I have always enjoyed history as a narrative. In my school days, I invested my time and energy in the history of China, not as an academic subject, but something I pursued in my spare time. I felt a sense of accomplishment when I corrected my teacher publicly in class about her slip in recounting a Chinese historical narrative. She was from the PRC while I'm from Singapore.
HISTORY has been "dulled down" by focusing exclusively on analysing evidence and argument, with historians neglecting their role as storytellers.
Award-winning historian Peter Cochrane is urging his colleagues to look to the narrative techniques of literature to recreate the past in a vivid and lively way.
Cochrane, an inaugural winner of the Prime Minister's Prize for Australian History, said historians should be able to cross freely into the territory of novelists and poets to use their techniques of plot, character, and imagination.
"We spend a great deal of our time on the intricacies of analysis, evidence evaluation and argument while we tend to neglect the literary side of history writing," he says in a speech prepared for this week's Australian History Teachers Association annual conference in Brisbane.
"This, I think, is an old, ingrained prejudice. Historians tend to see themselves as social scientists, as scholars whose job it is to 'write up' or report on their findings, rather than as writers whose job it is to create or imagine the past, to captivate an audience.
"We should be crossing boundaries and borrowing what we can from fiction, or at least from fiction writers ... in terms of structuring and vivifying a story."
"History has to be vivid, creative, imaginative; it has to squeeze every ounce of historical juice out of the record and then leave it to the reader and other historians to say if you went too far," he said.
Narrative skills were needed to bring history alive: devising a plot, composing a paragraph, choosing a metaphor and evoking the character of the protagonist are all fundamental to the skills of history, all require historical imagination. "The history profession, with some exceptions, has been wary of biographical or character-driven narrative mode because it might be the 'first step into the Hades of commercialisation and dumbing down," he says.
"Narrative movement, along with character and human drama, is essential to the historian's duty to ensure the story's not a bore.