For a hundred years, crystal skulls purported to be of Mayan or Aztec origins have popped up in museums and private collections around the world, spurring a wide variety of speculation and mythologies.
Smithsonian anthropologist Jane MacLaren Walsh examines the myth and reality in Archaeology magazine this month.
These exotic carvings are usually attributed to pre-Columbian Mesoamerican cultures, but not a single crystal skull in a museum collection comes from a documented excavation, and they have little stylistic or technical relationship with any genuine pre-Columbian depictions of skulls, which are an important motif in Mesoamerican iconography. [...]
These small objects represent the “first generation” of crystal skulls, and they are all drilled through from top to bottom. The drill holes may in fact be pre-Columbian in origin, and the skulls may have been simple Mesoamerican quartz crystal beads, later re-carved for the European market as little mementos mori, or objects meant to remind their owners of the eventuality of death.
The best one, though, is a “third generation” (ie, 20th c.) skull belonging to the family of Indy-like adventurer Frederick Arthur Mitchell-Hedges. Over time it has an acquired a spurious Mayan origin and a mystical reputation for shooting blue light out of the eye sockets and crashing computer hard drives.
If only all fakes could be so bad-ass.