Our philosophy is simple. We make learning music fun, and are committed to the integrity of a quality music education. In addition to a foundational education, students are given ample opportunity to make music with others. The confidence gained by learning music parlays with other areas, giving students the self-assurance to take on new challenges.
The headstock is located at the end of the guitar neck farthest from the body. It is fitted with machine heads that adjust the tension of the strings, which in turn affects the pitch. The traditional tuner layout is "3+3", in which each side of the headstock has three tuners (such as on Gibson Les Pauls). In this layout, the headstocks are commonly symmetrical. Many guitars feature other layouts, including six-in-line tuners (featured on Fender Stratocasters) or even "4+2" (e.g. Ernie Ball Music Man). Some guitars (such as Steinbergers) do not have headstocks at all, in which case the tuning machines are located elsewhere, either on the body or the bridge.
Justin, first off I just wanted to say thanks for all the advice and instruction. You make playing guitar easy and understandable and fun. You explain very well the hows and whys when presenting a new song to learn and walk it through so that anyone can learn. I have played guitar for 20 years now and have learned more from you in the last five years than the previous 15 by myself. You have also been a tremendous help to both my son and my daughter in learning to play as well by making playing fun and interesting. I have a couple of pictures of me and my children all doing what we love. Many Thanks to you Justin
Traditional electromagnetic pickups are either single-coil or double-coil. Single-coil pickups are susceptible to noise induced by stray electromagnetic fields, usually mains-frequency (60 or 50 hertz) hum. The introduction of the double-coil humbucker in the mid-1950s solved this problem through the use of two coils, one of which is wired in opposite polarity to cancel or "buck" stray fields.
The neck joint or heel is the point at which the neck is either bolted or glued to the body of the guitar. Almost all acoustic steel-string guitars, with the primary exception of Taylors, have glued (otherwise known as set) necks, while electric guitars are constructed using both types. Most classical guitars have a neck and headblock carved from one piece of wood, known as a "Spanish heel." Commonly used set neck joints include mortise and tenon joints (such as those used by C. F. Martin & Co.), dovetail joints (also used by C. F. Martin on the D-28 and similar models) and Spanish heel neck joints, which are named after the shoe they resemble and commonly found in classical guitars. All three types offer stability.
The two most common types of acoustic guitar are the steel-string guitar and the classical guitar. The classical guitar, also known as the Spanish guitar, usually uses nylon strings. Steel-string guitars originated in the United States and are also referred to as western guitar and folk guitar. Steel-string guitars sound louder and brighter than classical guitars, which have a warmer, mellower sound. Steel-string models usually have larger bodies and narrower necks, and they often have a pickguard to protect the body against scratches by picks and fingernails. Most acoustic guitars have six strings, but there are also 12-string versions. When an acoustic guitar is hooked up to an amplifier, it is referred to as acoustic/electric. Some acoustic/electric guitars incorporate a cutaway design, which makes it easier for electric guitar players to cross over to acoustic.
BUT, I use it a very differently. I use a week's lesson as a week's lesson! I don't play one a day, I play the whole week's worth each day! And, I stay on the week's lessons until I have them down. I very often back to earlier weeks, and go over them to see how much better I play them, see if they are really in my fingers..and they are perfect warm ups. I go on to new week's lessons, only if and when I feel ready.
It shouldn’t be a surprise that students learn faster when taking private guitar lessons or classes, compared to watching video tutorials or YouTube videos. Finding a specialized teacher - whether in-home, studio, or online classes - for one-on-one guitar tutoring will give you the feedback and personal attention you need to become the best guitar player you can be!
For the standard tuning, there is exactly one interval of a major third between the second and third strings, and all the other intervals are fourths. The irregularity has a price - chords cannot be shifted around the fretboard in the standard tuning E-A-D-G-B-E, which requires four chord-shapes for the major chords. There are separate chord-forms for chords having their root note on the third, fourth, fifth, and sixth strings.
As a general rule, brass strings are always going to be brighter than bronze strings. Though, counterintuitively, many brass strings go by the moniker of “80/20” bronze. These strings are actually the one in the same. Brass, or 80/20 bronze as it’s often known, is made from 80% copper and 20% zinc. This gives the strings a bright and cutting voice, though when used on guitars that already have a prominent high-end response it can make an instrument sound thin and tinny. For best results, use brass strings on a guitar that’s an OM size or larger (so this would include OM guitars, dreadnoughts, and jumbos).
In music, a guitar chord is a set of notes played on a guitar. A chord's notes are often played simultaneously, but they can be played sequentially in an arpeggio. The implementation of guitar chords depends on the guitar tuning. Most guitars used in popular music have six strings with the "standard" tuning of the Spanish classical-guitar, namely E-A-D-G-B-E' (from the lowest pitched string to the highest); in standard tuning, the intervals present among adjacent strings are perfect fourths except for the major third (G,B). Standard tuning requires four chord-shapes for the major triads.
The sound of an acoustic guitar is arguably the most well known in all of modern popular music. Without electronic components, the guitar relies solely on the interaction between the strings and the sound box to produce every note. Because of this, the strings of your acoustic guitar can significantly influence its sound. To get the most out of your guitar, keep an eye on the condition of the strings. You don't need to wait until your strings break to replace them. When they get old enough that their tone starts to change, it's time to re-string. Depending on the guitar, you may choose either nylon or metal strings. Nylon strings are the modern substitute for gut strings, so they're usually found on older styles of guitar such as baroque or flamenco. If you play the classical guitar, take care to fit it with the correct strings: since classical guitars are sized and tensioned differently from other varieties of acoustic guitar, they can be damaged by standard strings. Similarly, classical guitar strings won't work with other guitars. For metal-stringed guitars, there are several options available, each with its own acoustic character. The three most common types of metal strings are bronze, phosphor-bronze and silk-and-steel. The staple string for many guitarists, bronze produces a bright, quickly-fading tone that's lively and well-suited to any style of music. Phosphor-bronze is similar, but with added warmth and longer sustain. For a completely different sound, consider silk-and-steel. These strings create a tone that's gentle and mellow. Lower in tension and available in lighter gauges, silk-and-steel strings are easier to play and are great for vintage guitars that need special strings. It's also important to keep in mind the gauge of the strings you're choosing. Higher gauges are thicker, producing increased volume and extended sustain with an overall warmer tone. The trade-off of the rich overtones of heavy-gauge strings is that they are more challenging to play, requiring more force to fret, pick and strum. If you are an experienced guitarist, you likely have a preferred gauge already. If you're a beginner, it's a good idea to start with a lighter gauge to make the learning curve more forgiving. In the end, the right combination of material and gauge is a matter of personal preference. You may need to try several different acoustic guitar strings before you find the perfect ones for you, but the results will certainly be worth it.
In an acoustic instrument, the body of the guitar is a major determinant of the overall sound quality. The guitar top, or soundboard, is a finely crafted and engineered element made of tonewoods such as spruce and red cedar. This thin piece of wood, often only 2 or 3 mm thick, is strengthened by differing types of internal bracing. Many luthiers consider the top the dominant factor in determining the sound quality. The majority of the instrument's sound is heard through the vibration of the guitar top as the energy of the vibrating strings is transferred to it. The body of an acoustic guitar has a sound hole through which sound projects. The sound hole is usually a round hole in the top of the guitar under the strings. Air inside the body vibrates as the guitar top and body is vibrated by the strings, and the response of the air cavity at different frequencies is characterized, like the rest of the guitar body, by a number of resonance modes at which it responds more strongly.
Don't settle for the first guitar instructor you find via classifieds or online search. Compare multiple rated candidates before picking the teacher who works best for you. Whether it's narrowing the search down to guitar instructors in your part of Apple Valley or selecting someone based on their hours of availability, the details are there for you to consider before taking on the task of learning the guitar.
Guitar Compass features hundreds of free guitar lesson videos. These online lessons are designed to teach you how to play guitar by covering the absolute basics up to more advanced soloing concepts and techniques. The lessons span different difficultly levels and genres like blues, rock, country, and jazz. Each lesson is designed to introduce you to a subject and get to know our instructors and their teaching style. To access more lessons and in-depth instruction, try a free 7 day trial of our premium membership.
When you access our digital guitar tab database, not only do you have the benefit of our user-friendly browsing, but you have the option to preview the sheet music you've selected before purchase. Leave behind all doubt that you have the version of your guitar hit you've been yearning to learn. Our sheet music includes a range for all skill levels, so no matter where you are on your path down guitar playing, we will have sheet music to benefit you.
In major-thirds tuning, the interval between open strings is always a major third. Consequently, four frets suffice to play the chromatic scale. Chord inversion is especially simple in major-thirds tuning. Chords are inverted simply by raising one or two notes by three strings. The raised notes are played with the same finger as the original notes. In contrast, in standard tuning, the shape of inversions depends on the involvement of the irregular major-third.
The acoustic bass guitar is a bass instrument with a hollow wooden body similar to, though usually somewhat larger than, that of a 6-string acoustic guitar. Like the traditional electric bass guitar and the double bass, the acoustic bass guitar commonly has four strings, which are normally tuned E-A-D-G, an octave below the lowest four strings of the 6-string guitar, which is the same tuning pitch as an electric bass guitar. It can, more rarely, be found with 5 or 6 strings, which provides a wider range of notes to be played with less movement up and down the neck.
When you get right down to it, Guitar Center's friendly instructors will do everything they can to help you reach your highest level of musical potential. And remember, guitar lessons are available for both newcomers to the instrument, as well as experienced players who want to push the limits of their performance to even greater heights. If you would like to learn more about any upcoming workshops at a Guitar Center near you, feel free to give us a shout via phone or email. Any info you need can be found on our Guitar Center Lessons homepage and we'll gladly answer any questions you may have.
In Mexico, the popular mariachi band includes a range of guitars, from the small requinto to the guitarrón, a guitar larger than a cello, which is tuned in the bass register. In Colombia, the traditional quartet includes a range of instruments too, from the small bandola (sometimes known as the Deleuze-Guattari, for use when traveling or in confined rooms or spaces), to the slightly larger tiple, to the full-sized classical guitar. The requinto also appears in other Latin-American countries as a complementary member of the guitar family, with its smaller size and scale, permitting more projection for the playing of single-lined melodies. Modern dimensions of the classical instrument were established by the Spaniard Antonio de Torres Jurado (1817–1892).
MIDI converters use a hexaphonic guitar signal to determine pitch, duration, attack, and decay characteristics. The MIDI sends the note information to an internal or external sound bank device. The resulting sound closely mimics numerous instruments. The MIDI setup can also let the guitar be used as a game controller (i.e., Rock Band Squier) or as an instructional tool, as with the Fretlight Guitar.
the fifth, which is a perfect fifth above the root; consequently, the fifth is a third above the third—either a minor third above a major third or a major third above a minor third. The major triad has a root, a major third, and a fifth. (The major chord's major-third interval is replaced by a minor-third interval in the minor chord, which shall be discussed in the next subsection.)
Do you play a warm-up exercise when you practice guitar? Guitar teacher Kirk R. shares three guitar exercises that are perfect for players at all levels... There are literally thousands of exercises and studies for the guitar. There are some that are great for beginners who are just getting used to having their fingers on the guitar, and some that are designed to challenge and grow the technique of seasoned players. But who has time to learn thousands of guitar exercises, even over man
Another class of alternative tunings are called drop tunings, because the tuning drops down the lowest string. Dropping down the lowest string a whole tone results in the "drop-D" (or "dropped D") tuning. Its open-string notes DADGBE (from low to high) allow for a deep bass D note, which can be used in keys such as D major, d minor and G major. It simplifies the playing of simple fifths (powerchords). Many contemporary rock bands re-tune all strings down, making, for example, Drop-C or Drop-B tunings.
Kyser®'s nickel-plated electric guitar strings give you a warm, rich, full sound. They are precision wound around a carefully drawn hex shaped carbon steel core. The outer nickel-plated wrap maintains constant contact with the hex core resulting in a string that vibrates evenly for maximum sustain, smooth sound, and allows easy bending. Click the individual string images to view more gauge information.
The previously discussed I-IV-V chord progressions of major triads is a subsequence of the circle progression, which ascends by perfect fourths and descends by perfect fifths: Perfect fifths and perfect fourths are inverse intervals, because one reaches the same pitch class by either ascending by a perfect fourth (five semitones) or descending by a perfect fifth (seven semitones). For example, the jazz standard Autumn Leaves contains the iv7-VII7-VIM7-iiø7-i circle-of-fifths chord-progression; its sevenths occur in the tertian harmonization in sevenths of the minor scale. Other subsequences of the fifths-circle chord-progression are used in music. In particular, the ii-V-I progression is the most important chord progression in jazz music.
Left-handed players sometimes choose an opposite-handed (mirror) instrument, although some play in a standard-handed manner, others play a standard-handed guitar reversed, and still others (for example Jimi Hendrix) played a standard-handed guitar strung in reverse. This last configuration differs from a true opposite handed guitar in that the saddle is normally angled in such a way that the bass strings are slightly longer than the treble strings to improve intonation. Reversing the strings, therefore, reverses the relative orientation of the saddle, adversely affecting intonation, although in Hendrix's case, this is believed to have been an important element in his unique sound.


Mini Karaoke Microphone
Sing it loud and proud! Mini karaoke attaches to your phone for karaoke on the go! To begin, plug the microphone into your headphone jack and use Kikkerland's free app to play a song and sing along! You can also record your song using the microphone.


Mp3 4 In Da Morning - Torture Torture is the price we pay to love, this is the main message of the song. This song is to... 1. Torture (Full Version) 2. Torture (Breakdown Version) 3. Torture (Instrumental) 4. Torture (Acapella) 4 MB Add To Basket 8.99 USD X The seller music offers you 12.0% on each sale!


Edvard Grieg, Balázs Szokolay - Lyric Pieces (Complete) Volume 3 download mp3 album
Lyric Pieces, Volume 3 - Студийный альбом от Edvard Grieg, Balázs Szokolay. В альбом вошло 19 треков. Продолжительность альбома: 51:14. Lyric Pieces, Volume 3. октябрь 1992г. Det var engang (Once Upon a Time), op. 71 no. 1. 03:31. Norsk (Norwegian), op. 12 no. 6. 00:57. Bestemors menuett (Grandmother's Minuet), op. 68 no. 2. 02:11. Aften på høyfjellet (Evening in the Mountains), op. 4. 02:43. Bekken (Brooklet), op. 62 no. 01:30. Scherzo, op. 54 no. 5. 03:15.
The third volume in Balázs Szokolay's complete series of the Lyric Pieces for piano offers a representative sampling from the ten sets Grieg published between 1867 and 1901. Listeners unacquainted with these picturesque miniatures may be struck immediately by their sentimentality and almost naïve simplicity, features that contributed greatly to their easy acceptance as salon pieces. By paying close attention to their harmonic subtleties and idiosyncratic forms, however, one may also detect the strong influence of Schumann, particularly in such quirky examples as Det var engang (Once Upon.
Get the Tempo of the tracks from Lyric Pieces, Volume 3 (1993) by Edvard Grieg. This album has an average beat per minute of 96 BPM (slowest/fastest tempos: 0/170 BPM). See its BPM profile at the bottom of the page. Tracklist Lyric Pieces, Volume 3. Lyric Pieces VIII, op. 65 no. 1: From Years of Youth.
Grieg: Lyric Pieces (Selection). Balázs Szokolay Piano. CD: 1 Tracks: 30 Length: 1:06:10. CD 1. Edvard Grieg Composer. 8 Lyric Pieces (i), O. 2 Work. 8 Lyric Pieces (ii), O. 8 Work. orwegian Dance (Halling). 7 Lyric Pieces (iv), O. 7 Work.
Opus/Catalogue NumberOp. php?title Lyric Pieces, Op. 47 (Grieg, Edvard)&oldid 2819189.
Features Song Lyrics for Balázs Szokolay's Grieg: Lyric Pieces album. Lyric Pieces, Book 5, Op. 54: No. 3. Troldtog (March of the Dwarfs) Lyrics. Balázs Szokolay Lyrics provided by SongLyrics. Lyricapsule: The Surfaris Drop ‘Wipe Out’; June 22, 1963. RIFF’d: Nas’ ‘Nasir’. Lyricapsule: The Byrds Drop ‘Mr. Tambourine Man’; June 21, 1965.
Albumblatt (Album-Leaf), O. 7, No. 2:56. 27. Sommeraften (Summer Evening), Op. 71, No. 2:21. The Maiden's Prayer: Leaves from Grandmother's Piano Album. Grieg: Lyric Pieces; Peer Gynt Suite.
|1||Arietta, Ops. 12, No. 1||1:07|
|2||Springdans, Op. 38, No. 5||1:19|
|3||Gjetergutt (Shepherd's Boy), Op. 54, No. 1||3:47|
|4||Hemmelighet (Secret), Op. 57, No. 4||4:08|
|5||Bekken (Brooklet), Op. 62, No. 4||1:28|
|6||Det var engang (Once Upon a Time), Op. 71, No. 1||3:29|
|7||Salong (Salon), Op. 65, No. 4||2:12|
|8||Fra ungdomsdagene (From Early Years), Op. 65, No. 1||4:35|
|9||Bestemors menuett (Grandmother's Minuet), Op. 68, No. 2||2:09|
|10||Aften på høyfjellet (Evening in the Mountains), Op. 68, No. 4||2:42|
|11||Notturno, Op. 54, No. 4||2:59|
|12||Scherzo, Op. 54, No. 5||3:13|
|13||Bådnlåt (At the Cradle), Op. 68, No. 5||2:45|
|14||Fransk serenade (French Serenade), Op. 62, No. 3||2:09|
|15||Hjemve (Home-sickness), Op. 57, No. 6||3:46|
|16||Bondens sang (Peasant's Song), Op. 65, No. 2||1:35|
|17||Norsk (Norwegian), Op. 12, No. 6||0:53|
|18||Tungsinn (Melancholy), Op. 65, No. 3||3:37|
|19||Hjemad (Homeward), Op. 62, No. 6||2:42|
- Phonographic Copyright (p) – NHN Internacional Ltd.
- Copyright (c) – NHN Internacional Ltd.
- Recorded At – Italian Institute, Budapest
- Cover – Wolfgang Kunz
- Engineer – János Gyóri
- Liner Notes – Keith Anderson
- Producer – Balázs Szokolay
Notes℗ 1992 HNH International Ltd.
© 1992 HNH International Ltd.
Cover Photograph by Wolfgang Kunz (Bilderberg)
Barcode and Other Identifiers
- Barcode: 730099565028
- Label Code: LC 9158
- SPARS Code: DDD


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The WellSwung Daddies is a 10-piece dance band who, along with an awesome singer, boast a four-piece rhythm section and five frontline horns.
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Welcome to FlintMeryl Music! We’re glad you are here, where you can purchase CDs and download sheet music by composers and arrangers from all over the world. Please take a few moments to browse our collection and contact us if we can be of assistance.
The Vision is a collection of original music for solo guitar composed and performed by Andy LeGrand. This is Andy’s first CD release and the collection of works represent over 15 years of his journey with music and composition. Music from The Vision pulls at the strings of desire for the classicists, and new-music enthusiasts alike, as Andy makes evident his varied training, and his love for Nature and Spirit.Check out Andy's works.


25 Technical studies for string bass, Op. 14, Book 1, by Theodor Findeisen (1881 - 1936). Edited by Fred Zimmermann; published by International Music Co., 1957. This volume (Book 1) contains studies 1-7. Findeisen was a pupil of Simandl, and though many of his compositions have become difficult to acquire, this collection of studies is well-known as challenging etudes for the developing bassist.
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Piano Lessons in Your Own Home
Piano Teachers in W3, London, Offering Lessons in Your Home
This piano teacher has a Bachelor of Music degree and a wealth of experience both teaching and performing. He has been teaching private piano lessons since 2013, and has experience preparing students for all ABRSM exam grades from 1 to 8. A stellar pianist, he performs regularly in concerts, for weddings, and accompanying choirs, and also has experience conducting several choirs. A skilled composer, this piano teacher often writes short pieces for his students geared towards improving techniques and skills that will benefit them the most. He has a friendly, relaxed, while also thorough and well-rounded teaching style, individually catered to the strengths and musical preferences of each student.
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Dorfler Violin Bow W. Dorfler No. 17 is illuminated with a large violin bow eye made of mother of pearl.
Dorfler Violin Bow is crafted with excellent Pernambuco wood and made in Germany.
Violin Bow features pure ebony violin bow frog with a German silver heel plate, while the violin bow bottom slide, eye and button are also adorned with mother of pearl.
Dorfler Violin Bow W. Dorfler No. 17 is ideal for demanding violinists looking for a better Pernambuco violin bow with great elastomechanic properties.
All our violin bows, viola bows, cello bows and bass bows are 100% authentic, and coming from the freshest, latest batch possible.
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AddressBlk D - F, 1/F, Honland Bldg
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Mong Kok, Hong Kong
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MTR Prince Edward Station Exit C2
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Sun 10:00AM - 5:00PM


More Than We Can Handle songs Product Information
More Than We Can Handle album for sale by Fairway Falls was released Apr 15, 2008 on the CD Baby label. The roots of Fairway Falls began when Dave, Matt, and Alex got together in 2006 and began making music (really bad music). More Than We Can Handle buy CD music After struggling to find a bassist and singer, the band stumbled upon singer Adam Vasquez. More Than We Can Handle songs Fairway recorded its first song with Adam Vasquez called "Entrance to Trains" and listened to it every single day. More Than We Can Handle CD music contains a single disc with 8 songs.
More Than We Can Handle album for sale Product Description
In 2007, Fairway Falls found Dan Smith to sing and play bass for the Eastern Talent Show. ...See Full Description
Fairway Falls - More Than We Can Handle Album Track Listing
|2||More Than We Can Handle|
|4||Intermission: Inner Mission|
|5||Behind Glass Walls|
|7||Plays On Words Are So Cliché|
|8||2 A.M. (Bonus Track) feat. Melissa Gullo; acoustic |
More Than We Can Handle buy CD music Product Details
|CD Universe Part number||7676346|
|Release Date||Apr 15, 2008|
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Diana Krall: When I Look Into Your Eyes (Preview Promo) CD Track Listing
When I Look Into Your Eyes (Preview Promo)
Enhanced CD with music video (Let's Face The Music And Dance) and photo \ngallery.
This jazz cd contains 3 tracks and runs 14min 50sec.
Tags: music songs tracks jazz
- Diana Krall - Let's Face The Music And Dance (05:19)
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Tickets: Adult $25 / Pension $22 / Student & Child $12 / Group 10+ $20 / SCVip Members $22
Book online or Dial and Charge - 5475 7777 - $3.50 transaction fee for phone bookings
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29 Sep 2014 - Special Daytime concert at Nambour Civic Centre
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This is the Universal Edition edition of Jazzy Saxophone: Book 1: Alto Or Tenor Saxophone and Piano for Saxophones Eb Or Bb and Piano.
Editor: James Rae.
Instruments - Delivery is FREE within the UK for all instruments. This price you see is the price you pay.
(Instruments over £100 are always sent by our Express service, regardless of the service selected in the checkout.)
Sheet music, accessories & gifts - We offer 3 services:
We are one of the top suppliers of woodwind, brass and orchestral strings across Sussex and are main agents for most of the instruments we sell. We only list instruments we normally carry in stock.
Our instruments are fully checked and set up through our workshop to ensure perfect playing.
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Girl Dance Footed Tights in Contoursoft without borders in microfiber in rose ballet. Extra spandex for a perfect "back to form" function, this dance pantyhose is a must-have item in your classic dance outfits
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Thanks to this light blue or pastel pink Yseult leotard you will support our French economy ! This leotard is entirely made in France. Made of lycra, it has wide straps and is lined at the chest. The gathers on the front give a nice line to the whole. Ideal for a girl's ballet outfit as a dance uniform, you can also add a pastel blue cross over top or pink wrap sweater for warm-ups. Versatile, this girl's bodysuit is also suitable for a contemporary dance class or modern-jazz by adding a girl's dance short for example. I advise you to buy one size bigger than your child's usual size, because this model is quite small.
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Sky Blue girl's dance wrap sweater. Ideal for little dancers from 4 years old, this dance warm-up garment is easy to put on like a sweater while keeping the style of the dance cover-up. It matches easily with all shades of blue girl leotards from turquoise to pastel blue or even navy blue. To achieve a beautiful girl dance outfit, you can add sky blue leggings. Be careful, this model is large
Performa S0284L adult bi-sole ballet slipper that wraps the dancers foot to perfection. Stretch, sewn-in cross-elastic, this dance shoe is ready to dance. Available in 3 widths, I fit all adult foot shapes from 2 (35) to 8.5 (41.5) Bloch sizes. Perfect for the beginner as well as the experienced dancer, this pink canvas demi pointe also exists in a child version from size 9 (27) to 1.5 (34,5). It is also available in black or sand
Wearmoi Stretch Canvas Vesta Dance Shoes for Women and Men for dark or matte skin with the wallnut color (dark flesh). The arch of the foot is highlighted. Elasticized without drawstring, half toe bi-sole ready to use. Size 36 to 43 in width N thin foot or M medium wide foot. Perfectly encompasses the foot.


Ableton Live has become an indispensable tool for DJ producers worldwide. With its powerful features and intuitive interface, this software has revolutionised the way DJs and producers create and perform music. In this comprehensive guide, we will take you through the ins and outs of Ableton Live, providing you with the knowledge and skills to unlock its full potential as a DJ producer.
Understanding Ableton Live
Overview of Ableton Live software
Ableton Live is a digital audio workstation designed for both studio production and live performances. It offers a unique combination of session and arrangement views, allowing DJs and producers to experiment with ideas, create complex arrangements, and perform live seamlessly. The software is known for its stability, flexibility, and extensive collection of instruments and effects.
Key features and functionalities of Ableton Live
Ableton Live boasts a range of features tailored specifically for DJ producers. Its intuitive interface, clip-based workflow, and real-time capabilities make it a go-to choice for electronic musicians. Some of its key features include session and arrangement views, audio and MIDI recording, flexible warping, powerful automation, built-in instruments and effects, and extensive MIDI mapping capabilities.
System requirements and compatibility
Before diving into Ableton Live, it is crucial to ensure your system meets the minimum requirements. Ableton Live is available for both Windows and Mac platforms. For Windows, you’ll need at least Windows 10 and a multi-core processor. Mac users should have macOS 10.13 or later. It’s also recommended to have a fast and stable internet connection to access online resources and updates.
Setting Up Ableton Live
Installing Ableton Live on different platforms (Windows, Mac)
Installing Ableton Live is a straightforward process. After purchasing the software, you can download the installer from the Ableton website. For Windows users, simply run the installer and follow the on-screen instructions. Mac users can drag and drop the Ableton Live application into their Applications folder. Remember to activate your license to unlock all the features.
Configuring audio and MIDI settings
Properly configuring your audio and MIDI settings is crucial for a smooth workflow. In Ableton Live’s preferences, you can select your audio interface, set the sample rate and buffer size, and configure MIDI devices. It’s important to ensure your audio settings match your hardware capabilities and minimize latency for optimal performance.
Customising the user interface for efficient workflow
Ableton Live offers extensive customization options to tailor the interface to your preferences. You can rearrange panels, hide or show specific elements, and create custom templates. Customizing the user interface can significantly enhance your workflow and allow you to focus on the most relevant features and controls.
Getting Familiar with the Interface
Overview of the Ableton Live interface and its different sections
Upon launching Ableton Live, you will encounter a clean and organized interface. The software is divided into several sections, including the browser, session view, arrangement view, mixer, and devices. Understanding the purpose and functionality of each section is crucial for efficient navigation and workflow.
Exploring the Session View and Arrangement View
Ableton Live’s session view is perfect for live performances and improvisation. It consists of a grid-based layout where you can trigger and manipulate audio and MIDI clips in real-time. The arrangement view, on the other hand, is used for composing and arranging your tracks linearly. It provides a timeline-based layout for precise control over your music.
Navigating Ableton Live efficiently is key for DJ producers to create a productive workflow. Mastering basic controls such as zooming, scrolling, and selecting clips will save you time and frustration. Familiarise yourself with keyboard shortcuts and use the search function to quickly access specific features and commands.
Working with Audio Clips
Importing and organising audio files in Ableton Live
Ableton Live makes it easy to import and organise audio files. You can simply drag and drop audio files into the browser, where they will be indexed and ready for use. Organise your audio files into folders and use Live’s tagging system for easy searching and filtering.
Editing and manipulating audio clips
Ableton Live offers a range of editing and manipulation tools for audio clips. You can adjust start and end points, change the pitch and tempo, slice audio into smaller segments, and apply fades and crossfades. Experiment with different editing techniques to add your unique touch to the sound.
Applying effects and processing audio
One of the strengths of Ableton Live is its vast collection of built-in audio effects. From EQs and compressors to reverbs and delays, there are endless possibilities for shaping and transforming your audio. Experiment with different effects chains and automate parameters for dynamic and evolving sounds. As a DJ producer, you will need to find effects which suit both your production and live sound.
MIDI and Virtual Instruments
Introduction to MIDI and its role in Ableton Live
MIDI (Musical Instrument Digital Interface) is a protocol that allows communication between electronic musical instruments, computers, and software. In Ableton Live, MIDI plays a crucial role in creating and manipulating musical ideas. Understanding MIDI basics, such as note input, velocity, and modulation, will open up new creative possibilities.
Creating and editing MIDI clips
Ableton Live’s MIDI editor provides a powerful platform for composing melodies, chords, and intricate rhythms. You can draw notes directly on the piano roll, use the step sequencer for quick pattern creation, or even record MIDI input from a MIDI controller. Experiment with quantization, groove templates, and MIDI effects to add complexity to your compositions.
Using virtual instruments and synthesizers in Ableton Live
Ableton Live includes a wide range of virtual instruments and synthesizers to fuel your creativity as a DJ producer.. From classic analog emulations to cutting-edge digital instruments, there is something for every style and genre. Dive into the world of synthesis, explore different sound design techniques, and create your signature sounds.
Creating Beats and Rhythms
Building drum patterns with Ableton Live’s Drum Rack
The Drum Rack in Ableton Live is a powerful tool for creating unique drum patterns. Load your favorite drum samples or use Live’s built-in library to create dynamic beats. Experiment with layering, velocity variations, and pattern variations to add groove and energy to your tracks.
Exploring the use of audio and MIDI effects for creative beats
DJ producers need beats and Ableton Live’s audio and MIDI effects open up endless possibilities for creative beat-making. Experiment with audio effects like beat repeat, stutter, and resampling to add glitchy textures and rhythmic variations. MIDI effects like arpeggiators and chord generators can inspire new musical ideas and provide instant gratification.
Integrating Ableton Live’s built-in groove and swing features
Groove and swing are essential elements in electronic music production. Ableton Live offers a range of built-in groove templates and swing settings to add natural feel and humanise your beats. Experiment with different grooves, adjust the timing and velocity, and create unique rhythmic patterns.
Arranging and Mixing
Arranging music in the Arrangement View
Ableton Live’s Arrangement View is where you can bring all your musical ideas together and create a cohesive track. Arrange different sections, create transitions, and experiment with the structure of your music. Use automation to add movement and variation, and refine your arrangement until it flows seamlessly.
Utilising automation for dynamic changes and effects
Automation is a powerful tool for adding dynamic changes and effects to your tracks. In Ableton Live, you can automate various parameters, such as volume, panning, filters, and effects. Experiment with subtle or drastic automation to create tension, build-ups, and climaxes in your music.
Mixing techniques and strategies using Ableton Live’s mixer
Ableton Live’s mixer provides a comprehensive set of tools for balancing and shaping your mix. Use EQs to carve out space for each element, compressors to control dynamics, and spatial effects to add depth and width. Experiment with different mixing techniques and develop your own signature sound.
Performing Live with Ableton Live
Setting up a live performance rig with Ableton Live
Ableton Live is renowned for its live performance capabilities. To set up a live performance rig, you’ll need a stable computer, an audio interface, and a MIDI controller or other hardware. Configure your inputs and outputs, map your MIDI controllers to control different parameters, and set up your routing for seamless integration with other equipment.
Mapping MIDI controllers and hardware for live control
Ableton Live offers extensive MIDI mapping capabilities, allowing you to map your MIDI controllers and hardware to control various aspects of your live performance. Map faders, knobs, and buttons to control parameters like volume, effects, and filters. Experiment with different mappings to create a personalised and expressive live setup.
Tips for engaging live performances using Ableton Live
Performing live with Ableton Live is not just about pressing play. Engage your audience by using the software’s features creatively. Experiment with live looping, real-time effects manipulation, and improvisation. Incorporate visuals and lighting to create a multi-sensory experience. The possibilities are endless, so let your imagination run wild.
Advanced Techniques and Tips
Exploring advanced audio and MIDI manipulation techniques
Once you have a solid grasp of the basics, it’s time to dive into advanced audio and MIDI manipulation techniques. Explore features like warping modes, complex MIDI routing, and advanced automation techniques. Push the boundaries of what’s possible and experiment with unconventional workflows.
Incorporating third-party plugins and instruments
While Ableton Live comes with a vast collection of built-in instruments and effects, you can expand your sonic palette by incorporating third-party plugins and instruments. Explore the world of virtual instruments, effects processors, and sample libraries. Find plugins that complement your style and experiment with different combinations to create unique sounds.
Workflow optimisation tips and tricks
Efficient workflow is essential for productive and creative music production. Learn shortcuts and key commands to speed up your workflow. Utilise templates, racks, and presets to streamline your creative process. Organise your samples and projects in a logical manner for quick and easy access. Continuously refine your workflow and find what works best for you.
Troubleshooting and Resources
Common issues and solutions in Ableton Live
Like any software, Ableton Live may encounter issues from time to time. From audio glitches to plugin compatibility problems, troubleshooting can be frustrating. However, many common issues have simple solutions. Familiarize yourself with Ableton Live’s troubleshooting resources and online forums to find answers to common problems.
Online communities and resources for Ableton Live users
Ableton Live has a vibrant and supportive community of users who share knowledge, tips, and resources. Join online forums, social media groups, and communities dedicated to Ableton Live to connect with like-minded individuals. Explore blogs, tutorials, and video courses that cater specifically to Ableton Live users.
Recommended tutorials and courses for further learning
To further expand your knowledge and skills in Ableton Live, consider taking online tutorials or courses. Many reputable platforms offer comprehensive courses taught by experienced instructors. Whether you’re a beginner or advanced user, structured learning can provide valuable insights and help you reach the next level.
In this comprehensive guide, we have explored the world of Ableton Live, providing you with the necessary knowledge and skills to unleash your creativity as a DJ producer. We covered everything from setting up the software to advanced techniques and performance tips. Now, it’s time for you to explore and experiment with Ableton Live. Embrace the power of this incredible software, push your boundaries, and let your music soar to new heights.
Q: What is Ableton Live, and why is it popular among DJ producers and music producers?
A: Ableton Live is a versatile software widely used by DJ producers and music producers for its robust features in electronic music production. It excels in live performance capabilities, sound design, and intuitive workflow, making it a top choice for creating and performing electronic music.
Q: Can I use Ableton Live for live performances as a DJ?
A: Absolutely! Ableton Live is renowned for its live performance capabilities. With its seamless integration of MIDI controllers, audio interfaces, and other hardware, you can create dynamic and engaging live sets, incorporating effects, loops, and improvisation.
Q: What is the role of MIDI controllers and audio interfaces in Ableton Live?
A: MIDI controllers are hardware devices that allow you to control Ableton Live’s functions in real-time. They provide tactile control over parameters, such as volume, effects, and instrument settings. Audio interfaces, on the other hand, handle the input and output of audio signals, ensuring high-quality sound during recording and performance.
Q: How can I enhance my sound design as a DJ producer using Ableton Live?
A: Ableton Live offers an extensive range of virtual instruments, synthesizers, and audio effects that empower you to create unique and innovative sounds. With its intuitive interface and versatile modulation options, you can experiment with different synthesis techniques, layering, and processing to achieve your desired sound palette.
Q: What are groove and swing, and how can I incorporate them into my tracks in Ableton Live?
A: Groove and swing refer to rhythmic variations and human-like feel in music. Ableton Live provides built-in groove templates and swing settings that you can apply to your tracks to add natural grooves. By adjusting timing, velocity, and quantisation settings, you can infuse your beats and melodies with a sense of groove and swing.
Q: Can I use Ableton Live for mixing and mastering my tracks?
A: Yes, Ableton Live includes powerful mixing and mastering tools. Its mixer offers a wide range of audio effects, EQ’s, compressors, and spatial processors that enable you to balance and shape your mix. Additionally, you can apply automation and precise adjustments to achieve professional-level mixes and prepare your tracks for release.


Edited by Robert Didion. For orchestra. From the Eulenburg Audio and Score Series, Vol. 88. Includes a Naxos CD with a performance by the Slovak Philharmonic Orchestra.
Edited by Felix Aprahamian. For orchestra. From the Eulenburg Audio + Scores Series, No. 99. Preface in Ger. and Eng. Includes a CD with a full performance by the Slovak Radio Symphony
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This is Thrice's best CD so far, up to "The Artist In The Ambulance." It is clear from owning all their three CD's that with each CD they are progressing further and further in their music, but for me this CD packs more emotion than TAITA and is better.
Dustin has a very good voice, both singing and the shouting. The lyrics are very meaningful, without resorting to swearing at any point during the album. If you are a swearing freak, then go and listen to Limp Bizkit or something because Thrice won't be for you. Thrice will be for you if you appreciate clever music.
Teppei does some amazing riffs and plays some beautiful pieces of guitar. Riley is a fantastic drummer, certainly not plain, but not over the top either and Eddie does his job nicely as a bassist. As a group, they work fantastically together.
Songs like "Deadbolt", "Kill Me Quickly", "The Beltsville Crucible" and "To Awake And Avenge The Dead," are fantastic and deserve to be in any music lovers collection. This music isn't easy going, but it is fantastic. It's my favourite album, and if your tastes are in this section of the rock market, then it will quite possibly become yours also.
The sound quality is also very good, something you don't ALWAYS recieve from underground record labels like SUB CITY but on "The Illusion Of Safety" the sound quality definately delivers.
Do your ears a favour and go and buy now! >_<


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The oud, the qanun, the buzuq, the tabla … the rich musical tradition in the Middle East boasts a rich lexicon of musical instruments. Through the centuries, you could find these instruments sold in markets from Aleppo to Cairo, produced and sold as local products.
But music in the Middle East is not static, nor is its market for instruments. Synthesizers, electric guitars, and studio sounds flood today’s Arabic pop music, and even the great performers of the 20 th century sang to the accompaniment of Western instruments. The Rahbani brothers, for example, considered the piano a key element to the songs they composed for Fairuz. Even Umm Kulthum, the great defender of classical Arabic music, included cellos in her takht (Arabic for orchestra).
Of course, changes in popular music correspond to changes in the instrument market, and the Jordanian startup Feesheh is leading the charge. With a mission of seeing an instrument in every home, Feesheh has proven itself a notable startup in the Arab music scene.
Feesheh began with its cofounders, Nur Alfayez and Fahed Farraj. Musical lovers themselves, Alfayez and Farraj noticed how difficult it was to purchase Western instruments in the Middle East. Stores were few and far in between, and rarely competitively priced. Online stores – plentiful in the West – were not an option for most Arabs, with the lack of credit cards and easy shipping.
Feesheh was born to fill this gap. Literally meaning “plug” in Arabic, Feesheh styles itself as “the first online musical instrument store in Jordan and the Middle East.”
Notably, the online store accepts cash on delivery.
Headquartered in Amman, the online store distinguishes itself from Western companies with a selection of ouds (Iraqi and Egyptian) and other Middle Eastern instruments, alongside a wide range of Western instruments. Targeting both local musicians and curious Westerners, Feesheh’s Oriental selection is one of the few authentic selections available online.
This wide customer base has allowed Feesheh to attract financial backing from investors such as the Jordan-based Oasis500, as well as The Silicon Oasis Founders incubator in Dubai. Just this January, they visited Switzerland to participate in the Seedstars World competition. Now, the company is concentrating on an expansion to Dubai, where it hopes to move its headquarters in the upcoming years.
While attracting investor interest abroad, Feesheh works to stimulate music interest at home.
The company consistently hosts amateur jam sessions, covering every genre from traditional Arab folk to “Oriental metal shredding.”
Preaching the accessibility of music, co-founder Alfayez proclaims his wish for an instrument in every Arab household.
We will see if Feesheh’s ambition can hook onto reality. In a musical tradition that values handcrafted instruments from neighboring stores, an oud bought online might be a tough sell. Even with Feesheh’s lowest-price guarantee and its selection of used products, quality instruments may remain financially out of reach for most Arab families. Then again, never underestimate the power of jam sessions. Maybe the Middle East is due for a music revolution?
Check out this adorable picture of one of the open mic participants singing the theme song to Pocahontas:


An album is a collection of audio recordings issued as a collection on compact disc (CD), vinyl, audio tape, or another medium. Albums of recorded music were developed in the early 20th century as individual 78-rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The audio cassette was a format widely used alongside vinyl from the 1970s into the first decade of the 2000s.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. The time frame for completely recording an album varies between a few hours to several years. This process usually requires several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", have reverberation, which creates a "live" sound. Recordings, including live, may contain editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.
Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, and lyrics or librettos. Historically, the term "album" was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of short pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums (one side of a 78 rpm record could hold only about 3.5 minutes of sound). When long-playing records were introduced, a collection of pieces on a single record was called an album; the word was extended to other recording media such as compact disc, MiniDisc, Compact audio cassette, and digital albums as they were introduced.
An album (Latin albus, white), in ancient Rome, was a board chalked or painted white, on which decrees, edicts and other public notices were inscribed in black. It was from this that in medieval and modern times album came to denote a book of blank pages in which verses, autographs, sketches, photographs and the like are collected. Which in turn led to the modern meaning of an album as a collection of audio recordings issued as a single item.
In the early nineteenth century "album" was occasionally used in the titles of some classical music sets, such as Schumann's Album for the Young Opus 68, a set of 43 short pieces.
When 78rpm records came out, the popular 10-inch disc could only hold about three minutes of sound per side, so almost all popular recordings were limited to around three minutes in length. Classical-music and spoken-word items generally were released on the longer 12-inch 78s, about 4–5 minutes per side. For example, in 1924, George Gershwin recorded a drastically shortened version of the seventeen-minute Rhapsody in Blue with Paul Whiteman and His Orchestra. It was released on two sides of Victor 55225 and ran for 8m 59s. Deutsche Grammophon had produced an album for its complete recording of the opera Carmen in 1908. German record company Odeon released the Nutcracker Suite by Tchaikovsky in 1909 on 4 double-sided discs in a specially designed package. This practice of issuing albums does not seem to have been widely taken up by other record companies for many years; however, HMV provided an album, with a pictorial cover, for the 1917 recording of The Mikado (Gilbert & Sullivan).
By about 1910, bound collections of empty sleeves with a paperboard or leather cover, similar to a photograph album, were sold as record albums that customers could use to store their records (the term "record album" was printed on some covers). These albums came in both 10-inch and 12-inch sizes. The covers of these bound books were wider and taller than the records inside, allowing the record album to be placed on a shelf upright, like a book, suspending the fragile records above the shelf and protecting them. In the 1930s, record companies began issuing collections of 78 rpm records by one performer or of one type of music in specially assembled albums, typically with artwork on the front cover and liner notes on the back or inside cover. Most albums included three or four records, with two sides each, making six or eight compositions per album.
The 10-inch and 12-inch LP record (long play), or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. A single LP record often had the same or similar number of tunes as a typical album of 78s, and it was adopted by the record industry as a standard format for the "album". Apart from relatively minor refinements and the important later addition of stereophonic sound capability, it has remained the standard format for vinyl albums.
The term "album" was extended to other recording media such as Compact audio cassette, compact disc, MiniDisc, and digital albums, as they were introduced. As part of a trend of shifting sales in the music industry, some observers feel that the early 21st century experienced the death of the album.
An album may contain as many or as few tracks as required. In the United States, The Recording Academy's rules for Grammy Awards state that an album must comprise a minimum total playing time of 15 minutes with at least five distinct tracks or a minimum total playing time of 30 minutes with no minimum track requirement. In the United Kingdom, the criteria for the UK Albums Chart is that a recording counts as an "album" if it either has more than four tracks or lasts more than 25 minutes. Sometimes shorter albums are referred to as "mini-albums" or EPs. Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yes's Close to the Edge, include fewer than four tracks, but still surpass the 25-minute mark. There are no formal rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as "albums".
If an album becomes too long to fit onto a single vinyl record or CD, it may be released as a double album where two vinyl LPs or compact discs are packaged together in a single case, or a triple album containing three LPs or compact discs. Recording artists who have an extensive back catalogue may re-release several CDs in one single box with a unified design, often containing one or more albums (in this scenario, these releases can sometimes be referred to as a "two (or three)-fer"), or a compilation of previously unreleased recordings. These are known as box sets. Some musical artists have also released more than three compact discs or LP records of new recordings at once, in the form of boxed sets, although in that case the work is still usually considered to be an album.
Material (music or sounds) is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track (often simply referred to as a track) is an individual song or instrumental recording. The term is particularly associated with popular music where separate tracks are known as album tracks; the term is also used for other formats such as EPs and singles. When vinyl records were the primary medium for audio recordings a track could be identified visually from the grooves and many album covers or sleeves included numbers for the tracks on each side. On a compact disc the track number is indexed so that a player can jump straight to the start of any track. On digital music stores such as iTunes the term song is often used interchangeably with track regardless of whether there is any vocal content.
A bonus track (also known as a bonus cut or bonus) is a piece of music which has been included as an extra. This may be done as a marketing promotion, or for other reasons. It is not uncommon to include singles as bonus tracks on re-issues of old albums, where those tracks weren't originally included. Online music stores allow buyers to create their own albums by selecting songs themselves; bonus tracks may be included if a customer buys a whole album rather than just one or two songs from the artist. The song is not necessarily free nor is it available as a stand-alone download, adding also to the incentive to buy the complete album. In contrast to hidden tracks, bonus tracks are included on track listings and usually do not have a gap of silence between other album tracks. Bonus tracks on CD or vinyl albums are common in Japan for releases by European and North American artists; since importing international copies of the album can be cheaper than buying a domestically-released version, Japanese releases often feature bonus tracks to incentivize domestic purchase.
Non-audio printed format
Commercial sheet music are published in conjunction with the release of a new album (studio, compilation, soundtrack, etc.). A matching folio songbook is a compilation of the music notation of all the songs included in that particular album. It typically has the album's artwork on its cover and, in addition to sheet music, it includes photos of the artist. Most pop and rock releases come in standard Piano/Vocal/Guitar notation format (and occasionally Easy Piano / E-Z Play Today). Rock-oriented releases may also come in Guitar Recorded Versions edition, which are note-for-note transcriptions written directly from artist recordings.
A vinyl LP on a turntable
Vinyl LP records have two sides, each comprising one-half of the album. If a pop or rock album contained tracks released separately as commercial singles, they were conventionally placed in particular positions on the album. During the Sixties, particularly in the UK, singles were generally released separately from albums. Today, many commercial albums of music tracks feature one or more singles, which are released separately to radio, TV or the Internet as a way of promoting the album. Albums have been issued that are compilations of older tracks not originally released together, such as singles not originally found on albums, b-sides of singles, or unfinished "demo" recordings.
Double albums during the Seventies were sometimes sequenced for record changers. In the case of a two-record set, for example, sides 1 and 4 would be stamped on one record, and sides 2 and 3 on the other. The user would stack the two records onto the spindle of an automatic record changer, with side 1 on the bottom and side 2 (on the other record) on top. Side 1 would automatically drop onto the turntable and be played. When finished, the tone arm's position would trigger a mechanism which moved the arm out of the way, dropped the record with side 2, and played it. When both records had been played, the user would pick up the stack, turn it over, and put them back on the spindle—sides 3 and 4 would then play in sequence. Record changers were used for many years of the LP era, but eventually fell out of use.
A typical 8-track tape player
8-track tape (formally Stereo 8: commonly known as the eight-track cartridge, eight-track tape, or simply eight-track) is a magnetic tape sound recording technology popular in the United States from the mid-1960s to the late 1970s when the Compact Cassette format took over. The format is regarded as an obsolete technology, and was relatively unknown outside the United States, the United Kingdom, Canada and Australia.
Stereo 8 was created in 1964 by a consortium led by Bill Lear of Lear Jet Corporation, along with Ampex, Ford Motor Company, General Motors, Motorola, and RCA Victor Records (RCA). It was a further development of the similar Stereo-Pak four-track cartridge created by Earl "Madman" Muntz. A later quadraphonic version of the format was announced by RCA in April 1970 and first known as Quad-8, then later changed to just Q8.
A blank compact cassette tape and case
The Compact Cassette was a popular medium for distributing pre-recorded music from the early 1970s to the early 2000s. The very first "Compact Cassette" was introduced by Philips in August 1963 in the form of a prototype. Compact Cassettes became especially popular during the 1980s after the advent of the Sony Walkman, which allowed the person to control what they listened to. The Walkman was convenient because of its size, the device could fit in most pockets and often came equipped with a clip for belts or pants. Compact cassettes also saw the creation of mixtapes, which are tapes containing a compilation of songs created by any average listener of music. The songs on a mixtape generally relate to one another in some way, whether it be a conceptual theme or an overall sound. The compact cassette used double-sided magnetic tape to distribute music for commercial sale. The music is recorded on both the "A" and "B" side of the tape, with cassette being "turned" to play the other side of the album. Compact Cassettes were also a popular way for musicians to record "Demos" or "Demo Tapes" of their music to distribute to various record labels, in the hopes of acquiring a recording contract. The sales of Compact Cassettes eventually began to decline in the 1990s, after the release and distribution Compact Discs. After the introduction of Compact discs, the term "Mixtape" began to apply to any personal compilation of songs on any given format. Recently there has been a revival of Compact Cassettes by independent record labels and DIY musicians who prefer the format because of its difficulty to share over the internet.
A compact disc within an open jewel case
The compact disc format replaced both the vinyl record and the cassette as the standard for the commercial mass-market distribution of physical music albums. After the introduction of music downloading and MP3 players such as the iPod, US album sales dropped 54.6% from 2001 to 2009. The CD is a digital data storage device which permits digital recording technology to be used to record and play-back the recorded music.
MP3 albums, and similar
Most recently, the MP3 audio format has matured, revolutionizing the concept of digital storage. Early MP3 albums were essentially CD-rips created by early CD-ripping software, and sometimes real-time rips from cassettes and vinyl.
Types of album
The contents of the album are usually recorded in a studio or live in concert, though may be recorded in other locations, such as at home (as with JJ Cale's Okie, Beck's Odelay, David Gray's White Ladder, and others), in the field - as with early Blues recordings, in prison, or with a mobile recording unit such as the Rolling Stones Mobile Studio.
The platinum record for Michael Jackson's Thriller, approximated to have sold 66 million copies worldwide, as the world's best-selling album
Most albums are studio albums — that is, they are recorded in a recording studio with equipment meant to give those overseeing the recording as much control as possible over the sound of the album. They minimize external noises and reverberations and have highly sensitive microphones and sound mixing equipment. In some studios, each member of a band records their part in separate rooms (or even at separate times, while listening to the other parts of the track with headphones to keep the timing right). In recent years, with the advent of email, it has become possible for musicians to record their part of a song in another studio in another part of the world, and send their contribution over email to be included in the final product.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. The recording process may occur within a few hours or may take several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound.
Concert or stage performances are recorded using remote recording techniques. Live albums may be recorded at a single concert, or combine recordings made at multiple concerts. They may include applause and other noise from the audience, comments by the performers between pieces, improvisation, and so on. They may use multitrack recording direct from the stage sound system (rather than microphones placed among the audience), and can employ additional manipulation and effects during post-production to enhance the quality of the recording. Comedy albums, in particular, are most often recorded live because the audience reaction is part of the cue that the comedian is succeeding.
Live double albums emerged during the 1970s. Appraising the concept in Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau said most "are profit-taking recaps marred by sound and format inappropriate to phonographic reproduction (you can't put sights, smells, or fellowship on audio tape). But for Joe Cocker and Bette Midler and Bob-Dylan-in-the-arena, the form makes a compelling kind of sense."
The best-selling live album worldwide is Garth Brooks' Double Live, which shipped over 10.5 million 2-CD sets in the United States alone as of November 2006. In Rolling Stone's 500 Greatest Albums of All Time 18 albums were live albums.
A solo album, in popular music, is an album recorded by a current or former member of a musical group which is released under that artist's name only, even though some or all other band members may be involved. The solo album appeared as early as the late 1940s. A 1947 Billboard magazine article heralded "Margaret Whiting huddling with Capitol execs over her first solo album on which she will be backed by Frank De Vol". There is no formal definition setting forth the amount of participation a band member can solicit from other members of his band, and still have the album referred to as a solo album. One reviewer wrote that Ringo Starr's third venture, Ringo, "[t]echnically... wasn't a solo album because all four Beatles appeared on it". Three of the four members of the Beatles released solo albums while the group was officially still together.
A performer may record a solo album for a number of reasons. A solo performer working with other members will typically have full creative control of the band, be able to hire and fire accompanists, and get the majority of the proceeds. The performer may be able to produce songs that differ widely from the sound of the band with which the performer has been associated, or that the group as a whole chose not to include in its own albums. Graham Nash of The Hollies described his experience in developing a solo album as follows: "The thing that I go through that results in a solo album is an interesting process of collecting songs that can't be done, for whatever reason, by a lot of people". A solo album may also represent the departure of the performer from the group.
Tribute or cover
A tribute or cover album is a collection of cover versions of songs or instrumental compositions. Its concept may involve various artists covering the songs of a single artist, genre or period, a single artist covering the songs of various artists or a single artist, genre or period, or any variation of an album of cover songs which is marketed as a "tribute".
List of albums


Country, bluegrass, folk, even one tex mex and one swing song. A voice that conveys a full range from longing to lingering to loving to laughing. Five originals, seven covers. Acoustic music right from the heart. 12 MP3 Songs in this album (41:28......
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Piccolo like this one are small flutes. Fingerrings on the piccolo correspond to those on the flute, but because of its smaller size, piccolo sounds an octave lower. There are very few music pieces written appositely for piccolos; this is because piccolos produce a very high register sound. It is said that it is very difficult to play the piccolo in tune, the reason being its small size. This example is made of dark coloured wood and it consists in 6 silver keys and silver rings. its box is made of mahogany and it is lined with red cloth in the interior. This piccolo belonged to the donors (Mrs D. Blezard) father and it was played by him in his teens in the Morphet town band.
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Currently in Apple Music when you sync your iPhone with iTunes, all your music transfers; however, it isn’t necessarily available offline.
This means, sometimes you’re using cellular data to play your own music simply because Apple is trying to save you phone storage.
Here’s the tip on making individual songs available offline, but what if you have a lot of songs you need to add? Here’s how.
How to Make All My Music Available Offline in Apple Music
Tap the three dots next to each Genre and select Make Available Offline. This will still take you a little time if you have many Genres, but it’s a lot faster than by individual song or artist.
Note: some songs not owned by you are not available for download on Apple Music, this only works for songs available for download.


Vintage guitars are highly sought after by collectors and musicians alike. They are often prized for their unique sound, craftsmanship, and history. Vintage guitars come in all shapes and sizes, from acoustic to electric, and from the early 20th century to the present day. The most popular types of vintage guitars are electric guitars, such as the Fender Stratocaster and Telecaster, the Gibson Les Paul, and the Gretsch White Falcon. These guitars are renowned for their warm tones and versatility. They are also associated with some of the greatest guitarists of all time, such as Eric Clapton and Jimi Hendrix. Acoustic guitars are also popular among vintage guitar enthusiasts. Martin and Gibson are two of the most renowned brands for these instruments. Vintage acoustic guitars are known for their unique sound and craftsmanship. They are often used for folk and country music, as well as jazz and blues. Vintage guitars are often more expensive than newer instruments, due to their rarity and collectability. They can be found in music stores, pawn shops, and online. It is important to do research before buying a vintage guitar, as it can be difficult to repair and maintain. Vintage guitars are a great
Playing an instrument can be a great way to relieve stress and increase your overall well-being. It can also help to improve your focus and concentration, as well as provide a creative outlet for self-expression. Research suggests that learning to play an instrument can even help to boost your IQ. Additionally, playing an instrument can be a great way to socialize and make new friends. Finally, playing an instrument can provide a sense of accomplishment and pride as you progress and master your craft.
Benefits of playing a percussion instrument Playing percussion instruments can be very beneficial for both physical and mental health. For example, drumming can help improve coordination, concentration, and focus. Furthermore, it can be a great way to relieve stress and tension. Additionally, playing percussion instruments can be a great way to express yourself creatively and connect with others. Finally, playing percussion instruments can be a great way to foster a sense of belonging in a group or community.


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Lighting Hire Services
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Having Good Live Music Entertainment or a DJ, good quality Dance Floor, good quality sound and PA system, can’t go without good lighting to create another aspect of the atmosphere for your special event.
To find out more about this service, please contact us directly.