award_received mrigayaa
Mamata Shankar ( born 7 January 1955 ) is an Indian actress . She is known for her work in Bengali cinema . She has acted in films by directors including Satyajit Ray , Mrinal Sen , Rituparno Ghosh , Buddhadev Dasgupta and Gautam Ghosh . In addition to being an actress , she is a dancer and choreographer . Mrigayaa ( lit . The royal hunt ) is a 1976 Hindi - language Indian period drama film directed by Mrinal Sen and produced by K . Rajeshwara Rao . Based on a short story by Bhagbati Charan Panigrahi , the film portrayed the relationship between the British colonialists and native villagers , and their exploitation by Indian landlords in 1920 ' s India . It also depicts the friendship between a British administrator , who has a flair for game hunting , and a native tribal , who is an expert archer . The lead actors Mithun Chakraborty and Mamata Shankar , both made their cinematic debuts through the film . The film score was provided by Salil Chowdhury while K . K . Mahajan handled the cinematography . At the 24th ___MASK56___ , Mrigayaa won two awards -- Best Feature Film and Best Actor . It also won the Filmfare Critics Award for Best Movie apart from being nominated for the Golden Prize at the 10th Moscow International Film Festival in 1977 . Rituparno Ghosh ( 31 August 1963  30 May 2013 ) was an Indian film director , actor , writer and lyricist in the Bengali cinema . After pursuing a degree in economics he started his career as a creative artist at an advertising agency . In 1992 , his debut film " Hirer Angti " released . In 1994 , his next film " Unishe April " released which won ___MASK21___ . Gourang Chakraborty ( born 16 June 1952 ), better known by his stage name Mithun Chakraborty ; informally referred to as Mithun Da , is an Indian film actor , singer , producer , writer , social worker , entrepreneur and a Rajya Sabha Member of Parliament . He is the recipient of three ___MASK56___ . He made his acting debut with the art house drama " Mrigayaa " ( 1976 ), for which he won his first ___MASK88___ for Best Actor . The ___MASK88___ for Best Actor , officially known as the Rajat Kamal Award for the Best Actor , is an honour presented annually at the National Film Awards of India instituted only since 1967 to actors who have delivered the best performance in a leading role within the Indian film industry . Called the " State Awards for Films " when established in 1954 , the National Film Awards ceremony is older than the Directorate of Film Festivals . The State Awards instituted the individual award in 1968 as the " Bharat Award for the Best Actor "; in 1975 , it was renamed as the " Rajat Kamal Award for the Best Actor ". Throughout the past 45 years , accounting for ties and repeat winners , the Government of India has presented a total of 52 " Best Actor " awards to 40 different actors . Until 1974 , winners of the ___MASK88___ received a figurine and certificate ; since 1975 , they have been awarded with a " Rajat Kamal " ( silver lotus ), certificate and a cash prize . Ritwik Ghatak (" Ritbik Kumar Ghôôk ", ; 4 November 19256 February 1976 ) was a Bengali filmmaker and script writer . Along with prominent contemporary Bengali filmmakers Satyajit Ray and Mrinal Sen , his cinema is primarily remembered for its meticulous depiction of social reality . Although their roles were often adversarial , they were ardent admirers of each other ' s work and , in doing so , the three directors charted the independent trajectory of parallel cinema , as a counterpoint to the mainstream fare of Hindi cinema in India . Ghatak received many awards in his career , including ___MASK88___ ' s Rajat Kamal Award for Best Story in 1974 for his " Jukti Takko Aar Gappo " and Best Director ' s Award from Bangladesh Cine Journalist ' s Association for " Titash Ekti Nadir Naam ". The Government of India honoured him with the Padma Shri for Arts in 1970 . Mrinal Sen ( also spelled " Mrinal Shen ", born 14 May 1923 ) is an Indian filmmaker based in Kolkata . Along with his contemporaries Satyajit Ray and Ritwik Ghatak , he is often considered to be one of the greatest ambassadors of Indian parallel cinema on the global stage . Like the works of Ray and Ghatak , his cinema is known for its artistic depiction of social reality . Although the three directors shared a healthy rivalry , they were ardent admirers of each other ' s work , and in so doing , they charted the independent trajectory of parallel cinema , as a counterpoint to the mainstream fare of Hindi cinema in India .