『ドレスデンの祭壇画』には聖母以外何が描かれていますか？
The central panel has often been compared to his unsigned and undated "Lucca Madonna" of c. 1436. That work echoes the central panel of the Dresden triptych in a number of aspects, including the dark green canopy, the figuration and positioning of Mary, her heavily-folded dress, the orange and brown pigments of the floor, the geometric carpet and the wooden carvings. The "Lucca Madonna" is thought to be a portrait of the artist's much younger wife, Margaret.
central panel