In the second place, the perception of the object may reveal for reﬂection absolutely no purposiveness of its form as such, although the representation of the object can certainly arouse the feeling of a purposiveness lying a priori in the subject (perhaps the supersensible determination of the powers of the subject) and thereby ground an aesthetic judgement which is also related to an a priori principle (though only a subjective one), but not, as in the first case, relative to the purposiveness of nature with regard to the subject, but only to a possible teleological use of certain sensuous intuitions, by virtue of their form, through the merely reﬂective power of judgement.