question:  What do Elizabeth and Velvet Goldmine seem to have in common?
context: The daughter of the second wife of Henry VIII, Anne Boleyn, and therefore dubbed a bastard by the papists, the Protestant Elizabeth ascends the throne to find the air still thick with smoke from roasted heretics, a team of skulking Catholics plotting her assassination, and a council of advisers (lords, bishops, sundry old boys) who snigger openly at the prospect of taking orders from a woman. Only a strategic marriage to a Spaniard or a Frenchman will mollify all factions, her advisers insist, but the pickings prove dismal. After skulls are smashed, throats slit, and bosoms skewered in the name of Christ, Elizabeth decides to: a) "unsex" herself and become a symbol--the Virgin Queen, married only to England; and b) entertain dissenting opinions exclusively from those whose heads are affixed to spikes. Probably, although the evidence suggests that Elizabeth had developed a head for stratagems earlier in life (her position had been precarious since the beheading of her mother) and came to the throne with few girlish illusions about How Things Work in a barbarous state. Their severed heads look on, wide-eyed, as Elizabeth directs her hair to be shorn--images of her girlhood flashing by as her locks rain down--and then walks weightily to her throne, now a chalk-faced gorgon. With all due respect to Blanchett, Bette Davis, and Glenda Jackson, my favorite Elizabeth I remains Miranda Richardson's capricious, baby-talking psychopath on the BBC comedy Blackadder II . But Blanchett comes in a close second, pulling off the transition from hapless young woman to coolly ruthless monarch with uncommon subtlety. Gradually expunging all empathy from her moist, pink eyes and permitting her visage to ossify, she gives this carnival of carnage an awe-inspiring center. A more subversive sort of queen is on display in Velvet Goldmine , Todd Haynes' musical fantasia on the early '70s era of "glam" or "glitter" rock.
output:  the main character transforms throughout the film
options:  the story line is based on real events  powerful, convincing main characters  the main character transforms throughout the film  in the end, the main character is disliked