genre return of the roller blade seven
Donald G . Jackson ( April 24 , 1943  October 20 , 2003 ) was an American filmmaker who is often referred to in the media as the Ed Wood of the ___MASK7___ age . This delination was given due to the bizarre ___MASK62___ , content , and lack of defined storyline prevalent in his film and because virtually all of his films were harshly criticized by film critics . The Roller Blade Seven is a 1991 ___MASK66___ ___MASK45___ directed by Donald G . Jackson and starring Scott Shaw . The ___MASK20___ of the Roller Blade Seven is a 1992 ___MASK81___ ___MASK66___ film that was directed by Donald G . Jackson , and was produced by and stars Scott Shaw . ___MASK91___ enforcement is any system by which some members of ___MASK86___ act in an organized manner to enforce the law by discovering , deterring , rehabilitating , or punishing people who violate the rules and norms governing that ___MASK86___ . Although the term may encompass entities such as courts and prisons , it is most frequently applied to those who directly engage in patrols or surveillance to dissuade and discover criminal activity , and those who investigate crimes and apprehend offenders , a task typically carried out by the police or another law enforcement agency . Furthermore , although law enforcement may be most concerned with the prevention and punishment of crimes , organizations exist to discourage a wide ___MASK25___ of non - criminal violations of rules and norms , effected through the imposition of less severe consequences . Intangible cultural heritage ( ICH ) is promoted by UNESCO as a counterpart to the World Heritage focusing mainly on intangible aspects of ___MASK74___ . In 2001 , UNESCO made a survey among States and NGOs to try to agree on a definition , and the Convention for the Safeguarding of Intangible Cultural Heritage was drafted in 2003 for its protection and promotion . ___MASK32___ or fight is a purposeful violent conflict meant to weaken , establish dominance over , or kill the opposition , or to drive the opposition away from a location where it is not wanted or needed . Self - defense ( self - defence in many varieties of English ) is a countermeasure that involves defending the ___MASK33___ and well - being of oneself from harm . The use of the right of self - defense as a legal justification for the use of force in times of danger is available in many jurisdictions , but the interpretation varies widely . The Return of the Roller Blade Seven is a ___MASK81___ based film , released in 1993 . The film is the second of two sequels to the film The Roller Blade Seven . The first sequel , The ___MASK20___ of the Roller Blade Seven , was released in 1992 . The film features much of the cast from the first film ; including Scott Shaw , Joe Estevez , Don Stroud , Karen Black , Frank Stallone , and Jill Kelly . The Return of the Roller Blade Seven was directed by Donald G . Jackson . It was produced and edited by Scott Shaw . This film picks up where The Roller Blade Seven leaves off . It follows the further adventures of the lead character , Hawk Goodman , played by Shaw . As was the case of the first two films associated with this project , this film is based on the spiritual redemption of its lead characters . This movie was filmed in visually striking locations . It is filled with abstract ___MASK8___ and has a non - linear storyline . The Return of the Roller Blade Seven was created in the distinct style of filmmaking known as Zen Filmmaking . This style of filmmaking was created by Scott Shaw and Donald G . Jackson . In this style of filmmaking no scripts are used . ___MASK81___ are codified systems and traditions of ___MASK32___ practices , which are practiced for a number of reasons : as self - defense , ___MASK52___ and ___MASK91___ enforcement applications , mental and spiritual development ; as well as ___MASK29___ and the preservation of a nation ' s intangible cultural heritage . A ___MASK66___ film , also commonly referred to as a ___MASK66___ classic , is a film that has acquired a ___MASK66___ following . ___MASK66___ films are known for their dedicated , passionate fanbase , an elaborate subculture that engage in repeated viewings , quoting dialogue , and audience participation . Inclusive definitions allow for major studio productions , especially box office bombs , while exclusive definitions focus more on obscure , transgressive films shunned by the mainstream . The difficulty in defining the term and subjectivity of what qualifies as a ___MASK66___ film mirror classificatory disputes about art . The term " ___MASK66___ film " itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies , though " ___MASK66___ " was in common use in film analysis for decades prior to that . ___MASK75___ is a diverse range of human activities in creating visual , auditory or performing artifacts ( artworks ), expressing the author ' s imaginative or technical skill , intended to be appreciated for their beauty or emotional power . In their most general form these activities include the production of works of ___MASK75___ , the ___MASK49___ of ___MASK75___ , the study of the history of ___MASK75___ , and the aesthetic dissemination of ___MASK75___ . ___MASK45___ is a film genre . A subgenre of the action film , martial arts films contain numerous martial arts fights between characters . They are usually the films ' primary appeal and entertainment value , and often are a method of storytelling and character expression and development . Martial arts are frequently featured in training scenes and other sequences in addition to fights . Martial arts films commonly include other types of action , such as hand - to - hand combats , stuntwork , chases , and gunfights .