occupation roberto faz
Cuba , officially the Republic of Cuba , is a country comprising the island of Cuba as well as Isla de la Juventud and several minor archipelagos . Cuba is located in the northern Caribbean where the Caribbean Sea , the Gulf of Mexico , and the Atlantic Ocean meet . It is south of both the U . S . state of Florida and the Bahamas , west of Haiti , and north of Jamaica . Havana is the largest city and capital ; other ___MASK12___ cities include Santiago de Cuba and Camagüey . Cuba is the largest island in the Caribbean , with an area of , and the second - most populous after Hispaniola , with over 11 million inhabitants . Trova is one of the great roots of the Cuban music tree . In the 19th century a group of itinerant musicians known as " trovadores " moved around Oriente , especially Santiago de Cuba , earning their living by singing and playing the guitar . According to one ___MASK62___ , to qualify as a trovador in Cuba , a person should a ) sing songs of his own composition , or of others of the same kind ; b ) accompany himself on the guitar ; and c ) deal poetically with the song . This definition fits best the singers of boleros , and less well the Afrocubans singing funky sones ( El Guayabero ) or even guaguancós and abakuá ( Chicho Ibáñez ). It rules out , perhaps unfairly , singers who accompanied themselves on the piano . Bartolomé Maximiliano Moré ( 24 August 1919  19 February 1963 ), known as Benny Moré , was a Cuban ___MASK67___ , bandleader and songwriter . Due to his fluid tenor voice and his great expressivity , he was known variously as El Bárbaro del Ritmo and El Sonero ___MASK19___ . Moré was a master of most Cuban popular genres , such as the bolero , son montuno , mambo , and guaracha . Moré formed and led the Banda Gigante , one of the leading Cuban big bands of the 1950s , until his death in 1963 . Dance is a ___MASK3___ form consisting of purposefully selected sequences of human movement . This movement has aesthetic and symbolic value , and is acknowledged as dance by performers and observers within a particular culture . Dance can be categorized and described by its choreography , by its repertoire of movements , or by its historical period or place of origin . Lyrics are words that make up a song usually consisting of verses and choruses . The ___MASK62___ of lyrics is a ___MASK1___ . The words to an extended musical composition such as an ___MASK13___ are , however , usually known as a " libretto " and their ___MASK62___ , as a " librettist ". The meaning of lyrics can either be explicit or implicit . Some lyrics are abstract , almost unintelligible , and , in such cases , their explication emphasizes form , articulation , meter , and symmetry of expression . Rappers can also create lyrics with a variation of rhyming words or words that create and tell a story or song . Havana ( Spanish : " La Habana ") is the capital city , largest city , province , ___MASK12___ port , and leading ___MASK10___ centre of Cuba . The city proper has a population of 2 . 1 million inhabitants , and it spans a total of  making it the largest city by area , the most populous city , and the third largest metropolitan area in the Caribbean region . The city extends mostly westward and southward from the bay , which is entered through a narrow inlet and which divides into three main harbours : Marimelena , Guanabacoa and Atarés . The sluggish Almendares River traverses the city from south to north , entering the Straits of Florida a few miles west of the bay . Roberto Faz Monzón ( September 18 , 1914 -- April 26 , 1966 ) was a Cuban ___MASK67___ who reached the height of his popularity during the 1950s and early 1960s . Like his contemporary Benny Moré , he specialized in many forms of Cuban music such as son , guaracha and bolero . He was a member of the Conjunto Kubavana for three years before joining the Conjunto Casino in 1944 . At the Casino he sang alongside Agustín Ribot and Roberto Espí , achieving great success . In 1956 he left the Casino to establish his own conjunto , where he sang with Orlando Reyes and Roeangel Rodríguez `` Rolito '' . He continued to tour and record with his band until his death in 1966 . In musical terminology , tempo (" time " in Italian ; plural : " tempi " ) is the speed or pace of a given piece or subsection thereof , how fast or slow . Tempo is related to meter and is usually measured by beats per minute , with the beats being a division of the measures , though tempo is often indicated by terms which have acquired standard ranges of beats per minute or assumed by convention without indication . Tempo may be separated from articulation , or articulation may be indicated along with tempo , and tempo contributes to the overall texture . While the ability to hold a steady tempo is a desirable skill , tempo is changeable , and often indicated by a ___MASK26___ or drummer . While practicing , an electronic or mechanical device , a metronome , may indicate the tempo , as one usually works one ' s way up to being able to perform at the proper tempo . In other words it is the speed at which a passage of music is or should be played . ___MASK49___ is a type of classical male singing voice whose vocal range is one of the highest of the male voice types . The ___MASK49___ ' s vocal range ( in choral music ) lies between C , the C one octave below middle C , and A , the A above middle C . In solo work , this range extends up to C , or " ___MASK49___ high C ". The low extreme for tenors is roughly A ( two As below middle C ). At the highest extreme , some tenors can sing up to two Fs above middle C ( F ). The ___MASK49___ voice type is generally divided into the " leggero " ___MASK49___ , lyric ___MASK49___ , spinto ___MASK49___ , dramatic ___MASK49___ , heldentenor , and ___MASK49___ buffo or spieltenor . Bolero is a genre of slow - tempo Latin music and its associated dance . There are Spanish and Cuban forms which are both significant and which have separate origins . The guaracha is a genre of Cuban popular music , of rapid tempo and comic or picaresque lyrics . The word had been used in this sense at least since the late 18th and early 19th century . Guarachas were played and sung in musical theatres and in low - class dance salons . They became an integral part of bufo comic theatre in the mid - 19th century . During the later 19th and the early 20th century the guaracha was a favourite musical form in the brothels of Havana . The guaracha survives today in the repertoires of some trova musicians , conjuntos and Cuban - style big bands .