Featuring the all-swinging, all-singing, all-dancing ensembles of South London Community Music, join over 80 performers for an epic evening musical extraveganza! The evening will kick off with a selection of well-known tunes from the West End, performed by the South London Symphonic Winds and the soaring voices of London Sings! The second half sees the South London Jazz Orchestra, the largest regularly performing Big Band in the UK performing toe-tapping tunes made famous by giants of swing, accompanied by the dance troupe Live Band Lindy to get you on your feet.
West End and Swing
Saturday 2 July
with South London Community Music
With all proceeds going towards SLCM's upcoming venue move this autumn, this is a guaranteed terrific evening for a fantastic cause!
See you there?
Tickets no longer available


The show that gives ABBA fans the opportunity to re-live the pop phenomenon OK that swept the airwaves and discos of the 1970s and 80s in this wonderfully feel good, party-style tribute. Hits from Waterloo to Dancing Queen, all of the hits performed with super accurate harmony vocals, set to a live band. This is the most loving, joyful, musical, respectful and charming ABBA tribute you will ever see. Unfortunately, they will never perform together again, according to themselves, but this is the closest to ever you'll ever get. This ABBA show has played in many countries, including Vietnam, Philippines, Singapore, and Hong Kong, playing in cruise ships, festivals, bars, weddings and corporate events, for audiences of all ages and nationalities. There will be plenty of room for dancing and singing along is expected. Get yourself or your group in the mood with ABBA dress ups, and practice the iconic dance moves. There is a licensed bar, and you can bring your own nibbles and snacks to make it a real party night.
Tickets can be obtained online or at the Club.
For table bookings, text or ring 0437260 105 or email email@example.com


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Frequently Asked Questions
What instruments are in the orchestra?
The orchestra is composed of stringed instruments such as violin, viola, cello and bass.
I play the piano, is that a good thing?
YES! Actually, if you have music experience you would be great in the orchestra program. Not only would it be easy for you to learn your new instrument, however, NO prior musical experience or music reading is required to be in orchestra--95% of our students have never played an instrument before and started in the 6th grade learning how to hold the instrument and read music.
Is string double bass the same as an electric bass?
Yes it is! In fact, the string bass and electric bass have the same strings and note names. The only difference is that an electric bass has frets and you hold it horizontally, while the string bass is played sitting or standing vertically, or upright and is played with the bow.
Why should I choose to be in orchestra in the 6th grade and not another elective?
Great Question! Stringed instruments are played with a bow (the long wooden stick thing). The bow is our special voice and we can play lots of cool techniques with it. Starting orchestra in the sixth grade will better prepare you for all the fun and cool pieces you want to play later. If you know you want to play an instrument, play in the orchestra your sixth grade year, then in your seventh grade you can choose another elective to add.
I am involved in lots of activities outside of school and I don't think I will have time to practice, what should I do?
Well, practice time is important, but it doesn't matter what elective you choose, you will need to put in some homework time for every class any ways and the cool part about orchestra is practicing is your homework.
I'm pretty small right now. How can I possibly play those big instruments?
Another great question! Actually, orchestra instruments are perfect for young students because they are made of wood and can fit any size person, unlike band instruments (they only come in one size). They make small versions of every instrument so you don't have to worry about orchestra instruments being too big. As you grow, you can get your instrument exchanged for a bigger one. Cool, huh?
Is orchestra expensive? I don't think I can afford it
Most students rent their instruments from area music stores. There are very affordable options for every instrument. Do NOT let cost stop you from playing. We will help every student/family find an instrument that fits their budget. Students that choose to play the Viola, Cello or Bass may rent a school instrument for $35 per semester/summer. Violin students are asked to purchase or rent their own instrument. Your Middle School Orchestra teacher can tell you about area shops that rent and sell stringed instruments.
Is there orchestra in high school?
Yes, Broken Arrow High School has a great orchestra program, but you have to have already been playing in middle school to be able to play in high school, so make sure to sign up in 6th grade!


Unknown - Spanish Romance (Sor's Melody) Guitar Tab
Landscape view? Pause before start?
spacePlay & Pause
"Romance Anónimo" (Anonymous Romance) is a piece for guitar, also known as "Estudio en Mi de Rubira" (Study in E by Rubira), "Spanish Romance", "Romance de España", "Romance of the Guitar", "Romanza" and "Romance d'Amour" among other names.
Its origins and authorship are currently in question. It is suspected of originally being a solo instrumental guitar work, from the 19th century. It has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Miguel Llobet, Antonio Cano, Vicente Gómez and Narciso Yepes. The Anónimo (anonymous) part of its name has been incorporated over the years due to this uncertainty.
|Score Key:||G major (Sounding Pitch) (View more G major Music for Guitar Tab )|
|Time Signature:||3/4 (View more 3/4 Music)|
|Number of Pages:||1|
|Difficulty:||Intermediate Level: Recommended for Intermediate Level players|
|Style:||Classical (View more Classical Guitar Tab Music)|
|Copyright:||© Copyright 2000-2020 Red Balloon Technology Ltd (8notes.com) |
This file may be printed and performed freely, but should not be digitally copied, shared or reproduced without permission.
Parts, Versions, Transpositions
(all shown in Concert Pitch)
This piece is also available in the following transpositions:|
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Friday, December 13, 23:00 – 03:00, € 6
The second Friday of every month at De Ruimte is a two-stage rocket: from 21:00 to 23:00 dOeK and Space Is The Place present two live acts. After that, the party-party starts with the wildest live music in town!
21:00 – 23:00 Space is the Place ft. Doek – € 8
23:00 – 03:00 Second Stop is Jupiter – € 6
€ 10 combined ticket
RITMO PERCUSSION – from the Bijlmer Amsterdam!
THE ZEBRA STREET BAND (infectiously danceable brass music)
Salvoandrea Lucifora – Trombone | Alistair Payne – Trumpet | Andrius Dereviancenko – Tenor Saxophone | John Dikeman – Baritone Saxophone | Onno Govaert – Snare drum and percussions | Fabio Galeazzi – Bass drum and percussions
After your first stop of friday evening concerts, theater shows, birthday parties or movie visits come to De Ruimte for your second stop: After midnight dancing to the wildest live music in town! One thing is for sure every second friday: The Second Stop is Jupiter!


Cake Batter Drum Breaks Vol 2
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QUINCY BEATS PRESENTS CAKE BATTER DRUM BREAKS VOL 2
Comprising of 40 originally composed drum breaks and 40 oneshots of kicks, snares and percussions created by sounds that are so knockin and fuzzy they will produce earth shattering boombap & hiphop beats in an instant, clever drum patterns that tiptoe on the line between groovy and retro, these breaks are a refreshing approach with a signature inheriditary retro sound of the boombap genre. Played at a wide variety of BPMs and over 40+ oneshots. All the breaks are live recorded using drum sets, MPCs and samplers to maximize the groovy and create neck cracking rhythms. It's thick like cake batter!


BEACON TRANSCRIPT – On March 23rd, Harmonix brings the popular Rock Band VR on Oculus Rift. Owners of Oculus Rift will be able to purchase a bundle of some songs together with the game exclusively on Amazon.
Harmonix announced that they will make Rock Band, the running rhythm game, available in virtual reality, to be played on Oculus Rift. Those who are interested can buy the new version of the game from Amazon. They can also get a few songs that are popular in the game, such as Walk This Way from Aerosmith, Ain’t It Fun from Paramore, or When You Were Young from The Killers.
For only $69.99, players purchase not only the digital copy of the game, but also a guitar controller which is compatible with Xbox One and PlayStation consoles. The guitar controller is also compatible with Windows 10 Anniversary Edition and can be connected to the PC via Bluetooth.
An Oculus Rift controller is mandatory to play the game. If you don’t have one, make sure you purchase one before playing the game, and then you can easily connect it to the guitar controller.
Rock Band VR offers several play modes. You can either opt for the classic mode, where you have to play the studio recording of the songs note by note. If you feel more creative, you can choose the performance mode, where you have the freedom to experiment and be adventurous. Harmonix revealed that no performance sounds exactly the same in Rock Band VR.
The developers added that, in the performance mode, players can experiment with notes and chords, change the speed, and are free to put their own signature on the songs. Thus, they can develop their playing skills and enhance their creative side.
Rock Band VR is a “virtually real” version of the popular rhythm game. This version will be available with a selection of 60 tracks. Harmonix will release it exclusively for Oculus Rift and, even though the official launch is in March, you can already preorder the game. The bundles that are available for preorders are compatible with Xbox One and PlayStation 4. PC owners will have to wait a little more until they can order a Windows-compatible version of the game.
Image Source: Wikimedia Commons


Looking for a music store Gold Coast sometimes a lower-priced model of a piano or any musical instrument may suit you. On the other hand, you may not need a higher-priced instrument with several extra gadgets that you might never use. While looking for an instrument from an online music store Gold Coast, you will first focus on these essential points. You do not want a tinny sound that is more annoying than pleasing.
If you base your decision only on price, you must inquire about consumer reports and product reviews that may alert you to product drawbacks. For example, you may find some high-priced models receive more bad reviews than lower-priced models of different musical instruments. But it does not mean when you will be choosing a high quality and high priced musical instrument that will blow your budget.
While talking about a piano keyboard, one important consideration when purchasing the one is the warranty. If you are buying a new brand, make sure the warranty does not contain any unacceptable returns clauses. If you want to buy a used or second-hand musical instrument, you will have to buy from a dealer offering at least a warranty of six months on a used product.
Points to notice while looking for the best type of piano:
First of all, you will have to think about choosing a piano from an online piano shop Brisbane that will be offering your favourite brands and models on which you will be most comfortable while playing the piano. The keys should be easily controllable for you and should have the best touch to provide you with calmness.
Some people like to choose a piano with traditional weighted keys, giving a feel of giving the touch of an acoustic piano. On the other hand, some people want to select a keyboard piano with sensitive touch which needs gentle downward pressure. Both of these types of pianos are readily available on different online stores at different prices as per the quality and features of the products.
Choose the musical instrument as per the sound and the quality:
Usually, people pay much attention to choosing some musical instrument that is the best in sound, but they do not focus on choosing an instrument that will be suitable as per the available place in the house where you will be going to lay it down.
If you are going to visit a local music store Gold Coast, you will have to focus on choosing the instrument that will be durable, adorable, long-lasting and suitable as per the available place in your room or house where you want to settle it. For more information, visit the website.


Sunday, August 23, 2009
Quick Hands-On with The Beatles: Rock Band
I was at GameStop yesterday for a bit pre-ordering Batman: Arkham Asylum last minute (I am buying it after all) and I stumbled by a demo of The Beatles: Rock Band on the Xbox 360 kiosk. I was like oh snap, let's try this bad boy out and so I did. The demo consists of guitar and bass only with five songs to choose from, which are "Yellow Submarine," "Day Tripper," "I Feel Fine," "Can't Buy Me Love, and "Here Comes the Sun." There is also a setlist option which I did to play all five songs in succession as I decided to play guitar on Expert using the Guitar Hero World Tour guitar. At first, I felt a bit rusty at first, but since these Beatles songs are pretty easy to play on guitar, its not that bad. Besides from being typical Rock Band with notes to play, overdrive, and all that jazz, it is the love that Harmonix put into this product as it shows when playing. Each song has its own background when the Beatles are there singing like it's their own music video, but with the Rock Band graphical style. With all these colorful backgrounds, The Beatles: Rock Band is a pretty game to look at.
After playing it for a bit, I'm pretty sold on The Beatles: Rock Band as it is a way better game than I thought it would be. Sure, you're getting a bit easier game if you have been playing Rock Band since it came out, but its the care that Harmonix put into the game making it the pure Beatles experience. Even if you know some of the songs by The Beatles, I think you should still check this out as it is still crazy of the fact we are finally playing Beatles songs on Rock Band. Also, the temptation of coming back to this genre has risen a bit too as it is as still as fun as I remembered it when I was all into Rock Band 2. The Beatles: Rock Band comes out in two weeks, which is September 9 and I hope it succeeds because it is a pretty awesome game.


Westborough High to present spring musical 'Curtains'
The Westborough High School Center Stage Theater Company will host four performances of its spring musical, “Curtains,” beginning March 8.
“Curtains,” based on the book by Rupert Holmes, takes place in 1959 on the opening night of “Robbin’ Hood” at Boston’s Colonial Theatre.
The family friendly “whodunit” mystery follows the investigation into the death of the show’s leading lady.
Tickets can be purchased in advance for $10 or $12 at the door. Tickets for all students are $8.
The first performance is scheduled for Friday, March 8, at 7:30 p.m. There will be two performances – a matinee and an evening show – on Saturday, March 9, and a 2 p.m. show on March 10.
All performances will be held in the Charlotte Spinney Auditorium at Westborough High School, 90 West Main St.


LSE Spring Concert
Join the LSE Choir and Orchestra on the 26 March 2019 for this seasonal concert in the beautiful surroundings of St Clement Danes Church.
The LSE Choir will perform Requiem by Mozart. The LSE Orchestra will perform Dvorak 2 Slavonic Dances, Bruch Violin Concerto No.1 and Schumann Overture , Scherzo and Finale.
Conductor: Matthew Taylor & Choirmaster: Andrew Campling
This event is organised in association with the LSE Students' Union Music Society. Tickets cost £7 each and are available to purchase from the LSE online store.
Booking link (direct): https://eshop.lse.ac.uk/product-catalogue/public-events/lse-concerts/lse-spring-concert-2019


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Edition Gary Bertini
Hector BERLIOZ (1803-1869)
Symphonie Fantastique Op.14a (1830) [52:53]
Le Carnaval Romain Op.9 (1843) [9:45]
Benvenuto Cellini - Overture (1834) [10:36]
Maurice RAVEL (1875-1937)
Daphnis et Chloé - Suite No.2 (1913) [16:55]
Concerto for Piano and Orchestra in G major (1931) [21:47]
La Valse (1919/20) [12:54]
Claude DEBUSSY (1862-1918)
La Mer (1903-5) [24:56]
Nocturnes (1899) [24:13]
Prélude à l'après-midi d'un faune(1894) [10:00]
Gustav MAHLER (1860-1911)
Lieder eines fahrenden Gesellen (1891-96?) [16:24]
Kindertotenlieder (1901-04) [25:09]
4 Lieder aus “Des knaben Wunderhorn” [22:39]
Richard STRAUSS (1864-1949)
Also Sprach Zarathustra (1896) [32:24]
Burleske (1885-6) [19:35]
Martha Argerich (piano - Ravel Concerto); Thomas Quasthoff (bass-baritone - Mahler Lieder eines fahrenden Gesellen and Kindertotenlieder); Håkan Hagegård (baritone - 4 Lieder aus “Des knaben Wunderhorn”); Elisabeth Leonskaja (piano - Strauss Burleske)
Kölner Rundfunk Sinfonie Orchester (now the WDR Sinfonieorchester Köln)/Gary Bertini
rec. Köln Philharmonie Germany: 30 November 1987 (Prélude à l'après-midi); 3 September 1988 (Nocturnes and La Valse); 4 March 1989 (Strauss Burleske); 11 November 1989 (Daphnis); 15-17 June 1992 (Lieder eines fahrenden Gesellen); 18-21 January 1993 (4 Lieder aus “Des knaben Wunderhorn”); 22-23 January 1993 (Kindertotenlieder) 4-8 May 1993 (Berlioz Symphonie); 6 November 1993 (La Mer); 24-25 March 1994 (Berlioz Overtures); Leverkusen Germany:18 November 1988 and Antwerp Belgium 21 November 1988 (Also Sprach Zarathustra); Gürzenich Köln Germany: 7 December 1985 (Ravel concerto)
CAPRICCIO 7136 [5 CDs: 73:14 + 51:36 + 59:09 + 64:12 + 51:59]
This is one of those curious re-packagings that record companies delight in from time to time. All of the five discs here are from the excellent Gary Bertini and the Cologne Radio Symphony Orchestra and have been available previously as single discs. However, three have also been collected into a set which bears the SA-CD logo - missing on this set. Indeed the single releases seem to be SA-CD as well. Capriccio have simply contained the original discs in a cardboard slip case with no other attempt at adapting the presentation. There is, however, a considerable price advantage in buying the five disc set - the usual online suspects offer the set in the range £13.00-£19.00 whereas the single discs are still at full price and the three disc set is around £25.00. As I do not have a system set up for surround or SA-CD listening I can comment only on the standard stereo format versions in any case.
Gary Bertini was this orchestra’s principal conductor from 1983 to 1991 and these recordings cover the period 1985 (the Ravel Concerto) to 1994 (The Berlioz Overtures). The covers are labelled “the Cologne Broadcasts” and seem to be a mixture of mainly concert and some studio performances. Clearly the intention is to showcase Bertini’s legacy in Cologne and as such the performances should be considered as examples of his Art rather than versions of the music in question per se. As an interpreter of major standing Bertini swam into my view with his excellent clear-headed cycle of the Mahler Symphonies on EMI with the same orchestra. These remain in the catalogue as both an excellent (sub £20.00) bargain and a compelling, idiosyncrasy-free traversal of those works. Again the Mahler cycle is mainly taken from live performances and the date range is almost identical: 1984-1991. Collectors who know and enjoy that set will hear many of the same performing and interpretative values at work throughout this set. As an aside - this is also much the same time this orchestra were recording Barshai’s lauded Shostakovich cycle (1992-1998). Unfussy and with a clear control of balance and structure is how I would simply characterise Bertini’s approach. My one sorrow is the rather arbitrary selection of repertoire. One assumes that German Radio must have a very substantial archive of Bertini/Cologne recordings. That being the case I am sorry they chose not to showcase a wider range of music rather than three French and two German discs with a disc each for Debussy and Ravel. A few final collective observations before moving onto the individual discs. The radio provenance of the recordings means the discs are well if not spectacularly engineered. In the main the sound is appealingly naturally balanced although there is occasional solo spotlighting. The live performances have very occasional - but not disruptive - audience noise and regardless of location there is no applause. Liner-notes are supplied with each disc in its jewel case in German and English and are perfunctory to say the least - brief notes regarding the disc’s music and the same information about the orchestra and conductor each time.
I will comment on each disc in the order it is presented in the box. First up is the Berlioz disc. The Symphonie Fantastique receives a performance that gains in momentum and impact as it moves on. It is not listed as a live performance but curiously there are some moments of scrappy ensemble which should have been rectified if it is not. Sometimes the long central Scène aux Champs can become rather becalmed but Bertini is especially good here with the menacing - and revolutionary - timpani writing foreshadowing the drama to come later in the work. If there is one composition more than any other for me that benefits from the application of authentic performance practice and instruments it is this. For all the energy Bertini gives it the piece has a veneer of sophistication that reduces the extraordinary leap forward in orchestral technique it represents. I miss the vulgar bass trombone and parping bassoons. One aspect that does become immediately apparent across the set is the consistent ‘personality’ of certain of the orchestra’s players. Here, in this work, the unusually plangent tone of the principal clarinet is ideal for the March to the Scaffold or Witch’s Sabbath. The Cologne brass is excellent throughout if lacking the last degree of heraldic brazen splendour that the LSO gave Colin Davis in his famous Berlioz recordings on Philips in the 1960s. All in all a very good and rather central interpretation. Much the same could be said of the Overtures - very neatly played when required but without the last dash of early-Romantic wildness that marks the music down as exceptional.
The Ravel disc contains two of the highlights of the set and one disappointment. In the second suite from Daphnis et Chloé and the Piano Concerto in G major - which features the set’s biggest name in Martha Argerich - Bertini’s forensic ear for detail and balance pays substantial dividends. The ballet suite is excellent with a glorious sunrise and muscular closing Danse générale. Two things here for the non-Bertini acolyte to consider though; the recording is good without being viscerally exciting in the way it can be and also this is the orchestra-only version. I do miss the chorus. For the general collector this might well rule out this version. The entire disc is labelled as containing live performances albeit from three different years. Argerich gives an energetically clean account of the concerto which emphasises the neo-classical elements of the score more than the jazz-inflections that others find. This cool rather objective approach chimes wholly with Bertini’s accompaniment and as such makes for a very convincing interpretation. The Cologne Radio recording gives the soloist an effective balance with just enough prominence for the piano writing to register easily but at the same making the interactions with solo lines within the orchestra coherent and believable. The relative ‘miss’ on this disc is La Valse where Bertini’s careful control is just, well too controlled. I miss the delirium and sensual abandon of the finest performances - for once Bertini’s approach seems to run contrary to the essence of the work.
That same emotionally distanced, almost calculating style produces the performances of the set on the next disc of Debussy. With powerfully dynamic and compellingly thrustful momentum this is one of the most exciting and convincingly impressive versions of La Mer I know. It is subject to some discreet spotlighting by the engineers but it allows Debussy's endlessly subtle orchestration to shine. Harps and percussion glint like sunlight on wave crests quite beautifully. My only minor carp is that Bertini does not restore the little brass fanfares removed in the published score. The rest of the disc is made up of predictable companions. An excellent Nocturnes again benefits from Bertini's refusal to indulge or linger on detail for detail's sake. Nuages is the study in greys that it is surely meant to be while Fêtes builds to a marvellously swaggering climax. The sorrow with this disc is a disappointingly matter of fact Prélude à l'après-midi d'un faune. Here the element of emotional detachment which pays such dividends in the in-human world of La Mer makes Bertini’s faune a singularly unsensual creature. Again the performances are all from different live concerts. Part of the interest in a set such as this is to find common threads across disparate repertoire and certainly on the evidence as presented Bertini is not one to indulge himself in any kind of emotional or musical excess.
The fourth disc was my main reason for requesting the set to review. Containing as it does two complete song cycles and excerpts from a third this is very much an appendix to Bertini’s Mahler cycle. Black marks to Capriccio for supplying no texts and a rather confusing liner written as though this was the piano accompaniment version. The two singers are major artists with bass-baritone Thomas Quasthoff singing the two complete cycles. It is interesting that Quasthoff’s presence encourages Bertini to a more overtly expressive style. Perhaps the voice is a fraction forward in the mix masking all of the subtleties of Mahler’s writing. I did wonder if Quasthoff could have risked singing with a wider dynamic range. He is excellent at pointing the text and has a pleasingly robust character which suits the rustic naïveté of the songs. The dark timbres of his bass-orientated voice give the songs a power missing when sung by - literally - higher voices. If I prefer a man’s voice in the Lieder eines fahrenden Gesellen I find a woman’s voice singing Kindertotenlieder to have extra emotional heft - especially when the part is taken by Christa Ludwig or Janet Baker. That being said Bertini is excellent at finding a traumatised weight and lumbering despair that gives the closing In diesem Wetter a quite different character from Karajan’s version with Ludwig. Both interpretations succeed but here I find Bertini more emotionally engaging - with the consolation of the epilogue most movingly achieved. Håkan Hagegård has a suitably lighter and bluffer approach which is wholly in tune with the less troubled spirit of the four Das Knaben Wunderhorn songs. Certainly, if collectors have found their way to this disc because of enjoyment taken with Bertini’s Mahler symphony cycle they need not hesitate since this does provide an excellent and possibly indispensable addition to that set.
The fifth and final disc contains the one major disappointment of the box. This is a very routine Also Sprach Zarathustra which never quite recovers from a murky sunrise with muddied timpani, less than glorious brass and an organ chord that sideslips fractionally away from the orchestra’s tuning. According to the liner this performance is a composite of two different performances in two different halls three days apart. To be fair, one is not aware of any acoustic shift but conversely the inner detail of Strauss’ complex writing eludes the German Radio engineers. Often the harp is all but absent and then curiously when the solo violin is joined by their desk partner, the leader is clearly audible and the second - brief - solo line completely obscured. Also, the clarinet whose distinctive tone added much to Berlioz sounds rather coarse here. Indeed, driven and unsympathetic would be my brief assessment of the performance. Over the work as a whole matters improve but Bertini misses the benevolence of sections such as Das Tanzlied where it is simply forced rather than having any smiling beauty. There are pleasures to be taken but not a performance to add to one’s knowledge of the piece or the performer on the rostrum. The Burleske starts somewhat inauspiciously too. The very opening timpani solo is unsatisfactorily woolly and more damagingly the first flourish from pianist Elisabeth Leonskaja implies a discontent with Bertini’s set tempo as she pushes ahead of the accompaniment. Fortunately things settle down very quickly and this proves to be a far more enjoyable performance than the preceding tone-poem. Burleske has always felt like a peripheral work in the Strauss canon - which it probably is - but Leonskaja plays it as though a major Romantic concertante work. By the end you believe it too - certainly in her hands it seems significantly more substantial. Perhaps goaded or persuaded by Leonskaja’s barnstorming approach Bertini gives a more overtly expressive performance than the contents of the other discs would suggest was his norm. Indeed, it is the kind of interpretation that makes one reconsider the ‘worth’ of the work - an impressive end to the set.
So how to assess the box as a whole; well probably something of a mixed bag if truth be told. For the Debussy and Mahler I would happily return, for the Ravel they are performances I enjoyed hearing but possibly not to replace existing library favourites. The remaining Berlioz and Strauss are perfectly good without demanding attention except for a less-than-important Burleske. However, at the very reasonable price point collectors might well argue that the La Mer and Mahler cycles merit the cost of the whole set with the other repertoire “thrown in”. My admiration for Bertini is undimmed but I do wish the range of repertoire offered had been wider and more challenging especially since the discs are compilations of different concerts and they are not exactly over-filled.
My admiration for Bertini is undimmed but this is something of a mixed bag.
Masterwork Index: Also Sprach Zarathustra ~~ La Mer ~~ Symphonie Fantastique
see also review of individual disc releases: Berlioz by Tim Perry ~~ Debussy by Michael Greenhalgh
Support us financially by purchasing this disc from:


Improved sound quality and keyboard feel
Dance Music Mode
Easy dance tune playback – Just touching the keys is all it takes to play dance music expressing a DJ mood. Or you can use Build-up Play to apply sound effects characteristic of dance music for even more fun.
Add to the fun by linking the keyboard with the downloaded Chordana Play app in your smart device.
Expand the keyboard’s store of built-in songs
Songs stored in the keyboard may sound different from original built-in songs.
|LIGHTLY ROW||MUSETTE IN D MAJOR|
|LONG LONG AGO||CHOPSTICKS|
|SAKURA SAKURA||SONATINA op.36 no.1 1st Mov.|
|AULD LANG SYNE||REVERIE|
|MICHAEL ROW THE BOAT ASHORE||GYMNOPEDIES no.1|
|HOME ON THE RANGE||WEDDING MARCH FROM “MIDSUMMER NIGHT’S DREAM”|
|SANTA LUCIA||AMERICAN PATROL|
|JOSHUA FOUGHT THE BATTLE OF JERICHO||SONATA K.545 1st Mov.|
|THE MUFFIN MAN||LA PRIERE D’UNE VIERGE|
|IF YOU’RE HAPPY AND YOU KNOW IT‚ CLAP YOUR HANDS||SERENADE FROM “EINE KLEINE NACHTMUSIK”|
|HOUSE OF THE RISING SUN||LARGO (HÄNDEL)|
|SHE WORE A YELLOW RIBBON||INNOCENCE|
|MY OLD KENTUCKY HOME||PROMRNADE FROM “TABLEAUX D’UNE EXPOSITION”|
|SZLA DZIEWECZKA||DOLLY’S DREAMING AND AWAKENING|
|TROIKA||LA FILLE AUX CHEVEUX DE LIN|
|WALTZING MATILDA||BEAUTIFUL DREAMER|
|ON THE BRIDGE OF AVIGNON||DANNY BOY|
|CAMPTOWN RACES||HUMORESQUE (Dvořák)|
|JEANNIE WITH THE LIGHT BROWN HAIR||MAPLE LEAF RAG|
|JAMAICA FAREWELL||CSIKOS POST|
|JE TE VEUX||MARCHE MILITAIRE 1|
|SONATA op.13 “PATHÉTIQUE” 2nd Mov.||BLUMENLIED|
|HEIDENRÖSLEIN||GRANDE VALSE BRILLANTE|
|HABANERA FROM “CARMEN”||LA CANDEUR|
|BRINDISI FROM “LA TRAVIATA”||AVE MARIA (BURGMÜLLER)|
Play the keyboard while linked with the app
A piano roll showing the music score and finger timing is displayed on the mobile device’s app screen.
• Mobile device and audio cable sold separately.Practice playing on the smart device screen
Another fun feature is the ability to take 3-step lessons on the smart device itself using the virtual keyboard that appears on the screen. You can confirm the chords‚ melody and finger timing visually on the screen‚ while also using the scoring function to help you master the song. The 50 built-in app songs and your downloaded MIDI file songs are all available for use in your lessons.
• CTK Series keyboards do not offer Key Lighting.
Powerful lesson functions!
Step Up Lesson
To master a song‚ it is best to break it up into short phrases‚ master each of the phrases‚ and then put everything together. Step Up Lesson does exactly that‚ providing you with the support you need to improve your play.
Voice Fingering Guide
If the keyboard senses you are having problems, it will help you by calling out finger numbers in a simulated human voice.
Lesson Part Select(right hand, left hand, both hands)
Built-in songs cover a wide range of genres for lesson play and for your listening enjoyment
Designed and engineered to help you sound your best!
400 high-quality tones
A wide selection of musical instrument tones supports play of songs from various genres.
100 rhythms and Auto Accompaniments for Latin music and other styles from around the world (100 rhythms including 46 ethnic rhythms and 10 patterns for piano play)
An advanced Auto Accompaniment feature provides you with access to a large collection of ethnic rhythms from around the world‚ with a special emphasis on Latin rhythms.
Pitch Bend Wheel
Rotate the wheel to slide the pitch of the sound being output upwards or downwards. This effect comes in handy when reproducing the sound of ethnic instruments‚ etc.
USB to Host Terminal
USB port for computer connection*
General MIDI(GM Level 1) support allows connection with a computer or another GM-compatible device.
• Supported operating systems: Windows®XP Home Edition (SP2 or later) Windows®XP Professional (SP2 or later‚ 32-bit)‚ Windows Vista®(32-bit)‚ Windows® 7 (32-bit‚ 64-bit)‚ Mac OS®X (10.3.9‚ 10.4.11 or later‚ 10.5.8 or later‚ 10.6.7 or later) For the latest news about driver and application support under Windows®7‚ visit here.
One Touch Preset (100 presets)
One Touch Preset automatically sets up the keyboard to match the currently selected rhythm.
|Keyboard||61 piano-style keys|
|Touch Response||2 sensitivity levels, Off|
|Tones||400 built-in tones|
|Digital Effects||Reverb (10 types), Virtual Hall, Dance Music Effect|
|Rhythms/Patterns||100 built-in rhythms, 50 Dance Music rhythms|
|Built-in Songs||60 (Song Bank)|
|Connection to APP||Yes|
|Metronome||Beats: Off, 1 to 9 (Tempo range: quarter note = 20 to 255)|
|Key Transpose||±1 octaves (-12 to 0 to +12 semitones)|
|Tuning Control||A4 = 415.5 to 465.9 Hz (Initial Default: 440.0 Hz)|
|Pedals||Standard jack (sustain, sostenuto, soft, rhythm)|
|Speakers||10cm x 2|
|Amp Output||2W + 2W|
* USB cable (A-B type) required to use USB terminal for computer connection.
|Power Requirements||Batteries: AA-size x 6 / AC Adaptor: LAD-6|
|Dimensions (W x D x H)||946 x 307 x 92 mm|
|Weight||3.4kg (Without batteries)|
|Included Accessories||Music stand|


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CEDAR VALE DANCE BANDS
Looking for a band that will get your guests up and on their feet? GigMasters has a wide selection of Dance Bands that you can book for live performances at weddings, birthdays, clubs, and more. Bust a move and see who’s available for shows in the Cedar Vale, KS area.
Please note these Dance Bands
will also travel to Dexter, Cambridge, Maple City, Grenola, Webb City, Shidler, Sedan, Chautauqua, Peru, Pawhuska, Burden, Moline, Elk Falls, Winfield, Atlanta, Latham, Havana, Kaw City, Arkansas City, Howard, Burbank, Caney, Longton, Rock, Niotaze, Newkirk, Copan, Elk City, Piedmont, Geuda Springs


Burbank, California, US
My satisfied clients have described my sound as energetic, youthful, raspy, fun, flirtatious, friendly, approachable, sweet, Girl Next Door and sexy. I'm a professional studio vocalist with more than a decade of experience writing, arranging and performing every imaginable style of music; from rock, to folk, to jingles, choir and theater, kid's songs, and lullabies. I also enjoy impressions or imitations, and can do a wide range of vocal styles. I have been acting, singing, and performing since childhood, as well as attending an esteemed Music Conservatory on a substantial vocal scholarship, and teaching family music enrichment for four years. I have trained with the legendary Bill Farmer, voice of Disney's Goofy and Pluto (among others), to develop voice characters that showcase not only my unique vocal range and character personality, but also my skills at singing and arranging music. I look forward to furthering my knowledge in this career by attending voice character workshops and meeting with commercial voice agents.
NOTE: I have two children, M is a 13-year-old boy and V is an 9-year-old girl. Both are excellent experienced Voice Actors too, and they are available to submit for jobs through my profile.
English (North American), English
North American, US General American (GenAm)
Child (5-12), Middle Aged (35-54), Teen (13-17), Young Adult (18-35)
Animation, Audiobooks, Business, Documentaries, Educational, Internet Video, Movie Trailers, Radio, Television, Videogames
I am Wonder Woman. Seriously, I am the voice of Wonder Woman for children's audio books. I'm also Captain Marvel. I know, its crazy to be two of the greatest superheros of all time AT THE SAME TIME, and one is DC and one is Marvel?? But its true, I voiced Captain Marvel for the app game Marvel Avengers Academy.
I recently voiced the Live Red Carpet Show for the American Music Awards, and the Golden Globes, as well as voicing the Streamy Awards (the YouTube awards). You can also hear my voice in a nationwide Valentine's ad for Hershey's, a Toronto Pride 2016 and Orange is the New Black radio ad, commercials for Honda, Wells Fargo, Saucony, Marriott, Excedrin, Planet Fitness, Amway, Weebly, Square Reader, Liddel's Market, TASER, Zarbees, Aetna, Boss Leather, Baby Einstein, Crayola, NASA, CityBike New York ads and app, ParkMerced web ad, and many more.
I've performed dozens of television, internet and radio ads as well as several educational video and e-book series, How-To tutorials, animated shorts, corporate event introductions, apps, and children's books. In addition, I have performed in dozens of professional music recordings, back tracks, and children's music.
Bill Farmer - Voice Of Goofy
Acting Up Networks
Azusa Pacific University
Majored in Vocal Performance
Attended on several vocal scholarships
Shure MV5 Condenser mic, Shure SM58, SM57 condenser mic, EV N-D Series
Computer & Software
Macbook Air and Mac Pro w/ El Captain, Adobe Creative Suites, Audacity, Audition, ProTools, Garage Band,Office, iWork
My amazing vocal talent plus my awesome Sony MDR 7506 headphones
24 hours and additional 24 hours for edits
"Hannah has performed voice overs for each of our video ads and for our website as well. We love the youthful and energized quality in her voice and we think her delivery is relevant and fresh, representing our brand beautifully."Discovering Science Traveling Exhibit
"We are very happy with the voice over Hannah performed for our introductory video. She is fast, professional, and articulate."Mind Cuisine
"Not only did Hannah have a fresh and energetic sound, she also fully mastered and edited her own voice over audio and background music for our ads. She went above and beyond on our project."HD Media Pros
"You're ready!" "With a voice as diverse as yours, you will be working ALL the time!"Bill Farmer Voice of Goofy and Pluto since 1977
Voice Over Clients
Hershey's Kisses, Honda, Crayola, Baby Einstein, Marriott, Saucony, Planet Fitness, Wells Fargo, Square Reader, Boss Leather, TASER, Aetna, Excedirin, Amway, Zarbees, Orange Is The New Black, Toronto Pride, NASA, Monterey Vineyards, CITI Bike, Stella, Liddel's Market, Zespri, FanDuel, ParkMerced, Ion Loyalty, Coastal Scents, Beauty Blinds, Discovering Science, HD Media Pros, to name a few.
Payment to Hannah Laurel is made through Voices.com SurePay®, our escrow service that guarantees your project is completed to your satisfaction. Pay securely by Visa, Mastercard or PayPal through Voices.com and when your work is done, simply download the final files, and release funds to Hannah Laurel.
To invite Hannah Laurel to audition for your project, simply invite them to a job. Share your project details to quickly and easily receive a quote.
Have questions about posting a job?
See how Voices.com works here.


From The Top of the Fret
These shows are hosted by Stephen Housden who has played guitar for over 30 years and has toured and recorded with many successful rock and roll platinum selling recording artists. Stephen has toured with Little River Band for the past 25 years.
All of these DVD titles are both educational and informative. Each DVD is filled with never before documented information about the shows’ featured performers and / or artists. Rather than just grazing the surface, they dig deep into their knowledge and experiences to give you an in depth look into what it takes to create the great instrumentation and lyrics behind the songs.
“From the Top of the Fret” and all of our DVD series are available in our store.
Enter The Songwriting Contest
From The Blog
Daniel Rocha – Could Be Worse (Dallas, TX)
Daniel Rocha has been featured in documentaries about Texas musicians as well as his ...Readmore
Kym Warner, Wayne Chojo Jacques & Friends – “Long Time Gone” Live @ Radio Coffee & Beer
Every week in Austin, TX, talented touring musicians gather at Radio Coffee & Beer ...Readmore
Live @ The Nashville Symphony with Singer/Songwriter Mary Jennings.
Mary Jennings is an eclectic singer/songwriter whose songs have been featured on films like ...Readmore


View credits, reviews, tracks and shop for the CD release of "Poison" on Discogs. Listen to Poison by OOM, 63 Shazams. Music Video. Poison. Featured In. Album. Dead Analogue. OOM. Top Songs By OOM. TRACK. ARTIST. SHAZAMS. Hailing from Brighton, Oom are a four piece fusing beautiful vocals with broken electronics and noisy guitars. Their music, if you wanted to squish it into. Poison - EP. OOM. J-Pop · Preview. Song. Time. Poison. 1. PREVIEW. Coming Alive (Live). 2. PREVIEW. Drive (Acoustic). Check out Poison by Oom on Amazon Music. Stream ad-free or purchase CD's and MP3s now on Listen to Poison on Spotify. Oom · Song · Provided to YouTube by The state51 Conspiracy Poison · Oom Poison ℗ Series 8 Released on: Auto-generated by YouTube. Show less Show more. OOM, POISON, VG/VG, 3 Track Promo CD Single Card Sleeve,. THIS SALE INCLUDES CD, ARTWORK AND CASING WHERE APPLICABLE. All our CDs are described as Used/Pre. Listen free to OOM – Poison (Poison, Coming Alive (live) and more). 3 tracks (). Discover more music, concerts, videos, and pictures with the largest. Slušaj "Poison" od Oom na Deezeru. "Poison", "Coming Alive (live)", "Drive (acoustic)".
- Yves Prin Pierre Yves Artaud Philippe Graffin Pascal Post Orchestre Philharmonique de Radio France B


What Shall We Do With The Drunken Sailor?
Irish folk song Composer
The Irish Rovers Performer
Six-string guitar arrangement by Margarita Gershunova for Irish folk song "What Shall We Do With The Drunken Sailor?".
What you get:
- Arrangement File Guitar Pro 5 GP5
- Sheet Music & Tabs PDF
Music in fact is an interchange of dissonance and consonance making a wave-effect on the audience.


Bert Jansch ‘Live In Italy’
BERT JANSCH – LIVE IN ITALY
Ltd Edition Double Black Vinyl
Previously unreleased live recording of Bert Jansch’s stunning concert in Mestre at the Teatro Corso, Italy 1977. The performance also features appearances from Martin Jenkins, Sam Mitchell and Leo Wijnkamp Jr. The double vinyl is housed in a wide spined sleeve and includes a download card.
Various Artists ‘Dennis Hopper's The Last Movie’
DENNIS HOPPER’S THE LAST MOVIE
Ltd edition Yellow Vinyl, Gatefold Sleeve
After the incredible success of the film ‘Easy Rider’, Dennis Hopper was given complete freedom to direct and star in the bizarre, surrealist ‘The Last Movie’ – released in 1971. Filmed in a drug-fuelled haze in Peru with Hopper, Peter Fonda, Kris Kristofferson, Dean Stockwell, Michelle Phillips, Russ Tamblyn, and Samuel Fuller – there has never been a soundtrack to this film until now!
Featuring the first-ever performances of Kristofferson’s legendary “Me and Bobby McGee” plus sublime country-folk songs from John Buck Wilkin, Peruvian folk & dance music – all recorded live on set in Peru – nothing was overdubbed! Plus, provocative movie dialogue from Dennis Hopper, Sam Fuller and others – coupled with the ambient sounds of the mountains and villages of South America – reissue producer Pat Thomas and Hopper Estate archivist Jessica Hundley have assembled a groovy listening experience that will melt minds.
Packaging includes rare vintage photos, detailed liner notes, et al. ‘The Last Movie’ recordings are being released for the first time ever in any audio format – taken from the original movie reels!


Oceanic MIDI Loops (15 Spacey Melodies + 6 Bonus HiHat Melodies)
wxvybeats created a original pack of spacey melodies. Each melody is in midi form so they work on almost any DAW you use. This pack also includes 6 bonus midi hi hat patterns. Check out a preview of these loops below.


From now on, the only music we in the UK are allowed to show our friends is the music NOT controlled by these people?
So the only way you can legally hear music that these people want you to pay for is either on the radio or by borrowing the CD from someone?
Can we still legally borrow CDs?
Irrespective of that, it's been years since I paid for music, for the simple reason that if they don't want me to hear it before I buy it, then I'm going to hear it and not buy it, because I hate them now.
So they want us, who now hate them, to give them money for music we've never heard? Would they expect us to buy a painting we've never seen? Cillit Bang without Barry Scott's personal assurance?
It certainly is great news for those music artists in the UK who actually have talent, that's for sure. The plastic music industry is stifling its main* source of income.


Hire swing band in Devizes
About: The Jazzy Pixels are stylish a Jazz Trio, quartet or quintet, offering Jazz Swing standards, smooth Jazz or lively Jazz/Funk. With or without a vocalist we are a versatile band that can fit in with your needs.
About: 1920s covers of modern pop songs. 100% original arrangements. Lively uptempo sound with incredible vocals. Available as full band for dancing, or smaller ensemble for background music.
About: Hot Club Two are a Wiltshire based guitar duo, inspired by the timeless sound of Django Reinhardt. Steve and Brad’s music fuses both classic and modern interpretations of a wide range of Jazz and Latin songs, with a unique gypsy twist. Their sound can enhance the atmosphere of any event, whether y
Recent review: Swinzing provided the most wonderful roving jazz backdrop to our wedding reception. A fabulously relaxed jazz groove to help get everyone in the perfect mood. A pleasure to deal with.
Recent review: "Pure class! I booked John for my wife's 50th birthday and she's told me it was her best present ever. She was in floods of tears when John sang ""Stars"" directly to her. 18 members of the family and everyone absolutely loved him. Fabulous set, beautifully performed - an amazing evening. Thank you
Recent review: “Truly exceptional musicians who entertained a full house until we could applaud no more! Please do come back…a very memorable evening of music making at the very highest level!”
About: Band of Gold is one of the UK's top Wedding, Party and Festival bands led by Award Winning Musician Jeremy Huggett on saxes, flute & vocals. Formed in 1997 the band has performed at the UK's major music venues & festivals and appeared on BBC TV and radio. Band of Gold appeals to all musical taste
About: Line Up - Piano and Vocals (With the option of adding bass, drums, and horn section on request) Passionate about Jazz and Soul, The Jazz Rats perform a variety of high quality music, from eloquent Jazz standards and upbeat Swing, to popular Soul classics and mellow contemporary Pop. They also do
About: A professional and charismatic vocalist and entertainer with a unique voice, proficient in soul, pop, gospel and jazz music. Janice can be booked for weddings, private parties and corporate events.
About: Kev B is a professional Singer with over 25 years of experience. He has performed at prestigious venues across the UK and worldwide both as a soloist and as part of his popular group The Imaginations. Kev has also been the Principal Vocalist for the Evolution Choir for over 12 years and has shared
Recent review: fantastic band we enjoyed our evening watching them, great music for all the family, very entertaining and such friendly lovely girls
Recent review: "The Frampton Footwarmers were delightful - just what we wanted - a mix of cabaret jazz and danceable tunes that enabled the evening to go with a swing for those who wanted they could dance and for those who wanted to tap a toe and talk they could do that too they were easy to deal with and ev
Recent review: Words cannot descibe how brilliant this band is. Would 100% recommend them. Many thanks to them for making my party so enjoyable.
About: If you want your event be a special one, then you need a special band! Fat Boy Swing bring a sense of style, sophistication and humour to every event they play. With a classic line up of Piano, Double Bass, Saxophone / Trumpet, Guitar and Vocals this band really does know how to play and sing cla
About: An Andrews Sisters - style close harmony trio, who perform 1940s/1950s songs and more recent tunes with their own special ‘Champagne’ twist. Features on ITV’s Good Morning Britain, BBC’s South Today and BBC Radio, Champagne at the Blitz are sure to be a hit at any vintage-themed event with their eye
About: Steve Conway Vintage style Vocalist is the Perfect Accompaniment for any event whether it be a wedding, Corporate Event, Private house party, Cocktail drinks reception or any event where a fabulous atmosphere is required! Steve is booked regularly as a Solo vocalist but also works with a pianist
Recent review: We booked Antony Myers for our wedding in July this year and we could not have been happier. Antony is an exceptional entertainer - he performed during our cocktail hour after dinner and we have lost count of how many of our guests told us how great he was. The atmosphere he created was just brillia
Saxophonist (Jazz, Easy Listenting, Pop Classics & Ibiza Chillout) & Mobile Disco With Female DJ / Jazz Band Duo Trio Quartet
Recent review: "Brilliant sax player At my 60 th birthday and renew of vows Everyone thought it was great Wendy played various tunes to sort all ages after being told the age range I did not choose any apart from our first wedding dance which she played superbly Would recommend without hesitation Actual
Recent review: The Lollipops were fabulous. The sweetest girls, they arrived and just got stuck in - very professional, a great performance, easy to work with (great communications ahead of the event and on the day). We were able to specify some songs for their set, and every single one was great. Loved the mat
Recent review: "My wife and I thought that Petites Announces were terrific, and exactly what we had been looking for. Their music was full of character, played with great verve and skill, and made just the right atmosphere for a party in a hired country house. They were also bang on time, very efficient in setting


The Australian Ballet: Études / Circle Electric
In an entrancing double bill, The Australian Ballet presents Études, a beloved classic that shows you the complexity of ballet technique, alongside a spectacular new contemporary commission, Circle Electric by Stephanie Lake.
Choreographed by Harald Lander in 1948 for the Royal Danish Ballet, this one-act ballet is set to piano studies by Carl Czerny, arranged by Knudåge Riisager. Emulating the ballet studio experience, the dancers perform precise exercises at the barre, which become more expansive as they move into the centre, and develop into a grand finale of full-velocity movement in perfect synchronisation. Complemented by spectacular new costumes from Lise Lander, Études will transform you to the inner world of the dance studio with its beauty, grace and immaculate movement.
Using the full force of The Australian Ballet's dancers, Circle Electric starts as a microscopic investigation of the intricate and the intimate, ultimately expanding to encompass a telescopic view of humanity.
Grappling with the search for meaning, Stephanie Lake in her first full length commission for The Australian Ballet, looks at a fundamental paradox of our existence – how we can be both utterly insignificant and profoundly important at the same time.
Melbourne Principal Packages and Melbourne Create Your Own Packages on sale now
Melbourne single tickets on sale 1 February 2024
Find out more about The Australian Ballet's 2024 Season.


Joe Thompson. Prokofiev – Romance (Lieutenant Kije). Uploaded by. Joe Thompson. Joseph Straus – Introduction to Post Tonal Uploaded by. Joseph N. Straus’s Introduction to Post-Tonal Theory has long been an essential text for anyone interested in studying post-tonal theory. First published in Now published by Norton, Introduction to Post-Tonal Theory has been thoroughly updated to reflect the latest developments in the field, with.
|Published (Last):||4 November 2011|
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The music of the twentieth and twenty-first centuries in its cultural, social, and intellectual contexts. A concise anthology including a wide range of music plst the twentieth and twenty-first centuries. Now published by Norton, Introduction to Post-Tonal Theory has been thoroughly updated to reflect the latest developments in strajs field, with additional coverage of transformational theory and voice leading. The Fourth Edition helps students identify key theoretical points and guides them through tonwl process of analysis, while also offering new recently composed musical examples—all at an exceptional value.
Introduction to Post-Tonal Theory is written by a prominent scholar of post-tonal music and offers the most up-to-date coverage of the dynamic field. In this new edition, the text features enhanced coverage of transformational theory, voice leading, and the application of set theory to rhythm.
The Fourth Edition maintains the insightful analyses that concluded each chapter of previous strays, and new in-text score excerpts make the analyses even easier for students to grasp. New guided analysis exercises—consisting of a score excerpt and a series of bullet points that guide students to an analysis—encourage students to use the in-text analyses as models for their own work.
These exercises are flexible and designed to be used for in-class discussion, short assignments, or longer analysis papers. The text employs a rich variety of pedagogical features to engage students and explain complex ideas with concision and clarity.
New chapter openers highlight learning objectives and new in-brief boxes present key concepts. Every chapter offers guided analysis and theory exercises that give students the opportunity to apply the concepts discussed in the text, and an appendix provides answers to selected exercises, giving students instant feedback on their work. Author Joe Straus is renowned for his work on the Second Viennese School and Stravinsky, and the Fourth Edition continues to illuminate classic teaching examples by these composers, in addition to featuring the work of newer composers such as Adams, Carter, and Ligeti.
This edition also expands the repertoire with new examples by Ades, Dallapiccola, Davies, Mamlok, Saariaho, Schnittke, and Tower, bringing a wealth of new music into the post-tonal theory course. Now published by Norton, the fourth edition of Introduction to Post-Tonal Theory features a new, lower price. And with an ebook option, Norton offers even more value to students. Cart Support Signed in as: Available Our Retail Price: Music in the Twentieth and Twenty-First Centuries The music of the twentieth and twenty-first centuries in its cultural, social, and intellectual contexts.
Anthology for Music in the Twentieth and Twenty-First Centuries A concise anthology including a wide range of music from the twentieth and twenty-first centuries.
More Textbooks Music Music Theory. More Books Music Music Theory. Introduction to Post-Tonal Theory.
Introduction to Post-Tonal Theory
The classic survey of the field, retooled for a new generation joseeph students. Features Contents The definitive introduction to post-tonal theory Introduction to Post-Tonal Theory is written by a prominent scholar of post-tonal music and offers the most up-to-date coverage of the dynamic field.
Basic Concepts of Pitch and Interval Chapter 2.
Pitch-Class Sets Chapter 3. Some Additional Properties and Relationships Chapter 4.
Introduction to Post-Tonal Theory: Fourth Edition – Joseph N. Straus – Google Books
Motive, Voice Leading, and Harmony Chapter 5. Centricity and Referential Pitch Collections Chapter 6. Basic Concepts of Twelve-Tone Music.


Wolf 'Standard Secondo' Shoulder Rest for Violin51723
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The main part of the shoulder rest is made of comfortable rubber, on top of that the aluminum plating which makes it possible for the player to shape the rest to their own shape and allowing them to play with their own ergonomics. Delivered with this rest are two plastic spacing tubes which allow the arms to be stable when put into the highest position.
- Curved shape
- Adjustable to any angle
- Available in sizes 4/4-3/4, 1/2-1/4, 1/8-1/16
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Karoake sing and record – a free karaoke app that lets you to sing songs with Youtube, and gives you a huge chance to show your voice talent to the world. Become famous through your voice on the internet and then to whole world. It also gives you the an opportunity, arrange a karaoke party anytime and any where.
First if we talk about the user interface, it really smooth and pretty much user friendly. Its not really difficult to use the app, all the things are well developed and easy to access.
Karoake sing and record: record your own music
Karaoke sing and record come up with huge library of song, you can choose any type of genre to browse songs from the catalogue. The main things, you can sing in any language you want and save your recorded song in both video and audio format.
As mentioned above the karaoke sing and record is really simple to use, you can easily record your songs, once you’ve picked your song start recording your song by just singing along the lyrics of the song shown in the app.
The karaoke app also come up with video effects. Once you recorded your song with this karaoke app you can put video effects (echo or reverb) on your video in order to make your video more attractive. If you are not sure you can sing in tune with music and lyrics then this will not more your headache, the automatically adjust this for you.
The app also allow you to share you recorded song with the world, family and friends, has support for all famous social media platforms such as Facebook, twitter, and WhatsApp.
The best thing about the app is, its free karaoke app for android and iPhone, you can easily download it from Google Play Store and App Store. But if you want to unlock its premium feature then you’ve to spend some money for this.
Click here to download for Android
Click here to download for iPhone
Karaoke Sing and Record with its Pros and Cons
- Offer huge list of songs both new and old
- Automatically adjust the voice to the tune and lyrics
- Social sharing option
- Simple and easy to use, it good user interface
- Advertisement in free version
- You can’t watch how it records, for this you’ve to unlock premium feature that costs money
- You can’t save videos in free version.
- You can say its really costly if you are going to use its advance feature.
Overall its great karaoke app available to record your songs and share it world. The app also have its Youtube Channel YouTube.com/user/YokeeChannel where you can find some of you favorite songs.


Noticed that the nonlive version of this song wasnt on youtube lyrics. The song the band the weight is professional recreation. The band originally released the weight written by robbie robertson and the band released it on the album music from big pink in 1968. The weight is one of the groups best known songs and among the most popular songs of the late 1960s counterculture. Following the show, the band announced a selftitled album of new music. The band the weight midi file download midi files and.
The weight, by the band s robbie robertson, appears on their album music from big pink 1968. Given a piece of music, it is interesting to count how many times each of the individual twelve musical notes is played, and understand their relative weight, or importance, in the piece. Hype machine the band itunes musicbrainz allmusic i amazon the band music from big pink. Includes unlimited streaming of the weight via the free bandcamp app, plus highquality download in mp3, flac and more. The band the weight electric guitar, bass and drums.
No overdubs or fancy studio rerecording was made, the live songs are 100% live and show the superb live quality of this band. Includes unlimited streaming of keep turning deluxe edition via the free bandcamp app, plus highquality download in mp3, flac and more. The bands the weight was about a jewish bookseller the. The song appears originally on the band s first album, music from big pink. But its easier to draw parallels with the biblebased black spiritual, go down moses.
The weight youtube spotify 16 the band music from big pink play producer. Music notes for guitar tab sheet music by the band the band. Print and download the weight sheet music by the band. The weight featuring robbie robertson and ringo starr. Band the weight sheet music for voice, piano or guitar pdf. Sign up and enjoy a free download of our song better man, featured on our pfc songs around the. While it wasnt a major hit for the band, it eventually became an essential part of the american songbook. Learn how to play the band songs for electric guitar, bass and drums online. Transpose, print or convert, download pop pdf and learn to play easy piano score in minutes.
Includes unlimited streaming of the weight via the free bandcamp app, plus high quality download in mp3, flac and more. Robertson 12 72 1 2 3 4 21a catch crago i i zy picked pulled the chesdown, up incanter miss my to nonbags, na4 4111 cm ball. It was released by the band as capitol records single 2269 in 1968, and appeared. The weight remastered by the band on amazon music amazon. The weight sheet music from the band sheetmusicfree.
Free download the weight sheet music the last waltz pdf for piano sheet music. Print and download sheet music for the weight by the band. The weight sheet music from the band d sheetmusicfree. Check out the weight remastered by the band on amazon music. Free midi files on are demos with all instruments included. Official the band the weight lyrics at cd universe. Tranposable music notes for pianovocalguitar sheet music by the band robbie robertson. The weight is produced and distributed by the team at hit trax and available in the following formats.
Song information for the weight the band on allmusic. The band the weight sheet music notes, chords download. The weight sheet music pdf the band fro the last waltz free download the weight sheet music pdf the band from the last waltz for piano sheet music, scoring piano vocal chords, original key. The weight chords by the band with chords drawings, easy version, 12 key variations and much more. Add the weight live by the band to your rock band song library. Hal leonard digital sheet music at sheet music plus. Discover the weight instrumental mp3 as made famous by the band. The weight band has been keeping the spirit and music alive that defined an era. In the song, moses, like the narrator of the weight, is asked to. Cover versions of the weight by the band secondhandsongs.
Touring nationally for the past four years, the group features members of the band, levon helm band. For a band with powerful southern roots, this greatest of all southern writers could easily have been required reading, so its very possible that he read faulkners novel go down moses. I pulled into nazareth, was feelin about half past dead i just need some. I pulled into nazareth, was feelin about half past dead i just need some place where i can lay my head hey. The band the weight sheet music in a major download. Songs like a little bit of music still breathe the same air as hard way from the first album, but one can sense the now completed absence of compromise and dither. The band the weight mp3 download and lyrics cd universe. The four musicians wrote music that no longer seems to be regardlessly classifiable. In 2012, jim weider launched the weight band, performing covers of the band s music, alongside former members of the levon helm band and rick danko group. The weight by the band robbie robertson digital sheet.
Easy rider deluxe edition featuring the song the weight mp3 download and lyrics. Were excited to share our newest song around the world, the weight, featuring musicians performing together across 5 continents. I pulled into nazareth, was feelin about half past dead i just need some place where i can lay my head. From the last waltz the weight is a song written by robbie robertson. Heavy, groovy, bluesy, sexy and a bit nostalgic the weight guide their audience to landing fields of leaden zeppelins, the deepest purple or to the whos who when it comes to throwing tv sets out of hotel room windows. Watch robbie robertson play the weight with ringo starr and musicians across five continents the epic playing for change video was the result two years of work across ten countries. He just grinned and shook my hand, no was all he said take a load off fanny. The weight by the band the band digital sheet music for. Itll also draw from their past, as todays free mp3 download, the weight, originally appeared on the bands 2010 selftitled debut ep and. The weight song around the world playing for change. The new the weight record in control sounds even more particular than its predecessor.
Download the weight sheet music pdf the band fro the last. Thanks to the weight band for allowing taping of this show and for permission to post this. For music credits, visit music downloads not rated by the esrb. The weight sheet music pdf the band fro the last waltz free download the weight sheet music pdf the band from the last waltz. Robbie robertson plays the weight with ringo starr. On february 23, these woodstockbased artists released their first fulllength, 11track studio album world gone mad. Download and print the weight sheet music for voice, piano or guitar by the band. The band the weight sheet music easy piano in g major. Recently, the weight band performed in a nationally broadcast pbs special, infinity hall live, featuring new music. The band lyrics the weight i pulled into nazareth, was feelin about half past dead i just need some place where i can lay my head hey, mister, can you tell me where a man might find a bed.
In 1968, canadianamerican group the band released the song the weight from their debut album music from big pink. It was also covered by hankey mountain express, midday sun, paul jones, leslie uggams and other artists. Take a load off fanny is one of the more mysterious lines in the band s song the weight. General commentthe weight i can rember the first time i heard this great song, i was stoned as fk, and this song caught on the radio, i never ever had a feelin like the feelin i got from this song, i mean it was almost like the music it self was getting me high, like it was a drug, so ever day i listenin to the weight one or twice and from then on i dont listen to nothing but the band,, my. The weight is a frequent cover, and inspiration for, the weight band, featuring former band member jim weider, and past members of the levon helm band and rick danko group. Great songs can travel everywhere bridging what divides us and inspiring us to see how easily we all get along when the music plays. Cd universe is your source for the band s song the weight mp3 download lyrics and much more. Recently, the weight band performed the weight on a nationally broadcast pbs special, infinity hall live. The band s bestknown and most enduring recording, the weight, is perhaps their most successful attempt at the creation of a new american mythology, a winding, impressionistic story song cut from the rural traditions of roots music folk, country, and gospel.40 743 1549 963 398 1467 998 1528 472 1003 152 759 1499 731 1468 1414 918 1222 751 577 1093 1322 1066 453 116 131 969 849 21 715 623 883 593 699 1336 658 218


The littleBits Arduino module has the potential to be a MIDI-driven tone generator for a mono or paraphonic synthesizer. After getting the module, I was anxious to try it out even though I haven’t built a MIDI interface for it (yet).
Here is a picture of the littleBits hardware. (Click the image to get full resolution.) The Arduino module is in the middle between the controls at the left (button and dimmers) and the synth speaker at the right. The controls on the left hand side don’t do anything at the moment. I put a dimmer between the output pin (D5) and the synth speaker in order to control audio volume. It’s just more convenient to control the volume with a dimmer than the tiny trim pot on the synth speaker module. The knobs on the dimmers are my own touch; they aren’t standard-issue with the littleBits dimmers.
To keep things simple, I wrote a sketch that implements a basic note sequencer. Each note has a pitch (frequency) and a duration (milliseconds). The notes are stored in an array. The Arduino
loop() function steps through the array of notes and plays one note at a time. After the loop plays the last note in the array, it goes back to the beginning of the array. The loop has a
delay() in it and the loop keeps track of the remaining duration of the currently playing note. The sketch calls the Arduino
tone() function to play notes by sending a square wave at the desired frequency to output pin D5.
If you would like to learn more about this project, then read about the design of this simple Arduino-based sequencer and tone generator. Here are links to the source code:
The D5 and D9 output pins on the littleBits Arduino module have a switch that enables or disables low pass filtering. The “analog” switch position turns on the filtering. The “pwm” position turns filtering off. Should you build this project yourself, try both switch positions. The “pwm” position doesn’t filter the square wave and you will hear it loud and nasty. The “analog” position produces a quieter, mellower timbre thanks to the low pass filter. Be sure to try the littleBits synth filter, envelope and delay modules, too.
One more tidbit. Pictures of the littleBits envelope, filter and delay modules usually show the top-view. The picture below flips the modules over and shows the bottom-view.
From left to right, the modules are the envelope, filter and delay, respectively. There is some serious electronics on these boards! (Click the image for full resolution.) I hope to use these modules to mangle audio, not just synthesis.
All the best.
Update: 28 June 2016. If you enjoyed this project and have the littleBits Synth Kit, then check out an expanded version of the tone sequencer which drives the filter and envelope modules.


Which Rob Allen model is right for you??? All my semi-hollow basses are made from the same high quality materials, and produce the same basic sound, which combines the warmth of an upright with the punch of a solid body. They are all fat, warm sounding basses that are also very lightweight and versatile. But there are some subtle differences, as described here:
Mb-2: This is a full 34” scale semi-hollow bass. Warm woody tone with a strong fundamental due to the hollow wings and solid center block. This is the most versatile of the basses due to the punch of the long scale. This design can produce good staccato tone if plucked back towards the bridge, or pillowy warm tones if plucked over the neck/body joint. Punchy enough to play rock or blues with, warm and open enough for jazz.
Mouse 30: This model is built from the exact same quality materials and electronics as the mb-2, but featuring a 30” scale. The lower string tension means less attack, but more “bloom” on the end of the note. The lower string tension also produces a slightly fuller low end than the mb-2 (to demonstrate this, detune a string one whole step on any bass and hear the tone thicken as the string tension is dropped).
Deep 4 / Deep5: These are the most hollow of the basses I offer. This design still has a solid (although slightly thinner) center block to keep good note definition, but has larger hollow sections than the other models and thinner side walls, and the addition of an f-hole, allowing more “air” around the notes. This is the most “acoustic” sounding of the basses, and sounds the most like an upright. Since the body is less rigid, the initial attack is slightly softer and the resulting notes a little more complex sounding.
Often I receive emails asking about a comparison between these three seemingly similar models, and this is how I usually answer in synopsis:
Mb-2: most versatile, thick organic bass tone
Mouse 30: fattest sounding, slightly less attack
Deep 4/5: most convincing acoustic tone if cost is not an issue
About the wood- I have had many questions over the past 12 years regarding what the different woods sound like. Although there are many wood variations, the basic tone of all the basses offered is about the same within each model, and here is the reason why: the neck and the hollow design of the body, in combination with a wooden bridge and nylon tape wound strings, produce the lion’s share of the instrument’s tone. After making and listening to many hundreds of basses, I have discovered which woods best complement each other, and each combination is aimed and bringing the tone back to “center” so speak. For example: mahogany is a warmer sounding wood, maple is brighter, so these two are very complementary as a mahogany body with maple top. By the same rule, swamp ash is brighter and clearer than mahogany, yet walnut is warmer and softer sounding than maple, so these two combine well also, yielding two different wood combinations that are very similar in tone, yet have a significantly different visual quality. Regarding the top wood, it is thin (just about 3/16” thick) so it doesn’t have too strong of an influence on the tone. In addition to this, all materials are hand selected for similar weight, appearance and grain structure, and for this reason you will find very little difference in sound between a maple, walnut or koa top. Do they sound different at all? Sure, every piece of wood sounds different from the next, as each bass does, and there can be as much variation between two pieces of the same species. But the differences are subtle, in the case of my particular designs. So I often suggest that people choose the wood combination that appeals to them visually.
The F-hole- the more rigid a bass body is, the cleaner and more pure the tone. As the body becomes less rigid, it offers more warmth and overtones, and general complexity. In the case of Mb-2 & Mouse 30 basses, adding the f-hole will soften the attack slightly and add some midrange. It will not however add much acoustic volume (maybe 5~10 percent) as these basses are not designed for acoustic volume. These models are very thick natural sounding basses already without the f-hole, so we are talking about subtleties here. So within these parameters, a bass without an f-hole will be slightly punchier and crisp, and the same bass with an f-hole will sound slightly more round and have a softer attack (more upright like).
Fretted or Fretless??
Fretless: For players that normally play a fretted instrument but are looking for a fuller & fatter upright-like sound, I suggest going with a fretless bass. The fretless can be played without any slides or slurs, just as you would a fretted bass, the only difference is that you play on the fretline markers to get proper intonation. This gives the sound of a “standard” bass, but fuller and fatter, and with more character , as the attack of a fretless is a little more complex than that of a fretted bass. It’s surprisingly easy to play in tune, and I have made this suggestion to hundreds of customers without a single return to date.
Fretted: When comparing the fretted and fretless versions of the mb-2 or Mouse 30 basses, the main difference is the shape of the note. Both will have the same full tone; the fretted bass will have a slightly quicker attack and the fretless will have a slower attack with a little bit of swell after the initial sound. The difference will be most apparent when playing slower tempos. The fretted basses are also very good for players that make use of playing chords and double stops, or sing complex vocal parts while playing bass. If you want a warm, yet clear sound with the precision of frets, I suggest a fretted model.
How Loud is it? All my basses are designed to be amplified. To attempt to create louder acoustic volume would actually compromise the tone. An Mb-2, Mouse 30, or Deep 5 bass will sound about 20% louder than a regular solid body bass acoustically when not plugged in. This makes them plenty loud for practice, but not loud enough to rehearse with other instruments.
The Solid 4 is built with the same concept as all my other basses: that the tone starts in the wood, that it should vibrate well so that notes easily flow out of it, that it produces a fat tone, and has a great worn-in feel when you first pick it up. If you like the very best of 50’s era electric solid bodies, you will appreciate the tone and features of the new Solid 4.


Altoona Jazz Quartets
Browse and compare 44 professional Altoona Jazz Quartets and Jazz Quartets who will travel to Altoona to perform at your event.
SV JAZZ has both small and large groups for hire for your event whether it's a wedding, birthday party, corporate event or other celebration. SV JAZZ has two small combos for hire. Our most popular group is the Sharp Four consisting of tenor sax, trombone/cornet, guitar and acoustic bass. We have taken out all of the instruments that tend to interfere with conversation like the alto sax, tr...
String Poets Quartet is a stylish, professional group of musicians that brings atmosphere and sparkle to any special occasion.
Specializing in wedding, and background music for events, the group plays each year for well over 100 ceremonies and receptions.
String Poets can also perform as a duo, trio or even a chamber orchestra.
MuZette is a husband & wife duo with over 25 years of experience. We are full-time musicians, performing on flute, cello, pennywhistle, fiddle, & global wind instruments. MuZette has toured the country from Dallas to Canada, NYC, Hawaii, upstate NY, and up & down the entire East Coast, including Florida.
Material includes classical, celtic, jazz, original & cover tunes. We can...
is a dynamic and unforgettable jazz artist, with a personality to match. Winner of New Mexico Music Awards' “Best Vocal Performance” category in 2013, Toronto vocalist Faith Amour is a tour-de-force singer. The vibrant rhythms of her Caribbean heritage blend with swinging jazz and heart songs from around the world, to create riveting performances. With a sound evolving from he...
The New York String Ensemble provides the perfect musical touch for any occasion!
Our musicians are the highest quality professionals in New York and we will work with you to accommodate all of your wishes to create the perfect live music.
We offer ensembles ranging from a solo string instrument, to duo, trio, or string quartet. Winds may also be added.
Our repertoire is vast and ...
"Alex was wonderful to work with!"--Client, 2011. "I couldn't have asked for more! [Alex was] Professional and attentive to every need!"--Client, 2011. "Very personable and caring, Alex will provide you with the best music for your event!"--Client, 2011.
Alex and his ensembles, including Sarah Kings and the Smoke Rings, carry liability insurance.
The Alex Levin Trio prides itself on...
Christmas Carolers for your Holiday Event!
Comprised of some the Philadelphia-area's finest singers, The Clarion Voices is a tight knit, A Capella singing group covering a wide range of musical styles. From the Renaissance through Contemporary periods, repertoire includes Madrigals, Motets, Choral Classics, Traditional Carols, and popular Holiday favorites.
In addition to the Standard ...
BLUE JUPITER A CAPPELLA = 4 MOUTHS & 4 MICS...
Over 250,000+ views on CollegeHumor.com, and featured on the Huffington Post, Blue Jupiter performs at corporate events, music festivals, hi-end fashion shows, theaters, and private parties year round. Blue Jupiter has been featured on Oprah, is the voice of the Oreo Cookie commercials produced by American Idol's Randy Jackson, has headlined o...
The Belleville Quartet is a West Philadelphia based acoustic jazz ensemble. First formed in April 2011, guitarist Alban Bailly brought the group together to play the large songbook he had been putting together from his early days growing up in France and studying with gypsy jazz musicians in eastern France. Their repertoire ranges from that of legendary French gypsy jazz...
From the Kennedy Center in Washington, D.C. to your private event, John Cusick's Jazz City delivers the finest instrumental jazz, latin and pop entertainment.
Following their first performance in 2004, word spread quickly among event planners that this was something special. Demand grew for Jazz City to perform for corporate affairs, wedding receptions, restaurants and private events.


Ahhh… Esperanza Spalding. Even her name is musical! When I first heard this doe-eyed beauty’s ethereal voice and funky, breezy jazzmatazz rhythms, I was hooked. The 30 year-old jazz bassist, cellist and singer has won three Grammys and wowed audiences with her critically acclaimed “Junjo” (2006), “Esperanza” (2008), “Chamber Music Society” (2010) and “Radio Music Society” (2012).
She has a hauntingly beautiful soprano voice that screams of being classically trained while at the same time having just enough edge to get the attention of lovers of NeoSoul and Hip Hop. If Roberta Flack and Michael Jackson had a baby, it’d be Esperanza!
She’ll be in Birmingham on Wednesday, July 1 at Iron City downtown. Tickets for the 8 p.m. show are $30 in advance and $33 the day of the concert. Get more details here: http://www.ironcitybham.com/event/834199-esperanza-spalding-emily-s-birmingham/
I’ll probably see you there.


VoiceLessons.com is an online real-time platform that delivers the most effective, highest quality singing lessons available on the Web. The Patented Vocaloop™ Technology was developed by Mike Elson, a USC graduate with dual degrees in vocal performance (BM) and computer science (BS). Using remote network keyboard instrument technology and full-duplex audio, its dynamic vocal exercise player provides accompaniment just like in a face to face lessons but without the audio lag. Each vocal exercise can be recorded and saved in the cloud under lesson history making it available for practice, study, and review by students online, anytime, anywhere. To start your vocal journey, visit our website at VoiceLessons.com and request a FREE, No Obligation Demonstration or call us at 844.5.LESSONS.


View credits, reviews, tracks and shop for the Vinyl release of "The Promethean Groove" on Discogs. Посмотреть сведения об участниках записи, рецензии, композиции и приобрести альбом Vinyl от "The Promethean Groove" на Discogs. Kaistar - Promethean Groove - Music. CD Single. Kaistar (Artist) Format: Audio CD. out of 5 stars 2 ratings. Like so many electronic artists, BT has taken to recording works under more than one name, and Kaistar is one his aliases. "Promethean Groove" is an uptempo. The Promethean Groove, a Single by Kaistar. Released in Listen to The Promethean Groove - Rennie Pilgrems Thursday Club Mix on Spotify. Kaistar · Song · Listen to The Promethean Groove by Kaistar, Shazams. THE PROMETHEAN GROOVE - KAISTAR KAISTAR - THE PROMETHEAN GROOVE Brian Wayne Transeau (born October 4, ), better known by his stage name BT. Listen to Kaistar Radio featuring songs from The Promethean Groove free online. Listen to free internet radio, news, sports, music, and podcasts. Lyrics for The Promethean Groove by Kaistar. LyricsThe Promethean Groove. Kaistar. Lyrics not available. Be the first to add the lyrics and earn points.
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Fort Leavenworth Music Lessons
Looking for private in-home or in-studio lessons? Our Fort Leavenworth teachers are ready to get you started. Find your teacher today!
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Compare hundreds of teachers based on the criteria that matter to you, including background checks, age and experience.
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Your teacher will welcome you with a personalized curriculum to meet your specific goals and you'll be able to manage your entire schedule through our free online account.
Zero travel time is great for a busy schedule.
Typically priced lower than local lessons.
Online students stick with lessons as long as local students.
David is very informative and friendly teacher. He made me very comfortable with guitar."
I really enjoy piano lessons. He is very positive and keeps me learning. I love piano!"
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If you're interested in violin lessons or you're just starting to play, you're probably wondering how long does it take to learn violin? Brooklyn, NY music instructor Julie P. is here to help you answer that question... A common question for violin students is how long does it take to learn violin? The truth is, everyone learns at a different speed, so theres no way to tell you exactly how long it will take you to learn how to play the violin. Of course, your learning speed also depends … Read More
Take your voice to the next level. Download free video tutorials to start singing like the star you are!
Getting Started with Music Lessons guides you through selecting a teacher & preparing for your first lesson.
Kickstart your guitar playing. Download free video tutorials to learn about chord progressions, strumming, and more!


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About Sally Shapiro
"Sally Shapiro" is the recording pseudonym of an anonymous Swedish singer in partnership with singer and producer/writer Johan Agebjörn. Their music is a deliberate replication of the sound of 1980s Italo disco. From: Sweden


Schmitt Music – Denver, CO
We will be open 10AM to 6PM on Presidents’ Day, Monday, February 18th.
Store Manager: Barry Damerell
Mon-Fri: 10am – 8pm
Sat: 10am – 6pm
Sun: 12pm – 5pm
Schmitt Music - Denver
Schmitt Music – Denver
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Schmitt Music Denver offers the area’s largest selection of acoustic grand & upright pianos, player pianos, digital pianos & keyboards. We’re Denver’s exclusive piano dealer for new and used Steinway & Sons, and Steinway-designed Boston and Essex pianos, Kawai and Lyrica pianos, QRS player technology systems, and Roland, Kawai, and Casio digital pianos. Formerly Wells Music, Schmitt Music Denver is Colorado’s most trusted name in music… Treating people right since 1896.
The biggest piano event of the season is this weekend! Visit your participating Schmitt Music piano store during the Presidents' Day Weekend Piano Sale – Friday, February 15 through Presidents' Day, Monday, February 18. Learn more and schedule your piano...read more
Please join us for a FREE concert featuring pianist Adam Piotr Żukiewicz at Schmitt Music Denver on Saturday, February 9 at 7:00PM. Mr. Żukiewicz is the Assistant Piano Professor at the University of Northern Colorado. At this event he'll be performing...read more
Please join us for an evening of music with Dr. Zahari Metchkov – pianist, organist, and Colorado State University–Pueblo Professor – at Schmitt Music Denver on Saturday, February 2 at 7:00PM. Dr. Metchkov's program at Schmitt Music will include pieces by...read more
2018 PRICING ON SELECT INVENTORY SAVE THOUSANDS UNTIL JANUARY 31ST! Each year, growing costs raise prices on all Steinway & Sons pianos – the finest pianos in the world. But until January 31, we are extended 2018 pricing, which means you can purchase the piano of your...read more
Please join us for an evening of music with award-winning Ukrainian-born pianist Dinara Klinton at Schmitt Music Denver on Tuesday, January 15 at 7PM – free and open to the public! "Dinara Klinton's performance of Liszt's Transcendental Etudes is...read more


Music for solo classical guitar, works by some of the best contemporary Greek composers 25 MP3 Songs in this album (69:44) ! Related styles: Classical: Contemporary, Jazz: Chamber Jazz, Featuring Guitar People who are interested in Acoustic Inst......
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Form a band online, promote your music, buy custom beats, sound parts, and share your Beat or Track as a Royalty Free loop with us. Collaborate to make beats online with the best loop makers from around the world on the Forum for musicians and beat makers. Keep up to date with Music News and learn from FL Studio Video Tutorials and the articles on the Blog. Free DAW Music Software downloads, VST and Instrument Packs for FL Studio, Pro Tools, Logic, Ableton, and how to use the most popular free DAW Software, Fruity Loop Plugins, MIDIs and more.
TAL-Elek7ro is a virtual analog synth with some special features like oscillator hardsync and frequncy modulation. Including improved alias free oscillators, new developed fast envelopes and lfo's with a wide range from 0.1Hz up to 400 Hz. A free routable envelope with attack and decay is available too. This synth is useful for a wide range of sounds from percusion to deep bass sounds.
We dont host any software files here. The download button will take you to the TAL website where you can download the software direct.
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