The Theory of recognition
Nurvorism comes from tajik word nurvor-shine, light, radiant etc., a set of spatial lights. It’s a special vision of the surrounding validity.
We have used to consider the space filled by every possible subjects, events, and people. But on the contrary the person, an apple, a table, a cloud is weaved from numerous of spaces.
The visible and habitual images are weaved from multilayer spaces. And this is the application for the new style, new current, new direction in the Theory of Art.
Nurvorism is a denying concept of the fixed plan in the image. This unrecorded fact is not simply present, it actively participates in all picture grounds, gravitates to space and asymmetry.
The nature of parallelism is formed of the aura soaring in space, and lives in a context of product. It can be combined with any styles existing in art.
Nurvorism is the displaced traces of physical space forms, fallen asleep as though in the suspended condition. It is the world of greatness of space and movement in an invisible substance and the nature of rectilinear and uniform movement of subjects with regard to each other.
Nurvorism is used by the author in easel monumental painting, theatrical-decoration art, and costume. This style waits for the embodiment in architecture, arts and crafts and etc.
For example, the Ampere style was born as greatness imitation in former epoch – in the form of palaces, triumphal arches and monuments. Parallelism is democratic; it is focused on those kinds of art which can receive mass distribution: advertising posters, press, architecture, theatre, cinema, dramatic art, costume, furniture, an interior, ex-terrier, arts and crafts.