 What does the author mean to communicate by comparing the photographer's task to the sculptor's mission?
Just another free soul In his foreword to the book, Lessig writes that you understand your subjects “by learning to see them in a certain way.” What is that certain way? I think I’m trying to get a mental image of a person, certain expressions, or what I think that person is about. I’m trying to capture what I think they look like, which is many times a minority of their typical expressions, or their typical stance. So, if I’m taking pictures of Larry [Lessig], I want to have his signature hand gestures, and not just random ones. I think I’m trying to capture pictures of people that help others see what they’re about. Some photographers will make someone look the way the photographer wants them to look, and not the way they appear, so they’ll pick the one picture out of 100 where the guy looks more egotistical than he really is. Some photographers are almost medical, and are going after a perfect portrait. I’m somewhere in between. It’s amazing how many people will upload snapshots of people where the pictures don’t look like them at all. To me, uploading a picture that is not an easily recognizable picture of that person defeats the point, which I’m working toward, to try to express who they are. On the other hand, professional photographers usually have a subject whom they don’t know personally, so they end up having to try to capture an image that they’ve created based on who they think the person is or how they want that person to appear. You know how sculptors often say that they’re just freeing an image from a block? What I’m trying to do is free someone’s soul from his or her image. There are a lot of things that make this hard. A lot of people are uncomfortable in front of a camera, or might make expressions that aren’t very natural for them.
 Photographers should strive to capture the essence of a person, vs. how the photographer wishes to portray them
 Photographers should strive to capture the essence of a person, vs. how the photographer wishes to portray them  Photographers should follow the path of sculptors in using more unconventional means to capture their subjects  Photographers should present more neutral, ambiguous renderings of a person in order to give the viewer a chance to participate in the art  Photographers should get to know their subjects on an intimate level, so the subjects feel more free to display their authentic selves during a session