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Game Day Tipsheet: Week 3
Top 3 Individual Matchups
1. Derrick Burgess vs. Jason Peters – The two Pro Bowl talents will match their athleticism and wits. Burgess knows how to set up tackles with his threat of speed around the edge, but Peters is athletic as they come. The Raiders have moved him over to the left side as well on passing downs, so his former teammate Langston Walker could see him too.
DeAngelo Hall vs. Lee Evans – Hall may not always be matched up on Evans with Turk Schonert moving the Bills top wideout around a good amount the past two weeks, but Hall is extremely athletic. The problem is Hall relies too much on that athletic ability and as a result isn't the strongest at that position when it comes to technique. Evans should be able to take advantage of that.
Zach Miller vs. Donte Whitner – Miller is a real up and coming tight end who has developed some early chemistry with JaMarcus Russell. The young quarterback looks for Miller often, but Whitner is more than capable of hanging with Oakland's second-year tight end.
Top 2 Bills Advantages
1. Good Advantage – Pass Defense – Buffalo's been solid defending the pass the first two weeks both on the front end with pressure and the back end with coverage. Oakland has some talented receiving targets, but their young quarterback might not be able to find them in time.
2. Best Advantage – Receiving corps – The Raiders do have one of the best cover corners in the league in Nnamdi Asomugha, but the depth in their secondary is questionable and Buffalo's top four wideouts are all solid. Add in Marshawn Lynch and Fred Jackson as legitimate threats out of the backfield and the Bills pose several matchup problems even against Oakland's athletic back seven.
Bills Number One Must
Run Defense – It's not a big secret that the Raiders' running game is the driving force of Oakland's offense. Three-hundred rushing yards last week, even against the Chiefs, is impressive. Buffalo's run front however, will clearly be the best the Raiders have seen in the early going this season. If the Bills can slow down Oakland's rushers and force third-and-medium and third-and-long situations, Buffalo should be in good shape.
Scouting Eye
McFadden Dinged – Raiders rookie phenom Darren McFadden is dealing with a turf toe injury suffered last week at Kansas City. If the toe is still giving him problems it will affect his ability to cut and drive off of that leg and could compromise his trademark burst. That would certainly help Buffalo's cause as there are few backs in the league that capture the corner faster than McFadden.
Don't sleep on Bush – Michael Bush is somewhat of a forgotten man in Oakland's crowded backfield. After missing all of last season recovering from a broken leg the 6'1" 245-pounder has gotten off to a good start in 2008. Though his running style is different from McFadden's he's more than just a big back as he has some decent wiggle in open space and is a capable receiver out of the backfield. Through two games he's averaged better than 5.5 yards per carry.
Raiders rob Denver run game – The NFL is a copy cat league and Oakland is using Denver's zone blocking scheme for their rushing attack. The early returns have been fruitful as the Raiders rushers have done very well on cutbacks and one cut runs. Oakland also looks to get McFadden out on the edges to take advantage of his speed. His 19-yard touchdown run last week came on a toss sweep.
Sandwich game? – Oakland's matchup with Buffalo is the only one of their first four that is not against a division opponent. The Raiders opened at home against Denver before facing the Chiefs on the road last week. After playing Buffalo this Sunday they host AFC West rival San Diego in Week 4.
Solid Sub? – The Raiders could be without starting left tackle Kwame Harris for a second straight game as he's still nursing a knee injury. Last week at Kansas City rookie offensive tackle Mario Henderson got the start in Harris' absence at left tackle and held his own as the Oakland offensive line did not surrender a sack. Henderson drew the assignment of Kansas City's Tamba Hali. Whether he has the same degree of success against Aaron Schobel remains to be seen.
Not big blitzers – Oakland has not blitzed a whole lot through their first two games, though they did send extra pass rushers more last week at Kansas City than they did in Week One. The Raiders had five sacks with two going to their linebacking corps.
Drop and cover – Interceptions are usually the stat for defensive backs, but not on the Raiders roster. Oakland linebackers Thomas Howard (6 INTs) and Kirk Morrison (4 INTs) are first and tied for second in the league among linebackers with interceptions since the start of the 2007 season.
The Polish missile – Raiders kicker Sebastian Janikowski still has a whale of a leg. Last week against the Chiefs 'See-Bass' set a franchise record for longest field goal putting a 56-yard attempt through the uprights.
Buffalo Chips
"It's kind of damned if you do and damned if you don't. If you spill he's bouncing around the corner. If you post up on the outside the way they try to cut block and seal guys off he might take on back side off on you. So it's something that we really have to get our fits well, get into our fits and put the guy on the ground. Because if not, he's capable of hitting a home run every time."
--DT Kyle Williams on Darren McFadden
The Bills are the only 2-0 team in the league that won their first two games of the season against playoff teams from 2007.
Milestones within reach
Rian Lindell (521) needs just two points to move into third-place in team history in points scored (523).
Aaron Schobel needs two sacks to reach 70 in his career.
Buffalo has won its last three home games played on Sept. 21. The last victory on this date for a home contest came in 1997 when the Bills beat Indianapolis 37-35 in a game where the Bills staged the second-largest comeback in NFL regular season history. Buffalo overcame a 26-0 deficit with Antowain Smith providing the clinching points on a 54-yard touchdown run, his third of the game.
What they're saying | National experts offer these previews for Bills at Chiefs in the AFC Championship game
What do the Bills need to do in order to advance to Super Bowl LV? Find out what the NFL analysts have to say.
Bills DC Leslie Frazier given additional title of Assistant head coach
Defensive coordinator and four other assistants earn promotions
Bills Today | Can any defensive plan limit Patrick Mahomes?
Here are three things to know about the Bills for Wednesday, Jan. 20.
'We learned a lot' | Bills coaches look ahead to rematch with Chiefs in AFC Championship
The Bills met the Chiefs in Week 6 and suffered one of their three losses this season. How much have the Bills learned from that experience?


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Print Jonathan Blake's EPK
Jonathan Blake
http://li583-173.members.linode.com:8080/epk/jonathanblake
Hometown Fullerton, CA
Band Members Jonathan Blake - Singer/Songwriter/Lead Guitar PlayerJon Urban - BassRobert Beightol - Guitar/VibesMike Angelo - Drums
Awards: 2009 Malibu Music Awards -Winner for "Best Male Singer-Songwriter" 2009 So Cal Music Live Awards -Winner for "Best Live Male Performer" 2008 Orange County Music Awards -Winner for "Best Singer-Songwriter" -Nominated for "Best Live Solo Acoustic" -Nominated for "Best Live Acoustic Band" -Nominated for "Best Song" 2008 LA Music Awards -Nominated for "Best Male Singer-Songwriter" 2008 Independent Music World Series -Semi-Finalist 2007 Orange County Music Awards -Nominated for "Best Alternative" 2007 Inland Empire Music Awards -Nominated for "Best Male Singer-Songwriter" Jonathan Blake Salazar Biography Described as Grammy worthy by LA and OC's most prominent players, Jonathan Blake Salazar is Southern California's most talented emerging artist. Redefining the blues for 21st Century, he gains mass attention for his distinct Pop and Rock appeal. His exceeding skills as singer, songwriter and guitarist are destined to join the ranks of legends, Stevie Ray Vaughn and Eric Clapton. Jonathan pioneers a new sound uniquely his own, fusing vibes reminiscent of the Delta with the edge of today's California. His latest project, a three song EP recorded with Grammy winning Engineer and Producer Steve Churchyard has already started turning heads by earning Jonathan "Best Singer-Songwriter" at the 2009 Malibu Music Awards and "Best Male Artist" at the 2009 So Cal Music Live Awards. The wailing and soulful guitar on this project also caught the ear of Fender Guitars, earning Jonathan an endorsement. No plans of slowing down either as Jonathan is getting ready to head back into the studio with Steve Churchyard for the next project. His rise in popularity deriving from his powerful performances, solo acoustic and full band, pack venues regularly throughout Los Angeles, Orange County, and San Diego. In 2008 he toured opening for Rock and Roll Hall of Famer, Dave Mason and in October of 2009 he toured opening for Pepper. In 2008 he was also a featured artist on the TV programs "Daybreak OC" and "Open Mic TV." The Journey Jonathan Blake Salazar, of Orange County discovered his love for music at age twelve. A self-taught guitar player, he also secretly began writing music. While music was very important to Jonathan, he was also heavily into athletics. Jonathan avidly played baseball and football throughout high school. He was a four year starting varsity pitcher for the baseball team and the starting varsity quarterback for the football team. He later went on to play college baseball. In a twist of fate—an injury to his shoulder forced an early end to his baseball career. Jonathan returned to his first love of music and discovered he possessed vocal skills that equally matched his abilities as a guitar player and songwriter. He then went on to become a recording artist. When he isn't recording music, playing live, smashing through deadly barrels at the Wedge, or bombing massive hills on his long board he is teaching music and guitar.
Solo Acoustic:
-PA and a stage
Full Band:
-PA
-Stage
-Enough space for me, another guitar player, drums, and a bass cab.
March 2010 Southern Rock
Top 10 in Soft Rock, January 2014
March 2010 Get Your Song Produced by Mike Flynn of EPIC Records
February 2009 Live Performance Videos
September 2008 Live Performance Videos
June 2008 Folk
Top 40 in Southern Rock, August 2012
Top 40 in Southern Rock, December 2010
Front Page News! Seal Beach Music Festival by

redpajama_set_name: RedPajamaCommonCrawl


Hannan Street from Cassidy Street corner crowded street scene, showing Commercial Hotel on one corner. Also view of Post Office tower opposite Commercial Hotel, facade of shop reads "Morris Samuel Watchmaker and Jeweller"
"One pound �' lent for 1' per month".
Brennans shop window, Millinery and Dress display.


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Q: Angular - ng-click not working I am trying to implement AngularJs in my E-Commerce application. I want to know which version should I use and embed in my project. Below is one error I got when I tried to implement ng-click.
Did anybody face the same issue?
var eventModule = angular.module("eventModule", []);

eventModule.controller("eventController", function ($scope) {
    $scope.update = function () {
        alert('Update called');
    }
});

Html is:
<html ng-app="eventModule">
   <div class="row ng-scope" ng-controller="eventController">
      <input type="button" value="Update Data" ng-click="update()">
   </div>
</html>

It's throwing a strange error:

A: Needed to change order of js references
<script src="https://ajax.googleapis.com/ajax/libs/angularjs/1.2.0/angular.min.js" type="text/javascript"></script>
<script src="@Url.Content("~/Scripts/jquery-1.5.1.min.js")" type="text/javascript"></script>

Previously it was on reverse order.

redpajama_set_name: RedPajamaStackExchange


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'Thank You, Betty White'
Phyllis Somerville on the joys of being an older actress.
by Larry Getlen, September 22, 2010 | Comments: 0
Phyllis Somerville, 66, knew she wanted to be an actress when she still barely knew how to walk. But despite a lifetime of film and TV appearances, as well as stints on Broadway, the past few years have been an especially breakout time for the Iowa native. Besides appearing in the Best Picture-nominated The Curious Case of Benjamin Button, Somerville earned raves as the mother of the child molester played by the also-nominated Jackie Earle Haley in Little Children.
• Prime Time Grows Up. Watch
• Pam Grier, Still Kicking Butt. Read
• Olympia Dukakis' New Role. Read
• Chat about your favorite shows in the TV Talk community. Discuss
Now, Somerville has a weekly outlet for her talent. On Showtime's The Big C, which airs Monday's at 10:30 p.m., Somerville plays Marlene, a woman who had shut out the world but finds a new lease on life from her relationship with Laura Linney's Cathy Jamison, who's facing cancer in an unusually optimistic fashion.
Somerville spoke to AARP about Marlene, Little Children and being an older actress in the Betty White era.
Q: When you first saw the script for The Big C, what did you think about the show's approach to cancer?
A: I like humor that's dark. Having had people in my family die, there was never a moment at any of the funerals where we didn't get into some kind of giggle fit. When your emotions are that close to the edge, there has to be laughter. I think that's really good theater, and I think these scripts do that very well.
Q: Talk about how you approached Marlene, a woman who, at first, hides from the world.
A: We all know times when we would rather just hide under the couch. One of the things I liked in the pilot is that in their first encounter, Marlene and Cathy both saw somebody who is going to answer back. She comes in, she yells at me, I yell back, she yells back again, and I'm certain that Marlene sat there and said, "Huh. I gotta talk to this lady again."
Q: Do you call on thoughts about people in your life to help you prepare for roles?
A: I'm not a method actress. I tend to call upon myself. Emotionally, I've watched other people respond to things. But for physical things, I've seen an interesting walk and then, hoping not to get caught, follow and copy that walk down the street. The physical things — the way somebody talks or walks, or their gestures — I'll steal that. I steal from people on the street, I steal from my friends and I steal from really good actors. I always know when I'm really liking a performance, because I sit there thinking, "I'm gonna rob you blind."
Q: You're the daughter of a Methodist minister. Were there elements of being a minister's daughter that helped prepare you for an actor's life?
A: If you're a Methodist minister's daughter, until you get to the big church — which my dad never did — they move you around a lot. So I was a little bit of a gypsy as a kid. Also, my father had a great sense of theater in the pulpit. Not an evangelical fervor; he just knew how to get focus. And he took me to a lot of movies. He took me to [Laurence] Olivier's Hamlet when I was 4.
I'm from Iowa, so there wasn't a lot of professional theater around, but there were colleges, so he would take me there. Before I was 10, I saw Pygmalion, Romeo and Juliet, The Merchant of Venice. He took me to see Marian Anderson in a small college in Iowa in the '50s.
Q: In Little Children, you played the mother of Jackie Earle Haley's child molester character. How did you approach the sympathy that role required, in loving a son who's also a monster?
A: Maybe it's easier when it's something you know nothing about, because I haven't been a mother. But I think that love is just there — she sees the good in him. She knew who he was but loved him anyway, and she never gave up hope. That's who she was. She wasn't about to give up on her son.
Q: I saw a clip someone put on YouTube — a clip from a TV show — titled, "Phyllis Somerville is my favorite older woman sexpot."
A: Oh, I loved doing that show! That was Al Franken's show, LateLine.
Q: Does that desire to bring out a sexier side in a role ever fade?
A: Oh, man, no. I think it goes a little less as one gets older, but at my age, would I love to play something that had a little something like that going on. Absolutely. That doesn't go away.
Q: Has the renewed popularity of Betty White had any kind of effect on older actresses like yourself, in reminding people that you can do a great variety of roles?
A: I was thinking about that today, because you get so used to hearing that there isn't work for older actors. I don't know … my friends are working. Maybe somebody just realized that people have grandmothers.
Two actors my age and I had just gone to the theater, and we went to a little Italian place, and there were four guys probably in their 30s sitting next to us. After they left, their waiter came over to us and said, "The gentlemen who were sitting next to you would like to buy you ladies a round of drinks." And we looked at each other and said, "Thank you, Betty White."


Paul Brannen MEP, member of the Environment, Public Health and Food Safety Committee, co-signed a letter to the European Commission which outlines the difficulties of the European hardwood sawmill sector. The letter calls for an action plan to tackle the challenges this manufacturing sector is facing and for the European Commission and the European hardwood producers to establish a roundtable between them to investigate possible and appropriate measures. In the past 10 years, about 350 sawmill plants have shut down only in Belgium, France and Germany. There are currently 89 sawmills in England, of which 10 are located in the North East, but numbers have been gradually declining in the past two decades.
"In the light of the difficulties that the European hardwood sawmill sector is facing, a coalition of Members of the European Parliament calls on the European Commission to investigate the impact caused by the subsidies given by the Chinese government to their wood-processing industries.
A roundtable between the European Commission and the European hardwood sawmill producers should be established as soon as possible in order to investigate possible and appropriate measures. An action plan to tackle the challenges this manufacturing sector is facing should be elaborated in the framework of the future European Industrial Strategy and in future questions of international trade.
In the study "An assessment of the cumulative cost impact of specified EU legislation and policies on the EU forest-based industries" commissioned by the EU Commission from the research centre Technopolis and published in November 2016, it is clearly mentioned that "in order to reduce the dependency on imported raw materials, the Chinese government provides subsidies and loans to support the industry's expansion". Such subsidies have been provided by both central and local governments and aim to "develop fast growing, high-yield plantations; reduce taxes and fees on plantations to stimulate investment; reduce tariffs on imports of processing machinery; promote exports of wood and paper products through value-added tax (VAT) rebates; provide loans and loan-interest subsidies for technology renovation; promote foreign investment in state-owned enterprises (SOEs) and protect debt-ridden SOEs and small local companies with excess-production capacity through local governments' soft loans, subsidies".
Moreover, China has announced that it will reduce the import VAT for logs from 13% to 11% starting from 1st July. This policy aims at reducing import costs for logs and encouraging more import volumes – especially as less timber is harvested in China.
As a consequence of a growing demand for timber and tighter domestic forest protection laws, China has become the world's largest importer and processor of logs. China imported 48.7 million m³ of logs in 2016, an increase of 9% since 2015. Of the total log imports, softwood log imports were 33.7 million m³ (+13% as compared to 2015), while the hardwoods were 15.1 million m³ (+2%). Imported temperate hardwood logs (beech and oak) mainly came from Europe, accounting for 56% of the overall temperate hardwood imports. Lax environmental regulations, shortcomings in the respect of basic labour and social rights, subsidies and market distortions determine comparatively low labour and production costs in China.
Taking into consideration the past 10 years, about 350 sawmill plants have shut down only in Belgium, France and Germany. This is largely due to competition with non-European companies, which are buying high quality hardwood logs to be exported and processed outside Europe, depriving European sawmills of necessary raw materials. It is undeniable that the lack of material availability is causing an irreversible process of deindustrialisation. Moreover, it has been our common ecological goal to strengthen stable mixed forests in Europe. A part of this common goal is also to preserve the sector, which is able to process hardwood logs. The current developments put the sector all over Europe at risk.
Manufacturing Industry plays an irreplaceable role in driving growth and economic development. Additionally, the European sawmill industry contributes to the development of green jobs, particularly in rural areas and provides a basis for higher-added value products to be manufactured in the European Union from its natural resources. For this reason, it is essential to preserve the existence of this sector and possibly to enhance its competitiveness."


[Bierhorst 1974] Bierhorst, J.; Servello, J. (pictures) (1974). Songs of the Chippewa/Adapted from the collections of Frances Densmore and Henry Rowe Schoolcraft, and arranged for piano and guitar, First Edition. New York: Farrar, Straus and Giroux, in Chippewa and English.
[Bludts 1999] Bludts, C. (1999). The four directions — Traditional and original compositions for Native American flute. Louisville, Kentucky: RabbitDog Publishing. Reissued in [Bludts 2004].
[Bludts 2000] Bludts, C. (2000). Feathered pipe memories — Solos for Native American flute. Louisville, Kentucky: RabbitDog Publishing. Nakai tablature notation, six-hole finger charts, CD included. Reissued in [Bludts 2006].
[Bludts 2003] Bludts, C. (2003). The 7th direction — Traditional and original compositions for Native American flute. Blue Cat Publishing.
[Bludts 2004] Bludts, C. (2004). The four directions — Traditional and original compositions for Native American flute. The Oregon Flute Store. Nakai tablature notation, six-hole finger charts, CD included. Reissue of [Bludts 1999].
[Bludts 2006] Bludts, C. (2006). Feathered pipe memories — Solos for Native American flute. The Oregon Flute Store. Nakai tablature notation, six-hole finger charts, CD included. Reissue of [Bludts 2000].
[Burton-B 1998] Burton, B.; Kreiter, M. P. (lesson plans) (1998). Voices of the wind — Native American flute songs. Danbury, Connecticut: World Music Press. Staff notation, no finger diagrams, CD included.
[Cadman 1909] Cadman, C. W. (1909). Four American Indian songs — Harmonized and elaborated by Charles Wakefield Cadman. Boston, New York, and Chicago: White-Smith Publishing Company.
[Chazanoff 1990] Chazanoff, D. (1990). Music of the Native North American — for the flute or recorder, Susato Press Native American Music Series. Brasstown, NC 28902: Susato Press. Catalog number FOS03.
[Chazanoff 1993] Chazanoff, D. (1993). Native American music in seven volumes — For the flute or recorder with drum / Rattle ad. Lib., in seven volumes, Susato Press Native American Music Series. Brasstown, North Carolina: Susato Press. Catalog number FOS12. All seven volumes in a slipcase.
[Chazanoff 1993a] Chazanoff, D. (1993). The Indians of the Southwest, Susato Press Native American Music Series, contained in [Chazanoff 1993]. Brasstown, NC 28902: Susato Press. Catalog number FOS05.
[Chazanoff 1993b] Chazanoff, D. (1993). The Indians of the Plains, Susato Press Native American Music Series, contained in [Chazanoff 1993]. Brasstown, NC 28902: Susato Press. Catalog number FOS06.
[Chazanoff 1993c] Chazanoff, D. (1993). The Indians of the Pacific Northwest, Susato Press Native American Music Series, contained in [Chazanoff 1993]. Brasstown, NC 28902: Susato Press. Catalog number FOS07.
[Chazanoff 1993d] Chazanoff, D. (1993). The Indians of the Lakes and Woods, Susato Press Native American Music Series, contained in [Chazanoff 1993]. Brasstown, NC 28902: Susato Press. Catalog number FOS08.
[Chazanoff 1993e] Chazanoff, D. (1993). The Indians of the Great Basin-Plateau, Susato Press Native American Music Series, contained in [Chazanoff 1993]. Brasstown, NC 28902: Susato Press. Catalog number FOS09.
[Chazanoff 1993f] Chazanoff, D. (1993). The Indians of the Southeast, Susato Press Native American Music Series, contained in [Chazanoff 1993]. Brasstown, NC 28902: Susato Press. Catalog number FOS10.
[Chazanoff 1993g] Chazanoff, D. (1993). The Indians of the California, Susato Press Native American Music Series, contained in [Chazanoff 1993]. Brasstown, NC 28902: Susato Press. Catalog number FOS11.
[Chazanoff 1997] Chazanoff, D. (1997). Music of the Cherokee Nation — For the Native American flute or recorder with drum & rattle, in two volumes, Susato Press Native American Music Series. Brasstown, North Carolina: Susato Press. Catalog numbers FOS14A and FOS14B.
[Chazanoff 1998] Chazanoff, D. (1998). Music of the Alabama Tribe (Alibamu) — For the Native American flute or recorder, Susato Press Native American Music Series. Brasstown, North Carolina: Susato Press. Catalog number FOS15.
[Chazanoff 1998a] Chazanoff, D. (1998). Music of the Santo Domingo Pueblo — For the Native American flute or recorder, Susato Press Native American Music Series. Brasstown, North Carolina: Susato Press. Catalog number FOS16.
[Chazanoff 1998b] Chazanoff, D. (1998). Music of the Choctaw Nation — For the Native American flute or recorder, in two volumes, Susato Press Native American Music Series. Brasstown, North Carolina: Susato Press. Catalog numbers FOS23A and FOS23B.
[Chazanoff A] Chazanoff, D. Ceremonial dance — Based upon a religious ceremonial dance of the Northern Ute Tribe, for SATB recorder quartet, Susato Press Native American Music Series. Brasstown, North Carolina: Susato Press. Catalog number FOS126.
[Chazanoff B] Chazanoff, D. A song of greeting — Based upon "Greeting Song" of the Tlingit Tribe of British Columbia, for SATB recorder quartet, Susato Press Native American Music Series. Brasstown, North Carolina: Susato Press. Catalog number FOS127.
[Chazanoff E] Chazanoff, D. Music of the Tohono O'odham Nation — For the Native American flute or recorder, in two volumes, Susato Press Native American Music Series. Brasstown, North Carolina: Susato Press. Catalog numbers FOS24A and FOS24B.
[Chazanoff G] Chazanoff, D. Music of the Crow (Apsaroke) and their cousins the Hidatsa Nation — For the Native American flute or recorder, Susato Press Native American Music Series. Brasstown, North Carolina: Susato Press. Catalog number FOS31.
[Chazanoff H] Chazanoff, D. Music of the Makah Tribe — For the Native American flute or recorder, Susato Press Native American Music Series. Brasstown, North Carolina: Susato Press. Catalog number FOS32.
[Chazanoff I] Chazanoff, D. Music of the Mandan Nation — For the Native American flute or recorder, Susato Press Native American Music Series. Brasstown, North Carolina: Susato Press. Catalog number FOS33.
[Chazanoff J] Chazanoff, D. Music of the Menominee Nation — For the Native American flute or recorder, Susato Press Native American Music Series. Brasstown, North Carolina: Susato Press. Catalog number FOS34.
[Chazanoff K] Chazanoff, D. Music of the Northern Ute Tribe — For the Native American flute or recorder, Susato Press Native American Music Series. Brasstown, North Carolina: Susato Press. Catalog number FOS35.
[Chazanoff L] Chazanoff, D. Music of the Iroquois Confederacy — For the Native American flute or recorder, Susato Press Native American Music Series. Brasstown, North Carolina: Susato Press. Catalog number FOS37.
[Chazanoff M] Chazanoff, D. A farewell ceremony (score), Susato Press Native American Music Series. Brasstown, NC 28902: Susato Press. Catalog number FOS21S.
[Chazanoff N] Chazanoff, D. A farewell ceremony (parts), Susato Press Native American Music Series. Brasstown, NC 28902: Susato Press. Catalog number FOS21P.
[Chazanoff P] Chazanoff, D. Proclamation for the Native American (score) — Based upon the 'Power Song of the Eagle' Nez Perce tribe for wind ensemble, Susato Press Native American Music Series. Brasstown, NC 28902: Susato Press. Catalog number FOS17S.
[Chazanoff Q] Chazanoff, D. Proclamation for the Native American (parts) — Based upon the 'Power Song of the Eagle' Nez Perce tribe for wind ensemble, Susato Press Native American Music Series. Brasstown, NC 28902: Susato Press. Catalog number FOS17P.
[Chazanoff R] Chazanoff, D. Romance on a Winnebago love song (score) — For Native American flute (recorder or transverse flute) and string orchestra (string quartet), Susato Press Native American Music Series. Brasstown, NC 28902: Susato Press. Catalog number FOS26S.
[Chazanoff S] Chazanoff, D. Romance on a Winnebago love song (parts) — For Native American flute (recorder or transverse flute) and string orchestra (string quartet), Susato Press Native American Music Series. Brasstown, NC 28902: Susato Press. Catalog number FOS26P.
[Chazanoff T] Chazanoff, D. Song of the forest — A pastoral poem based upon the 'Song of the Forest' of the Ojibway or Chippewa Nation, Susato Press Native American Music Series. Brasstown, NC 28902: Susato Press. Catalog number FOS19S.
[Chazanoff U] Chazanoff, D. Song of the forest — A pastoral poem based upon the 'Song of the Forest' of the Ojibway or Chippewa Nation, Susato Press Native American Music Series. Brasstown, NC 28902: Susato Press. Catalog number FOS19P.
[Constas-M 2003] Constas, M., & Constas, R. (2003). Native American music for recorder. Mel Bay. Catalog #MB 99643.
[Dunning 2006] Dunning, C. Y. G., & Penne, P. (2006). 50 hymns & carols arranged for the Native American flute. self-published.
[Gatliff 2010] Gatliff, R. (2010). Flutetree.com songbook, retrieved February 5, 2010. Nakai tablature notation, finger diagrams for many flute makers.
[Greenfield-CD 1995] Greenfield, C. D. (1995). The fifer's delightful companion — A book of harmony parts to complement the fifer's delight, Second Edition.
[Hall 1997] Hall, B. (1997). Favorite hymns — In tablature for the Native American courting flute. Butch Hall Flutes. No staff notation, six-hole finger diagrams.
[Hall 2004] Hall, B. (2004). Mother Earth and Father Sky song book for Native American flute. Butch Hall Flutes.
[Holland A] Holland, M.; Gatliff, J. (transcriptions). Songs for all seasons — Selected works by Mark Holland / Autumn's Child. Nakai tablature notation, six-hole finger diagrams, CD included.
[Holm 2005] Holm, W., & Haines, B. (2005). Duets from around the world for Native American flute. Woodsounds Flutes. Nakai tablature notation, six-hole finger diagrams, CD included.
[Howard 1998] Howard, A. K. (1998). Song of the White Buffalo Woman. Louisville, Kentucky: RabbitDog Publishing. Nakai tablature notation, no finger diagrams.
[Howard 2002] Howard, A. K. (2002). Song of the White Buffalo Woman, Revised Edition. Louisville, Kentucky: RabbitDog Publishing. Nakai tablature notation, no finger diagrams.
[Howard 2002a] Howard, A. K. Song of the spirit women — Lullabies and traditional songs. Nakai tablature notation, six-hole finger diagrams.
[Jeancon 1925] Jeançon, J. A. (1925). Indian song book. Denver, Colorado: Denver Allied Arts.
[Kelischek A] Kelischek, G. Native American flute primer, Susato Press Native American Music Series. Brasstown, NC 28902: Susato Press. Catalog number FOS22.
[Kitts-Turner 1996] Kitts-Turner, J. S. (1996). Eight animal dance songs — Based on music of the Alabama Tribe, arranged for three Native American flutes, SAT recorders, or in some cases, gemshorns, Susato Press Native American Music Series. Brasstown, North Carolina: Susato Press. Catalog number FOS25.
[Kitts-Turner 1997] Kitts-Turner, J. S. (1997). Eight ceremonial songs — Based on music of the Omaha Indians, in three-part settings for Native American flutes or soprano, alto and tenor recorders, Susato Press Native American Music Series. Brasstown, North Carolina: Susato Press. Catalog number FOS28.
[Lieurance 1913a] Lieurance, T. (1913). Nine Indian songs with descriptive notes. Philadelphia, Pennsylvania: Theodore Presser Co. for piano, voice, and Native American Flute. Publication nineindiansongsw00lieu on Archive.org (open access).
[Lieurance 1943] Lieurance, T. (1943). Singing children of the sun: A book of Indian songs for unison singing. Philadelphia, Pennsylvania: Theodore Presser Co. for voice and piano.
[Lieurance 2001] Lieurance, T. (2001). Songs of the North American Indian. Best Books / Library Reprints. Reissue of [Lieurance 1920].
[Perkins 2004] Perkins, L. L. (2004). Earth Mother flute songs songbook. Searsport, ME: Larura Lee Perkins, M.Ed. Simple finger numbering system.
[Rogers 2006] Rogers, D. C. (2006). Song book for the Native American flute.
[Rogers 2008] Rogers, D. C. (2008). Song book of favorite hymn melodies.
[Sarantos 2000] Sarantos, J. (2000). Under one sky — Fourty-one Native American songs. Louisville, Kentucky: RabbitDog Publishing. Nakai tablature notation, two versions: five-hole or six-hole finger diagrams.
[Sarantos 2000a] Sarantos, J., & McCleskey, W. (2000). Under one sky — Traditional Native American songs for the contemporary Native American flute, Revised Second Edition. Seattle, Washington: Wind Warrior Publications.
[Sarantos 2002] Sarantos, J. (2002). A kokopelli songbook — Finger chart songbook, Volume 2. six-hole finger diagrams.
[Sarantos A] Sarantos, J. A kokopelli christmas — Songs for the winter seasons, Second Edition. Seattle, WA: Wind Warrior Publications. Nakai tablature notation, five-hole and six-hole finger diagrams.
[Sarasvati 2015] Sarasvati, A. (2015). Christmas songs and duets for the Native American style flute.
[Stokum A] Stokum, G., & Joyce-Grendahl, D. K. Hymns for the Native American flute — With inspirational quotes and sayings. Nakai tablature notation and sheet music, no finger diagrams.
[Sweet 1981] Sweet, R. (1981). The fifer's delightful companion, Fifth Edition.


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On Friday, December 7, Blue Cross® Blue Shield® of Michigan and Blue Care Network merged their websites into a new and improved bcbsm.com. The new site is easier to use and gives members more information to better meet their needs.
BCN no longer maintain a separate website. All current BCN website information and functionality will be found at bcbsm.com. After the merging of the websites on December 7, all attempts to access mibcn.com will be redirected to bcbsm.com.


text:
Swochowo – wieś w Polsce położona w województwie zachodniopomorskim, w powiecie pyrzyckim, w gminie Bielice.

W latach 1975–1998 miejscowość położona była w województwie szczecińskim.

Zabytki
 dwór, park dworski.

Zobacz też
 Swochowo

Przypisy

Bielice (gmina)

redpajama_set_name: RedPajamaWikipedia


text:
Q: Securing an API for use with Javascript widget I'm writing a javascript plugin which will be installed by bloggers/website owners. It will communicate with my remote API.
I'm wondering how to secure the API to ensure that only domains owned by users that have registered an account with the service can access resources from the API. I've read up on OAuth2 and understand the basics, but because the plugin will run from within the browser and not from server to server, i'm not sure how secure this can be.
Tons of services like mixpanel, google analytics, olark use the same concept (i.e. website owner install a line of JS on their site) so it must be a solved problem.

A: You can insert window.location checks into your script to prevent other people from including it directly off of your servers.
However, it is impossible to prevent people from downloading the scripts locally, removing your protection, then hosting it themselves.
You can require an API key in all server-side requests, but enemies can easily steal API keys from legitimate sites.


text:
Q&A with Charlotte Pence, daughter of GOP VP nominee
Brenden Moore|August 5, 2016
GOP vice presidential nominee Mike Pence with his daughter Charlotte following her graduation from DePaul in June. (Photo courtesy of Charlotte Pence)
Indiana Governor and GOP vice presidential candidate Mike Pence has another title that most are likely not aware of: proud DePaul parent. Indeed, Pence's daughter, Charlotte, just graduated from the university in June.
For the past few weeks, Charlotte Pence has been traveling with her parents around the country as they campaign on behalf of Donald Trump's presidential bid. This included a trip to the Republican National Convention, where the DePaul alum shared the stage with her parents and the Trumps on the final night of the event.
Pence, while having been contacted by several news organizations following her dad's selection as Trump's running mate, agreed to be interviewed first by the DePaulia, her college newspaper (for which she happened to write a column while studying abroad in Oxford, England last year).
While not wishing to discuss the policies of her father and Mr. Trump (she doesn't always agree, something her parents in fact encourage) or intimate details about her family life, Pence offered a glimpse into her perspective having grown up in a political family, her time at DePaul and now traveling with her parents around the country. Here is that interview slightly modified for space:
The DePaulia: These past few months must have been crazy for you — graduating from college, your dad gets selected as Donald Trump's running mate — how's has it been?
Charlotte Pence: It happened really fast. I just graduated and I was actually working at a summer camp in Indianapolis, and then this kind of all happened. I was in a good position where I could travel with my parents for a few weeks or months or whatever. It ended up being just to kind of support them. It's been interesting, honestly. I think we have a lot of peace about it. It's a transition, for sure, but we're really humbled and excited to be able to as a family kind of go into this altogether.
DP: When your dad first heard of this opportunity to be vice president, was it a family decision? Did you guys talk about it quite a bit?
CP: We did a little bit. I think the big thing was my parents definitely make decisions as a team and it's always been a family thing. We talk about everything together. But I think a big part of it was that we're in this position where I can be as involved as I want to be or not involved at all. And that's how it's always been for us kids. Ever since we were really little, (they'd say) 'you can go to everything you want to go to campaigning or you don't have to go to anything at all.' We could really do our own thing.
So we definitely talked about it, we prayed about it a lot, honestly. Then when the decision came, my dad answered and we're totally on board.
DP: For most of your life, your dad was in some sort of elected office, whether it be congressman and now Governor of Indiana. Not a lot people can say that. What was it like?
CP: Honestly, it's funny because I tell people … it's just my dad's job. I mean I feel like people are sometimes surprised when they know me and then they find out who my parents are. And they say, 'why didn't you mention that before?' (laughing). And I'm just like, I don't think it's a big deal. I think that's just what his career is. We grew up right outside of D.C. in Arlington, Virginia. So when my dad was in Congress from 2000-2012, it was really awesome because he was home for dinner like almost every night. It was very normal. It was like, 'he goes to work, he comes home,' and obviously, there's some late votes in there, but for the most part, it was really normal. I know that sounds weird, but it just is. Our family unit is so close.
DP: From observing your father during his convention speech, it did seem like many people got the vibe that he's a family guy.
CP: I think what you see with my dad is what you get. Our family is very, very close. That's kind of been essential growing up in the political realm. I think that you kind of need that support system and I say we definitely have that while also as kids, and my mom too, just kind of being able to do our own thing, follow our own dreams as well.
DP: You went to DePaul. What led to that and how was your experience?
CP: I love DePaul. I ended up going there for the film school in the College of Computing and Digital Media. My mom was actually the one who introduced me to DePaul at first because she wanted me to go to a school closer to home in Indiana, and so, I kind of looked into it and ended up going there. I love the film program, it's really up-and-coming. I think in the last four or five years, it's really grown.
But also, I think a big part of why I love DePaul so much is because you could do other things. Like I was really involved in film, but then I was also a double-major in digital cinema and English. So I was able to kind of get involved in things that were not just specific to my major or my chosen career field. And I think that it's such more well-rounded. I think DePaul really fosters that in people. I was involved with university ministry; I went on one of their service trips last year to Columbia, I joined a group last year called Peacemakers there, where we went into public high schools in Chicago once a week and talked to student about peace and justice. I was involved with the creative writing community and the film community obviously with the Digital Cinema Collaborative. I was also in a sorority, Chi Omega. I definitely think DePaul encourages you to get involved in a lot of things rather than just being involved in one thing. I also had a column in the DePaulia, which was super fun when I was studying abroad. I have nothing but good things to say about DePaul and Chicago.
DP: DePaul is fairly left-leaning. Were you ever recognized based on your family ties and did you ever face any backlash?
CP: Honestly, no, I really didn't. I would say that most of my friends are not very political or if they are, they're very liberal. I think DePaul specifically, especially even with teachers, a lot of my teachers and mentors, I didn't know if they knew who I was or who my dad was, but then, they would kind of find out, but they never treated me any differently because of it. Even though I knew a lot of them had different political views than my dad had. I really feel that all the people that was involved with across the board, in Greek life, in university ministry, in the film programs, I really feel like everyone was very interested and encouraging.
They encouraged me to be my own person and I think they saw me as my own person as well. I honestly can't think of a specific instance where I felt unwelcome at DePaul, I always felt very welcome. It was a place and continues to be a place where lots of ideas are discussed and talked about and I would hope that for DePaul, definitely.
DP: Would you consider yourself a political person?
CP: I think it's kind of funny who I am, my personality, (to) be in a political family. Because I've never been extremely interested in politics. The fact that I'm interested in it does have a lot to do with my family being involved with it. I'm not really a political person. I think I have views that go across the board, I'd say that I'm more of a moderate or independent than really have specific-aligned views. And I think that's something that's really been encouraged by my parents since I was really little. I mean, just to have your own opinions about things and your own ideas; and I would say that my friends who aren't really politically-involved, I think they would say the same things about themselves. You can be interested in politics and not specifically align with certain political views.
I'm not extremely interested in going into politics in the future, but my interest definitely falls into a more moderate, general view.
DP: You were at the RNC in Cleveland a few weeks ago on stage with your parents and the Trumps. What was that whole week like?
CP: The convention was really fun. Everyone there was really pumped up and excited. All the Republican delegates came from across the United States and territories. It was awesome that everyone was getting together and getting really excited.
Being on stage was a blur. That night my dad spoke I was so, so proud of him. I loved the speech, personally. But I think having to come a week or so after being chosen to give a speech like that, it was such a quick turnaround time so it was definitely a blur. I kept thinking I was going to wake up from a dream because it was so exciting to see my dad give that speech with my whole family. I was really focused on him that night, I was thinking about him and praying for him that he would do his best and I think he did.
DP: If there's one thing you could tell people about your dad, what would it be?
CP: I would say, honestly, my dad is my hero. He's a dreamer. He encourages the best in everybody, whether it's family or staff or people he just meets. I would say he's extremely excited about this position, he's very humbled by it, definitely. He's a happy dreamer — he has such a good, positive attitude all the time. I'm constantly learning from him, especially in this position, but even before that. Just watching him stand up for what's right and fight for what he believes in and really go after his dreams, has encouraged me to go after my dreams and pursue what I want to do.
I think it's especially the little decisions that he makes with such careful consideration is essential and an essential part of his personality and character. Behind the scenes, he takes every single decision and every single conversation he has with anybody, whether it's somebody at a rally or a staff member or me, he takes it very seriously, he takes people very seriously. And he listens to people. He really wants to do the right thing all the time, no matter what the decision is.
DP: You mentioned dreams and goals. What do you hope to do in the future?
CP: I want to go into the creative side of film production, looking at stories and books and scripts and really life stories and taking those to the screen. I did a few internships while I was in college and I started kind of doing some part time work for a company that hasn't fully launched yet, which I'm really excited about. So I think that's my ultimate goal.
DP: What will your role be on the campaign trail going going forward?
CP: I'm unsure now as to how many months I'm going to spend on the campaign trail just because of jobs and if I start working full-time before then. But, as if right now, my role is to, as my dad says, babysit my parents for the next few months. My role is to make it fun. It's way more fun when you're traveling with your family or friends, and I think that's my main goal. Just to make it fun. To enjoy it.
I was in a position, luckily, where I didn't have somewhere I had to be August 1. So, I was in this awesome position where I could travel with them at least for August and take advantage of this opportunity. I told people I couldn't pass up this opportunity to travel the country and see the country from this perspective. It's so interesting. I think it can be so fun and so exciting, especially if you have family around you.
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From director, writer and photographer Howard Hall comes Under the Sea 3D, a wonderful and informative IMAX documentary that takes viewer on an underwater journey of some of the world's most amazing sea creatures.
Narrated by Jim Carrey, he successfully manages to capture the viewers imagination and although there is a touch a humour, Carrey ensures that this documentary is nothing more than professional.
Filmed with the latest 3D photography techniques, Under the Sea showcases three distinct parts of the world that include Papua New Guinea, Indonesia, The Great Barrier Reef and the oceans of South Australia. Each of locales is quite diverse as are the creatures that inhabit these areas and Hall carefully moves between locations as the viewers experience turtles, sea snakes and dragons.
There are two stars of this documentary, one is the amazing underwater creatures and the second, is the visually stunning 3D effects that almost makes you part of this documentary. The video quality is truly impressive with exceptional vibrant colours and an amazing rainbow colour palette, thanks to the wide variety of colourful fish.
The documentary also gives the viewer a strong message, thanks to Carrey that mankind is destroying the habitats of these innocent creatures, from the coral destruction in The Great Barrier Reef to the warming of the seas in South Australia which is threatening the dragons and the seals. If the waters continue to warm, these creatures will have nowhere to call home.
In conclusion, Under the Sea 3D is a colourful and amazing journey into this hidden environment which is nothing short of spectacular. Truly a movie that the entire family can enjoy and the unexpected yet clichéd ending will definitely draw your heart strings..


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redpajama_set_name: RedPajamaGithub


Like many modelers I'm sure that at some point you've bought this really old kit and had a go at it. This is also the case for me; building this kit from the box around 20 years ago. I had fun doing it but soon broke the kit for parts and spares. Anyway; fast forward to 2018 and I spotted this kit for sale in a supermarket of all places! It quickly ended up in my shopping basket and planning for the "pinky" started again. I decided that in order for this kit to be presentable and current when compared to more modern models I would have to buy the etch set from Eduard. If you have read my blog before you will probably be aware that I don't usually buy these etch sets purely because of their price point and that you can't pick up a model magazine that has a model made that didn't use an etch kit. Wake up magazine editors! after buying the kit, figures and paints we don't need to feel pressured into buying a £25 etch set on top for a model to be considered magazine worthy!!!! OK rant over so lets get back to the model: The kit itself is really well presented but lets itself down on the finer details. You could spend a fortune on upgrade parts from this from companies such as black dog who sell a very nice resin set to compliment the pinky; the only problem being at least twice the price of the actual model! I decided to take the plunge on the etch for aesthetic reasons in some areas and then add additional detail from my spares box and milliput where needed.
The Spares box raid and painting.
The main colours used for this model will be from vallejo's range of acrylic and acrylic air. I have used humbrol for a veeeeeeery long time now but have decided to try the acrylic range to see just how much of difference it makes (if any) over the venerable old humbrol enamels.
I was really surprised at how well the Vallejo acrylics covered the model with absolutely no primer coat whatsoever (tried it because their website states this and I didn't believe it). the colours are spot on and the finish is fantastic.
A let down with this kit is the lack of accessories supplied with it and the ones that do come with it particularly bad! As I said in the introduction, Black dog produce a very good resin update set for this model but the price is just waaay too high for me! Fortunately a rummage around my spares box revealed some ruck sacks from I think a Tamiya accessory set, some jerry cans (the kits ones are again awful), some ammo boxes, tarp roll and other bits and pieces that I may or may not use. The rear stowage on the kit is dealt with by a poor "covered equipment tarp" that in my opinion really lets this kit down. I opted to make the large stowage bag out of milliput and then added some of the ruck sacks onto this. The whole stowage area was then filled with liberal amounts of squadron filler to tie everything together.
I also added a storage tie rail to the rear and re positioned the rear smoke dispensers to the sides of the vehicle and added some additional jerry can racks to the rear bed (SAS crews customised their vehicles as they wanted so artistic license can be applied in spades for this kit !).
I mentioned at the start of this project that I intended on using acrylics over enamel paints (my normal medium). I chose Vallejo not just because they are relatively new to the market but also because they are very similar cost wise to Humbrol enamels. In my humble opinion I will probably stick with enamels for figures and detail work simply because I have almost every paint variation in the catalog and I am very comfortable using them. As far as airbrushing is concerned I will now exclusively use Vallejo model air products. The paint is superb quality, well priced and provides great coverage. The added bonus for me (and my wife) is its almost odour free!!! With enamels you have the fumes from the paint and the thinner and to a lesser extent the same can be said for Tamiya acrylics. Somehow Vallejo have managed to produce an outstanding paint with no smell!! If that was all I would be impressed however I quickly learned that undiluted car windscreen wash can be used as a cleaner for Vallejo model air so after a quick trip to my local car parts supplier I bought 2 litres of screen wash for £3.50 and my living room smells of apples every time I clean my airbrush!!
Great work. It looks superb.
Thanks mate. I'm really happy with this one. Its such an old kit and mostly overlooked today but I think it can still be a great addition to any model makers collection.


text:
Q: meaning of the phrase "be better then one can say"? It is from Crash Course World History. It is at around 11 minute and 30 second. Here is the context:

Benin's economy has grown in each of the past 12 years, which is better then Europe and or the US can say.

Does that mean that Europe or the US didn't think that Benin's economy would prove to have economy growth?

A: In essence the sentence is saying:

Benin's economy has grown in each of the past 12 years, which is better than the economic growth in either Europe or the US.

The idiom is usually presented in the form:

A has done something great, which is more than you can say for B.

Generally, the comparison between A and B is set up in such a way that the average person would expect B to be better than A, but the sentence reveals that the opposite is true instead.
For example:

I left school at 15 but I now earn more than a million dollars a year, which is more than my brother with three university degrees can say.


text:
Tampa students protest Kavanaugh nomination, stand with survivors
By Chrisley Carpio |
Read more articles in Women's Movement
Tampa students protest Kavanaugh nomination. (FightBack!News/Staff)
Tampa, FL - On October 4, over 20 students protested at the University of South Florida against the nomination of Brett Kavanaugh for a seat on the U.S. Supreme Court. Students denounced the Trump administration for the mishandling of the accusations against Kavanaugh, their rushed FBI investigation, and Trump's mocking and blatant disrespect for Christine Blasey Ford, one of the survivors. Protesters were also disgusted by the blatant rape apologism demonstrated by prominent Senate Republicans, such as Lindsey Graham.
Students held signs that read, "#IBelieveHer," "Me Too" and "Stand with survivors" to link this event to the movement against sexual violence and the fight to hold rich, powerful men like Kavanaugh accountable for their crimes against women. They chanted, "Lock him up!" to show that he should be held accountable on charges of sexual assault on top of being denied a seat on the most powerful court in the U.S.
Kavanaugh's appointment comes on the heels of Trump's July interview with Fox News where he announced his intent to undermine Roe v. Wade and make abortion a "states' issue," or in other words, weaken federal protections for the right to a safe, legal abortion.
"If Kavanaugh is appointed, the Supreme Court will be the most conservative it's been in in decades, and some justices have all but committed to try to dismantle Roe v. Wade," declared SDS member Christine Lacy.
SDSers also connected this to other cases of sexual violence from campus life, where administrators covered the cases up or refused to take action. Pi Kappa Phi at USF was suspended in 2016 after they raped a 16-year-old girl who later sued the university. Despite a temporary suspension that year, that fraternity continues to operate at USF to this day.
"Sexual assault is not only a problem in the U.S. government, but also on our own campus," said SDS member Taylor Cook.
"Every 98 seconds, an American - especially women - is sexually assaulted. How can we expect to live in this country with dignity when we can't even trust the government to maintain our safety? This is wrong and will not be accepted from anyone!" said another SDS member.
"Kavanaugh certainly isn't the only heinous example of sexual assault lauded in our society by those that rule it," said SDS member, Liz Kramer. "In 2016 a taped message from Donald Trump, one of the primary sources of support for Kavanaugh, came out in which he claimed he could do whatever he wanted to women and that all you have to do is 'grab her by the p*****.' SDS firmly opposes this economically and sexually exploitative system that allows women to be paid less than men, allows one in four women to be sexually assaulted, and props up sexist men to make laws that govern our bodies!"


Raised on a steady diet of underground house music in the confines of New York's legendary Twilo during the late 1990s, David Scuba was immediately drawn to the music and the culture that night life had to offer. His first contributing endeavors to the art was performing as A & R director for influential labels Timeless Groove and Real Music Deal which led him to contracting deals with numerous international names, and overseeing marketing campaigns, all the while holding down a working man's day job. Through this experience Dave has now come into a new transition as co-owner and acting artist of the newly revived Superfreq brand. Along side Mr C, and Luke vB, David is creating and forging new paths in music and at parties designed to make the modern dancefloor and eclectic and memorable experience. This includes scouting and staffing new locations for Superfreq events world wide, the first of which was a 300 person underground gathering in downtown LA featuring Loco Dice and Marco Corola. Besides his solo work on Superfeq, his discography also includes collaborative EP's with Mikael Stravöstand, and Dance Spirit. His output has led to support from numerous artists such as Francis Harris, Mr C, and Magda all playing his music consistently around the globe. As a DJ his talents run deeper than just production, and he has had the opportunity to play numerous international parties at BPM, WMC, DEMF, Resolute New York, and Fabric. His performance at these events has placed him along side the likes of Carl Cox, Nic Fanciulli and Layo & Bushwacka! Needless to say David Scuba has made a tremendous effort into creating and branding great music and art into the consciousness of the dance music community, with more releases to come on Superfreq, DJ Tours in the works, and a collaboration with DJ Pierre, David Scuba is definatley one to watch out for.


Registration is now open for more than 100 exercise and relaxation classes that will help you get moving, get fit and relieve stress this spring and summer. Classes are open to U-M faculty, staff and the general public and are for every level, from beginners to advance. The 15-week spring/summer session runs May 7 – August 19, 2015.
Choose from a wide variety of classes, including yoga, Pilates, Zumba, strength training, spinning, step aerobics and much more. All MHealthy classes are taught by certified instructors and are located at 26 different sites across the university, including the University Hospital, NCRC and KMS.


You may know the story about a shepherd kid who defeated a giant with a slingshot. But before that conflict, there were several conversations that took place on the battlefield. These exchanges provide a new perspective on a familiar story. Listen to Truth For Life with Alistair Begg!


text:
Home / Online courses / Sculpturing
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