 What best summarizes what the author has to say about William Shawn?
At the table are Gill; William Shawn, then editor of The New Yorker ; and the reclusive English writer Henry Green. Shawn--"with his usual hushed delicacy of speech and manner"--inquires of the novelist whether he could possibly reveal what prompted the creation of such an exquisite work. " This was not the explanation Shawn was expecting, Gill tells us. This was, after all, a man renowned for his retiring propriety, a man who sedulously barred anything smacking of the salacious--from lingerie ads to four-letter words--from the magazine he stewarded from 1952 until 1987, five years before his death. But after reading these two new memoirs about Shawn, I wonder. "He longed for the earthiest and wildest kinds of sexual adventures," Lillian Ross discloses in hers, adding that he lusted after Hannah Arendt, Evonne Goolagong, and Madonna. Both these memoirs must be read by everyone--everyone, that is, who takes seriously the important business of sorting out precisely how he or she feels about The New Yorker , then and now. Moreover, Mehta writes as Shawn's adoring acolyte, whereas Ross writes as his longtime adulterous lover. Just knowing that Mrs. Shawn is still alive adds a certain tension to reading much of what this Other Woman chooses to divulge. Thereafter, the couple set up housekeeping together in an apartment 20 blocks downtown from the Shawn residence on upper Fifth Avenue and stoically endured the sufferings of Shawn's wife, who did not want a divorce. It also made me feel funny about William Shawn, whom I have always regarded as a great man. Besides, the moral tone of the magazine was almost wholly admirable--it was ahead of the pack on Hiroshima, civil rights, Vietnam, Watergate, the environment--and this was very much Shawn's doing. Happily, Ross has sprinkled her memoir with clues that it is not to be taken as entirely factual. To say that Shawn was "a man who grieved over all living creatures" is forgivable hyperbole; but later to add that he "mourned" for Si Newhouse when Newhouse unceremoniously fired him in 1987 (a couple of years after buying the magazine)--well, that's a bit much. She declares that "Bill was incapable of engendering a cliché, in deed as well as in word." But then she puts the most toe-curling clichés into his mouth: "Why am I more ghost than man?"
 He was a respectable man with complexities that weren't always obvious and is hard to pin down based on the stories told of him.
 He had a magnetic personality, as shown in the way Ross and Mehta gravitated towards him.  While quiet on the outside, he was a man prone to adultery.  He was a respectable man with complexities that weren't always obvious and is hard to pin down based on the stories told of him.  He lived a simple life and worked hard to publish his magazine.