The Cantor and the Responsorial Psalm
by Gary Penkala
Part I: Historical Development
We have experienced in our time the reawakening of the role of cantor in community worship.
The cantor's role is of extremely ancient origin, pre-dating the birth of Christ. With origins
in the Jewish tradition, the cantor, or precentor (hazan) was also known under the title
shaliah tzibbur, meaning "the delegate of the congregation." The function of the cantor,
known in the most ancient Palestinian and Babylonian synagogues, was to aid in singing the
psalms and other prayers of the service.
According to Donald Grout in his History of Western Music, "Among the Hebrews, psalms
were sung in alternation between a soloist (cantor) and the congregation; one form of
alternation, which later became important in Christian liturgy (was) responsorial
psalmody," wherein the cantor sang the verses, the congregation replying with an
unchanging refrain derived from a verse of the psalm or simply an alleluia.
Much of the Jewish tradition was employed by the early Christians in their worship. David
Appleby in A History of Church Music writes, "Psalm singing in the early Christian
churches was of three types: direct psalmody, the singing of a complete psalm without textual
additions or modifications; responsorial psalmody, taken directly from the Jewish synagogue, in
which the entire psalm is sung by a soloist (cantor), while a choir or congregation responds
with a short affirmative exclamation such as 'Amen' or 'Alleluia'; antiphonal psalmody, thought
to have been introduced by Ambrose, using two alternating half choruses."
In time this psalm between the readings became a highly stylized art-form, the singing of which
was delegated to the cantor or choir. According to Stephen Redmond, SJ, in The Mass through
Time, "The whole was also drastically shortened from a full psalm to one verse. Later still
it became a duet during which the singers stood on the ambo or platform used chiefly for the
reading of Scripture. They did not stand on the top level (that was reserved for the reading of
the gospel) but on the steps (gradus), and the chant became known as the gradual."
The gradual developed for many centuries and produced many of the finest examples of Gregorian
chant. The chant was restored to its original significance as a responsorial psalm by the
Second Vatican Council. The role of cantor then, as delegate of the congregation, became more
important as the gradual was taken from the choir and returned to the congregation.
See CNP's Psalm Index