Actress and singer
Welcome to the official website of Lenka Arnold – actress with a penchant for singing! Immerse yourself in the fascinating world of this versatile artist who delights audiences with her unique charm and extraordinary talent. With her impressive range of acting skills and vocal versatility, she will take you on an emotional journey you won’t soon forget.
An artist who captivates the audience with her presence and transports them into different worlds.
Unique voice, stirring, intense
Let Lenka Arnold's passion for nature enchant you and discover the richness and harmony it offers us. Follow her on Instagram and immerse yourself in a world full of naturalness and music.
+49 228 502 088059


The latest thing in hip hop is 21 year old Mac Miller. Fans have grown to love this hip hop underdog, which has resulted in a demand for the sickest Mac Miller t shirts out there. Fitting the bill is the fan favorite Mac Miller shirt, Big Mac. This shirt pictures a greasy looking Big Mac with the words Mac and Miller between the buns. Perhaps emblematic of the addictive nature of Mac Miller’s music (because who out there won’t admit to a slight McDonalds addiction now and then), or maybe just a clever play on words, either way, fans love this shirt!
Mac Miller got his start in Pennsylvania and was signed to Rostam Records for the release of his debut album in 2011. His latest album, Watching Movies with the Sound Off, has been described by Miller as very personal, and features many guest appearances. In February 2013, ‘Mac Miller and the Most Dope Family’ premiered on MTV2, which chronicled the production of the album. Although he has struggled with substance abuse in the past, Mac Miller continues to remain in the public eye making music and performing.
The most affordable Mac Miller shirt out there
Fans will be pleased to hear that the Big Mac Mac Miller shirt is only $16.99 USD! So affordably priced, any Mac Miller fan can now show off their love and support for Miller as he continues to make music. Additionally, the Mac Miller store carries a wide selection of Mac Miller t-shirts in addition to the Big Mac Mac Miller shirt so that fans can choose their favorite!
Check out some previous posts for more info on Mac Miller Shirts.


ABOUT LOLA BROOKE
Packed into Brooklynite raptress Lola Brooke’s petite frame are all the makings of the music world’s next superstar: a boisterous personality, the versatility to carve her space in any creative medium; and above all the lyrical ability to hold her own against any competitor. As the Hip-Hop world finally begins to make space for female artists, Lola Brooke not only stands out in a sea of interchangeable newcomers; she also has the self-awareness to recognize that she is still discovering herself as a young woman, and the confidence to let that self-discovery play out in her music. The resulting relatability allows her to connect with a fan base that will continue to grow with her.
Discovering Hip-Hop in her early teens, Lola was instantly drawn to this new take on poetry, the artform that had allowed her to navigate the challenges of adolescent life. She quickly made a name for herself on New York’s unforgiving freestyle circuit, drawing the attention of producer Reefa Slater, who signed her to his newly formed Team 80 imprint in 2016. By the time she delivered her first official single, “Not The Same” in September 2018, her growing fan base was locked in, and she had received the stamp of approval from the likes of DJ Kay Slay, DJ Envy and DJ Enuff.
As she gears up for the release of her debut EP, Lola Brooke’s warm-up singles “Bipolar,” “Boy” and “Cash Out,” are proving that she’s got next and very few newcomers can even attempt to challenge her on that front.


Carrie Underwood's official music video for 'Just A Dream'. Click to listen to Carrie Underwood on Spotify: http://smarturl.it/CarrieUSpotify?IQi...
As featured on Carnival Ride. Click to buy the track or album via iTunes: http://smarturl.it/CUCRiTunes?IQid=CUJAD
Google Play: http://smarturl.it/CUJADplay?IQid=CUJAD
More great Country Anthems here: http://smarturl.it/CountryAnthems?IQi...
More from Carrie Underwood
So Small: https://youtu.be/nEQj6RrQbgA
Jesus, Take The Wheel: https://youtu.be/lydBPm2KRaU
Follow Carrie Underwood
Subscribe to Carrie Underwood on YouTube: http://smarturl.it/CarrieUSubscribe?I...
It was two weeks after the day she turned eighteen
All dressed in white
Going to the church that night
She had his box of letters in the passenger seat
Sixpence in a shoe, something borrowed, something blue
And when the church doors opened up wide
She put her veil down
Trying to hide the tears
Oh she just couldn't believe it
She heard the trumpets from the military band
And the flowers fell out of her hand
Baby why'd you leave me
Why'd you have to go?
I was counting on forever, now I'll never know
I can't even breathe
It's like I'm looking from a distance
Standing in the background
Everybody's saying, he's not coming home now
This can't be happening to me
This is just a dream"


Today’s selection is from Jenny Lewis’ really phenomenal 2006 album “Rabbit Fur Coat” recorded with the Watson Twins. Since she’s got a long acting resume in addition to fronting Rilo Kiley, she gets a lot of comparisons to Zooey Deschanel (latter better actress, former better musician).
Anyhow, this song feels like the right way to start the year on an upbeat note. (Note: this song is not nearly as angry as the title may lead you to believe)
Happy New Year!


Kelli’s Belly Shot
Here’s a gorgeous belly shot of Kelli over at Real Life 101 and her son kissing his soon-to-be sibling. Kelly has got about two weeks left until her due date and looks truly amazing. If I didn’t know better, I’d think this was a pic of a young Julianne Moore.
Hey, does anyone know what’s up with Julianne’s teeth? Sometimes they look just awful- all yellow and grayish. In most photos, I imagine they’re majorly retouched but if you look closely at her on film you’ll see her teeth aren’t all that good. So, for a celeb, I say, “Whuuuuusssssup wit dat?”


At one point in time, the famous director had more pretensions than good sense.
Alfred Hitchcock (Hitch) had a lonely and sheltered childhood that was worsened by his obesity…Later on, he was asked to leave leave the military due to his size, height and an unnamed medical condition.
The Woe is Me Boy muddled about for a minute …
Until he tried his hand at creative writing – he became a prolific writer – and thereafter got involved inthe production arm of Paramount Pictures at Islington Studios. Ta Da!
Hitchcock directed more than fifty feature films in a career spanning six decades and is often regarded as the greatest British filmmaker.
He is famed for saying: “Luck is everything… My good luck in life was to be a really frightened person. I’m fortunate to be a coward, to have a low threshold of fear, because a hero couldn’t make a good suspense film.”
Sir Alfred Hitchcock is seen here with famed San Francisco columnist, Herb Caen, prior to the release of the movie “The Birds.” Caen was famous for calling pigeons “rats with wings.”
The two posed for this picture on a bench in Union Square.


Having most recently laid down tracks for Mark Deutrom's upcoming solo release and touring the world with Grammy-nominated hard rockers Nashville Pussy – Rob “RL” Hulsman started his drumming career under the tutelage of University of Kentucky percussion master Jim Campbell. A classically trained percussionist who made his way up through the world of rock, Hulsman has played with a host of artists, including Robert Plant, Alison Krauss, Mark Deutrom, Nine Pound Hammer, Nashville Pussy, Jon Langford (Mekons), Jon Sinclair (MC5), Bonz (Stuck Mojo), Greg Martin (KY Headhunters), Tarbox Ramblers, Monique Ortiz, Scissormen and many others.
Hulsman’s professional career began in his teens as the original drummer for cowpunk pioneers Nine Pound Hammer, recording their first two albums and touring the world. Relocating to Boston in the late 90s, Hulsman rose through the city’s musical ranks to play with Rounder Recording artist Tarbox Ramblers and blues powerhouse the Scissormen (subject of the 2010 Robert Mugee documentary Big Shoes), as well as Billy Conway, Jerome Deupree and Dana Colley of Morphine. He was also a regular contributor to Drum! Magazine during this period.
Currently, Hulsman resides in Atlanta, where he has reunited with Nine Pound Hammer, recording their 2017 release, The Bluegrass Conspiracy. He was also called up to fill the drum seat for Grammy-nominated Nashville Pussy, touring the world with the band for two years, culminating in front of a crowd of 65,000 at HellFest 2016. Also in 2016, Hulsman was invited to collaborate with Mark Deutrom - with his collective Bellringer as well as his upcoming solo record.
Next up in 2018 - the release of the Mark Deutrom solo record on Seasons of Mist Records and a summer European tour in support of Nine Pound Hammer’s latest.


Almost everyone is exposed to the fun of playing bingo at an early age. It would stand to reason that even people most would consider household names have also come to love the game as well.
Here is a list of some of the world’s most famous celebrities who love to play bingo. Many of these people with household names not only play for their own enjoyment but also at fundraising events in order to help others.
1. Catherine Zeta-Jones
While growing up in Wales, Catherine Zeta-Jones developed a real love for bingo. She was so enamored of the game that she even crafted her own set of bingo balls and bingo cards. This is a tradition she has carried on even after moving to the United States. During the holidays, she and her husband Michael Douglas will entertain the family using custom-made bingo games.
2. Robbie Williams
This iconic British actor is such an avid fan of bingo that he has made it his mission to host scores of celebrity bingo games for charities such as the Make-A-Wish Foundation, Caring for Babies with AIDS, Habitat for Humanity, and the American Cancer Society. Williams and his celebrity friends have been known to not only call bingo at public venues but also host these games in their own luxurious homes for good causes.
3. Her Majesty, Queen Elizabeth II & HRH, Prince William
It is fairly well known that her Majesty enjoys playing a good game of bingo at home with family. Family gatherings held at Buckingham Palace and Balmoral during the holidays and birthdays are especially enjoyable for the royal family. Some online bingo sites even helped to celebrate the Queen’s recent 90th birthday with special bingo games to mark the occasion.
During his time in the military, Prince William was known to frequent a bingo hall located near Sandhurst where he was stationed at the time.
4. Courtney Cox, Paris Hilton & Ricki Lake
These three gal-pals have been known to hang out and to enjoy a rousing game of bingo at the bingo hall.
5. Russell Crowe
It seems hard to imagine this mega-star being a bingo enthusiast. However, not only does he still enjoy the odd bingo game on occasion, before rising to stardom, he used to be a regular bingo caller as well as a player in his native country of Australia.
6. Kate Moss
Growing up in England, Kate Moss seems to have gotten a taste for playing bingo. She’s traded her time hanging out in rock and roll clubs to regularly playing bingo at home with the kids.
At one time, this legendary frontman for the band U2 used to own a stake in Mr. Pussey’s Café in Dublin, Ireland. The café would do double duty as a bingo hall in the off-hours. Some of the celebrities that Bono would entertain would include supermodels Naomi Campbell and Christy Turlington.
8. Sharon Osbourne
This rockin’ lady not only loves the game of bingo, but she is also considered somewhat of an expert. Sharon loves playing bingo so much she even created her own online bingo site at one point.
Of course, this is just a partial list of all of the famous folks who love to bingo. Can you think of others? Who are your favorite famous bingo players? Let us know below in the comments!


Sabine Crossen was born in America to a French mother and an American father who then took her to beautiful New Zealand.
Her love of getting dressed up and playing games naturally led her to the world of acting.
She travels all over the world for her acting and modelling carrer but most of her time is split between London & Paris where she now lives.
Sabine loves to write song lyrics and has 3 gold albums under her name with Sony and Universal in France.
Some of her acting credits include ; Hitman, L.O.T.R, Rogue 1, Fantastic Beasts 2, The Manners, The Love Punch, Survivor, Predator Dark Ages...
Her 1st short film as a director 'L'amour Rend Aveugle' (LOVE IS BLIND) has won 22 awards and been in 30+ film festivals. 'Resurrection' her 2nd short film with Samy Naceri & Tony Simonneau is on the festival circuit since July 2019 and has 60 selections, 24 awards and 10 nominations, her 3rd 'The Wick' is being submitted as is her 4th 'O Wimbowé'.
Her 5th short 'Welcome to Candy's is now out in 2022.
Sabine won Best Actress for the 9FilmFest 2018, Oniros Best Actress 2018, a Certificate of excellence for the Southern Shorts Awards 2018 and was nominated for Oniros Best Actress of the year 2019.
She now has a lovely rosé in her name from the Lou Belvestit domaine in the south of France.


Eddie Heyward is known throughout the United States as one of the most reputable recording drummers within the Christian/Gospel industry. Eddie Heyward commonly known as Eddie “the animal” Heyward was born on April 8, 1981 in Brooklyn, NY. At the age of 4, Eddie’s first instrument in church was the Congas. After mastering the Congo’s he set a goal for something much bigger; he was intrigued by the drums so he set his mind to master them. That being his mindset, he sat attentively under the tutelage of the great Gerald Heyward. It was evident, that he had finally found his niche, his calling in this life. As a young boy he sat down behind a drum set and that is where he has been sitting ever since. At the age of nine he was appointed the main drummer in his home church, Institutional Church of God in Christ, which is a church known to birth gospel stars, and known nationwide for its midnight radio broadcasts. At the age of 10, Eddie was appointed drummer for the broadcasts on Sunday night. Although his mother was concerned about his education, she could not deny the joy playing the drums brought to her son’s face. Eddie was one of the youngest recording drummers around the tri-state area. Eddie has a family full of musicians’; Butch Heyward (noted Christian/Gospel organist player), Melvin Crispell (organist/music director extraordinaire) and Gerald Heyward (gospel/R&B – notorious drummer worldwide). These individuals are the influences within his life. In 1993, at the age of 12, Eddie played for James Hall Worship & Praise on their first recorded album. Eddie is known for his drum solo on ” GOD IS IN CONTROL” where the audience was amazed and could not stay in their seats. In frenzy, the audience shouted “GO EDDIE, GO EDDIE”, and that he did. He played like no other drummer; he had finally found his own style and his own way. Soon after, he became one of the most sought after young drummers in the tri-state area. At the age of thirteen, Eddie was working on his second album with James Hall & WAP. His recording resume hails gospel greats such as: Timothy Wright and the NY Fellowship Mass Choir, Institutional Radio Choir, Pastor Archie McGinnis, Gospel Hurricane Relief Mass Choir, Alvin Campbell & Total Praise, Tunesha Crispell, Danny Eason & Abundant Life Crusade Choir, Demetrius Griffin and the Griffin Experience, David Caton and The Committee Music Group, Voices of Promise, Bishop Albert Jamison and NY State Mass Choir, Gospel Music Workshop of America Mass Choir.


The Guardian, August 3, 2012
The internationally renowned Romanian concert pianist Mihaela Ursuleasa has died suddenly at the age of 33.
Ursuleasa was found dead in her Vienna apartment by police officers on Thursday at about 11am. The cause of death is thought to have been a cerebral haemorrhage, said Vienna police spokeswoman, Adina Mircioane.
Officers broke into the apartment after her mother became worried and contacted the police. “Her mother regularly spoke with or saw her and she had not been in touch that day,” Mircioane said.
“She became concerned so she went to her apartment and she called her phone and heard it in the apartment. It was then assumed that she was still in the apartment.”
Ursuleasa, who recently cancelled two concerts in Bucharest on health grounds, had been something of a child prodigy. Born in 1978 in Brasov, her father was a jazz musician and her mother a singer. She began to play the piano at the age of five and was giving concerts by the time she was nine.


SAPNA VYAS PATEL IMAGES:
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SAPNA VYAS PATEL BIO
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Hair transplants have become a common solution for many Bollywood actors facing hair loss, allowing them to maintain their appearance and boost their confidence. Several notable Bollywood celebrities have undergone hair transplant surgery, each with their unique stories and reasons for opting for the procedure.
- Salman Khan: Known for his charismatic personality, Salman Khan experienced a receding hairline and underwent an unsuccessful hair transplant in India around 2002. Later, he had successful procedures done in Dubai between 2007 and 2013.
- Govinda: After taking advice from Salman Khan, Govinda also went through hair transplant surgery during a break from films.
- Amitabh Bachchan: During a low phase in the late ’90s, Amitabh Bachchan made a comeback with a noticeable change in appearance, believed to be due to a hair patch treatment.
- Akshaye Khanna: Faced with premature balding in his late 20s, Akshaye Khanna initially used wigs before deciding to get a hair transplant.
- Kapil Sharma: The famous comedian underwent a hair restoration procedure, reportedly opting for a Robotic Hair Transplant surgery.
- Sanjay Dutt: He experienced baldness at the peak of his career and underwent a strip procedure in the USA, later opting for a Follicular Unit Transplant (FUT) procedure.
- Akshay Kumar: Facing hair loss issues after his 40s, Akshay Kumar reportedly underwent a FUT hair transplant surgery.
- Himesh Reshammiya: The singer turned actor decided to get a hair transplant when he started receiving movie offers, to address his baldness.
- Aditya Pancholi: Aditya Pancholi also opted for hair transplant surgery to cure his baldness, as bald patches were visibly clear on his head.
These actors, among others, have openly or reportedly addressed their hair loss issues with transplant surgeries, showcasing a growing acceptance and normalization of such procedures in the film industry. Hair transplant surgeries, such as Follicular Unit Transplantation (FUT) and Robotic Hair Transplant, long hair transplant and synthetic hair transplant have been instrumental in helping these celebrities regain their youthful appearance and enhance their self-esteem.
The reasons for opting for hair transplant surgery can vary, including genetic factors, aging, medical conditions like alopecia, or cosmetic reasons. The procedure involves transplanting hair follicles from a donor site to a recipient site and can be highly beneficial if performed by skilled surgeons. The cost of hair transplant surgery in India can range from Rs. 50,000 to Rs. 5,50,000, depending on various factors like the number of grafts needed and the method used, doctor experienced.
some famous Bollywood actress who did hair transplants??
It appears that there is limited publicly available information regarding Bollywood actresses who have undergone hair transplants. While there is extensive coverage on male actors in Bollywood who have had hair transplant surgeries, similar information about actresses is not readily found in the sources I accessed.
This lack of information might be due to various reasons:
- Privacy and Stigma: There is often a greater stigma attached to women experiencing hair loss, and as a result, they may choose to keep such procedures private.
- Alternative Hair Solutions: Women, including actresses, might opt for less invasive methods like hair extensions, wigs, or other hairpieces as solutions for hair thinning or loss, rather than undergoing surgical procedures like transplants.
- Less Reporting: There might be less media focus or reporting on hair transplants among actresses compared to actors in the Bollywood industry.
- Medical Confidentiality: Like any medical procedure, the details of hair transplants are subject to patient confidentiality. Unless the individual chooses to share this information publicly, it would not be available to the media or the public.
It’s important to consider these factors when looking for information about hair transplants among Bollywood actresses or any public figures, as personal health choices are often kept private.


I commented on the Barbie movie, so I guess I’m also obligated to comment on Taylor Swift too, right?
I thought this article was very interesting and insightful. Like Hemingway, I am a Gen Xer, though his knowledge of more recent pop culture definitely exceeds mine. My knowledge of pop culture peters out pretty quickly after about 1991. I probably know more pop culture from the 20 years before I was born than I do the last twenty years.
Anyway, Hemingway’s article makes three points that I think are worth considering.
First, he is right that we have lost a shared pop culture, which means we have lost a source of community. Of course, the pop culture we did share, before the rise of the internet shattered the music industry, was pretty trashy in many ways. But things have only gotten worse, as pop stars, movie makers, etc. continue to push the envelope and transgress boundaries. The loss of a shared pop culture, even a relatively immature pop culture, represents the loss of shared experiences and social cohesion; it adds to our feeling of loneliness and isolation in an already polarized culture. I agree with Hemingway that Tom Petty was one of the last of great icons of pop culture who seemed to have really wide appeal. And I would add, he also did the best Super Bowl halftime show I can recall. Today, Taylor Swift would be the closest figure we have to a pop culture icon. Like the Beatles, everyone knows her and recognizes her music, whether they love her or hate her. She has crossed genres and (as Hemingway points out) is adored by the masses and critics alike. That’s very rare today — and it only serves to reinforce her popularity all the more. If people use pop culture to connect as much as to be entertained, Swift is about your only option today. There is no doubt about it: Swift has created a community around herself. Love abounds not just for her music, but for Swift herself, for what she represents. Swift fandom has become a bond that ties many together in an almost quasi-religious way. And as critics of Swift have often discovered, her fanbase is intensely loyal and will come to her defense. Hemingway’s summary is exactly right in how he assesses the change in culture and the current appeal of Swift:
The best pop stars simply transcend pedestrian political concerns, explaining Swift’s appeal doesn’t have to be done through the lens of feminism. Six years ago — long before, say, the Dobbs decision or the New Right writing essays about “The Longhouse” — I observed after Tom Petty’s death, “a huge swath of America, across beliefs, cultures, generations, and races, would want to claim Tom Petty’s music and feel some solidarity in his loss. We need unifying cultural figures and artists now more than ever.” Petty was obviously very masculine and a baby boomer, but his massive appeal over several decades — at the time of his death, one out of every 40 songs played on classic rock radio was Tom Petty — and Swift’s appeal are both born of a universal desire for human connection.
All this to say: Swift has become a kind of symbol for our culture in this age. She is, as Mary Harrington has said, a phenomenon. She is a style — even a lifestyle. She is a culture — the very sum and substance of pop culture in this moment. She is more than the sum of her parts; she stands for a whole package of trends and fads. But more than that, she is the iconic representative of (post)modern life.
Second, I think Hemingway has a point about Swift’s narcissism. Sure, the 70s was the “me generation” — but it seems every generation since has gotten even more self-absorbed. Not surprisingly, the result of this self-absorption is relationship dysfunction and mental illness. Swft’s narcissism is especially seen in what has become her staple — the angry break up song. (I hope someone has warned Travis Kelce — he best go ahead and prepare himself to be the theme of a future song.) Now, I would not be the first to say that only a fool would look to pop stars of any era for relationship advice. It is proverbial that pop stars usually have very messy, complicated, and utterly depraved private lives. There a few exceptions to that rule, but not many. So no one should be expecting a sensible or wise view of love, sex, dating, or marriage to come out of pop music, whether from the 1960s or the 2020s. Nevertheless, there has been a shift for the worse, and the genre of break-up songs is a good test case to demonstrate that. I'm tempted to go all the way back to the Hank Williams era and consider a classic like his "I'm So Lonesome i Could Cry." But it isn't fair to compare any modern singer to Hank. So instead, take a few break-up songs from the 1970s and 80s. Think of something like “Silver Springs” by Fleetwood Mac or “Wasted Time” by the Eagles, or “The Heart of the Matter” by Don Henley, and compare them to Swift’s typical break up song. The older songs were more honest about the pain and — dare I say it? — they are often humble in the face of a failed relationship. The break up was an opportunity for self-reflection, forgiveness, and perhaps even a kind of change going forward. Not so with Swift. Her break up songs are (usually) bitter, vengeful, and spiteful. There is no room for self-reflection, only blaming the male. Her break-up songs are often less about heartbreak and more about how to get even. Whereas the older songs at least aspired to a permanent relationship, even if they lacked the maturity and skill to pull it off, that’s not the case with many of Swift’s relationship songs. Swift seems to expect her relationships to fail as soon as they start; indeed that is part of their attraction. They are doomed from the outset, so their only purpose seems to be the thrill of the moment. Many of Swift’s songs do not even seem to long for “happily ever after;” they are focused the fleeting experience of infatuation rather then permanence of true love, so the expectation of eventual disaster is casting its shadow over the couple all along the way. Relationships are treated as completely disposable. (I suppose her song “Love Story” is a shining exception, but that was a long time ago. I’m hardly familiar with her whole catalog of music, but others who know it better seem to agree with this assessment — namely that Swift’s music features “a craving for romantic transcendence that’s difficult to distinguish from self-destruction".) Again, Hemingway gives a good summation of all this:
Ironically enough, Tom Wolfe coined the phrase “the Me decade” to refer to the 1970s when artists such as Tom Petty rose to stardom. The idea was Americans were starting to move away from having an identity rooted in community and moving toward atomization — and certainly, a big part of that development was the ability for individuals to find meaning outside local communities and identify with distant pop culture figures whose identity and branding were created by relatively new mass media technologies.
But this development, however startling it was to astute critics such as Wolfe, was embryonic 50 years ago. With Taylor Swift we see it in full flower; maybe it took 30-some years, but the cultural trends that emerged from the ’70s finally produced an artist almost wholly dedicated to “Me Music.” This finally brings me to my actual gripe, the specifics of why and how her music sucks: It’s utterly defined by self-obsession rather than introspection. Where other artists will occasionally do a Christmas album, it seems like every Taylor Swift album is a Festivus record devoted to the airing of grievances and feats of artistic strength.
To that end, she has almost wholly pioneered a new genre of what an acquaintance of mine calls the “bellyaching about a boyfriend” song. It’s true that young men are frequently terrible to young women and there’s nothing inherently wrong with this being fodder for pop songs, but there are limits. There’s yet another song on her latest record bashing one of her famous exes, John Mayer, following up on her infamous breakup song “Dear John” in 2010. Look, everyone knows Mayer was a terrible womanizer — but this was known before he dated her — and that was 14 YEARS AGO. Whether he’s fully atoned or not, the guy has since gotten sober and moved to Montana or whatever. It’s, as the kids say, pretty cringe to still be exploiting these past relationships, which considering Swift’s had a charmed life since she was a teenager, seem like pretty hollow examples of genuine heartbreak.
Perhaps Swift has longings for marriage and children. If so, they rarely make their way into her music, and it’s certainly not what she has become known for and her chosen lifestyle does really reflect those priorities. Yes, there have been angry break up songs in both rock and country genres in the past. But I don’t know of any singer as dedicated to this particular sub-genre as Swift. It has become her "thing."
Third, I think Hemingway is generally right about Swift’s appeal. I will not deny her talent. Yes, her lyrics are usually vapid, but her music is often catchy. Those who are looking for something deeper do not really understand the point of pop culture. The whole point of the enterprise is to subordinate artistry to money-making; and to make money, the product needs to be easily accessible by the masses, must have a built in obsolescence, etc. Swift is the master of pop culture. She is the very embodiment and perfection of pop culture. In today's world, she is pop culture.
But all to say, however talented Swift might be as singer and songwriter, her real talent is not in music but in marketing. Drama sells, and Swift certainly surrounds herself with drama. What Swift has done is turn herself into a comprehensive brand. This has been good for her — she rakes in millions and millions — but bad for the culture in general since what she is really selling (especially to young girls/women) is a comprehensive way of looking at life and living in relationships. Her appeal cannot be separated from her danger. She is an icon for her lifestyle, embedded in, but going far beyond, her music. Again, Hemingway nails it:
[G]iven her popularity in the face of this lyrical obsession, it’s a chicken-or-egg-first proposition about whether the cultural avatar of millennial females is famous for being near constantly romantically aggrieved even as TikTok is full of videos of women insisting, “No really, it’s great being 29 and unmarried and childless, I don’t want that at all, I get to sleep in on weekends and learn to make shakshuka, this is the most fulfilling life I can conceive of, I’M HAPPY WHY WON’T ANYONE BELIEVE ME?!”
Hemingway notes that Swift’s development — as an artist, and perhaps also as a person — is stunted. (Candace Owens has made the same point, also citing Swift's pettiness in how she treats her exes as proof.) Like many artists, much of what she writes arises out of pain and brokenness, but somehow one gets the sense with Swift that her relationships, like her songs about them, are largely performative rather than substantive. Even compared to the banal pop culture of my youth, her music and lyrics are remarkably immature and unsophisticated:
Swift is 33 years old, has 10 studio albums under her belt, and has limitless resources to pursue her artistic vision. Anyone want to make a case that her body of work evinces a great deal of artistic exploration and emotional growth over the course of her career?…
[A] big part of the problem is that Swift is very, very good at serving an audience that has been conditioned to accept less in terms of musical and lyrical sophistication. Look, you can choose to like Taylor Swift, and I concede she’s so good at the exact thing she does that she’s hard to resist in certain contexts. If the occasional three-minute bursts of Swift make you feel good, I won’t deny you that.
However, the over-the-top celebration of Swift’s success says volumes about the stagnation of pop culture. At some point, we have to recognize that even if you embrace the limits of pop music, the distance between middlebrow entertainment and the lowest common denominator is enormous. Our need for shared artistic connection cannot be allowed to overwhelm a duty to also collectively seek out music that takes us places and challenges us with insights into the human condition, revelations about ourselves we didn’t know (or maybe didn’t want to know), and otherwise produces insights into the problems of others. And I, for one, already know enough to know Taylor Swift just doesn’t have it in her to do that.
Since Swift sings many songs about her personal relationships, one wonders what turn her music might take if she settled down with a husband, had a few kids, and kept writing and singing songs as a side gig. Alas, that does not seem likely to happen anytime soon.
It seems Swift is stuck, singing the same song over and over about one failed relationship after another. She keeps reinventing herself, but she never gets anywhere; thus, in every “era” she ends up with the same result. In this way she has become not merely a pop culture icon, but an icon for the modern image of womanhood — successful at making money, a failure when it comes to relationships (and the family life that flows out of those relationships). In a culture that is seeing marriage rates and birth rates plummet, a culture that is seeing female misery explode, Swift is both cause and effect — she reflects the deepest dysfunctionalities of our culture and also reinforces them. My hope is that one of these days Swift will fall in love with someone other than herself.


Vincent James Turner (born 9 October 1985), better known by his stage name Frankmusik (and between 2011 and 2012, by the name Vincent Did It), is an English synth-pop musician. Vincent was born on 9 October 1985 in the Thornton Heath district of the London Borough of Croydon. He attended Christ’s Hospital boarding school in West Sussex and was member of the house ‘Maine A’. He entertained his housemates with constant piano playing. He completed a year-long foundation course at Central Saint Martins College of Art and Design and went on to study at the London College of Fashion, dropping out to concentrate on music.
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I’ve been watching The Crown on Netflix, and wanted to see what Vedic Astrology could reveal about Princess Diana’s career and relationships. Here is her birth chart:
Starting with career, Diana has two planets in her house of career - Mars and Rahu - and both of them are in Magha Nakshatra (the Regulus star system). Magha is symbolized by a throne room, which is exactly what her job is - she worked for the royal family. But, because one of the planets associated with her career is Rahu, she wasn’t a run-of-the-mill royal.
There is a story in the Vedic legends about Rahu - born a demon, Rahu’s greatest desire was to drink soma, the nectar of the gods. Once you drank soma, so the legends go, you would become immortal, and ascend and be crowned a celestial being. Despite not being allowed to drink soma because he was a demon, Rahu somehow got past the guards, drank the soma, and he became a god. As a result of this story about Rahu’s unconventional break away from the ranks of demons to become a god, Rahu in Vedic Astrology is used to symbolize revolutionary changes, and the transformation of the status quo.
These symbols describe Diana’s career quite well - she was not a normal royal who went about her job quietly. During her wedding vows, she was the first in the family to not say that she would “obey” her husband, a tradition that Kate Middleton and Meghan Markle later adopted. When she went into labor during her pregnancies, she was the first in the family to go to a hospital - previously, royal mothers had home births. Diana also travelled extensively with her children - prior to her, royal heirs were not allowed to travel together in case an accident disrupted the line of succession. And lastly, she spoke out about taboo topics like mental health and eating disorders, and supported then-controversial causes in her HIV/AIDS work. All these actions are consistent with the Rahu energy of breaking traditions. Also consistent with the Magha Nakshatra symbol of a throne room, Diana broke traditions as part of the royal family.
Next, let’s look at Diana’s relationships. Venus, the planet of love and affection, is in this chart’s house of relationships. While this might intuitively sound quite good, the Vedic Astrology texts actually say this can be a problem because it makes the person too charming. The constellation Venus is in is Krittika Nakshatra, which is ruled by Agni, the god of fire. In the Vedic legends, there is a story about Agni where he surreptitiously entered the houses of 7 sages and managed to seduce their wives. This story, together with Diana being a very charming person, shows a strong tendency for extramarital affairs in her relationship.
Everything in this house of relationships was expressed in Diana’s life - she was very charming and attracted a lot of attention, which caused a lot of friction from her husband - the future King desired more time in the spotlight, and didn’t appreciate sharing the spotlight with his wife. Both she and her husband also had multiple other relationships through their marriage.
So, we can see that the configuration of planets and constellations when Princess Diana was born accurately reveals major themes about her career and relationships.


Old Kanye, y’all.
How fucking dare you turn into the person you said you’d never be *cries*
back when kanye really spoke about real life. this is poetry
So now religion and slavery aren’t real things? Lmao ok
Every, single, person, I know. Says Kanye has changed, “oh what happened to the old Kanye?!” “I miss the old Kanye.” “Kanye fell off” “Oh Kanye is to ignorant now” I mean, do people expect him to rap about the same subjects that he rapped about in 2004? Times change, and people change. 99% of rap today is about money, drugs, girls, and sex. It’s all the same sound. No filter, no substance. No one dares to change subject about something meaningful because their fans will turn on them. So if you don’t think Kanye has any meaning in his songs, fell off, of has “changed”. Go listen to Lil Wayne, he’s not going to change any time soon.


Far be it from me to not do a roundup, but this year, it has to be a quickie, because a) I’m on deadline (and to quote Bill the Cat: ACK! Pbbbllllltttt!!!!) and b) I was spectacularly underwhelmed this year. So I hope you’ll forgive the brevity. Hopefully, the SAGs and Oscars will give us better material.
There was a lot of channeling going on this year. A lot of channeling.
Claire Danes channeled Gwyneth, Isla Fisher channeled Kate Winslet, Katharine McPhee channeled JLo, Alyssa Milano channeled a NYC Cab…
Lucy Liu clearly took her inspiration from Carol Burnett as Scarlett O’Hara, except she opted to skin the parlor sofa rather than the drapes. Her hair also looked as if she’d reconstructed her braid after a quickie in the back of the limo.
Moving along, it appeared that many of the actresses in attendance were extremely jealous of Angelina’s Leg and were desperate to inspire parody Twitter accounts for their own legs. I can only hope they were all wearing underwear, as high up as some of these slits went. (Too many to mention but any other fashion gallery will show many examples, I’m sure.)
I will give you one example of The Leg Thing, if only because she was such a huge offender from another standpoint. Halle, you’ve got great legs, we get it. More importantly, however. for the love of all that’s good and holy, don’t do that to The Girls. I mean, did she piss off her stylist or what? Did she actually think this looked good? (And watch—she’ll show up on all the Best Dressed Lists, just because she’s Halle.)
There were a few gowns I liked—while I wasn’t crazy about the cut/fit of the bodice, I did rather like Jennifer Lawrence’s red ballgown and Naomi Watts’ claret sheath with the train. (Actually, Naomi’s is one that the longer I consider it, the more I like it.
My favorite of the night, however, probably was Tina Fey’s gown from the early part of the ceremony itself—love the color, her hair, and of course, the sassy lady wearing it.
Here’s hoping the Oscars bring some better selections overall (and more time).
*Images courtesy of People Magazine & Huffington Post Style.
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Very Precious. I adore it and them.


4-time Mr. Olympia winner Jay Cutler posted a physique replace picture on his Instagram web page on Friday, Might 12, 2023. The picture options Cutler hitting a crab most muscular pose. It serves because the earlier than image of what he’s calling his “Match for 50” transformation.
Cutler reported within the caption of the put up that he weighed 239.5 kilos on the time of the picture. The 49-year-old bodybuilding icon seems fairly lean, displaying a number of high quality muscle for an athlete who has not been on a aggressive stage for the reason that 2013 Mr. Olympia contest when he positioned sixth total. Try Cutler’s “earlier than” picture beneath:
Cutler’sintention is to endure a physique transformation culminating on his fiftieth birthday — Aug. 3, 2023. He referenced this transformation a number of instances on his social media and on his YouTube channel. These mentions led to hypothesis that he would possibly come out of retirement to compete within the 2023 Masters Olympia contest, scheduled for the weekend of Aug. 25-27, 2023, in Romania — three weeks after Cutler’s birthday and conclusion of his private problem.
Nonetheless, the Las Vegas, NV, native made it clear in numerous posts that he wouldn’t come out of retirement and that whereas he will likely be in Romania for the Masters Olympia, it is going to be as a visitor, not a competitor. He stays dedicated to updating followers and supporters on his progress all through this transformation.
Cutler is taken into account by many to be one of many biggest bodybuilders of all time and one of the vital standard. He competed within the IFBB Professional League from 1999 till his retirement in 2013. Except for his 4 Mr. Olympia titles (2006-07, 2009-10), he additionally gained the Arnold Classic on three events (2002-04).
Cutler can also be the one Males’s Open bodybuilder to put second on the Mr. Olympia 10 totally different instances. He’s additionally the one Males’s Open athlete to win the Olympia after shedding the title. Though it has been 9 seasons since Cutler final competed, he stays an admired determine within the sport. He stays lively within the bodybuilding group by way of his complement line, YouTube channel, and podcast.
Featured Picture: @jaycutler on Instagram


2017 Schedule of Events
Barbra & Frank
The Concert That Never Was
Friday, August 25th, 2017 - 7:30pm
at the Kingswood Arts Center
It is unlikely that the two powerhouse voices of the century would have ever shared the same stage…until now! Two great artists paying tribute to their characters, singing the most memorable music and songs ever written. They never worked together, exactly, except when they taped a duet in separate recording sessions, but it’s tantalizing to think what it would have been like to have Barbra Streisand and Frank Sinatra teamed up for a concert tour. Just imagine the possibilities. Would one have outshone the other? Would their on stage banter have been friendly or a bit snippy?
Ticket prices: $55, $45, $35, $25


Chris Epps’ anointed delivery of his 2011 debut album titled Here I Am…, delivers a spirit filled gospel collection of soulful melodies that are sung in his amazingly distinctive tenor voice. This compilation is consistently met by creative and beautiful vocal arrangements. Chris Epps is a New York native who is a multi-nominated music award Singer, Songwriter, Producer, Arranger, Recording Artist and Entrepreneur. This background has exposed Chris to a wealth of musical influences which have attributed to the transparency of his music and guided his own spiritual awareness.
The first single from the album Here I Am…, entitled “More” continues to generate substantial interest in Chris as a songwriter and producer. Chris Epps’ God-ordained message has touched individuals internationally in countries such as Europe, Japan and the United Kingdom illustrating his faith-based musical appeal reaches far and wide. In particular, the originally written and produced single “More” communicates a beautiful sentiment of the need of God’s presence in all of our lives. The music of Chris Epps expresses his faith in an unmistakable offering of healing power through song where his love of God seamlessly flows through and encourages us all to showcase our best selves.
Increasing his territory as a songwriter and producer, Chris Epps has been officially contracted to collaborate on a project for BET’s Sunday’s Best Season Five contestant Jamarien Moore. Chris Epps is further recognized for his moving performances where he has opened and performed with such gospel notables as The Clark Sisters, CeCe Winans, Beverly Crawford, Kim Stratton, Todd Dulaney, Troy Sneed and DeWayne Woods, to mention a few.
The course set by Chris Epps’ ministry of song provides an inspiration that is felt and heard in his music, his heart and his faith. Chris’ talented vocals have found a way to bridge his creative songwriting and producing abilities with his strong, unyielding belief in Christ. The 2011 debut album titled Here I Am… represents Chris’ passion for gospel while showcasing his aptitude for relatable and moving lyrics which tell the complete testimony. The Voice…The Praise…The Testimony!
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There are many excellent players worldwide of football, and also each of them has their very own one-of-a-kind qualities that make them among the best. While some gamers are taken into consideration geniuses and others are just great entertainers, there are some gamers that transcend every one of these characteristics. The following are some of the very best gamers worldwide today. A peek at each player’s abilities will assist you identify which is the very best. This listing is by no means exhaustive, so you may require to consider a few various other consider order to make the most enlightened option.
Cristiano Ronaldo. Presently, he is the most prominent and most successful footballer in the world. His Instagram and Facebook sponsorship deals have actually already gained him more cash than his wages at Juventus. His fans have actually become so committed to him that he has greater than 122 million followers. He likewise has 87.8 million followers on Twitter. In addition, Ronaldo is a true tale. Whether he is on the field or off, Messi is assured to be an all-time favorite!
Cristiano Ronaldo is just one of one of the most popular players worldwide. The best footballer in the world is a giant, as well as the best gamers are always able to do what they can to remain on top. His dedication to the video game never ever allows any individual else carry out better than him. As a result, Cristiano Ronaldo is the most prominent gamer of all time. Which’s not all! He has four-hundred million followers on Instagram and fourteen million followers on Facebook.
The world’s best gamer is Cristiano Ronaldo. This giant works tirelessly to remain on top of the video game. His Instagram as well as Facebook sponsorship offers gain him greater than his earnings at Juventus. He has a substantial follower base as well as is the best in the world. He has a total amount of 122 million Facebook followers, and also a monstrous 241 million followers on Twitter. The very best footballer in the world is Cristiano Ronaldo.
In addition to being the best gamer in the world, he is also the most prominent gamer worldwide. He is the only player to win the Ballon d’Or six times and is known to work exceptionally tough every single day. His Instagram followers have exceeded his salaries by millions. His committed followers follow him on Facebook, Twitter, and also Instagram. This makes Cristiano Ronaldo among the most well-liked footballers.
Amongst the most effective football gamers worldwide, Messi is extensively regarded as the most effective player of all time. A titan of the game, he works relentlessly to win trophies. As a matter of fact, he is the only gamer to win the Ballon d’Or six times. Despite his age, he has a big follower base in social networks and also has actually made greater than one hundred million fans on Instagram and twenty-five million on Facebook.
Aside from being the most effective gamer on the planet, Cristiano Ronaldo additionally has a huge follower base. He is among the most effective football gamers in background, and his Instagram and Facebook accounts are breaking with followers. Currently, he has an incredible 241 million fans, which is more than any type of other player in the world. However, his follower base is more than simply his clubmates. He is an icon in the heart of his nation and is one of one of the most preferred celebrities on the planet.
Apart from the globe’s greatest gamer, Messi also takes place to be the richest footballer on the planet. He has more fans on Instagram than he carries out in the rest of the world incorporated. In addition, he has a substantial fan base in both Twitter and Facebook. Aside from being an excellent gamer, he is additionally an excellent role model. No matter his personal choice, you should choose a บอลเต็ง.
Messi, there is also Cristiano Ronaldo. The Belgian super star has a long-lasting manage Adidas and also is commonly considered the most effective footballer worldwide. Additionally, he has the most fans on Instagram. He has an incredible 122 million followers on Instagram. If you want to learn who is the most effective footballer on the planet, after that keep reading. If you aren’t already a fan, you can check out some of his video clips to establish which players deserve complying with.
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In addition to working as a Certified Financial Planner®, David Mauro writes for Adventures Northwest magazine and blogs extensively on topics ranging from mountain climbing to why sardines are safe. In the course of his acting career David has appeared in several commercials for television, the internet, print and radio. In one recent TV commercial he represented a large chain of carpet stores and as a result is now better known for hawking carpet than for summiting Mt Everest. Sigh.
David is an improv alumni of The Upfront Theatre, frequent consumer of emergency room services, and builder of dubious water craft. More than anything he would like us all to do more listening; listening to each other and listening to that quiet voice that tries to guide our lives. The father of two sons (Trevor, living in Seattle, and Chase, living in Beijing), David resides in Bellingham, Washington with Rocky “The Wonder Dog” and Lin Lehn …to whom he is permanently engaged.


How Taylor Swift conquered marketing (and the world)
“People are so much smarter than a lot of marketing professionals give them credit for.” – Taylor Swift
Midway through the third and final Atlanta show of “The Eras Tour” at Mercedes-Benz Stadium, the sheer magnitude of Taylor Swift’s enormous influence and reach settled. I’d spent the early evening marveling at the costumes, the gamut of ages present and the collective euphoria of everyone in the building.
The stadium attendant sweeping up a pile of multi-colored glitter in the concession area before the opening acts even began made it clear that this was something entirely different from any concert experience I’d ever attended. And then we made it to our seats.
I’m sure a scene like this one plays out across each stadium every night of this tour — A young girl in a sequined dress, age 9 or 10, friendship bracelets creeping up her arm with the titles of Taylor’s songs and albums, excitedly grabbing onto her mom as the clock ticked down to showtime. Alternately looking wide-eyed toward the stage, in disbelief at her mother and, of course, singing along. At one point she said something to her mom, who handed over a laminated stack of papers, bound in the top corner with a ring like some swatch set. But it was in fact a stack of Swift’s song lyrics. All the song lyrics! She would study then jump back up in her seat to take it all in. I’m sure the 65,000+ fans throughout the stadium had their own special moments.
One stood out to me.
Midway through the show, Swift sang “Marjorie,” a lovely, poignant “Folklore” track about her late grandmother whose opera recordings are used in the background. A sea of phone flashlights lit up around the venue, seemingly serenading the 33-year-old artist. In spite of my emotional connection to that track, I was struck by what she and her music clearly mean to so many, MANY people. These fans that broke Ticketmaster or paid exorbitant amounts of money for resell tickets to see this show wanted to make sure Swift felt seen, and loved. During HER show. Something different indeed is happening here. Let’s dive in.
(Note: There are college courses and rivers of ink dedicated to Swift’s music and cultural impact. This fan and marketing professional is not only going to give her credit, but attempt to squelch the admiration for her songwriting and focus in on her marketing reach.)
Taylor and the Marketing Funnel
This blog assumes the reader knows the basics of the marketing funnel. For a refresher, check this out.
It would be easy to skimp on this end of the funnel because of where Swift exists today. Who doesn’t know who Taylor Swift is?!? She arguably is the music industry (and it’s only “arguably” because someone will always argue. After all, it’s the Internet in 2023).
But the root of where she is – and her complete conquering of the bottom of the funnel – has everything to do with this segment of the funnel. You can’t be successful if no one knows who you are. Swift released her self-titled debut in 2006 at age 16. This is the early aughts of social – MySpace, fledgling Facebook. But the way you still got it done then was knocking on doors. Word of mouth. And she did – calling on radio stations, opening shows for whomever it took. Listening and learning. Everything she got was hard earned. Public relations. Events. Showing up. Meeting her fans. She did it all. When she finally released her follow-up over two years later, it debuted at No. 1. The lesson? Pay attention and work to understand your target audience. (This will be a recurring theme.)
On the surface, this is the hardest part of the funnel to analyze (in this case). On the one hand, Swift makes a lot of great music. She is a gifted songwriter with a knack for vivid storytelling paired with unforgettable melodies and, my personal favorite, killer bridges. On the other hand, all of us relate to music in different ways. I hate to get too first person here, but this is a blog and maybe it helps illustrate what exactly she’s built.
As of this writing, I am 42. I’ve always loved music – lots of different music. I’ve never disliked Swift’s music, but from 2006-2011 or so, she just didn’t make my radar. Certainly I knew who she was and had heard songs, but I just don’t remember much – a few familiar songs I bopped to on the radio, some headlines about a wonderkid, the (first) unfortunate Kanye incident. Though as a young artist she would’ve taken all comers, I was not her core audience as a then 25 to 30-year-old. She and her team understood that.
And then one day in 2014, I heard “Blank Space” in my car. To this day I consider it one of the great pop songs of all time. (I will die on this hill, try me.) The Grammy-winning album that contains it, “1989,” is a pop masterpiece. She had completely transformed herself. Swift didn’t need me to join the party. She had millions of fans before I joined their ranks.
Why? And why did the large majority of them stay as she transitioned genres? Her first three albums were country, the product of a teenager. Other artists have tried switching genres to mixed results. How did Swift make it work? She invited her fans along for the personal and musical growth. They grew up with her. What about the rest of us?
Swift is now legendary for having her finger on the pulse of her fans. She seems impressively instinctive, but this is not luck – she’s paid attention, done the homework. She’s been active on social media since the beginning, especially Tumblr, interacting with fans and even inviting some of them for listening parties or special events. She sent cards, Christmas presents. She even showed up for one longtime fan’s engagement party.
Let’s call it what it is – Taylor Swift is one of the original social media influencers. She could’ve just made music, and with her talent, been pretty successful doing just that. But because she put a priority on listening to her fans and working to better understand how they experience her music and her live shows, she’s taken this entire thing to another level. Swift has not only rewarded fans through the music she publishes, but validates their adoration by giving them inside glimpses into something deeper (her famous “Easter eggs”). In turn, they hang on her every word, and they are sharing.
My freshman year of college was the dawn of Napster. The T1 line in my dorm was a dream for this music lover who loved making mixtapes and didn’t understand that we were stealing. It’s on the Internet! It’s free! Ooof. The great crackdown on illegal downloading ensued. The way musicians were able to make a living was changing drastically. The source of revenue shifted to live shows, and suddenly “bootleg” was a dirtier word than ever before. Fast forward to now.
Each night Taylor Swift starts her show, you can find any number of live streams on TikTok. If you do find those, your FYP will inevitably filled with Eras Tour videos. Swift is a fan. Was a fan. Understands what it means to be a fan. Millions of people tried and failed to get tickets to this tour. Instead of excluding them, she’s allowing her fanbase to bring the ones who missed out into the fold. If you’ve been to the show, you know watching these videos isn’t the same. But we watch them anyway and wish we could relive it all over again.
It feels unprecedented, what Taylor Swift is doing – selling out 70K- seat stadiums 2-3 nights a weekend where she not only plays, but performs for over three hours each time she steps on stage. On May 5, 2023, in Nashville, after months of fan anticipation and guessing, she announced her next album, a rerecord (“Taylor’s Version”) of 2010’s “Speak Now.” Presales (not to mention social likes) were already breaking records two days later. Then on May 7, the third and final night of the Nashville stint, she (and her fans) waited out a 4-hour rain and lightning delay, only to have her take the stage around 10:30 p.m., play the entire set (the back half in a deluge) and finish up after 1:30 a.m. It seemed to be a true reflection of the saying, “loyalty is a two-way street.”
It’s something her fans never doubted – that the same woman who spends time scrolling TikTok and liking fan content would absolutely come through as long as it was safe to do so. But it’s these kinds of things that are now turning heads of casual observers. “She did what??” Taylor Swift, age 33, still winning over new fans.
Although I have no idea what the number is, we can be assured that Taylor Swift has an impressive marketing budget worthy of the superstar that she is. What is truly wild is that the actual spend is dwarfed by the value generated by her fervent followers. They are rewarding her for letting them in by letting the world in to their fandom. I’m sure her people know a ballpark figure, but the sheer amount of fan-generated content is hard to quantify. Their campaigns to boost certain tracks, to listen to only rerecords, to celebrate… they feel like they owe it to her.
What can marketing professionals learn from this? First, there is only one Taylor Swift. We are witnessing a generational talent and can only hope to grasp at her Louboutins. There is no sense trying to duplicate.
But if we break it down, Swift teaches everyone with a product or service to listen. To pay attention. To care. To attack everything we do with excellence. And if we can do that, the rest of the pieces will fit into place. All too well.


New Delhi : Actor-model Urvashi Rautela’s ‘Hate Story 4’ debut with Sunny Deol, ‘ Singh Sahab The Great’, has begun with her first look. ‘Hate Story 4’ is a bold movie, and its bold first look has been released.
The first poster of the film is released, looking at this poster makes a good guess about the film. The film is directed by Vishal Pandya. ‘Hate Story 4’ is going to be released on March 9.
Urvashi Rautela and Karan Wahi starrer thriller movies was to be released on March 2. Before ‘Hate Story 4’, Urvashi appeared in ‘Great Grand Masti (2016)’ and there was also her bold role in it.
After this she appeared in ‘Kabil’ item song. Not only this, Urvashi Yo Yo Honey Singh’s video appeared in ‘ Love Doz’ and it was also a hit too.


DISAPPEARANCE - pacifiers at Babacar Passing by disconnects, his tubes signed Gainsbourg or Berger accompanied our lives.
"France Gall joined the white paradise on January 7th, after having challenged for two years, with discretion and dignity, the recurrence of her cancer. "It is with these words, transmitted to our colleagues of the AFP by its communication officer Geneviève Salama, that we learned the disappearance of the singer, Sunday in the morning. France Gall had been admitted to the American Hospital of Neuilly before the Christmas holidays for a severe infection. His absence at the funeral of his friend Johnny Hallyday, whom she had appeared on stage for the last time in 2000, had aroused concern. After being one of the most popular French singers of her time, France Gall spent the last twenty years of her life in the utmost discretion. Having lived by and for music, this woman will refuse to appear in the cinema or write her autobiography. "That there is something left of me is indifferent to me," she said modestly.
However, his hits have accompanied the life of the French for at least two sequences: the mid-1960s, then the whole of the 1980s. A simple performer, she will have put herself at the service of others, writers and composers. The most outstanding will remain Serge Gainsbourg and, especially, Michel Berger, with whom she will build not only a repertoire, but also a family.
Born Isabelle Gall in the XIIth district of Paris on October 9, 1947, she had spent her childhood in a home very marked by the song. His father, Robert, singer himself, had signed texts for success for Edith Piaf (The wonderful lovers) or Charles Aznavour (The Mamma). His mother, Cécile Berthier, was the daughter of the co-founder of Little singers at the wooden cross. Piano at age 5, guitar at 11, she has always been encouraged by her father to practice music. This one makes him dry school the day after first of Piaf, Aznavour or Bécaud. At home, she frequents cross artists in the backstage of the Olympia: Hugues Aufray, Marie Laforêt or Claude Nougaro. From adolescence, with her two little brothers (twins Patrice and Philippe), she formed a first orchestra. His stubbornness earned him the nickname "Little Corporal".
It was the year of her 16th birthday, in 1963, that she was signed at Philips, after an audition at the Théâtre des Champs-Élysées organized by Denis Bourgeois, a friend of the family. Barely under contract, it is suggested that he change his name so as not to compete with another young singer, Isabelle Aubret. His first songs are recorded with Alain Goraguer, composer and arranger close to Vian and Gainsbourg. It's the same day of her 16 years as the song Do not be so stupid is broadcast for the first time on the radio. Her artistic director introduces her to one of her foals: Serge Gainsbourg. Singer with chronic failure despite an indisputable talent, the latter wrote him his first hits: Do not listen to idols and Drop the girlsin 1964. But it is the following year that she triumphs with Doll of wax, doll of her, which is worth the grand prize of Eurovision.
Unlike the singers of the yé-yé wave, France Gall will always defend an original repertoire, not adaptations of Anglo-Saxon success. Gainsbourg has fun making this woman child a more sexual image of Lolita, to excess: The lollipopsin 1966, a text which she will confess years later have not grasped the double meaning for a long time! In the city, she is the fiancée of Claude François. Their stormy relationship lasts - with interruptions - from 1964 to 1967. By way of a break, he writes As usual, future international standard.
After the Philips and Gainsbourg years, France Gall begins a desert crossing that will last until the mid-1970s. Jacques Lanzmann or Étienne Roda-Gil are summoned to write songs that remain confidential. In 1972, Gainsbourg is recalled, but the two singles that he offers him, Frankenstein and Small Balloons, shine neither for their quality nor for their audience.
It is by hearing the song Wait for me on the radio, one day in 1973, she fell in love with Michel Berger. With The Declaration of Lovehe relaunched his career in style the following year. With this gifted songwriter, who has just launched the career of his great love, Véronique Sanson, she is returning to the forefront. France Gall becomes one of the biggest stars of the French scene, with hits of hit singles and shows.
His first album is released the year of his marriage with his new Pygmalion, and his return on stage (at the Théâtre des Champs-Élysées) precedes by a few months the birth of their first child, Pauline Isabelle, in 1978. In 1979, she participates at the first draft of the triumphal musical Starmania, written by Luc Plamondon and composed by Michel Berger, who stays a month in the poster of the Palais des congrès.
The 1980s saw her devote herself to humanitarian projects, including Action Écoles, with Daniel Balavoine, while recording albums as popular as Paris, France or disconnects. Palais des sports, Zenith, Bercy: it fills the largest Parisian halls with ambitious and modern shows. Raphaël Michel, born in 1981, enlarges the Berger clan, which appears as one of the most close families of show business. This happiness will burst with the accidental death of Michel Berger, who succumbs to a heart attack in the summer of 1992. Together, Berger and Gall had just recorded their first album in two voices, Double-dealing, which should have been followed by a show in common.
In April 1993, the singer successfully operated a breast cancer before going on stage at Bercy to defend the repertoire of the man of her life, which she will never fail to pay tribute. This is still the case at Pleyel in 1994 and at Olympia in 1996. That same year, she recorded, with American musicians - including accompanists of Prince - an album of songs by her mentor, on very soulful arrangements. and funk.
The untimely death of their daughter Pauline, who succumbs to cystic fibrosis at the age of 19, makes her abandon her singing profession definitively. She made her living again with the American musician Bruck Dawit, sound engineer, composer, arranger and producer, spending six months a year in Senegal, where she had a house built. With him, she will write the show resists, successful evocation of the repertory she had formed with Michel Berger. At the premiere of Paris, November 4, 2015, she appears on stage during remindersmoved and proud of the success of this tribute to the man to whom she owed so much.
- France Gall confided to Madame Figaro in December 1987
- He played the piano upright, Resist, Ella she has ... The greatest hits of France Gall
- Claude François, Julien Clerc, Michel Berger ... the men of the life of France Gall
Source: © France Gall, spokespersons


Adore him or feel indifferent towards him (it’s impossible to hate him), there’s no escaping the fact that the artist formerly known as The Artist Formerly Known As Prince is one of the most enigmatic and prolific musicians to have ever lived. I’ve been a fan of the self-titled Purple Yoda since I was 13, which is probably as good a time in one’s life as any to develop an interest in a sex-obsessed 80’s icon with a flair for overdressing, oversharing and being a bit of a rebel. I’m sure many of you do the same with the artists you cherish, I’m going through a bit of a phase at the moment where I’m constantly listening to Prince: the songs I love, the songs I don’t, and those I’ve never heard before – yes, there are still songs I’ve never heard. Well, thanks to writers’ block, Portent’s Content Idea Generator and a desire to write something, I thought I’d try and blow your mind with some “interesting” Prince facts. The originally-suggested title for this article was facts to make your hairs stand on end. Now, I’m one of the biggest Prince fans around, but even I don’t think a Prince fact could have that affect on me. Instead, here are 15 Prince facts that will make you feel…something…maybe.
1) Prince released 39 studio albums in a 38-year career
Starting in 1978 with his debut album, For You and ending with HitnRUN: Phase Two in 2015, Prince’s expansive back catalogue spans five decades and a range of genres and styles, and includes 39 officially-released studio albums. That’s almost an average of one album per year for his entire career. When you consider that he didn’t actually release an album every year in those 38 years, and he was working on other projects like his three feature-length films, concerts and writing songs for other people, it really is an incredible achievement.
And those 39 albums don’t include every song he’s ever written. Since his untimely passing in 2016, the Prince Estate has done a marvellous job of letting the world hear just a small snippet of the treasure from Prince’s fabled Paisley Park vault. Already in four years there have been four full-length albums consisting of previously unreleased material. The latest posthumous release, the reissue of 1987’s marvellous Sign “O” The Times, boasts more than 50 songs that have never been heard before.
Those 39 albums also don’t include the various different mixes of songs and the B-sides that never made it to an album. So, if this one doesn’t blow your mind, then there’s something wrong with you.
2) Prince was the only credit on his first album, For You
This one isn’t strictly true, but allow me to explain. Everyone knows that Prince was a magnificent guitarist, but he was actually a multi-instrumentalist to the point where he was able to write, record, produce and arrange his 1978 debit album entirely by himself. There wasn’t a band. There wasn’t a record producer. There wasn’t somebody mixing the tracks. At the age of 19/20, Prince did the whole album on his own.
Now, the caveats come in the form of Tommy Vicari, credited as the Executive Producer, who offered Prince some advice and guidance throughout the production process, and C. Moon, who co-wrote the track Soft and Wet. This unbelievable feat would be something that would be repeated on future albums, until he probably released he could get more down with a bigger team.
3) Prince had many alter-egos and even planned an album for one of them
Prince was a mysterious figure. Early on is his career, interviews were incredibly rare and the public knew very little about his life away from the music studio and the stage. One of Prince’s many interesting facets was his use of pseudonyms and alter-egos, which he’d often use as song-writing credits. Thanks to registryofpseudonyms.com, here’s a list of all the ones we know about:
- Alexander Nevermind
- Christopher Tracy
- Jamie Starr
- Joey Coco
- Love Symbol
- Paisley Park
- The Purple One
- The Starr Company
- Tora Tora
Camille is perhaps the most well-known and widely-used of Prince’s alter egos, featuring on a number of songs throughout his career and even having an album planned. Camille is the name given to the character who sings with altered vocals as heard in songs like U Got The Look, Partyman and Feel U Up. The album was eventually scrapped with the majority of the songs finding their homes on other projects.
4) Prince had a fierce rivalry with Michael Jackson…
During the 1980s, Michael Jackson was the unquestionably the biggest artist in the world. Back-to-back albums that were commercial Goliath in Thriller and Bad and a presence that caused wherever he went to go into complete meltdown; there really wasn’t anyone that came close to his level of stardom. Despite this, there was a perceived rivalry between Jackson and Prince. After all, there were both young black men doing something not seen in the music industry before. They both had dance moves that set the floor on fire, a fashion sense that inspired countless copycats and penchant for falsetto. I’m a fan of both Michael Jackson and Prince and I can tell you that in terms of their musical style (and ability) there really isn’t any meaningful comparison to be made, but that didn’t stop them both feeding the media frenzy and competition between the fans.
During a James Brown concert in 1983/1984, Michael Jackson was called up on stage to do a spot of performing. In true Jackson style, he nailed the dancing and the singing. What happened next is probably what created the perceived rivalry for the rest of their careers. You know what, I’ll let you watch it instead:
5) Prince turned down working on Michael Jackson’s song Bad
This one has become something of one of music’s most well-known “surprising” facts, but nonetheless it follows on from the previous entry nicely, so I’m including it here. 1987 saw the release of Michael Jackson’s third studio album, Bad, and producer Quincy Jones saw it as the perfect chance to reconcile the two biggest male artists of the decade. If anyone’s seen the music video for Bad, you’ll notice that none other than Wesley Snipes makes an appearance and portrays Jackson’s old high school chum-turned-nemesis. The original idea was for Prince to play that character and for Bad to be a duet between the two.
When asked why he turned down the collaboration, Prince had this to say:
6) Perhaps the Prince-Michael Jackson rivalry wasn’t all it appeared…
The stories about Prince and Michael Jackson are plentiful. I’ve already covered two in this article and there are others, including how Prince and Michael Jackson were supposed to duet on soundtrack for 1989’s Batman film, and how Prince played the bass right in Jackson’s face at a private gig in the early 2000s. But perhaps the rivalry was all a bit of bravado from the two men stoked by the media’ obsession for a bit of competition between contemporaries.
There are stories of Prince being devastated at the death of Michael Jackson in 2009, spending days locked away mourning the passing of someone who he perhaps considered a friend? The below clip is from a news conference Prince gave promoting his 1999 album Rave Un2 The Joy Fantastic. A reported asked him who would win in a fight between him and Michael Jackson. Prince’s response was somewhat cryptic but suggested a deep understanding and respect for a fellow artist and musician.
7) Prince was only 5 foot 2 inches tall
It’s not a closely-guarded secret that Prince wasn’t a tall man. The four-inch heels, aside from being part of Prince’s general aesthetic, weren’t just there for show. What Prince lacked in physical stature, he certainly made up for in talent, presence and gravitas. He actually acknowledged his height (or lack thereof) in 2010’s Laydown, from the album 20Ten:
From the heart of Minnesota, here comes the Purple Yoda.
8) Prince wrote one of his biggest songs in less than 24 hours and it has no bass line!
We’ve already touched on just how prolific Prince’s songwriting was (39 albums, remember?), but even for someone of his talent, this one is almost unbelievable. 1984 saw the release of arguably Prince’s Holy Grail: Purple Rain. The album was littered with hit songs, including the title track, Let’s Go Crazy, I Would Die 4 U and Baby, I’m A Star. But there’s one song that stands out for a number of reasons.
When Doves Cry was the best-selling single of 1984 and spent five weeks at the top of the Billboard Chart. As well as being an international success, the song is notably for two other reasons. The first being that it doesn’t have a bass line, and if you don’t below me, listen below. The second being that, according to interviews featured on the bonus features of the Purple Rain DVD release, the song was written in the space of a night and was to fill the silence during a montage sequence in the film. Crazy or what?
9) Prince released a brand new album for free through a UK newspaper
This one is still incredibly odd to me and I can remember it happening as though it were yesterday. In 2007, Prince released his thirty-second studio album, Planet Earth. Rather than go the normal route of releasing an album to shops, Prince decided to release it for free with the Mail On Sunday newspaper in the UK. This obviously annoyed the record industry in the UK, as music shops didn’t have new product to stock. In a bid to overcome this challenge, HMV actually sold the 15 July 2007 edition of the Mail On Sunday from their stores, and I was one of the people who got their hands on Planet Earth by buying a newspaper from a music shop.
I then got the album for free again when I went to go and see him at the O2 in London…that copy is still sealed.
10) Only the UK’s National Health Service has had a longer residency at London’s O2 Arena than Prince
Coronavirus has ruined everything, including Prince’s record for having the longest residency at London’s O2 Arena. Prior to the National Health Service’s 44-day stint at the arena, Prince’s 21-night run at the former Millennium Dome was the longest-running residency, running between July and August 2007. The Earth Tour was notable for more than just its length. As was common with many of Prince’s concert tours, he often played small intimate after shows at the neighbouring IndigO2, where he performed with artists such as Beverly Knight, CeeLo Green and Amy Winehouse.
Prince’s record would have been beaten sooner than 2020; Michael Jackson’s This Is It residency was set for 50 nights. Unfortunately, Jackson passed away just three weeks before opening night.
11) One of Prince’s greatest ever performances didn’t even involve a microphone
In 2004, Prince attended the Rock and Roll Hall of Fame Inductions and joined a star-studded lineup of famous guitarists to perform a cover of George Harrison’s/The Beatles’ While My Guitar Gently Weeps. Prince played an absolute stonker of a solo towards the end of the performance, not coming close to a microphone even once throughout the whole piece. He simply rocked up, plugged his guitar in, shredded like hell, and then left. It doesn’t get much more Prince than this.
12) Prince legally changed his name to an unpronounceable symbol
This one is pretty well-known but still deserves to be featured on this list. In the early 1990s, Prince fell out with his record label, Warner Bros. The resulting fallout led to Prince often appearing in public with the word “Slave” written on his face and changing him to the famously unpronounceable “love symbol”.
Prince released a host of new music under the moniker TAFKAP (The Artist Formerly Known As Prince), including The Gold Experience, Emancipation and Chaos and Disorder. It was never as commercially successful as his earlier material, but it was certainly true to his musical and artistic vision at the time.
In 2000, after his contractual obligations with Warner Bros. expired, he reverted back to his birth name. But the Love Symbol was already emblematic of everything Prince stood for and would become instantly recognisable as his unique mark.
13) Prince was the first artist to use the Internet to release an album, but would go on to hate the Internet, and then love it again…
Nowadays, the majority of us get our new music from the likes of Spotify, Apple Music, Deezer or Tidal. The Internet has revolutionised the music industry with streaming services being the biggest channel for music listens; physical releases make up only 25% of the industry’s revenue.
Before it was popular to sell music on the Internet and when cassette tapes were still being sold at Our Price, Prince saw the opportunity the then-new technology presented. He released 1997’s Crystall Ball exclusively online, which earned him a Webby Lifetime Achievement Award in 2006. This love-affair with the Internet would continue up into the early part of the new century, as he launched the NPG Music Club, through which he continued to release web-exclusive albums such as The Slaughterhouse and The Chocolate Invasion.
Sadly, Prince’s enthusiasm for all-things Internet quickly wained. His understandable desire to protect his art from copyright infringement overtook his ambition to use the Internet to distribute new music and began a period of hostility towards digital music.
It was short-lived though, as in 2015, Prince signed an exclusive deal with Jay-Z’s streaming service, Tidal. The deal would see Tidal become the sole place to get Prince’s music online.
14) Prince released a song specifically for a group of fans he was trying to sue
Yes, really. In 2007, several Prince fan sites received cease and desist orders from Prince’s legal team. The requests were to prevent fans sharing anything relating to Prince, including photos, lyrics, album covers, officially-released music and bootlegs. Prince’s lawyers claimed that the sharing of anything in Prince’s likeness amounted to copyright infringement; the fan community responded by forming a group called “Prince Fans United”.
Later in the year, a song entitled PFUnk emerged on the Prince Fans United website. It was revealed that it was “gifted” by Prince to the group as a response to their complaints. It was later released on iTunes as F.U.N.K.
15) Prince wrote more than 600 songs…and those are just the ones we know about
If I check my Spotify playlist of all the Prince songs that are on the streaming service and those I’ve added from my collection (they’re not available to stream), there’s 641 songs. Take out a few that might be different versions, remixes or live performances, and that still leaves more than 600 songs – all unique with different arrangements, different lyrics, different titles. How one person could be so creative goes beyond anything I could explain. Sure, not all of those songs are brilliant, but the sheer volume of musical output surely makes Prince one of the most exceptional songwriters in history.
Oh, and those 600 songs are just the ones we’ve been allowed to hear. Who know how many others are hidden away in the fabled vault?
So, there you have it…
15 facts about Prince that hopefully made you feel something, be it delight, inquisitiveness or boredom! Compiling this list has certainly made me think and reflect on how much Prince means to me an artist, musician and icon. I’m so incredibly grateful that he existed, if it was for a shorter time than I would have liked.
If you’re not a fan of Prince or haven’t really ever listened to him, I’d really recommend you go and dip your toes. Once you’re immersed, it’s like you’ve been transported to a whole other world.


We recently made a business trip down to Los Angeles for a photoshoot with former W.G.M. member Lil’ Debbie and photographer Lady Tragik. It went very well and we look forward to dropping these tanks & tees on you here shortly. We’ll have a promo video up soon from the shoot and behind the scenes. Here is a quick shot from the day.
And also here is a link to more pictures from the L.A. trip: https://www.facebook.com/media/set/?set=a.313088868732289.70718.147514958623015&type=3


As some of you already know, last night – thanks to Patrick of Nasa Gang – I hopped on to the opportunity to meet rapper Wiz Khalifa in person. Wiz was at the Main Event in Plano, TX doing a meet & greet sponsored by Dallas’ hip-hop station, 97.9 The Beat.
Word was that us media kids and I (Fly Times Daily included) would have a moment to talk to Wiz, ask him about 4 questions, and shoot our media when Wiz was finished meeting 97.9 The Beat contest winners and doing a little bowling game. However, the time to meet Wiz came faster than we had thought; we were directed to meet Wiz right after the contest winner had their short session. Now, although I was psyched to meet Wiz earlier than later in the night, I was disappointed that our time got reduced down to that of the contest winners – enough to say a few words (literally) and maybe shoot a photo. Still, when producers run your ass on tour, that’s the game, right?
So, what did I ask Wiz during my five seconds of fame?
Well, since Wiz started rapping back in the 3rd grade…I was wondering if he always had his head on straight, or if he ever was derailed in his focus by other friends who weren’t on such a productive path (in other words, Was he a Good Child?). Wiz said, Everyone gets into a little trouble here and there, but, no, I was always doing the right thing. Since Wiz has always been Good – a Wiz Kid – I gifted him one of my Good Gold tees as a simple thank you.
It was nice to know Wiz has always been on a direct path to success – and much to his own doing (with or with out the major record labels, Wiz has been doing his music 100%). Make sure you download some of his free mixtapes, Kush & Orange Juice and/or Cabin Fever. Also make sure you grab his new album, Rolling Papers, dropping March 29th.


Alan Rickman (1946-) b. London, England.
Alan Rickman was born in Hammersmith, England, on Feburary 21, 1946. At the age of twenty-six he abandoned a career as a graphic designer, deciding his heart lay in acting. After leaving RADA, Rickman joined the Royal Shakespeare Company. He began to make his name on the stage, playing a wide range of regional, then later, national theatre roles throughout the 1980s. In 1988, Rickman made his film debut as the evil German uber-terrorist Hans Gruber in Die Hard.
Success came again when he was cast in another villainous role, as the dastardly Sheriff of Nottingham in Robin Hood, Prince of Thieves, confirming his talent for playing the sardonic villain. But Rickman has avoided being typecast; displaying a sensitive side as a ghostly lover in Anthony Minghella's Truly, Madly, Deeply. He turned in further diverse performances when cast as the chivalrous Colonel Brandon in Sense and Sensibility, and Eamon De Valera in Neil Jordan's biopic Michael Collins. In 1997, he branched out into directing, making his debut with The Winter Guest. Rickman even proved he could send himself up when cast as the Shakespearian thespian in sci-fi spoof Galaxy Quest. The Harry Potter franchise occupies Rickman presently, with appearances as Professor Severus Snape in Harry Potter And The Sorcerer's Stone, and the forthcoming Harry Potter and the Chamber of Secrets.


I think we can win over all our adversities with love. ~~Edythe Kirchmaier
I'm friends with a most remarkable woman...well not real friends...just Facebook friends. Her name is Edythe Kirchmaier. She is always cheerful and giving of herself, spending many hours volunteering for an organization called Direct Relief in California. She's been a guest on the Jay Leno Show as well as Ellen and Oprah.
I haven't been in a fan club since the Beatles burst on the scene in the 60's, although I do admit to a "cougar-crush" on Bruno Mars, but I am certainly a huge fan of Edythe and want to model myself after her. You see, Edythe just turned 107. She got her driver's license renewed at age 105 which earned her a visit to Jay Leno, Oprah and Ellen; and she volunteers regularly at Direct Relief.
To learn more about this amazing woman, follow the link below:
Edythe on Oprah's Super Soul Sunday Series
Age is just a number, it's your take on life that makes all the difference, after all...
IT IS ALL IN YOUR HEAD!


She is known for hiding references on her personal life in the woman work, but in the case regarding her latest song, a lot more questions than answers. The largest being: Who is Taylor Swift’s new song “Babe” concerning? On Friday, the designer released the new track having Sugarland, which heavily shows cheating. Although “new” is not exactly the right word because of it. Because of when it was composed, the potential culprits for the song’s subject include Jake Gyllenhaal and Conor Kennedy along with beyond, according to fans’ conjecture on Twitter.
And since Fast hasn’t gone on the report about her inspiration, is actually up to listeners to decide on their own who she’s talking about along with lyrics like, “Since an individual admitted it, I retain picturing her lips in your neck, I can’t unsee it / I dislike that because of you, I actually can’t love you baby. ” So get out your current big magnifying glass like the pop-culture detective that you are, and break this case.
Babe” was published by Swift and Patrick Monahan of Train, and the Status singer is featured inside the chorus, but the country coppia wasn’t the track’s 1st stop. ET Canada noted that Swift and Monahan initially created the collaboration for that singer’s fourth album, Reddish, but that it didn’t find yourself making the cut. And since Red turned out in October 2012, that will help place “Babe” in time. The particular singer had released Communicate Now two years prior, in order that gives a small window involving the end of 2010 in addition to probably mid-2012 in which the lady was likely writing tunes for the next album.
During that moment, taylor swift had two community relationships: with Gyllenhaal, to whom Billboard claims she out dated from October 2011 to help January 2012, and with Conor Kennedy, whom she has been linked to from July in order to October of 2012. Is actually worth pointing out that together with lines like – “You really blew this infant / We ain’t during this one, babe / Here is the last time I’ll ever before call you, babe” – the lyrics are obscure enough that the song can easily be about a a lot more universal experience and not Swift’s own life. However , job interview that Monahan gave to be able to ABC News Radio last 2013 seems to suggest that his or her young collaborator was using something more personal regarding “Babe. ” As the Coach singer told the interview panel member:


SB19 is a Filipino P-pop group that has taken the world by storm. The group is composed of five members: Pablo, Josh, Stell, Ken, and Justin. They are known for their catchy songs, impressive dance moves, and engaging performances.
SB19 was formed in 2016 and made its debut in 2018 with the song “Tilaluha.” The song quickly became a hit and helped to launch the group’s career. SB19 has since released a number of other successful singles, including “Go Up,” “Alab,” and “Ikaw.”
In addition to their music, SB19 is also known for their fashion sense and their positive message. The group often sings about themes of self-love, empowerment, and unity. SB19 has also been active in promoting social causes, such as mental health awareness and environmental protection.
SB19’s success has helped to put P-pop on the map. The group has performed all over the world, including in the United States, Canada, and Japan. SB19 has also won numerous awards, including the MTV Europe Music Award for Best Southeast Asian Act and the Billboard Music Award for Top Social Artist.
SB19 is a role model for many young people around the world. The group shows that it is possible to achieve your dreams, no matter where you come from. SB19 is also a reminder that music has the power to unite people and make the world a better place.
SB19 and the Philippine Music Industry
SB19’s success has had a major impact on the Philippine music industry. The group has helped to popularize P-pop and has inspired other Filipino artists to pursue their dreams. SB19 has also shown that Filipino artists can be successful on the global stage.
SB19’s success has also led to increased investment in the Philippine music industry. Many record labels and talent agencies are now looking for new P-pop groups. This has created more opportunities for Filipino artists and has helped to grow the Philippine music industry.
SB19 and Filipino Culture
SB19 is more than just a P-pop group. The group is also a symbol of Filipino culture. SB19’s music and performances often incorporate traditional Filipino elements. The group also sings about Filipino values and experiences.
SB19’s success has helped to promote Filipino culture around the world. The group has shown that Filipino culture is rich, vibrant, and diverse. SB19 has also inspired Filipinos around the world to be proud of their culture.
SB19 is a Philippine P-pop group that is taking over the world. The group is known for its catchy songs, impressive dance moves, and engaging performances. SB19 has also helped to put P-pop on the map and promote Filipino culture around the world. SB19 is a role model for many young people around the world and is an inspiration to many Filipino artists.


In this episode, Diana has the special honor of working alongside guest co-host Adelia Carrillo, CMO of EventHi. The two talk about the benefits of the new digital landscape of events, along with the many accessibility holes that still exist.
Sample of Girls Who Smoke Weed (check out the video on Instagram):
Prod. Sean Mcs
Directed by GreenThumbEdu
Mike Moore the Producer


Because I believe in female supremacy and that real Goddesses exist, I decided to start a new series of blog entries dedicated to the glamorous beauty and powerful characters of some of the most influential femme fatales, from the first part of the 20th century (because the glamour of the silver screen fascinates Me), but not only.
Celebrating the 101st birthday of Austrian born actress and inventor on November 9th is sure reason enough to remind the world of a wonderful woman. Beauty and brain combined wonderfully in this screen goddess, female libertine and genius inventor.
Admirable pictures of her like these speak of true Female beauty and supremacy.
She spent her youth in Vienna as the looked after daughter of a well-off Jewish couple, her father a banker and her mother a concert piano player. 1937, aged 23, she left her first husband a rich, domineering and jealous weapon manufacturer with Nazi contacts whom she had married at the age of 18. The young girl then emigrated from Vienna to Paris and then later to London. Beginning in 1938 she became one of the most popular Hollywood glamour queens. Married six times, she allegedly also has had numerous extra marital affairs, with men and women alike.
In 1942, at the height of her Hollywood career, she co-invented and patented a frequency-switching system for torpedo guidance that was decades ahead of its time. Though never used for the initial purpose the technology she invented has become the basis of later applications for wireless communication like blue-tooth. As her patent had already expired she never received any financial benefit from her breakthrough invention. Retiring from the film business in 1958 she led a reclusive life and died in 2000.
I do not claim any copyright in the picture(s) shown and dealt with in this article. The article is merely meant to cherish the beauty of the art and it is not at all intended to infringe any third party copyright. So if you are the holder of respective copyrights and want to have the picture(s) removed, notice Me on email@example.com and I will do so immediately.


Scott McKenzie, who sang the 1960s hit San Francisco (Be Sure To Wear Flowers In Your Hair), has died aged 73.
The singer was a close friend of Mamas and Papas star John Phillips, who wrote and produced the San Francisco track.
Released in May 1967, it became a global hit and an anthem for the 1960s counterculture movement.
"I am amazed at how San Francisco continues even now to evoke dreams in the hearts and minds of people all over the world," McKenzie wrote in 2002.
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