The Royal Palace was originally a palace of the Prussian monarchy and today it houses the city museum. Initially a Baroque palace of Heinrich Gottfried von Spätgen, chancellor of Bishop Francis Louis of Neuburg, it was built in 1717 in a Viennese style. In 1750, after Prussia took control over Silesia in the First Silesian War, the palace was purchased by the Prussian king Frederick the Great and was converted into his residence. The palace was extended from 1751 to 1753 in the Baroque style with Rococo interiors designed by the royal architect Johann Boumann. Boumann's additions included a transverse wing with a festive hall, throne hall and Frederick the Great's private quarters.
The successor of Frederick the Great, who died in 1786, was his nephew Frederick William II of Prussia (1744–1797). He performed remodelling of the royal palace according to the design of Karl Gotthard Langhans (1732–1808). The remodelling took place in 1795 to 1796 in the classical style. As a result, the wings surrounding the northern courtyard, a new staircase and utility rooms were added.
In March 1813, during the War of the Sixth Coalition with Napoleon, King Frederick William III of Prussia announced two famous manifestos: 'To My People' and “To My Military Commanders”. On April 1813, in the Yellow Living Room of the Palace, the king proclaimed the Iron Cross as a war medal.
In the middle of the 19th century, drawing on a Florentine Renaissance style, architect Friedrich August Stüler added a new southern wing (1844–1846) and a new courtyard wings along with the gate and railing (1858). In 1918 the palace was donated to the city of Breslau. On 20 September 1926 the Palace Museum (Schlossmuseum) was opened, displaying an exposition devoted to Frederick the Great, reconstruction of original interiors, and a collection of Silesian art.
In May 1945 the palace was heavily damaged during the siege of the city at the end of the Second World War. Breslau was transferred from Germany to Poland after the war and renamed Wrocław. In the 1960s the palace was partially demolished, while the remaining wings were adapted to host the Archeological Museum (until 1999) and the Ethnographic Museum (until 2004). In 2008 a renovation was finished and a new museum was established, presenting 1,000 year history of Wrocław.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.