instance_of pebbles box
Canada ( French : ) is a ___MASK18___ in the northern half of North America . Its ___MASK48___ provinces and three territories extend from the Atlantic to the Pacific and northward into the Arctic Ocean , covering , making it the world ' s second - largest ___MASK18___ by total area and the fourth - largest ___MASK18___ by land area . Canada ' s ___MASK94___ with the United States is the world ' s longest land ___MASK94___ . The majority of the ___MASK18___ has a cold or severely cold winter climate , but southerly areas are warm in summer . Canada is sparsely populated , the majority of its land territory being dominated by forest and tundra and the Rocky Mountains . About four - fifths of the ___MASK18___ ' s population of 36 million ___MASK35___ is urbanized and live near the southern ___MASK94___ . Its ___MASK53___ is Ottawa , its largest city is Toronto ; other major urban areas include Montreal , Vancouver , Calgary , Edmonton , Quebec City , Winnipeg and Hamilton . AIP Records is a record ___MASK67___ that was started by Greg Shaw ' s Bomp ! Records , being launched in 1983 to continue the Pebbles series . The ___MASK69___ AIP stands for " ___MASK39___ International Productions ". The first 10 volumes in the Pebbles series had been released by BFD Records of Kookaburra , Australia ( most likely a fictitious ___MASK67___ name to avoid copyright infringement lawsuits ) in 1979 - ___MASK62___ and have been kept in print by AIP for many years . Including those in the companion Highs in the Mid - Sixties series  which concentrated on American regional music scenes  there are over 50 LPs covering some 800 obscure , mostly American " Original Punk Rock " songs recorded in the mid - 1960s  primarily known today as the garage rock and psychedelic rock genres  that were previously known only to a handful of collectors . ___MASK85___ is a genre of popular music that originated as " rock and roll " in the United States in the 1950s , and developed into a range of different styles in the 1960s and later , particularly in the United Kingdom and the United States . It has its roots in 1940s ' and 1950s ' rock and roll , itself heavily influenced by blues , rhythm and blues and country music . ___MASK85___ also drew strongly on a number of other genres such as electric blues and folk , and incorporated influences from jazz , classical and other ___MASK44___ sources . A ___MASK36___ ___MASK29___ or boxed ___MASK29___ is a ___MASK29___ of items ( for example , a compilation of books , musical recordings , films or television programs ) packaged in a ___MASK36___ , for sale as a single unit . The Pebbles ___MASK36___ is a 5 - LP ___MASK36___ set of mid - 1960s garage rock and psychedelic rock recordings , primarily by American bands . Several years later , a similar 5 - CD ___MASK36___ set was released that was called the Trash ___MASK36___ . The Pebbles ___MASK36___ purports to collect the first five volumes of the Pebbles series , although there are fewer songs than on the original LPs : 72 total tracks on the five discs , as compared with 86 on the original LPs . Also , as is generally true of the CD reissues of these five volumes ( though not nearly to the same extent ) , the tracks differ significantly on all five discs as compared to both the original Pebbles LPs and the later Pebbles CDs in the corresponding volumes ; and the surf rock rarities on Pebbles , Volume 4 have been eschewed entirely . Although most of the recordings on the Pebbles ___MASK36___ were released at some point on one of the individual Pebbles albums , several of the songs have not appeared elsewhere in the Pebbles series . Inexplicably , one of these songs is the well - known hit `` I Fought the Law ( but the Law Won ) '' by the Bobby Fuller Four ( on Disc Four ) -- which is also included in the Trash ___MASK36___ -- in place of the much rarer `` Wine Wine Wine '' by Bobby Fuller that appears on Pebbles , Volume 2 . The song `` Be Forewarned '' was actually recorded in 1972 by the early doom metal band , Pentagram . Garage ___MASK57___ ( shortened as " garage "; sometimes ' 60s punk " or " garage punk ") is a raw and energetic style of ___MASK57___ and roll that flourished in the mid - 1960s , most notably in the United States and Canada . The term derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage , although many were professional . The phrase " garage band " is often used to refer to ___MASK44___ acts in this genre . A psychedelic ___MASK27___ is a ___MASK27___ whose primary action is to alter cognition and perception , typically by agonising serotonin receptors . ___MASK57___ and roll ( often written as ___MASK57___ & roll or ___MASK57___ ' n ' roll ) is a genre of popular music that originated and evolved in the United States during the late 1940s and early 1950s , from African - American ___MASK44___ styles such as gospel , jazz , boogie woogie , and rhythm and blues , with country . While elements of ___MASK57___ and roll can be heard in blues records from the 1920s and in country records of the 1930s , the genre did not acquire its name until the 1950s . Robert Gaston " Bobby " Fuller ( ___MASK71___ 22 , 1942  July 18 , 1966 ) was an American ___MASK57___ singer , songwriter , and guitarist best known for " Love ' s Made a Fool of You " and his cover of " I Fought the Law ", recorded with his mid - 1960s group , the Bobby Fuller Four . A ___MASK28___ ( IAST : rga ), Raag or Ragam , literally means " coloring , tingeing , dyeing ". The term also refers to a ___MASK37___ close to melodic mode in Indian classical music . " ___MASK28___ " is a remarkable and central ___MASK52___ of classical Indian music tradition , but has no direct translation to concepts in the classical European music tradition . Each " raga " is an array of melodic structures with ___MASK44___ motifs , considered in the Indian tradition to have the ability to " color the mind " and affect the emotions of the audience . Garage punk is a ___MASK57___ subgenre that evokes characteristics identified with punk ___MASK57___ . Its progenitors are with the North American garage ___MASK57___ bands in the early 1960s . The term is sometimes used interchangeably with " garage ___MASK57___ " or " garage revival ". Another movement that is widely categorized as " garage punk " drew heavily from stripped - down 1970s punk ___MASK57___ and Detroit proto - punk , taking shape in the indie ___MASK57___ underground between the late 1980s and early 1990s . Psychedelic ___MASK57___ is a style of ___MASK85___ that is inspired or influenced by psychedelic culture and attempts to replicate and enhance the mind - altering experiences of psychedelic drugs , most notably LSD . It may use novelty recording techniques , electronic instruments or effects , and sometimes draws on sources such as the ragas and drones of Indian music . The Bobby Fuller ___MASK22___ ( sometimes stylized as Bobby Fuller 4 ) was a popular mid - 60s American ___MASK57___ & roll band started by Bobby Fuller . With its first incarnation formed in 1962 in El Paso , Texas , the group went on to produce some of its most memorable hits under Mustang Records in Hollywood , California . The band ' s most successful songs include " Let Her Dance ", " I Fought the Law ", and " Love ' s Made a Fool of You ." Pebbles , ___MASK32___ 4 is a ___MASK20___ in the Pebbles series that has been issued in both LP and CD formats . Unlike other volumes in the series  which compile obscure garage rock and psychedelic rock music  ___MASK32___ 4 collects rare examples of surf rock . The LP is subtitled Summer Means Fun , while the CD is subtitled Surf N Tunes . Another " Pebbles , ___MASK32___ 4 " was issued on CD a few years earlier by ESD Records and has completely different tracks . Pebbles , ___MASK32___ 2 is a ___MASK20___ featuring American underground psychedelic and garage rock musical artists from the 1960s . It is the second installment of the " Pebbles " series and was released on BFD Records in 1979 (" see " 1979 in music ). ___MASK98___ ___MASK36___ is a 5 - CD ___MASK36___ set of mid - 1960s garage rock and psychedelic rock recordings , primarily by American bands . This ___MASK36___ set is similar to the earlier " Pebbles ___MASK36___ " ( a 5 - LP ___MASK36___ set ) and includes almost all of the same recordings in that ___MASK36___ set ( and in the same order ), along with numerous bonus tracks at the end of each disc . Supposedly , " the ___MASK98___ ___MASK36___ " collects the first five volumes of the CDs in the Pebbles series ( i . e ., those released by AIP Records , not to be confused with the 4 earlier CDs that were issued by ESD Records ). However , as is generally true of the CD reissues of these five volumes ( though not nearly to the same extent ), the tracks differ significantly on all five discs as compared to both the original Pebbles LPs and the later Pebbles CDs in the corresponding volumes ; and the surf rock rarities on " Pebbles , Volume 4 " have been eschewed entirely . Overall , there are 109 tracks in the ___MASK36___ set ( excluding the introduction and ending cuts ) as compared to 101 songs on the individual CDs and 72 tracks in the " Pebbles ___MASK36___ ". Although most of the recordings on " the ___MASK98___ ___MASK36___ " were released at some point on one of the individual Pebbles albums , several of the songs have not appeared elsewhere in the Pebbles series . Inexplicably , one of these songs is the well - known hit " I Fought the Law ( but the Law Won )" by the Bobby Fuller Four ( on Disc Four )  which is also included in the " Pebbles ___MASK36___ "  in place of the much rarer " Wine Wine Wine " by Bobby Fuller that appears on " Pebbles , Volume 2 ".