 What is the significance of the story's title?
FEBRUARY STRAWBERRIES By JIM HARMON How much is the impossible worth? [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, March 1961. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] "The man who isn't Snead is leaving," Linton said, describing the scene over Howell's shoulder. He's not Sherlock Holmes or the Frankenstein Monster—there's no doubt or semantic leeway to the thing." Even after they had let him out of the asylum as cured, he still secretly believed he had known a genuine affection for her. Linton asked, thinking: God? But by saying something so patently ridiculous, Linton hoped to bring the contradicting truth to the surface immediately. "But it's wonderful," Linton said, thinking his immediate thoughts. Death is their whole life. Overpopulation. Birth control is a touchy subject. "There are a lot of fakes and quacks in the resurrection business. When the cops find out about a place, they break in, smash all the equipment and arrest everybody in sight. The charges, if any, come under general vice classification." "They didn't talk much about white slavery in Victorian England. I read an article in Time the other day that said 'death' was our dirty word, not sex. You want to shock somebody, you tell him, 'You're going to be dead someday,' not anything sexual.
 It hints at the extra costs for less natural things
 It hints at the extra costs for less natural things  It marks the setting for the story  It hints at Linton's constant desire for sweet things  It shows Linton's goal for the story