Last week we reflected on the harrowing story of Hagar. We included a picture of George Segal’s sculpture of Abraham’s embrace of Ishmael as he and his mother Hagar were about to begin their journey of banishment.
Here is a photo of another sculpture by the same artist. I alluded to this sculpture during our CMM Chat last Sunday. Here is a little history about this sculpture:
“George Segal, who taught sculpture at Princeton from 1968 to 1969, was commissioned in 1978 by Kent State University to create a memorial to the four students killed by members of the National Guard during an antiwar demonstration on their campus. Segal found a metaphor for the tragedy in the biblical story of Abraham and Isaac. In Segal’s version, Abraham, dressed in contemporary clothing, looms over a college-aged Isaac, who is stripped of his shirt and bound with rope. Kent State University officials refused it, interpreting it as a politically volatile depiction of murder. According to Segal, however, this group misunderstood the memorial: the theme, in Segal’s words, was “the eternal conflict between adherence to an abstract set of principles versus the love of your own child.” Segal selected Princeton’s site for the sculpture, near the University Chapel, to reinforce the work’s biblical associations.”
This sets the scene for our discussion on Sunday regarding Abraham’s decision to sacrifice and then not to sacrifice his son Isaac as recorded in Genesis 22:1-14. As we engage the ancient text we are asked to reflect on our understanding of the passage in the light of Jesus and his teachings. The primary question we always ask is: Would Jesus say ‘amen’ to our interpretation or not? Then as we move to our present context we ask how children continue to be sacrificed in the name of “god” or “abstract sets of principles”.
In our reflections I invite you to read the short story entitled: The Ones Who Walk Away from Omelas by Ursula K. Le Guin. This story is disturbing. As disturbing as Abraham considering to sacrifice Isaac. This story was written in the early 1970s but is even more true today. Let us ask ourselves: How is this story true today? I include links to the story and a brief commentary.
This may be all too much for us to hold, but we dare not turn our face away from the truth of things. Our liberation and healing rests in facing the truth. To help us stand in the presence of the traumatising truths of our living I invite you to lean into Psalm 13 – the set psalm for this week. The psalm is one of lament. Lament is risky speech. Lament is speaking the unspeakable. It is to voice the terrifying truth. It is in no way doubtful speech. Rather it is determined and demanding. The Deliverer must now deliver! The psalmist demands that grief stops leading the dance of life.
The psalm is a mere six verses. The first four verses (the majority of verses) voice the isolation, pain of the soul, sorrow of the heart, diminishment of being and overall deathliness of life. Followed by two verses of praise. Is this a sign that the psalmist has turned the corner? Does it mean the Deliverer has in fact delivered? If so, how long did it take the psalmist to move from verse 4 to verse 5? Or are the last two verses of the psalm the psalmist’s act of defiance and resistance? Perhaps there has been no change and no deliverance. In this case the psalmist is hanging on to the side of a cliff with just two fingers (verses). Hanging on for dear life. Somehow holding onto praise with bare fingertips…? Like the ones who walk away from Omelas.
If you would like the link for the 11h11 CMM Chat on Sunday – please email email@example.com