 What does the author seem to like to see in movies?
But Malick, a certified intellectual and the Pynchonesque figure who directed Badlands and Days of Heaven in the 1970s and then disappeared, is in a different philosophical universe from Steven Spielberg. Those existential speculations don't derive from the screenplay's source, an archetypal but otherwise down-to-earth 1962 novel by James Jones (who also wrote From Here to Eternity ) about the American invasion of the South Pacific island of Guadalcanal. They're central to Malick's vision of the story, however, and not specious. A true work of art owes us more than literal horrors, and Malick obliges by making his theater of war the setting for nothing less than a meditation on the existence of God.
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