 Who does the author seem to appreciate the most in Meet Joe Black?
Warrior Queens Elizabeth is a lurid paraphrase of the old Groucho Marx line about Doris Day: "I knew the Virgin Queen before she was a virgin." Only a strategic marriage to a Spaniard or a Frenchman will mollify all factions, her advisers insist, but the pickings prove dismal. After skulls are smashed, throats slit, and bosoms skewered in the name of Christ, Elizabeth decides to: a) "unsex" herself and become a symbol--the Virgin Queen, married only to England; and b) entertain dissenting opinions exclusively from those whose heads are affixed to spikes. You can't be both a queenly queen and a womanly woman, says the script (by Michael Hirst)--at least not in 1554. Probably, although the evidence suggests that Elizabeth had developed a head for stratagems earlier in life (her position had been precarious since the beheading of her mother) and came to the throne with few girlish illusions about How Things Work in a barbarous state. With all due respect to Blanchett, Bette Davis, and Glenda Jackson, my favorite Elizabeth I remains Miranda Richardson's capricious, baby-talking psychopath on the BBC comedy Blackadder II . But Blanchett comes in a close second, pulling off the transition from hapless young woman to coolly ruthless monarch with uncommon subtlety. Gradually expunging all empathy from her moist, pink eyes and permitting her visage to ossify, she gives this carnival of carnage an awe-inspiring center.
 Claire Forlani
 Martin Brest  Bo Goldman  Brad Pitt  Claire Forlani