Songs of the Birth of Our Lord Jesus Christ
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor More...
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List Price: $18.75
Size: 7.44" wide x 9.69" long x 0.19" tall
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Albrecht Durer was the commanding figure of the German Renaissance. Born in Nuremburg, the son of a goldsmith, he was apprenticed at age 15 to a painter and printmaker, from whom he learned the precision of detail that is one of the hallmarks of his great art, both in his woodcuts and in his drawings (The Hare is a famous example). As a young man, he traveled widely throughout Germany and also to Italy, where he was profoundly affected by the emerging art of the High Renaissance, of which he became the primary exponent in the North. He settled in Nuremburg, which he left in 1520 on a trip to the Netherlands, the diaries of which are among the most interesting documents in the history of art. Besides being a fine painter, Durer was one of the greatest graphic artists of all time. He left behind more than 350 woodcuts, 100 engravings, and approximately 900 drawings and watercolors. As a humanist artist of his time, he was also deeply concerned with art theory and wrote treatises on measurement, fortification, proportion, and on artistic theory itself.