Lern Piano As Fast As Possible!
One of the rules of practicing we all hear over and over is "Be
sure to practice slowly." (I'm guilty of this too!) Often the
result of this is a feeling of inhibition, which leads to tedium.
Picture yourself filled with excitement and yearning in setting
out to learn a new piece. Suddenly a voice from the darkness whispers:
"Don't touch those keys! Sit erect, play slowly, stay strictly
in time, watch that fingering..." and your smile is gone. I'm
beginning to feel a cramp just talking about it.
The fact is, a certain amount of slow practice and attention to
small scale detail is absolutely necessary. But there is something
lacking in the approach so many of us have taken; we set out to
make music, and end up playing what amounts to no more than a series
of sterile exercises.
First of all, it's important to remember that music comes to life
through shading, dynamics, differences in touch, the shapes of its
phrases, the rhythmic vitality that is so much a part of the right
tempo. These qualities are all missing in a slow, rigid "practice"
version of a piece. They are just as essential as correct fingering,
and they don't come across without careful work.
So, perhaps we should change that rule from "Be sure to practice
slowly" to "Practice as fast as possible." But Wait!
This requires some further discussion. The slow part of practice
helps teach the fingers where to go, and makes it mush easier to
learn the work. But in order to learn how to create music, how to
make the piece sing�we must practice it at a tempo that will help
reveal musical relationships and subtleties of form.
Pianists must have the opportunity to experiment with touch and
phrasing while practicing, and there is little chance of boredom
when so many exciting elements are introduced to the practice session.
In my E-book, I've included many basic exercises with background
music to assist you in acquiring this level of keyboard performance.
In other words, you will be practicing with other instrumentalists.
You will hear the drums, bass and an unobtrusive piano accompaniment
that provides a harmonic blanket for YOU to practice your course
Ideally, then, both ways of practicing should be used!
First, we should practice slowly enough to learn the notes and
fingerings. Then, we should "practice as fast as possible";
that is, as fast as we can without losing control of the basics
we learned in slow practice.
Here' how this would work. Take a short part of the piece; you
might choose a four- or eight-measure phrase. Practice it slowly.
When you feel comfortable with the music, increase the tempo. Don't
wait until you've practiced the entire work slowly. In this way,
at each sitting you'll get to learn a little section, bring it up
to tempo, and feel into what is needed to bring it to life.
At the next sitting, work on the next four or eight measure. When
you have that section brought up to tempo, combine it with the first
section. Now, you will begin to understand how the phrases relate
to each other. You can introduce the idea of dynamic shading and
decide which lines to bring out at a given moment. In fact, you
will be making real, exciting music�even before you've learned the
As you go on in this way, you will probably change your mind about
how to play the work as new sections are added. This is part of
the process of discovery and experimentation. Concert artists are
always re-interpreting, because they think about these elements
all the time.
So play as slowly as you need to; but as fast as you are able!
I wish you the best of success.
Ron Worthy http://www.mrronsmusic.com/playpiano.htm
Copyright 2005 RAW Productions by By Ron Worthy