From the Manufacturer
The SKRM-100 Subkick is a low-frequency capture device that picks up the low frequencies (100Hz-2000Hz) that a normal microphone can’t. When used in conjunction with a normal internal microphone (for the attack), your kick drum has a jaw-dropping bottom end like you’ve never heard before. Positioning Produces a Wide Range of Tonal Variations. Varying placement and proximity of the Subkick affects the nature of the sound captured, opening the door to a wide range of tonal possibilities.Try it directly in front of the sound hole or from various distances in front of the head to “dial in” degrees of ambience, punch, and volume.The Subkick works equally well in the studio and lve. Specially Designed Stand Offers Versatile Placement. The three-legged stand and ball clamp offer excellent stability and durability while the ball clamp offers versatile placement and angle adjustment of the mic unit.
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"Collide" Now Available
The ninth studio album from The Asteroid No.4 is now available on 13 O'Clock Records.
Recorded throughout 2017 in San Francisco (see here for some studio photos), the album is eight new songs merging paisley vibes with fluid shoegaze moves and dots and dashes of ’60s-style psychedelia.
The LP is a single disc, 180g clear vinyl gatefold with download card.
Also available with this release are 3 new t-shirts (each shirt comes with a download of Collide), stickers, badges and sew on patch, check the Music and Merch page for a full listing.
Hope to see you soon!


Bakersfield has a handful of Jazz / Blues events that you can take a look at in the lineup below. You can RSVP through Facebook, view event specifics and purchase tickets for the following Jazz / Blues events planned in Bakersfield. our site offers all customers a 100 percent guarantee for all tickets to the Jazz / Blues shows in Bakersfield. Track Jazz / Blues events in Bakersfield by subscribing for our Concert Tracker. The Jazz / Blues concert calendar for Bakersfield will be constantly revised, so check back with us for any updates to the Jazz / Blues concerts planned in the city of Bakersfield.
Bakersfield Jazz / Blues Concert Information
- Tickets for all Bakersfield Jazz / Blues concerts are sold with a 100% moneyback guarantee.
- Rabobank Theater and Bakersfield Fox Theater both have tons of Jazz / Blues concert events scheduled.
- Schedule for the Jazz / Blues concerts in Bakersfield is updated on a regular basis.
- These next Jazz / Blues concerts is going to be some of the most anticipated Bakersfield Jazz / Blues concerts in a long time.
- Bakersfield remains one of the most popular cities for Jazz / Blues concert tours in the nation.
Bakersfield so far has a busy list of Jazz / Blues concert tours entering Bakersfield in the coming weeks. A selection of Jazz / Blues music's top tours are about to have concerts in Bakersfield. Do not miss some of the Jazz / Blues concert buzz that Bakersfield has to offer at some of the most magnificant venues around. Just view the list provided for all the future Bakersfield Jazz / Blues concerts. Our Bakersfield concert schedule is refreshed constantly in case their are any modifications.


2-Year Local Warranty.
SV100 is a multi-purpose microphone with excellent sound quality, ideal for spoken word, karaoke performance, multimedia and instrument use.
The unidirectional (cardioid) pickup pattern of the SV100 helps reduce feedback, while the wide frequency response and high output deliver excellent sound quality. Ideal for multiple applications including spoken word presentations, karaoke performances, multimedia, and instrument use, the SV100 includes durable cable with ¼” (6.3mm) plug for use with home or portable recording/karaoke systems.
Best suited for: Karaoke


Sheet music by Cindy Walker for piano solo (chords) of EASY skill level.
Cindy Walker: Distant Drums, Category: country,standards
More Info and Download: “Cindy Walker: Distant Drums“
This entry was posted on Monday, January 25th, 2016 at 3:58 pm and is filed under Keyboard instruments, Piano, Piano Solo, Sheet Music.
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This is from a series of six songs called "Songs for the Planet" by Andrew Downes for all ages with chamber orchestra or backing track.
FREE word sheet
Purchase the Sheet Music
Watch all six songs in one video (contains counting to guide conductors in live mutimedia performances
Learn about the music in this song here.
On this page you are going to learn about the huge amount of C02 produced by your car.
In the following animation, there is a stark message by Dr Hugh Hunt of Cambridge University conveying just how much C02 a tank of petrol produces.
You can purchase the sheet music for this song here.
Now discuss the following:
Many people seem to have no idea of the impact of driving a car on our planet. What can we do to change people's mindsets?
Return to Climate Change and Music


Your journey to become a K-pop star begins when you arrive in the recording studio, where you will get to see your professional advanced audio equipment being set up and participate in the sound check process. You will then select your preferred song to record, and the session will begin. After the first recording, the audio and vocals will then be adjusted to make it the best possible version of the song. Through this process, you will be guided by professional vocalists and sound engineers who have worked with real K-pop stars, making sure that your experience is as authentic as possible. A final recording of your song will then be made and you'll get to hear its playback and receive a copy in mp3 form. You'll be getting 3-5 prints of the behind-the-scenes photos of your recording experience as well! It's the ultimate K-pop experience to make you feel like a real K-pop star!


The Yamaha 26II Bb clarinet is a very versatile and lightweight clarinet with a lovely tone which makes it very popular for students and beginners. The body of the clarinet is made of ABS resin and it is exceptionally durable, maintenance free and resistant to moisture. Even though this clarinet is secondhand, it in no way lessens the clarinet's value.
Initial card payment of £44.25
Followed by a quarterly payment by direct debit of £44.25 (for 7 quarters)
If you'd prefer to purchase the Yamaha YCL26II Bb Clarinet Secondhand Including Case outright at a cost of £295.00, then follow the link below to the Haydock Music website.Buy Outright


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Yamaha Heats Up Summer NAMM 2014: Celebrates 40 Years of Manufacturing Synthesizers(July 17, 2014)
NASHVILLE (PRWEB) July 17, 2014
Yamaha, the worlds largest musical instrument manufacturing company, will showcase a full display of products at Summer NAMM 2014 in Booth 644 at the Music City Center in Nashville from July 17-19.
Summer NAMM is a keystone event that allows us to spend more quality time with dealers, artists, media representatives and the general public, said Tom Sumner, senior vice president, Yamaha Corporation of America.
Among the new items to be displayed, Yamaha will showcase the sleek new Motif XF in white to help celebrate the companys 40th anniversary manufacturing music synthesizers. Yamaha introduced its first synthesizer, the SY-1, in 1974. Yamaha followed the introduction of the CS-80 polyphonic synthesizer in 1976 with the historically significant DX7 in 1983, the first commercially successful electronic keyboard, which helped shape the sound of 1980s music. The Motif has been an industry leader since its introduction in 2001. Yamaha has pioneered several innovative synthesizer technologies in the last four decades, including Frequency Modulation and physical modeling to simulate the sounds of various instruments.
Yamaha has long offered online content to complement its hardware capabilities. For the first time, Motif and MOXF music production synthesizer sound libraries are available at YamahaMusicSoft.com. Customers will appreciate being able to directly download content from secure Yamaha-operated sites. Other benefits include the opportunity to access sales and technical support directly from Yamaha.
The company also is unveiling two electronic drum initiatives: DTX-Live Sound Solutions program and the new electronic drum website, YamahaDTX.com. An industry first, Live Sound Solutions takes the guesswork out of proper set ups for electronic and hybrid drummers, pairing super-sensitive loudspeakersYamaha DXR speakers and DXS subwoofers, along with portable PA systems STAGEPAS 400i and STAGEPAS 600iwith electronic drums and electronic drum components. YamahaDTX.com provides a valuable resource for electronic and hybrid drummers, offering product information, educational videos and updated artist news and tips that showcase DTX electronic drums in real life applications.
Other exciting products include L Series acoustic guitars, which offer incredible value and feature Acoustic Resonance Enhancement, a wood treatment process that makes new guitars sound old with a proprietary, environmentally friendly process that pre-ages wood by changing its molecular structure. MG mixers provide a compact and affordable solution for recording and live sound settings. The ten models in the series include varying input/output and processing capabilities, and all come packaged in a rugged body with Class-A D-Pre microphone amps. The award-winning Absolute Hybrid Maple acoustic drum kits have received glowing reviews in the drum press for their sound quality and innovative construction, which sandwiches one ply of soft Wenge wood between layers of harder Maple for a rich tone.
For more information, please visit Yamaha at Summer NAMM 201, Booth 644, Music City Center, Nashville; or visit http://4wrd.it/yamahasummernamm14.
Yamaha Corporation of America (YCA) is one of the largest subsidiaries of Yamaha Corporation, Japan and offers a full line of award-winning musical instruments, sound reinforcement and home entertainment products to the U.S. market. Products include: Yamaha acoustic, digital and hybrid pianos, portable keyboards, guitars, acoustic and electronic drums, band and orchestral instruments, marching percussion products, synthesizers, professional digital and analog audio equipment, Steinberg recording products and Nexo commercial audio products, as well as AV receivers, amplifiers, Blu-ray/CD players, iPod docking systems, home-theater-in-a-box systems and its exclusive line of Digital Sound Projectors. YCA markets innovative, finely crafted technology and entertainment products and musical instruments targeted to the hobbyist, education, worship, professional music, installation and consumer markets.
Read the full story at http://www.prweb.com/releases/2014/07/prweb12027132.htm.


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Sister Vagabond is the follow up to Candye Kane's critically acclaimed Delta Groove release "Superhero" which received a Blues Music Award. On her latest release, “Sister Vagabond,” Candye Kane once again delivers her heart on a platter. Kane presents a more mature and swinging collection of. Listen to Sister Vagabond on Spotify. Candye Kane · Album · · 13 songs. View credits, reviews, tracks and shop for the CD release of "Sister Vagabond" on Discogs. Посмотреть сведения об участниках записи, рецензии, композиции и приобрести альбом CD от "Sister Vagabond" на Discogs. Sister Vagabond (feat. Laura Chavez). Candye Kane. Blues · Preview. Song. Time. I Love to Love You. 1. PREVIEW. Love Insurance. Candye-Kane-Sister-Vagabond. Leave a Comment Cancel reply. Comment. Name Email Website. Save my name, email, and website in this browser for the next time I. For this album, Candye has written nine of its 13 tracks with her lead guitar player. 'Sister Vagabond' is a straight blues album featuring her expressive. Candye Kane Lyrics I Love To Love YouLyrics Love InsuranceLyrics Sweet Nothin'sLyrics Walkin', Talkin' Haunted HouseLyrics You Never Cross My MindLyrics. Features Song Lyrics for Candye Kane's Sister Vagabond album. Includes Album Cover, Release Year, and User Reviews.


1st album from '01 of this polish band that plays a heavy, brutal and fast Grindcore with weird elements and unusual structures that makes them really original!! Imagine some ASSÜCK or MULE SKINNER mixed with some O.L.D./ NEUROSIS touches.
2nd album from '03 of this polish band that plays a heavy, brutal, fast and dissonant Grindcore with weird and unusual structures that makes them really original!! Imagine an hybrid of ASSÜCK and MULE SKINNER with O.L.D./ NEUROSIS.
1st full length album of this american band of pure Grindcore. 18 songs in the vein of bands like PHOBIA, REPULSION and ol NAPALM DEATH. European version featuring their 7"EP "Hopeless" and three live songs.
Official re-issue on CD of the demos "Atrocious Vermin" ('97) and "Empire Of Rot" ('93) plus 3 songs from their split 7"EP with DEAD INFECTION ('94). A total of 17 songs of pure Gore/ Grind influenced by CARCASS, NECRONY, DEAD INFECTION, EXHUMED, GENERAL SURGERY...
1st album from '12 with 19 songs by this swedish band that plays a true holocaust of Grind/ Punk/ Thrash for lovers of bands like HERESY, INTENSE DEGREE, S.O.B., MOB 47, KRIGSHOT, YACOPSEAE, MY MINDS MINE, HELLNATION, SIEGE...
1st album from '03 of this american band formed after the scision of DYING FETUS. 3 of their members founded MISERY INDEX, although only 2 of them remain now. Incredible brutal Detah with DYING FETUS touches (of course), but adding more old school Grind touches al a TERRORIZER, NAPALM DEATH... killer!!
3rd album from '90, radical change towards a more Death Metal style now with barney on vocals and Jesse & Mitch on guitars. Undoutely one of the biggest Death/ Grind masterpieces ever!! Includes 14 live bonus from '90.
CD that includes 115 songs form the 14 years of history of this swedish band of pure Grindcore. Includes 4 EP's, 2 min CD's, 2 demos and songs form various compilations. For fans of bands like REGURGITATE, PIG DESTROYER, NASUM, YACOPSAE, ROTTEN SOUND...
4th album from '08 by this killer swedish band that plays a funny Grndcore that blends elements from REPULSION and MACABRE with more classical touches in the vein of MULE SKINNER, NAPALM DEATH, ASSÜCK... 26 songs in 34 min. of madness!!
Absolutely impressive 1st full length album from '08 of this aussie band!! Easily one of the best Grind albums, with difference, released in '08!! 21 songs of a super-ferocious blend of NAPALM DEATH, NASUM, ROTTEN SOUND, FUCK... I'M DEAD!, ASSÜCK... a must!!


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MP3 Mona Golabek, Renee Golabek-kaye, Lalo Schifrin - Carnival of the Animals
A delightful recording of one of the great classics by Camille Saint-Saens, featuring an instrumental only version as well as a version featuring the humorous poetry of Ogden Nash, read by fourteen television and film celebrities.
2 MP3 Songs
CLASSICAL: Romantic Era, CLASSICAL: Keyboard Music
"Exhilirating, thrilling pianism; a recording that will appeal to young and old alike" LA Times. Mona Golabek is a Grammy-nominated artist who lives in Los Angeles and has spent her life exploring the piano repertoire of Rachmaninoff, Chopin, Debussy and other Romantic composers. She values the expressive qualities of music and imbues her performances with love from the depths of the human spirit.
On this recording she performs with her late sister, Renee Golabek-Kaye. The entire performance is conducted by Lalo Shifrin.
This file is sold by music, an independent seller on Tradebit.


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The Nigerian recording artist plays tour guide, assembling the sounds and energies of two dynamic cities Accra and Lagos into an electrifying mixtape deeply rooted in tradition and contemporary styles.
Audiomack is proud to present the Drill Symphony with Chief Keef. Always moving music forward, the Drill Symphony was filmed at Henson Recording Studios in Los Angeles, California. With an enchanting ensemble - Summer Swee-Singh on piano, Camille Miller and Yasmeen Al-Mazeedi on violin, Tim Richardson on viola, Eru Matsumoto on cello, and Jon Brick on drums - recording by Jaime Sickora, mixed/arranged/composed by John Cleary, and the whole process shot out by Erikson Corniel, Chief Keef's classics are given new life.


Your chance to see Britain’s best brass band in Penrith!
September 21, 2019 @ 7:30 pm - 10:00 pm| £20
Foden’s Brass Band from Sandbach in Cheshire is one of the finest brass bands in the world. The band has won many awards, including the National Brass Band Championships of Great Britain 12 times (current holders) and the British Open Championships 11 times. As well as celebrating success in contests, the band has won numerous awards for CD releases, regularly appear on TV and radio and perform at all the country’s leading concert halls.
“For any conductor and every audience, Foden’s Band is a musical magic carpet. It continually takes the listener to places that few other ensembles rarely even approach”
Tickets now on sale from Penrith Tourist Office (01768 867 466) or online from www.trybooking.co.uk/7492


Music ID: 18553
**You're listening to a low-quality, low-resolution preview of this royalty free production music track, which has been drastically downsampled. All purchased stock music is full quality at the best sample rate available for royalty-free use.
Publisher: Erik Haddad (BMI) - 100%
> Bebop & Straight Ahead
Lively, Soulful, Motivated
Commercial, Documentary, Historical
Erik Haddad (BMI CAE/IPI 504731872) Composer and Publisher


If you want to learn how to
play bass guitar without hiring an expensive musicteacher or at the flexibility of your own time, a bass
guitar Dvd course may be just the thing you are looking for.
There are many online
bass guitar courses available on the Internet andunfortunately,most of them do
not make the cut. On this webpage, we had placed together the reviews of top bass guitar
courses to help you make a better decision on choosing bass guitar
Beginner Bass Guitar Lessons
Bass guitar lessons are vital for those who want to be able to progress past the
initial beginning stages of playing the guitar. There is a lot of things that you need to learn in order to
master the guitar, ranging from a variety of chords, playing songs and taking care of your instrument. As
everyone needs to begin somewhere, bass guitar lessons are the most useful for those who have just started to
play. These lessons will teach good habits and the basic skills that are needed in order to be able to learn
on your own.
As bass guitar lessons are so important, you need to make certain that you do as the lessons
instruct, and be willing to put in the effort required. You can get paid or free lessons, but both lesson types
have one thing in common. You need to practice in order to make use of the skills that you are learning. While free
lessons let you work on your own pace, you cannot escape the need to practice. If you are not willing to practice,
you may be better off not trying to learn the instrument at all.
Bass guitar lessons can be frustrating for those who are not familiar with how stringed instruments
work. With four to six strings to have to work with, as well as combinations of several thousand different chords,
there is a great deal that must be learned before you can say you have mastered the bass guitar. The sheer amount
of learning required can be frustrating, but it is not impossible to overcome.
If you are interested in bass guitar lessons, you will either need to rent or buy a bass guitar. If
you are uncertain on whether or not you want to seriously learn the guitar, it is suggested that you borrow one
from a friend. If you cannot borrow one, rent one for a month from a rental store, or make a deal with a pawn shop
for an instrument. As brand new bass guitars can be very expensive, you need to be ready to commit before you
purchase one. Buying a used instrument may be a solution for you if you want the instrument without the expensive
of a new instrument.
One of the benefits to taking bass guitar lessons is that you will be able to learn the basic
chords needed to play music. As there are many songs that only require a combination of a few chords, you can begin
to enjoy your instrument quickly. This is one of the reasons bass guitar is so popular. Unlike woodwind or reed
instruments, there is a much lower learning curve to be able to play the bass guitar.
Many beginner bass guitarists often overlook the importance of doing finger warms prior to practicing on the guitar. This is a very serious mistake that would really hamper the growth and long term development of their guitar playing skills.
You need a manual to operate a new appliance. You need to read the rules before you play a new board game. Learning to play the bass guitar is no different. You’ll have a manual like no other – the tablature.
How many world famous bass guitar players can you think of? There are some who have made their mark on the world in fields other than their chosen musical instrument. And there are the bass guitar players who just play bass, and people listen.
Bass guitar sheet music is a good way to help hone your skills as a bass guitar player. As beginners often practicing strumming chords without the assistance of sheet music, learning how to read music is a skill that is often overlooked in the beginning stages.
For those new to the guitar world, a bass guitar tab is a notation used to refer to a chord, or a series of chords. Learning bass guitar tabs is one of the more difficult aspects for beginners to grasp, as there are many different tabs that are used for the guitar.
Free bass guitar sheet music is one of the best tools that you can use to practice your bass guitar skills. As the primary requirement to learn how to play your bass guitar is practicing the chords, having sheet music in your skill level is vital.


There are several ways to add music to your iPhone. When you first set up your device, you can select songs from your iTunes library to automatically download to your phone. If you don’t have any songs in iTunes, you can use other options, such as Apple Music or Google Play Music, to create playlists and save them to your phone.
You can also locate free songs from websites like SoundCloud and YouTube and add them to your device.
For many of those options, you will need to download the app that is associated with that service, such as Apple Music for the Apple Music app. Once you have done so, you can add songs to your library by tapping the plus button in the bottom-right corner of the screen and selecting songs from your library or finding new ones.
How To Import A Song Into Garageband (ios)
GarageBand is “the” app for musicians. It’s a powerful tool that lets you record, edit, mix, and share your music on iOS devices. The app is not free, but it’s worth every penny.
And with the right song, you can make some good money. But how do you import a song into GarageBand? Well, first you need to find a song (or pay someone to compose one for you).
You can do this by visiting websites like Fiverr or Upwork and looking for “song writers”. Once you get the song ready, follow these steps:
When you’re ready to start working on your track, launch GarageBand on your computer or device and create a new project.
Next, import your song from iTunes into GarageBand by clicking File > Import > iTunes Library > Your Song>.
The song will be added as a new track to your project.> If you’re using GarageBand for iPad, tap Add Track at the bottom of the screen> You’ll then be able to select Your Song> to add it as a track to your project>. Depending on the length of the song and the length of the track in the project, it may be necessary to trim the start or end of the track so that it fits correctly in the timeline>.
You can also move the track to another position in the timeline if necessary>.
How To Import Audio Track In Garageband – Iphone Tutorial
A simple guide to importing audio track in Garageband is a useful way for you to learn how to start your own recording journey. Importing an audio track, also called “importing music,” is the first step in editing a song. It can be done with either an external microphone or through GarageBand’s built-in microphone.
Once you’ve recorded your track, you can import it into GarageBand and begin editing the song. In this tutorial, we will walk you through the steps of importing a track into Garageband.
How Do I Splice Songs On My Iphone?
To splice songs on your iPhone, you can take advantage of GarageBand, a music creation app that comes pre-installed on all iPhones. As with the other Apple apps, the user interface is simple and easy to navigate. To add songs to your project, tap the plus sign in the upper right corner of the screen.
You can either import a song from your iTunes library or record a new track on the phone’s built-in microphone. Once you have added an audio track, you can edit it as needed; you can trim the beginning and end or adjust its volume. To add another track, tap the plus sign in the upper right corner of the screen and repeat the process.
Once your song is complete, tap the play button in the upper left corner of the screen to listen to your creation.
How Can I Put Music On My Iphone Without Itunes?
If you want to add music to your iPhone without iTunes, you have a few options. You could use an app such as Google Play Music or Spotify to upload your music collection to the cloud, and then download it onto your phone. This is a good option if you want to keep all of your music in one place and don’t mind streaming it.
However, it will cost you a monthly subscription fee. Another option is to transfer music from your computer onto your phone using a USB cable. This is a good option if you want to keep your music on your computer and don’t mind physically connecting your phone to your computer.
You can also transfer music to your phone using a service such as Dropbox, which will let you upload music to its cloud storage service. Once it’s there, you can access it from any computer or phone and add it to your music library.
Can I Open Mp3 In Garageband?
Yes, you can. This program is compatible with MP3 files.
If you need to convert your MP3 file to a format that GarageBand can work with, you can do so using iTunes or iTunes Music Converter.
There are many other programs available that will convert your MP3 to the format required by GarageBand.
Once you have converted the MP3 and saved it on your computer, follow these steps to open the file:
Connect your device to your computer. This may be done through a USB port on the computer or by connecting the device to a wireless network that is connected to the computer.
Once connected, open iTunes on your computer. Then, click on the “iTunes” menu option located at the top of the screen next to the “Help” option. Then, select “Preferences” and click “OK” when the box appears asking you if you want to continue.
Once Preferences is open, select the “Devices” tab and select your device. You should see an option at the top of the window labeled “Transfer Purchases from device name>”. Click this button to transfer all music and other media from your device to your computer.
Once all of your items have been transferred successfully, they should appear in a folder named “iTunes Media”, which should be located in a folder named username> on your computer.
Why Won’t Garageband Accept My Mp3?
GarageBand comes with a number of instruments and loops, but if you want to import your own MP3 files or audio tracks, it is not always an easy process.
You can only import MP3s that are 44.1 kHz and 16-bit.
Also, Apple recommends that you convert your MP3s into AIFF format before importing them (though this is not a requirement).
If you can meet these conditions and GarageBand still won’t accept your MP3, double-check the file type and make sure that it is not corrupted.
Apple recommends the following steps in order to ensure that you have a successful import:
• Open your MP3 in Quicktime Player https://www.
• Click the “Share” button https://www.apple.
• Select “Export https://www.apple.com/support/quicktime>”
• Choose AIFF https://www.
apple.com/support/quicktime> as the file format
• Select the location where you want to save the file
• Click “Export” https://www.apple.
If you follow these steps, GarageBand should accept your MP3 without issue http://mac-how-to-guide.com/>.
How Do You Blend Songs In Garageband?
In GarageBand, you can choose to either “mix” or to “blend” songs. Mixing is the process of adjusting the volume and panning of multiple tracks so that they work together. It can be used to create a fuller sound, balance out competing elements, or create a cohesive mix.
Blending, on the other hand, is used to combine one track with another. You can do this by selecting an instrument track and dragging it into your main project. It will then appear as an audio track, which you can adjust with volume, panning, and effects just like any other audio track.
Blending is a good option if you want to add a little flavor to your track without adding too many layers.
How Do You Mix Audio In Garageband?
GarageBand is a great program for beginners to use when creating audio projects. It includes a full range of tools for recording, editing, and mixing audio. There are also templates available for creating different types of projects, including podcasts, music, and radio shows.
In addition to these templates, there are also many royalty-free music and sound effects that you can use in your projects.
Another feature that makes GarageBand stand out is the ability to create virtual instruments using the built-in keyboard controls. This allows you to add more depth to your project by playing virtual instruments yourself or by importing files that have been created using a more professional program.
Depending on your needs, you can choose whether to use premium versions of GarageBand or the free basic version. Either way, it’s a great choice for musicians and podcasters looking to create high-quality audio projects without spending a fortune.
How Do I Manually Add Songs To My Iphone?
In iOS 12, Apple added two new features that make it easier to add songs to your iPhone. First, there’s the revamped Files app. Now, you can drag and drop files directly into the Files app — including songs and playlists.
Second is the ability to use AirDrop. This enables you to transfer songs from your Mac or other iOS device to your iPhone directly. Once the song is on your iPhone, you can manually add it to your playlists.
You can manually add songs to your iPhone in a few different ways. First, you can use the Files app. If you have a Mac, you can simply drag and drop files from your Mac into the Files app on your iPhone.
If you have another iOS device, you can also use AirDrop to transfer songs to your iPhone. Another option is to use a third-party app like iMazing or iExplorer to manually add music files to your iPhone.
How Do You Edit Songs On Garageband Iphone?
GarageBand is a music creation app for the iPhone. You can use it to create music or edit existing songs. You can edit songs on GarageBand by modifying their speed, pitch, and tempo.
You can also adjust the song’s volume. The app also comes with a bunch of preloaded songs. You can purchase additional songs from the iTunes Store.
There are two ways to edit songs on GarageBand. You can use the app’s piano roll editor to edit its tempo, pitch, and volume. Alternatively, you can use the loop browser to change its speed.
The app also allows you to record audio on your iPhone. This can be used to create new songs or add vocals to existing ones.
How Do You Send Songs From Iphone To Iphone?
One of the most common reasons to send songs from iPhone to iPhone is to share playlists with friends. It’s also an efficient way to transfer your favorite songs to and from your device, especially when you don’t have access to a Wi-Fi connection.
For most users, the easiest way to send songs from iPhone to iPhone is by using a wireless connection.
However, if you don’t have access to a wireless network or you prefer not to share your device’s data with another device, the second option is to use a wired connection.
And finally, if you don’t have either of these options available, you can turn to third-party apps that allow you to send files from one device to another.
Can I Download Music To My Iphone?
Yes, you can download music to your iPhone. There are two ways to do this. You can either use the Apple Music app or you can use an app like Spotify or Google Play Music.
The Apple Music app is free and it allows you to stream music from a large library of songs. It also allows you to download songs so that you can listen to them when you don’t have Wi-Fi available. Spotify, on the other hand, is a paid service that allows you to stream and download music.
The cost depends on whether you pay for a monthly subscription or if you pay for the service on a per-month basis. Google Play Music is another option that allows you to stream and download music. It also allows you to create custom playlists and share songs with friends.
How Do You Mix Songs On Garageband Ipad?
- Import audio files into the song.
- Separate the tracks into left and right channels.
- Adjust the volume of each track to balance the mix.
- Use EQ to adjust the tone of the track.
- Add effects to enhance the track.
- Export the final mix as an MP3 file.
GarageBand has multiple features designed to make it easy to mix songs. The most basic is manual balance control, which allows you to adjust the volume of each track independently. Beyond that, you can also use equalizers to alter the tone of a track. Additionally, you can add effects like reverb or delay to create a more unique sound.
How Do You Add Layers In Garageband?
Layers are often an important part of making a song sound full and polished. You can add different types of layers to your song in GarageBand, including vocals, guitar, bass, keyboards, and drums. Each layer can be added separately and adjusted separately as well, which can make it easier to customize the sound of your song.
To add layers in GarageBand, simply select the instrument that you want to add from the dropdown menu and start playing. You can also add additional instruments if you want to create a layered sound that includes multiple instruments playing at the same time.
You can also add different types of layers to your podcast or audio story.
For example, you could include an interview with someone as part of your podcast, add voiceovers with narration, or have music playing in the background. Adding different types of layers to your podcast or audio story can help to make it more interesting and engaging for the listener.
How Can I Download Song From You Tube?
There are several ways to download songs from You Tube. One of the most popular ones is to use a tool called YoutTube mp3 Downloader. This tool works by searching the internet for videos that have been uploaded by artists and downloading them for you to enjoy offline.
Once a video is downloaded, you can then save it to your phone or computer and listen to it whenever you want. Another option is to use a You Tube downloader app. These apps work in much the same way as You Tube mp3 Downloader, except that they only focus on downloading songs from You Tube.
There are also a variety of You Tube converter tools available that can help you save songs from You Tube in other formats, such as MP3, AAC, WMA and FLAC.
How Do You Mix Vocals In Garageband Iphone?
First thing you need to do is go over to YouTube and select the song you wish to download. Once you have done that, there are a couple of ways you can download the song. The first way is by copying the URL.
You can do this by highlighting the URL and clicking “copy” or hitting Control + C. Then, paste the URL into an online downloader where you can download the song for free. The second way is by downloading an app, such as MUSIC Downloader.
Once you have downloaded the app and searched for your song, it will automatically start to download the song. Once it is done, it will be saved in your music library. There are many apps that can help you find, download and manage music from YouTube.
How Do You Make A Song Acapella On Garageband?
Acapella music is a great way to get creative. GarageBand makes it easy to make your own unique acapella song. There are a few different ways to go about it.
You could record yourself singing the song, or you could get someone else to record the vocals. Once you have your recording, you can use GarageBand to edit the audio and remove any excess noise. You can also speed up or slow down the vocals to make the song quicker or slower.
Once you have the song finished, you can export it as an MP3 or share it online. Acapella songs are a great way to show off your creativity, and they’re a lot of fun to make. So what are you waiting for?
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Youth Ballet is holding a burger night at Bonzinni’s Brew Pub on Saturday, March 4th (5-9pm). Tickets are $20 and are available at the Youth Ballet office. There will be Continue Reading →
Registration 2017-18 classes is open. http://www.youthballet.com/schedule/ Contact the office at 306-352-9908 to register for dance.


Louis Armstrong (August 4, 1901 - July 6, 1971) was a celebrated and influential virtuoso jazz trumpeter and singer (a.k.a. "Satchmo") who became famous beginning in the 1920s and is widely considered to be among the top musical figures of the 20th century. A highly skilled improviser and scat singer with a soothing, gravelly baritone, he was beloved by fans worldwide for his charismatic stage presence and endearing jollity. His many signature songs include "Muskrat Ramble" (1926), "All Of Me" (1932), "Hello Dolly!" (1964), and "What A Wonderful World" (1968, 1988).
Born in New Orleans, Louisiana, Armstrong's father abandoned the family shortly after his birth and he was raised by his mother and grandmother. His early years were difficult as he lived in poverty in a rough neighborhood, often working odd jobs to make ends meet. While still in grade school, a kindly junk dealer for whom he worked helped him buy a cornet, which he taught himself to play. He dropped out of school at age 11 and soon after joined a boys quartet who performed on the streets for money. His key early music influences included famed cornetist Joe "King" Oliver who took the precocious youngster under his wing before moving to Chicago in 1918. Armstrong continued playing the cornet and trumpet for a number of local area bands before joining Oliver in 1922. The following year, he made his first recordings with Oliver for Gennett Records. Armstrong then joined the Fletcher Henderson Orchestra in 1924 and played with a number of other bands before making his debut in 1925 on Okeh Records with his first jazz recording ensemble, Louis Armstrong & His Hot Five, whose members included then-wife and musical collaborator, pianist Lil Hardin Armstrong.
Louis Armstrong debuted in 1926 on the Pop charts with the smash instrumental, "Muskrat Rumble," a Top 10 hit which was later remade and recharted in 1954 (credited to Louis Armstrong & His All-Stars). His fame continued to take off during the late 1920s with such hits as "Hotter Than That" (1928), "West End Blues" (1928), and "Ain't Misbehavin'" (1929, from the Broadway musical, "Connie's Hot Chocolates"). Armstrong topped the charts in 1932 with his cover of the Gerald Marks/Seymour Simons-penned jazz standard, "All Of Me," from the soundtrack to "Careless Lady" (1932). His very long string of hits through the late 1950s also include such classics as the rousing "When The Saints Go Marching In" (1939), the tranquil "That Lucky Old Sun (Just Rolls Around Heaven All Day)" (1949), the romantic "(When We Are Dancing) I Get Ideas" (1951), the catchy "A Kiss To Build A Dream On" (1951), and the swaggering "A Theme From The Threepenny Opera (Mack The Knife)" (1956).
Armstrong had a resurgence in popularity in 1964 when, at age 63, he bumped The Beatles off the top of the Billboard Hot 100 with his Grammy-winning rendition of "Hello, Dolly!" which topped both the Adult Contemporary and Pop/Rock charts and made him the oldest performing artist to have a #1 hit. Other later hits for which he became equally famous include the George David Weiss/George Douglas-penned "What A Wonderful World" (1968), a minor U.S. hit which topped the charts in the U.K. Armstrong's cover of this jazz-infused traditional pop classic re-emerged on the U.S. charts in 1988 and became a Top 40 hit after it was featured in the soundtrack to "Good Morning, Vietnam" (1987). A new version with a saxophone instrumental track by Kenny G became an Adult Contemporary Top 40 hit in 1999.
Over the years, Louis Armstrong performed worldwide and amassed a huge and devoted following that included royalty and other heads of state. He also performed frequently on radio and TV and in such movie musical blockbusters as "High Society" (1956) and "Hello, Dolly!" (1969). Armstrong was honored posthumously with the Grammy Lifetime Achievement Award in 1972, and 12 of his recordings spanning 1925-1967 were inducted into the Grammy Hall of Fame. His numerous other honors and accolades included being inducted into the Rock & Roll Hall of Fame in 1990 as a forefather of rock music and the Rhythm & Blues Hall of Fame in 2017.
- The New York Times remembers cultural icon Louis Armstrong.
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- Louis Armstrong And The All Stars - CDs, vinyl, & more - Amazon.com
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Louis Armstrong performs "When The Saints Go Marching In" on The Ed Sullivan Show (September 20, 1959).
Available on the following DVD: Inspirational Treasures from The Ed Sullivan Show- Featuring Elvis
To listen to a song clip, click any song title that has a speaker icon. This will take you to a list of links to CD and/or MP3 product pages from one or more online merchants that have sound samples.
Louis Armstrong And The All Stars
- Hello, Dolly! 1964
(This song topped both the Adult Contemporary and Pop/Rock charts and later also became a hit for Bobby Darin (1965). "Hello, Dolly!" was also made famous by Carol Channing who starred in the musical by the same name.)
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Alice Tully Hall plays center stage for a blockbuster violin-piano duo recital by two superb masters of the genre. A colorful international tour begins in Estonia, with Arvo Pärt’s mystical, chant-influenced Mirror in the Mirror. Next, the duo moves to Russia for Prokofiev’s haunting and intense first violin sonata. After intermission, the mood is lightened in Vienna by a vivacious sonata from Mozart, and the program closes in New York with music of the acclaimed American composer John Corigliano, his early violin sonata, written for his father who was concertmaster of the New York Philharmonic.
- Arvo Pärt Spiegel im Spiegel (Mirror in the Mirror) for Violin and Piano (1978)
- Prokofiev Sonata No. 1 in F minor for Violin and Piano, Op. 80 (1938-46)
- Mozart Sonata in F major for Violin and Piano, K. 376 (1781)
- John Corigliano Sonata for Violin and Piano (1963)
2022-2023 Subscription Package
The easiest way for music-lovers between the ages under 39 to experience great music for a great price. A subscription only costs $20, and it unlocks up to two tickets per Mainstage concert at Alice Tully Hall for only $20 a ticket!


The sound healing collection [six healing music sessions]
Format: Music CD, Musical Sound Recording, Sound Recording
Summary: "Music touches our hearts and resonates within our bodies. The right music can truly renew us, helping us to heal, relax, and revitalize. Great musicians have always recognized this therapeutic power of music, and scientific research is finally proving them right. [This] Collection brings together leading pioneers in this emerging field -- six hours of beautiful and inspiring music to heal your body, mind, and spirit." --Container.
Current Holds: 4
System Availability: 0 (of 3)
Call Number: CD ME SOU3510
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Please Note: This event has expired.
UVU Symphony: Beethoven's 250th Anniversary
Join the UVU Symphony in their first concert of the season to celebrate the 250th anniversary of Beethoven’s birth.
The Symphony Orchestra is the premiere classical music ensemble at UVU, featuring strings, woodwinds, brass, and percussion. Join them in their first concert of the season to celebrate the 250th anniversary of Beethoven’s birth. They will be playing Beethoven’s 4th Symphony, a very genial piece that was admired by Berlioz, Mendelssohn, and Schumann. In addition, the Orchestra will play Dr. Reed Criddle’s piano concerto called John Muir in Utah. The piece was composed for the opening ofView more
800 West University Parkway, Orem, UT 84058
Coronavirus (COVID-19) Update
Audience will be required to wear masks. Ticket groups will be socially distanced from each other. Total tickets will be limited to 1/10 of total capacity.
MORE FROM Utah Valley University School of the Arts
Jun 24, 2023
Jul 18, 2023
Aug 1, 2023
May 23 - Sep 16, 2023


Gershwin: Piano Concerto in F, 3rd Movement
Product number: ars21000717
Product information "Gershwin: Piano Concerto in F, 3rd Movement"
Experience the captivating orchestral masterpiece - Gershwin's Piano Concerto in F, 3rd Movement. This cinematic composition combines elements of action, adventure, discovery, aggression, and magic, creating a mesmerizing musical journey. Embrace the power of piano and orchestra intertwined in harmonious brilliance.The brilliance of Gershwin's Piano Concerto in F, 3rd Movement commands attention - a powerful orchestral masterpiece designed to captivate and thrill. An exploration of emotions and energies, this cinematic composition shimmers with a symphonic magic. From moments of grandeur to tender intimacy, the combination of piano and orchestra offers an unforgettable journey. For filmmakers, creative professionals, and video editors, this is the ultimate soundtrack to accompany your projects: allowing you to experience the emotions of discovery, adventure, aggression, and majesty - all within one powerful and captivating composition. Whether you're crafting stories, memories, or art - let Gershwin's Piano Concerto in F, 3rd Movement be your soundscape. Push your creative boundaries and explore the possibilities of artyfile. Find your inspiration with Gershwin's Piano Concerto in F, 3rd Movement.
|Moods:||Action / Sports, Adventure / Discovery, Aggressive|
0 of 0 reviews


Sultry summer jazz amongst the vines
Our audiences are still talking about the inimitable Joe Chindamo‘s performance at our first Twilight Jazz in 2008. One of Australia’s premier jazz pianists, his uniquely lyrical style and mastery of harmony bring to life both well-known standards and his own compositions.
We’re delighted to welcome Joe and his Trio back to celebrate the end of our fifth Festival.
A sold-out success for four years running; BYO rug or chair for the lawn or enjoy dinner in the restaurant with deck seating for the performance.Monday 9 January 7.00-8.30pm
Montalto 33 Shoreham Rd, Red Hill South Tickets: Lawn seating – $50 / Dinner & concert – $110 Bookings: Direct with Montalto (03) 5989 8412
More info: www.montalto.com.au
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The Casio SA-75 Keyboard is a small instrument designed primarily for young and aspiring musicians. It has a pleasing sound that is more realistic than a toy keyboard. The keyboard has only 37 keys, but your child can still play a lot of songs on it.
The keyboard allows your young musician to play up to four notes in a chord, which is a good skill to master. To assist the learning process, the LCD-screen display system shows the notes that are being played as well as icons that indicate the beat. The sing along microphone headset adds even more fun to the setup.
The keyboard is powered by five AA batteries (not included), or you can buy an AC adapter cord separately.
The Casio SA-75 is a good way for children to learn to play music without spending a lot of money on an instrument. If the keyboard is intended for an adult or more advanced musician, you should look for something more substantial than this model.
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Here are some of the features of the Casio SA-75 Keyboard with Headset Microphone:
- – On-screen music staff displays notes played while icons indicate the beat
- – 10 demo songs with a melody-off control
- – Four-note polyphonic with 100 PCM tones
- – 30 patterns include 10 rhythms, 10 free sessions, and 10 funny modes
- – Runs on five-AA batteries or AC adapter (not included)
- – Weighs 4.4 pounds
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Here is what current owners have to say about the Casio SA-75 Keyboard with Headset Microphone:
Very picky shopper: “I bought this keyboard for my daughter’s seventh birthday. She loves music and sings all the time. This keyboard is perfect for her. It’s easy to use, lightweight, and has a decent sound. My two older children, both teenagers, have had fun playing with this keyboard also. I would probably look for something more substantial for an adult or advanced musician, but for our family’s needs this keyboard is perfect and the price was very reasonable. I intended to order the power cord, too, but the batteries haven’t run out yet and I might just stick with them since it’s more convenient.”


Films, Audio & Samples
Sample: first page of scoreSee details ➔
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To borrow items or hire parts please email SOUNZ directly at email@example.com.
String Quartet No. 1 (‘of steel and concrete’) is a three-movement student work composed at the Birmingham School of Music (now Royal Birmingham Conservatoire) whilst major building work was disturbing all the student's practice. It is in three movements with the second and third played without a break.


Saturday, July 1 | YACHT ROCKER- SOFT ROCK REVUE
"Yacht Rocker" (a tribute to the Yacht Rock Era of the 70's & 80's) makes their debut appearance at the Legendary Tudor House.
Don't miss this incredibly entertaining show that will bring back all those amazing memories tied to some of the greatest songs ever recorded.
Tickets $20 online,
$25 at the door
Authentically covering some of the greatest songs and artists like Steely Dan, Michael McDonald, Christopher Cross, Kenny Loggins, Paublo Cruise, Ambrosia, Little River Band, Hall & Oats, Chicago, Eagles, Boz Scaggs, Doobie Bros, and more!


Over the course of two decades and more than 30 recordings, Myra Melford has carved out a distinctive niche among creative music’s most respected pianist-composers. Her signature sound skillfully combines early influences such as classical music and the traditional blues piano styles of her native Chicago. Melford will perform original solo pieces based on the drawings of celebrated Sacramento-based artist Don Reich, who is featured in the Crocker’s permanent collection. $6 Museum members, $10 students/youth, $12 nonmembers. Tickets may be purchased at crockerartmuseum.org, the Museum Admission Desk, or by calling (916) 808-1182. Space is limited and reserving tickets in advance is recommended.


The Maple Leaf Forever by : Steve Reisteter
A fine concert march by Steve Reisteter that's based on a tune loved by all Canadians.
|Publisher||Arrangers' Publishing Company|
| Length x Width x Height||12 x 9 x 0.055 inches |
| Shipping Weight||0.19 pounds |
|East Coast Music Product Code ||ZHL40003745|
|Band Grade Description||4|
| 1st Publication Date||09/2009|
Title: The Maple Leaf Forever
Lyricist: Alexander Muir
Writer: Alexander Muir
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A two channel tube preamp, primarily for recording. In excellent condition.
Quoting from the Bellari RP220 manual:
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Each channel utilizes one premium 7025 tube in a unique configuration to give
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Silken Strings provide World Class unique music entertainment for corporate events, award ceremonies, stylish private parties and luxury weddings, all performed by London’s top professional musicians.
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If a kick drum has no bottom end then it is a reasonably straightforward process to add more using a sine tone generator and noise gate (see Quick Tip - Add Bottom End to your Kick Drum in Logic Pro and Pro Tools). For a pitched bass part such as bass guitar, where the recorded audio is too bass-light for the mix, then this can be a more complex process. Here is the first of two methods which can help you out.
01 - Can you hear it?
The SubBass plug-in in Logic Pro takes a specified part of the audio signal's frequency spectrum and synthesises sine tones at frequencies below the analysed frequency. It is fairly easy to over-use and can open a Pandora's box of low-end problems if used carelessly. So the one piece of advice that you should follow if you ignore all else is '" make sure you can hear what you are doing, or your efforts will cause unpredictable results on other systems! It is no good synthesising earthmoving bass down at 30 Hz if your monitors won't reproduce it '" you need to know what it sounds like!
Compact monitors won't let you hear the bass
02 - Using The SubBass Plug-in
Logic's SubBass plug-in is actually synthesising two sets of sub bass tones in its default setting, so the first step is to move the Frequency Mix slider either fully up or down so that only one of the synthesisers is active. A ratio of 2 means that frequencies will be synthesised at half the analysed frequency i.e. one octave below '" so this is the right setting!
Setting the Frequency Mix and Ratio


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These author-approved versions are developed and thoroughly workshopped by distinguished theatre educators. Cast sizes are expandable, song keys are adjusted for developing voices, and scenes are edited for time and content - all while keeping the spirit of the original Broadway show intact. Each showbox comes complete with student scripts, director's guide, piano vocal score, guide vocal and performance tracks. With an emphasis on contemporary musical theatre, vibrant scores and spectacular storytelling, teachers are proud to bring these musicals to life with their casts.
To learn more about any musical in the Young@Part or Younger@Part Collection, a Perusal Pack is available for each show at a cost of $19.95 plus shipping. The perusal pack includes a Cast Script/Vocal Book and audio CD containing all of the music from the show. For specific questions regarding the licensing process, or to obtain a perusal copy of the script, send an email to: email@example.com.
Once you've decided to order, just click on the "Online License Request" button to order online or contact your favorite music dealer. If ordering online, you can simply fill out the information, click "Submit" and your order will be processed. If ordering through a dealer, the dealer will then place the order with us. To find a music dealer who handles Hal Leonard products, please check the How To Order page. If you need additional information, please e-mail us at firstname.lastname@example.org.
When we receive the order, we will immediately fax you a Performance License Agreement, which must be completed and returned to us.


Not Available - stock arriving soon
Shawn Mendes is releasing a repack of his debut full-length album with "Handwritten (Revisited)". The album is the original studio tracks + 4 new songs including the new single with Camila Cabelo from Fifth Harmony "I Know What You Did Last Summer" and live tracks from his Greek Theater LA show this past August. Shawn will be joining the Jingle Ball tour throughout December and will be appearing on Live with Kelly & Michael as well as performing at the AMA pre-show leading up to release date.
Key Product Details
- Artist: Shawn Mendes
- Genre: Pop
MENDES SHAWN R&P INTERNACIONAL INTERNATIONAL MUSIC


One afternoon, Andy Alt — who has spent a decade working with artists as a touring guitarist and with Steve Vai as his online marketing director — was jamming with a drummer and thinking it would be nice to have a bass tone in the mix — “but without adding a third party,” he recalls. Whereas most guitarists might just reach for an octave pedal, Alt chose a different path: He designed an entirely new piece of equipment — a revolutionary pickup that’s now on the market under the name A Little Thunder.
The pickup fits into any guitar with a humbucker rout and allows the player to drop the bottom one, two or three strings by -1 octave or -2 octaves, offering the ability to get a dedicated bass signal without making any physical modifications to the instrument. To compliment the octave-drop mode, there’s also a “low note priority” option that detects the lowest note being played (for example, in a five- or six-string barre chord) and gives the bass effect to only that tone. Essentially, A Little Thunder is an octave effect but one that, unlike a stompbox, offers near-zero latency and the ability to assign the pitch-shifting to particular tones and strings.
Alt, who designed and builds A Little Thunder in Los Angeles, completely sold out the pickup’s first run. Among the early adopters was ZZ Top’s Billy Gibbons, who used the pickup on his Big Bad Blues tour, where fans got “double the bass with no bass player present” as Gibbons and band mate Austin Hanks each employed A Little Thunder throughout the entire set. When contacted by Guitar World, Gibbons offered praise as only he can: “When low is the way to go,” he told us, “A Little Thunder is it, fo’ sho!”
Now, Alt is unveiling A Little Thunder 2.0 (Gibbons used a preview version of the new pickup on his tour). It builds on the original design with a more powerful passive humbucker and several under-the-hood updates. “As is the case with the original version, when the pickup is off, you’re still going to get a great-sounding 9.2k PAF Alnico V humbucker,” Alt says, adding that he also doubled the capacitive touch sensors and added Bluetooth capabilities.
This last feature is key, in particular because, he points out, “we view A Little Thunder as a ‘smart pickup,’ where the goal is to take things that pedals wouldn’t be able to do and pickups wouldn’t be able to do and be at that intersection to offer onboard effects with infinite control.”


The Halo MERUS 6-string, "Evertuned" Guitar is a pro-grade instrument that excels whether on the stage or in the studio.
Case Included (Halo Hard Shell Case, Black Exterior, Black Interior)
Features include: Evertune Bridge System, Seymour Duncan or EMG Pickups, Ebony Fretboard, and much more.
- Evertune Bridge - keeps your guitar in tune forever
- Halo Handcrafted Set Neck - play longer and with less effort
- Satin Black Finish - sleek yet aggressive; feels smooth, plays fast
* Every Halo instrument is set up and inspected by one of our pro guitar techs in Cupertino, California prior to shipping so your guitar arrives optimized for playability: strings are fresh, frets are level, action is low, and intonation is on.
|Construction Method||Set Neck|
|Body Finish (Top)||Solid Black, Satin|
|Body Finish (Sides/Back)||Solid Black, Satin|
|Headstock Shape||Reverse Inline|
|Headstock Finish||Match Body (Solid Black, Satin)|
|Neck Finish||Solid Black, Satin|
|Frets/Size||24, Jumbo, Nickel Silver|
|Inlays||Center Dots, White Pearloid|
|Nut||Graphtech Black TUSQ XL|
|Bridge System||[EVERTUNE-F6-BK] Evertune F-Model, 6-String, Black|
|Pickups||Seymour Duncan Blackouts, Bridge/Neck Active Humbuckers. SKU: [SEYDUN-BLACKOUT-6S]|
|Control Pattern||1 Volume, 1 Tone & 3-Way Pickup Selector Switch|
|Case||Included (Halo Hard Shell Case, Black Exterior, Black Interior)|


|Publication number||US3411394 A|
|Publication date||Nov 19, 1968|
|Filing date||Jun 29, 1965|
|Priority date||Jun 29, 1965|
|Publication number||US 3411394 A, US 3411394A, US-A-3411394, US3411394 A, US3411394A|
|Inventors||Jones Ralph S|
|Original Assignee||Mirco Frets Corp|
|Export Citation||BiBTeX, EndNote, RefMan|
|Patent Citations (8), Referenced by (40), Classifications (6)|
|External Links: USPTO, USPTO Assignment, Espacenet|
NOV. 19, 1968 s, JONES 3,411,394
FRETTED INSTRUMENTS TREMOLO-VIBRATO TUNING SYSTEM Filed June 29, 1965 5 Sheets-Sheet 1 INVENI'OR RALPH S. JONES ATTORNEY 5 FRETTED INSTRUMENTS TREMOLO-VIBRATO TUNING SYSTEM 3Sheets-Sheet 2 INVENTOR RALPH S. JONES ATTORNEY R. S. JONES Nov. 19, 1968 Flled June 29 1965 NOV. 19, 1968 s, JONES 3,411,394
FRETTED INSTRUMENTS TREMOLOVIBRATO TUNING SYSTEM Filed June 29, 1965 3 Sheets-Sheet 5 F1619 x Q INVENTOR RALPH s. JONES ATTORNEYS United States Patent 3,411,394 FRETTED INSTRUMENTS TREMOLO-VIBRATO TUNING SYSTEM Ralph S. Jones, Hyattstown, Md., assignor to Mirco- Frets Corporation, Frederick, Md., a corporation of Maryland Filed June 29, 1965, Ser. No. 467,937 7 Claims. (Cl. 84313) ABSTRACT OF THE DISCLOSURE This is a tuning aid for fretted musical instruments such as guitars having tremolo and/or pitch modulation control. It is a novel combination of individual string bridge and anchor means therefor, which is adapted to maintain correct tuning of all strings while applying tremolo (pitch modulator) control in the playing of the instrument.
In the art, no provision has been made for the variation in diameter and tension at the position known as normal tune or at correct pitch for playing. No compensation in structure or method has been considered, in the past, to effect precise tuning string for string irrespective of its diameter or applied tension. No means is known for mounting such correct pitch or normal tune during actuation of the tremolo system.
At present, tremolo or vibrato is applied to the guitar through a tremolo unit comprising a means for simultaneously lengthening or diminishing the length of the strings of the instrument by lever action used in conjunction with an intermediate bridge for the strings, such devices being well known and in current use. These prior art devices include the tremolo lever-connected string reel means for adjusting the respective strings in tension. Often this is accompanied by a floating bridge with the disadvantage of uneven pitch variation or distortion upon adjusting either the anchor or the bridge or both. Individual adjustment to the strings has received study by Clarence L. Fender and others, but not by means of the tremolo control unit, as in this instance. Accordingly, an objective of invention resides in establishing and retaining tuned pitch without variance between respective strings, in musical instruments adapted to tremolo-vibrato control.
There is an additional objective in seeking to establish uniform tremolo control of guitars and related instruments in which the action between various strings of the instrument may be individually pre-set uniformly on all strings without variance to the tuning pitch thereof.
The invention is best illustrated in the drawings, wherein:
FIG. 1 is a view in perspective of a stringed instrument embodying the combination tremolo-vibrato control and associated bridge;
FIG. 2 is an exploded view in perspective of the FIG. 1 control elements both fixed and movable;
FIG. 3 is an end elevational view of the one unit of the anchor system of FIG. 1;
FIG. 4 is a perspective view of the bridge of FIGS. 1 and 2;
FIG. 5 is a sectional view of the multiple bridge mount of FIG. 4 taken along the lines 5-5 thereof;
FIG. 6 is a sectional view of another related multiple bridge mount;
FIG. 7 is a top plan view of the assembled tremolovibrato anchor system of FIG. 1;
FIG. 8 is anfexploded fragmentary view of modification of the anchor system;
FIG. 9 is the complete assembly of the FIG. 8 modification showing fixed and pivoting mounts;
FIG. 10 is a modification of string anchor systems;
FIG. 11 is a schematic illustrative of variant radii of a string, showing increased sensitivity in proportion to increased string radius from centerline.
In this invention, the adjacent strings of the instrument are each attached at their anchor ends to mountings which may be adjusted radially, whereby the tension of each string may be radially varied. In cooperation with the tremolo control terminus are plural floating or rocking bridge sections, one each for the respective strings, but all mounted in an adjustable housing.
To enhance comparatively equal variation in tension between corresponding strings of the instrument, the system is devised herein of partially diminishing or increasing the tension of the respective strings by providing each bridge with its pivot, one for each string, the respective bridges being adapted to move arcuately in limited longitudinal direction, at the point of contact with the individually engaging strings. In the present system hereinafter described in more complete detail, this bridge control is effected by a rockable or arcuately movable bridge. The degree of change in elevation of the point of string contact with the bridge will depend upon the design of the top of the bridge. For example, a pointed top will normally give a more abrupt change than would an arcuate top. The arcuate or radius top bridge could actually be moved the same degree as its arc without changing the elevation of the string.
The problem of uneven tuning, string to string, is overcome by the combination of the aforementioned bridge with terminal string tensioning or radius adjustment means. This tensioning means is known as the vibrato tailpiece. Here the tailpiece is broken down into individually eccentrically mounted elements to maintain the tuning balance of the respective strings and too, the accompanying bridge must be compartmented or provided with individual string sections as will appear more fully, below.
The fretted neck instrument of FIG. 1 is provided with tremolo-vibrato control 110, and associated bridge 150.
In FIG. 2, the tremolo-vibrato control is shown to be composed of a base plate 112, adapted to fixed engagement with the musical instrument itself and including pivot trunnions 114 for the raised, pivotable string anchor system 128, an elevational section view of which is shown in FIG. 3.
Plate 112 includes, in addition to the trunnions 114, an anchor system tension station 116, which includes tension adjusting screw 118, spring and the spring biased abutment 122 with corresponding screw fixed thereto. It will be apparent from an examination of FIG. 2 that the corresponding movable portion of the tremolovibrato control includes a corresponding shoulder 124, similar means of adjusting tension being well known to those skilled in the art. See the lever 126 secured within anchor block 128, the latter block being suitably pivoted in trunnion 114.
The anchor system 130 is best shown in FIG. 3, where the individual string adjustment means are shown in fixed engagement with the pivotally mounted anchor block 128. In this FIG. 3 system, the anchors seat each adjusting screw 134 in friction bearing relationship to the anchor block 128, creating thereby adjustment for raising and lowering the individual string anchors 140, these in turn provide a pivotal mount for the S-shaped string terminus 142. Terminus 142 defines ends 144 and 146, the string 148 being shown in engagement with end 146 thereof. In this FIG. 3, the tension equalizing system is not shown in connection with shoulder 124 of the anchor block 128, as it is in FIG. 1. The string is secured to a suitable T-bar, the same engaging a slot, not shown, in the string terminus end 146. This particular arrangement permits of individual variation in string radius from centerline through screw adjustment, avoiding, by reason of the pivotal relationship between anchor and string, any undue friction on the string at its anchor point. As will be apparent, each string is anchored accordingly for its individual adjustment. There is no connection between string anchor assemblies, excepting that each is mounted in-line in common channel member 132.
One form of plural section bridge used in conjunction with the invention is shown in FIGS. 4 and 5 and another is shown in FIG. 6. The bridge may itself be adjusted in a longitudinal transverse or vertical direction. Once thus adjusted, it provides individually adjustable bridge seats for the respective strings, acting in cooperation with corresponding string radius control shown in FIGS. 3 and 7. By virtue of the limited pivotal mount for the respective string engaging bridges 154, residing in the U-shaped housing 152, a slight variation in tension between the respective strings may be made to change the elevation and pitch individually. In the trade, a similar arrangement is known as a floating bridge but none has been created for cooperative effect with radius control adjustment being available to the musician, giving him the maximum in tonal variation from string to string. The respective bridges 156 are pivoted in the U-shaped mount 152. The mount 152 defines a central transverse pivot 154, adapted to support each bridge section 156 in rocking relation to the longitudinal axis of the instrument. The string engaging depression is indicated at 158 and it is shown in FIG. 5 to define a circular segment at its top. Referring to FIG. 4, the sections are slidable along the pivot to provide a selective spacing of the strings.
The alternate arrangement is shown in FIG. 6, in which it will be noted that the respective bridges are mounted for more sensitive adjustment avoiding thereby any dampening effect such as may be brought on by arcuate string contact as in the FIGS. 4 and 5 bridge complex. For example, note that in the FIG. 5 innovation, the strings are engaged along a substantially more extensive radius than at the apex point of contact in the FIG. 6 innovation. Moreover, in the FIG. 6 unit, each section 166 is limited to rock-able motion coaxially with its string and the section is restrained against transverse displacement by loose fitting with a pin 170 fixed to walls 162 of channel 160. In the FIG. 6 innovation, the U-shaped channel member 160 includes the pivot apex 164 formed in the channel 162. The apex of the bridge section 166 appears at 168 to be a substantial peak to engage each individual string.
A further modification of invention is shown in FIGS. 7, 8 and 9 where the tremolo-vibrato system is mounted on a fixed block 212 having trunnions 214, and tension control 216, the pivotal mount for the tremolo control being shown at 214, and 214'. The pivotal mount includes tongue and groove fitting end plates 218. These end plates are held in spaced relation by the T-bar 232 and by location of adjustment screws 219 and 219 in the front and rear of each, the desired position for tuning can be obtained, lowering or raising the tremolo control. These screws 219 and 219' are movement limiting screws for the tremolo control and bear upon the plate 212 to limit the range. The T-shaped adjusting block 232 is thus adapted to receive the individual anchor control screws 234. These screws in turn are aligned longitudinally with vertical anchor guide channel 236 (FIG. 8) which in turn is adapted to receive anchor block 240 in sliding (238) radius adjusting control as assembled in FIG. 9. It will be appreciated that whereas only one adjusting system is shown in the tremolo-vibrato control 200 of FIGS. 8 and 9, the system is adapted to the individual radius adjusting control of six or more strings on any one stringed instrument as in FIG. 7. In FIG. 9, for example, the anchor 240 has been adjusted above the centerline indicated at the junction of the lines CL. This imaginary centerline is coaxial with the pivot point for the tremolovibrato control generally indicated at 214 and 214. In FIG. 9, the pivot is, as always, on the centerline, per se.
The modification 300 illustrated in FIGURE 10 depicts an adjustment housing 332 pivotally mounted on a fixed base 312 (as is the FIG. 1 unit). In this innovation, however, the housing per se is connected for restrained tremolo-vibrato action by the system 316 engaging a corresponding abutment 324. In this system, the radius control for each respective string comprises vertically adjustable anchor block 340 having a pivot at one end, adapted to pivotal engagement with link 342 at its end 344; its end 346 accommodating by nonfrictional engagement the terminus of the string 348, fitted by T-bar into an appropriate slot of the link at 346.
In FIG. 11, a schematic of the effect derived from individual adjustment of the respective strings appears. In this example, the centerline x-y illustrates that by an increase in the radius of a string from the lowermost (centerline) to the uppermost portions, there results an increased sensitivity in the respective adjusted strings to tremolo-vibrato control, since a shorter movement of the lever 126 brings about an increased diminution or increase in the radius of the string from the centerline.
From the foregoing, it will be appreciated that as in conventional models, the one hand lever moves all stringsbut each string is adjusted individually, and travels a separate distance to produce the correct tension to maintain constant relative pitch variation. All strings are in true harmony, no matter how little or how much tremolo or vibrato is applied. In this invention, no detuning of high-pitched strings occurs due to overstretching; a fixed stop provides for easy tuning, and a broken string will not effect pitch of other strings.
A floating bridge is compatible with independently moving sections for each string.
From the structure shown, for example, FIGS. 3, 9, and 10, it will be appreciated that the strings may be adjusted below the horizontal centerline. Thus, when one or more strings are below this point, the action of movement of the string is reversed. Nevertheless, if all strings are below the centerline, it gives the musician the identical performance as in the instance wherein all strings are above; excepting it gives him a choice of lifting or depressing the lever action to his particular technique. As indicated, this reverse action of lever, of course, is also spring balanced for tension. The resultant variety of opposite tone efiects may be an inducement for unlimited experimentation by the musician in this area.
The invention is thus to be restricted only in accordance with the appended claims, various means of carrying out the invention being obvious to those skilled in the art.
1. A musical instrument comprising:
(A) a body and strings secured in tension relation to ends of the body,
(B) pitch modulator control means for the strings adjacent lower end of the body comprising:
(1) pivot means fixed to the body defining an horizontal center-line,
(2) a string anchor plate pivotable within the said pivot means about said center line, said anchor having:
(a) individual string anchor blocks carried by said plate; said anchor blocks and strings being pivotally interconnected, said anchor blocks engaging vertically adjustable string tension means mounted on the anchor plate to vary the radius of each string from the centerline and maintain true horizontal movement of said strings in playing,
(3) pivotal bridges on the body aligned with each said anchor contact supporting each said string in pivotal connection; whereby upon the vertical adjustment of the anchor to move strings relative to the centerline to maintain undefiected tension, constant relative pitch variation and true harmony between strings, irrespective of amount of tremolo or vibrato applied thereto, whereby to achieve precise modulation between respective strings, irrespective of variation in size thereof and variable tension applied thereto in playing.
2. Musical instrument according to claim 1 further 10 radius adjustment of strings are variably disposed at or above horizontal centerline,
6. The musical instrument of claim 2, in which the radius adjustment of respective strings are each disposed variably at or below horizontal centerline.
7. The musical instrument of claim 2, in which the radius adjustment of respective strings are variably disposed at horizontal centerline, and above and below.
References Cited UNITED STATES PATENTS 2,788,694 4/ 1957 Dearth 843 12 3,174,381 3/1965 Matthew et al 84- 313 3,181,409 5/ 1965 Burns et a1 84-313 3,248,991 5/1966 Cole 84-3-13 2,741,146 4/ 1956 Fender 84-313 2,972,923 2/ 1961 Fender 843 13 3,237,502 3/1966 Moseley 843l3 3,241,418 3/1966 Fender 84-313 RICHARD B. WILKINSON, Primary Examiner.
|Cited Patent||Filing date||Publication date||Applicant||Title|
|US2741146 *||Aug 30, 1954||Apr 10, 1956||Fender Clarence L||Tremolo device for stringed instruments|
|US2788694 *||Jun 14, 1954||Apr 16, 1957||Dearth Ronald E||Automatic auxiliary tuning device|
|US2972923 *||Nov 6, 1958||Feb 28, 1961||Fender Clarence L||Floating tremolo and bridge construction for lute-type musical instruments|
|US3174381 *||Jul 2, 1963||Mar 23, 1965||Albert Punturi||Tremolo devices for stringed instruments|
|US3181409 *||Dec 5, 1962||May 4, 1965||Ormston Burns Ltd||Bridges for stringed instruments such as for guitars|
|US3237502 *||May 11, 1964||Mar 1, 1966||Semie A Moseley||Stringed musical instrument|
|US3241418 *||Jun 5, 1964||Mar 22, 1966||Columbia Records Distrib Corp||Guitar incorporating inertial vibrato device|
|US3248991 *||Sep 10, 1963||May 3, 1966||Harry G Cole||Tremolo device for stringed instruments|
|Citing Patent||Filing date||Publication date||Applicant||Title|
|US4383466 *||Aug 31, 1981||May 17, 1983||Esp Co., Ltd.||String bridge of electric guitar|
|US4610190 *||Oct 22, 1984||Sep 9, 1986||Maloney Terrance R||Pitch raising system for guitars|
|US4632005 *||Oct 1, 1984||Dec 30, 1986||Steinberger Sound Corporation||Tremolo mechanism for an electric guitar|
|US4704936 *||Oct 15, 1985||Nov 10, 1987||Steinberger Sound Corporation||Tremolo with lever angle control|
|US4860628 *||Jun 6, 1988||Aug 29, 1989||Storey David C||String supporting apparatus for stringed musical instruments|
|US4915006 *||Jan 18, 1989||Apr 10, 1990||Steinberger Sound Corporation||Support for defining an end point of the vibrating portion of the strings of a stringed musical instrument|
|US5198601 *||Oct 31, 1990||Mar 30, 1993||Mccabe Geoffrey||Tuning means for stringed musical instrument|
|US5373769 *||Jan 9, 1992||Dec 20, 1994||Sherman; Gery||Variably adjustable tremolo anchor|
|US5438902 *||Jun 29, 1993||Aug 8, 1995||Baker; Michael V.||Memory tuning system for stringed instruments|
|US5539144 *||Mar 10, 1995||Jul 23, 1996||Sherman; Gery||Floating tremolo with optimized frictional forces|
|US5708225 *||Jul 22, 1996||Jan 13, 1998||Sherman; Gery||Guitar apparatus|
|US6015945 *||Dec 23, 1998||Jan 18, 2000||Hipshot Products, Inc.||Tremolo bridge apparatus|
|US6087570 *||Aug 11, 1997||Jul 11, 2000||Sherlock; John||Stringed musical instrument vibrato apparatus featuring selective string pitch control|
|US6143967 *||Mar 29, 1999||Nov 7, 2000||Smith; Alexander M.||Tremolo for guitar|
|US6765137 *||Sep 18, 2002||Jul 20, 2004||Zachary K. Smart||Guitar bridge lock|
|US6943284 *||Oct 14, 2003||Sep 13, 2005||Edward William Didan||Stabilizer for tremolo bridge|
|US7812232||Jul 10, 2009||Oct 12, 2010||U.E. Corp.||Musical instrument vibrato mounting adapter plate|
|US7888571||Jul 12, 2007||Feb 15, 2011||Gibson Guitar Corp.||Tremolo mechanism for a stringed musical instrument with cam actuated lock|
|US7960630||Jul 12, 2007||Jun 14, 2011||Gibson Guitar Corp.||Tremolo mechanism for a stringed musical instrument with angled saddle rollers|
|US8017844||Jul 12, 2007||Sep 13, 2011||Gibson Guitar Corp.||Tremolo mechanism for a stringed musical instrument with pivoting string anchor|
|US8252999 *||Sep 15, 2008||Aug 28, 2012||Brent Douglas Deck||Stringed instrument improvement|
|US8389836 *||Jan 30, 2008||Mar 5, 2013||René Uberbacher||Bridge element for musical stringed instruments|
|US8575464||Mar 12, 2012||Nov 5, 2013||Charles E. Butterworth, III||Curved tremolo arm|
|US8779259 *||Jan 28, 2013||Jul 15, 2014||Mark V. Herrmann||Friction reduction in an electric guitar|
|US8796524||Jun 11, 2012||Aug 5, 2014||Brent Douglas Deck||Stringed instrument improvements|
|US8940986 *||Nov 19, 2013||Jan 27, 2015||Nole F. Edwards||Tremolo and bridge device for stringed instruments|
|US9502010||Jul 24, 2015||Nov 22, 2016||William Cardozo||Guitar tremolo bridge|
|US20040051925 *||Sep 18, 2002||Mar 18, 2004||Smart Zachary K.||Guitar bridge lock|
|US20050076766 *||Oct 14, 2003||Apr 14, 2005||Didan Edward William||Stabilizer for tremolo bridge|
|US20080229898 *||Jul 12, 2007||Sep 25, 2008||Gibson Guitar Corp.||Tremolo Mechanism For A Stringed Musical Instrument With Pivoting String Anchor|
|US20080229899 *||Jul 12, 2007||Sep 25, 2008||Gibson Guitar Corp.||Tremolo Mechanism For A Stringed Musical Instrument With Angled Saddle Rollers|
|US20080229900 *||Jul 12, 2007||Sep 25, 2008||Gibson Guitar Corp.||Tremolo Mechanism For A Stringed Musical Instrument With Cam Actuated Lock|
|US20100000392 *||Jan 30, 2008||Jan 7, 2010||Uberbacher Rene||Musical stringed instruments|
|US20100011936 *||Jul 10, 2009||Jan 21, 2010||Terrance Dennis||Musical instrument vibrato mounting adapter plate|
|US20100064877 *||Sep 15, 2008||Mar 18, 2010||Brent Douglas Deck||Stringed instrument improvement|
|US20170061941 *||Nov 14, 2016||Mar 2, 2017||William Cardozo||Guitar Tremolo Bridge|
|DE4311209A1 *||Apr 5, 1993||May 26, 1994||Lars Gunnar Liebchen||Master tremolo system with stepless tuning for stringed instrument - has strings guided at tremolo block so that radii of all attachment points from block hinge axis are identical|
|WO1986002188A1 *||Oct 1, 1985||Apr 10, 1986||Steinberger Sound Corporation||Tremolo mechanism for an electric guitar|
|WO1990008301A1 *||Jan 10, 1990||Jul 26, 1990||Steinberger Sound Corporation||A support for defining an end point of the vibrating portion of the strings of a stringed musical instrument|
|WO2010037160A1 *||Sep 9, 2009||Apr 8, 2010||Allan Rice||Bridge apparatus for stringed instrument|
|U.S. Classification||84/313, 984/121|
|International Classification||G10D3/14, G10D3/00|


American Stage Band Music Service
Stockist and supplier of arrangements for jazz ensemble, jazz combo and dixieland band. Includes many charts for vocalist with big band and/or combo.
There are over 10,000 charts in stock.
Many improvisational and play-along jazz books are in stock including those hard to find vocal instruction books.
Details of latest publications are listed on the web-site.
A comprehensive catalogue is available by mail-order.
Phone: +44 (0) 1206 547547
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And I Love Her by The Beatles - Digital Guitar Tab
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And I Love Her digital guitar tab. Contains printable guitar tab plus an interactive, downloadable digital guitar tab file.
* This arrangement contains complete lyrics
* This product is available worldwide
The Arrangement Details Tab gives you detailed information about this particular arrangement of And I Love Her - not necessarily the song.
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Chamber Orchestra - Level 2 - Digital Download
Composed by Edvard Grieg. Arranged by Cowell, Paul. 20th Century. Score and parts. 30 pages. Paul Cowell #34039. Published by Paul Cowell (A0.837140).
Vals by Grieg from Lyric Pieces Op 12. Originally for piano, arranged for small orchestra (minimum: strings, 2 flutes, 2 clarinets, 2 trumpets and guitar/harp; optional cor anglais, oboe 2, 2 bassoons, 2 horns 2 trombones, timpani). Grieg's elegant waltz is influenced by Norwegian folk music. The arrangement is not technically demanding. Please visit www.paul-cowell-music.com for more information, where you can also request extra copies of string parts, etc.
This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
About Digital Downloads
Digital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play!
PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).


- More about the vendor
Music for the Moment offers wedding entertainment for lesbian and gay weddings in New York, New Jersey, and Pennsylvania.
We have several different options for live musical wedding entertainment, including:
- String Quartet: Two violins, a viola, cello or flute, violin, viola, cello
- String Trio: Violin, viola, cello or flute, viola, cello
- Double Quartet: four violins, two violas, two cellos
- Violin-Cello Duo
- Solo Violin
Want something a little different? We also offer singers and trumpet players - whatever you want to make your wedding perfect.
We do weddings, civil unions, corporate events, and private parties - let us know what you're looking for to make your event perfect. You can choose your musical selections from my extensive library.
I can even help you select your music for your special event - add elegant music for your ceremony, cocktail hour or the entire affair.
I cover New Jersey, Eastern Pennsylvania, Manhattan, Staten Island, Westchester, Orange and Rockland
Hire me directly and save the booking agent costs.
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Vendor Category: EntertainmentVendor Tags: bands, Central NJ, disk jockeys, Easton, entertainment, Mendham, music, musicians, new york, Northern NJ, Pcconos, reception, songs, wedding djs, and wedding entertainers