The Poetic Feet in Classical Meter
Below are listed the names given to the poetic feet by classical metrics. The feet are classified first by the number of syllables in the foot (disyllables have two, trisyllables three, and tetrasyllables four) and secondarily by the pattern of vowel lengths (in classical languages) or syllable stresses (in English poetry) which they comprise.
The following lists describe the feet in terms of vowel length (as in classical languages). Translated into syllable stresses (as in English poetry), 'long' becomes 'stressed' ('accented'), and 'short' becomes 'unstressed' ('unaccented'). For example, an iamb, which is short-long in classical meter, becomes unstressed-stressed, as in the English word "betray".
Read more about this topic: Foot (prosody)
Famous quotes containing the words meter, classical, poetic and/or feet:
“Much poetry seems to be aware of its situation in time and of its relation to the metronome, the clock, and the calendar. ... The season or month is there to be felt; the day is there to be seized. Poems beginning When are much more numerous than those beginning Where of If. As the meter is running, the recurrent message tapped out by the passing of measured time is mortality.”
—William Harmon (b. 1938)
“Et in Arcadia ego.
[I too am in Arcadia.]”
Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidneys pastoral romance (1590)
“You look at any poetic creature: muslin, ether, demigoddess, millions of delights; then you look into the soul and find the most ordinary crocodile!”
—Anton Pavlovich Chekhov (18601904)
“Shall we gather at the river,
Where bright angel feet have trod;
With its crystal tide for ever,
Flowing by the throne of God?”
—Robert Lowry (18261899)