Explained using the 5-4-3-2-1 Method
Duration: About 40 Minutes
Genre: Piano Cycle
Time of Creation: 1836–1839
World Premiere: Unknown
Table of Contents
Chopin's Préludes in 5 Sentences
The Préludes by Frédéric Chopin are a collection of short piano pieces. Chopin wrote them at the height of his creative powers. The Polish composer took The Well-Tempered Clavier by Johann Sebastian Bach (Chopin’s favorite composer besides Mozart) as his model. The Préludes cover a wide range of moods, from dark, melancholy sounds to poetic vocal lines to fiery, virtuosic passages. Chopin’s Préludes had a great influence on later composers such as Scriabin, Rachmaninoff, Debussy and Shostakovich.
4 Highlights from Chopin's Préludes
Highlight 1: No. 4 in E minor
This prelude is very well known. It was played at Chopin’s request at his own funeral, along with Mozart’s Requiem. Often this piece has been interpreted as a “desperate search.” The melody strives downward throughout, but reaches the resolution sound just before the end.
Highlight 2: No. 15 in D flat major
This prelude was written in Mallorca. George Sand, Chopin’s partner, described the episode that an approaching storm caused Frédéric Chopin great anxiety. The piece was therefore nicknamed the “Raindrop Prelude.”
Highlight 3: No. 16 in B flat minor
One of the most difficult preludes in the collection. The leaps in the left hand combined with the frantic runs in the right hand are a challenge even for outstanding pianists:
Highlight 4: No. 24 in D minor
This concluding prelude is the highlight of the collection in terms of pianistic difficulty. Trills, frantic scales, and perhaps the most famous cascade of thirds in music history (shown in the video beginning at 37:16) mark the virtuosic conclusion of Chopin’s Préludes:
3 Questions and Answers about Chopin's Préludes
Question 1: Are Chopin's Préludes difficult to play?
The great thing about Chopin’s Préludes is that not only in terms of moods, but also in terms of difficulty, there is everything: some Préludes can be mastered by ambitious beginners, others are moderately difficult, and some (especially No. 16 and No. 24) are highly virtuosic.
Question 2: To whom did Chopin dedicate his Préludes?
Chopin originally intended to dedicate his Préludes to the pianist and composer Joseph Christoph Kessler. However, he later changed his mind and dedicated the work to the pianist and piano maker Camille Pleyel.
Question 3: Were Chopin's Préludes a novelty?
The brevity with which Chopin expresses musical content has always been perceived as an innovation with regard to Chopin’s Préludes. The music philosopher Theodor W. Adorno therefore saw in Chopin’s Préludes (and Schumann’s Kinderszenen) the foundation stone for the later orchestral miniatures of Anton Webern and Arnold Schoenberg.
2 Recommended Recordings of Chopin's Préludes
Recording 1: Yuja Wang (Live, 2017)
Recording 2: Seong-Jin Cho (Live, 2017)
This recording comes from a proven Chopin specialist – South Korean pianist Seong-Jin Cho won the International Chopin Competition in Warsaw in 2015: