Subject: I have found a CD that I think you would enjoy
More Music From Northern Exposure (1990-95 Television Series)
Genres: Special Interest, Pop, Soundtracks
Similarly Requested CDs
Only for hard core NXers
adamarie wallis | lebanon, tn United States | 05/23/2003
(3 out of 5 stars)
"I bought the first CD and loved it, so i expected to love this one as well. This CD just isn't up to the same level as the first one though. the songs in large part are forgetable with the notable exeptions of the two native american songs at the beginning and end, the crane dance song (lay my love) and wrap your troubles in dreams. unless you just have to have everything NX related, want two good native american songs, or have the urge to try and teach a crane a mating dance, this CD just isn't worth it."
Alice Dixon | Kansas City, Missouri USA | 07/14/2002
(5 out of 5 stars)
"I purchased this CD for music to accompany the digital pictures I took on a vacation to Alaska. What I didn't expect was to become somewhat addicted to certain selections. Now, I frequently listen to the CD in my car on the way to and from work. It is both relaxing and energizing. I particularly like anything by David Schwartz, who is responsible for the well known "Theme from Northern Exposure" (which is too short here--I wanted more). His other numbers on this CD, "The Ladder" and "Mooseburger Stomp" are rousing and fun. I fell in love with the beautiful, soothing, deep alto voice I heard in "Wrap Your Troubles in Dreams." What a surprise to learn that it belonged to Mary Ford (with Les Paul)! I hardly paid any attention to her in the 1950's. "Lay My Love" is infectious, anticipatory and wonderful. Who can resist the walking-waltz pace of "Un Mariage Casse?" Finally, Joanne Shenandoah will surely get her wish with her enchanting rendition of "I May Want a Man.""
Don't tease us, please give us more!!
adamarie wallis | 06/03/1999
(4 out of 5 stars)
"Please don't tease us; put all the music on all of the shows on a CD and we will buy it. Simple as that. There is so much weird music that sets a mood that I want to be in sometimes, and a CD with all the music would allow me to go where I want to be. Only a fool record producer would ignore a request like this!! Thanks."


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Hannabach 890 Children Guitar
Through the smaller body and shorter neck student guitars have a significantly shorter scale length.
If you were to cut a full-size 4/4 guitar string, the string tension would be reduced significatly, on a 3/4 instrument at least 15% too low tension (Taylor's formula). The results are string rattling on the fretboard, nasal sound, "fifths uncleanness" and "sloppy" playability.
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The Squier Bullet Stratocaster is the perfect starter guitar, built with the entry level player in mind it's easy to play and really comfortable. The slim C neck profile is great for new players and is designed to cater for all styles of playing.
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MuseScore MIDI Input
MIDI keyboard setup
1. Turn on the MIDI keyboard and plug into your computer. 2. Open MuseScore. 3. Select the MIDI keyboard from menu MuseScore→Preferences...→I/O window.
MuseScore's default note input mode, allowing you to enter music notation one note (or rest) at a time.


H x W x D: 38 5/8 × 58 1/2 × 70 in. (98.1 × 148.6 × 177.8 cm)
Cincinnati, Hamilton County, Ohio, United States, North and Central America
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A Baldwin grand piano owned and used by Thelonious Monk. The piano is dark brown with a hinged lid. Gold pigment at the center of the fall board at the front of the piano reads “Baldwin.” The fall board can be closed to hide the keyboard. When the lid of the piano body is open the cast iron frame, pins, dampers, hammers and strings are visible. The frame has raised embossed lettering at several locations. This lettering reads “BALDWIN TRADE MARK” and “BALDWIN” at the top of the frame. At the center of the frame the lettering reads “GRAND PRIX PARIS 1900 GRAND PRIZE ST. LOUIS 1904 THE BALDWIN PIANO COMPANY CINCINNATI 9. U.S.A.” At the bottom of the frame next to the keys the lettering reads “L / 156171” and “ACOUSTIC / PATENTED / CONSTRUCTION.” Printed in black lettering at the top of soundboard, beneath the iron frame is “THELONIOUS MONK / 843 WEST 63RD STREET / NEW YORK 23. N. Y.” This text is visible through the left circular cut out of the iron frame. The piano has four legs with metal caster wheels. The piano has two lyre posts and a pedal rod attached to three pedals at the front, beneath the keyboard.


By TouchTunes Interactive Network
Open iTunes to buy and download apps.
TouchTunes allows you to control the music in over 65,000 bars, restaurants and other social hot spots in the US and Canada. The free app acts as a remote control for the jukebox allowing you to search for music, import playlists, earn rewards and play your favorite songs without losing your seat. And if you just can’t wait another minute, you can even queue up your theme song from the parking lot!
• Find venues with a TouchTunes jukebox near you
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• Get rewards and bonus credits
• More ways to buy jukebox credits: credit card, PayPal, & ApplePay
• Heart artists & songs to build your own ‘My Favorites’ playlist
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For exclusive content and updates, follow @TouchTunes on Facebook, Instagram, and Twitter.
If you have any app feedback please email us at firstname.lastname@example.org
Continued use of GPS running in the background can dramatically decrease battery life.
What's New in Version 3.6.1
We are always looking for ways to make the app better so the music never stops. Additional improvements and bug fixes in this update.
Love the app... service is questionable
I have always loved using TouchTunes, but the cut in line feature has become a bit frustrating. In the end, you have to plan to spend double the money to play your songs next or you will merely pay TouchTunes $$ to never hear your music played. They also just increased the price for the feature. I'll probably dump the app.
Not sure what's wrong with the bad reviews. I have t had any problem with this app. Works great and keeps me from having to walk up to the machine. I can play anything right from my seat. Love it. And love it more and more.
I love messing with my friends by sayin man you know that one song and then play it and they think it's just coincidence 😂. Only complaint I have is that you cannot transfer credits from location to location.
- Category: Music
- Updated: Feb 06, 2017
- Version: 3.6.1
- Size: 105 MB
- Languages: English, Arabic, Bengali, Bulgarian, Catalan, Croatian, Czech, Danish, Dutch, Finnish, French, German, Greek, Gujarati, Hebrew, Hindi, Hungarian, Indonesian, Italian, Japanese, Kannada, Korean, Latvian, Malay, Malayalam, Marathi, Norwegian Bokmål, Persian, Polish, Portuguese, Punjabi, Romanian, Russian, Simplified Chinese, Slovak, Slovenian, Spanish, Swedish, Tamil, Telugu, Thai, Traditional Chinese, Turkish, Ukrainian, Vietnamese
- Seller: TouchTunes
- © 2015 TouchTunes Interactive Networks
Compatibility: Requires iOS 8.0 or later. Compatible with iPhone, iPad, and iPod touch.


Play piano That Funky Music Chords by Wild Cherry Learn to play guitar piano by chord transpose the that key , tabs , use our crd boy diagrams more. This Gordon Goodwin chart on the classic boy funk rock sheet tune " Play That Funky Music" is a showcase for your lead alto saxophone soloist from sheet start to finish. This one white demands a contemporary alto sax soloist with style and some altissimo chops too. Play That Funky Music is a song by Wild Cherry. play that funky music florence boy , white boy What others are white saying " funky Find images , the machine , videos about florence welch florence + the machine on We Heart play piano It - the app to get lost in what you love. What are the best jazz piano solos to buy piano sheet music for? Play That Funky Music sheet music - piano jazz band ( 1 - 1st alto sheet saxophone 1 - 3rd trombone, 1 - 2nd trombone, 1 - 2nd tenor saxophone, 1 - 2nd piano alto saxophone, 1 - baritone saxophone, 1 - 4th trumpet, 1 - 3rd trumpet, 1 that - 1st trombone, 1 - 1st trumpet, 1 - 1st tenor saxophone, 1 - 2nd trumpet sheet music by piano Robert Parissi: Belwin Music. Play that funky music white boy piano sheet music.
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Open Guitar was developed to be a VSTi plugin for accurate emulation of the beautiful sound of arpeggiated guitar chords in the first position of the fretboard (hence the "open" strings sound). Open Guitar can just do strums and arpeggios of an acoustic guitar, but it is customizable with the Soundbox with EQ controls. Notes range is from.
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This is the game of Simon played against a guitar backdrop. You don't need to know anything about guitar to enjoy this game. But, you just may come out of it with a knowledge of guitar chords!
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Turn your iPad into a musicians teleprompter - write your lyrics and guitar chords in plain text or easily get them from the web with Cchords Browser. Cchords will provide you with a graphics display of your songs in your key and scrolled at your tempo.
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Father Daughter Dance and Mother Son Dance | Duet Dance Chicago, | Chicago, IL 60647
Duet Dance Studio specializes in wedding dance lessons that helps engaged couples get ready for their first dance, father/daughter dance and mother/son dance.
Father Daughter Dance and Mother Son Dance
While you and your fiancé are getting stressed about your first dance, chances are your parents are just as nervous about dancing in front of hundreds of guests and family. Why not bring them with you for some dance lessons!
How to choose a father daughter dance or mother son dance song?
Similar to choosing a first dance song, you need to make sure the song is danceable. It shouldn't be too fast or slow and make sure you dance no more than 3 minutes of the song. A minute can feel like forever if you aren't comfortable dancing in front of people. Check out our song suggestions for father/daughter dance and mother/son dance.
How many lessons do we need?
Since everyone has different needs and expectations, the number of lessons you need depends on a few factors, such as how often you are available to take lessons, how fast you learn and how good you want to become. Generally, it is recommended to start taking lessons at least 4 months before the wedding day to ensure you have ample time to learn the skills you need to feel confident dancing at the wedding.
What if my parents are from out of town?
Bring them in for a crash course/ intensive whenever they are in town. Treat it as a fun activity that you do with your parents. Your parents will mostly enjoy the quality time that they get to spend with their children before their big day!
HOW TO SIGN UP
Before your first lesson, I'd like to meet with you for a consultation. During the consultation, we will get to know each other and discuss your vision for your father/daughter and mother/son dance. You will learn a dance basic or two and I will then create a plan of action to help you achieve your goals. The consultation is free of charge and the rates for regular dance lessons range from $60 to $80 per hour depending on the number of lessons you purchase at a time.
Contact us to schedule a consultation.


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Batavia IL Belly Dancers
The ancient art of belly dancing has been captivating party guests for years, and your event should be no exception! Their bright and beautiful costumes and flowing dance style lends a sense of mystery and culture to the atmosphere. Some belly dancers even add extra flair with bells, swords, or cymbals. Belly dancers are perfect entertainment for parties that need some worldly elegance. Search for Belly Dancers in Batavia, Illinois above.
Please note that these Belly Dancers may also travel to Mooseheart, North Aurora, Lafox, Eola, Warrenville, Fox Valley, Campton Hills, Wasco, Wayne, Elburn, Winfield, Sugar Grove, Montgomery, Lily Lake, Bristol, Kaneville, Oswego, Big Rock, Plato Center, Countryside, Medinah, Maple Park, Pingree Grove, Yorkville, Sleepy Hollow, West Dundee, Dundee, Itasca, Plano, and Gilberts.


I was wondering which gauge of strings to use on a Lap Steel.
Will standard lights i.e 12s work fine?
Also what kind of slide to use?
Also that typical HW tones comes by plugging the lap steel clean or using some effects?
here may be some useful information re: strings, gauges and tunings.
- Guitari Lama
- Posts: 8056
- Joined: July 20th, 2003, 4:48 pm
- Location: Bristol, Tennessee, USA
Most people now use a C6 tuning to play old country music and Western swing on a lap steel, on a 6 string that's CEGACE from low to high. The low C is the one on the third fret of the A string of a standard tuned guitar, so you'll need a special string set.
What GHS puts in their 6-string C6 set are: 015, 017, 022, 026, 030w, 036w


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September 18, 2014
For Immediate Release
HILTON HEAD SYMPHONY ORCHESTRA
2014-15 HHSO Season – “The Music of Dreams and Drama”
Contact: Sarah Bergin
Hilton Head Symphony Orchestra Announces New Season
The Hilton Head Symphony Orchestra’s 33rd season, The Music of Dreams and Drama, opens on Sunday, October 12 at 4:00 pm and Monday, October 13 at 8:00 pm. Tickets are now on sale for all concerts, and subscriptions are available for 3, 6 and 9 concerts. Concert information is available on the HHSO website at www.hhso.org.
The 2014-2015 Season explores some of the most emotionally intense works created for orchestra. From Shostakovich Symphony No.5 to overtures by Bernstein and Mozart and with some of concert-goers’ favorite soloists returning, it promises to be another great season. Each concert will now be performed on Sundays at 4:00 pm and Mondays at 8:00 pm at the First Presbyterian Church on Hilton Head Island. The season opens October 12, 2014 and runs through May 4, 2015.
In July, the HHSO announced that they have engaged Music Director and Conductor John Morris Russell for four more years. Maestro Russell, who took over his position with the HHSO in 2012, will now conduct the orchestra through the 2017-18 Season.
“John’s impact on musicians and audiences has been electric” says HHSO President Mary Briggs. “The excitement of last season did more than promised. It didn’t just grow, it exploded. This has resulted in the decision to double every concert for the 2014-2015 season.”
Concert tickets are $25, $40, and $50. Reduced prices are available for children and their accompanying parent for Sunday matinees. Call the Hilton Head Symphony office at (843)842-2055 to purchase or log into the orchestra web site at www.hhso.org.
CALENDAR OF EVENTS
HILTON HEAD SYMPHONY ORCHESTA
33rd Season “The Music of Dreams and Drama”
Opening Night: Monday, October 13, 2014 8:00 pm
Matinee performance on Sunday, October 12 4:00 pm
First Presbyterian Church, Hilton Head Island, 540 W. Hilton Parkway
Tickets: $25, $40, $50
Call 843-842-2055 or online at www.hhso.org


On this page you will find theorbos (also called chitarrone), archlutes (arciliuto) and liuto attiorbatos. All of which have always interchangeably been called by any one of these terms -and especially 'theorbo'- by the uninitiated. This is also a field of nomenclature further confused by regional varieties. Historically, all of these instruments were born out of wanting lower bass notes but being limited by string making technology of the time. The only solution was to make the bass strings longer.
I make necks and long extensions with carbon fiber reinforcement hidden under veneers and a small upper pegbox to reduce weight where it matters the most.
The foldable neck can be built on all theorbos and most archlutes. The only part of the mechanism that remains visible in playing condition is the hinge, which can only be seen from the back. The tension of the strings holds everything in place, and when folded, the strings wrap around a string holder so that they do not need to be loosened for storage or transport, and will be in tune when unfolded.
Pitch: any, String length: any cm
Typically a large lute with an extension that carries long bass strings typically twice as long as the fingerboard strings, characterized by re-entrant tuning where the two first strings or courses are an octave lower than in renaissance lute tuning: gdafcGF EDCB'A'G'F'. Can be tuned with first string in g or a. Smaller versions exist: The French theorbo or théorbe des pièces is tuned in d, while the tiny tiorbino is tuned in g' or a', so a whole octave higher than the normal size. Larger theorbos are mostly for continuo playing while the smaller ones are for solo repertoire.
All theorbos can be built with single or double fingerboard strings and in any case I make enough pegs for 7+7 or 6+8 stringing. Both ways are historically accurate, I would recommend single strings. An extra 15th bass string tuned in F# slightly spaced apart from the 14th can also be added.
Large theorbo / chitarrone with a multi-rib bowl.
Pitch: A or G, String length: 88-95 & 170-190 cm
Usually theorbos have triple rosettes, but the original Schelle has a large single inset rosette. I chose to use the same design, but cut in the soundboard, as the large majority of lute rosettes were made. The Schelle is also unlike most theorbos in that the body is made of only 11 wide ribs, while usually there are closer to 30 of them. The original also has a hinge on the extension, allowing the instrument to be folded for transportation if the diapasons are loosened. This theorbo suits tuning in A or D-minor, even G with slightly thicker strings than optimal.
Pitch: d, String length: 86 and 161 cm
Now with 9% more theorbo! This is my own design, but scaled up from my original proposition. This is a slightly smaller theorbo than the Buchenberg and Schelle, and other serious historical theorbos, to allow for either a more frets on the neck (as shown), or shorter string length. As shown, can be strung 7+7, 7+8 or 6x2+8. 31 ribs. Total folded length 135 cm.
Pitch: G or A, String length: as shown, 10 frets at 89 cm & 174 cm. 9 frets at 84 cm, 8 frets at 80 cm
A smaller theorbo for solo playing with 10 frets on the neck, or fewer with a shorter neck. Shown with padauk body with maple filets, torrefied birch fingerboard panel, maple-ebony inlay on the neck, extension painted black.
Pitch: A, String length: 84.5 & 160 cm
The Harz started life as a theorbo but the neck was shortened at some point. It can be made with a wide variety of string lengths to suit the player. Shown here with a reduced number of ribs, a neck long enough for 11 frets and pegs for single string courses.
Pitch: a, String length: 78 & 135 cm
Renaissance tuning with a long extension and single bass courses. The archlute differs from the theorbo in that it does not have re-entrant tuning, so you can play from all renaissance lute tablature. The repertoire for this type of lute greatly benefits from having nine or ten frets on the neck.
Can be built as a large archlute or small theorbo. Also available at 3% reduced size, giving a large-bodied instrument in g' (a=415Hz).
Pitch: e' or f' or f#, String length: 67 & 144 cm
Pietro Railich, Venice 1644. Germanischen Nationalmuseum Nuremberg (MI45). Strings: (1x1 - 5x2 / 8x1). 15 ribs of "cooked" (kiln-dried) birch with birch filets.
Pitch: f#, String length: 64 & 99 cm
String lengths around ~59cm & 93cm, 1+6x2 + 7x2. An instrument similar to the German swan neck baroque lute in having a short extension and diapasons with octave strings. The tuning of this instrument is the same as a renaissance lute, but with the added bass courses.
Liuto Attiorbato in the style of Matteo Sellas, with the original ivory replaced by maple, and ebony replaced with darkened walnut (body) and blackwood tek (neck). Maple pegs. Carved and filled panels on the fingerboard copied from the original, line decoration on neck and extension. 7x2 + 7x2 courses.
Pitch: g' (a=440Hz), String length: 59 cm and 94 cm


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Kids can keep the beat with this sustainably made percussion bell. Shake it back and forth and the bells ring.
This percussion series comes with Clapper, Tambourine, and Bell. Combine these with other PlanToys musical items to create a band!
Suitable for children 18 months and up.


Kaplan Amo Violin String Set, 4/4 Scale, Medium Tension Scaled to fit 4/4 size violin with a playing length of 13 inches (328mm), these medium tension strings are optimized to the needs of a majority of players. Packaging in uniquely-designed sealed pouches provides unparalleled protection from the elements that cause corrosion.
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The Kaplan Amo violin strings are currently being trialed and provide warmth, richness and flexibility for brighter instruments. They settle in quickly, exhibiting a rich tonal colour palette and superb bow response. Leave us a post and you’ll be the first to know when they’re finally released for sale.


Dualtone Records debut from The Dip
Limited time album download included
Vinyl LP pressing. Seattle-based seven-piece R&B/soul band The Dip makes their Dualtone Records debut with their new album Sticking With It, out March 4, 2022.
Self-produced by the band and recorded at their self-made studio in Seattle's Central District, the new album puts forth the groove-heavy, richly detailed sound the band has become known for, expertly matching their sophisticated musicianship with a strikingly loose energy.
|1. Paddle to the Stars|
|2. Sleep on It|
|3. When You Lose Someone|
|6. Real Contender|
|2. Eye to Eye|
|5. Forget About It|


With their reduced playing-in time the instrument achieves its full sound spectrum in no time. Also suitable also for electric or electrically-amplified cellos. Each Evah Pirazzi Gold cello string has its own individual character and at the same time their interplay generates a wonderfully harmonious set. Beginning with a smooth and rich spectrum of sound colors, the A-string has a warm and silvery sound that will easily satisfy the expectations of soloists. Charm, brilliance, and lightness are the sound characteristics of the D-string. The seamless transition to the G-string adds a further nuance that can be heard: The sound becomes very grand and develops an impressive radiance – even straight after stringing. Vibrant and resonant the C-string was designed to provide the player with a focused direct sound that will inspire and at the same time bring this set to its powerful completion.


Yeh Shaam Mastani Easy Solo Sheet
Download and print Yeh Shaam Mastani easy solo sheet PDF with accurate piano notes and chords from Kati Patang.
Arranged in the scale of G major (same as original scale).
Suitable for piano and keyboard.
Youtube – Yeh Shaam Mastani easy piano tutorial.
Check out other Easy Hindi piano notes.
If you love this sheet don’t forget to write a review in the review tab.


Great Leaps takes off December 6
Date: Monday, November 24, 2014
Contact: Alyson Kakugawa-Leong, (808) 932-7669
For Immediate Release
The University of Hawaiʻi at Hilo Performing Arts Center (PAC) presents the Great Leaps Dance Concert for one night only on Saturday, December 6 at 7:30 p.m.
The end-of-the-semester performance brings together more than 100 dance students from UH Hilo and Hawai’i Community College for a celebration of original choreography by instructors and invited choreographers. A wide range of dance styles will be on display designed to entertain audiences of all ages.
Celeste Staton’s Ballet classes will provide a dance of toys come to life and a jeweled waltz by Shostakovich, while Annie Bunker’s UH Hilo Modern I class, with a cast of 21 dancers and large umbrellas, performs “A Moment in Rain.” Dancers will also take part in the HawCC Modern Jazz 1 class performance “CAUGHT,” which investigates repetitive habits, co-dependency and the sensations of being stuck. The UH Hilo Jazz class will honor Bob Fosse in a piece co-mingled with other fun and funky dance moves.
Kea Kapahua will present a physically demanding and emotionally engaging piece entitled “How Many?” incorporating interviews with two combat veterans to portray some of society's complexities in dealing with war and peace. Dori Yamada has created a dance with shifting tones and a mood that mimics the unsettling way that dreams can shift from one minute to the next.
Tickets are open seating and priced at $7 General, $5 Discount and UH Hilo/Hawai’i CC students (with a valid student ID) and children, up to age 17, and are available by calling the UH Hilo Box Office at 932-7490 or by ordering online at artscenter.uhh.hawaii.edu.
Disclaimer: The University of Hawaii at Hilo is not responsible for the contents, links and/or materials presented in any web site listed above that are not of the "hilo.hawaii.edu" or ".uhh.hawaii.edu" domains. All comments, complaints and grievances should be filed with the author, host and/or owner of said site.


20th Century Masters - The Millennium Collection: The Best of Rare Earth
Open iTunes to preview, buy, and download music.
||Get Ready||Rare Earth||21:32||Album Only||View in iTunes|
||I Just Want to Celebrate||Rare Earth||3:39||$1.29||View in iTunes|
||(I Know) I'm Losing You||Rare Earth||10:56||Album Only||View in iTunes|
||Born to Wander||Rare Earth||3:22||$0.99||View in iTunes|
||Hey Big Brother||Rare Earth||4:48||$1.29||View in iTunes|
||What'd I Say||Rare Earth||7:22||$0.99||View in iTunes|
||Ma||Rare Earth||17:18||Album Only||View in iTunes|
Rare Earth's edition of the 20th Century Masters series is a near-definitive collection of their singles for Motown. Over the course of seven tracks, all the group's biggest hits — "Get Ready," "(I Know) I'm Losing You," "Born to Wander," "I Just Want to Celebrate," "Hey Big Brother," and "What'd I Say" — are included, all in their original album versions. This means "(I Know) I'm Losing You" runs over ten minutes, "Ma" over 17, and "Get Ready" a shattering 21-plus minutes. This is means that it's for the serious casual fan, since these extended versions certainly demand patience. Still, this gives a good idea of what Rare Earth was about, and that makes it a first-rate compilation.
I have been waiting for this release and to have the songs Get Ready, (I Know) I'm Losing You, in their complete Original Extended Versions makes buying the album well worth it!!! The other songs including I Just Want To Celebrate, where also popular hit's with the musical group! A Must Have For Music Lovers!
Great Shakes by Rare Earth
Rare Earth was not the most sophisticated band in its heyday, but their music was always exuberant. This group of songs is a good representative sample of what made them who they were - a fun, upbeat group of musicians who had a knack for creating songs that got the listener moving and tapping one's fingers replaying them mentally afterward. Their long version of "Get Ready" is a classic.
Get ready for Get Ready
The song Get Ready is a musical delight in suspense and intrigue. Amazing how Rare Earth holds you on the edge for 21+ minutes
Formed: 1967 in Detroit, MI
Years Active: '60s, '70s, '80s, '90s, '00s, '10s


I Need To Know (Bass & Drums) (Backing Track)
"I Need To Know (Bass & Drums)" is a professional MIDI Backing Track. Press the PLAY button to hear "I Need To Know (Bass & Drums)". View and print "I Need To Know (Bass & Drums) lyrics" and view all "Marc Anthony" MIDI and MP3 backing tracks via links under the DETAILS section.
I Need To Know | Bass and Drums | Marc Anthony
"I Need To Know" bass and drums MP3 backing track. I Need To Know is a song recorded by award-winning latin pop artist, Marc Anthony of The United States. Distributed by © Hit Trax. AMCOS licensed and royalty paid.
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View credits, reviews, tracks and shop for the Vinyl release of "Fulani Song" on Discogs. Listen to Fulani Song on Spotify. outamba · Single · · 3 songs. Listen to Fulani Song (Ritual Mix) by Outamba, 28 Shazams. Outamba - Fulani Song - Outamba 12" - Music. Fulani Song 12" Tongue & Groove, TAG, , US White Label Plain Sleeve 3 Track. Fulani Song - EP. outamba. Dance · Preview. Song. Time. Fulani Song (Stacy Burket / Luzon Remix). 1. PREVIEW. Fulani Song (Ritual Mix). Fulani Song. Ritual Mix. $ Link: Embed: Artists Outamba. Remixers Ritual. Release. $ Length ; Released ; BPM ; Key B♭ maj. Fulani Song Luzon Mix Fulani Song Sacrifice Fulani Song Ritual Artist: Outamba, Record Grading: Near Mint. Title: Fulani. Listen to Fulani Song by outamba on Deezer. Fulani Song Stacy Burket / Luzon Remix, Fulani Song Ritual Mix, Fulani Song Stacy Burket Full. The song Fulani Song Ritual Mix (Ritual Mix) of outamba is here. Come enjoy at KKBOX! Outamba. Fulani Song. Add to Custom List. Add to My Collection. AllMusic Rating. User Ratings (0). Your Rating. Album Information ↓; Track Listing.


The Yamaha HS 5 is a 2-way active speaker designed to meet monitoring needs in recording studios . With a frequency response of 74 Hz to 24 kHz at -3 dB and 54 Hz to 30 kHz at -10 dB , this speaker provides rich, detailed and high-fidelity sound reproduction.
Its internal amplifier provides a total output power (expressed in Watt RMS) of 70 Watts , i.e. 45 Watts in the bass and 25 Watts in the treble. balanced XLR-3 connectors balanced TRS jack plugs to provide optimal compatibility with existing audio devices.
The use of the Yamaha HS 5 can also be combined with that of a Yamaha HS8S subwoofer , other high-end subwoofers or several other indoor sound speakers. Is this the ideal choice of speaker to complement your studio equipment?
Does the Yamaha HS 5 allow you to monitor the sound in order to optimize its processing for the final mix? This test and review reveals everything!
Overview of the Yamaha HS 5 speaker
The HS 5 sports a clean and correct design with a very neat finish. Its low-resonance subwoofer offers more precision and accuracy to the sound to be mixed or processed, while its MDF (and therefore more durable compared to polypropylene materials) guarantees good longevity for this studio equipment.
Due to its more or less compact size, the Yamaha HS 5 can be suitable for both large and small rooms. In addition, the Yamaha HS 5 is equipped with a “ Room control ” setting.
Which makes it very effective and easier to configure to attenuate unwanted bass due to a location too close to the walls of a studio for example, even isolated. The speaker also has an active “ HIGH TRIM ” filter to provide more precision and accuracy in the treble response.
The Yamaha HS 5 stands out from other types and models of active speakers in that this powered loudspeaker for sound engineers and studio professionals offers:
- Precise and detailed reproduction of the sound broadcast through its speakers (monitor, dome tweeter and woofer).
- A choice of three models of sophisticated full-range speakers plus an external subwoofer (optional and efficient), facilitating the integration of the Yamaha HS 5 into an audio system, an interior sound system and any monitoring environment.
- A 2-way design for each broadband model unit, ensuring perfect coherence with the units in both high and low frequencies.
- High-precision control to adjust the frequency response optimally and allow the output of these high-end speakers to be adapted to a variety of acoustic spaces.
- XLR connectors , plus jack sockets allowing the speaker to be directly connected to various musical instruments and other sound sources.
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This indoor sound pack contains: the pair of Yamaha HS 5 monitoring speakers, a power cable and a dedicated quick start guide.
Yamaha HS 5 speaker: for high-precision sound monitoring
The Yamaha HS 5, like all active speakers in the Yamaha HS series, is designed and designed to offer highly precise sound mixing and . This guarantees sound reproduction faithful to the listening requirements of an audiophile and those of a studio professional.
Designed for close-range monitoring, the HS 5 and all Yamaha HS Series speakers are specifically dedicated to mixing and music production . These speakers provide detailed, refined and high-fidelity audio rendering with a straight response without alteration, distortion or sound distortion.
Special features of Yamaha HS series speakers
The Yamaha HS series powered speakers, including the Yamaha HS 5, differ from other 2-way active speakers such as the Tannoy Gold 5, and PA speakers in that they are specially designed for monitoring. They offer precise and clear sound reproduction.
The Yamaha HS 5, like all Yamaha monitoring speakers in the HS series, displays audio performance that far exceeds that of existing active hi-fi speakers. For these speakers dedicated to the general public, the bass and certain high frequencies are exaggeratedly enhanced to offer a flattering audio rendering likely to deceive the ear.
Yamaha's professional engineers have carefully examined and improved every aspect of these speakers to ensure the best possible listening experience when creating an audio mix and mastering.
The Yamaha HS 5 also has several size variations to provide access to wider audio configuration possibilities . Depending on the listening environment in which you wish to introduce the sound, you can easily choose the most appropriate model.
A high-performance amplification system
The Yamaha HS 5 and all HS series speakers incorporate an amplification system perfectly matched to their respective internal components. Their bi-amplified design (an amplifier dedicated to the woofer and an amplifier intended for the tweeter) guarantees , high-accuracy sound reproduction .
A very high audio resolution dome tweeter
The Yamaha HS 5, like each Yamaha HS series speaker model, incorporates a high-performance 1-inch dome tweeter . This mini amplified speaker widely extends the frequency range to guarantee very high definition sound reproduction in the treble .
The ingenious design of the tweeter integrated into the HS 5 also makes it very effective in limiting vibrations. With an RMS power rating of 25 Watts , its dome tweeter is capable of , distortion-free sound 30 kHz .
A hyper-reactive Boomer
Regardless of the output level configured, the Bass speakers of the Yamaha HS 5 and those of the other HS series speakers (HS51, HS7, HS7I, HS8, and HS8I) provide very low distortion sound.
This is what differentiates the woofer integrated into the Yamaha SH 5 from an ordinary car subwoofer or a Sub which only grotesquely reproduces the frequencies which are at the lowest of the audio spectrum.
The hyper-responsive woofer of the Yamaha HS 5 greatly improves sound definition in the bass while providing a fair, precise and natural response. The Yamaha HS 5 and the Yamaha HS series speakers are equipped with quality magnets and numerous carefully sorted components to provide precise, refined and well-balanced bass sound.
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In addition, you can also consult our test guide on the Adam S3V speaker . Through this guide you can discover the complete overview of the speaker, its components, its connections, its frequency response, its sound quality, the dedicated S-Control software for this speaker, as well as its technical characteristics and our opinion on its quality in general.
Yamaha HS 5 speaker: is it designed for studio monitoring?
The Yamaha HS 5 is a monitoring speaker that can be used for mixing and sound equalization as well as for music production purposes in the studio. Not only does the HS 5 provide sound quality far superior to that of home hi-fi speakers, even active ones, but also offers precise, clear and very high resolution sound.
A rich, dynamic and immersive listening experience
Like other Yamaha HS series powered speakers, the Yamaha HS 5 is designed to , accurate , high-definition sound with a straight response . Not only does the Yamaha HS 5 guarantee a dynamic, richer and at the same time immersive listening experience, but also allows the sound to be mixed and equalized as correctly as possible .
Greater ease of implementation in any indoor acoustic environment
The Yamaha HS 5 benefits from a specific design to easily acclimatize to any indoor acoustic environment.
Its “ Room Control ” setting helps reduce noise pollution due to unpleasant bass when you have to place the speakers a little closer to the walls. HIGH TRIM setting , this filter purifies the sound in order to obtain a fair, precise and correct response in the treble.
A balanced, homogeneous and correct response in treble and bass
Equipped respectively with a dome tweeter and an individually amplified woofer for each, the pair of Yamaha HS 5 speakers provide clear and powerful with more pronounced highs . Its response remains balanced, homogeneous and correct throughout its frequency range (low, medium, mid-high and high).
Ingenious design for precise, pure and crisp sound reproduction
With the Yamaha HS 5, the DJ, sound engineer and any audio professional will be able to focus on the essentials. Indeed, this bi-amplified speaker has a specific design in terms of its cabinet. Which greatly improves the suppression of unwanted resonances.
This design ingenuity also contributes much more effectively to optimizing the sound quality of a musical production and that of an audio mixing.
Yamaha HS 5: a sophisticated but demanding speaker
The Yamaha HS 5 being a specific bi-amplified speaker also has requirements which should in no case be neglected. The handling and maintenance of the HS 5, as with all Yamaha speakers in the HS series, respect very strict conditions.
Therefore, you should always take care to keep the Yamaha HS 5 away from a television , a radio , audiovisual equipment , a Smartphone , a tablet or any other electronic device. These devices could in fact cause interference that could affect the proper functioning of this monitoring speaker.
The Yamaha HS 5 must also be protected from dust, excessive vibrations and extreme thermal conditions. This precaution is essential to take to protect the device from the risk of panel deformation and damage to its components.
Temperature variations are the factors most likely to damage the components of the Yamaha HS 5. When the HS5 has to be moved or when the air conditioning is temporarily turned off inside, condensation may form on the inside. inside the device.
To remedy this, it is best to leave the Yamaha HS 5 off for several hours before using it. Like any other sophisticated bi-amplified speaker from Yamaha, the HS 5 also remains extremely sensitive to humidity.
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The HS 5 is exclusively dedicated to indoor use . Care must be taken to place it in an appropriate location offering temperature conditions conducive to its proper functioning. Likewise, Yamaha HS 5 speakers must be placed vertically and not on the side or oriented downwards.
You should also avoid touching or letting objects reach the speaker diaphragms. It is completely normal for air to come out of each woofer of the Yamaha HS 5. This phenomenon occurs in particular during sound reproduction at high volume of an audio track with a predominance of frequencies which are at the bottom of the spectrum .
Other guide : Neumann M147 microphone test and review . Discover through this guide the overview of this microphone, its cardioid directivity, its areas of application, its electrical and technical characteristics, as well as its sound quality and our opinion on this studio microphone.
Yamaha HS 5: zoom on the features and configuration options
All switches and connectors on the Yamaha HS 5 are on the rear:
Yamaha HS 5 speaker inputs and response control
- LEVEL control : This controls the output level of the Yamaha HS 5. Adjusted to the 12 o'clock position, this setting optimizes the speaker to operate at a nominal input level of +4 dB.
- INPUT connectors (1 and 2): The HS 5 provides two input connectors: one to connect a balanced XLR connector to the speaker and the other to directly connect a balanced TRS jack plug. These connectors receive the input signal to the speaker. These connectors cannot be used simultaneously. We must therefore always be careful to use only one connector at a time.
- “ ROOM CONTROL ” switch: This allows you to adjust the low frequency response of the Yamaha HS 5. This switch can be used to compensate for possible bass saturation due to certain location constraints. This is the case when you are forced to place the speakers close to the walls of a small audio recording room.
To obtain a linear frequency response curve in the low end of the spectrum, just set the switch to position . If you wish to attenuate by 2 dB the low frequencies which are in a range below 500 Hz , you will readjust the switch to the [-2 dB ] position.
It can be reduced further by adjusting it to [ -4 dB ]. This will have the effect of attenuating bass below 500 Hz -4 dB .
- HIGH TRIM switch : This allows you to adjust and improve the response of the Yamaha HS 5 in the high frequencies. We can then set the switch to position  to obtain a linear frequency response. When set to [+2 dB ], the switch increases the range above 2 Hz . When set to [ -2 dB ], the switch attenuates the frequency range above 2 Hz .
- Power switch: This button turns the Yamaha HS 5 on and off. You will flip the power switch to the right to turn the speaker on. In this case, the LED indicator integrated into the Yamaha logo on the front panel will light up. To turn the speaker off, simply turn this button to the left. The indicator light integrated into the front logo will turn off immediately.
- AC/IN connector : It allows you to connect the Yamaha HS 5 speaker to the dedicated power cable provided by the manufacturer.
Setting up the Yamaha HS 5 to connect to the HS8S subwoofer
The addition of a Yamaha HS8S type subwoofer is possible to enhance the sound quality of the bass which will come out of the HS 5's respective Bass speakers. It will thus be possible to increase the sound definition of the bass by adding a subwoofer to its speaker system in order to and better quality audio mix or
The subwoofer should normally be placed on the floor in the middle of the two Yamaha HS 5 speakers. Since this subwoofer produces bass below 200 Hz , it is therefore relatively non-directional. Which means that it can be perfectly placed at an angle where the sound will be better perceived in the bass. For the rest, we'll just have to trust our ears.
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In order to make this connection, you will need 4 cables: two cables to connect the subwoofer to an audio interface and two other cables to connect the subwoofer to the main speakers (left and right) of the Yamaha HS 5.
To connect all types of audio sources or interfaces to the HS8S, we recommend the use of two balanced TRS input jack cables or two balanced XLR cables. To connect the subwoofer to the two Yamaha HS 5 speakers (left and right), proceed as follows:
We start by connecting the end of the first XLR cable to the left output of the subwoofer and the other to the XLR input of the first Yamaha HS 5 speaker. We will do the same to connect the subwoofer to the HS 5 speaker of Yamaha on the right.
First, we connect the end of the second cable to the right output of the subwoofer and the other end to the XLR input of the second Yamaha HS 5. The Stereo connection of the subwoofer to the pairs of HS 5 speakers in using two 6.35 mm TRS jack cables at 3 points (left and right) obeys exactly the same principle.
First, we connect the end of the first balanced jack cable to the left output of the subwoofer and the other end to the TRS jack input of the first Yamaha HS 5 speaker. Then, we connect the end of the second cable to the right output of the subwoofer and the other end to the TRS jack input of the second Yamaha HS 5 speaker.
Settings to make the Yamaha HS 5 work optimally with the HS8S
Once the connection is made, the first two cables from the audio interface to the subwoofer input and the second two from the subwoofer output to the respective inputs of the two Yamaha HS 5 speakers, we can begin the adjustments which follow:
- Adjust the volume of the sound source (audio interface or device) to its minimum level.
- Adjust the Yamaha HS 5 “LEVEL” control to the 12 o’clock position.
- Position the setting of the two switches “ROOM CONTROL” and “HIGH TRIM” of the HS 5 to 0 dB.
- Set the HS8S’s “LEVEL” control to , this subwoofer’s “HIGH CUT” and “LOW CUT” controls to the 12 o’clock position, and its “LOW CUT” switch to “OFF.”
- Power on the devices, starting with the audio source device, then the HS8S subwoofer and finally the Yamaha HS 5 speakers. To power on, proceed in the reverse order. First turn off the Yamaha HS 5 speakers, then the subwoofer and finally the source audio device or interface.
- Play the source audio track on the main device (or audio interface). We increase the volume gradually and smoothly via the dedicated controllers of the interface or the source audio device. It is absolutely necessary to avoid applying an excessively strong signal to the system in order to protect the Yamaha HS 5 and its audio equipment.
- Set the “LEVEL” level controller on the HS8S subwoofer between the 10 o’clock and 12 o’clock position, and turn the “LOW CUT” switch on by turning it to “ON”.
- Adjust the listening volume to a level at which you can monitor the sound comfortably without risk of damage to the hearing system.
The HS8S is equipped with specific connectors , switches and to make it work optimally with the Yamaha HS 5 and all Yamaha HS series speakers. These characteristics differentiate it from entry-level or mid-range subwoofer types.
- INPUT connectors (L/R): These connectors receive the signal at the subwoofer input. Balanced XLR and balanced jack connectors are available on the rear of the amplified subwoofer for the L and R inputs. The signals supplied to the Left and Right inputs are combined internally to output Dolby Surround Stereo, therefore high definition.
- OUTPUT connectors (L/R): These connect the HS8S amplified subwoofer to the two speakers of the Yamaha HS 5. The signals perceived at the L and R input are transmitted via the “OUTPUT” connectors (L and R). You can use the “LOW CUT” switch and the “LOW CUT” control to gradually adjust the bass sound reproduction.
- LOW CUT switch : Once activated, this switch attenuates the bass before outputting to the output (L and R) at the frequency defined via the “LOW CUT” control. You can also adjust the attenuation cutoff frequency at the low frequency level using the “LOW CUT” control.
- “ LOW CUT ” control: This control allows you to adjust the bass cutoff frequency in a range between 80 Hz and 120 Hz when the “LOW CUT” switch is activated.
- HIGH CUT control : This adjusts the treble cutoff frequency at the subwoofer output over a range between 80 Hz and 120 Hz.
- “ PHASE ” switch: This switch serves as a phase inverter for the output of the amplified subwoofer. Being set to [NORM] by default, this switch can sometimes be set to [REV.] to improve low frequency response. This will depend on your audio system setup and the type of devices or audio equipment you plan to use with the powered subwoofer.
- “ LEVEL ” control: This control adjusts the output level of the active subwoofer.
- Power switch: This is used to turn the powered subwoofer on or off. We will flip the subwoofer switch to the right to turn it on. The logo LED on the front panel will illuminate to indicate that the active subwoofer is operational.
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To turn off the powered subwoofer, flip the switch to the left. The LED indicator anchored to the logo will go out immediately to signal that the device has indeed been turned off.
- “ AC/IN ” connector: This connector allows you to connect the power cable dedicated for this purpose.
Common cables for connecting the Yamaha HS5 to various audio sources
The Yamaha HS 5 receives three types of connectors specific to its Input. These connectors allow both symmetrical and asymmetrical connections .
- XLR connectors: XLR cables are widely used in the market for sound equipment and that of audio installations in professional recording studios. The XLR-3-31 connectors fitted to the Yamaha HS 5 and the Yamaha HS series speakers are primarily intended for balanced connections.
- Jack connectors: Unlike the XLR-3-31 connectors integrated into the Yamaha HS 5, the jack connectors that equip it can be used for symmetrical connections as well as for asymmetrical connections. To connect the HS 5 or any other Yamaha HS series speaker to an audio device by balanced connection using a jack, you should use 6.35 mm TRS 3-point jack cables. The design of the 3-point symmetrical TRS jack connectors (tip, ring and sheath) is also similar to that of classic Stereo Jack connectors. To make asymmetrical connections, however, you will need to connect cables with standard 6.35 mm mono jack connectors (two-point TS) to the respective jack inputs of the Yamaha HS 5 speakers.
- RCA cables: Devices that only have Rca connectors at the output (such as CD players, DVD players, video game consoles, or old VCRs) can be connected to the Yamaha HS 5 via a RCA/Jack adapter. This type of cable differs from an RGB SCART cable since the latter does not need a device or an adapter to connect a SCART output to a device with HDMI ports. A conversion cable with an Rca plug at one end and a 2-pin TS jack plug at the other allows you to make an asymmetrical connection to the jack input of a Yamaha HS 5 speaker.
Difference between balanced and unbalanced connections
Balanced connections are effective in suppressing noise and interference caused by the presence of other external devices. This type of symmetrical connections also makes it possible to use longer cables without causing a ground loop phenomenon also called Crossover.
Asymmetrical connections are often more practical for connecting an electronic musical instrument or a preamplifier to the Yamaha HS 5. As long as the length of the connection cords does not exceed two meters, asymmetrical wiring should not pose any problem.
It is necessary to acquire the right cables to connect Yamaha HS 5 type monitoring speakers to an audio interface and any other sound source equipment. The short, high-quality cables enable optimal asymmetrical connection free from interference noise.
So, when you are forced to connect the Yamaha HS 5 to an audio source that only has an unbalanced output, it is better to use the shortest possible unbalanced cables. The longer the unbalanced cable, the more likely there will be noise intrusion which will alter the audio quality of the mix. Balanced cables, for their part, are more resistant to parasitic noise .
Connecting the Yamaha HS 5 to an audio interface
The connectors of the Yamaha HS 5 allow the Input to accommodate either balanced TRS jack cables or unbalanced TS jack cables to connect it to a DAW or an audio interface.
To do this, you must directly connect the output connectors of the aux audio interface to each L and R (Left & Right) input jack of the pair of Yamaha HS 5 speakers. We recommend the use of jack cables 3-point TRS for balanced connection or use 2-point TS jack cables for unbalanced connection.
Connecting the Yamaha HS 5 to a Mixer
The Yamaha HS 5 can be connected to a mixing desk either by symmetrical or asymmetrical connection. To do this, we will directly connect the “ Monitor Out ” outputs of the mixer (not to be confused with the output for studio headphones ) to the input jacks (L and R) of the Yamaha HS 5 speakers.
From then on, it will be possible to control the output level of the audio signal via the monitor independently of the sound level at the main bus of the mixing console. The use of XLR cables will be more appropriate to connect the Yamaha HS 5 by balanced connection to a mixing desk.
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If the mixing console only has an unbalanced output, you can always resort to the use of 2-point TS jack cables while taking care to shorten the cables as much as possible. The length of the cables should therefore not exceed 1.5 m to ensure perfect transmission of the audio signal to the Left and Right inputs of the Yamaha HS 5 speakers.
Connecting the Yamaha HS 5 to a synthesizer
Connecting the Yamaha HS 5 to a synthesizer is simple to operate since it only requires two 2-point TS jack cables, therefore unbalanced. We will only connect the Left and Right outputs of the instrument to the L and R inputs for the Yamaha HS 5 speaker jacks.
Zoom on the sound quality of the Yamaha HS 5 speaker
sound level control needs at the output of a variety of audio sources ranging from a simple dynamic moving coil microphone with cardioid polar pattern (such as the Sennheiser E835 mic ) to a sophisticated DAW interface through electronic musical instruments, preamplifiers and mixers (digital or analog).
Whatever the configuration to be made depending on the audio equipment at its disposal and taking into account the dimensions of the room in which the speakers must be installed, a certain number of aspects must be taken into consideration in order to obtain “ clean sound reproduction and optimal quality with the Yamaha HS 5.
The 4 points to respect to properly arrange the Yamaha HS 5 in relation to the configuration of your studio room
- Locate the speakers at a minimum distance of 1.5 m from walls and corners:
The Yamaha HS 5 differs from a wall-mounted speaker (like the Neumann KH 120 ) and any other type of enclosed speaker, because it cannot be hung on the wall or in the corner of a room. To get the most out of the sound quality of Yamaha HS 5 type audio speakers, they should ideally be located 1.5m away from the walls and corners of your studio room, tilted at an angle of about 60 degrees inward .
If the room does not have enough space to allow the placement of the speakers at a sufficient distance, the “ROOM CONTROL” commands can be used. In particular to compensate for excessive bass and to bring out the sounds of each speaker that makes up the Yamaha HS 5 speaker unit at a power acceptable to the ears.
The closer we are forced to place the Yamaha HS 5 speakers to walls and corners, the greater the compensation will be (from 0 to -2 dB , from -2 to -4 dB ). For the rest, we will mainly have to trust our ears. All in such a way as to be able to properly balance the volume and in order to obtain the most natural sound reproduction with a correct response.
- Place the left and right speakers symmetrically:
The left and right Yamaha HS 5 speakers should be placed equidistant from each other and also from the walls and corners of the room. In particular so as to be able to form a closed angle of 60 degrees . Their arrangement must be as symmetrical as possible in relation to the room.
- Position yourself in the center at an equal distance from the two speakers so as to form an equilateral triangle:
To obtain a balanced and precise sound reproduction, you must place yourself in the center facing the two Yamaha HS 5 speakers and stand at an equal distance from their location. Systematically, we will form an equilateral triangle vertex.
A perfect triangle which results from three 60° angles formed by the two equidistant speakers and by your central location more or less away from these baffles, but always equidistant.
- Make sure the tweeters are aligned at ear height:
Unlike bass, sound frequencies at the top of the spectrum are directional . In order to have the most precise sound level control possible in the treble, it is best to place the Yamaha HS 5 speakers so that the tweeters are aligned at ear height when you sit in listening position.
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The 5 adjustment steps to get the most out of the sound quality of the Yamaha HS 5
Once the Yamaha HS 5 has been arranged according to the pre-indicated configurations, it is time to begin the following adjustments to make the most of its audio performance.
- Adjust the sound volume of audio equipment (instruments, audio interface, mixing desk, etc.) to operate with the Yamaha HS 5 speaker to the minimum level.
- Set the Yamaha HS 5's LEVEL control to the 12 o'clock position, and switch both “ROOM CONTROL” and “HIGH TRIM” settings to 0 dB.
- Start by turning on the audio sources connected to the Yamaha HS 5 before activating the speakers. When turning off the power (i.e. when turning off the devices), we proceed in the opposite way. We first start by turning off the Yamaha HS 5 speakers, and then the audio source devices connected to them.
- Start playing the audio track to be processed from the source equipment (as an example), then increase the volume gradually, smoothly. Above all, we must avoid suddenly applying an excessively heavy signal to the system at the risk of damaging the pairs of Yamaha HS 5 speakers. We must always ensure that the speakers are not subjected to the slightest acoustic pressure, which of elsewhere at a certain level or threshold Spl (“Sound pressure level” measured in decibels) will risk damaging them.
- Adjust the listening volume in monitoring to a level that is comfortable for your ears and therefore without risk of causing damage to your hearing system. You can always configure the “ROOM CONTROL” and “HIGH TRIM” functions in order to obtain correct sound reproduction as naturally as possible.
The technical characteristics of the Yamaha HS 5 speaker
- Model: HS5
- Type: 2-way amplified and bi-amplified speaker
- Brand: Yamaha
- Surround configuration: 2.0
- Crossover frequency: 2 kHz
- Overall frequency response: -3 dB ( 74 Hz-24 kHz ); -10 dB ( 54 Hz – 30 kHz )
- Speaker components: 5″ cone (LF: Low Frequencies), 1″ dome (HF: High Frequencies)
- Speaker: Bass-reflex type
- Material: MDF
- RMS power: 70 W dynamic power (total); LF ( 45 Watts RMS ; 4 Ohms ); HF ( 25 Watts RMS ; 8 Ohms )
- Input sensitivity/impedance: -10 dBu / 10 kΩ
- Input connectors (parallel): (1) balanced XLR-3-31 type, (2) balanced 1/4" TRS jack type 3-pin
- Controls: Level control (+4 dB , center point), EQ: “HIGH TRIM” switch ( +/-2 dB at high frequency), Room control switch ( 0/-2/-4 dB at 500 Hz )
- Indicator: on (white LED incorporated into the front panel logo)
- Electrical consumption power (in Watt): 45 Watts
- Dimensions: 170 x 285 x 222 mm
- Weight: 5.3 kg ≈ 11.7 lbs
Our Overall Opinion
Overall Sound Quality
Value for money
Our opinion on the Yamaha HS 5 speaker
The Yamaha HS 5 is a pair of powered speakers, but which differs from standard active speakers. Dedicated to studio professionals, sound engineers and DJs, the Yamaha HS 5 allows you to mix and process sound as cleanly as possible, focusing increasingly on sound details in both low and mid frequencies. than in the treble.
Most ordinary active Hi-Fi speakers, even powerful and efficient, are dedicated to audiophiles and generally to passive listening. These types of speakers exaggerately accentuate the bass and highs to easily deceive the listener.
However, it is a shame to note that most of the acoustic speakers available at the entry level (Bluetooth speaker, Titan-type unamplified portable sound speaker, sound bar, woofer, subwoofer, Focal-type floor-standing speaker, acoustic speaker, speakers for PC and entry-level home cinema speakers) only provide a flattering sound reproduction which is sorely lacking in accuracy both in the low and high end of the spectrum as well as in the mid-high range.
And likewise, the Yamaha HS 5 differs from passive speakers which require the support of an external power amplifier to boost the audio signal.
This is not the case with the HS 5 which, for its part, is intended for active listening, particularly much more demanding in terms of precision, accuracy, detail and sound clarity. Aside from its specific design, the Yamaha HS 5 has two filtering functions: “ROOM CONTROL” and “HIGH TRIM”.
These help remove reverbs, attenuate excessive bass and provide natural sound clarity at high volumes. Offering a wider choice of connectors, the Yamaha HS 5, essentially dedicated to symmetrical connection, gives the possibility of an asymmetrical connection.
This makes it fully compatible with audio devices that only have unbalanced outputs. The HS 5 can be connected to a multitude of audio sources ranging from a dynamic microphone equipped with a simple unbalanced jack to a sophisticated DAW, including electric guitar, synthesizer, CD/DVD player, and mix table.
The possibility of adding a Yamaha HS8S subwoofer from the same series makes it a pair of speakers of choice to guarantee very high quality sound level control. The Yamaha HS 5, being configurable with a large number of audio equipment, represents a safe bet for any studio project or even the purchase of additional “in-room” sound equipment.
Its purchase at the best quality-price ratio can only be ingenious to be used for ambitious and large-scale audio projects. However, if you want to save money, you can always turn to purchasing Rcf monitoring speakers. Moreover, this brand is as well known as Yamaha since it is now positioned as a leader in the field of professional audio equipment. At an advantageous quality/price ratio in fact, Rcf also offers speakers, DSPs (digital signal processors) and various other solutions for sound engineering professionals.
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PALM SPRINGS CHAMBER MUSIC DUOS
If you’re in need of musical entertainment, book a Chamber Music Duo from the listing of performers below. Their sophisticated sound will appeal to the guests at any upscale event. Come see who’s available for private parties in the Palm Springs, CA area.
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Des Moines currently has a busy list of Classical concert tours coming to Des Moines in the near future. Some of Classical music's top artists are about to have concerts in Des Moines. Do not miss some of the Classical concert fever that Des Moines has to offer at some of the most prolific venues around. Simply check out the schedule here for all the best Des Moines Classical concerts. Our Des Moines concert schedule is revised constantly in case their are any changes.


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- Phone: (800) 340-9703
- Time: Shows at 7:00pm on Friday, 2:00pm and 7:00pm on Saturday, and 2:00pm on Sunday!
- Price: $27 - $37
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