This transcript has been automatically generated and may not be 100% accurate.  ... from ... the ... the one boy helps you create forty artists of the person that would create sound interested ... in ... doing so restated someone is walking across the ... sidewalk and high heels ... and I ... think that some of ... the door to why we need to ... break it down ... sometimes it's like ... Kristina ... and make access ... I ... it's a gangster movie ... it is ... not the actual shooting the gun but if someone was to ... talkback the trigger ... over the years I've worked on it ... a good balance the ... scene ... we also work on Foxcatcher menu lumber wrestling the wrestling maybe they wanna make sure that the the sounds that came out in the river to play gets in music and and and the breathing and and and ... and the grunting and ... grappling it sounds realistic and that's what we try to go for ... it into the woods of ... the or ... a few challenges the the ... the one that that ... presented ... the most fun I guess was the of this swirling in the leaves when to do is create this whirling sound means with which his appearance she comes and goes and ... use it to begin a ... whirlwind type of ... movement ... George alarm idea my partner had to ... in crime with the Holy stages of sound mixer ... Georgia listen to it and it's with our different array of microphone ... when to pick up different room ambience is ... set to grow ... so what we do a sound effect on my component picking things up in the report ... the match what the sound on production is like me who feel ... for us ... bottom line is more one element along with facts ... along with music along with dialogue ... getting inside the store ... sharper for that is in it enhances what we believe is happening ... I ... the ...
Marko Costanzo has worked on movies ranging from "Into the Woods" to "Goodfellas." See how his work adds to the immersive experience of films. Photo: Bryan Derballa for The Wall Street Journal