Review – Da Capo from Sononkinetic
Da Capo departs from Sonokinetic’s phrase libraries to give you a multisampled orchestral sketchpad that brings you their distinct sound while keeping things simple.
by Per Lichtman, Jan. 2018
Sonokinetic Da Capo (ca. $245 USD from Sonokinetic.net) is an orchestral sketchpad library recorded in the same hall (Zlin Cinematic Orchestral Hall) and with the same unique sonic signature as the roughly half a dozen phrase libraries we’ve reviewed from Sonokinetic. I’ve said it every time I’ve reviewed one of their libraries: both their sound and their visual art style are completely unlike any other developer that we’ve played in this magazine. No matter how many other sample libraries you have, theirs sound a little different. So that’s part of what makes Da Capo so much fun to review – being able to write your own parts with that sound instead of relying on phrases is quite different from our previous reviews.
The Orchestral Forces
First, let’s break down the orchestra used.
52 String Players: 12 first violins, 12 second violins, 10 violas, 10 cellos, 8 basses.
8 Woodwind Players: 3 flutes, 3 oboes, 2 clarinets, 2 bassoons.
8 Brass Players: 4 horns, 2 trombones, 1 bass trombone, 1 tuba.
Percussion: Timpani, Orchestral Toms and Snares, Grand Casa, Tam Tam & Piatti (cymbals).
In other words, we here a full symphonic string section and full woodwind section, with the brass missing the trumpets and the percussion covering many of the basics (but only accounting for tuned percussion with the timpani). I’d be lying if I said I didn’t miss trumpets and I’d have loved to have marimbas, celestas or other pitched percussion, given how well they sounded in Sonokinetic’s phrase libraries. Perhaps they’ll show up in a future library.
Orchestral Sections and Instrument Sections
Da Capo’s documentation talks about the orchestral sections vs. instrument sections. An orchestral section would be the standard four (strings, woodwinds, brass and percussion) while the instrument sections are the sub-sections of each orchestral section that you can enable or disable individually. With a few exceptions (like the timpani or flutes), you don’t get control of just one instrument group so these are mostly different sections playing together – such as the first and second violins, or the bass clarinet with bassoons. This is done to keep things simple and keep the library from getting too big or overwhelming – hence the orchestral sketchpad designation.
In the image above from the Da Capo manual, you can see how the ranges are assigned to instrument sections. That is to say, the strings are divided into four instrument sections (that can be played individually or stacked) and each range uses at least two string sections. There’s also a tutti Bartok pizzicato that loads with any string articulation and is mapped to C#0, D#0, F#0, G#0, A#0. Other than that it’s pretty simple to see what’s going on.
The woodwinds are a little different. While the ranges above describe where the instruments play (with some variation depending on the articulation), four woodwind ranges are listed in the diagram, but there are only three selectable sections in the library. That’s because the ranges listed for “Bass Clarinets + 2 Bassoons” and “2 bassoons + 3 clarinets” are all in the “low woodwinds” section. The mid and high woodwinds are exactly what they look like from the diagram.
For the brass, the four ranges shown are again mapped to three sections. The low brass is the bass trombones+tuba range specified. The mid brass contains both the trombones+bass trombone range and the trombones+horns range. The high brass is purely the four horns since there are no trumpets.
The percussion section isn’t fully specified in the diagram since it contains several unpitched instruments, yet it isn’t accurately specified in the later section in the manual either, so I’ll get specific. It contains non-overlapping ranges in four sections that can nonetheless be enabled or disabled individually: Timpani (specified above); Orchestral Toms (F6-A#6) and Snares (C6-E6), Grand Casa (A0 and B0), Tam Tam & Piatti (A5-A#5).
Miking and GUI
Da Capo has more traditional microphone mixing (yay!) as opposed to blending between two positions at a time, so I don’t have to load multiple instances to use all the microphone positions like I did in some of the Sonokinetic phrase libraries. There are close, decca, wide and balcony and mics as well as a reverb impulse from the space that can be turned on or off and adjusted. Each mic has its own fader.
Each instrument section can be enabled or disabled by clicking on it and there are volume and panning controls. The keyswitches for the current section are show below (and can be clicked on in the GUI as well) while there’s a sldiing scale in the center that lets you choose how you want to control the volume/dynamics for the notes. All the way to the left is completely controlled by velocity and all the way to the right is modwheel, with intermediate positions giving you something in-between. It’s elegant and the GUI is has the usual Sonokinetic flare.
Articulations and Sound
Each non-percussion section has a minimum of two articulations. There’s staccato and sustain in the high woodwinds and low woodwinds, while the mid woodwinds add legato as well. The brass all have at least three (staccato, marcato and sustain) with the French horns section adding a fourth (legato). The strings have five (staccato, marcato, pizzicato, sustain and legato) along with five notes of tutti Bartok pizzicato that are the same whenever you load any other articulations.
The short notes are the standouts. Across the board, the staccatos and marcatos sounded great in every section, with the brass being a particular standout, with a lovely brassy grain to the marcatos I don’t tend to hear in sample libraries. These are some of my favorite marcatos that I’ve ever heard in a sample library. The woodwinds and strings staccatos have a nice fullness, especially when all microphone positions were used and there’s so much energy in those string marcatos.
Room for Improvement
For my tastes, the legatos aren’t as strong as in some competing libraries (usually the sustains sound better without them here) and some of the sustains can sound a little tame at times (like the French horns). The mid woodwinds occasionally would suffer from stuck notes as well. Also, it would have been great to have trumpets and more melodic percussion.
Is It Right For You?
Sonokinetic Da Capo’s big selling point as an orchestral sketch pad is its unique sound and relative simplicity. You can access every articulation in the library in one patch if you want, or split it up down to sections/combinations of sections. It doesn’t take excessive hard drive space or RAM and the price reflects that. Also, the hall is full of character but not overly cavernous. If you’re looking for a library with granular control, look elsewhere. But if you’re looking for an orchestral sketchpad or want the sound of great orchestra for use in more of a keyboard style (for instance live) then this is a great library that feels highly organic and unique.


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50 original recordings digitally remastered. Featuring tracks from the albums Listen To Cliff , 21 Today and the Young Ones soundtrack as well as singles, b-sides and rare performances from the movies Serious Charge and Expresso Bongo . Liner notes.
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The collection contains recordings of 93 of the approximately 173 concerts presented at the Evenings for New Music concerts from 1964-1980. Approximately 464 works were recorded as well as some spoken introductions to works by their respective composers. The original recordings were made on reel-to-reel tapes. The contents were transferred to cassettes in the 1980s and then digitally reformatted in 2007 onto CDs (service and in-house masters) and DVDs (preservation masters).


In this Van Halen Live Without A Net DVD review, I’ll tell you why this concert is a must-see for all fans of high-energy Rock N’ Roll.
Do you like incendiary guitar solos? Even air-guitar players are familiar with Eddie Van Halen, who made the “Brown Sound” and fretboard tapping a household work among rock guitarists everywhere.
Keep on reading to learn more and to check out the equipment Eddie used on the “5150” tour.
Van Halen Live Without A Net DVD Snapshot
- Recorded: August 27, 1986
- Release Date: 2004
- Concert Length: 1 Hour 32 Minutes
- Video Format: Fullscreen (4:3 aspect ratio) NTSC
- Audio: Dolby Digital 2.0 Stereo, Dolby Surround 5.1, and DTS Surround 5.1
- Starring: Eddie Van Halen, Michael Anthony, Sammy Hagar, and Alex Van Halen
- Producer: Simon Fields
- Director: Daniel Kleinman
Main DVD Disk Menu:
Audio Setup: Dolby Digital 2.0 Stereo, Dolby Surround 5.1, and DTS Surround 5.1
Bonus Features: None
DVD Packaging: Standard plastic single-disk packaging, no informational booklet
Live Without A Net was recorded during a concert on August 27, 1986, at the Veterans Memorial Coliseum in New Halen, Connecticut. It was part of a Van Halen tour to promote their seventh studio album, “5150,” during the Sammy Hagar era.
The order of the songs on the home video is different than how they were played during the concert. Unfortunately, the songs “You Really Got Me,” “Dreams,” “Good Enough,” and “Wild Thing” never even made it onto the DVD.
Eddie’s guitar solo was also shortened a little, and parts of it are out of sequence.
This DVD comes as a single disk in standard plastic packaging. The artwork consists of concert photos with a short description of the concert and the setlist on the rear cover.
An informational booklet is not included.
The disk is coded to regions 2/3/4/5/6.
The concert was originally released on VHS and Laserdisc in 1986 and then re-released on DVD in 2004.
Songs And Artists
|There’s Only One Way To Rock
|Standing Hampton (Sammy Hagar)
|Best Of Both Worlds
|Love Walks In
|I Can’t Drive 55
|Standing Hampton (Sammy Hagar)
|Ain’t Talking ‘Bout Love
|Van Halen (I)
|Why Can’t This Be Love
|Rock And Roll
|Led Zeppelin IV
- Eddie Van Halen – Guitar & Keyboard
- Sammy Hagar – Guitar & Vocals
- Michael Anthony – Bass Guitar
- Alex Van Halen – Drums
Musical Performance Highlights
Here are some short comments that sum up my thoughts on the following tracks.
This is a very short video segment before the concert. A person’s hand stamps out the words “Van Halen Live Without A Net” “Filmed In New Halen” (with the word Haven crossed out and replaced by Halen).
The introduction is essentially a continuation of the opening logos, where Sammy comes onstage and announces, “Hello, New Halen.” He explains that the band has renamed New Haven (CT) New Halen.
There’s Only One Way To Rock
From (album): Standing Hampton (Sammy Hagar)
The band opens the show with this uptempo rocker in Gb, written by Hagar. Sammy dances around Eddie while playing his Flying V. Eddie plays his 5150 FrankenStrat guitar.
Eddie demonstrates his famous “tremolo picking” technique.
Another song from the “5150” album. Eddie does a nice tapped solo on his custom-built 5150 Steinberger GL2T.
For some reason, the guitar looks a little small in Eddie’s hands, but it sounds great with the tune.
Sammy introduces Alex “Bocephus” Van Halen (his real middle name is Arther), along with an explanation of “Bocephus Mode,” which is just a little less than “5150” (the band’s term for someone totally out of control).
Alex takes an unbelievable drum solo, after which the band breaks into the song 5150.
This song is from the title track of Van Halen’s seventh studio album, recorded with the Sammy Hager lineup. It’s not surprising that this album is prominently featured on the setlist since the band was touring to promote it.
Everyone mentions this legendary bass solo during a typical conversation about Michael Anthony. Michael walks out with his Jack Daniels bass guitar and a bottle of Jack Daniels, which he shares with Sammy during the performance.
The sound of the guitar is heavily effects-modified. It appears as if Michaels is using some type of polyphonic synthesizer.
He runs around the stage with his guitar and bottle, spilling fine whiskey all over the place. If you like bass solos and a few laughs, then be sure to check this out.
Love Walks In
This song begins with Sammy strangely announcing that it’s “a song about aliens.”
Eddie plays the well-known opening lines on the keyboard, which sets the mood for the tune. It demonstrates what a brilliant composer Eddie was.
Sammy takes a guitar solo on his red Kramer Baretta and shows everyone just how well he can play. I have always felt that he is an underrated guitarist.
Why Can’t This Be Love
Eddie struts his stuff on the keyboard again, with Sammy on guitar for this “Pop-Halen” tune. These Hagar-fronted songs really got a lot of radio play in their day and brought the band to a whole new audience.
“Love Walks In” and “Why Can’t This Be Love” are a perfect pair.
Band Interviews And Backstage Footage
Unfortunately, no video of band interviews or backstage footage is included on this DVD.
There is a short narrative on the rear cover of the DVD case. It gives a history of the events leading up to the concert and some very sparse information about the show.
There is no booklet to help fill in the blanks.
The stage is well-lit and straightforward, with video cameras placed out of the viewer’s sight.
There is no video screen behind the stage or any other special effects, except for multicolored stage lights that complement what’s happening onstage.
The stage lights turn on and off rapidly, which sometimes creates a “strobe” effect, making it difficult to see what’s happening.
The focus is always on what’s happening musically.
This is a listing of the guitars, amplifiers, and effects that various band members used during the show. I obtained this information visually, while watching the video, and by Internet research. I always strive to make this list as accurate as possible.
If you disagree or have something to add that makes it more accurate or complete, I would appreciate it if you would put that info in the comment section at the end of this article. I will correct or update it immediately!?
“Live Without A Net” Equipment Summary
|Effects (stomp boxes & pedalboards)
|Eddie Van Halen
|1. Kramer 5150 FrankenStrat
2. 5150 Steinberger GL2T
|Marshall Plexi Super Lead – See Below For More Info
|See Below For More Info
|1. Kramer Baretta
2. Randy Rhoads Model Flying-V
3. Dean “Stealth” (Dimebag-shape) Model
|1. Yamaha(?) Bass in white, black, and butterscotch
2. Jack Daniels Bass
Eddie Van Halen
Kramer “5150 Frankenstrat”
The 5150 FrankenStrat guitar has the following specifications:
- Original Floyd Rose bridge with R2 locking nut
- Seymour Duncan SH-11 Custom humbucker in bridge position
- No pickup selector switch
- CTS 500K audio taper volume control with MXR knob
- No pickguard
- Gotoh 90 degree tuners
Eddie’s 5150 FrankenStrat guitar is a little different than his original version 2 red Kramer with white and black stripes. Note, version 1 FrankenStrat is white with black stripes.
The original version 2 FrankenStrat guitar has a single functional humbucking pickup in the bridge position that is wired directly to a volume control. It is a PAF (patent applied for) pickup taken from a Gibson ES-335 that he potted in wax to reduce feedback from microphonic noise.
The circuit has no tone control, even though the volume control has a white Strat knob labeled “Tone.”
The middle position pickup route contains a nonfunctional 3-position pickup selector switch, which Eddie said was just “for show” and to “create curiosity.”
The neck position contains a dummy (non-functional) “Mighty Mite” single-coil pickup to make the guitar look cool.
Eddie installed a 1971 quarter (coin) adjacent to the Floyd Rose bridge to keep it flush with the body during string tension changes for dropped tunings. This predated the invention of the EVH D-Tuna.
The back of the original version 2 FrankenStrat was covered with reflectors. Eddie would flip the guitar over at the end of a show, and the stage spotlights would bounce light off them and into the audience.
Eddie’s Kramer guitar bodies, pickup configuration, and necks were similar to a Kramer Baretta. For more info, see Kramer Baretta Review – Great Playability And Awesome Sound!
“5150” Steinberger GL2T
Eddie’s 5150 Steinberger GL2T guitar was built by luthier Jeff Babicz at the Steinberger factory.
It has a TransTrem system and two EMG pickups.
In addition to playing this guitar on Live Without A Net, Eddie used it to record the songs “Pleasure Dome,” “Fire in the Hole,” and “Me Wise Magic.”
Eddie’s amps and speaker cabinets are hidden from the audience in this concert, so it’s hard to know exactly what he used. If anyone has any specific info, please leave it in the comment section, and I will update the article.
Eddie favored Marshall amps and cabinets during this period, especially the Marshall Plexi Super Lead 100 Watt heads, which he would lower the voltage with a Variac to get his “Brown Sound” (see the FAQ section).
Eddie did not start using Peavy 5150 amps until 1993.
Eddie’s effects could not be identified by viewing the concert video. However, Eddie was not a big effects user.
Some of the effects he used early on in his playing and recording career included an MXR Phase 90, MXR Flanger, Univox EC-80 Tape Echo, and an Echoplex EP-3 Delay.
Later he used an MXR M234 Analog Chorus, Boss OC-3 Super Octave, and even a Digitech Whammy pedal, as well as his signature Phase 90, EVH117 Flanger, and EVH95 Wah-Wah pedal.
Sammy plays the following guitars at different points of the video:
- Red Kramer Baretta
- Red “Randy Rhoads” model Flying V with “I Can’t Drive 55” logo at 12th fret
- Red Dean “Stealth” (Dimebag-shape) model
Amps and Effects: Unknown
Please send me that info in the comments if anyone knows what kind of amps Sammy was using on this tour. I suspect he was using Marshall heads and cabs.
Michael plays three bass guitars with white, black, and butterscotch body finishes throughout the show. I believe they might be Yahama basses.
He also plays his infamous Jack Daniels Bass. Michael has two models, one made by Jackson and the other made by Yamaha.
GMW Custom Guitars also made a Jack Daniels bass. This guitar featured an EMG pickup and preamp, with 1 volume control and a stacked tone knob.
Nice guitar! and who doesn’t like a little Jack? ?
Amps and Effects: Unknown
If anyone knows what kind of amps Michael was using on this tour, please send me that info in the comments.
Audio Specs And Sound Quality
The concert is recorded in:
- Dolby Digital 2.0 Stereo
- Dolby Surround 5.1
- DTS Surround 5.1
The audio is professionally recorded, with fair to good audio imaging, depending on your sound system.
Television speakers sound best by using the stereo channel.
If you have a soundbar with a dedicated subwoofer, then try both the Dolby DigitalSurround 5.1 and DTS Surround 5.1 channels to see which works best for you.
The 5.1 surround channels will give you the best sound imaging if you have a home theater (5.1, 7.1, or 7.1.4 Atmos) setup.
Playing the DVD on my Bose 5.1 surround system gives an equally dispersed sound field with a decent signal-to-noise ratio in all channels. On my 7.2.4 Atmos home theater system with the four ambient channels removed from the mix, the sound in the side surround channels is a little muddy after a 5.1 to 7.1 conversion.
The imaging is generally lacking on both my 5.1 and Atmos setup, typical of movies recorded in the 1980s. There is quite a bit of side-to-side stage movement among Eddie, Sammy, and Michael, but the music does not follow them appropriately in the sound field.
Video Specs And Camera-Shot Quality
The video is recorded in NTSC Fullscreen (4:3 aspect ratio). It was released on DVD in 1986 by the Yessup Recording Company.
The concert is pro-shot, as you might expect it to be. Overall, video brightness and contrast are good, but there is a fair amount of graininess, which looks worse on my 65-inch high definition TV.
Generally speaking, the multi-colored stage lights make the background on this DVD transfer look muddy and a little out of focus, with scenes in some songs clearly worse than others.
Some of Eddie’s guitar solos are not entirely captured, with inappropriate break-away to Sammy and Michael. The cameraman bounces around a lot from one person to another on the stage, which can be a little annoying.
Eddie’s hands are usually clearly filmed to show his technique, especially during the fretboard tapping, which is what guitar players really want to see.
My Favorite Songs And Musical Moments
These are the songs I enjoyed most in the show for various reasons. The entire setlist is fantastic, as is always the case at a Van Halen concert.
From (album): 5150
Here’s another tune played by Eddie on the 5150 Steinberger, and it sounds great in the key of D. I really like the melody, and the band really makes it rock.
Sammy explains the meaning of a 5150 police call to the audience.
Best Of Both Worlds
This is a classic “Van Halen-Type” tune, musically defined by Eddie’s staccato harmonic approach. Eddie totally “parrots” Sammy’s vocal lines during the song’s opening. An absolute must-see, Eddie at his best!
Sammy spray paints a woman’s white shoes red and tells her she can claim them after the show and that now everyone will know she’s been to a Van Halen Concert.
Panama is a song about a race car that David Lee Roth saw in Los Vegas. It features another staccato chordal opening, “Eddie-Syle,” – which makes clever use of tap harmonics and whammy bar dives that sound very musical.
Michael is still playing his Jack Daniels guitar, which he used for his bass solo.
I’m partial to the guitar parts on the earlier Van Halen tunes, but it’s all great music!
What can you say about a Van Halen guitar solo? Eddie is an absolute master at making even the most hard-core and distorted instrumental break sound totally musical.
Sammy introduces him as “the greatest rock and roll guitar player in the world,” which certainly isn’t far from the truth, no matter who your guitar heroes are.
Eddie really understands musical composition, and it shows in this medley of solos from some of the earlier albums.
He begins with “316,” written as a lullaby for his son, Wolfgang. The solo takes a plunge into “Eruption,” his timeless classic, before moving onto “Cathedral” and then finishing with “Mean Street.”
Unfortunately, Eddie’s solo was shortened a little for the video, and parts of it are out of sequence.
Eddie gave us so much, and his death was a tremendous musical loss for the world!
I Can’t Drive 55
From: VOA (Sammy Hagar)
I can’t drive 55 is my favorite Sammy Hagar song, hands down! I sing a few verses every time I see a speeder pulled over on the highway.
It features Sammy on guitar, standing high above the audience on the stage scaffolding, playing his red Kramer Baretta.
Eddie accompanies him on his 5150 FrankenStrat and breaks a low-E string after the song’s bridge, but somehow Eddie continues to play until he is handed his 5150 Steinberger, which he also uses to play the next tune, “Ain’t Talkin’ ‘Bout Love.”
Ain’t Talkin’ Bout Love
From: Van Halen
Here’s another oldie but goodie classic David Lee Roth era tune. Eddie’s at it again, with his flanger-rich iconic solo that’s built beautifully around the lyrics, still using the 5150 Steinberger from the broken string debacle.
It’s Rock N’ Roll at its very finest!
Rock And Roll
From: Led Zeppelin IV
What a way to close out the show with this Led Zeppelin classic from their fourth (untitled) album! Sammy introduces the tune as “A song written by some old friends of ours.”
Eddie finally switches back to his 5150 FrankenStrat, and Sammy plays a red Dean “Stealth-Type” (Dimebag-shape) model axe.
The band certainly did Jimmy Page and the boys proud!
What I didn’t Like
There aren’t any significant concerns about this concert video, but here are a few things you might consider. On the whole, we are lucky to have it since there were only two Van Halen concerts professionally recorded.
This DVD is challenging to find and is expensive to buy new. Your best bet is to buy a used copy or stream the concert on an Internet site like YouTube.
Four songs were played, which never made it onto the DVD. They were “You Really Got Me,” “Dreams,” “Good Enough,” and “Wild Thing.”
It’s not like there was no more room on the DVD. Also, the songs that appear on the disc are not in the exact order they were played at the concert. What’s up with that?
Video Transfer Not DVD-Quality
The video transfer does not appear to be DVD resolution. Perhaps it was a VHS to DVD transfer, or some movie frames were shot poorly. I’m still looking into this, and I’ll let you know more definitively in the future.
Surround Sound Issues
The Dolby Digital 2.0 Stereo track sounds fine through TV speakers or a soundbar, but the Dolby Digital and DTS Surround 5.1 tracks have some issues that take away from the listening experience. See the section above on Audio Specs And Sound Quality for more info.
No Backstage Footage
I really like watching backstage concert footage. It adds to the enjoyment of the video and can give you a better idea of what particular equipment was used in the show.
No Band Interviews
Band interviews can offer insight into problems that occurred during the production, performance, and filming of the concert. It’s great to get inside info directly from your favorite players, and it’s one of the first things any true fan looks for in a music video.
Beware Of Poorly Recorded Copies
There are a fair number of pirated or bootleg copies of this video available for purchase on various websites.
The video and audio are typically substandard, and in some cases too poorly done to be worth a look and listen.
Also, it is illegal to purchase these copies and it could cheat the performers out of well-deserved income.
Some disks are unauthorized imports and will not play on all DVD players.
Is This Concert Worth Purchasing Or Streaming?
Even though this video has some technical limitations regarding its audio and video quality, it is a must-have concert for any Van Halen fan, even if you do not care for the Sammy Hagar lineup.
Although the video is still available, it can be difficult to find a new copy at a reasonable price. You may be able to purchase a used copy or stream it on some websites, like YouTube.
Frequently Asked Questions
Here are some of the most popular questions and facts about Van Halen, and Eddie, in particular.
What Is The Eddie Van Halen “Brown Sound?”
Eddie coined the “brown sound” to describe the sound he used to record the Van Halen I album. He accidentally discovered that by lowering the voltage of a 100 Watt Marshal Plexi, he could get it to saturate more aggressively, but still musically, with the amp’s volume knob turned up to 10.
He made this discovery by plugging a Marshall amp set for 220 Volt use into a 110 Volt electrical outlet. When the amp’s tubes finally warmed up, it made this incredible sound when he plugged in the guitar.
Eddie started using a Variac as a “master volume control” to lower the amp’s voltage to somewhere between 60 and 100 Volts AC, depending on the size of the room he was playing.
So, the brown sound essentially refers to the sound created by an amp operating at a lower than normal voltage, as it would during an electrical “brown-out.”
Although Eddie’s sound evolved over the year, it always remained distinctively his.
Did Eddie Van Halen Invent The Fretboard Tapping Technique?
Although Eddie was the first player to popularize one and two-handed tapping and tapped harmonics in a Rock format, he was not the first to use it in a musical performance. For example, jazz guitarist Roy Smeck used tap playing way back in the early 1920s!
Eddie perfected the tapping technique in the Rock and Heavy Metal genres with his instrumental “Eruption.”
How Many Van Halen Concert Videos Are There?
There are only two pro-shot and commercially available Van Halen concert videos for the home market. In addition to “Live Without A Net,” the band released Live: Right Here, Right Now on DVD in 1993.
Their “Video Hits Volume I” release is a compilation of performances from the other two videos.
Is Eddy Playing His Original Red And White/Black Striped FrankenStrat Guitar On The “Live without A Net” Video?
In this concert video, Eddie is playing his “5150” FrakenStrat. For more information about the 5150 guitar, see the section on Musical Equipment.
Van Halen Discography
|David Lee Roth
|Van Halen II
|David Lee Roth
|Women And Children First
|David Lee Roth
|David Lee Roth
|David Lee Roth
|David Lee Roth
|For Unlawful Carnal Knowledge
|Van Halen III
|A Different Kind Of Truth
|David Lee Roth
|Live: Right Here, Right Now
|Tokyo Dome: Live In Concert
|David Lee Roth
|Live Without A Net
|Live: Right Here, Right Now
Final Thoughts About The Van Halen Live Without A Net DVD Review
Live Without A Net is Van Halen’s first commercially recorded live concert performance. It was filmed on August 27, 1986, in New Haven, Connecticut, during their 5150 Tour.
This video showcases the raw power and energy of Van Halen at the top of their game. The setlist is excellent, emphasizing their 5150 album, but with a good balance of older tunes. If you’re a guitar player, this is one concert you don’t want to miss!
As with many rock concerts recorded in the ’80s, the audio and video have some quality issues, as noted above. Despite these shortcomings, the show is still a delight to experience, and it will most likely become an essential part of your video collection.
The DVD can be challenging to locate, but to experience the best possible audio and video, home theater owners will want to obtain a copy. The concert can be streamed on the Internet, but the quality does not do it justice.
Eddie Van Halen was a phenomenal guitar player in every sense of the word, and his death was a real blow to me. He changed the way the guitar is played in the same way that Les Paul and Jimi Hendrix did. Enjoy the grand musical legacy he left us and strive hard to honor his memory by taking his playing to the next step.
For more info, see MXR EVH 5150 Overdrive Review – Simply The Best!
Tell Me What You Think
Please leave a comment below if you enjoyed this article, have any questions about this video, or want to give your critique of the concert. I will be happy to help you.
- Have you seen this video before? What do you think of the setlist and audio/video quality?
- Which song do you like best? Least? Why?
- Do you prefer the “Live Without A Net” video over the “Live: Right Here, Right Now” video?
- Would you buy this video after reading this review?


Things to Consider When Choosing a Bass Amplifier Head
A bass amp head (sometimes called a headset) is the component of a full-range electric bass amplifier that amplifies your acoustic guitar's electrical signal so that it can be heard over other instruments in a band. It consists of the main electrical components of an amplifier, which includes a power amplifier, a preamp, and a mid-frequency equalizer. It is often used as a conditioning or equalizer pedal for the unit's trigger output. There are three different types of head units: power-level (SXS), variable capacitor (VCF), and limit switch (LSF).
The most common bass amp head is the one that comes with a pair of speakers. This is ideal if you play mostly acoustic music or if you are looking to use a passive crossover for your electric guitar. For most people, however, they need something more powerful to handle the amount of bass their instrument will generate. If you do not have much money to spend on a new bass amp head, then a good choice is a quality aftermarket head unit.
As opposed to bass amps, bass cabinets, or towers, are used for amplifying sound effects and drum samples. They have much longer cords than amps because their main purpose is to accommodate a mixer, sound module, or input and output devices. You can use a variety of different cabinet models, which include floor-standing, wall-mounted, or cabinet/subwoofer combos. Some bass amp heads require you to connect the cabinet to your amplifier.
If you are building a live band and need to run all your equipment through a single amplifier, then a bass amp head is exactly what you need. There are several different types of bass amp heads, including solid-state or switching, envelope, or hybrid. You can use one type of head, or mix and match. A solid-state bass amplifier head runs a single electrical motor all the way through the amplifier so that the signal is always sent from the amp directly.
A combo amp is basically a set of speakers with a preamp built into them. This preamp allows you to operate your regular speakers as well as your subwoofers through the single amp. Many combo amps allow you to plug in your iPod or other devices through the same speakers that handle the sound. This allows you to hear all your equipment through one box.
Some solid-state amps even have a built-in compressor for additional sound effects. On the other hand, a tube amplifier utilizes the speaker's tube to create the music. Although tube amps give a more pure tone, they also tend to be much larger and are less efficient than solid-state. If you are looking for the most effective tonal balance, then solid-state tubes are the best option.
Another thing to consider is the enclosure of the speaker. Since tweeters and basses produce loud sounds at times, their enclosure should be made of durable materials like heavy gauge steel or aluminum to prevent feedback, which can damage speakers and affect the sound quality. Tweeters and basses with poor cones will also produce a different sound compared to speakers with better cones. Tweeters are normally placed in the front of the vehicle because it has the best realism when compared to subwoofers.
Cabinet designs also affect the sound a speaker produces. Most compact units use a sealed cabinet so that there is no chance of sound waves escaping from the box. If you need something that is big enough and powerful sounding, then a full range of amplifiers is perfect for you. But if you want to be frugal and choose smaller and cheaper cabinets, then you can opt for simpler amplifiers.
What is a bass amp head used for?
A head or bass amp is the part of a bass amp that amplifies your bass signal. It houses the amp's electrical components, such as the preamp and power amplifier, as well as the equalizer (bass or treble controls) and equalizer.
Why are amp heads so expensive?
It requires a lot more research, design, and testing (ie. The amp parts are more expensive than the speakers, which are typically manufactured by speaker companies). The bureaucrats will squabble.
Can you play with just an amp head?
You can not play your guitar with just an amp head. The head does not make any noise on its own. When using a tube head amp without a speaker, it is possible to seriously damage the amp. The load required by the head to distribute its power is typically provided by a speaker cabinet.
Is a Class D amplifier better?
Class A is the most basic design, but it has the best sound quality. Class B design, while more efficient, is prone to distortion. The Class AB design strikes a good balance between power efficiency and sound quality. Class D design has the highest efficiency but not the highest fidelity.
Is Class D amplifier good for bass?
Class D amplifiers are more efficient than traditional Class AB amplifiers. This means that less energy is lost as heat and that more energy is converted into sound. These amplifiers have fewer output devices and thus require less heatsink. They also necessitate a more compact power supply
Can you use a bass head without a cab?
A dummy load is used to connect a bass amplifier head. A dummy load is connected to a bass amplifier in the absence of a speaker box. Simply purchase the appropriate device and connect the load box to the speaker output of your amplifier. You should double-check the resistance of your dummy load (more details later).
Can I use an amp head without a cab?
It's necessary to take a cab. An amp head must be connected to a load. Otherwise, all of the power generated by the power amp section will be wasted. The output transformer is going to blow.
What is the point of an amp head?
The tone of your guitar is determined by your head, as is the amount of power you can provide it with. The cab (cabinet) is a passive speaker or group of speakers that receives the powered signal from the amplifier.
Which type of amplifier is best?
Class A amplifierClass A amplifiers are the most widely used type of amplifier. When properly designed, they have exceptional linearity, high gain, and low signal distortion.
Do Class A amplifiers sound better?
A typical Class A amplifier will provide more details and a smoother midrange, but less dynamics. It all depends on the speakers you're using and the music you're listening to.
What is a Class D bass head?
The Class-D amplifier is a switch-mode amplifier of the switch-mode type. It has three stages: the input switching stage, the power amplification/output filter stage, and the output filter stage.... When an incoming signal is received by a linear amplifier, output power transistors are used to amplify it in an analogous manner to the input signal. This is the same signal as before, but it is much louder.
Can you play an amp head without a cabinet?
No, Even if you have a line or headphones plugged in, you must use a dummy load. When a speaker cabinet is not present, a dummy load is used to provide the necessary load to produce sound. If you use headphones, the wattage will not be able to find the appropriate load. It will also be under constant stress as a result of the excessive workload.
Does an amp head make sound?
Heads are the amplifiers that enhance the power of a signal by a factor of two. An amplifier does not generate any sound. A tube amplifier head that does not transform the energy output into sound is potentially hazardous.
Can you use a head amp by itself?
Actually, the amplifier and the speaker are two different pieces of equipment. It is possible to have a cabinet and head combination in addition to the head, which is the actual amplifier for the guitar. A headphone amplifier cannot be utilized without a cabinet attached to it. Both of these elements are essential.
Do you need a speaker for an amp head?
There are two pieces of equipment involved in this arrangement: the amp head and the cabinet setup. The head is a standalone amplifier that does not include speakers. The speaker is contained within the cabinet. A massive rock concert is taking place, and the cabinet is the speaker.


By XUANCHEN FAN
U2’s new album has been posted on the iTunes store for free download. The new album “Sounds of Innocence” is free to the more than 500 million iTunes customers in 119 countries.
Maybe it is surprising, but more people are willing to buy the new edition CD after downloading the new album online.
At the beginning, iTunes was free to download music. Then musicians begin to sue Apple, saying that people are freely downloading the music and no one is willing to buy their edition or even deluxe edition CD.
However, given the situation with U2’s new album, artists should reconsider the methods of selling albums. People realized that the free download music and the edition CD are different. The latter one possesses the possibility of increasing in value and has collection value.
Moreover, the deluxe edition CD’s acoustic quality is much better. Music we are able to download for free possesses poorer acoustic quality. It is like a sales strategy to encourage consumers to listen to better quality music.
The free download music is also a sale strategy that can help more people get to know the band. Taking U2 as an example, U2 is a famous band around America and Europe. Nonetheless, this iTunes free download experience enable more Asian know this band.
Listen to the U2’s new album at http://www.apple.com/U2/.


We help you locate a West Calder singing tutor. Singing lessons are the perfect method to start an entertaining new hobby, pick up a new talent and gain confidence with singing. Please use our site to search for West Calder singing tutors and select which best matches your needs so you can enjoy your singing tuition in West Calder today!
First Tutors: Music is the only place to locate West Calder singing teachers in the UK, helping you discover West Calder singing tuition in your area and West Calder teachers to assist with any instrument, for example, piano, violin or guitar. We can help you find West Calder singing tuition or a one-to-one West Calder singing teacher to prepare for singing grades and improve your singing skills! We order West Calder singing tutors in your area according to their lesson prices and distance from you.
If you are a singing teacher wishing to offer your singing tuition services in West Calder or anywhere else across the UK, please register with First Tutors: Music or learn about us here. Becoming a West Calder singing teacher is a brilliant way to improve your own knowledge through giving singing lessons while helping others, all in the West Calder area!


To see "award-winning" singer, songwriter Terrance Alan singing the song, see the featured video on www.filedby.com "Preserved to Serve Promo". Click on the main filedby video promo, and at the end click on the right arrow below the video and you will find the Preserved to Serve video promo.
To listen to the full song as an mp3: www.myspace.com/terrancealanproductions
To purchase a personally autographed package of the book and the CD sung by "award-winning" singer songwriter, Terrance Alan. www.selfrej.com


Joel regularly plays at weddings around the UK and further afield. He is also frequently booked for private & corporate functions, notably including sets for Google, John Lewis and Bank of America.
"Joel Grainger is quite simply one of the best musicians I've ever met, and definitely the most versatile violinist I've ever come across. When he played at our wedding, he brought a whole new life to the day as he moved seamlessly between styles from classical to folk. I highly recommend Joel Grainger to anyone looking for an accomplished and versatile violinist."
"Joel played for my wedding at the end of October and I couldn't recommend him more. He was just as magical performing in person as he is in all of his wonderful videos, he made our ceremony something very special indeed. Not only a brilliant performer but couldn't be more helpful in correspondences leading up to the big day! Thank you Joel, you're amazing!"
"Joel really is such an innovator and has a fresh sound. I came across Joel when he was playing in Winchester and then Cambridge. I booked him for a corporate Government social event in London and then for my wedding two weeks ago. Joel is such a talent and he really moves people with his music. I can't wait to book him again!"
Samantha Hardyman (Event Manager)
"Joel made our dream wedding come true, and we warmly recommend him . He was exceptionally helpful in the preparations of the program for the ceremony. He was easy to communicate with, trustworthy and responded quickly to all our emails. Because of Joel's amazing music, The ceremony became the most memorable part of the wedding. Forever grateful and forever in our hearts!"
Torunn & Christoffer (Wedding in Norway)
"Joel played during our company dinner in Marlow. It made the evening perfect and everyone commented on the unusual but great music. Would certainly use him again for corporate or social functions.Thanks Joel"
"Thank you so much for your STUNNING playing at our Easter Sunday wedding reception. We loved your performance - as did all of our guests."
Katherine & Phil
Prices Vary - Please contact for more information.


The Sebastians 2012-2013 Concert Season at All Angels' Episcopal Church
1. Mailed tickets arrive in a window envelope with "GEMS" as return address.
2. If tickets are ordered within one week of the performance, they will be held at the door. 3. Your credit card will show the charge as 'PAYPAL *GOTHAMEARLY' 4. There is a $5 charge per order to cover credit card processing fees. It is NOT a shipping charge; ignore PayPal's indications.
Click here for instructions on ordering tickets online
All concerts at: All Angels’ Episcopal Church 251 West 80th Street (between Broadway and West End Avenue) Manhattan
If It Ain’t Baroque... Concertos and Suites of the High Baroque
Saturday, September 22 at 7:30 pm
Priscilla Smith - recorder/oboe Dongmyung Ahn, Daniel S. Lee, Katie Hyun, Vita Wallace, Beth Wenstrom - violin Kyle Miller, Jessica Troy - viola Ezra Seltzer - cello Paul Nemeth - bass Jeffrey Grossman - harpsichord
Program: Corelli Concerto Grosso in F Telemann Suite in A minor ---------- Bach Suite No. 2 in D minor Handel Concerto Grosso in G Vivaldi Concerto in D minor
Tickets may be purchased at the box office. Doors open at 7:00 PM.
The Lenten Violin Sonatas by Biber, Corelli, and Bach
Saturday, February 16 at 7:30 pm
Online ticket sales have ended. Tickets will be on sale at the door starting at 7 pm.
Bach and Forth Works by Bach and his Predecessors
Saturday, April 20 at 7:30 pm
Online sales for this event have ended.
Tickets will be available at the door starting at 7:00 PM.
Additional New York Appearances
Early Music America Baroque Performance Competition Finals Wednesday, October 10 at 7 pm Corpus Christi Church (529 West 121st Street) More info and tickets
Classical Portraits Symphonies by CPE Bach, Haydn, and Mozart Saturday, October 20 at 7:30 pm Liederkranz (6 East 87th Street) Presented by Salon/Sanctuary Concerts More info and tickets
The Vivaldi Project November TBA New York City More info
Our Lady II New works for countertenor and baroque strings inspired by Vivaldi’s Stabat Mater Friday, December 28 at 7:30 pm Trinity Church (Broadway at Wall Street) Presented by the Trinity Church Twelfth Night Festival 2012
Praised for their “well-thought-out articulation and phrasing” (Early Music Review) and “elegant string playing... immaculate in tuning and balance” (Early Music Today), the Sebastians specialize in music of the Baroque and Classical eras and newly commissioned works for period instruments. In addition to appearing in New York City as a finalist of the EMA Baroque Performance Competition and a semi-finalist of the Concert Artists Guild Victor Elmaleh Competition, they will start their own concert series this season as the resident ensemble at All Angels Church. The Sebastians also have been artists-in-residence at Emanuel Lutheran Church in Manchester, CT. They were finalists in the 2011 York International Early Music Competition and the 2011 Early Music America/Naxos Recording Competition. For the tricentennial of the publication of Antonio Vivaldi’s L’Estro Armonico, the Sebastians commissioned composer Robert Honstein to write a companion suite, which they premiered alongside Vivaldi’s work in December 2011. They were recently named the residence ensemble at All Angels’ Church in New York City. They participated in the Carnegie Hall Professional Training Workshop with L’Arpeggiata and performed at Music Matters at LaGrua Center in Stonington, CT, Friends of Music at Pequot Library in Southport, CT, Juilliard in Aiken in Aiken, SC., and in the Twelfth Night Festival and Concerts@One at Trinity Wall Street in New York City.


Combines the Best Elements of the P Bass and J Bass!
Fender's Vintage Hot Rod '70s Jazz Bass sets a powerful tonal foundation. You get the best elements of both the classic Jazz Bass and Precision Bass, packed into a sleek body complete with vintage-style appointments. You'll have fat, warm tone from the American Vintage '63 split single-coil Precision Bass pickup in the middle position, and midrange-rich tone from the '74 Jazz Bass single-coil at the bridge position. The Vintage Hot Rod '70s Jazz Bass gives you individual volume controls to blend the two to your taste. And with a compound-radius fretboard, you'll be grooving all over the neck of the Fender Vintage Hot Rod '70s Jazz Bass before you know it.Fender Vintage Hot Rod '70s Jazz Bass 4-string Electric Bass Guitar at a Glance:
- A classic bass gets a hot rod overhaul
- P Bass pickup delivers the driving sound of rock and metal
- J Bass pickup gives you snappy tone with rich midrange response
Leo Fender brought us the first Jazz Bass in 1960, and its offset-waist body, balanced design, and smooth-playing, narrow neck continue to set a standard for excellent playability and distinctive looks. Players from all genres have embraced this bass, and you can see it on stages everywhere and hear it in countless recordings. The Fender Vintage Hot Rod '70s Jazz Bass gives even more mojo by adding a P-Bass single-coil pickup, giving you more tonal range than ever before.P Bass pickup delivers the driving sound of rock and metal
When you think of fat, meaty, and hard-hitting, bass lines, you're probably thinking about the sound of a Fender Precision Bass. Thanks to its traditional split single-coil P Bass pickup, you can count on the Vintage Hot Rod '70s Jazz Bass to pump out dynamically intense and deeply satisfying bass tone. Whether you play with a pick or your fingers, you'll be impressed by the clear sound and serious sonic impact of your Vintage Hot Rod '70s Jazz Bass.J Bass pickup gives you snappy tone with rich midrange response
For incredibly punchy and midrange-rich tone you'll want to turn to the '74 Jazz Bass single-coil in the bridge position on your Vintage Hot Rod '70s Jazz Bass. Dial in as much or as little snap as you want with the bridge pickup's volume control, then blend to taste with the P Bass pickup in the middle position. Fine tune your sound with the master tone control, and you're ready to groove in almost any style with the Vintage Hot Rod '70s Jazz Bass.Fender Vintage Hot Rod '70s Jazz Bass 4-string Electric Bass Guitar Features:
- Classic Jazz Bass design with a powerful pickup combination
- P Bass pickup in the middle position gives you the definitive sound of hard-rock bass
- J Bass pickup at the bridge lets you dial in snappy, midrange-rich tone
- Compound-radius fretboard gives you a "just right" feel anywhere up and down the neck
- Comes with chrome pickup cover and thumb rest to add extra vintage vibe
- Vintage-style hard case included
The Fender Vintage Hot Rod '70s Jazz Bass combines two classic basses!
NOTE: This product is available in the United States only - no international sales.


A minimum quantity of 5 is required on this title.
This expressive a cappella ballad from the musical "Wicked" takes on deep and emotional meaning, with solo vocal lines and the full range of the choir. A powerful reminder of the importance of the friends...
The powerful closer from the landmark musical "Rent," this selection is a perfect graduation anthem or concert finale, with full harmonies and an emotion-filled message.
This item has been discontinued and we can only sell our remaining stock. Add to cart to check availability and for more information.
This 1967 pop hit by Frankie Valli and the Four Seasons takes center stage in the musical and film versions of "Jersey Boys." It's the sound that thrilled a generation, now a fantastic feature for choirs...
From "Something's Rotten," this is a splashy, tour-de-force production number to top them all! Your audience will have fun identifying all the snippets of top Broadway shows in the song, and your singers...
This item is temporarily unavailable from the supplier though we still may have stock. Add to cart to check availability and for more information.
One of pop's young rising stars Shawn Mendes lends his talents to the Disney Channel movie "Descendants" soundtrack with this uplifting song! You'll find yourself whistling along to the cheerful track with...
Sia's remake of this song from the 2014 movie soundtrack of "Annie," starring Quevenzhan Wallis, features an updated sound and current-day lyrics for today's audiences.
The stand-out single from Disney's "Frozen" has an epic feel and an unmistakable sense of wonderment and joy that will take your concert to new levels! Performed by Idina Menzel in the film, it is an...
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Guitar Lessons Setauket
String Sound Studios offers personalized, yet affordable Guitar Lessons Setauket. If you have always had the desire to play the guitar, but was unable to do so, now is your chance. You don’t have to sit in a group with kids, or try to keep up with others, in the comfort and privacy of your home, you can have Guitar Lessons Setauket.
It doesn’t matter how old you are, whether or not you are a beginner, or have a mobility disability. In the privacy and comfort of your own home, a professional music teacher will come to your home to teach you instruction, theory and composition. Guitar lessons are not just for kids.
However, if you have kids, or grandchildren that are interested in learning how to play the guitar, they too can have personalized instruction. String Sound Studio although located in East Setauket, has been providing at home instruction on all musical instruments for over 32 years. Their teachers are all college graduates and were music majors in college. They offer lessons in Nassau, Suffolk, Brooklyn and Queens. It doesn’t matter if you prefer jazz, rock, pop, classical or any other type of music. They offer Guitar Lessons Setauket on electric, acoustic or bass guitars.
For more information regarding String Sound Studios, their affordability, the fact that there is no contract to sign and you pay as you go, please simply click on the attached link https://www.stringsoundstudios.com/. String Sound Studios accepts checks and most major credit cards. Check your bucket list, if learning to play the guitar is on it, call String Sound Studios today at 631 476-9846.


The MF/FM has an on-board analog radio tuner, capable of locking into frequencies across the FM radio band. Mix any instrument with live radio signals, and tweak the voltage controlled oscillator for modulated madness and creativity.
The MF/FM accepts instrument to line-level input and the signal is passed through drive and mix circuits (for dry/wet balance). The VCO section features frequency and waveform knobs, all controllable with an expression pedal.
Moog President, Mike Adams told us, â€œThe MF/FM effect pushes the envelope on creative possibilities and puts musicians in a completely unique and spontaneous environment. Harnessing live radio signals means youâ€™ll be constantly swimming in uncharted waters. Moog customers are always experimenting, and we canâ€™t wait to hear what they do with this thing.â€�
Pricing and Availability:
The new MF/FM retails for $349 and begins shipping on April 1, 2007 (hmmm... they wouldn't be having a laugh here, would they?)
hmmmm, it's just about april 1st huh...
28-Mar-07 06:01 PM
If this was real - it would have a product number on it - MF-108 most likely. Although - it does make one wonder what the MF-106 is?!?
02-Apr-07 07:58 PM


Sony Corp. Thursday unveiled a new line of Walkmans capable of downloading digital music from the Internet.
Scheduled to hit the market this holiday season, the two new models will be accompanied by a host of enhanced features for CD and cassette Walkmans.
Sony (SNE) told Bloomberg it hopes the new generation of personal players will keep up
with the fast-changing recording technology, a vein MP3 (MPPP) has tapped by making more than 500,000 songs available for download on the Net.
The audio juggernaut believes such digital distribution in tandem with the tremendous popularity of the Walkman will make Sony a major player in the online music business.
The new Walkman has a “memory stick,” a small storage device that holds
data in digital form which can be plugged into many Sony products,
Both models and enhancements will be released Friday in New York to
coincide with the 20th anniversary of Sony’s offering of the Walkman to the public.
An analysis completed by Jupiter Communications estimates that music sold off the Net may accrue as much as $147 million in sales over the next four years.


Piano/Vocal/Guitar - SMP Level 5 (Intermediate)
Composed by Various. Piano/Vocal/Guitar Songbook. Christmas, Contemporary Christian and Sacred. Songbook (softcover). With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. 136 pages. Published by Hal Leonard (HL.310643).
Item Number: HL.310643
ISBN 0634019104. 9x12 inches.
20 songs as recorded by today's top Christian artists, including: Michael W. Smith (All Is Well) * Sandi Patty (Bethlehem Morning) * Amy Grant (Breath of Heaven) * Michael Card (Celebrate the Child) * Steven Curtis Chapman (Going Home for Christmas) * Avalon (Joy to the World) * Steve Green (Rose of Bethlehem) * 4Him (A Strange Way to Save the World) * Point of Grace (This Gift) * Scott Wesley Brown (This Little Child) * and more.
About SMP Level 5 (Intermediate)
Seventh chords and melodies in both hands. More difficult note reading with ledger lines above and below the staff.


RITA MONTANER – “Rita de Cuba” / Historical / Shipping & Handling included * 2 ITEMS MINIMUM FOR INTERNATIONAL ORDERS FROM USA. ONLY $8.00 FEE PER ADDITIONAL ITEM SHIPPED.
USED, EXCELLENT CONDITION! – 1 CD / Rita was one of the most versatile Cuban artists of all times: popular & opera singer, dramatic actress (movies & TV), pianist, comedian, etc. She sang at the Champ Elysee in Paris imitation the legendary Josephine Baker. This disc is a good example of her incomparable art. SHIPPING & HANDLING INCLUDED!


Introducing the SE McCarty 594 Singlecut Standard - a versatile, vintage-inspired guitar that brings together the perfect blend of classic and modern design. With dual volume and push/pull tone controls, this guitar can effortlessly deliver rich, authentic humbucking tones and nuanced, sweet single coils that every player desires.
Crafted with a beautiful all-mahogany body, this instrument brings a subtle aesthetic to the table while providing a rich midrange. The 58/15 LT “S” pickups were carefully designed to deliver warm, vintage-inspired tone with sweetness and clarity, and the Pattern Vintage neck with a slightly thicker back delivers excellent sustain.
The SE McCarty 594 Singlecut Standard is anchored by the PRS two-piece bridge and vintage-style tuners for unparalleled tuning stability. Designed to capture the essence of the McCarty family of instruments, this guitar is a true workhorse that can take you from the studio to the stage with ease.
Experience the perfect blend of classic and modern design with the SE McCarty 594 Singlecut Standard. It's the high-quality workhorse instrument you've been looking for.


This module has some fun songs and pieces that we can play in a lot of different ways. There are parts that suit those starting out on guitar and things that you can play when you have a bit more experience.
You can focus on just one part, or you can play each one in turn.
Where there is a video that accompanies each piece, you can slow it down by clicking on the gear/cog in the corner and adjusting the playback speed. Each video is short, aim for 3-5 repetitions of your part. When you know your part well you can switch parts.


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The great composers come alive again in this compact disc collection of over 60 of the most renowned and loved composers from the music's humble beginnings into modern times. All you love about your favorite Medieval, Baroque, Classical, Romantic, and Modern writers of the greatest classical works ever heard is included.
Each individual CD set contains the best known classical compositions in stereo quality digital recordings led and performed by renowned conductors and orchestras from around the world. The sound is amazing and will entertain and inspire you for years to come.
Each individual CD set consists of a hardbound booklet which contains the music discs and outlines the composer's life story.. their educations, their works, their failures and successes, you name it.. more than you ever wanted to know about your favorite composer, all designed in a colorful display of valuable information with photos, pictures, and illustrations.
Volume 1: Vivadi - Venetian Splendour
Antonio Lucio Vivaldi, an Italian composer, virtuoso violinist, and impresario of Baroque music, Vivaldi ranks amongst the most favored Baroque composers. His influence across Europe was widespread during his lifetime and continues to inspire musicians and admirers the world over.
Volume 2: Bach - Baroque Masterpieces
Johann Sebastian Bach, a German composer, conductor, and musician of the late Baroque period known for some of the greatest orchestral music, instrumental compositions, and keyboard and organ works such concertos, chorales, toccatas, fugues, and vocal music.


Now you can bring 47 tracks from The Elder Scrolls Online with you when you have to log out of Tamriel.
The official ESO soundtrack is now available on iTunes. Featuring 47 tracks, including Malukah’s “Beauty of Dawn,” you can hear the music of Tamriel even when you have to step away from the game. Purchase the album now for £14.99 and enjoy the inspiring music composed for ESO wherever you like.
For a preview of what you’ll hear, check out these excerpts from the soundtrack we’ve put together:


VIDEO: THE BODYGUARD - HEATHER HEADLEY SINGS "SO EMOTIONAL"
Tuesday 01 May 2012
Watch this new video of Heather Headley singing Whitney Houston classic "So Emotional". Heather Headley will star in the brand new musical The Bodyguard opening at the Adelphi Theatre in November.
A romantic thriller, The Bodyguard features a multitude of Whitney Houston's greatest hits, including Queen of the Night, So Emotional, One Moment in Time, Saving All My Love, I'm Your Baby Tonight, Run to You, I Have Nothing, How Will I Know, I Wanna Dance With Somebody and one of the greatest hit songs of all time - I Will Always Love You.
Book The Bodyguard tickets online now!
[Posted by Conan 01/05/2012]
Children, Classics, Cheap Theatre Tickets, West End Favourites, Hot Tickets, Drama, Contemporary, Best Of British, Star Power, Hen Night, Our Picks, Matinee Wednesdays, Matinee Saturday


Performing Arts Conservatory
Dance Concert Tickets
Tickets to our 2019 Dance Concert can be purchased at the door(Burke Theater ULL) for all three shows. Please arrive at least 30 mins early to purchase ticket.
835 B W. Gloria Switch Rd.
Lafayette, La 70507
All photos on our website are of our F.E Conservatory students


Saxophone choir - Grade 4
Composed by Vasile Kalinnikov. Arranged by Gary Bricault. Duration 11 minutes, 16 seconds. Published by BRS Music (BY.WW-522).
Movement IV from the Kalinnikov Symphony for Saxophone Choir. Sopranino, 2 soprano, 4 alto, 2 tenor, 2 baritone, bass sax and optional timpani and triangle. A great feature for your group.


Students will work on Contemporary dance technique and creative dance activities in this popular workshop.
DATES: Monday 24th - Friday 27th August
AGE GROUPS: Ages 10+
PRICE: £120 full week or £30 per day
Students should bring a light snack NLPAC is a nut free zone
Children should wear comfortable clothing suitable for dancing.
Contemporary Dance - Full Week
Ticket pour toute la série d'événements - pour toutes les 5 dates.
Full Course - Monday to Friday
Contemporary Dance - Single Day
Please select each day your child wishes to attend.


Scriabin, Alexander - Andante for String Orchestra
Sheet music for String orchestra
Arrangements of this piece also available for:
Sorry, no other versions of this piece are currently available.
Request New Version
About 'Andante for String Orchestra'
January 6, 1872 , Moscow
April 27, 1915 , Moscow
Alexander Nikolayevich Scriabin was a Russian composer and pianist.
Number of Pages:
Intermediate Level: Recommended for Intermediate Level players
Robby Raney IV


Mahler’s Fifth Symphony
The Charleston Symphony Orchestra caps its celebratory 80th season April 21 – 22 at the Charleston Gaillard Center with a tribute to two composers’ responses to revolution, freedom and individuality. Hailed by conductors, musicians and audiences alike as a transformative experience, Mahler’s gigantic Symphony No. 5 is regarded as the ultimate test of the experience and breadth of an orchestra. Pianist and Charleston native Micah McLaurin joins the CSO for a performance of Mozart’s Concerto for Piano No. 20, the great composer’s most popular concerto with rich orchestration, stormy outbursts and turbulent contrasts. Tickets $25-$79.


Our Review Rating System
We employ a 5-star rating system for all the AI tools we review to give you a comprehensive idea of the overall utility of each tool.
- Five stars: Editor’s choice
- Four stars: An excellent choice
- Three stars: Meets some of our standards
- Two stars: Doesn’t meet our standards
- One star: Not recommended
Our team of experts has awarded this AI tool an overall rating of four stars because Moises offers excellent resources to those interested in creating good-quality music.
What is Moises?
The Moises App is a music practice tool that harnesses the power of AI to provide musicians with a range of innovative features. It allows users to separate vocals and individual tracks from a particular song, adjust speed, change pitch, and even generate metronome counts. All of this is wrapped up in a seamless and user-friendly experience, making it a valuable resource for musicians looking to enhance their practice sessions.
How the Moises App Works
The core functionality of the Moises App is rooted in AI-powered audio separation. Users can isolate vocals, drums, guitar, bass, and backing tracks with a simple click.
The Smart Metronome feature sets it apart as the world's first of its kind, generating metronome counts in sync with your selected song.
The Audio Speed Changer allows you to slow down or speed up any track, while the Pitch Changer empowers you to control the music key with a single click. Moises also incorporates AI Key Detection, chord detection, and precise identification of song sections, making it an all-encompassing practice tool.
The Moises App boasts an impressive array of key features that cater to musicians, music enthusiasts, and creative minds looking to enhance their musical experience. Here are the ones we found to be really fun and valuable:
Song Sections: Moises' Sections feature is a game-changer for practice. It identifies and separates crucial parts of a song, such as the intro, verse, chorus, drum tracks, and bridge. When we tested this feature, we were impressed with how effortlessly it identified each part of the song, always with accuracy. Such track separation allows musicians to focus their practice on specific song sections with precision.
Song Key Finder: Struggling to identify a song's key? Moises' Song Key Finder swiftly and accurately determines the key for you, simplifying the process of learning and performing songs in your preferred key.
BPM Finder: Moises employs cutting-edge technology to help users tap into the unique cadence of any song flawlessly. The BPM Finder ensures that you can practice and perform with perfect timing.
AI Lyrics Transcription: This AI-driven feature transforms songwriting and vocal practice. It accurately transcribes lyrics in multiple languages and syncs them precisely to the music, simplifying the process of exploring and practicing songs. We had a go with this feature and liked how accurate the transcriptions were throughout many different genres and languages.
Lyric Writer: For those looking to express their creativity, Moises' Lyric Writer is the ultimate sidekick. It offers tailored line and rhyme suggestions for your ideas, going beyond a rigid AI lyric generator. When we tried this feature out, we surprised ourselves with the quality of the content the lyric writer helped us generate, even as first-time songwriters! This feature keeps your inspiration flowing and assists you in crafting unique lyrics.
Chord Finder: Enhance your musical knowledge and playing experience with Chord Detection. This intuitive feature identifies chords in real-time in any song, simplifying the process of learning, practicing, and creating new arrangements.
Pitch Changer: Customize your audio effortlessly with the Pitch Changer feature. You can shift the pitch if the original key of the song is not a good match with your vocal range. We were impressed with how smooth and natural songs sounded even after being shifted in pitch.
Metronome Online: Moises introduces the world's first Smart Metronome online. Boost your practice by setting the BPM, time signature, and accents for a personalized beat. You will be able to instantly generate click tracks that are in sync with any song.
Vocal Remover: Experience Moises' vocal remover feature, which effortlessly separates vocals from a song, allowing you to create stunning instrumental tracks with ease. We tested this feature on several tracks and were wowed by how good the resulting instrumental tracks sounded, as the software left behind no trace that there had originally been a vocal track there at all. This feature is a boon for musicians and producers looking to craft unique arrangements.
Who Can Benefit from Moises
- Music Teachers: Moises is an ideal tool for music educators. It simplifies the learning and practice of music for students, making it more accessible, quicker, and enjoyable. Teachers can use the app to enhance their teaching methods, offering students an innovative and engaging experience.
- Producers and DJs: Moises offers a valuable resource for music producers and DJs, regardless of their experience level. It provides music-making software that is both beginner-friendly and equipped with features that professionals can appreciate. This makes music creation, editing, and production more accessible and efficient.
- Guitarists: Guitarists can benefit from Moises by performing with their favorite artists and creating their own arrangements. The app's ability to generate guitar backing tracks using AI simplifies the process of crafting custom arrangements. This feature can be a boon for both practicing and performing guitarists.
- Bassists: Utilizing the power of artificial intelligence, Moises allows bassists to create bass backing tracks with ease. Additionally, they can change the key of a song and control its speed, providing an immersive and versatile experience for musicians, producers, and enthusiasts specializing in bass.
- Singers: The Moises App offers a valuable tool for singers looking to enhance their vocal skills. It enables users to isolate or remove vocals from songs, sing along with transcribed lyrics, and even change the key of a song. This versatility empowers singers to improve their vocal abilities and enjoy singing with their favorite artists.
- Drummers: For drummers, the Moises App provides a distraction-free environment to play along with their favourite songs and artists. The inclusion of the Smart Metronome feature ensures that drummers can synchronize their performance with drumless tracks and click tracks seamlessly, whether they are playing along with studio recordings or recordings of live gigs.
The Moises App offers a dual-tier pricing structure. It starts with a free version that provides access to a wide range of features and allows you to discover its potential.
For those looking for unlimited access and greater control, a Premium subscription is available at a competitive price of $3.99 per month. Premium users of Moises AI can upload unlimited tracks and explore the premium features of the platform. You will also be able to download track stems as WAV files.
Pros and Cons
Here are the benefits of Moises AI, as well as some limitations we believe you should be aware of:
Powerful AI Features: Moises provides a comprehensive set of AI-driven tools for musicians, offering powerful capabilities for practice and music manipulation.
User-Friendly: The app is easy to use, with a straightforward interface that allows musicians to quickly access the features they need.
Affordable Premium Subscription: The Premium version, priced at $3.99 per month, offers fantastic value for the features it unlocks.
Accessible from Any Device: Moises runs on cloud servers, eliminating the need for specialized hardware. You can simply download Moises on your mobile or use it on desktop devices.
Sharing and Collaboration: The app enables musicians to share their performances and covers on social media, facilitating collaboration and exposure.
Occasional Separation Issues: While Moises generally works well, some users have reported difficulties in separating certain instruments, like organs and horns from electric guitars.
Inconsistent Results: Users have found occasional inconsistencies, such as keyboard and horn tracks being incorrectly placed in the guitar track.
Limited Wind Instrument Support: The app currently lacks support for wind instruments, which could be a valuable addition for a broader user base.
Alternatives to Moises
While the Moises App offers an array of powerful features for music enthusiasts, there are also other apps available that cater to similar needs.
Our team tested and reviewed other sites and tools that provide different approaches to audio source separation and music manipulation:
Description: Spleeter is an audio source separation library written in Python that utilizes TensorFlow. It is an easy-to-train source separation model that offers both pre-trained and customizable models for various separation tasks.
Notable Features: Spleeter is the most popular alternative for Windows, Mac, and Linux users. It is also open-source and free.
Description: LALAL.AI is a web-based service that employs machine-learning algorithms to accurately extract vocal and instrumental tracks from music. It offers an efficient way to create karaoke versions or acapella tracks.
Notable Features: LALAL.AI is the go-to web-based alternative to Moises App for those looking for online audio separation solutions.
Description: Mutedrums is a mobile app available for Android, iPhone, and iPad users. It simplifies the creation of drumless tracks from your device's music library or YouTube. It's designed for those who mostly play drums and allows them to create play-alongs and practice their drumming skills.
Notable Features: Mutedrums offers an MP3 downloader, is ad-free, and does not require registration for most of its features.
Description: StemRoller is an online tool that allows users to generate instrumental (karaoke) or acapella versions of songs from YouTube. It also provides the option to isolate drum or bass stems from other tracks, offering versatile audio manipulation capabilities.
Notable Features: StemRoller is ad-free and doesn't require registration for most features, and it is also helpful for removing vocals and audio track splitting.
Our team has found that the Moises App is a great application for musicians, offering a diverse range of features, from AI audio separation to metronome generation.
While it has some minor imperfections in instrument separation, its potential is significant. The app's low-cost Premium subscription makes it accessible to musicians of all levels, and its user-friendly interface ensures that musicians can focus on their craft without the hassle of juggling multiple applications.
If Moises continues to improve and expand its instrument separation capabilities, it has the potential to become an indispensable resource for musicians of all genres.
How We Tested Moises
When reviewing the Moises App, we thoroughly assessed its performance and capabilities using a set of key criteria to provide an objective evaluation of the tool. Here are the four to five criteria we employed and our opinions on each:
Audio Separation Accuracy:
We rigorously tested Moises' ability to accurately separate vocals and individual instruments from various songs. The AI-driven audio separation is impressive, but it occasionally exhibits minor inconsistencies, especially when dealing with complex instrumentations. Our tests revealed some challenges with specific instrument combinations. In certain scenarios, it struggled to cleanly separate instruments like organs and horns from electric guitars, which may require improvement.
Moises is exceptionally user-friendly, with an intuitive interface that allows users to navigate and access its features with ease. It's a tool that can be embraced by both beginners and experienced musicians.
Moises impressed us with its extensive feature set, including key detection, chord detection, pitch changing, and lyrics transcription. These features enhance its value as an all-in-one practice and creativity tool for musicians.
Performance Across Platforms:
We tested Moises on various platforms, including desktop and mobile devices. It seamlessly delivered the same powerful performance and functionality, with the added convenience of cloud-based processing.


Children's Birthday Party on Nov 17th, 2018 with 20 guests
I'm not sure yet
No, the talent is responsible for all
Age range of audience
17 or younger
Mother Goose songs
No equipment needed and no set-up and break down... just bring instrument and play music and interact with toddlers.
Mother Goose themed... so songs like Wheels on the Bus, 5 Little Ducks, and 5 Little Monkeys, etc...
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Children's Music in Mesquite, TX
Oh man, you have been asked to do what may seem impossible - find entertainment to capture a large number of children's attention and keep them entertained. Well you're on the right track since you're at GigSalad! Childrens' musicians and bands often infuse stories, special voices, music, and sounds into their performance to engage children with the diversity of their show. With these fine folks singin' and strummin' a guitar, those kids will be singing along, dancing, and having a ball! So book a children's musician today! Search for Children's Music in Mesquite, Texas above.
Please note that these Children's Music may also travel to Sunnyvale, Seagoville, Forney, Heath, Hutchins, Oak Cliff, Highland Park, Wilmer, Combine, Sachse, Crandall, Ferris, Fate, Murphy, Addison, Royse City, Farmers Branch, Parker, Lavon, Glenn Heights, Red Oak, Ovilla, Scurry, and Kaufman.


ToneConcepts Inc. is pleased to announce a Special Edition of Steve Lukather’s signature pedal, “The Luke”, developed in collaboration with one of the world’s most respected guitar players. “The Luke” is the first pedal in our upcoming ICON series of signature pedals developed with the world’s foremost guitarists.
This Special Edition ships with Ernie Ball RPS 9 Strings, exclusive Steve Lukather “The LUKE” Signature Guitar Picks, The LUKE stickers and is built to order. Hurry, only 25 units are available and only 500 Guitar Picks have been produced.
Background: Designing Luke’s Signature Pedal
Steve Lukather was an early tester of ToneConcepts’ award-winning pedal, “The Distillery”, which quickly became an essential component of his sound and earned a permanent place on his pedalboard.
The sound wizards at ToneConcepts blew me away with “The Distillery”, so I went straight to them to develop an enhanced version for my first-ever custom pedal
“The Luke” is an innovative and musical tone-shaping preamp boost with unparalleled power, transparency and tonal flexibility that takes any guitar and amp combination to the next level of musical bliss.
The Luke is my secret weapon that helps me sound great onstage and in the studio. And it will do the same for you
Extensively tested by Lukather, “The Luke” features hand selected components for an open and refined sound. The new pedal also features an improved control layout with custom pot tapers resulting in improved control, fine tuning and usability whether you’re playing in a garage or a stadium. “The Luke” is housed in an octagonal pedalboard-friendly roadworthy case that features a unique cartoon by ‘Astro’. From subtle enhancements to drastic tonal changes, “The Luke” unleashes your guitar’s range of possibilities.
Learn more and get yours here: Steve Lukather’s Signature Pedal
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