Friday, June 27, 2014
© Cheryl BolenBurlington House, located on London's busy Piccadilly near the Piccadilly Circus, is now seen by thousands who view exhibits there of the Royal Academy.
But the former aristocratic home is significantly altered from what it was when Richard Boyle, the 3rd Earl of Burlington, engaged Scottish architect Colin Campbell to redesign it in 1718 when the earl was 26. Indeed, the earl's home significantly altered the previous home there, built in 1667 by the 1st Earl of Burlington. The 1st earl engaged William Kent to design the baroque interiors, some of which remain today.
Campbell's Burlington House, seen from Picadilly, 1700's
During the 1st earl's lifetime, Burlington House was a hub for artists, including Handel, who reportedly lived there for three years, Swift, and Pope.
The 3rd earl succeeded at age 10. (See my previous blogs on the 3rd Earl of Burlington in "Chiswick House: Quintessentially Georgian" http://cherylsregencyramblings.wordpress.com/?s=chiswick+house and "The Grand Tour" http://cherylsregencyramblings.wordpress.com/?s=the+grand+tour.)
Campbell was heavily influenced by Italian Andrea Palladio—whom the earl also came to emulate when he designed his Chiswick House as a Thames-side villa.
Burlington House was one of a handful of London residences that were constructed on large plots of land with outbuildings. (I've previously blogged on Devonshire House and Albany, both located on Piccadilly near Burlington Houston, and both of which were on large plots set back from the street.) The main house is some distance away from the Victorian archway into the forecourt in front of the house.
Campbell's Palladian main house remains today, but a third story was added in Victorian times. Also added in Victorian times was the building, centered by a huge open arch, which lines the sidewalk on Piccadilly. This building houses the various "learned societies" which occupy the site and is not open to the public.
The earl's estate passed to his grandson, the Duke of Devonshire, who never resided there. In 1815, the 6th Duke of Devonshire sold Burlington House to his uncle Lord George Cavendish, and Lord George built the adjacent Burlington Arcade (see my previous blog).
In 1854, the property was sold for £140,000 to the British government, which eventually leased it to the Royal Academy for 999 years. It also was chosen to house five "learned societies."
Victorian addition to Burlington House, now the Royal Academy, fronts Piccadilly
The main house's John Medejski Fine Rooms, often open free to the public, were restored in 2004 to what they would have looked like when The Earls of Burlington lived there. I have had the good fortune of viewing these lovely rooms, which include some designed by Kent 300 years ago. For those planning a trip to London, I would suggest seeing The Royal Academy on the weekends, when more rooms are open.
Interiors, The John Madejski Fine Rooms at Burlington House (Royal Academy)
See www.CherylBolen.com for more of my articles and links to my blog.
Monday, June 23, 2014
In Proper Conduct, the heroine spends a good deal of time worrying about money that is not there, particular after her father spends nearly 1,000 pounds on a horse. Not an excessive sum to someone such as the Prince Regent, whose racing stud farm cost him 30,000 pounds a year. But all these numbers seemed to need a bit perspective.
In the Regency...
- Four farthing made a penny. (A pence.)
- Twelve pennies (or twelvepence) made a shilling.
- Five shillings made a crown.
- Twenty shillings made a pound.
- Twenty-one shillings made a guinea.
Coinage in use in the Regency included:
- gold for one, two, five and half-guinea coins
- silver for one, two, three, four, six penny (or pence), shilling and crown coins
- copper for half-pence and farthing coins
Two-penny coins were called tuppence. And there were all sorts of slang names for coins including a quid (pound), a bob (shilling), a goldfinch (guinea),
Due to a shortage of copper and silver coins in the late 1700's, firms began to use tokens to pay wages. There was also a growth in payments by foreign coins.
The annual expenses of a great house could run between 5,000 and 6,000 pounds a year including housekeeping, repairs, stables, parklands, gardens, home farm costs, servants, and taxes.
Mrs. Whitney's Boarding School for Young Ladies at Buckingham cost twelve guineas a year, and one guinea extra if tea and sugar were required to be served.
In Bath, one paid two guineas were paid for subscription balls, five shillings for concert tickets, and ten shillings sixpence for a subscription to the booksellers.
With an income of four hundred pounds a year, one could employ two maids, one groom and keep one horse in London. On seven hundred a year, one could have one manservant, three maids and two horses. For a thousand a year, one could have three female servants, a coachman, a footman, two carriages and a pair of horses in London.
There were three to four hundred families whose income was over 10,000 pounds a year, due to vast land holdings.
During the London season, the lease on house in the West End could cost as much as 1,000 pounds.
Anyone with a debt of twenty pounds or more could be sent to debtor's prison (However, a member of Parliament could not be imprisoned while Parliament was sitting.)
The capital to secure an estate was approximately thirty times the desired income.
The Earl of Egremont saw a rise in income due to land rentals from 12,976 pounds in 1791 to 34,000 pounds in 1824.
In Somerset (where Proper Conduct is set) 30 acres for let went for 35 pounds per annum, with the tenant paying all taxes except land tax.
In 1801, a 100-acre estate in Sussex sold for 3,500 pounds.
In 1804, due to the silver shortage, the Bank of England issued light-weight token silver coins for one shilling, three shilling and six pence coins.
From 1811 to 1812, an estimated 250,000 people lived comfortably on more than seven hundred pounds a year each. A half million shopkeepers made a hundred and fifty pounds a year each, two million artisans lived on the edge of poverty at 55 pounds per annum, and one and one half million laborers earned only 30 pounds a year each.
In 1813, a cow fetched about 15 pounds at the market, while a ewe went for 55 to 72 shillings.
In 1816, a new British one pound coin made of gold, the sovereign, began to be produced.
In 1820, 1,100 years after the first English silver pennies were minted, the last British silver pennies were minted.
Friday, June 6, 2014
by Donna Hatch
My latest foray into the research geekdom took me slightly out of the Regency Era, but since I love all kinds of old things, I decided to indulge in this new direction and share with you my latest discovery: hatpins.
To quote Wikipedia: A hatpin is a decorative and functional pin for holding a hat to the head, usually by the hair. In Western Culture, a hatpin is almost solely a female item and is often worn in a pair.
The description made me smile since I can't imagine anyone using a pin to fasten their hat to their head! Obviously, it attached to their hair :-)
In as early as the 1400’s, proper, and, I might add, probably only fairly wealthy ladies, used pins to secure their wimples and veils onto their heads. By the early 1800’s, ladies used them to keep their hats in place. Hatpins ranged in length from six to twelve inches and were made from a variety of metals including brass, copper, sterling silver, gold, or gold or silver wash, and often had a decorated head. Naturally, they had to be made by hand, which made them hard to find. In England, demand caused importers to bring hatpins from France. Apparently Parliament became alarmed at the threat to the delicate balance between import and export, so they passed a law restricting the import of pins to January 1st and 2nd. Supposedly ladies saved their money all year to have enough to purchase. Some believe this is the source of the term "pin money." Other sources claim pin money came from the beginning of each tax she supposedly used to pay for her pins. However, I have always held fast to the popular Regency belief that ladies spent pin money to pay for pins used to fasten their gowns together, since buttons and hooks weren’t as common as modern people believe. Since the pins were made of metal, non-stainless steel, they eventually rusted and had to be replaced.
Regardless, hatpins remained a popular and necessary accessory into the 1920's. Eventually in America, laws restricted the length of hat pins since they could be used as a deadly weapon so women had to cut them down to the maximum length.
Eventually, hatpins became mass produced, making them more readily available to the poorer classes withAmerican Hatpin Society:
Carnival glass, rhinestones, hand blown molded glass, micro mosaic, or hand painted or transferred porcelain like the Japanese Satsuma. There were also hatpins made with ivory, emeralds, stone, amber, tortoise shell, jet, celluloid and other plastics, mother of pearl, and coral.
Hatpins spanned many styles including Baroque, Etruscan Revival, Greek Revival, Egyptian Revival, Oriental influence, Arts and Crafts, Art Nouveau and even Art Deco, before waning around WW1 when metals became scarce and hats got smaller.
I was horrified to find in the picture to the right, a hatpin made in the shape of a swastika. However, the hatpins in this pincushion show a good variety of the many different styles of hatpins available. Today, hatpins are collectible items and there is an American Hatpin Society and The Hat Pin Society of Great Britain for modern enthusiasts.
Now that I know of their existence, I think I’ll have to write a scene in my next Regency historical romance novel where my heroine uses a hatpin to defend herself from a bad guy.