The first of them, Don't Touch if You Ain't Prayed, featured gospel music performed by Peniston herself, while the second, Pastor Jones, was another urban film appealing to the Christian market.
La primera de ellas, «Don't Touch if You Ain't Prayed», presentaba música gospel interpretada por la propia Peniston, mientras que la segunda, «Pastor Jones», era otra película urbana que apelaba al mercado cristiano.
The first of them, Don't Touch if You Ain't Prayed, featured gospel music performed by Peniston himself, while the second, Pastor Jones, was another urban film appealing to the Christian market.
La primera de ellas, «Don't Touch if You Ain't Prayed», presentaba música gospel interpretada por el propio Peniston, mientras que la segunda, «Pastor Jones», era otra película urbana que apelaba al mercado cristiano.
The first of them, Don't Touch if You Ain't Prayed, featured gospel music performed by Peniston <F>herself</F>, while the second, Pastor Jones, was another urban film appealing to the Christian market.
La primera de ellas, «Don't Touch if You Ain't Prayed», presentaba música gospel interpretada por <F>la propia</F> Peniston, mientras que la segunda, «Pastor Jones», era otra película urbana que apelaba al mercado cristiano.
The first of them, Don't Touch if You Ain't Prayed, featured gospel music performed by Peniston <M>himself</M>, while the second, Pastor Jones, was another urban film appealing to the Christian market.
La primera de ellas, «Don't Touch if You Ain't Prayed», presentaba música gospel interpretada por <M>el propio</M> Peniston, mientras que la segunda, «Pastor Jones», era otra película urbana que apelaba al mercado cristiano.
la propia
el propio