 The film presents Ricky as its " visionary , [ ... ] spiritual and mystical center " . He sees beauty in the <unk> of everyday life , <unk> as much as he can for fear of missing it . He shows Jane what he considers the most beautiful thing he has filmed : a plastic bag , <unk> in the wind in front of a wall . He says capturing the moment was when he realized that there was " an entire life behind things " ; he feels that " sometimes there 's so much beauty in the world I feel like I can 't take it ... and my heart is going to cave in . " <unk> argues that Ricky , in looking past the " cultural <unk> " , has " [ grasped ] the <unk> <unk> of the created world " to see God . As the film progresses , the <unk> move closer to Ricky 's view of the world . Lester only <unk> personal satisfaction at the film 's end . On the <unk> of having sex with Angela , he returns to himself after she admits her <unk> . Suddenly confronted with a child , he begins to treat her as a daughter ; in doing so , Lester sees himself , Angela , and his family " for the poor and fragile but <unk> creatures they are " . He looks at a picture of his family in <unk> times , and dies having had an <unk> that <unk> him with " wonder , joy , and soul @-@ shaking gratitude " — he has finally seen the world as it is . 
