 The film reviewer is generally _____ the actors in "Princess Mononoke," and ______ the actors in "The Limey," respectively:
Machines in the Garden In the animated ecological epic Princess Mononoke , the camera travels over landscapes with a clear, steady gaze, like a Zen hang glider. The Japanese director, Hayao Miyazaki, who spent three years on Princess Mononoke and is reported to have done 70 percent of its paintings himself, seems to work from the outside in: to begin with the curve of the earth, then the mossy hills, the watercolor foliage, the nubby stones, the whorls on the wood, the meticulous carvings on a teacup. According to the New York Times , Toy Story animators screened reels of his work when their imaginations flagged, and writers for Star Trek named an alien species after one of his features. Watching Princess Mononoke --which has been dubbed to Disney/Miramax specifications by American and English stars but retains its two-hour-plus length, its gory beheadings, and its grim, near-apocalyptic finale--you can understand their worship. The movie has a scope that makes Hollywood's homiletic, follow-your-dream fables look even more solipsistic. P rincess Mononoke builds to a full-scale war between humans and the animal kingdom--which does not, by the way, consist of your father's cartoon critters. It's Miyazaki's use of sound--and silence--that takes your breath away: the determined tap of the wolf princess's shoes as she scuttles over the fortress's rooftops; the silence of Eboshi and her army as they stare at this tiny yet formidable tomboy against the black sky.
 irritated by // impressed by
 irritated by // impressed by  skeptical of // convinced by  bored of // enraptured by  critical of // overpraising of