By Abigail Cain
Although best known for his 1848 novel Vanity Fair, William Makepeace Thackeray was not always a writer. After college and a brief stint studying law, he moved to Paris to try his hand as a painter. Gambling and unsuccessful business ventures decimated his inherited fortune, however, and Thackeray was forced to move to London, where he supported his new wife by becoming a journalist.
Despite a career change, Thackeray did not forget his artistic background. His collection at the Ransom Center contains a number of sketches, including proofs of illustrations for comic tales and quick drawings in the margins of his letters. The archive also houses a small journal from 1840 that Thackeray might have taken with him on his travels. Within its three-inch-tall covers are pencil sketches of sailors lounging on the deck of a boat, a woman bent over a writing desk, and a child’s cradle. Although some drawings are more finished than others, all display a steady hand and an eye for form.
Thackeray also illustrated several of his own novels. The spooky sketch pictured above is one such illustration, taken from his 1859 novel The Virginians: A Tale of the Last Century. As its name suggests, the book was set chiefly in colonial Virginia and follows the family of an English colonel, the title character from an earlier Thackeray novel The History of Henry Esmond. If these witches bear a resemblance to those from Macbeth, it might not be coincidence—in The Virginians, several characters attend a performance of the play.
For more sketches by Thackeray, as well as manuscripts of writings, drawings, and letters by and about this English author, explore his archive.
Image: Ink sketch by William Makepeace Thackeray.