 What does the author think of physiognomy?
Physiognomy, the 'science' of judging people by their appearance, was first theorised by the ancient Greeks in around the 5th century BC. Aristotle's pronouncement that "it is possible to infer character from features" led to a number of works relating to 'Physiognomica', a word derived from physis (nature), nomos (law) and (or) gnomon (judge or interpreter). All of Greek society, it was claimed, could benefit from this skill: it could assist with choosing an employee, a slave or a spouse, while its inherent vagueness made it intriguing to philosophers and useful for scientists who bent the theories to support their own beliefs. Theories of physiognomy, however, would persist beyond the Renaissance. In 1586, Italian scholar Giambattista della Porta published a book, De humana physiognomonia libri IIII, which established him as the 'father of Physiognomy'. In the 17th century, Swiss poet Johann Caspar Lavater took della Porta's methodology and ran with it, commissioning artists to illustrate his popular Essays On Physiognomy – which, to the chagrin of his contemporary, the writer Hannah More, sold for "fifteen guineas a set… while in vain we boast that philosophy [has] broken down all the strongholds of prejudice, ignorance, and superstition." Lavater's work was criticised for being ridden with bias (black faces rarely emerged well from his analyses) but he was right in one respect: "Whether they are or are not sensible of it," he wrote, "all men are daily influenced by physiognomy."
 It is flimsy and relies on too many assumptions
 It is flimsy and relies on too many assumptions  It is useful once someone is accused of a crime but not beforehand  It deserves more attention but from people outside of tech  It is a promising but little-understood field of study