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Edgar Allen Poe's "The Cask of Amontillado," Andre Dubus's "Killings," and Louise Eldrich's "Fleur" are all short stories about revenge. Although they treat the theme of revenge differently, the authors show that the exacting of revenge can indeed be a satisfying finale to a life consumed by tragedy. In each of these three short stories, revenge is depicted as an act that fulfills the protagonists' deepest need. Therefore, guilt does not enter into the minds of protagonists like Montresor, Matt Fowler, the narrator of "Fleur," or Fleur herself. Revenge is dealt with differently in each of these three short stories, but in all three, the main characters do not feel remorse. Their vengeful acts are somehow justifiable, both to themselves and also to the reader. In "The Cask of Amontillado," "Fleur," and "Killings," the three main characters do not feel any guilt because they have suitable reasons for revenge.…
Dubus, Andre. "Killings." Retrieved online: http://www.randomhouse.com/boldtype/0102/dubus/excerpt.html
Erdrich, Louise. "Fleur."
Poe, Edgar Allen. "The Cask of Amontillado." Retrieved online: http://www.literature.org/authors/poe-edgar-allan/amontillado.html
The inclusion of an immortal spirit as a key catalytic character in the play underscores Shakespeare's intention. Hamlet states, "For this same lord, / I do repent…I must be their scourge and minister," (Act III, Scene 4). Here, Hamlet clearly sees himself placed in the unfortunate roll of champion of spiritual justice.
Antigone is perhaps even more directly concerned with spiritual matters than with mundane law. The realm of human society is comparatively petty compared to a higher law and order, notes Antigone. For example, Antigone states outright to Creon, "I did not believe that your edicts were so powerful that you, a mortal, could override the gods' unwritten and unshakable customs," (lines 451-445). Therefore, both Hamlet and Antigone perceive the immortal, undying laws of universal ethical truth as being far superior and more important than the often-unjust laws supported by human governments.
Both plays also show that revenge is…
Bowers, Fredson. "Hamlet as Minister and Scourge." PMLA. Vol 70, No. 4. Sept. 1955.
Fernie, Ewan. Spiritual Shakespeares. Taylor & Francis, 2005.
Hamilton, John D.B. "Antigone, Justice, and the Polis." Chapter 5 in Myth and the Polis. Pozzi, Dora Carlisky and Wickersham, John Moore. Cornell University Press, 1991.
Prosser, Eleanor. Hamlet and Revenge. Stanford University Press, 1971.
Revenge is contagious. Titus begins the wave of revenge when he sacrifices Tamora's son. Her reaction demonstrates her humanity in a sense. She is outraged, vows revenge and schemes with Aaron to frame Titus' sons for murder. Revenge is more than simply "getting even" in some cases. For Tamora, revenge involves getting even but doing so in the most painful of ways. Her request for her boys to do away with Bessainus is completely self serving. Aaron's suggestion for Demetrius and Chiron to rape Lavinia is only part of a problem; their cutting out her tongue and chopping off her hands adds a depth of sickness that is almost too cruel. Interestingly, she succeeds with her plan and Titus' sons are murdered yet she does not feel satisfaction. She then places her eyes upon Lavinia. Aaron, too, is preoccupied with revenge. Even as Tamora speaks of being "wreathed in" (II.iii.29)…
Shakespeare, William. Titus Andronicus. The Works of William Shakespeare. New York:
Oxford University Press. 1904.
. that the manslayer who killed any person by accident may flee into.' Willful murderers were not entitled to such refuge from the 'blood avenger,' but accidental killers were entitled to protection until passions cooled. The Bible recognized that the passion for revenge may be just as great against the accidental killer as against the premeditated murderer (124)."
Dershowitz is succinct and exact in his analysis, and even the most frequently quoted verse of the Bible, at least as regards revenge, "An eye for an eye," is often taken out of context. For instance, Nasr (2004) refers to the saying in his book, The Heart of Islam: Enduring alues for Humanity, says: "The Quran does mention the Biblical 'eye for an eye,' but recommends forgoing revenge and practicing charity (cited above)." It would seem here that Nasr is saying that the Bible recommends an eye for eye kind of treatment…
Version, Islamic Productions. Print.
Nasr, Seyyed Hossein, 2004. The Heart of Islam: Enduring Values for Humanity, Harper
Collins Publishers, New York, New York. Print.
The play Hamlet therefore reflects this complex change in the honor code and the way that personal elements were being integrated into the traditional view of honor. The characters of Hamlet and Laertes also show this complexity in their motives and actions. Terry points out that there was no clear distinction between the different honor codes at the time but that there was rather an overlapping of elements of the old and more modern views of honor. "Renaissance men had to cope with both an old, medieval code of honor and the tensions of new one, tensions that were created, to a large degree, by the contemporary insistence on the importance of the individual conscience."(ibid)
In terms of the play, Hamlet is duty bound to the traditional honor code that is imposed on him by the ghost of his father. In these terms he has no choice but…
Bradley, A.C. Shakespearean Tragedy Lectures on Hamlet, Othello, King Lear, Macbeth. 2nd ed. London: Macmillan, 1905.
Council, Norman. When Honour's at the Stake. London, 1973.
Corum, Richard. Understanding Hamlet A Student Casebook to Issues, Sources, and Historical Documents. Westport, CT: Greenwood Press, 1998.
Herz, Sarah K., and Donald R. Gallo. From Hinton to Hamlet: Building Bridges between Young Adult Literature and the Classics. Westport, CT: Greenwood Press, 1996.
Comparison: evenge and its Motivators in Frankenstein and Wuthering Heights
Mary Shelley's Frankenstein and Emily Bronte's Wuthering Heights are two of the most significant literary works in history, both maintaining the ability to remain successful and relevant far beyond the years immediately following their respective publications. While each novel is exceedingly different from one another, with one focusing on the perils brought about by a man-made monster who seeks to torment his creator and the other focusing largely on a pair of lovers caught in a tumultuous relationship that never allows them to truly be together, the theme of revenge and its ability to transform an individual completely is one that runs through each respective novel in a significant way. Doctor Frankenstein's Monster and Heathcliff in Wuthering Heights are two characters who are both tormented and driven by the thought of revenge, and by the end of each…
Bronte, E. 2003. Wuthering Heights, Bantam Classic. New York, NY: Bantam
Dell/Random House Inc. Print.
Shelley, M. 2000. Frankenstein, Signet Classic. New York, NY: New American Library.
revenged activates the actual action of revenge, as demonstrated in "Hamlet" and "The Revenger's Tragedy," however, we may be in doubt when cataloguing their actions as logical and premeditated (Vindice) or full of incertitude and hesitance.
Indeed, in my opinion, it is an important note to be made, as the originality of each main character is not determined as much by their underlying motivation, common in both cases, but by the road that takes them to their revenge action. In this sense, it seems useful to emphasize that, despite the obvious similarities between the two plays and the two main characters, driven by the fact that they both belong to the revenge genre, there are differences worth noting in each approach towards revenge for each play in part.
oth plays share the same underlying motivation for Hamlet and Vindici: someone close has been treacherously murdered. In Vindici's case, it was…
1. Johnston, Ian. Introductory Lecture on Shakespeare's Hamlet. English 366: Studies in Shakespeare. On the Internet at http://www.mala.bc.ca/~johnstoi/eng366/lectures/hamlet.htm
Johnston, Ian. Introductory Lecture on Shakespeare's Hamlet. English 366: Studies in Shakespeare. On the Internet at http://www.mala.bc.ca/~johnstoi/eng366/lectures/hamlet.htm
Now he's headed off to college leaving behind said beautiful girl, Mikaela (Megan Fox), who spends her days working on cars and bikes by artfully draping herself across them in Daisy Dukes that make Jessica Simpson seem modest" (Sharkey 2009). Despite the fact that Mikaela is a mechanic (no need for Sam to spend any time showing interest in any stereotypically female pursuits like romantic candlelight dinners or chick flicks) she dresses in micro-shorts and sashays rather than reaches for a screwdriver.
The main character has another friend, a car/robot takes the form of a typical 'muscle car' Camero, who resists Sam's decision to go off to college, in which is supposed to be a mildly humorous sequence. Of course the car needn't worry -- the need to save the world quickly forces Sam to put away his books. Even Sam's college aspirations are mocked in this film. But in…
Sharkey, Betsy. Transformers: Revenge of the Fallen. Film review: LA Times. June 24, 2009.
October 22, 2009. http://www.calendarlive.com/movies/reviews/cl-et-transformers24-2009jun24,0,2265260.story
Transformers: Revenge of the Fallen. Directed by Michael Bay. 2009.
Travers, Peter. Transformers: Revenge of the Fallen. Film review: Rolling Stone. October 22,
To act in a murderous, vengeful way that is contrary to his true nature, and to assume madness creates madness. At first, Hamlet suggests that vengefulness in a corrupt court is a kind of sanity, when he vows to put on an antic disposition, but he acts in a way that is more and more contrary to his moral nature as the play goes on, rebuking his mother against the ghost's first injunction not to harm her and to leave her to her conscious, killing Polonius on an impulse after sparing Claudius at prayer, speaking harshly to Ophelia beyond what she deserved when he suspects he is being observed, and also claiming to her brother he loved Ophelia more than a brother.
A loss of identity, vengeance and madness are linked in the stories of the other characters in "Hamlet" to a lesser degree. Even Claudius suggests that it was…
Best, Michael. "Amleth/Hamlet." Shakespeare's Life and Times. Internet Shakespeare
Editions, University of Victoria: Victoria, BC, 2001-2005. 21 Apr 2008. http://internetshakespeare.uvic.ca/Library/SLT/history/amleth.html
Pennington, Michael. Hamlet: A User's Guide. New York: Limelight Editions, 1996.
Shakespeare, William. "Hamlet." Shakespeare Homepage. 7 Apr 2008. http://shakespeare.mit.edu/hamlet/ hamlet.1.5.html
In the second transition the Hamlet could have murdered Claudius while he was pleading guilty in front of God. Had Hamlet resorted to revenge at this stage then Claudius would have reached heaven since he had admitted while the father of Hamlet was in purgatory since he did not find the scope to admit. This led Hamlet to arrive at the conclusion of not killing Claudius at this moment of the play. The third postponement was the result of being bye-passed. He inadvertently murdered Polonius that generated the whole new difficulties with the fact that Laerted then desired to have Hamlet dead. Soon after committing this murder he was imprisoned and could not approach the king for another few weeks ultimately he could finally perform the job. The factors that made the Hamlet to be distinguished from many other revenge plays of the period is not that it bluntly discards…
Day, Beth. How can we determine if Shakespeare is Our Contemporary? 14 February, 2001. Retrieved at http://rmmarm.freeshell.org/Beth/Sem/Spring2001/Hamlet.html. Accessed on 22 March, 2005
Elizabethan Revenge in Hamlet. Retrieved at http://www.field-of-themes.com/shakespeare/essays/Ehamlet2.htm . Accessed on 22 March, 2005
Hamlet, (1600 (?)) the Literary Encyclopedia. 30 June 2002. Retrieved at http://www.litencyc.com/php/sworks.php?rec=true&UID=4833Accessed on 22 March, 2005
Hamlet: The Play by Shakespeare. Retrieved at http://www.william-shakespeare.info/shakespeare-play-hamlet.htm . Accessed on 22 March, 2005
illiam Shakespeare and Thomas Middleton explore the depth and range of the human psyche in their plays, Hamlet and the Revenger's Tragedy. Through the characters of Hamlet and Vindici, we discover different motivations to their feelings of vengeance, illustrating the complexity of human nature as it relates to revenge. However, while both plays operate under the same theme of vengeance, they are quite different in terms of how each protagonist is portrayed and how each play is received. Hamlet, because he relates his father's death to the state of the world, represents a larger social commentary on mankind while Vindici and his antics represent a play that shocks rather than provokes thought.
Hamlet and Vindici respond to injustices that they have witnessed, which is the murder of a loved one. Hamlet, while motivated by revenge, is also motivated by his melancholy. This, at times, creates a great conflict within him…
Middleton, Thomas. The Revenger's Tragedy. Site Accessed October 23, 2004.
Shakespeare, William. Hamlet. Mowat, Barbara and Werstine, Paul, eds. New York:
Washington Square Press. 1992.
4. Murder and Execution:
DD -- The Young Man pleads to the blood thirsty crowd: "If you hang me to this lantern, will that make you see any clearer?" The demands of the crowd for more blood are thus momentarily stifled by the good sense of their next victim: he points out the erroneous rationale that leads them to murder and execution: it is no way to reach an ideal.
AG -- Cassandra the seer has a vision of the murder about to take place: "Home cursed of God! Bear witness unto me, Ye visioned woes within -- The blood-stained hands of them that smite their kin…!" Clytemnestra has determined to murder Agamemnon -- it is her revenge; and Cassandra sees it as a curse about to be carried out.
EL -- "O my father Agamemnon! In Hades art thou laid, butchered by thy wife and Aegisthus…" Thus wails Electra,…
Tragedy of Hamlet, Prince of Denmark: Why Does Death Prevail
William Shakespeare's The Tragedy of Hamlet, Prince of Denmark begins and ends with death. The play begins with the ghost of Hamlet's dead father, haunting the battlements and urging his son to avenge his foul murder; the play ends with the death of Hamlet himself. The play also famously is driven by a quest for death, namely the desire of Hamlet to avenge his father's murder. But much as Hamlet burns in hatred for his uncle, the play also shows acute consciousness of the fact that violence merely begets more violence. Even though Hamlet's revenge may be justified, particularly after Claudius seeks to take Hamlet's life through secretly poisoning Laertes' sword, the act of murdering anyone, justly or unjustly, will never have a good end. Although the play suggests that revenge may be morally necessary (even Hamlet doubts this at…
If one views Dantes as a man who embodies a kind of Divine Retribution and acts according to the principles of justice, the novel appears in an entirely different light. One is willing to accept Dantes' actions, even if they do appear to be extreme (and murderous) at times. However, one is placated by Dantes' ability to show mercy to Danglars.
On the other hand, if one chooses to read the novel as Marinetti describes it -- as an attempt to illustrate modern man's reach for omniscience and power -- one may see it as a Romantic dream. In this sense, Dantes becomes a man fashioned after the principles of Rousseau, the French philosopher who wrote of accepting oneself on Nature's own terms. Rousseau did not accept the principal of original sin and thus did not accept the idea that man was fallen in nature. Viewed from this standpoint, Dantes…
Copes, Heith. "Social Control, Deviance, and Law." Contemporary Sociology, vol. 36,
no. 4, 362-3. Print.
Dumas, Alexandre. The Count of Monte Cristo. Boston: Little, Brown and Company,
Hamlet and Revenge
Hamlet -- Prince of Denmark -- is considered to be one of Shakespeare's greatest plays. (Meyer, 2002). It is also one of his most complex plays. It is about the evolution of a character within the context of a revenge drama -- that of Hamlet in Hamlet. In keeping with the revenge-theme of this drama, this thesis of this essay will aver that Shakespeare exalts Hamlet as a hero -- justifiably, though within reason. Indeed, Hamlet is a hero. He rights a horrible wrong. The reader of the play hopes against hope that his quest for vengeance is successful. This vengeance takes the form of an eye for an eye and a tooth for a tooth. The reader of the play is taken to emotional upheavals when the failure of Hamlet's quest almost becomes a certitude but for a quirk of fate -- the exchange of swords.…
Kyd, Thomas, & Bevington, David M. (1996). The Spanish tragedy. Manchester; New York
New York: Manchester University Press;
Distributed exclusively in the U.S.A. And Canada by St. Martin's Press.
McConnel, Heron. (2001). Hamlet and Revenge. London School of Journalism. Retrieved June 19, 2004, from the World Wide Web: http://www.english-literature.org/essays/hamlet_revenge.html
He had sent all the servants for a leave with an excuse that it was carnival time, though his intention was to conceal his action (Rawls 54). He managed to convince Fortunato to put on a cloak so that nobody would recognize him on the way and this was another way of concealing the intended action.
Some of the remarks that Fortunate made on the way hurt Montresor making him to justify and accomplish his mission. At one time Fortunato told Montresor that he does not remember Montresor's court of arms. He tried to illustrate as containing a human foot that crushes a serpent with words such as no one that has impunity that can attack. The illustration and the message was a way of showing that Montresor's family was always on revenge mission. Montresor considered it as an insult and triggered his urge to revenge. On the way, they…
Rawls, John. A Theory of Justice. Cambridge, Mass: Belknap Press of Harvard Univ. Press, 1999. Print.
Sandel, Michael J. Justice: What's the Right Thing to Do? New York: Farrar, Straus and Giroux, 2010. Print.
Hamlet's enigmatic behavior so upsets Ophelia that she drowns herself, making Laertes even more set on revenge. Eventually these two deaths lead to a duel (provoked by Claudius) between Hamlet and Laertes, No one wins.
Laertes kills Hamlet with a poison-tipped sword; Hamlet kills Laertes. Gertrude drinks poison intended by Claudius for Hamlet. Hamlet, dying and seeing his mother already dead, forces the remaining poison down Claudius's throat. Conrad suggests that even with all of his flaws, including extreme procrastination, Hamlet is "essentially courageous" (680). Ultimately then, due either directly or indirectly to Hamlet's failure to act sooner and more decisively in avenging his father's death, everyone, yet no one, is avenged.
The catalyst for the tragic events that take place within Shakespeare's Hamlet is the title character's indecisiveness, leading to an unfortunate series of ill-timed; poorly executed events ultimately resulting in many deaths, most importantly that of Hamlet himself.…
Conrad, Bernard R. "Hamlet's Delay -- a Restatement of the Problem." PMLA, Vol. 41, No. 3 (Sep., 1926) 680-687.
Eliot, T.S. "Hamlet and his Problems." The Sacred Wood: Essays on Poetry and Criticism.
London: Methuen, 1922. 74-88.
Lawall, Sarah, et al. "William Shakespeare 1564-1616." The Norton Anthology of World
MOVING TOWARDS DISASTER:
THE MOTIF OF REVENGE IN SHAKESPEARE'S
Titus Andronicus, the first tragedy written by William Shakespeare ca. 1590, is one of his most ambitious plays, full of recognizable themes and motifs which were later incorporated in his more mature works. Yet Titus Andronicus differs greatly from its successors, mainly due to the overt application of revenge perpetrated by its numerous and dangerous characters. As Eugene M. Wraith sees it, Titus Andronicus as a tragedy swiftly moves "towards a disaster for which the cause is established in the first minutes of action" (8).
Shakespeare accomplishes this movement towards disaster through the idiosyncrasies, actions and reactions of many characters bent on revenge via a long list of reasons. For instance, when Titus Andronicus, known for his victories over the barbarian Goths and candidate for the emperor of Rome, decides to sacrifice Alarbus, Tamora's eldest son, to appease…
Muir, Kenneth. The Sources of Shakespeare's Plays. New Haven: Yale University Press,
Waith, Eugene M., ed. Titus Andronicus. London: Oxford University Press, 1984.
Oresteia story, as trilogy of events written by Aeschylus, revolves around revenge.
In the first sequel, Agamemnon, Clytemnestra murders both her husband Agamemnon and his concubine, Cassandra, a priestess of the Greek god, Apollo. Cassandra had received prophecy of her imminent murder as well as future events that will befall the House of Atreus, but she had been restrained by Apollo from publicizing her vision since she had rejected his advances. Aegisthus's cousin and Clytemnestra's adulterer now assumes the throne with the chorus reminding the audience that avenge will soon ensue. In sequel two, The Libation Bearers, Agamemnon's children Electra and Orestes kill Clytemnestra to avenge the death of their father. He flees the palace with the Furies, deities that avenge patricide and matricide, chasing him and the Chorus informing us that the cycle of revenge will continue.
In the final sequal, The Eumenides, the ghost of Clytemnestra pushes the…
Collard, Christopher. Introduction to and translation of Oresteia. Oxford University Press, 2002.
King James Version Old Testament. Nashville, TN: World Bible Society, 1983.
Honestly, the readings on praise and punishment would not greatly affect the way I raised my child. I grew being disciplined by corporal punishment by parents who were also disciplined by corporal punishment when they were raised. I actually believe that there are a number of virtues associated with corporal punishment including humility, self-esteem, and an understated form of perseverance that is fundamental to a well-rounded individual. More than likely, if I ever were to have children I would incorporate corporal punishment into the ways that I disciplined them. I would utilize this form of discipline especially for younger children, and would more than likely subside this approach as the children became teenagers and morphed into adults. I actually believe that the virtues extracted from corporal punishment exceed the negatives associated with it, especially when it is administered with love and temperance.
The readings on praise might certainly affect the…
Many pests, like the fire ant, are extremely destructive and hard to control, he shows how they develop resistance to many pesticides, making it even harder to get rid of them, and he maintains that will only continue in the future.
Chapter 6: Acclimatizing pests: Animal. The author shows how making the world more accessible helped transport pests around the world, and that studies showed that most plants and animals could survive in other areas than their natural homes. This is acclimatizing, and it continues to domesticating animals and bring non-native species to areas to attempt to control other species. The starlings are a good example. The first were imported to New York in the 1890s, and they have spread across the continent. They are aggressive against other birds and each other, and bird lovers generally do not like them. He talks about other species that have spread just as…
Tenner, E. (1996). Why things bite back: Technology and the revenge of unintennded consequences. New York: Alfred A. Knopf.
He kills his father as he flees his home and marries his mother after solving the riddle of the Sphinx. His end is inevitable, but Sophocles clearly shows the role negative character traits play in Oedipus' tragedy, while Hamlet's supposedly negative traits of doubt are not necessarily evil.
Thus Hamlet could be classified as a kind of nascent anti-hero, a man who mourns "the time is out of joint/oh cursed spite/that ever I was born to put it right," and never succeeds in 'putting it right' because society offers him only one, ineffective mechanism for pursuing a brutal type of justice (1.5). The failure of heroism to 'put things right' is manifested starkly in Waiting for Godot, where the heroes famously wait for the final 'solution' of the arrival of the presumably heroic Godot, who never comes. These characters are not so much heroes or even anti-heroes -- rather they…
The play was the thing wherein I caught the conscience of the king -- that means I knew he was guilty.
San: Even if he was guilty, what did killing him serve? All there was left was a court in total disarray and a lot of dead bodies. You say your revenge had a purpose, but it didn't really. Revenge is only undertaken for personal motives -- being drunk and angry because you think someone took your sister's virginity, for instance. It has nothing to do with anything loftier. Indeed, it is this very perspective which produces the type of collective bloodlust that would seize my life. You have made yourself an executioner, perhaps as mad with assurance of his deeds as were those first committed some wrong.
Ham: That's not true! There was a method to my madness. I needed to make a point -- a very long point…
Of course, Hamlet would then likely assume the throne, but Hamlet seems to have little interest in ruling, as he scoffs when Guildenstern and Rosencrantz say that it is his frustrated ambition that makes him melancholic. Hamlet is a rational and philosophical individual, hence his constant self-searching about the nature of the ghost, about the possibility of an afterlife that no traveler may return (if the ghost is a devil), but he also emotionally wants to avenge his father's death, as he does believe his father has been murdered. Hamlet's emotions and intelligence are often in conflict, which makes him a less effective 'adventure hero' than the ruthless and cold Fortinbras.
In contrast to Fortinbras, Hamlet has much more sympathy with Laertes' quest to avenge a murdered father, even though he is the cause of the other young man's outrage. Hamlet accidently kills Laertes' father Polonius while Polonius is spying…
Shakespeare, William. "Hamlet." Electronic text available at the Shakespeare Homepage. http://shakespeare.mit.edu/hamlet/ [5 Dec 2007]
Most individuals fail to appreciate life to the fullest because they concentrate on being remembered as some of the greatest humans who ever lives. This makes it difficult for them to enjoy the simple pleasures in life, considering that they waste most of their time trying to put across ideas that are appealing to the masses. While many did not manage to produce ideas that survived more than them, others succeeded and actually produced thinking that remained in society for a long period of time consequent to their death.
Creativity is generally regarded as one of the most important concepts in society, considering that it generally induces intense feelings in individuals. It is responsible for progress and for the fact that humanity managed to produce a series of ideas that dominated society's thinking through time. In order for someone to create a concept that will live longer than him or…
Revenge, too, is prominent in all of these works: Beowulf must destroy the monster our of revenge for the havoc on the Kingdom; the Greeks must avenge the kidnapping of Helen and the slights against their lands; the Knight, the Miller and the ife of Bath all must seek revenge for perceived wrongs. Poems like Canterbury Tales, Beowulf, and the Iliad and Odyssey, especially as oral tradition, frame the journey of the hero through trials and tribulations to, eventually success. The saving of society, though, is often met with grave personal sacrifice, sometimes of tangible wealth, more often of loved ones, or, in the case of Beowulf, the ultimate sacrifice -- giving up one's own life in the service of society.
Yet in each of the tales there is at least one, and frankly many more, characters that have a fatal personality flaw that causes not only consternation, but increases…
Bittarello, M.B. "Recrafiting the Past: The Complex Relationship Between Myth and Ritual." Pomegranate: The International Journal of Pagan Studies 10.2 (2008): 214-19.
Cambpell, J. The Hero With a Thousand Faces. New York: New World Library, 2008.
Campbell, J. And B. Moyers. The Power of Myth. New York: Anchor Books, 1991.
Voytilla, S. Myth and the Movies. New York: Michael Wiese Productions, 1999.
Jacking, male, stated, "We know the kick-ass ladies really exist, and they are increasing." Twisted Soul, like all interview subjects, mentioned the prevalence of females in the martial arts. All subjects did acknowledge that female action heroes are less common than male ones, but at the same time, both males and females could name at least one real-life active heroine.
The most avid viewer of Tarantino's Kill Bill was, in fact, a woman. Helena Yip, who studies martial arts, saw Kill Bill twice "for the sake of reviving it." She especially appreciated "the power, the female power...that strong female characters kick ass." Yip compared the Bride to Chyna, a real life professional wrestler who has not only won championships against other women but also against other men. "She became equal with the male wrestlers...as a female I feel so gratifying," (sic). TKDavid, a male reflected Helena's values. Regarding the character…
He questions whether he should try to clear the court of corruption or just give up and end his life now. It is this emotional doubt that drives Hamlet to act deranged at times, but he overcomes it, and almost manages to answer the difficult questions posed in his life. In Act V, when calm returns, Hamlet repents his behavior (V, ii, 75-78) (Lidz, 164).
In Lidz's book Freud is quoted as saying "that if anyone holds and expresses to others an opinion of himself such as this [Hamlet's "Use every man after his desert, and who shall escape whipping?"], he is ill, whether he is speaking the truth whether he is being more or less unfair to himself." Though Hamlet has proved his intellectual stability, he is quite obviously emotionally "ill."
This emotional illness and uncertainty is why Hamlet procrastinates in the killing of Claudius. On his way to…
Babcock, Weston. A Tragedy of Errors. Purdue Research Foundation 1961.
Charlton, Lewis. The Genesis of Hamlet. Kenniket Press, Port Washington, NY 1907.
Elliot, T.S. "Hamlet and His Problems." Sacred Woods. 1920.
Leavenworth, Russel E. Interpreting Hamlet: Materials for analysis Chandler Publishing CO, San Francisco 1960.
it's been earned" (emphasis added) (Klawans, 2003, p. 32). In their synopsis of the movie, the producers report that, "Having been gunned down by her former boss (David Carradine) and his deadly squad of international assassins, it's a kill-or-be-killed fight she didn't start but is determined to finish! Loaded with explosive action and outrageous humor, it's a must-see motion picture event that had critics everywhere raving!" (Kill Bill Volume 1 Synopsis, 2005, p. 1). As noted above, critics in fact from just about everywhere have been raving about "Kill Bill, Volume 1" (and 2), but not necessarily in a positive fashion; the possible reasons for these negative assertions about Tarantino's work are discussed further below.
Gender-Based Differences in the Perception of Violence
According to Adler and Denmark (1995), there have been a number of theories advanced over the years concerning violent behavior based on various psychodynamic, social learning, cognitive, and…
Adler, L.L. & Denmark, F.L. (Eds.). (1995). Violence and the prevention of violence. Westport, CT: Praeger Publishers.
Alleva, R. (2004, May 7). East Meets West: 'Goodbye, Lenin!' & 'Kill Bill-Volume 2.'
Commonweal, 131(9), 23.
Arsham, Hossein. (2002). Questionnaire Design and Surveys Sampling, SySurvey: The Online Survey Tool. Retrieved March 2, 2005 at http://ubmail.ubalt.edu/~harsham/stat-data/opre330Surveys.htm#rsi.
This final dinner scene and the ensuing bloodbath wrings ever last possible ounce of gory drama out of the script; the talking ceases for a time while the camera observes the members of the dinner party all enjoying the pies that contain the blood and bones (and possibly the meat, although this isn't made explicit in either the script or the film) of Tamora's two sons. This makes the extremity of this cannibalistic act far more heightened than the script alone suggests, but it is exactly what the script requires. The perfection of the setup, and the well-coiffed appearance of everyone in attendance, makes the horror of the act and of the play that much more intense.
This scene, as well as others in both the script and the film, calls Titus' sanity into serious question. Neither source makes it clear whether or not he is crazy, and again this…
Evans, G. Blakemore and M. Tobin, eds. The Riverside Shakespeare. New York: Houghton Mifflin, 2003.
Shakespeare, William. Titus Andronicus. In the Riverside Shakespeare.
After all, when Marcellus is raped, the audience has witnessed the murder of two college students by Marcellus' hit men, and knows that Marcellus had a former ally thrown off of a roof for an unknown reason. In addition, it is because of Marcellus' orders that Vincent, whom the audience has grown to like, is killed at Butch's house. Marcellus is clearly not a good man, and yet, nothing in the movie suggests that he deserves to be raped by Zed and Maynard. It was significant that Tarantino chose Marcellus, the most criminal person in the movie, as the rape victim. It was even more significant that Tarantino chose Butch, the person with the most motive to see Marcellus injured, as Marcellus' rescuer. ather than dehumanizing people, the violence in the movie humanizes the monstrous Marcellus, both by depicting him as a victim and by showing him getting revenge. By…
Scorsese, Martin. Taxi Driver. Los Angeles: Bill/Phillips, 1976.
Scott, Ridley. Thelma & Louise. Los Angeles: Metro-Goldwyn-Meyer, 1991.
Tarantino, Quentin. Pulp Fiction. Los Angeles: A Band Apart, 1994.
Winner, Michael. Deathwish. Universal City, CA: Dino De Laurentiis Company, 1974.
Fernand demonstrates that hope can be an engine fueling acts of wanton and selfish cruelty as well. Ironically, this would also become a significant dimension of the hope harbored by the Dantes himself. hile there was a portion of his imprisonment in which the hope of young Dantes helped to sustain him with notions of escape and freedom, he still remained frustratingly uncertain about the factors which placed him in prison to begin with. It was not until the abbe Faria helped Dantes to unwind the details of the conspiracy against him that a transformation of his hope occurred. Here, the optimistic hope that guided the young Dantes to dream of freedom became a far more sinister hope, from which would be forged the Count of Monte Cristo himself.
Dumas cites the exact moment of transformation, engaging the abbe and Dantes in a conversation about the role played by Villefort…
Dumas, A. (1998). The Count of Monte Cristo. Project Gutenberg.
Edgar Allen Poes story "The Cask Amontillado" You write, setting, theme story, point veiw, plt, language signifagace story. THE CASK OF AMONTILLADO Edgar Allan Poe (1846) THE thousand injuries Fortunato I borne I, ventured insult I vowed revenge.
Poe's "The Cask of Amontillado" - analysis
Edgar Allen Poe's 1846 short story "The Cask of Amontillado" puts across an account involving a vindictive character who tries to reinforce his self-esteem by luring the person he considers his enemy into a situation that would do him justice. It is difficult to determine whether the aggressor actually has the reasons to punish his enemy or if he is simply insane and uses an unspecified event as a motive to go through with committing his crime. However, his insanity is controversial when considering the complex nature of the plot and the obvious feeling of satisfaction that the protagonist experiences as he acknowledges that his…
SEAT: a Case for Self-Defense
Literature plays many roles in our lives; it entertains us, frightens us, and thrills us, but if written well it also teaches us and gives us a greater understanding of ourselves and human nature as a whole. hen an author puts pen to paper he should have a story to tell or information he feels he must impart to the world at large so that the reader has a greater understanding of the life that surrounds him. Sweat by Zora Neale Hurston does that very well. Delia, the protagonist, attempts to live a moral and upright life, never dreaming of taking a life. Yet ultimately to save her own life she must use self-defense at the expense of her husband's life. Following this theme Hurston uses religious symbolism throughout her story to emphasize good and evil and the effect our choices have on our lives.…
Borkat, Roberta F.S. "The Evil of Goodness: Sentimental Morality in The London Merchant." Studies in Philology 76.3 (1979): 288-312. Academic Search Complete. EBSCO. Web. 15 Dec. 2010.
Harold, James. "Infected by evil." Philosophical Explorations 8.2 (2005): 173-187. Academic Search Complete. EBSCO. Web. 15 Dec. 2010.
Hurd, Myles Raymond. "What Goes Around Comes Around: Characterization, Climax, and Closure in Hurston's 'Sweat'." Langston Hughes Review 12.2 (Fall 1993): 7-15. Rpt. In Short Story Criticism. Ed. Thomas J. Schoenberg and Lawrence J. Trudeau. Vol. 80. Detroit: Gale, 2005. Literature Resource Center. Web. 15 Dec. 2010.
Hurston, Zora Neale. "Sweat." E. Fictions. (2003). Ed. Joseph F. Trimmer, Wade Jennings, and Annette Patterson. London: Heinle & Heinle. Print.
Universal Truth in Hamlet
Hamlet's story is different from most of the stories of revenge and betrayal in a way that throughout the novel he was not sure about a lot of things. Thus, the way the story unfolded eventually really showed that a little knowledge is a dangerous thing. Hamlet goes on in the uncertainty and in doing so he wonders what the purpose of life is. This dwells on the uncertainty Hamlet portrays and also the questions many of the people in play put forward. Secondarily, this uncertainty however foreshows that the nation is corrupt and so are all the people in it. These corruptions and problems lead to the story moving forward. Hamlet throughout the book stays in a melancholy and a malicious judgment about women as well. To him, the knowledge that he has is sufficient to rule out and judge others in his life.…
Corum, Richard. Understanding Hamlet: A Student Casebook to Issues, Sources, and Historical Documents. Westport, Conn: Greenwood Press, 1998. Print.
De-Yan, Guo. "Hamlet's Femininity/LA FEMINITE DE HAMLET ." Canadian Social Science 5.5 (2009): Print.
Kroll, Jack. "Hamlet." Newsweek 1995: 1995 . Print.
Shakespeare, William, and Frank Muller. Hamlet. Prince Frederick, MD: Recorded Books, 1990. Internet resource.
As a screenwriter and filmmaker, Quentin Tarantino has long been considered the ultimate auteur. His style and content are uniquely his own and are marked by edgy, graphic content along with fast, memorable dialogue. There is a rapt attention paid to pop culture and popular slang that all of Tarantino's films bear, and of late his films have paid attention to dark historical events. Inglourious Basterds (2011) focused on World War II and the multiple forms of carnage that this event encompassed. Django Unchained marks yet another foray of Tarantino into one of America's blackest historical marks: slavery. Like Basterds, Tarantino puts his unique stamp on this dreary historical subject by couching it from a unique and meaningful perspective: he portrays the events of slavery with the imprint of a slave who becomes a type of bounty hunter, and kills white men. This is strongly evocative of the…
Denby, D. (2013, January 22). "Django Unchained": PUT-ON, REVENGE, AND THE AESTHETICS OF TRASH. Retrieved from Newyorker.com: http://www.newyorker.com/online/blogs/culture/2013/01/django-unchained-reviewed-tarantinos-crap-masterpiece.html
Foster, G. (2004, May). Intersectionality, Worldwide and Other Pages. Retrieved from Udayton.edu: http://academic.udayton.edu/race/02rights/slavery06a.htm
Tarantino, Q. (Director). (2012). Django Unchained [Motion Picture].
When Catherine states, "It will degrade me to marry Heathcliff," she exposes her prejudices and concerns about social status. She has yet to develop a mature level of self-awareness. Moreover, Catherine indicates a predisposition toward melodrama when she continues, "so he shall never know how I love him." Bronte achieves something clever with this passage, in that she withholds from Catherine her own self-awareness while indicating to the reader that the character is as shallow as anyone else in her milieu. Not being aware of her own shallowness becomes an ironic means by which Catherine can grow. Moreover, it is ironic that the reader is permitted to overhear Catherine's entire conversation on this matter but Heathcliff only hears the first sentence. He does not hear the part about "he shall never know how I love him," and Bronte deliberately structures the conversation in this way, so that the reader…
Victor and his creature are opposing forces that struggle because of their conflicts throughout Mary Shelley’s novel Frankenstein. Conflict is the dominant theme of the novel—one that Mary Shelley herself experienced in her own life, being married to the romantic poet Percy Byshe Shelley, who struggled with his own romantic ideas just as Victor Frankenstein struggles with his vain desire to be a Creator in Frankenstein. While Victor Frankenstein does become a Creator, he accomplishes his task ironically because he is a creator of the monster (which becomes of a monster because of Victor’s own incapacity to love him). True, the monster comes into life looking hideous—but that is because he had an uncaring creator; the monster is actually very thoughtful and desires to love and be loved. He attempts to make friends but finds that he is rebuked for his ugliness and driven away into isolation. He then…
Tzu argues that strategy is important in that a successful general or leader can and will adapt to changing conditions on the battlefield, and that the art of war is more about adaptability and the risks and opportunities that come with the constant and dynamic nature of warfare than it is about careful planning and preparation. This is not to say that the latter two actions are useless, by Tzu sees more value in flexibility and cunning than he does in immobility and inflexibility.
Both works illustrate how personal and social justice differ from each other. They also point out that personal order is often a concept that lacks true definition, at least as time goes by. A successful person, whether in war or in their family life, learns to adapt to changing situations and scenarios, putting aside social order and justice in favor of a much more relevant, functional…
Sophecles. (458 BC). Electra.
Tzu, Sun. (5th century BC). The Art of War.
" It just so happens that the Carnival is in season, what better time to launch such a plot? This dramatic irony allows the audience to perceive something that Fortunato does not -- the relentless pursuit and planning that is occurring as Fortunato enjoys himself celebrating Carnival. Even the name Fortunato (the fortunate) is ironic, since he is anything but fortunate as the intended victim of murder. This theme of irony will present itself again and again, and is Poe's technique for allowing the reader to both follow the story from the murderer's point-of-view, since it is he who is narrating, and to distance oneself and feel the true horror of the approach of death. The web/trap is set when Montresor dangles a rare wine, Amontillado, in front of Fortunato, but is cynical enough about it that he toys with Fortunato's greed and avarice.
It is perhaps the merging of…
Poe, E. (1846). The Cask of Amontillado. Literature.org -- the Online Library.
Cited in: http://www.literature.org/authors/poe-edgar-allan/amontillado.html
(d) etribution serves towards a constructive purpose of -- as Braithwhite calls it -- 'restorative shame' rather than 'stigmatizing shame'
In 1988, John Braithwaite published "Crime, shame, and eintegration" where he introduced his idea of restorative shaming (Braithwaite, 1997). The conventional criminal justice stigmatizes the individual in that it not only makes him a pariah of society thereby making it harder to reform himself, but also crushes his esteem, causing others to deride and shun him, accordingly often making him react in a reinforcing manner. Seeing himself as 'offender' and finding it extremely difficult to readjust and gain acceptance in society, the offender may be compelled to return to crime as way of livelihood to support himself and as a way of gaining the prestige and status that he m ay need and that he may, otherwise, not gain.
estorative justice, on the other hand, helps offender atone for his…
Acorn, a. (2004). Compulsory compassion: a critique of restorative justice Vancouver: University of British Columbia Press
Braithwaite, J. (1989) Crime, shame, and Reintegration New York, NY: Cambridge University Press.
Christie, N. (1977), Conflicts as Property, British Journal of Criminology, 17: 1-15.
Correctional Service of Canada. [Online] Retrieved from:
By taking part in his destiny, she somewhat disproves Zeus' claim that humans are wrong to suggest that the gods are to blame -- for without her interference, the many suitors would not have been slaughtered by Odysseus.
Athena's speech here, which will fuel the eventual release of Odysseus and his long ride home, continues at this point to describe the situation in which (at the story's beginning) he is imprisoned. She described how he is suffering torments "on a wave-washed island rising at the centre of the seas," where he is held captive by "a daughter of Atlas, wicked Titan." This daughter, Calypso, is herself an immortal, and contemporary of the oldest gods. The Titans were those deific forces which proceeded Zeus and the other Olympic Gods. Cronos, king of the Titans, had been the father of Zeus and over thrown by them. In this overthrow, the old titans…
The second reason punishment is handed out following a conviction is to appease the victim or the victim's family and let them know that justice was served. If someone is the victim of a crime they often feel violated and angry that someone could do this to them. Idea of revenge may enter their mind or they may find themselves dwelling on the event. The punishment lets them know that the criminal did not get away with the commission of the crime and that society does in fact recognize that they committed it.
Both of these are foundations for the court system handing out punishment following the conviction of a criminal.
A side note to the entire process is political. Politicians often use the punishment system as a platform for election reminding voters that they supported this punishment tier system or that one. They do so in the effort to…
Chemerinsky, Erwin (2004) the Constitution and punishment.(how Supreme Court
Stanford Law Review
olfgang Amadeus Mozart is universally considered to be a musical genius because he is so great in his work. During his short time on the earth because he died very young, he was responsible for the writing of some of the most beautiful works of music ever written. He wrote symphonies and stand alone pieces too. His work has been put to ballets and other plays and in movies. In addition to these, he also wrote some of the world's most beautiful and emotional operas. Each opera is built around unique and fully-developed characterizations especially of the women characters. Remarkably even though the language may not be understood because the operas are sung in foreign languages, the music and the voices which sing each song of the opera perfectly convey the meaning and the emotional core that Mozart intended to express in the opera. Two distinct examples of…
Cairns, David. Mozart and his Operas. Berkeley and Los Angeles: University of California
Press, 2006. 125-29. Print.
Carter, Tim. W.A. Mozart: Le Nozze di Figaro. Cambridge: Cambridge University Press, 1987.
54; 110-11. Print.
The author of this report is asked to answer to five major questions or series of questions. First, the author of the paper is asked to answer a few brief questions relating to Alibaba.com as described in application case 15.3. The second question is what business ethics defines and the third asks the author to provide an example of an e-commerce activity that is legal but not ethical. The fourth question asks what any good code of ethics could or should include and the final question is what e-commerce websites can do to safeguard personal information.
The Alibaba website improved its content management by filtering out spam and other nefarious material and communications. The social and cultural aspects of Alibaba.com are obvious in that the site gives Chinese SME's of small and medium size the portal to sell their wares to American and other non-Chinese buyers…
Frucon. "Outsourced E-Commerce in Europe, International E-Business - Frucon2." E-
Commerce, Webshop Software & Design, Online Marketing - Frucon2. N.p., 27
Sept. 2013. Web. 27 Sept. 2013.
United P Disaster
Public relations is a very important and significant part of any company's strategic outlook. The larger the company, and the more exposed to the public the more that these practices will impact on achieving a competitive advantage within any given industry The airlines industry is a special case all in its own, making United Airlines' problem with Dave Carroll a worthwhile investigation into the subject.
Mr. Carroll, a passenger on a United Flight, realized that during his flight his expensive guitar was broken en route. Mr. Carroll, a professional musician, eventually followed protocol to receive compensation for his loss. When United did not honor Carroll's request he took it upon himself to right the situation.
Using his talents as a songwriter he penned a targeted song entilteld "United Breaks Guitars" is an interesting demonstration of how public relations (P) can help or hurt a company. This story…
Aula, P. (2010). Social media, reputation risk and ambient publicity management. Strategy & Leadership, 38(6), 43-49.
Bliss, K. (2009). Dave Carroll's airline mishap goes viral in "United Breaks Guitars.." Rolling Stone.
Carroll, D. (2012). United breaks guitars. Hay House, Inc.
Greenstein, H. (2009). Social Media Crisis Communications Case Study-United Breaks Guitars. Harbrooke Groupe, 12 July 2009. Retrieved from http://harbrooke.com/2009/07/social-media-crisis-communications-case-study-united-airlines-breaks-guitars/
illiam Shakespear - Hamlet
Hamlet's responsibility for crimes occurring in "The tragedy of Hamlet, Prince of Denmark"
"The tragedy of Hamlet, Prince of Denmark" is one of illiam Shakespeare's greatest works and an inspiration for the world for the last four centuries. The play generates much controversy as audiences are encouraged to get actively involved in interpreting it as a consequence of the multitude of emotions it contains. Considering ideas like blame or responsibility in this play can be a very intriguing act, taking into account the ease with which one can falsely attribute them to a character. hile the easiest thing to do is to believe that Hamlet is to blame for much of the suffering that occurs across the tragedy's duration, the reality is that the play is too complex for that, with the Prince actually being a victim -- he was unable to understand the situation he…
"Hamlet," Retrieved November 26, 2014, from http://nfs.sparknotes.com/hamlet/
Lumet's filmed adaptation of Reginald Rose's Twelve Angry Men focuses primarily on prejudice and the ways in which prejudice can obscure or distort one's sense of justice. The twelve jurors in the film all have their own personalities, their own backgrounds, their own histories, their own preoccupations: one wants to catch the ballgame and is willing to vote whichever way will get him out of the room sooner; another sees the defendant as nothing more than the representation of everything he hates about ungrateful youths; another looks not at the defendant nor at his watch but rather at the facts and attempts to discern through them the actuality of events as they most likely would have occurred: for this juror, the truth is his preoccupation -- and by way of a series of arguments, first with one, then with another, he manages to convince his peers that he is not…
Your answer should be at least five sentences long.
The Legend of Arthur
Lesson 1 Journal Entry # 9 of 16
Journal Exercise 1.7A: Honor and Loyalty
1. Consider how Arthur's actions and personality agree with or challenge your definition of honor. Write a few sentences comparing your definition (from Journal 1.6A) with Arthur's actions and personality.
2. Write a brief paragraph explaining the importance or unimportance of loyalty in being honorable.
Lesson 1 Journal Entry # 10 of 16
Journal Exercise 1.7B: Combining Sentences
Complete the Practice Activity on page 202 of your text. After completing this activity, read over your Essay Assessment or another journal activity you've completed.
* Identify three passages that could be improved by combining two or more sentences with coordinating or subordinating conjunctions. Below the practice activity in your journal, write the original passages and the revised sentences you've created.
* Be sure to…
If all people followed these teachings, many of the social evils in the society such as stealing from each other, killing, mugging, rape, revenge, jealousy, etc. Molloy, 2009.
Therefore, religion is extremely important since it guides our day-to-day lives. eligion is also an important source of law as evidenced in sharia law and Canon law which is commonly used in the determination of cases and also in development of Public law.
One important thing that should be kept in mind is that every person is different and that they give varying relevance to religion. The importance of religion can be evaluated in how a person lives their life. As always, the actions of the individual should be evaluated and not their words. As the old English adage goes, "actions speak louder than words."
Flood, G. (2012). The Importance of eligion: Meaning and Action in Our Strange World. New York,…
Flood, G. (2012). The Importance of Religion: Meaning and Action in Our Strange World. New York, NY: John Wiley & Sons.
Hyman, C., & Handal, P.J. (2006). Definitions and Evaluation of Religion and Spirituality Items by Religious Professionals: A Pilot Study. Journal of Religion and Health, 45(2), 264-282.
Iii, N.J.D. (2002). A Sinner among the Saints: Confessions of a Sociologist of Culture and Religion. Sociological Forum, 17(1), 1-19.
Marks, L. (2006). Religion and Family Relational Health: An Overview and Conceptual Model. Journal of Religion and Health, 45(4), 603-618.
X continues to drive and has an accident. Following the accident, a test shows that the seizures are caused from a medical condition. In this case, X is negligent because they were unaware of the medical condition and had not been warned to drive. X knew, though, that something was wrong and should have sought treatment, but based on income levels was not aware of the seriousness of the risky behavior.
Part 2- C- X knows they suffer from seizures, has been warned by a doctor that they should not drive, yet contues to drive and causes an accident in which pedestrians are killed. While X did not willfully set out to kill these pedestrians, they were reckless because they were aware of and disregarding medical and personal knowledge that they had a condition that could cause harm to others. A reasonable person would have not driven, not put the…
Kutz, C. (2007). Complicity:Ethics and Law for a Collective Age. New York: Cambridge
Lippman, M. (2009). Contemporary Criminal Law. 2nd ed. Thousand Oaks, CA: Sage.
Michelle violates the company's policy and her suspicions turn out to be unfounded, then Jerry can sue the company for violation of privacy rights as provided by Electronic Communication privacy Act and by various amendments under U.S. constitution. The ECPA clearly indicates that employers cannot intercept personal communication while they are allowed to view communication that happens occurs ordinarily in the course of daily work (Business law, p. 528). Secondly the company policy also clearly indicates that employees cannot expect privacy when using company email account but their privacy will be protected when using web-based email services. In this case, Michelle would be intercepting communication that occurred through a personal account and if she turns out to be wrong, she can come under fire. However there may be an exception to her situation based on reasonable suspicion. She can provide evidence of Jerry unstable condition and violent behavior which could…
Miller, R.L. & Jentz G.A. (2011). Business Law Today 9th Edition. Mason, OH. Cengage.
Weapons of Mass Destruction and the Next Terror: Assessment of How a Significant Terrorist WMD Attack Might e Conducted by a Non-State Actors Perpetrator and Why They Can't Stage an Attack
Weapons of Mass Destructions (WMD) have considerable effect to the economies of both developed and developing countries. In the modern world, most terror groups have resolved to use Weapons of Mass Destruction to harm their enemies. The entire syndicate comprises state actors and the terror group, which intends to destroy the target country. The state actors have direct links or channels of communication with such attackers, foreign allies, and several residential alliances with almost similar connections to the terror groups. Most of the terror groups lack essential materials that would aid in the making of some of the most dangerous weapons such as nuclear bombs. The various forms of attack involved when using lethal weapons include dispersion, dissemination, and…
Anthony Cordesman, Terrorism Asymmetric Warfare, and Weapons of Mass Destruction, (New
Greenwood Publishing Group, 2002).
Eric Croddy, James Wirtz, Weapons of Mass Destruction, (London: ABC-CLIO, 2005).
Journalists, Their Terminology and Terrorism
In the age of terrorism and in the age of the Internet, journalists are coming under more and more intensive scrutiny and are increasingly urged to act more sensitively to the power they have and the power which they can wield when it comes to reporting current events -- particularly those related to terrorism. As some scholars have illuminated, journalists are indeed arbitrators of rhetoric, and ones which have limited success: "Evidence of arbitration is seen in comparisons between how media personnel describe terrorist events and their perpetrators and how government officials make similar descriptions. Journalists serve as creators of rhetoric whenever they report terrorist events. The rhetorical tradition employed determines the nature of that rhetoric. The role of formats, the presentation conventions that are used to package information and determine the significance and the information that news packages carry, are also important" (Picard 1989).…
Ahramonline. (2013, August 14). Egypt police attack Muslim Brotherhood sit-ins in Cairo. Retrieved from ahramonline.com: http://english.ahram.org.eg/NewsContent/1/64/78982/Egypt/Politics-/UPDATED-Egypt-police-attack-Muslim-Brotherhood-sit.aspx
Ahramonline. (2013, August 14). Egypt police attack Muslim Brotherhood sit-ins in Cairo. Retrieved from Ahramonline:
People v. Goetz (1986)
1. Give an overview of the case.
The controversial People v. Goetz (1986) involves the Defendant, Bernhard Goetz (Defendant) who shot and injured four young black men on a subway train in the Bronx. Four black youths, Troy Canty, Darryl Cabey, James Ramseur and Barry Allen were riding the subway train; two of the youths had screwdrivers hidden on their person, later admitting the intention of using these screwdrivers to unscrew the coin boxes attached to arcade games. The defendant was also riding the train and had an unlicensed .38 caliber pistol, a gun he had procured in 1981. Canty approached Goetz with possibly one of the other young men beside him, and said, “Give me five dollars”: there was no use of force nor was their a display of a weapon. The Defendant answered by standing and releasing four shots from his unlicensed gun, the…
Shi Jianqiao became a media sensation in Nationalist China during the 1930s for shooting the ex-warlord Sun Chuanfang, a leading member of the Tianjin Qingxiu lay-Buddhist society (jushilin). She shot Sun three times on November 13, 1935 in prayer hall (congregation site) on Nanma Road. Although she was prosecuted for murder, the courts returned a controversial final verdict of judicial leniency, and the Nationalist (Guomindang) regime overturned this final verdict by issuing a state pardon. These events led to a public debate on the merits and demerits of filial revenge, although contemporary accounts do not examine the larger sociopolitical implications the case may have had. Shi Jianqiao represented the female assassin's singular and violent expression of filial sentiment (xiao), as well as the female warrior code of "chivalrous virtue" (xia), and helped give rise to a new communal form of ethical sentiment - "public sympathy" (tongqing). For liberal…
Lean, Eugenia. Public Passions: The Trial of Shi Jianqiao and the Rise of Popular Sympathy in Republican China. Berkeley: University of California Press, 2007.
When meeting the narrator to explain himself, Sylvio clarifies this behavior by saying that he "likes" the main character. The author then uses this meeting as a platform to reveal Sylvio's true story and nature to the reader.
In contrast to the soldiers, Sylvio's character demonstrates a large amount of depth and critical thinking. His emotions do not rule his actions, which is one of the traits that make him such an excellent shot. This is a different code of valor from those of the general soldiers and officers who share his table. It is also indicative of his superior maturity, not only in years, but also in perspective.
As for the narrator, Sylvio professes to "like" him, despite the fact that the narrator appears the least willing of all the soldiers to forgive the former's perceived cowardice. Ironically, this refusal to forgive is precisely the trait that sets him…
Shakespeare's Hamlet contains messages that are relevant to modern society, including the problem of revenge and the disturbing nature of death and the afterlife. These themes repeat themselves throughout Hamlet and are dealt with by the play's protagonist, Prince Hamlet of Denmark. Issues of revenge and death shape Hamlet's character and color his perception of life and the people around him. His encounter with the specter of his late father early in the play brings Hamlet into intimate contact with death and the afterlife. Physical reminders of death also drive home this theme of the play, such as the decaying bodies in the cemetery and Yorick's skull. Closely related to the theme of death is that of revenge, for death is the ultimate outcome of vengeful retribution and the primary motivation for the play's protagonist. King Hamlet's ghost demands that his son exact revenge on Claudius: "If thou didst ever…
tragedy of Othello by Shakespeare was written in the sixteenth century around 1603-1604. This play covers the destruction of the marriage of a young Venetian known as Desdemona and a Moor, Othello. Even though the title of this tragedy shows that it took place in Venice, it occurred in both Venice and Cyprus. Even though that area is predominantly occupied with actions of love and Venus, it leads to events that cause the negative or the violent side of the characters to come out. For instance, the malicious Lago prompts Othello into jealousy. Due to this reason, he strangles his innocent wife on their marital bed and kills himself when the deception of Lago is exposed.
This short synopsis of the play was necessary to go deep into the thesis that will be discussed in the paper. Many different studies and deductions made of the play focus on the gender…
It is rather like a feud in this respect -- the one who commits the final act of revenge is declared the winner.
Hector is the Trojan warrior whose character differs greatly from that of Achilles and who has very different reasons for fighting. here Achilles fights for glory, Hector sacrifices himself or his family, his country, and his ideals. His dedication to family is apparent as he visits his wife and children while delivering a message away from the battlefield, a clear contrast with the way Achilles ignores family obligations. Hector places himself in harm's way knowingly in service to his city, a contrast with Achilles, who sulks in his tent because of his own pride and not because of any concern for his country. At the same time, both men tend to be reckless, as seen in hector when he is advised by Polydamus to retire from the…
Benjamin, S.G.W. Troy: Its Legend, History and Literature. New York: Charles Scribner's Sons, 1880.
Fagles, Robert (tr.). The Iliad. New York: Viking, 1990.
Scott, John a. The Unity of Homer. New York: Biblo and Tannen, 1965.