Neoclassical Art Movement | Classicism | Romanticism
Neoclassical and Romantic Painting ..
According to the Merriam Webster Dictionary, Romanticism is: A literary, artistic, and philosophical movement originating in the 18th century, characterized chiefly by a reaction against neoclassicism and an emp...
Neoclassicism | Boundless Art History
Throughout this entire period, these migratory Greek artists retained their traditions (albeit adapted along the way), which they bequeathed to the eras of Renaissance, Baroque, Neoclassical and Modern eras.
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I have tried to be ruthless about avoiding pandering to desirable outcomes, politically speaking. This has produced disappointing results. There are very few works by female artists, and not many modern works. The historical reasons for the exclusion of women from careers in painting are well-known, and probably don’t need reheating here. (Times have changed, thankfully: A list of the most important 50 artists working today — certainly any list I drew up — would be at least half women, and would range from Cindy Sherman and Sheila Hicks to Shirin Neshat, Bridget Riley, Doris Salcedo, Kara Walker, and Marlene Dumas.)
What is Neoclassicism? | eNotes
-pastel colors, delicately curving forms, dainty figures and a light-hearted mood
-French portrait painting before the French Revolution of 1789, like this piece, may be characterized as a modified form of Rococo; elegant informality continued to be featured, but new themes were introduced, figures tended to be larger and more robust and compositional arrangements were more stable
-Labille-Guiard was elected to one of the four places in the French Academy available to women and later successfully petitioned to end the restriction on women
-this work is often seen as a propaganda piece that argues for the place of women in the Academy
-the monumental image of the artist at her easel was meant to eradicate any rumors that men painted her works and the works of other female artists; for example, in a role reversal, the only male in her work is her muse – her father, whose bust is behind her
-the self-portrait flatters the painter’s conventional feminine charms in a manner generally consistent with the Rococo tradition; she has a more monumental female type, in keeping with her conception of women as important contributors to national life, which is an Enlightenment aspiration; the triangular arrangement of the figures adds to this effect
-the work also shows a rich palette and fine detail
-the artist’s fashionable dress asserts her femininity; the presence of her pupils and the statue of the Vestal Virgin in the background emphasize the feminist mood (and show that women can and should be teachers) – in ancient Rome, the Vestal virgins were the holy priestesses of Vesta, the goddess of the hearth; their primary task was to maintain the sacred fire of Vesta – the Vestal duty brought great honor and afforded greater privileges to women who served in that role