encoded at 192kbs (i might add an info.txt at some point futurewards - so let me know if you make a tracklisting!). ..
dd_djax-special.torrent - djax records (with 618) not sure of the date.


Faith Baptist Church has always believed in solid preaching and teaching from the Word of God. Whatever your age may be we have a Sunday School class for you that is personable and helpful for everyone in your family. From nursery age up to the oldest member of the church, Sunday School is a special and exciting time you do not want to miss.


Aspen Santa Fe Ballet's bold vision – top global choreographers, distinctive groundbreaking repertoire, and virtuoso dancers – has fostered a jewel of a dance company in the American West. The company's pioneering spirit arises from a dual set of home cities: Aspen, nestled in the Rocky Mountains, and Santa Fe, gracing the Southwestern plateau. Shaping the cultural landscape of these communities – and influencing the dance field at large – is a contemporary ballet company now two decades old.


My most recent travel was to New York City to perform for the prestigious New York Flute Club at their annual Flute Fair. The Flute Fair was held at the LaGuardia High School of Performing Arts, just behind Lincoln Center. My masterclass was at 10am, and I thoroughly enjoy giving these, as I love to teach. As I see it, my job is to build people up, and help them find their best selves while playing the flute so they have something to "give back" to their audience. It is showing them how to be free of any barriers to the music, whether technical, musical, or visual, so the audience can truly receive what the performer has brought them. The most common barrier I witness with students is merely a lack of belief in themselves—what they can really do. This reticence and holding back is never based on facts concerning their actual abilities, only a feeling they have—a fear— and so it is my job to help dispel these feelings that keep them from shining. I have people work on projecting themselves in strength, not weakness, since every single person has strength that is uniquely their own, and I for one would like to experience the good they have to offer. After all, we are all there because we love music, and we love the flute! This "love" is our greatest strength, for starters.
Another job I have as "teacher" is to deepen one's perceptions in hearing themselves. It is learning to listen on a microscopic level so we can fix whatever needs fixing because we ourselves hear it, not because someone else tells us. It is learning to be your own teacher, essentially. This reminds me what I learned from my mother about house cleaning: my mother was brought up in how to clean like an expert, so of course my three sisters and I couldn't get away from that same teaching! But what a gift this became toward our abilities to "perceive". We were taught to look deeper than mere visible surfaces, and truly learn to see the "lint". Believe me, we each tried our own versions of pretending to have cleaned something, but my mother always knew if this was the case. We never understood how she could know, since it looked just fine to us! It was learning to clean what would be invisible to untrained eyes. So it is with flute: being honest with yourself when listening to your playing to find those "hidden" hindrances to playing your absolute best, working it out (fixing it), and then believing in yourself to deliver those honed goods. How is your tone on that note? How is this phrase? Are you making it musical? Can the audience hear you at the back of a 1000+ seat hall? I have always said this about flute practice: it is a confrontation of the human heart with what for these purposes we can call the Great Artistic God. It is attuning oneself to a larger "input" by simply agreeing to open your ears and mind while working, as if someone was there guiding you.
After everyone was done playing for me in the class, I shared some thoughts about watching the women skaters in this year's Olympics, since I think the analogy is exactly pertinent to ourselves as flutists. I think it is best represented in Sasha Cohen, in whom I experienced a totality of Artistry to the highest, poetic degree, embodying all the elements of beauty that is what the art of skating is all about. Pure grace and noble beauty in the way she skates. She has worked all her life on perfecting her art—to again and again practice making the technical aspects so filled with artistic elegance and precision that you forget anything about technique, but instead have an experience watching her. There she was, skating in her final event that would determine her medal. But then what? She fell. Jumps that she has worked on a million times (like all our repetition in practice), and at the moment of delivery, the landing was off. But here is the decisive point for me: as a "receiver of her art", she was by far the most complete embodiment of skating-as-Art. I got goosebumps watching her. It did not dampen my experience of her artistry that she fell. Further, she did not let the fall color her mood for the remainder of the performance! Like integrity-in-action, she kept skating like a gliding angel, a true example of "living in the Now", unconcerned that her fall just forfeited the Gold Medal opportunity. It wasn't about the "end prize", it was about the journey, and how far she could rise above her self to create art and beauty at every moment possible. All of the women skaters were the highest- trained individuals, but for me, only Sasha had the golden, artistic package.
So too is our goal with music. The end goal is not about technical perfection, but Artistry. But let me be very clear here: we absolutely work for technical perfection at all times, honing our craft, but at the time of performance it is really no longer up to us—anything can happen. It is no longer ours, but now it is "given". Our immediate goal is to simply pour ourselves into the delivery of the music from our deepest self, and whatever happens along the way we must anchor ourselves in the present moment as if there is no other. I believe that the real Art lies in the essence of what you are giving your audience–the soul of what you are delivering. A complete embodiment of beauty and grace in the music, so the music is truly experienced—not as intellectual head-journey, but a soul journey through the music as it unfolds. Are we delivering music?
When we have done all our work and it is time to perform, making it a moving experience will encompass everything we work on separately—from stance, to tone, to technique, to precision, to musicality—all summed up as the Art of flute playing. Better yet, the Art of Performance. Art is full of mystery, and in my opinion, it ought to be uplifting to experience our Art—at least this is what I strive for, and what drives me. The greatest magic about playing music is that it first lifts me up, then it is given "back" to the listener in that happy spirit, and I can only hope for the same joy for them.


Frugal & Fabulous: Two Free 8x10s at Walgreens!
Two Free 8x10s at Walgreens!
For the first 8x10 log on to Walgreens Photo and use coupon code 1FREEBIE at checkout. Choose in-store pickup and your order will be totally free! (Hurry, the last day to use the code is Saturday, June 18!) The site says the 8x10 is a collage print, but you can have it printed with just one picture.
For a second free 8x10, text DAD to 21525 and you'll receive a second coupon code to use on the site!


text:
VITTAKASH - the annual flagship event from 'Finacle' – the SDMites Finance Club was held on November 22, 2016 at SDMIMD. 'Indian Economy: Boom or Bubble' was the theme for VITTAKASH '16. A total 16 teams of 2 members each got selected for the final round from the first round of online quiz held on November 14, 2016. Students from the Symbiosis Institute of Business Management (SIBM), Bengaluru, won the first prize of Rs. 20,000 and Mysore Royal Academy (MYRA) stood second with the cash Rs. 15,000. Click here for Vittaksh Event Photo Gallery
Visit to Toyota Kirloskar Plant by SDMites
Students of "Lean and Green Management" course had an opportunity to witness Lean and Green Management in action at Toyota Kirloskar Auto Parts Pvt. Ltd. (TKAP), Bidadi on the outskirts of Bangalore on November 19, 2016.
TKAP was established in 2002 and manufactures Axles & Shafts, Transmissions and Engines for Toyota vehicles. These power train subsystems are supplied to Toyota companies in India and globally.
The plant visit kicked off with a welcome note and a brief introduction to Toyota History and Philosophy by Manufacturing Head and VP, Mr. Sadashiv Baligar. He stressed that Toyota's fundamental philosophy rests on two key principles viz: Respect for the people and Continuous improvement. This was followed by a session on overview of Toyota Production System (TPS) and implementation at TKAP by a Certified TPS trainer Mr. Dixit. He explained how TPS focuses on Safety, Quality, Productivity, Cost, Employee morale and Customer satisfaction which are central to the TPS. Further a tour of shop floor was conducted to observe manufacturing and assembly of Power train (Engine, transmission and drive shafts).
Shop floor tour gave an insight and good understanding of shop floor management practices of Toyota including 5S implementation, Zen in Sanka (total employee involvement), Operation of Kanban system for production and WIP control, Pokayoke (foolproof systems), visual control systems like Andon, Mizsumashi, part supply and replenishment through Automatic guided vehicles (AGVs).
The visit concluded with a lunch at the cafeteria hosted by TKAP and final Q&A session with TKAP shop floor management team who clarified and addressed various queries and doubts from students on the TPS implementation at TKAP.
Overall, it was a great learning experience for students to see various lean tools in action and could get a holistic view of lean management system by the pioneers of Lean Management.
International Economics Conference (IEC) 2016
The 2nd International Economics Conference was held on November 18 &19, 2016 on the overreaching theme of "Inclusive Economic Growth and Sustainable Development". The Conference was inaugurated by Dr Kaliappa Kalirajan, Professor of Economics at Australian National University, Canberra. After formally inaugurating the conference, Prof. Kalirajan delivered the keynote address. His talk centred around Asia emerging as an economic power of the 21st century. Emphasising on the need for regional co-operation among the Asian countries, Dr.Kaliragan advocated that such co-operation would facilitate better trade relations, sharing of technological resources which in turn could help each other in becoming the economic powers of tomorrow.
Shri. Ashok Balaram, Senior Vice President, SysInformation while delivering his invited lecture, provided valuable insights on the role of health sector in the inclusive growth and sustainable development. Shri. Abhishek Ranjan, Global Head-CSR and Sustainability of Brillio Technology stressed that CSR is the mechanism towards sustainability and such practices should be implemented in all business processes which would help enhance operational efficiency, labour satisfaction, create a brand value and recognition and create a greener supply chain.
In his technical session, Dr Stephen Aro-Gordon, Professor of Finance, Baze University, Nigeria spoke on "Green Banking in Nigeria: The first steps".He also provided insight on ramifications of green banking, green patterns and the need for green banking in agriculture in Nigeria.
Shri. K.N Janardhana, National Director, RSETIs, spoke on the role of rural self-employment institutes in inclusive economic growth and sustainable development. He narrated the success story of RSETIs in meeting the objectives of inclusive growth. Dr.Stuart Locke, Professor of Finance, Waikato University, New Zealand delivered the valedictory address. He analysed the empirical results reflecting how environmental factors, social factors and corporate governance would impact financial performance of the corporate organisations.
The conference was attended by more than 250 delegates from several countries including Australia, New Zealand, Nepal, Bangladesh, Nigeria, Fiji, Iran and other Middle East countries. More than 180 research papers and case studies were presented, discussed and deliberated across the two days. Various issues pertaining to the conference theme were debated in parallel track sessions. green energy, FDI, green practices, micro-finance, third sector initiatives for grass root growth were few among major topics discussed which has created foundation for further research.
Dr. B. Venkatraja, Assistant Professor of Economics, Conference Chair, coordinated the proceedings.
Photo Gallery | Newsclips: The Hindu | Times of India
National Library Week Celebration
The SDMites celebrated National Library Week 2016 in a Government School where they have taken-up the responsibility of giving 'School Library' to the young minds. The essay and drawing competition on theme 'My School Library' was organized for the high school children of Adarsha Vidyalaya, Jockey Quarters, Mysore.
SDMites initiative LIFE@ School (Library Initiative for Education at School) which involves setting up and establishing a Library for the students of Adarsha Vidyalaya. They have planned to operationalize the active library during December 2016. To understand the expectations from the children this activity was conducted as a part of National Library Week celebration. The exhibition of most circulated Management Classics, AV materials and Harvard Collections at SDMIMD Library was part of the celebration during November 16 to 20, 2016 at SDMIMD.
Invited talk on 'Indian Financial Sector'
Mr. G. Giridhar Prabhu, Director, Achal Indutries Pvt. Ltd. and Chairman of Economics Research Centre, Mangalore; delivered an invited talk on Indian Financial Sector. The talk focused on highlighting various issues pertaining to the Indian Financial Sector, at the institute on November 19, 2016.
Mr. Giridhar analysed the implications of GST on export sector and opined that impact of GST on the export industries will be positive. The talk concluded with a discussion with the SDMites on certain strategies to make India and Indian Bankers the best amongst the world.
SDMites Visit to Toyota Kirloskar Plant
TKAP was established in 2002 and manufactures Axles & Shafts, Transmissions and Engines for Toyota vehicles. These power train subsystems are supplied to Toyota companies in India and globally. Read More>


LEXINGTON, Mass.--(BUSINESS WIRE)--Imprivata® (NYSE: IMPR), the healthcare IT security company, announced today that Baystate Health has chosen Imprivata Cortext as the health system's secure communications platform to improve care coordination and securely transfer digital health information to improve patient care for Baystate's health population.
As a member of PVIX, Baystate currently utilizes Imprivata Cortext, to enable its physician practices, specialty practices, and healthcare systems to coordinate care and securely communicate patient status updates, quick consults, and referral requests. Baystate has integrated Imprivata Cortext with the organization's answering service, Crocker Communications, to quickly send a secure message alert to the physician and get an immediate response, which is especially useful in Pediatrics and OBGYN.
"Before integration with Cortext, the answering service relied on legacy technologies such as pagers or email to communicate with physicians, often resulting in longer response times and potentially delayed care," said Ed Gaudet, General Manager of Imprivata Cortext. "With Imprivata Cortext, repeating notifications and sounds with visual acknowledgements ensure that messages are never lost and senders know when a message has been opened."
"We are now able to provide Baystate Health with an exponentially faster, reliable and secure communication process after business hours," said Matthew Crocker, President, Crocker Communications. "Previously, if patients had questions or needed to communicate a change in their condition, we paged or called physicians. With Imprivata Cortext, we know when a message goes through and as soon as a doctor opens it resulting faster response rates."
Imprivata Cortext is the secure communication platform for healthcare that enables providers to quickly and easily communicate using their mobile device, tablet, or desktop to better coordinate care across groups and multiple affiliated sites. According to the KLAS report, "Secure Messaging 2015: First Look At Who Providers Are Considering and Why," providers considering secure messaging consider Imprivata Cortext in potential purchases twice as many times as any other strategic vendor.
According to a new secure messaging report from KLAS, "Imprivata sets themselves apart by engaging in deep development partnerships with providers and working closely with end users to customize the solution to their needs, thereby increasing adoption of the solution. Additionally, the experience is improved for end users by Imprivata sharing best practices." To learn more about the KLAS secure messaging category, visit: http://data.klasresearch.com/segment/285.
Based in western Massachusetts, Baystate Health is a not-for-profit healthcare organization serving over 800,000 people throughout western New England. Services include an academic medical center, community hospitals, medical practices, home care and hospice and more. Baystate Health has over 900 beds across five facilities: Baystate Medical Center; Baystate Children's Hospital, both in Springfield; Baystate Franklin Medical Center, in Greenfield; Baystate Noble Hospital in Westfield; Baystate Mary Lane Hospital, in Ware; and Baystate Wing Hospital, in Palmer. With more than 12,000 team members, Baystate Health is one of western Massachusetts' strongest economic engines, delivering over $2.6 billion in yearly economic impact (as of 2009). For more information, please visit www.baystatehealth.org.
The Pioneer Valley Information Exchange (PVIX) is a regional health information exchange (HIE) driving quality patient-centered healthcare throughout western Massachusetts and surrounding areas. PVIX powers its collaborative community of hospitals, healthcare providers, and medical practices to provide efficient and accurate care through secure digital and mobile technologies including: lab results and radiology image exchange; secure texting; an e-referral system; and an aggregated single patient record and portal service for patients and providers. For more information, please visit www.pvix.org.
Crocker Communications, Inc is a leading expert in medical answering services, provides 24x7 messaging support to medical practices and hospitals in the New England region. For more information please visit www.crocker.com, or Contact Amy Hill ahill@corp.crocker.com.


CEO. Coach. Boundary breaker. How Natalia Oberti Noguera disrupts the world of angel investing.
Strategist. Connector. Talent magnet. How Daisy Auger-Dominguez creates a space in corporate America for the rest of us.
Singer. Broadway star. Revolutionary. How Mandy Gonzalez commands — and captivates — on stage and in person.
Writer. Actor. Trailblazer. How Cristela Alonzo makes room for stories like hers in every medium.
The View host. Former federal prosecutor. Future politician. How Sunny Hostin takes on today's most controversial topics — on live TV.
Actor. Musician. Activist. How Jackie Cruz creates her own path (in and out of the spotlight).
Welcome to Latina to Latina!


Habitat for Humanity is relocating its downtown Atlanta headquarters.
The organization, which works to eliminate substandard housing, has signed a 54,603-square-foot lease at the Marquis Two Tower in Peachtree Center.
Habitat for Humanity is moving from downtown's 270 Peachtree. It plans to occupy the new space by November.
Jonathan Reckford, Habitat for Humanity International CEO, said the new space offers a more collaborative work environment. The nonprofit's workforce has also grown since opening its downtown headquarters in 2006, he said.
More than 22 million people have secured new or improved housing through Habitat for Humanity since the organization was founded in 1976. Last year, it helped more than 8.7 million people through construction, market development and professional services.
Bob Misdom, principal at Cresa Atlanta, represented Habitat for Humanity in lease negotiations. Deming Fish, with Colliers International Group Atlanta, represented Peachtree Center ownership.


text:
The [modern build](https://github.com/lodash/lodash/wiki/Build-Differences) of [lodash's](https://lodash.com/) `_.uniq` exported as a [Node.js](http://nodejs.org/)/[io.js](https://iojs.org/) module.

## Installation

Using npm:

```bash
$ {sudo -H} npm i -g npm
$ npm i --save lodash.uniq
```

In Node.js/io.js:

```js
var uniq = require('lodash.uniq');
```

See the [documentation](https://lodash.com/docs#uniq) or [package source](https://github.com/lodash/lodash/blob/3.2.2-npm-packages/lodash.uniq) for more details.


text:
La Biblioteca Central de Cornellà de Llobregat, anteriorment Biblioteca Central Joan Garcia Nieto, és una biblioteca pública de la ciutat de Cornellà de Llobregat (Baix Llobregat). Ubicada al barri de la Gavarra, és l'equipament central de la Xarxa de Biblioteques de Cornellà i pertany també a la Xarxa de Biblioteques Municipals de la Diputació de Barcelona. És successora de la primera biblioteca de la ciutat, la Biblioteca Popular de Cornellà, que també va anomenar-se Biblioteca Popular Joan Maragall durant diverses dècades.

L'edifici del seu emplaçament actual fou inaugurat el 23 d'abril de 1996 i constitueix un conjunt d'equipaments assitencials més ampli que inclou un centre d'atenció primària, el centre cultural i cívic del barri i l'escola de música municipal, entre d'altres.

Història

Orígens de la biblioteca durant el franquisme
La Biblioteca Central de Cornellà de Llobregat és la successora directa de l'antiga Biblioteca Popular de Cornellà. Les primeres reivindicacions populars i reiterades per aconseguir aquest servei cultural per a la població daten de l'estiu de 1928, quan es va constituir una comissió d'organització de caràcter particular per assolir un espai de lectura amb característiques semblants a la resta de biblioteques que ja existien en les poblacions del voltant. Aquestes demandes, però, no es van convertir en una realitat fins passats dos decennis i sota l'alcaldia franquista de Manuel Medina Clavero: el 26 de juny de 1943 a la planta baixa de la masia de Can Gaya, al carrer Rubió i Ors del barri Centre de la ciutat.

Poc després, l'any 1947, la biblioteca va haver de ser traslladada per manca d'espai al carrer de Mossèn Jacint Verdaguer núm. 66, a tocar de la Rambla d'Anselm Clavé, en un edifici que prèviament havia estat un parvulari.

A les seves instal·lacions, únic referent cultural de la ciutat durant la dictadura, es van realitzar tota mena d'actes de promoció de la lectura, activitats infantils, conferències i també s'hi van fer les primeres classes de català impartides pel lingüista i docent Josep Llobera i Ramon. Entre el personal que hi va exercir durant les dècades dels 40 i 50, en destaca la presència de les bibliotecàries Antònia Parés i Macià, Rosalia Guilleumas i Brosa i Montserrat Mussons i Artigas.

Trasllat a la Casa de Cultura
Després de 22 anys ubicada a l'emplaçament del carrer de Mossèn Jacint Verdaguer, el 22 de desembre de l'any 1969, sota el mandat de Josep Riu i Carreras, es va inaugurar un nou equipament al carrer de Joan Maragall (ben a prop de Can Maragall, la casa pairal del poeta català a la ciutat), que va passar a incloure la nova biblioteca –rebatejada com a Biblioteca Popular Joan Maragall– i una nova Casa de Cultura municipal. Entrada la dècada dels noranta, l'edifici va ser ampliat tot incorporant-hi una planta superior.

Equipament polivalent a Can Moritz
Tot i l'ampliació de la Casa de Cultura, durant els anys noranta es va considerar la necessitat de disposar d'un nou immoble polivalent d'acord amb les necessitats d'una població a l'alça i l'Ajuntament de Cornellà va projectar un nou equipament sobre els antics terrenys de la fàbrica de Can Moritz, al barri de la Gavarra. Així doncs, la biblioteca va ser traslladada al seu actual emplaçament, el complex conegut com a Centre Cultural Joan N. García-Nieto, que també disposava d'espais per a l'Escola Municipal de Música, el Centre de Recursos per a Joves (CRAJ), una sala d'exposicions, la seu de la Universitat Nacional d'Educació a Distància per a la gent gran (UNED Sènior, també coneguda com a Universitat de la Gent Gran) i les dependències del Centre Cultural pròpiament dit –amb la funció de centre cívic per a activitats del barri. El 23 d'abril de 1996, tot coincidint amb diada de Sant Jordi, es va inaugurar sota el mandat d'alcaldia de José Montilla i Aguilera, ja amb el nom actual de Biblioteca Central Joan N. García-Nieto (en referència al sociòleg català, estretament vinculat al municipi durant la lluita obrera contra el franquisme).

Anys més tard, el 2002, es va obrir al públic un centre d'atenció primària (CAP Can Moritz) en una ala del mateix edifici que l'ajuntament havia reservat per al trasllat de l'àrea bàsica de salut del barri. El febrer de 2007, per altra banda, la biblioteca va reobrir al públic amb una superfície ampliada als 2.500 metres quadrats, tot incorporant una nova sala d'exposicions i activitats després de romandre un període de 5 mesos tancada per obres.

Estructura

Gestió i organització
La Biblioteca Central de Cornellà és la cap de zona de la Xarxa de Biblioteques de Cornellà (XBC), que inclou també la Biblioteca Marta Mata (a l'edifici de l'antic Cinema Titan del barri Centre), la Biblioteca del barri de Sant Ildefons, la biblioteca escolar Joan Salvat-Papasseit de l'IES Esteve Terradas, la futura Biblioteca del barri Fontsanta-Fatjó (en construcció) i la prevista pel barri d'Almeda (sense data d'execució).

La gestió de l'equipament està compartida entre l'Ajuntament de Cornellà, propietària de l'immoble, i la Diputació de Barcelona. La biblioteca està adherida a la Xarxa de Biblioteques Municipals (XBM), coordinada per la mateixa Diputació, i també al Grup de Biblioteques Catalanes associades a la UNESCO.

Col·leccions i fons especialitzats
La biblioteca conté més de 86.000 documents físics i multimèdia i acull la col·lecció local del municipi, heretada de la Biblioteca Popular, que va començar a recollir informació de la ciutat d'ençà de 1943. A més a més, disposa de fons especialitzats sobre música i ball flamencs, pallassos (sobretot en relació amb el Festival Internacional de Pallassos de Cornellà de Llobregat), acollida de nouvinguts –per al foment de la integració social i cultural, amb alguns volums en àrab– i també sobre criança d'infants.

Referències

Bibliografia

Cornellà
Edificis de Cornellà de Llobregat

redpajama_set_name: RedPajamaWikipedia


Welcome to the Ontario Traffic Manual (OTM) Book 18: Cycling Facilities Update Questionnaire!
Cycling planning and design has evolved since the publication of the current provincial cycling design guideline, OTM Book 18. WSP in association with Alta Planning + Design, Share the Road Cycling Coalition, True North Safety and Marnie Peters & Co has been retained by the Ontario Traffic Council to review and update the current OTM Book 18. This update will build upon lessons learned, integrate global best practices, enhance route and facility selection processes and explore innovative design solutions.
We are looking for your input on what changes and additions should be included in the update to OTM Book 18: Cycling Facilities, and how these guidelines can be improved as a resource for practitioners, municipalities and advocates.
A link is provided below that will direct you to the current version of OTM Book 18 that you can reference while completing the survey.


The best supercar ever from Ferrari, but still with plenty of character.
Owning a Ferrari is something very special. It is an experience unlike no other, a dream that for a select few becomes a reality. For that reason though, when dreams become real life, there is a certain level of expectation those buyers hold. A Ferrari must make you feel alive, it must brighten the darkest days and no matter where you go, it must be good looking enough to be noticed. Perhaps most importantly though, it must also sound the part.
You can find yourself in a Ferrari 488 from $469,988 (plus on-road costs), though our test car had an additional $124,000 worth of options (listed below).
Gone is the much loved naturally-aspirated 4.5-litre V8 of the 458 and in comes a twin turbocharged 3.9-litre V8. Despite the loss in capacity, the new engine makes a staggering 492kW (up 73kW) and 760Nm (up 220Nm). That means it will do 0-100km/h in three seconds flat, as quick as the 458 Speciale and 0.4 seconds faster than the 458 Italia.
But while those figures are impressive, it's the 0-200km/h performance that really tells the new story, now clocked at just 8.3 seconds (2.1 seconds faster than the 458 italia). What that means in the real world is immediate and uncompromising torque that slams you so hard into the back of the seat that you get a little queasy.
Perhaps the main issue with the Ferrari 488 is its classification as a supercar, because in reality it's closer to a hypercar in how it behaves. Lamborghini has nothing that truly compares to the 488's sheer ferocity and unless you're willing to go for a McLaren 650S or Porsche 911 Turbo S, you won't find anything that matches its performance, and certainly nothing exists that matches its Ferrari-ness with its other credentials.
In many ways, the 488's closest competitor is actually the 458 Speciale, which you can no longer buy new. Both in and out the two cars are actually similar in appearance and it's obvious that Marenello has unashamedly based the 488 on its predecessor, which is ideal considering how good it was.
What is so different between the two generations of Ferraris, though, is how they drive. While the 458 is a build up of RPMs to redline that leads to a glorious former-era Formula One exhaust note, delightfully deafening in tunnels, the 488 is more of a high pitch hiss mixed with an inner cabin drone that can get a little irritating. From the outside though, it sounds insane.
It's impossible, even for the brightest minds at Ferrari, to match the sound and characteristics of a naturally aspirated engine with a smaller capacity block and a set of turbochargers. The benefits of the new system are undeniable in terms of performance and no doubt they are a mandatory requirement for manufacturers to meet ever-stringent CO2 emission requirements, but we are talking about supercars here, not a Prius. Such are the times and once you get used to the new note, it becomes the norm.
Jump inside, turn it on and there's an immediate sense of urgency to the 488. It's not the type of car you want to drive slowly, given the choice. The optional 'Goldrake Carbon Fibre racing' seats on our car were, as you'd expect, not super comfortable but certainly ideal for the type of car that this is.
There's a semi reasonable amount of storage in the Ferrari (for a supercar) and certainly with the front boot, you can carry a small soft suitcase for a night or two away, or stash a few grocery bags if you must. We didn't try the stereo, as there was no need.
To give you an idea of what buying a Ferrari means, there is no comfort mode, only Wet, Sport or Race. Sport is where you will likely spend the majority of your time, but Race mode is where you will have the most fun.
To get going you simply pull the right hand paddleshifter towards you and the 488 is engaged. Despite what you may think, this, like other modern Ferraris, is not as scary as it looks to drive day in day out. Visibility is good enough, it doesn't scrape the front end around town (despite our test car not having the optional lift kit) and even parking is not an issue. Sure, you probably wouldn't take it to Coles, but not because it's incapable.
Really though, the 488 only becomes a handful when you start having a proper go. Around the beautifully windy roads of Mt Nebo and Glorious here in Brisbane, the 488 is the embodiment of a true driver's car. It harks back to the days of previous-generation supercars that demanded absolute attention from their pilots.
The F1 gearbox is merciless and unrealistically good. At speed it changes gears with an enormous amount of drama, you can't help but smile as you go for an up or a downshift and listen to the consequences.
The 488 is by far the fastest supercar we've driven point to point on a tight bit of road, and it's also the most challenging. It is a constant battle of willpower and trust. The Ferrari is unbelievably fast, much faster than you think is possible, yet, its limits are difficult to find, but when you do happen to find them, expect an immediate change of underwear.
It can be pushed so hard and so fast that any little error could have dire consequences. It's unforgiving, but that's why we love it so. At speed it's jittery and often feels nervous in the rear end, as if holding a tamed lion that is looking for its first opportunity at revenge. It dares you on, and on, it begs you to go faster even when you should know better. Yet you simple obey, for it knows best.
In the rain, which we had plenty of during our time with the car, the 488 is a hoot. Even in wet mode it skates around and steps out at any given moment and if you want to feel 100 per cent alive, there's absolutely nothing quite like it. This is in stark contrast to its more affordable and naturally-aspirated AWD V10 Lamborghini Huracan competitor, which is much easier to drive fast, but a hell of a lot less fun.
That's perhaps the best way to think of the Ferrari 488. Fun. In its absolute purest form. There's nothing quite like being so close to the edge of grip at all times while looking so good in the process.
It would be a lie if we said the Ferrari didn't scare us at times, because it absolutely did – it's the sort of car you would drive fast once a week and then put away to mentally recover – but it would also be untrue to say we didn't enjoy every single minute of it.


text:
// Copyright 2016 The Chromium Authors. All rights reserved.
// Use of this source code is governed by a BSD-style license that can be
// found in the LICENSE file.

/** @fileoverview A helper object used for testing the Device page. */
cr.define('settings', function() {
  /** @interface */
  function DevicePageBrowserProxy() {}

  DevicePageBrowserProxy.prototype = {
    /**
     * Override to interact with the on-tap/on-keydown event on the Learn More
     * link.
     * @param {!Event} e
     */
    handleLinkEvent: function(e) {},

    /** Initializes the keyboard WebUI handler. */
    initializeKeyboard: function() {},

    /** Shows the Ash keyboard shortcuts overlay. */
    showKeyboardShortcutsOverlay: function() {},
  };

  /**
   * @constructor
   * @implements {settings.DevicePageBrowserProxy}
   */
  function DevicePageBrowserProxyImpl() {}
  cr.addSingletonGetter(DevicePageBrowserProxyImpl);

  DevicePageBrowserProxyImpl.prototype = {
    /** override */
    handleLinkEvent: function(e) {
      // Prevent the link from activating its parent element when tapped or
      // when Enter is pressed.
      if (e.type != 'keydown' || e.keyCode == 13)
        e.stopPropagation();
    },

    /** @override */
    initializeKeyboard: function() {
      chrome.send('initializeKeyboardSettings');
    },

    /** @override */
    showKeyboardShortcutsOverlay: function() {
      chrome.send('showKeyboardShortcutsOverlay');
    },
  };

  return {
    DevicePageBrowserProxy: DevicePageBrowserProxy,
    DevicePageBrowserProxyImpl: DevicePageBrowserProxyImpl,
  };
});


Rent a Dumpster in Somerville Now!
Simply give us a call and we will answer any questions you may have about the Somerville dumpster rental procedure, allowed materials, size you may need, etc.
Our roll off containers can usually be delivered in Somerville the day after you place your order. Make sure to call us early to ensure timely delivery.
Cheapest Dumpster Rental in Somerville - Is It Worth It?
Obviously you need to spend as little cash as possible when renting a dumpster in Somerville. Occasionally, however, the cheapest dumpster rental in Somerville alternative is not worth it. Actually, it might end up costing you more in the long term.
Taking the cheapest option could mean that you simply get a dumpster that's too small for your job. After you fill up the dumpster, you would have to cover another to complete your project. It is usually more affordable to get a bigger size and avoid the hassle.
The most affordable dumpster rental businesses in Somerville might not include matters like drop off and pick up fees. Be sure that your quotes include all additional fees. This way you can compare prices accurately to get the very best deal. Customer service another major factor. More than a few companies keep prices low by cutting corners on service. The last thing that you would like is to waste time waiting for a truck to arrive by means of your dumpster.
What Size Dumpster Should I Get for a Residential Clean Out in Somerville?
Residential clean outs generally don't demand big dumpsters. The size that you need, however, will be contingent on the size of the project.
If your plan is to clean out the entire house, then you probably need a 20-yard roll off dumpster. You could likewise use this size for a large cellar or attic clean out.
When choosing a dumpster, though, it is often wise to ask for a size larger than what you think you will need. Unless you are a professional, it is difficult to estimate the precise size needed for your job. By getting a somewhat larger size, you spend a bit more money, however you also prevent the possibility you will run out of room. Renting a larger dumpster is almost always cheaper than renting two small ones.
One of the greatest concerns you likely have when renting a dumpster in Somerville is how much it will cost. Among the very best methods to negate this anxiety is to get accurate info. When you phone to get a price quote, have a good idea of how much waste you will have to remove so you can get the most effective recommendation on dumpster size. If you are not sure on the total amount of waste, renting a size larger will save you the additional expense of renting a second dumpster if the first proves overly little.
Provide any information you think is applicable to make sure you do not end up paying for services that you do not actually desire. More than a few companies charge by the container size, while others charge by weight. Be sure you understand which is which so you have a clear quote. Likewise, ensure that you request if the quote you get includes landfill coststhis is going to keep you from being surprised by an additional fee later.
Planning ahead for your dumpster rental in Somerville will make your job easier and safer to conclude on time. When renting a dumpster in Somerville, follow these suggestions to help you plan ahead.
2. Prepare the things you wish to remove. If you're cleaning out a waterlogged basement, for instance, attempt to remove as a lot of the damaged materials before the dumpster arrives.
When in doubt, it's best to contact your rental business to get a record of things that you can't put into the dumpster.
Trash removal vs dumpster rental in Somerville - Which is good for you?
For those who have a job you are going to undertake at home, you may be wondering if it is better to hire someone to come haul off all your garbage and rubbish for you, or in the event you need to just rent a dumpster in Somerville and load it yourself.
Renting a container is a better solution in the event you'd like the flexibility to load it on your own time and you don't mind doing it yourself to save on job. Dumpsters also function well if you've at least seven cubic yards or more of debris. Roll-offs usually start at 10 cubic yards, so if you only have 3-4 yards of waste, you are paying for a lot more dumpster than you need.
Trash or crap removal makes more sense in case you'd like another person to load your old things. In addition, it works well if you'd like it to be taken away quickly so it is out of your own hair or if you simply have a few big things; this is probably cheaper than renting a whole dumpster.
Front -load and roll off dumpsters have different designs that make them useful in different ways. Knowing more about them will allow you to choose an option that's right for your endeavor.
Front-load dumpsters have mechanical arms that can lift heavy items. This is a convenient option for jobs that contain lots of heavy things like appliances and concrete. They're also great for emptying commercial dumpsters like the type eateries use.
Roll off dumpsters are typically the right option for commercial and residential jobs like fixing a roof, remodeling a cellar, or including a room to your residence. They've doors that swing open, allowing you to walk into the dumpster. Additionally they have open tops that allow you to throw debris into the container. Rental firms will typically leave a roll off dumpster at your endeavor location for many days or weeks. This is a convenient option for both small and big jobs.
The amount of time that you might want to rent a dumpster in Somerville generally depends on the kind of project you're working on. A small project, such as a cellar clean out, will likely take a couple of days to complete while bigger projects, like building a new house, could take several months.
Most dumpster rental companies in Somerville are happy to adjust their schedules to suit your needs. Keep in your mind, nevertheless, that the the more time you keep the dumpster, the further you'll need to cover it.
When you contact dumpster rental companies in Somerville, ask them how long their durations are. Many will allow you options such as several days or one week, but there are typically longer terms accessible, too.
As with any service, it's almost always an excellent strategy to allow your dumpster as far ahead as you possibly can in order to ensure that the dumpster will be available when you really need it. If you wait until the last minute, there is no guarantee that the business will soon have the capacity to fill your order.
Two or three days notice is usually adequate to ensure your dumpster delivery punctually. Keep in mind that the most active days have a tendency to be on Mondays and Fridays (encompassing the weekend), thus if you can organize your mission for the middle of the week, you have a increased opportunity of getting the dumpster you'll need.
Most dumpster rental businesses in Somerville commonly rent containers for a regular rate for 7 days, although most one time customers end up keeping their container an average of three and a half days. When you phone to allow the container, talk with all the customer support representative about the duration of time you think you'll need.
In case it turns out that your project takes longer than you anticipated, just telephone the dumpster business to clarify. Most businesses will charge you on a per-day basis after your first 7 days. It's vital that you convey this additional need as soon as you know you have it since most dumpster firms have a limited variety of bins that may already be allowed. Most businesses will work with you to adapt your extra rental time. If you think you will want the dumpster for an extra week or more, ensure that you mention that; rates may change based on a longer period of time.
Most businesses make it easy that you book your dumpster appointment. Before you contact rental businesses to schedule a drop off or pick up, though, you can take some steps which make the procedure even easier.
2. Give you and the rental business lots of time. It is better to call ahead at least a week or two before you want the dumpster. Should you attempt to schedule an appointment earlier than that, you may have a small collection.
All major credit cards accepted for dumpster rentals in Somerville.


MAGNIFICANT VIEW!! BROWNSBORO ROAD address. Tremendously successful ''Summit Gardens'' consisting of beautiful individually owned ''Garden Homes'' that includes HOA w/ grounds keeping. Enjoy a sense of community. Classy brick homes with age-in-place design. Fabulous covered front and rear porches. Professionally designed, low-maintenance exterior finishes make a winning combination in one of Louisville's premier locations. This home features: 9ft. ceilings, hardwood floors, walkout lower level, butler's pantry, over-sized shower in owner's bath, vaulted ceiling in great room, deluxe kitchen cabinets with granite counter tops and stainless-steel appl., glass enclosed cafe, upgraded mill-work. One of a kind location!!


text:
Capital Reserve Adds Tenants
Elk Grove's Capital Reserve retail project adds tenants, prepares for next phase.
By Sonya Sorich – Digital Editor, Sacramento Business Journal, Jul 26, 2021, 10:19am EDT
The first phase of a new Elk Grove retail center is fully leased, and an approximately 10,000-square-foot building in its second phase is expected to be ready next year.
Earlier this year, the Business Journal reported that two buildings were completed at Capital Reserve, which is at the site of a former Capital Nursery location in Elk Grove. Pappas Investments is developing the retail center at 8403-8439 Elk Grove Blvd.
ClearChoice Dental Implant Centers filled one of those buildings, with a location that opened in May, said Kelly Rule, senior vice president of leasing with Pappas Investments.
The other building in Capital Reserve's first phase has multiple tenants. Locally owned BAD Bakers, a previously reported tenant, is now open. With the addition of two more tenants, the building is fully leased. Bellavie Salon will fill 1,308 square feet, and Paris Banh Mi and Co. will fill 2,418 square feet, Rule said.
Elk Grove will be the first California location for Paris Banh Mi and Co., said Liem Nguyen, who will own the Elk Grove restaurant with business partner Tina Do. After debuting in Orlando, Florida, Paris Banh Mi has expanded with multiple locations. It serves Vietnamese-style baguette sandwiches. The Elk Grove location will also sell bakery items such as cheesecakes, Nguyen said.
Nguyen hopes to start work soon on the Elk Grove restaurant. If the location goes well, he said he hopes to open another site in the near future, possibly in Downtown Sacramento or the Arden area. He's looking for a business partner for that location. Nguyen also owns a Kiki's Chicken Place restaurant, and a location of tea shop chain T4.
Tuan Nguyen, a director with commercial real estate brokerage KW Commercial in Sacramento, represented the local owners of Paris Banh Mi in the Elk Grove lease.
With tenants finalized for the project's first phase, Pappas Investments will turn its attention toward the second phase of Capital Reserve. An approximately 10,000-square-foot building in the project's second phase is expected to be ready in the fall of 2022, Rule said. The building will include multiple suites, according to a leasing plan.
"I have several proposals for space but we're being very particular," Rule said in an email. "What we have are a few more restaurant uses in play — which is fine — however, we would prefer to have another medical/dental or a real estate/mortgage use to round out the center."
Jamie Odra2021-10-01T23:15:22+00:00


text:
package edu.byu.ece.rapidSmith.bitstreamTools.configuration;

import edu.byu.ece.rapidSmith.bitstreamTools.bitstream.BitstreamUtils;
import edu.byu.ece.rapidSmith.bitstreamTools.configurationSpecification.XilinxConfigurationSpecification;

import java.util.ArrayList;
import java.util.Arrays;
import java.util.List;

/**
 * Defines the data contents of a configuration frame. Provides methods
 * for accessing and setting configuration frame data. Frame data is
 * stored as an array of ints.
 * <p/>
 * TODO
 * - Need methods for initializing the contents of the frame data and make them safe.
 */
public class FrameData {

    /**
     * The frame is initialized to zero with size number of 32-bit words.  All frames in a given device
     * should be the same size.
     *
     * @param size The size of the frame in 32-bit words.
     */
    public FrameData(int size) {
        _words = new int[size];
        zeroData();
    }

    public FrameData(XilinxConfigurationSpecification spec) {
        this(spec.getFrameSize());
    }

    // constructs a frame from frame data stored in a byte array
    public FrameData(List<Byte> byteData) {
        this(byteData.size() / 4);
        copy(BitstreamUtils.toIntArray(byteData));
    }

    /**
     * Copy constructor
     */
    public FrameData(FrameData copy) {
        this(copy.size());
        copy(copy);
    }

    public void copy(FrameData copy) {
        for (int i = 0; i < size(); i++)
            setData(i, copy.get(i));
    }

    public void copy(List<Integer> copy) {
        for (int i = 0; i < size(); i++)
            setData(i, copy.get(i));
    }

    /**
     * Sets all parameters and data to zero.  The frame looks freshly initialized.
     */
    public void zeroData() {
        for (int i = 0; i < _words.length; i++) {
            _words[i] = 0;
        }
    }//end ZeroData

    /**
     * XORs the data words of this frame with those of Frame f and stores them in this frame.
     * Sets hasData appropriately.
     *
     * @param f The frame containing the data to be XOR'ed with this frame
     * @return true if the operation succeeds, false otherwise.
     */
    public boolean XORDATA(FrameData f) {
        if (size() != f.size())
            return false;

        for (int i = 0; i < size(); i++) {
            int xorValue = this.get(i) ^ f.get(i);
            setData(i, xorValue);
        }
        return true;
    }//end XORData

    /**
     * ANDs the data words of this frame with those of Frame f and stores them in this frame.
     * Sets hasData appropriately.
     *
     * @param f The frame containing the data to be AND'ed with this frame
     * @return true if the operation succeeds, false otherwise.
     */
    public boolean ANDData(FrameData f) {
        if (size() != f.size())
            return false;

        for (int i = 0; i < size(); i++) {
            int andValue = get(i) & f.get(i);
            setData(i, andValue);
        }
        return true;
    }//end ANDData

    /**
     * ORs the data words of this frame with those of Frame f and stores them in this frame.
     * Sets hasData appropriately.
     *
     * @param f The frame containing the data to be OR'ed with this frame
     * @return true if the operation succeeds, false otherwise.
     */
    public boolean ORData(FrameData f) {
        if (size() != f.size())
            return false;

        for (int i = 0; i < size(); i++) {
            int orValue = get(i) | f.get(i);
            setData(i, orValue);
        }
        return true;
    }//end ORData

    /**
     * Zeros out data in this FrameData that are "ones" in f. This is used for mask
     * bitfiles.
     *
     * @param f The frame containing the data to be MASK'ed with this frame
     * @return true if the operation succeeds, false otherwise.
     */
    public boolean MASKData(FrameData f) {
        if (size() != f.size())
            return false;

        for (int i = 0; i < size(); i++) {
            // result = curValue & ( ~Mask)
            int orValue = get(i) & (~f.get(i));
            setData(i, orValue);
        }
        return true;
    }//end ORData

    /**
     * Inverts the data words stored in the frame.
     */
    public void NOTData() {
        for (int i = 0; i < size(); i++) {
            int notValue = ~get(i);
            setData(i, notValue);
        }
    }//end NOTData

    /**
     * Returns the word at the specified index of the frame.
     *
     * @param index Index of the desired word.
     * @return The word at the specified index of the frame.
     */
    public int getFrameWord(int index) {
        return get(index);
    }

    /**
     * Set the data of this frame with the data of the given frame.
     */
    public boolean setData(FrameData data) {
        if (data.size() != size())
            return false;
        for (int i = 0; i < size(); i++) {
            setData(i, data.getFrameWord(i));
        }
        return true;
    }

    public boolean setData(int index, int word) {
        if (index < _words.length && index >= 0) {
            _words[index] = word;
            return true;
        } else {
            return false;
        }
    }

    /**
     * Gets all the data words in the frame and returns them in an ArrayList of Integers.
     *
     * @return An ArrayList of Integers containing all the data words of the frame.
     */
    public List<Integer> getAllFrameWords() {
        Arrays.asList(_words);

        ArrayList<Integer> li = new ArrayList<Integer>(_words.length);
        for (int i = 0; i < size(); i++)
            li.add(_words[i]);
        return li;
    }//end GetAll

    /**
     * Returns the size of the frame.
     *
     * @return The number of 32-bit words in the frame
     */
    public int size() {
        return _words.length;
    }

    /**
     * Returns the word at the specified index of the frame.
     *
     * @param index Index of the desired word.
     * @return The word at the specified index of the frame.
     */
    public int get(int index) {
        return _words[index];
    } //end Get

    public int getECCBits() {
        return 0x00000FFF & _words[_words.length / 2];
    }

    public int countBitsSet() {
        int count = 0;
        for (int i = 0; i < _words.length; i++) {
            if (i == _words.length / 2)
                count += Integer.bitCount(_words[i] & 0xFFFFF000);
            else
                count += Integer.bitCount(_words[i]);
        }
        return count;
    }

    /**
     * Extracts the bit from the frameData.
     *
     * @param index The index of the desired bit.
     * @return The value of the bit (0 or 1) at the index specified.
     */
    public int getBit(int index) {
        return (_words[index / 32] >> (31 - (index % 32))) & 0x1;
    }

    /**
     * Extracts the bit from the frameData non xilinx ordered bit index.
     *
     * @param index The index of the desired bit.
     * @return The value of the bit (0 or 1) at the index specified.
     */
    public int getBitReverse(int index) {
        return (_words[index / 32] >> ((index % 32))) & 0x1;
    }

    /**
     * Sets the bit in the frameData at index with value.
     *
     * @param index Bit index into the frame of the desired bit to set.
     * @param value The value (0 or 1) of the bit.
     * @return true if operation was successful, false otherwise.
     */
    public boolean setBit(int index, int value) {
        int tmp = _words[index / 32];
        int currBit = getBit(index);
        if ((currBit == 1 && value == 1) || (currBit == 0 && value == 0)) {
            // Value is already set
            return true;
        }
        if (value != 1 && value != 0) {
            // bogus value
            return false;
        } else if (currBit == 1 && value == 0) {
            tmp = tmp ^ (0x1 << (31 - (index % 32)));
        } else if (currBit == 0 && value == 1) {
            tmp = tmp | (0x1 << (31 - (index % 32)));
        }
        return setData(index / 32, tmp);
    }

    /**
     * Flips the bit (0->1 or 1->0) at the bit index specified
     *
     * @param index The bit index of the bit to be flipped
     * @return true if the operation was successful, false otherwise.
     */
    public boolean flipBit(int index) {
        return setData(index / 32, _words[index / 32] ^ (0x1 << (31 - (index % 32))));
    }

    /**
     * Checks if two frames sizes and data words are equal.  It doesn't check for other aspects of the frame
     * (tagged, mustWrite, or hasData) are equal, just size and data.
     *
     * @param f The frame to check this frame's data words against.
     * @return true if the data words and size of this frame and Frame f are equal, false otherwise.
     */
    public boolean isEqual(FrameData f) {
        if (size() != f.size())
            return false;

        for (int i = 0; i < size(); i++) {
            if (this.get(i) != f.get(i))
                return false;
        }
        return true;
    }//end IsEqual

    /**
     * Determines if the frame data is empty (i.e. all words are zero)
     *
     * @return true if all words are zero, false otherwise
     */
    public boolean isEmpty() {
        for (int i = 0; i < _words.length; i++) {
            if (get(i) != 0)
                return false;
        }
        return true;
    }

    /**
     * Generate a String representing the full contents of the Frame.
     */
    public String toString() {
        int numberOfWordColumns = 8;

        StringBuffer string = new StringBuffer();
        int frameSize = _words.length;

        if (!isEmpty()) {
            int wordNumber = 0;
            int column = 0;
            while (wordNumber < frameSize) {
                for (column = 0; column < numberOfWordColumns && wordNumber < frameSize; column++) {
                    string.append(BitstreamUtils.toHexString(_words[wordNumber]) + " ");
                    wordNumber++;
                }
                string.append("\n");
            }
        } else {
            string.append("Frame is empty\n");

        }
        return string.toString();
    }

    /**
     * This is a list of all the words in a frame
     */
    private int[] _words;

}


text:
The Old Foodie
A food history story and recipe every weekday of the year.
My Books.
Online Menu Collections.
Lincoln's Birthday Anniversary Banquet, 1909.
Tomorrow is the anniversary of the birth in 1809 of Abraham Lincoln, sixteenth president of the United States of America. Celebration of the event has varied enormously over time, depending on political and historical loyalties, and budgeting decisions of individual states, but the day has never been an official federal public holiday.
In 1909, on the one-hundredth anniversary of his birth, an extra-ordinarily expensive banquet was held in Springfield, Illinois. I have no information as to how this was funded.
A Twenty-Thousand Dollar Banquet
Chicago Firm Successfully Caters for Eight Hundred
at Lincoln Centennial Feast in Springfield, Illinois
Banquet Tickets Twenty-five Dollars Each . . . . Facts and Figures
of Most Remarkable Gastronomic Event in the History of Illinois
(From The Hotel Monthly of March, 1909.)
Probably the greatest catering feat ever accomplished in the state of Illinois was handled by the Richelieu Catering Co. of Chicago in Springfield, on the anniversary of Lincoln's one hundredth birthday. The banquet was served in the Armory and covers were laid for eight hundred at twenty- five dollars the plate. The caterer's bill was, approximately, $10,000. The balance of the money was spent for decorations, souvenirs, entertainment of invited guests, music and other necessary expenses. This was the menu:
Cotuits
- Martini Cocktail
Mock turtle, American
Celery Olives Radishes
- Haut Sauternes
Crab meat with fresh mushrooms, Illini
Tenderloin of beef, Sangamon
Duchesse potatoes Green peas
- Apollinaris
LOG CABIN PUNCH
Breast of guinea squab, Old Salem.
- Pommard
Compote of fruit Lettuce and endive salad
Ice cream Assorted cakes
- Pommery and Greno Sec
Creamed roquefort cheese, in celery
Coffee Cordials
Cigars Cigarettes
To serve this banquet, the Richelieu Catering Company took from Chicago a 48-foot range, coffee urns, utensils, and all the necessary paraphernalia for cooking and serving the banquet. The service of china, glass, silver and linen required three railroad cars. Eighteen thousand pieces of china were used. A special kitchen was built in the rear of the Armory, tent-covered, and with wood floor. Gas pipes were connected for fuel, and these were protected against frost, so that nothing would mar the success of the culinary end. All the foods were brought from Chicago (192 miles) on Thursday night, and the banquet was served Friday night. Seventy-five colored waiters were employed, and twenty-five white men for wine service. Forty-five of the colored waiters and all of the white waiters were brought from Chicago. One hundred and thirty help in all were employed by the caterers.
The provisions included nine barrels of oysters, fifty gallons of soup, thirty pounds of crab meat flakes, thirty pounds of fresh mushrooms, 560 pounds of No. 1 beef tenderloin, and 375 guinea fowl. The liquid refreshments served averaged for each guest: one cocktail, one glass of sauterne, one glass of pommard, three glasses of champagne, and one liqueur. Each diner received three cigars.
The service began at 7:30, and was ended at 9:30, when the speechmaking began. Everything went off as smooth as smooth could be, and the catering firm was highly complimented on the skillful management and the correct service. The
hall was beautifully decorated by a St. Louis firm, the chief decorations being chandeliers and wall brackets of electric lights, each bulb the center of a poinsettia flower. The credit for the success of this great banquet is due Richard
Ostenrieder, general manager of the Edelweiss and Hofbrau Restaurants; S. Pruym, manager of the catering department of the Hofbrau Restaurant and Richelieu Catering Company; and Albert Stalle, chef of the Richelieu Catering Company.
The illustration herewith of the banquet hall is from a photograph by Lawrence of Chicago, and shows the clever arrangement of the tables, by which, radiating from the speakers' table, each of the eighty tables (with ten diners at each) was
located so that every diner had unobstructed view of the speakers' table. The table decoration was of cut flowers arranged in mounds purposely low, so as not to obstruct the view of the speakers' table.
Each guest was presented with a bound volume of the Life of Lincoln. The menu card was in form of a booklet, the leaves eight by ten inches, the cover presenting a fine portrait of Lincoln, Selections from Lincoln's addresses and correspondence, gems of American literature, scintillated thru the pages.
Notwithstanding the vast amount of table ware required for the service of this banquet, the inventory count of the returned goods showed only four knives and four forks missing. The total loss, including china, glass, silver, linen, and breakage, amounted to less than $75.
I would dearly have loved to give you a recipe for Log Cabin Punch, but it was almost certainly invented and named for the day, and presumably to honour Lincoln's birth in a humble log cabin in Kentucky. Instead, I give you the instructions for Non-Such Punch (simply because I like the name) from How to Mix Drinks, or, the Bon-Vivant's Companion, published in 1862 – only a few years before he was assassinated in April 1865.
Non-Such Punch.
6 bottles of claret.
6 [ditto] soda-water.
1 [ditto] brandy.
1 [ditto] sherry
1 pint of green tea.
Juice of three lemons.
½ of a pineapple cut up in small pieces. Sweeten with white sugar to taste. Strain a bottle immediately. Keep for one month before using.
This is a delicious and safe drink for a mixed evening party. Cool before serving.
If you want something more specific for the day, there are several versions of Lincoln Cake in a previous post here.
Posted by The Old Foodie at 5:00 AM
The article says there were 800 tickets at $25 each, which would come to $20k and cover the cost.
SometimesKate said...
I've lived all my life in Illinois, most of it within an hour of Springfield, and I'm pretty sure the Guinea Sangamon is made up for the occasion, and I am willing to swear the crab flakes and mushrooms Illini was. I know there are no crabs native to Illinois, which is saved from being utterly landlocked by Lake Michigan, but I'm still sure there are no crabs. I'm less sure about Guinea fowl, though I doubt there are many near the Sangamon River.
The Old Foodie.
Leap Year Cakes (1889-1964)
The Sweetmeats of Lusitania.
Vegetarian Recipes for a Week (1854)
Unpolished Rice: The Staple Food of the Orient (19...
Four Appetising Ways of Serving Vegetables (1922)
'Pullow' and Sherbet: 17th C Persia.
The Fashionable Salad-maker.
A Shore Dinner for Those Who Live Inland (1928)
How to Preserve Bread.
Edible Epigrams: a brief history.
On the Garnishing of Dishes: 1876.
Get ready for Valentine's Day, 1933.
The Society of Super-Gourmets Banquet, Paris, 1910...
Grains of Paradise.
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Prison Food: Philadelphia 1874.
Horse Flesh as Human Food.
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National Geographic Channel is making a bet on music this summer.
In a bid to bring in younger viewers and maximize its stable of programming from international units, the cable channel is swapping out the reruns it usually programs during late-night for a mix of global music videos and shows.
Starting June 30, the network will run music from its international sister channel, Nat Geo Music, from 3 a.m.-6 a.m. (EST) and also put the titles on video-on-demand.
The move reflects the broader world view of David Haslingden, appointed as CEO of both NGC and National Geographic International last year.
It is also an effort to lure younger viewers. The network usually attracts viewers 25-54.
"This is really a reflection of looking at the global synergies between the United States and international," said Steve Schiffman, general manager of NGC in the United States.
The network got the go-ahead from current late-night advertisers to run in the music shows instead.
NGC will focus on global music videos, concerts, interviews and documentaries. Programs include Place Jam, which focuses on music from a specific country; Music Nomad, connecting travel to music; and Geo Sessions, acoustic performances from top musicians like Ben Harper and Michael Franti.
Comedian recalls Tom Bradley's 1982 loss, looks ahead to new CNN late-night show.