George Chapman, whose career spanned the Elizabethan and Jacobean periods, was a significant man of letters – classical scholar, poet, playwright and translator.
What Chapman is most remembered for is that his name was immortalised by Romantic poet, John Keats, in his poem On First Looking into Chapman’s Homer. Keats was referring to Chapman’s influential translation of Homer, which it is evident Shakespeare read and used a s a source for his Troilus and Cressida. Chapman was also quoted by another Romantic poet, Percy Shelley, in his poem, The Revolt of Islam as part of his dedication to his wife, Mary Shelley:
‘There is no danger to a man, that knows
What life and death is: there’s not any law
Exceeds his knowledge; neither is it lawful
That he should stoop to any other law.’
The London theatre community was tight-knit and Shakespeare and Chapman would have known each other, especially as they both knew and worked for part of their careers for Philip Henslowe. Shakespeare was highly regarded in that community as an effective and successful playwright from the point of view of getting the audiences in. Chapman was also highly regarded, but in a different way: he was seen as a man of superior education and intellect.
Although collaboration among writers in that community was the main method of producing plays fast, and Shakespeare was fully involved in that, Chapman was somewhat aloof, although he wrote one play, Eastward Ho, in collaboration with his friend, Ben Jonson, and John Marston. It almost landed them in jail as it contained a few satirical lines about the Scots. Jonson and Chapman wriggled out of it by writing sycophantic letters to the king. In one they blamed Marston for the offending lines. There is no evidence of Shakespeare and Chapman having collaborated on any plays.
Chapman’s plays, both comedies and tragedies, were influential on the work of other playwrights. For example, Jonson’s Every Man in his Humour and Every Man Out of his Humour were based on Chapman’s An Humorous Day’s Mirth.
The masque became one of the most popular forms of the theatrical experience in the Jacobean era. Chapman wrote one of the most successful masques, The Memorable Masque of the Middle Temple and Lincoln’s Inn, performed on 15 February 1613.
Chapman died in 1634 and was buried in the Church of St Giles in London. The tombstone was designed by his friend, Inigo Jones.
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