Records available
Peeter Vähi. A Chant of Bamboo (Tallinn Chamber Orchestra, Slava Grigoryan, Risto Joost)
Eduard Tubin. Works for Violin and Piano. Vol 1
Keyboard Juggleress (Irina Zahharenkova, DVD)
Ad patrem meum (Anna-Liisa Bezrodny, Glasperlenspiel Sinfonietta, DVD)
Arsis. Legend
Magic of Sound (Ralf Taal)
Maria Magdalena (Sevara Nazarkhan, Riga Dom Cathedral Boys Choir, State Choir Latvija, Latvian National Symphony Orchestra)
Joy and Sorrow Unmasked (European Union Baroque Orchestra, Lars Ulrik Mortensen)
Vivaldi senza basso (Baltic Baroque)
Vivaldi opera quinta (Baltic Baroque)
The Best of Arsis Bells (Arsis, Estonian National Symphony Orchestra, Estonian National Male Choir, Aivar Mäe)
Faust (Ain Anger, Estonian National Opera)
Modigliani − the Cursed Artist (Estonian National Ballet, Risto Joost)
PEETER VÄHI
Press resonance
Neutral choice of media reviews about the works and records by Peeter Vähi. In original languages.
DIGITAL LOVE
for flute and violin
An even greater use of differing sonorities was fundamental to the final piece, Digital Love (1992) by Peeter Vähi. Here Rolf Schulte was joined by Laura Gilbert on a flute and both exhibited great virtuosity on their instruments. Vähi... makes use of sounds from the Far East. While rich, legato tones emanated from the violin, the flute produced the rhythms and timbre of Indian drums or tabla. The composition and its performance was a tour de force which was greatly appreciated by the audience. (Mimi S Daitz, Vaba E.
<|begin_of_text|><|start_header_id|>system<|end_header_id|>

Cutting Knowledge Date: December 2023
Today Date: 26 Jul 2024

<|eot_id|><|start_header_id|>user<|end_header_id|>

Below is an extract from a web page. Evaluate whether the page has a high educational
value and could be useful in an educational setting for teaching from primary school to
grade school levels using the additive 5-point scoring system described below. Points are
accumulated based on the satisfaction of each criterion:
- Add 1 point if the extract provides some basic information relevant to educational top-
ics, even if it includes some irrelevant or non-academic content like advertisements and
promotional material.
- Add another point if the extract addresses certain elements pertinent to education but
does not align closely with educational standards. It might mix educational content with
non-educational material, offering a superficial overview of potentially useful topics, or
presenting information in a disorganized manner and incoherent writing style.
- Award a third point if the extract is appropriate for educational use and introduces key
concepts relevant to school curricula. It is coherent though it may not be comprehensive
or could include some extraneous information. It may resemble an introductory section of
a textbook or a basic tutorial that is suitable for learning but has notable limitations like
treating concepts that are too complex for grade school students.
- Grant a fourth point if the extract highly relevant and beneficial for educational purposes
for a level not higher than grade school, exhibiting a clear and consistent writing style. It
could be similar to a chapter from a textbook or a tutorial, offering substantial educational
content, including exercises and solutions, with minimal irrelevant information, and the
concepts aren’t too advanced for grade school students. The content is coherent, focused,
and valuable for structured learning.
- Bestow a fifth point if the extract is outstanding in its educational value, perfectly suited for
teaching either at primary school or grade school. It follows detailed reasoning, the writing
style is easy to follow and offers profound and thorough insights into the subject matter,
devoid of any non-educational or complex content.
The extract: Records available
Peeter Vähi. A Chant of Bamboo (Tallinn Chamber Orchestra, Slava Grigoryan, Risto Joost)
Eduard Tubin. Works for Violin and Piano. Vol 1
Keyboard Juggleress (Irina Zahharenkova, DVD)
Ad patrem meum (Anna-Liisa Bezrodny, Glasperlenspiel Sinfonietta, DVD)
Arsis. Legend
Magic of Sound (Ralf Taal)
Maria Magdalena (Sevara Nazarkhan, Riga Dom Cathedral Boys Choir, State Choir Latvija, Latvian National Symphony Orchestra)
Joy and Sorrow Unmasked (European Union Baroque Orchestra, Lars Ulrik Mortensen)
Vivaldi senza basso (Baltic Baroque)
Vivaldi opera quinta (Baltic Baroque)
The Best of Arsis Bells (Arsis, Estonian National Symphony Orchestra, Estonian National Male Choir, Aivar Mäe)
Faust (Ain Anger, Estonian National Opera)
Modigliani − the Cursed Artist (Estonian National Ballet, Risto Joost)
PEETER VÄHI
Press resonance
Neutral choice of media reviews about the works and records by Peeter Vähi. In original languages.
DIGITAL LOVE
for flute and violin
An even greater use of differing sonorities was fundamental to the final piece, Digital Love (1992) by Peeter Vähi. Here Rolf Schulte was joined by Laura Gilbert on a flute and both exhibited great virtuosity on their instruments. Vähi... makes use of sounds from the Far East. While rich, legato tones emanated from the violin, the flute produced the rhythms and timbre of Indian drums or tabla. The composition and its performance was a tour de force which was greatly appreciated by the audience. (Mimi S Daitz, Vaba E.
After examining the extract:
- Briefly justify your total score, up to 100 words.
- Conclude with the score using the format: "Educational score: <total points>"<|eot_id|>
<|start_header_id|>assistant<|end_header_id|>

The extract appears to be a list of music records and performances, with a brief review of one piece, "Digital Love" by Peeter Vähi. It provides some basic information about music, but lacks coherence and educational content relevant to school curricula. The writing style is not consistent, and the extract is more promotional than educational.

Educational score: 1