The historical backdrop of Chinese painting can be contrasted with an ensemble. The styles and conventions in figure, scene, and flying creature and-bloom painting have made topics that sustain to blend right up 'til the present time into a solitary bit of music. Painters through the ages have made up this "ensemble," creating and performing numerous types of kineticism and varieties inside this custom. It exuded from the Six Traditions (222-589) to the Tang administration (618-907) that the substructures of figure painting were step by step secured by such real craftsmen as Gu Kaizhi (顧愷之) and Wu Daozi (吳道子). Modes of scene painting then came to fruition in the Five Administrations period (907-960) with varieties predicated on geographic
Xie He, also known as Hsieh Ho, was an important painter, writer, art historian, and critic during the sixth century in Southern Qi China. His text and principles on painting became the theoretical foundation and central theory for all art pieces and artists alive and to come in China as well as the broader Asian region. Like the most common art principles, these principles were and can still be used to evaluate the success of an art piece, according to The University of Hong Kong Faculty of Architecture Research Team as well as The Hong Kong Institute of Architects, which have said that they are a “aesthetic-political standard that can be applied to historic buildings or to the appreciation of Chinese art and architecture even today.” Both
Vincent Van Gogh and Edvard Munch are among the most renowned Expressionist painters of the twentieth century today. Their oil on canvas artworks is colorful, sensitive and above all expressive. ("Vincent Van Gogh and Edvard Munch – The Art of Expression,"2012). In the Starry Night by Van Gogh and The Scream by Edvard Munch artworks, the artists perfectly blended both abstraction with realism, which called "semi abstraction”. Realism is a style when the artists use visual language to describe his subject, whereas abstract is when the artists uses that visual language in conjunction with subject matter to express his feelings or ideas.
Pictorialism was a photography approach emphasizing the beauty of subject matter as beautifully rendered as any painter 's canvas and as skillfully constructed as any graphic artist 's composition rather than documenting of reality. Photographers explore the expressionistic potential of photography by injected own sensibility into the perception of image. In an effort to establish this new, technical medium as a fine art form, In composing Pictorialist photography by using “painterly” techniques such as soft focus, staged or stylized scenes, or the manipulation of negatives or prints. In the second half of the 19th century Pictorialism was the dominant tendency in photography. Introduction of Alfred Stieglitz Alfred Stieglitz was the impresario of art photography, who leading the movement of Pictoralism, not only introducing model art to America, but also made photography as an art form.
His greatest contribution to art is the cultivation of the modern art concept, known as 'impressionism'(Claude Monet, 2004). It is an artistic philosophy which changed the then accepted perception of color and light.His artistic style is characterized by the use of feathery strokes of the paint brush to depict the play of light with respect to the time. He believed that depicting 'time' in a painting is more important than the 'plot', and was interested in using his painting to capture the feel of the moment. As per Monet "One does not paint countryside, a view, a figure. One paints an impression of an hour of the day (Brussat and Brussat, n.d.)."
For this painting, the medium was oil, or oil pastel, but the point is that the colors has to blend in with the canvas which Van Gogh masters to create an impressive impasto painting. The last element that is important is texture which Van Gogh uses a canvas to create his illusion zing masterpiece of the sower and he uses great amount of time and focus when he creates the artwork by using oil pastels as his texture
Claude Monet, has a level of detail is very specific down to the color of the primer on his paintings. Where he gives all his attention to detail and investigate techniques to be successful creative designer. Monet used several techniques when putting paint on canvas, such as coatings, and scumbling, and various strikes. Also a light layer to create a natural effect, such as wind and shed light on the work. There is another technique that uses Monet are "visual mixing" an example of this
The desire to bring back love lost is inapprehensible. Love lost is a mere form of death itself with its idea of torment consistently knocking at one’s bedroom door, with no obstructive answer besides “nevermore”. What lays beyond the previous sentiments stated with it bleak and dreary entry, can be compared to its father who went by the name of Edgar Allan Poe. Poe was the father of Gothic horror until his untimely passing in 1849. However, before his passing, Poe wrote his best selling lyrical narrative poem called The Raven in 1844 that inhibits the idea of lunacy in the natural world, as well as, the unattainable desire to resurrect love upon the speakers lost Lenore.
Adding artificial color to the image was a new idea in his time and Van Gogh used it very well in most of his works. Here, as he described in one of his letters to his brother, the depiction consists just a friction of realism while everything else is impressionism or post-impressionism which he acquire in all of his later works. The colors of the sky, water and land in foreground almost looks the same when instead the real landscape had the colors of aquamarine, royal blue and mauve respectively. It is a mark of his artistic understanding about the scene to make it more soothing to eyes. The position of the stars in the sky is formative as the stars in the middle are the members of the constellation called Ursa Major or the Great Bear as artist mentioned it in his letter.
In the Santa Maria Gloriosa dei Frari many of the high altars were painted by Titian; this was a very big deal because it gave him exposure as an artist. Titians portraits are unforgettable because they seen to express a psychological dimension while also portraying the objects status and