 What would the author likely say about himself?
Dirty Laundry Now and then, a documentary film comes along that makes us re-examine the rules that unofficially govern the genre: Can there be a middle ground between fiction and fact? Can a documentary use scripted scenes and yet remain ontologically authentic? How much can you stylize material before you alter the reality that you're striving, at least in theory, to capture? Unmade Beds , Nicholas Barker's " 'real life' feature film," has proudly worn its mongrel status as a "directed" documentary of single life in the big city, employing, in the face of criticism, what amounts to a cackling-punk defiance. The movie tracks four aging New Yorkers--two men, two women--through their lonely dating rituals, in the process depicting a universe of lusty, coupled-up haves and downcast, excluded have-nots, all viewed Rear Window -style through rectangular openings in the massive apartment houses in which they reside. The director selected his four subjects from many hundreds of potential candidates, followed them around for months, and then scripted their monologues and dialogues to reflect what he says he saw. Calling his own film "an exercise in mendacity," Barker goes on, "I'm quite happy to tell lies about my characters and even collude with their self-delusions if it enables me to communicate larger dramatic truths." The outrage it has prompted isn't the Puritan kind; it's more like legitimate revulsion at watching a blowhard pervert people's lives in the name of "larger dramatic truths." If you were to walk past him on the street, you might think that a man of his small stature might have some trouble getting dates and be rather bitter about it. The larger dramatic truth is that Michael has lots of trouble getting dates and is very bitter about it. Just in case you feel too sorry for him, however, Barker is careful to include a homophobic monologue in which Michael complains about young women who waste their lives hanging out with effeminate males. Michael turns out to be the film's most sympathetic subject--by a wide margin. At least he's not Mikey, a paunchy 54-year-old who writes but can't sell screenplays and who always flees blind dates, because the women he gets fixed up with are "mutts." He also reminisces about that 24 hour period in the '70s when he managed to sleep with three different beautiful women, whose pictures he shows off.
 he's an expert at critiquing films
 he only likes certain film genres  he's an expert at critiquing films  his opinion is different from most peoples'  his films are better than most that he's seen