Opera Award’i preemiasaajad selgunud
Elutöö auhinna pälvinud Teresa Berganza. FOTO NEISTEMMEN.COM
9. aprillil jagati Londonis 2018. aasta rahvusvahelisi ooperiauhindu. Nominente jõudis viimasesse vooru üle saja ning laureaate valis rahvusvahelisele žürii, mille esimees oli ajakirja Opera toimetaja ja The Daily Telegraph’i muusikakriitik John Allison. Kõige prestiižikama auhinna, elutöö preemia, võitis hispaanlannast metsosopran Teresa Berganza. Parima naislaulja tiitli pälvis rootslannast sopran Malin Byström ja meeslaulja auhinna sai poola tenor Piotr Beczała. Lugejate preemia sai Lõuna-Aafrika vabariigi päritolu sopran Pretty Yende ning parimaks nooreks lauljaks valiti Kanadast pärit Wallis Giunta. Parimaks ooperidirigendiks kuulutati Vladimir Jurowski ja parimaks ooperiteatri juhiks Mariusz Treliński. Baieri riigiooper sai parima ooperiettevõtte ning Parma “Verdi festival” parima ooperifestivali tiitli. Parim ooperiorkester on La Scala teatri oma. Teatro Realis lavale tulnud Benjamin Britteni ooper “Billy Budd” sai parima uuslavastuse preemia ning Glyndebourne’i festivalil maailma esiettekandeni jõudnud Brett Deani ooper “Hamlet” parima esiettekande preemia. Parim ooperisalvestus on John Nelsoni juhatatud Hector Berliozi “Troojalased”. Opera Holland Park sai tunnustuse parima haridusprogrammi ja kaasamise eest ning Annette Campbell-White pälvis suurima filantroobi aunimetuse.
Ooperiauhindade tava sai alguse 2012. aastal ärimehe ja filantroobi Harry Hymani eestvedamisel. Ee.
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Cutting Knowledge Date: December 2023
Today Date: 26 Jul 2024

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Below is an extract from a web page. Evaluate whether the page has a high educational
value and could be useful in an educational setting for teaching from primary school to
grade school levels using the additive 5-point scoring system described below. Points are
accumulated based on the satisfaction of each criterion:
- Add 1 point if the extract provides some basic information relevant to educational top-
ics, even if it includes some irrelevant or non-academic content like advertisements and
promotional material.
- Add another point if the extract addresses certain elements pertinent to education but
does not align closely with educational standards. It might mix educational content with
non-educational material, offering a superficial overview of potentially useful topics, or
presenting information in a disorganized manner and incoherent writing style.
- Award a third point if the extract is appropriate for educational use and introduces key
concepts relevant to school curricula. It is coherent though it may not be comprehensive
or could include some extraneous information. It may resemble an introductory section of
a textbook or a basic tutorial that is suitable for learning but has notable limitations like
treating concepts that are too complex for grade school students.
- Grant a fourth point if the extract highly relevant and beneficial for educational purposes
for a level not higher than grade school, exhibiting a clear and consistent writing style. It
could be similar to a chapter from a textbook or a tutorial, offering substantial educational
content, including exercises and solutions, with minimal irrelevant information, and the
concepts aren’t too advanced for grade school students. The content is coherent, focused,
and valuable for structured learning.
- Bestow a fifth point if the extract is outstanding in its educational value, perfectly suited for
teaching either at primary school or grade school. It follows detailed reasoning, the writing
style is easy to follow and offers profound and thorough insights into the subject matter,
devoid of any non-educational or complex content.
The extract: Opera Award’i preemiasaajad selgunud
Elutöö auhinna pälvinud Teresa Berganza. FOTO NEISTEMMEN.COM
9. aprillil jagati Londonis 2018. aasta rahvusvahelisi ooperiauhindu. Nominente jõudis viimasesse vooru üle saja ning laureaate valis rahvusvahelisele žürii, mille esimees oli ajakirja Opera toimetaja ja The Daily Telegraph’i muusikakriitik John Allison. Kõige prestiižikama auhinna, elutöö preemia, võitis hispaanlannast metsosopran Teresa Berganza. Parima naislaulja tiitli pälvis rootslannast sopran Malin Byström ja meeslaulja auhinna sai poola tenor Piotr Beczała. Lugejate preemia sai Lõuna-Aafrika vabariigi päritolu sopran Pretty Yende ning parimaks nooreks lauljaks valiti Kanadast pärit Wallis Giunta. Parimaks ooperidirigendiks kuulutati Vladimir Jurowski ja parimaks ooperiteatri juhiks Mariusz Treliński. Baieri riigiooper sai parima ooperiettevõtte ning Parma “Verdi festival” parima ooperifestivali tiitli. Parim ooperiorkester on La Scala teatri oma. Teatro Realis lavale tulnud Benjamin Britteni ooper “Billy Budd” sai parima uuslavastuse preemia ning Glyndebourne’i festivalil maailma esiettekandeni jõudnud Brett Deani ooper “Hamlet” parima esiettekande preemia. Parim ooperisalvestus on John Nelsoni juhatatud Hector Berliozi “Troojalased”. Opera Holland Park sai tunnustuse parima haridusprogrammi ja kaasamise eest ning Annette Campbell-White pälvis suurima filantroobi aunimetuse.
Ooperiauhindade tava sai alguse 2012. aastal ärimehe ja filantroobi Harry Hymani eestvedamisel. Ee.
After examining the extract:
- Briefly justify your total score, up to 100 words.
- Conclude with the score using the format: "Educational score: <total points>"<|eot_id|>
<|start_header_id|>assistant<|end_header_id|>

The extract provides basic information about opera awards, but lacks educational content and relevance to school curricula. It is more of a news article than an educational resource, with no clear concepts, exercises, or structured learning opportunities. The language is also not tailored for primary or grade school students.

Educational score: 1