 In reviewing "Princess Mononoke," which of Miyazaki's techniques does the reviewer appreciate the least?
Machines in the Garden In the animated ecological epic Princess Mononoke , the camera travels over landscapes with a clear, steady gaze, like a Zen hang glider. The Japanese director, Hayao Miyazaki, who spent three years on Princess Mononoke and is reported to have done 70 percent of its paintings himself, seems to work from the outside in: to begin with the curve of the earth, then the mossy hills, the watercolor foliage, the nubby stones, the whorls on the wood, the meticulous carvings on a teacup. It isn't that Miyazaki's work is technically so dazzling in this age of digitized miracles; it's that everything is sublimely in proportion.
 His digitally dazzling cinematography
 His awareness of his audience  His digitally dazzling cinematography  His attention to detail  His sublime proportionality