US 7179977 B1
A mouthpiece for a brass wind musical instrument is composed solely of a colored polymer material. Its size and shape may be determined by computer coordinate measurements from a conventional metal mouthpiece. The color is chosen to suit the particular purpose of the musician playing the instrument, such as to match the uniforms of a marching band. The mouthpiece is fabricated by injection molding to substantially the desired size and shape. A secondary machining process removes imperfections such as flashings and gate blushes. Alternately, a blank may be injected molded, and the blank machined in a primary machining operation to the desired size, shape, and surface texture. The mouthpiece may also be manufactured by machining a bar of polymer material. The mouthpiece functions in the identical manner as prior metal mouthpieces, but it is much more comfortable to play in cold and hot environments, and it is less costly and more rugged than metal mouthpieces.
1. A polymer musical instrument mouthpiece bounded by a first outer periphery and a first aperture that extend between a rim face and a shank end and that each have a first predetermined size and shape, the mouthpiece being fabricated by molding a mixture of polymer material and a selected colorant material into a blank having a second outer periphery and a second aperture each having a second predetermined size and shape, and by performing a primary machining operation on the blank second outer periphery and second aperture to produce the first outer periphery and the first aperture each of the first predetermined size and shape.
2. The polymer musical instrument mouthpiece of
3. The polymer musical instrument mouthpiece of
4. The polymer musical instrument mouthpiece of
1. Field of the Invention
This invention pertains to musical instruments, and more particularly to mouthpieces for brass wind musical instruments.
2. Description of the Prior Art
Various kinds of brass wind musical instruments have been in existence for centuries. They range in size from small cornets to large euphoniums and tubas. Brass wind musical instruments are invariably made from brass material. They may be coated with clear lacquer, in which case the instrument retains its brass color. Some instruments are plated with gold or silver. The different brass instruments produce different notes along the musical scale, as well as different overtones peculiar to the particular instrument.
Every brass wind musical instrument requires an appropriate mouthpiece. The mouthpiece fits into the instrument receiver or leadpipe. The musician presses his lips against the mouthpiece. By properly positioning his embouchure and blowing into the mouthpiece, the lips vibrate. The blown air causes lip vibrations that are transferred via the mouthpiece to the instrument, which produces sounds characteristic of that instrument.
Mouthpieces for brass wind musical instruments are usually made as a single component that is annular in shape and symmetrical about a longitudinal axis. Typical prior mouthpieces may be seen in U.S. Pat. No. 5,969,280 and Des. 358,161. However, multi-component mouthpieces are also known, as is illustrated in U.S. Pat. No. 4,395,933. U.S. Pat. No. 5,353,673 shows a mouthpiece that is asymmetrical about a longitudinal axis.
The DEG Company of Lake Geneva, Wis., manufactures a two-piece musical mouthpiece that has a plastic cup and a metal shank. The surface finish of the cup, which was usually a nylon or Delrin material, was relatively rough compared with metal mouthpiece cups. That disadvantage, plus the expense of manufacturing and assembling two components, limited the popularity of the prior two-material mouthpiece.
Prior brass wind musical mouthpieces were almost always machined from brass and then plated with gold or silver. In addition to being heavy and expensive, the prior metal mouthpieces, especially those with silver plating, could not be used by persons who were allergic to the particular metal.
Another important characteristic of prior mouthpieces was that whatever the material, their colors were generally the same as the color of the instruments, i.e., gold or silver. The mouthpieces thus tended to blend into the instruments.
A common problem with prior metal mouthpieces was that they were susceptible to damage from rough usage. For example, dropping a metal mouthpiece shank on a hard surface required repairs to remove the resulting dents. If a prior metal mouthpiece were dropped on the rim face, the plating was invariably scratched or chipped. Again, the mouthpiece had to undergo expensive replating and repolishing. The cost of repairing a damaged metal mouthpiece was high in relation to its original cost.
U.S. Pat. No. 4,658,697 describes a training mouthpiece for brass wind musical instruments. The mouthpiece of the U.S. Pat. No. 4,658,697 patent has a transparent wall for viewing the musician's lips. The wall has a constant thickness so as to minimize visual distortion. Although suitable for teaching beginning students, the functional shape of the mouthpiece of the U.S. Pat. No. 4,658,697 patent made it impractical for use by advanced musicians.
Despite the wide variety of mouthpieces currently available for brass wind musical instruments, there nevertheless remains room for further developments to them.
In accordance with the present invention, a comfortable and inexpensive mouthpiece for a brass wind musical instrument is made from a colored polymer material. This is accomplished by molding appropriate quantities of the polymer material and a colorant into a shape suitable as a mouthpiece for a particular conventional musical instrument. A preferred polymer material is polycarbonate.
The dimensional characteristics of the mouthpiece of the invention may be substantially identical to those of conventional prior metal mouthpieces. As a result, from the standpoint of producing musical sounds, the mouthpiece of the invention performs in the same manner as a conventional mouthpiece. On the other hand, the polycarbonate material renders the mouthpiece more comfortable to use than prior metal mouthpieces. Part of the increased comfort comes from the relative softness of the polycarbonate material compared with metal. In addition, the thermal conductivity of polycarbonate is much less than that of metal, thereby rendering the polycarbonate mouthpiece much more comfortable to play in cold or hot environments. The polycarbonate material renders the mouthpiece of the invention practically impervious to damage.
The colorant is chosen to suit an appearance desired by the musician who plays the musical instrument. According to one aspect of the invention, the mouthpiece color contrasts with the color of the instrument. For example, almost all brass wind musical instruments are either brass, gold, or silver in color. To provide distinction to the mouthpiece, and hence to the entire instrument, the musician may choose his mouthpiece to be a color such as red, green, blue, white, or practically any other color that contrasts with brass, gold, and silver. In that manner, the mouthpiece is custom made, and it provides individuality to the musician and his instrument. For example, the color may be chosen to match the color of the uniforms of a marching band. The function of the mouthpiece thus expands from being merely a utilitarian item used solely for producing music to an insignia that identifies the musician and his instrument.
The desireable comfort, cost, and ruggedness properties of the mouthpiece of the invention are independent of its color. Accordingly, a musician who uses a mouthpiece of gold or silver color that blends in with his instrument still obtains the benefits of the other mouthpiece characteristics.
To manufacture the mouthpiece of the invention, molds suitable for the plastic injection molding process are prepared. The proper quantities of polycarbonate material and desired colorant are mixed. Depending on the amount and type of colorant, the finished mouthpiece may be transparent or opaque. The injection molding process may be conventional. Typically, dry pellets of polycarbonate material are heated to the liquid state. The liquid is injected into mold cavities and allowed to cool to a solid state. The solid but incomplete mouthpiece is then removed from the molds.
At the end of the molding process, a secondary machining process is performed on the mouthpiece. The secondary machining removes minor imperfections such as flashings and gate blushes that are typically on the mouthpiece when it is removed from the molds. The secondary machining may include a polishing operation. After the secondary machining process, the mouthpiece is ready to use. That is, the mouthpiece is ready for insertion into the appropriate musical instrument and played in the usual way. However, the colored mouthpiece gives a distinct appearance to the instrument that is unique and that draws favorable attention to the musician and his instrument.
Further in accordance with the present invention, the colored polymer mouthpiece may be molded as a blank. The blank is machined by a primary machining operation to the exact contours and surface texture desired for the finished mouthpiece. In that manner, a single mold can be used to make a variety of different custom mouthpieces.
It is a further feature of the invention that the mouthpiece may be manufactured from a commercially available bar of polymer material. The bar is machined by known machining operations into the desired size and shape. In that way, the need for molding a mouthpiece or a blank is eliminated.
The method and apparatus of the invention, using a colorant with a polymer material, thus provides a comfortable and colored mouthpiece for a brass wind musical instrument. The mouthpiece enhances the individuality of both the musician and his instrument, even though the response of the mouthpiece is substantially identical to that of prior metal mouthpieces having the same size and shape.
Other advantages, benefits, and features of the present invention will become apparent to those skilled in the art upon reading the detailed description of the invention.
Although the disclosure hereof is detailed and exact to enable those skilled in the art to practice the invention, the physical embodiments herein disclosed merely exemplify the invention, which may be embodied in other specific structure. The scope of the invention is defined in the claims appended hereto.
In accordance with the present invention, the mouthpiece 3 is made entirely from a polymer material. Because of its dimensional stability and wear resistance, a preferred polymer material is a polycarbonate plastic material such as is marketed by General Electric Company under the trademark Lean. It is a further feature of the invention that the polycarbonate material includes a colorant that imparts a desired color to the finished colored polymer mouthpiece.
The colored polymer musical instrument mouthpiece 3 is manufactured in a multi-step process that includes determining the exact desired contours of the outer periphery 8 and the aperture 10. The contours of the cup section of the aperture, including the cup depth D and cup diameter C, may be determined on a computer coordinate measuring machine from a prior metal mouthpiece. Similarly, the dimensional characteristics of the throat 21 and backbore 23 may be determined by computer coordinate measuring. A prototype mouthpiece is tested by professional musicians and revised if necessary until the desired result is achieved.
After the dimensions of the desired colored polymer musical instrument mouthpiece 3 have been determined, complementary steel molds having appropriate cavities and cores are prepared that are suitable for an injection molding machine. Pellets of clear polycarbonate material are loaded into the molding machine and heated to a molten state, as is well known to persons skilled in the art. The liquid material is injected into the molds and cooled. When the molds open, a mouthpiece is ejected.
It is an important feature of the invention that colored polycarbonate pellets are included with the clear pellets. The particular colored pellets and their quantity in relation to the clear pellets can be varied to suit the particular requirements at hand. For example, a ratio of 20 to one of clear to red pellets produces a brilliant cardinal red mouthpiece. Typical other colors are orange, yellow, green, blue, purple, gold, and silver. The colors may be either transparent or opaque, depending on the particular mixture of pellets. Of course, if desired, no colored pellets need be used, in which case the mouthpiece is transparent and colorless.
At the end of the molding process, the mouthpiece 3 usually emerges from the injection molding machine with certain minor imperfections in the surface texture that are inherent in the molding process. For example, there may be very small rings of flashing or gate blushes on the mouthpiece surface. To complete the mouthpiece, a secondary machining process is employed to remove the imperfections. The secondary machining process, which may include polishing and buffing, removes the flashings and gate blushes. One suitable secondary machining process is gripping the mouthpiece aperture 10 over a rotating mandrel and hand polishing the outer periphery with a grit-impregnated cloth. At the end of the secondary machining process, the colored polymer musical mouthpiece 3 has a completely smooth surface texture and is ready for use. If desired, identifying indicia may be hot stamped or otherwise applied to a selected surface of the mouthpiece.
The colored polymer musical mouthpiece 3 possesses several unique characteristics that render it superior to traditional metal mouthpieces. The polycarbonate material is softer than metal, so a musician finds the mouthpiece of the invention to be more comfortable on his lips. A very important advantage is that the polycarbonate material has a lower coefficient of thermal conductivity than metal. Consequently, the mouthpiece of the invention is more comfortable to play in cold or hot environments. Another advantage concerns cost. Depending on the size, the mouthpiece of the invention costs only about one-third to one-half of comparable metal mouthpieces.
A further benefit of the mouthpiece 3 is that it is practically impervious to damage from rough usage. The resiliency of the polycarbonate material greatly reduces the probability of denting or nicking either the shank 5 or the rim face 15, when, for instance, the mouthpiece is dropped on a hard surface.
An outstanding advantage of the invention is that the mouthpiece 3 exhibits a custom color to suit the preference of the musician using it. For instance, members of a marching band may want their mouthpieces to match the color of their uniforms. In that situation, the band members present a contrasting color scheme consisting of the natural brass or silver color of their instruments plus the color of the uniforms and mouthpieces. The custom coloration is easily achieved by mixing the proper ratio of clear to colored polycarbonate pellets at the start of the injection molding process as discussed above. In that manner, a musician's mouthpiece functions not only to produce musical sounds, but also to express solidarity with the rest of the band. On the other hand, in some instances a musician may want to merely express his individuality by choosing a favorite color for the mouthpiece that does not correlate with any other particular color. Another popular use for the present invention is to correlate the mouthpiece color with a particular event or celebration. For instance, red, white, and blue mouthpieces can be used by different members of a band marching in a Fourth Of July parade. Green and red mouthpieces may be used for a Christmas concert.
In some instances, a musician may want the mouthpiece 3 to blend in with his instrument. In those situations, the musician will use a gold or silver mouthpiece. The other benefits of the mouthpiece such as low cost, durability, and comfort remain available to the musician, because they are independent of the mouthpiece color.
Further in accordance with the present invention, the injection molding machine molds for the mouthpiece need not be prepared so as to produce a mouthpiece that is complete except for the secondary machining process described above that removes flashings and gate blushes. Instead, the molds may be prepared to produce a blank 25 as is shown in
The blank 25 is finished to the desired size and shape of the final mouthpiece 3′ of
In summary, the results and advantages of brass wind musical instruments can now be more fully realized. The colored polymer mouthpiece provides both the ability to produce musical sounds in conjunction with an instrument as well as to combine comfort with custom color exhibition. This desirable result comes from using the polycarbonate material for the mouthpiece. The polycarbonate mouthpiece is softer to the lips of a player than a metal mouthpiece, and the polycarbonate material has a smoother surface than prior nylon or Delrin mouthpieces. The mouthpiece is much less susceptible to damage from rough handling than traditional metal mouthpieces. The mouthpiece is produced in a wide variety of colors to suit either individual preferences or to match the colors of uniforms of a marching band or the like. The mouthpiece may be produced by an injection molding process that produces substantially the final size and shape followed by a secondary machining process. Alternately, the mouthpiece may be produced by injection molding a blank and then performing a primary machining operation on the blank to the final size and shape, or by machining the mouthpiece from a piece of polymer barstock.
It will also be recognized that in addition to the superior performance of the mouthpiece of the invention, its construction is such as to be much less costly than traditional mouthpieces. Also, because the polycarbonate material is practically impervious to moisture, fading, and denting, the need for careful handling is eliminated.
Thus, it is apparent that there has been provided, in accordance with the invention, a colored polymer musical instrument mouthpiece that fully satisfies the aims and advantages set forth above. While the invention has been described in conjunction with specific embodiments thereof, it is evident that many alternatives, modifications, and variations will be apparent to those skilled in the art in light of the foregoing description. Accordingly, it is intended to embrace all such alternatives, modifications, and variations as fall within the spirit and broad scope of the appended claims.


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UNC Symphony Band & UNC Wind Ensemble | SBC Series
October 5, 2021 @ 7:30 pm$10
UNC Symphony Band, directed by Erin Cooper
UNC Wind Ensemble, directed by Evan Feldman
Peck | Cave of the Winds
Boysen | Conversations with the Night
Maslanka | Illumination
Aldridge, ed. Kaitlin Bove | On Parade
UNC Symphony Band
Alarcon | Pequena Suite para Banda
Work | Autumn Walk
Day | Havana
UNC Wind Ensemble
View the full PDF program here.
$10 general admission, $5 students & UNC faculty/staff
Live stream registrations are available for $5, free for music students/faculty/staff. To register for the live stream of this concert, click here.
This performance is part of the Scholarship Benefit Concert series. Tickets for this event are sold through the Memorial Hall box office. Please note: Memorial Hall ticket purchases (online, by phone, and at the box office) incur a 6.5% processing fee per order and NC Sales Tax. Tickets are available at the door and in advance. Call (919) 843-3333 or email email@example.com for more information.
- October 5, 2021
- Event Categories:
- Concert, Frontpage Sidebar Feature, Scholarship Benefit Series
- Memorial Hall
114 E. Cameron Ave
Chapel Hill, NC 27599 United States
“Las Magníficas” | Core EnsembleMarch 29 @ 7:00 pm
A Celebration of Annegret Fauser’s Retirement and BirthdayApril 1 @ 8:45 am - 7:00 pm
UNC Glee Club | SBC 22-23April 2 @ 7:30 pm
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Get ready to experience the incredible atmosphere, colourful visuals, and, of course, the best-loved dance moved from the game LIVE onstage – book your tickets to see the Just Dance Live show at the Hollywood Palladium on Saturday March 31st!


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Anthophobic Records is proud to bring you a variety of musical styles from different artists connected to us. Find below links to stream or purchase any of our music or the music of bands we're affiliated with. All proceeds go back into the arts and the creation and expansion of new musical ideas.
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Boss GT-001 Table Top Guitar Effects Processor
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This album includes songs that are all responsible for revolutionizing traditional Eritrean music, with innovative use of amplified kirar, electric guitar and horns – as thoroughly outlined in the accompanying 6-page booklet. It also contains the first Eritrean songs to ever use a horn section!
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Someone to Watch Over Me
By George Gershwin and Ira Gershwin / arr. Dave Wolpe
Vocal Solo with Jazz Ensemble Conductor Score &...
Grade: 4 (Medium Advan...
A Salute to Glenn Miller
Arr. Jeff Hest
Jazz Ensemble Conductor Score & Parts
It Don't Mean a Thing (If It Ain't Got That Swing)
By Duke Ellington and Irving Mills / arr. Mike Carubia
When I Fall in Love
Words by Edward Heyman, music by Victor Young / arr. Alan Baylock
By George Gershwin / arr. Dave Wolpe
As Time Goes By
By Herman Hupfeld / arr. Mike Carubia
By Billy Strayhorn, Duke Ellington and Johnny Mercer / arr. Mike Carubia
A Foggy Day
A Salute to Benny Goodman
Transcr. and adapted by Jeff Hest
Summertime (from Porgy and Bess®)
By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin / arr. ...
You and the Night and the Music
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Students at EPA are required to wear appropriate attire for all classes. The dress code is as follows:
Ladies: Black leotard, convertible pink tights, pink ballet slippers (leather preferred) or pointe shoes. A black or pink ballet skirt may be worn for pointe. Dancers may wear jazz shoes or foot thongs for any non-ballet class. Dancers may wear black shorts for any non-ballet classes.
Gentleman: A white or black t-shirt, black tights or black shorts (cut above the knee), a dance belt, black socks and black ballet slippers (leather preferred). Dancers may wear jazz shoes or foot thongs for any non-ballet class.
Hair must be secured out of the face at all times in a neat bun or similar style. Floppy/messy buns are not acceptable. Small, non-dangling earrings may be worn. No other jewelry is allowed (including long earrings, bracelets, necklaces and watches) as they can be dangerous. Dancers should never wear dance shoes outside of the studio, as this tracks dirt into the studio and is detrimental to the marley floors, as well as dangerous for the students. All dress code requirements are mandatory in every class and rehearsal for level at EPA. Parents are responsible for making sure their dancer meets proper dress code when dropping them off for class.


The perfect way to create an energetic resonance at your event. The versatility of our percusion players allows them to play to almost any genre of up-tempo music such as dance, funky-house, latin or bhangra to name a few. The percussion sound created will add depth to any DJ set and the drumbeats really do get your feet bouncing.
Our percussion players can add a quirky upbeat addition to any occasion from festivals, weddings, corporate events, live shows, or any type of party taking place. Pair your bongo player with an experienced saxophonist to create the ultimate live stage set. Hire one of our percussion players or bongo-sax duo to create an energetic and feel good atmosphere.


A delicate Lied sensitively set for two-part or three-part voices. The piano accompaniment is especially beautiful and appropriate for this masterwork from the Romantic era. Teaching opportunities abound to
A minimum quantity of 5 is required on this title.
Male voices take the leading role in this mixed-voice arrangement of the tender and well-loved solo piece attributed to Caccini and usually sung to Ave Maria. With long lines, a colorful
Every part has a chance to sing the simple melody in this flexible arrangement of the classic canon. Designed to be an a cappella selection, it also includes a piano part that is a real accompaniment, not
This authentically constructed arrangement of the Schubert masterwork features reasonable ranges and accessible reading for young developing singers. German and English lyrics are both included in the score
This familiar aria from the opera Rodelinda is a fine choice for developing choirs. With lyrics expressing the calming, healing, and joyous powers of music, it can be performed for a variety of occasions. A
Now available in a TTBB voicing, this authentic arrangement of the classic motet gives men's and mixed choirs the opportunity to perform this important piece by one of the most important composers of the
Arranged for tenor-bass ensembles, this important selection from the standard choral repertoire can be experienced and enjoyed by a new audience. True to Pitoni's original, Leavitt preserves the classic
One of the most recognizable pieces in vocal standard repertoire is brought to the tenor-bass choral world in this new adaptation of an old favorite. The original setting and melody is preserved for
From Purcell's "Birthday Ode for Queen Mary," which also includes other well-known odes, such as Sound the Trumpet and Strike the Viol, this setting of Come, Ye Sons of Art has
This stately and elegant setting of Purcell's masterwork from Birthday Ode for Queen Mary is adapted specifically for developing choirs. With vocal ranges that work well for young singers, the
Schubert lied with Heine text arranged for choral voices. True to the original, with German text and English translation given within the score.
One of Schubert's early works, penned in 1816 while he was only 19, this work hearkens back to an earlier time. The running eighth notes in the piano accompaniment with triadic harmonies in the upper hand
This modern performance edition of Aiblinger's De Profundis is based on a hand-copied score found in Dresden, Germany and adheres closely to the original source. Mixed ensembles of all sizes will
Schubert lied with text from Muller arranged for treble or tenor-bass choirs. True to the original, with German text and English translation provided in the score.
This arrangement provides a wonderful first step into singing masterworks. Optional flute and cello parts are available to enhance the well-written vocal parts. The piece is sung in Latin, with a
This well-written arrangement is a wonderful festival piece for middle school choirs. A nice introduction to singing in Latin, the easy-to-teach piece includes a pronunciation guide and translation for the
Blending scholarship and practicality, this performing edition of a Palestrina masterpiece can be performed a cappella or accompanied using the keyboard reduction. This is quintessential Palestrina with
This chorus from Haydn's Heilgmesse is an ideal introduction to classical style for treble choirs. Explore musical phrasing, quality tone production, and pure vowels with this simple Latin text and
Beginning with joyous acclamations, this exuberant piece features a polyphonic middle section followed by a lyrical presentation of the "amens" and the return of the homophonic style in the closing
Introduce your choir to Vivaldi's masterwork with this sensibly adapted edition for developing choirs. Conservative ranges and the accessible Latin text give an educationally sound experience with high
While Salieri was not as heralded a composer as many of his contemporaries, he made significant contributions to sacred choral works during the years 1788-1824 as Hofkapelmeister to the court in Vienna.
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The JW Pepper website will be temporarily offline on December 7, 2019, from 12:00 am to 4:00 am EST for system maintenance.


Hebrides Ensemble: Young Britten
Tue 24 Aug 7:30pmTickets | £10, £20, £25
Snape Maltings Concert Hall
The world premiere of a new arrangement of an early Britten song cycle
The Hebrides Ensemble play Britten’s opus 1, the Sinfonietta, written when he was 18 years old and a music student, and the piece he wrote four years later which he described as ‘my real opus 1’, Our Hunting Fathers, with soprano Elizabeth Llewellyn.
This year we have featured several new arrangements of works by Britten. The last in the series is composer Joseph Phibbs’ arrangement of Britten’s orchestral song cycle Our Hunting Fathers, which we have especially commissioned for the chamber forces of the Hebrides Ensemble and Elizabeth Llewellyn. The piece is the first of his works to explore the theme of humans’ inhumanity, which later became a recurring theme in his music and his political commitment as a pacifist.
Elizabeth Llewellyn soprano
This performance will last approximately 60 minutes.
Britten Sinfonietta (15’)
Britten Suite for Harp (9′)
Britten arr. Joseph Phibbs Our Hunting Fathers (world premiere, commissioned by Britten Pears Arts, 27’)
Update, 20 July: Additional tickets going on sale:
Following the government’s recent announcement, we are slightly increasing the capacity of August events in Snape Maltings Concert Hall, but not yet to full capacity. We will put an extra allocation of tickets on sale, but will make sure that you, or your party, have an empty seat on either side. We cannot guarantee that seats behind and in front of you will be empty.
These additional tickets for our indoor events will go on sale to Priority Bookers on Wednesday 21 July at 10am, and for General Booking on Friday 23 July at 10am.


We help you locate a Waltham Abbey organ teacher. Organ tuition are a great method to start a fun new hobby, pick up a new talent and attain confidence with organ. Use our site to find Waltham Abbey organ tutors and choose which suits your needs so you can start your organ lessons in Waltham Abbey immediately!
First Tutors: Music is the best place to locate Waltham Abbey organ teachers in the UK, helping you discover Waltham Abbey organ lessons close to you and Waltham Abbey teachers to assist with any instrument, for example, piano, violin or guitar. We can help you find Waltham Abbey organ tuition or a Waltham Abbey organ teacher to prepare for organ grades and develop your organ skills! Our search will order Waltham Abbey organ tutors local to you by their hourly charges and proximity to you.
If you are a organ teacher and would like to offer organ tuition services in Waltham Abbey or throughout the UK, please register with First Tutors: Music or learn about us here. Becoming a Waltham Abbey organ tutor is a great way to re-affirm your own skills by giving organ tuition while helping others, all in your local Waltham Abbey area!


15 resultat. Produkterne 1–15 vises nu.
Alle priser er inkl. moms Gratis levering fra 199 €
Instructional Guitar Book with CDIn Vivo Guitar - the classic among guitar books! It's all about...
- By Abi von Reininghaus
- Everything about improvisation, harmonics, playing techniques and learning strategies
- Makes for fun reading and opens up completely new perspectives and possibilities of guitar playing
- Music Theory: This poster contains the basic relationships of the elementary music teaching in above-average graphics
- Musical notation and master tones, the main clefs, intervals, note values ââand rests, as well as the sounds and their location on the keyboard
- Whether at home or in the rehearsal room: the essential tool for all musicians
Voggenreiter Der Blues-Harp-Ratgeber, By Dieter Kropp: Reference book for Blues Harps and their players, Das Nachschlagewerk- comprehensible,compact and straight to the point, With fotos and music examples in standard notation, A5 format, 112 pages, Spiral binding, ISBN 978-3-8024-1076-5, In German...


Bend Event Music provides a wide variety of high-quality musicians to play for weddings, receptions, corporate events, and private parties in Central Oregon and the surrounding area. Prepared, qualified and seasoned performers that are committed to excellence, their musicians range in styles and instruments and can provide solo, duet, or full band options to work with all budget levels.
Instruments they have available but are not limited to include: Violin/fiddle; acoustic guitar; classical guitar; accordion; mandolin; ukelele; piano/keys; banjo; cello, and vocals. Styles of music include traditional classical; Celtic/Irish; romantic; epic movie theme/cinematic; ‘Classy Grass’; bluegrass; pop; rock; and religious. Classy Grass Groups are versatile groups of seasoned musicians, capable of bringing you a traditional classical performance in both look and style or a more relaxed feel with a ‘grassy’ slant.


Want fast, lively Scottish music?
Then you need Scotch Mist – normally a 5-piece Scottish country dance band, the alter ego of Contraband!
Available of course for Burns Night, Weddings, Anniversarys, Birthdays and Fund raising events.
Quality equipment means that we sound good in any size venue. Our own caller will guide everyone through the dances in a light-hearted way, so Scotch Mist is ideal for any ceilidh or wedding with mixed ability dancers.
The band will always provide a Caller who, will talk everybody through the steps first, allowing any beginners to join in the fun.
Our music can be adapted for either the experienced dancer or the newcomer to a Ceilidh evening.
Clients can consult the band in advance for any special requests.
Sample tracks of the band can be heard on our website.
Interested? Then do not hesitate to contact Scotch Mist Ceilidh Band for more information.


Artists, programs, and dates are subject to change.
This concert is currently available as part of a subscription package. Individual tickets for this concert will go on sale June 17, 2024.
The Los Angeles Times called Classical Mystery Tour “more than just an incredible simulation…the swelling strings and soaring French horn lines gave the live performance a high goose-bump quotient…the crowd stood and bellowed for more.”
Hear “Penny Lane” with a live trumpet section, experience the beauty of “Yesterday” with an acoustic guitar and string quartet, enjoy the classical/rock blend on “I Am the Walrus,” and relish the cascading orchestral crescendo on “A Day in the Life.” Classical Mystery Tour is the best of The Beatles – from early Beatles music on through the solo years – like you’ve never heard them before. Many have called it “the best show the Beatles never did!”


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We work to increase access to music education by providing free music recordings, sheet music, apps, and educational materials. PDF] - Piano solo - Romantic * License : Public Domain - " For 18 years we provide a free and legal service for free sheet music. If you use and like Free- scores.


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The American Special Telecaster puts U.S-made Fender quality into the hands of players at any level. For the guitarist who wants a combination of timeless Fender style and contemporary features, this guitar delivers traditional Tele® design with some extra elements for modern tone and performance, including dual Texas Special™ pickups and special circuitry, modern neck profile and fingerboard radius, and more. Great sounding, great looking and feeling, and made in the United States.
10' MV Custom Straight-Straight Guitar Cable
10' MV Custom Straight-Straight Guitar Cable, Black and Red.
Guitar Pick Storage Box
MV Logo Pick Box.
Hat - Pick Hat
Never be without a guitar pick with Music Villa's popular pick hat!
Classic T-Shirt (Symbol Logo)
Asphalt shirt + orange logo = serious street cred.
Cordoba Protege C1M 1/4 Size w/Gigbag
The C1M 1/4 is the perfect 1/4 size nylon string guitar for any aspiring guitarist. Part of the Protege by Cordoba line, the C1M 1/4 was developed to provide young players with a comfortable, great sounding first guitar at an affordable price. Drawing on generations of Spanish guitar-making tradition, we has carefully chose quality materials for incredible sound, and prioritized comfort, playability, and attractive aesthetics to create truly inspiring instruments with which students can effectively learn and grow.
Every Protégé C1M model is built with the combination of a spruce top and mahogany back and sides, a rosewood bridge and fingerboard, traditional-style mosaic rosette, gold tuning machines, and a matte polyurethane finish. Like all Cordoba instruments, C1M models feature premium Savarez strings and an adjustable truss rod to ensure a straight neck for the life of the instrument. Offered in full, half, three-quarter, and one-quarter sizes.
*Price includes Cordoba gigbag
Taylor GS Mini-e Koa
This alluring all-koa version of the GS Mini pairs a solid koa top with layered koa back and sides, serving up an inspiring blend of looks, feel and sound. The compact Mini’s scaled-down design delivers ultra-portability for players on the go and couch-friendly comfort for picking at home, while the rich, full voice belies its size. Our patented neck design guarantees signature Taylor playability, and the shorter 23.5-inch scale length makes forming a chords a breeze. Onboard ES-B electronics invite you to plug in whenever you're ready, and feature a convenient built-in digital chromatic tuner with an LED display for tuning and low battery indication.
Gretsch Jim Dandy Flattop Guitar
Crackerjack quality at a sober price! Faithful to the Gretsch® "Rex" parlor guitars of the 1930s, '40s and '50s, the all-new G9500 Jim Dandy Flat Top parlor-style model embodies everything that was great about everyone's first guitar. Everything and then some that is, because the G9500 is crafted with select guitar woods and is fully lined and braced for warm and pleasing tone, with a 24" scale for endless hours of playing comfort.
Gretsch G6122T-62 VSE ’62 Chet Atkins Country Gentleman (Walnut Stain)
Made famous by The Beatles’ George Harrison, the 1962 Country Gentleman is the sound of rock ‘n’ roll. The G6122T-62 Vintage Select Edition '62 Chet Atkins® Country Gentleman® Hollow Body with Bigsby® has the unmistakable sound and style that marked the beginning of a musical invasion. Sonically, this guitar is ready to tear it up with flexible tone that fits any musical situation.


Nišava Kori Pani is an old Serbian Gypsy Romany song. It’s a real feel-good piece of music in a medium speed.
This purchase contains the sheet music with melody lines for two instruments and accompaniment chords.
This version is in bass clef for instruments such as cello, bassoon, baritone horn/tuba.
Get inspired…watch a tutorial with a demo here.
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1965 Gibson B25 3/4 – £1849
NEW ARRIVAL This is a great example of a very hard to find model only made between 1962 and 1968, replacing the LG2 3/4 which was famously played by Arlo Guthry. As a 3/4 size guitar it doesn’t have a huge bass response, but this allows the guitar to excel around the mid and treble ranges, and it has enough bark to really punch out those bluesy solos. It’s in good, all original condition for a 55 year old guitar, with a repaired hairline crack on each shoulder. The guitar records very well, particularly when close mic’d, as there are no unwanted bass overtones, and has a fantastic vintage vibe. This would also make the ultimate travel guitar. It comes in it’s very desirable original croc hard case.


Listed below is our entire music catalogue.
Please click on the title for more details and purchase information.
Neil Thornock. Advent meditation for organ solo on "O Come, O Come, Emmanuel". c.12' duration.
Frederick Frahm. Concert work for b flat clarinet & piano. Full score and part.
Neil Thornock. Organ solo, extract from "Meditationes Vitae Christi"
Frederick Frahm. Music for 10 bells.
Janet Jennings. Two motets for tenors and basses with organ accompaniment.
Frederick Frahm. Organ music for liturgy based on psalm tones.
Frederick Frahm. Delightful settings of adapted texts from Aesop's Fables for SATB voices and piano
Frederick Frahm. Motet for SATB voices, unaccompanied.
Frederick Frahm. Music for oboe solo and 12 handbells. AGEHR level 3.


Hire a Function & Wedding Music Band in Blandford Forum, Dorset
About: 48 Crush are a fun and lively mix of rock hits and energetic female vocals. Repertoire includes classic and modern rock hymns like "I bet you Look Good on the Dancefloor", "All Right Now", some rocked up pop songs and it's all topped up with a male vocals numbers like an explosive AC/DC “Highway to
Recent review: Everyone loved the band at our wedding. Would recommend to anyone looking for a talented band for any event for a great price also! Thanks again!!
Recent review: "My wife and I thought that Petites Annonces were terrific, and exactly what we had been looking for. Their music was full of character, played with great verve and skill, and made just the right atmosphere for a party in a hired country house. They were also bang on time, very efficient in setting
Recent review: The Soda Pops were absolutely brilliant, the music they provided was absolutely perfect for my Dad's 90th Birthday Party. The guests that attended the event could not speak highly enough about them.
Recent review: We booked Tweed in Bourbon for our wedding on New Years Eve 2017. What an amazing group of musicians they are! The band were simply amazing; from their excellent communication leading up to the event to engaging brilliantly with the crowd on the night. All of our guests commented on how great the ba
About: A five piece function party band covering 50s to the present day and musical styles to suit every age group Filled with comical banter and great songs to get you up and dancing
About: Whatever your event or plans, Airwave can deliver a tailored and individualised experience to surpass your expectations With many (many!) years of performing experience, and a decade of playing together, Airwave brings a combination of professionalism and camaraderie to our performances. Reaching
About: The first Blue Commotion gig in February 2012 was a culmination of a ten-year musical partnership between Zoe Schwarz and guitarist Rob Koral. Through their intense musical journey and compatible desire, they developed a perfect collaboration and empathy, which, when analysed, comes from two comple
About: SAXuality are two highly talented and professional female artists. Together they have been gigging in the UK and abroad for many years constantly adding to their varied repertoire of over 400 songs, ranging from the 1940's to current day chart hits. SAXuality pride themselves on their versatil
About: The Blarney Roses are a traditional Celtic ceilidh and concert band. Available as a 2-6 piece band, at budgets to suit. Available for weddings, festivals, parties and special events (Paddy's Day, Burns' Night, New Year's Eve, St George's Day etc...). With origins in British and Irish traditional m
About: Meet Naomi, Billy, James and Toby. We are Nu Generation: a professional wedding, function and party band based in Bournemouth, available to play across the UK and beyond. Nu Generation were formed mid 2010 when Billy and Naomi decided to put their professional talents together and form a function ba
About: FUNKBUSTERS are an acid jazz, funk and soul band 6 piece band consisting of professional musicians with yonks of experience between them A unique and funky sound perfect for parties and functions playing acid jazz, funk and soul as it was intended
About: Social Affair are experts in entertainment who aim to fill dance floors with their unique renditions of all the greatest Funk, Soul, Rock & Pop Classics. As a band they are hired throughout the South Coast for just about any occasion. Especially well versed in Weddings, Birthday Parties, Award Cerem
About: Ducie Jazz is a collective of ’s finest Jazz musicians available to hire for your wedding, party or corporate event. We offer a range of line ups from solo musicians to a full evening function band. Optional male and female vocalists can provide a full range of jazz band repertoires from old school
About: We are a band that plays a lot of Johnny Cash originals but also have a set of songs we have done in a cash style. For example Adeles Rolling in the deep. Kevin lovatt is an amazing Cash singer and can be found on YouTube etc
About: I am in the showbusiness sins 1986 and I am popular all over the World, I have been playing music on Cruise Ship for more than 8 years. After this time I left my Country and enjoyed the experience overseas. Here in England, I have met superbly people musicians and singers, so I decided to go forward
Recent review: Incredible band! They totally made our evening and made our special day even more special! Very professional and organised to deal with. Very funky!
About: Kev B is a professional Singer with over 25 years of experience. He has performed at prestigious venues across the UK and worldwide both as a soloist and as part of his popular group The Imaginations. Kev has also been the Principal Vocalist for the Evolution Choir for over 12 years and has shared
About: Our band 'Abstract' is a fun, reliable group of experienced musicians. We play a wide range of musical styles from the 60s to the current day. From The Beatles through Bon Jovi and Queen to Mark Ronson via Beyonce and Kate Bush! We have full digital kit which is quick to put up and remove, our drumm
Recent review: “Thank you so much! I have had so many compliments about the band. It was so much fun to have everyone dancing all the time. The music was fantastic and it truly helped us have such a magical day.” Alexa Tizzard and Jason, Wedding, Dorset, August


Billy Joel Complete Volume 1 Sheet Music Piano Vocal Guitar Songbook N 000356297. ... Classical Favorites Easy Piano Solos Sheet Music Solo Book NEW 014041285. dave brubeck vol 1 original sheet music book--piano solo. robbins music, great britain (1956)---28 pages 28 x 21cm in size. condition. cover---no cover. inside pages---excellent--the outer pages are excellent minus *postage costs combined for all purchases* *check out my ebay shop for more song books/ sheet music* Buy Disney Selection Vol.1 for Beginner level Piano Solo Sheet Music Book. Made in Japan. Authentic. solo piano sheet music by David Nevue - if you like George Winston, Jim Brickman or similar piano music with a contemporary, peaceful style and a spiritual base, you'll like this...
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Sonatas for an Accompanied Solo Instrument, Op.1 (Handel, George Frideric) This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in the General Information section below. The E-Z Play® Today songbook series is the shortest distance between beginning music and playing fun! Features of this series include: full-size books - large 9" x 12" format features easy-to-read, easy-to-play music Elvis Presley Anthology Vol. 1 Piano/Vocal/Guitar $24.95. Huge collection (320+ pages) This collection, as well as the following vol. 2, are the most comprehensive Elvis in print. Volume 1 contains a history of Elvis, along with lots of color photos. Vol. 2 contains a bio, color photos, complete discography and filmography.
Christmas Carols for French Horn with Piano Accompaniment Sheet Music - Book 3Including French Horn/Piano DuetsThis Christmas book contains 10 popular carols arranged for French Horn. There are two versions of each carol. First version is a solo French Horn ... Music Books Plus is your best source for music & audio books, videos, CD-ROMs, DVDs, software & sheet music. We carry over 14,000 titles on Music Business ... Piano solo [Sheet music + CD] Alfred Publishing The New International Edition of Suzuki Piano School, Volume 1 includes French, German and Spanish translations as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma.
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The single for "Melodies of Life" also has a separate sheet music book published containing piano sheet music for the songs on the single. Another publication, called Final Fantasy IX Original Soundtrack Plus Piano Solo Sheet Music was released for the songs on the Final Fantasy IX Original Soundtrack PLUS album, arranged by Shiori Aoyama. Solo Piano artist Greg Maroney, whose original music captures the full spectrum of emotional and musical colors. Greg Maroney's website offers news, music, videos, album info, mp3 downloads, pdf sheetmusic, performance schedule and more.
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The audio has been released on T-Series and is composed by Pritam. The background score is given by Sandeep Shirodkar while the lyrics are penned by Ashish Pandit. Singers Mohit Chauhan, Shreya Ghoshal, Ritu Pathak, Neeraj Shridhar and Mauli Dave have crooned for the film.
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The film starring Abhishek Bachchan, Sonam Kapoor, Bipasha Basu, Bobby Deol, Neil Nitin Mukesh, Omi Vaidya and Sikander Kher is slated to release on 6 January, 2012.


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|Publication number||US4058042 A|
|Application number||US 05/588,625|
|Publication date||Nov 15, 1977|
|Filing date||Jun 20, 1975|
|Priority date||Jun 20, 1975|
|Publication number||05588625, 588625, US 4058042 A, US 4058042A, US-A-4058042, US4058042 A, US4058042A|
|Inventors||David R. Wade, Walter Munch, Jr.|
|Original Assignee||D. H. Baldwin Company|
|Export Citation||BiBTeX, EndNote, RefMan|
|Patent Citations (4), Referenced by (4), Classifications (8), Legal Events (4)|
|External Links: USPTO, USPTO Assignment, Espacenet|
In a keyed instrument, such as an electronic organ, certain music can be played by manipulating only the white keys, while other musical selections require manipulating the white and the black keys. Playing a selection in certain keys, for example C major, may require playing only the white keys. Playing that same selection in the key of D, requires the playing of both black and white keys. Accordingly, transposing from one musical key to another is difficult for the unskilled musician.
Many devices have been developed for transposing the key of an electronic instrument. These are simple in concept, but expensive and involved in implementation. For example, transpose switches may transpose tone signal outputs in respect to key switches, or all of the separate tone signal sources may be re-tuned to produce the required transposed tones, i.e., the C oscillator may be uptuned to C♯, etc.
In U.S. Pat. No. 3,824,325 to Obayashi et al, issued July 16, 1974, a transposition system is disclosed which employs a pair of octave generators, a fixed frequency master oscillator, and a simple transpose switch. However, this system, because it employs cascade frequency division in its octave generators, is relatively inaccurate in its tone frequencies. A more accurate type of top octave frequency divider can be employed, but this requires a master oscillator in the megacycle range, and the philosophy of the patent then becomes inapplicable.
A transposer employing a fixed frequency oscillator and a voltage controlled oscillator in a phase locked loop, the VCO supplying clock pulses directly to an octave generator and the output of any selected divider of the octave generator being compared with a frequency derived by division with a fixed ratio from a crystal controlled oscillator, is disclosed at Page 14 of an article published by General Electric Company, on Nov. 30, 1970, the author being Gerald L. Kmetz. A similar system is patented in U.S. Pat. No. 3,800,060 to Hallman, issued Mar. 26, 1974.
In accordance with the present invention, the divider output of an octave generator, selected by a manual switch according to the transposition desired, is compared with a reference filter which introduces a phase shift as a function of frequency. Comparison of the phase of the output of the filter with its input in an integrator produces a voltage which controls the output of a VCO, which supplies clock pulses to the octave generator. No clock pulse source other than the VCO is required, contrary to the above described prior art system. (Kmetz)
The present invention has for its objective the provision of a transposer which employs a single octave generator, of the type which requires a single high frequency voltage controlled clock, and no additional oscillator.
A key transposer for an electronic organ, requiring only a single top octave frequency generator, the latter requiring one high frequency clock, and which operates by changing the frequency of the clock as a function of one output signal frequency derived from the generator.
FIG. 1 is a block diagram of a system according to the invention; and
FIG. 2 is a schematic circuit diagram of portions of the system of FIG. 1.
Referring now to FIG. 1 of the accompanying drawings, 1 is an all pass filter producing a 90° phase shift between its outputs at the frequency fo. An all pass filter may be defined as a filter which passes a range of frequencies with a substantial phase shift which is proportional to frequency. The output of the filter, φo, is applied to an input port of a chopper 2. The phase shifted version of φo, i.e., φ1 is applied to the control port of the chopper 2. The output port of the chopper is then a chopped pulse VCH, the the average value of which is a function of the phase difference between φo and φ1.
The output of the chopper, VCH, is applied to a high gain dc amplifier, 3, designed to integrate VCH. The transient output of amplifier 3 is phase compensated as a function of frequency, in a phase shifter 4, to avoid oscillations, and the output of phase shifter 4 is a dc voltage VC.
A vibrato input voltage is provided on lead 3a, so that the output of integrator 3 varies in amplitude at about 6.Hz. The voltage Vc, modulated in amplitude at about 6.Hz, is applied to a voltage controlled oscillator (VCO) 5, the output of which is fC = K VC + B. Here K is a proportionately constant, and B a fixed frequency which appears even if Vc is zero.
The frequency Fc is applied as a clock frequency to an octave generator 6, which generates the tone signals of the top octave of an electronic organ, from which all tone signals of the organ may be derived by successive divisions by 2. The generator 6 is usually called a top octave frequency generator (TOFG).
The outputs of TOFG 6 are buffered by amplifiers 7, and the buffered outputs applied by twelve leads 7a to the organ dividers, but are also applied to stationary switch points 8. Any one of the switch points 8 may be connected via a movable switch arm 8a to the input of the all pass filter 1. The all pass filter is tuned to a set frequency of F♯5 at 5919.8 Hz. The control loop then maintains the frequency of VCO5 at such a value as will maintain the output at switch arm 8a, i.e., FIN, at frequency fo regardless of the position of switch arm 8a.
In FIG. 2 of the accompanying drawings, 2fin is applied to lead 10. Block 11 represents a JK flip-flop having outputs Q and Q, at a frequency fin/2. Power is supplied to the flip-flop 11 from terminals 12 and 13 and the outputs Q and Q are applied across a series resonant circuit composed of C6 and L1, tuned to 2460.0 Hz. The output Q is applied via resistance R11 and capacitance C8 to point 14. To point 14 is applied voltage from terminal 15 through a large resistance R12 (3.9M). Current flowing into point 14 is applied to the source of FET Q4, the drain electrode of which is grounded. The midpoint 16 of C6 and L1 is applied via capacitor C7 to the base of a PNP transistor Q3, having its emitter grounded and its collector connected to a negative source 18 via a load resistance R13. The base of Q3 is clamped to ground for positive voltage by diode D1 and its collector is directly connected to the control electrode of FET Q4. Positive going pulses thus appear at the base of Q3 and cut off Q3, which in turn supplies cut-off pulses to Q4.
Pulses then appear at the negative input terminal of op amp I.C.2. Superimposed on these pulses is a vibrato signal derived from lead 20. I.C.2 has a feedback circuit including capacitor C9 and resistance R19 in series, so that integration occurs. I.C.2 corresponds with high gain dc amplifier 3 of FIG. 1. Resistance R22, R21 and capacitor C11 correspond with phasing circuit 4 of FIG. 1. The signal in lead 21 is then Vc of FIG. 1. VCO5 of FIG. 1 includes three open collector inverters such as found in Texas Instruments SN7405, I.C. 3A, 3B and 3C, all in series. Inverter I.C. 3B has capacitive feedback supplied by capacitor C12 and also has resistive feedback provided by R23, R24 and the emitter-collector circuit of transistor Q5. Overall feedback from the output of I.C. 3C to the input of I.C. 3A is supplied over lead 22. Variation of the base voltage of Q5 then varies the charging currents of C12 and varies the frequency of the oscillator 5.
The output of V.C.O.5 is buffered by parallel inverters I.C. 3D, 3E and 3F, and the outputs of these are applied as clock frequency to TOFG 6.
The emitter of Q5 is referenced to near 5.V. One plate of C11 is therefore also referenced to 5.V to avoid transients on the 5 volts from affecting the current in Q5. The phase compensator elements C11, R22, assures that the total phase shift around the control loop will not introduce self-oscillations.
An important feature of the system is a frequency detector network and chopper, blocks 1 and 2 of which constitute a frequency discriminator tuned to the frequency fo by C6 and L1, and which generates a signal whose DC component is a function of the difference between fIN and fo. This error signal, VCH, is further processed by high gain Lo-Pass amplifier, block 3, to extract the before-mentioned DC error signal, and amplify it greatly. To insure circuit stability an RC phase compensating network, block 4, is used at this point. The output of this network, Vc, is used as the control voltage for the Voltage Controlled Oscillator, 5, which generates a high frequency clock signal, which the TOFG chip, 6, uses to synthesize 13 top octave frequencies for the instrument.
The TOFG 6 is typical of devices used in the industry to generate 13 top octave audio tones from one high frequency (typically approx. 2MHZ) clock. There is a constant ratio between any one of the 13 outputs and the input clock such that f input clock/Ni = f output. It is one of these 13 signals which is selected by the transposer switch, 8a, after being buffered by buffer amplifiers, 7, that is compared to the frequency fo in the frequency comparator, 1, mentioned previously.
The phasing and operation of the described loop is such that the output of the VCO, 5, labeled fc is forced by the loop to a frequency where the output selected by the transpose switch, 8, 8a of the TOFG 6 will be the same frequency as the standard frequency fo in the frequency detector network, 1. Thus, by feeding back a semitone related output of the TOFG 6, via the transpose switch, 8, 8a, the entire 13 outputs of the TOFG, 6, will be forced to shift by a whole semitone amount in the appropriate direction. By extending this procedure an entire octave of transposition results for the instrument. For a given point of operation fIN is related to fc by fc /Ni = fIN (where Ni are the divider ratios in the TOFG 6). Changing the transpose switch, 8, 8a, effectively alters Ni. Thus the new point of operation is determined solely by the ratio of N1 /N2 where N1 was the previous output ratio selected and N2 the new output selected. This illustrates that the shift in operating frequency and thus the amount the instrument is transposed is determined chiefly by the frequency divider ratios, Ni, inherent in the TOFG, 6.
In the preferred embodiment, the frequency detector and chopper consists of Q3, and Q4 and ICIA. ICIA is a divide-by-two flip-flop whose two out-of-phase outputs Q and Q drive an all-pass network composed of L1, C6, and R6-9. The reference frequency, fo in this case becomes ##EQU1## Using IC1's Q output as the 0° phase component, the signal at the junction of C6 and L1 will vary in phase such that:
if Ti fIN = fo,Δ φ = 90° Ti fIN << fo,Δ φ → 0° Ti fIN >> fo,Δ φ → 180°
Thus, by using this signal to chop (by the action of Q3 and Q4) the unshifted phase component at the output Q of IC1A, an error voltage, whose DC component is a function of the difference between FIN and fo is generated. This DC component is extracted and amplified by IC2 and associated components. The phase compensating network consists of R21, R22, and C11. This network is followed by a V.C.O. composed of Q5 and IC3A, IC3B and IC3C and associated components, output of which is buffered and level shifted by IC3D, IC3E and IC3F to drive TOFG 6. The outputs of TOFG 6 are buffered by transistor amplifiers and associated components. The buffer outputs provide the instrument's top octave of signal and feed the transposer switch, thus completing the loop.
Vibrato modulation is achieved by introducing vibrato voltage at an input of IC2, which modulates the error signal in amplitude.
|Cited Patent||Filing date||Publication date||Applicant||Title|
|US3610800 *||Oct 30, 1969||Oct 5, 1971||North American Rockwell||Digital electronic keyboard instrument with automatic transposition|
|US3800060 *||Apr 27, 1973||Mar 26, 1974||Hallman J||Keynote selector apparatus for electronic organs|
|US3824325 *||Apr 19, 1973||Jul 16, 1974||Kawai Musical Instr Mfg Co||Electronic musical instrument capable of transposing|
|US3877337 *||Apr 19, 1973||Apr 15, 1975||Kawai Musical Instr Mfg Co||Electronic musical instrument capable of transposition|
|Citing Patent||Filing date||Publication date||Applicant||Title|
|US4176573 *||Oct 13, 1978||Dec 4, 1979||Kawai Musical Instrument Mfg. Co. Ltd.||Intrakeyboard coupling and transposition control for a keyboard musical instrument|
|US4207793 *||Feb 22, 1977||Jun 17, 1980||The Wurlitzer Company||Variable rate portamento system|
|US4332182 *||Jan 6, 1981||Jun 1, 1982||Reinhard Franz||Apparatus for transposing passages in electronic musical instruments|
|US4348931 *||Apr 21, 1980||Sep 14, 1982||Baldwin Piano & Organ Company||Simulating wind noise in electronic organs using digital noise generators|
|U.S. Classification||84/685, 984/338, 84/445, 84/706, 84/104|
|Jun 26, 1984||AS||Assignment|
Owner name: GENERAL ELECTRIC CREDIT CORPORATION, A NY CORP., C
Free format text: SECURITY INTEREST;ASSIGNOR:BPO ACQUISITION CORP., A DE CORP;REEL/FRAME:004297/0802
Effective date: 19840615
Owner name: SECURITY PACIFIC BUSINESS CREDIT INC., 10089 WILLO
Free format text: SECURITY INTEREST;ASSIGNOR:BPO ACQUISITION CORP. A CORP OF DE;REEL/FRAME:004298/0001
Effective date: 19840615
|Apr 1, 1985||AS||Assignment|
Owner name: BPO ACQUISITION CORP., 180 GILBERT AVE., CINCINNAT
Free format text: ASSIGNMENT OF ASSIGNORS INTEREST.;ASSIGNOR:D.H. BALDWIN COMPANY AN OH CORP.;REEL/FRAME:004385/0934
Effective date: 19840615
|Nov 5, 1985||AS||Assignment|
Owner name: BALDWIN PIANO & ORGAN COMPANY
Free format text: CHANGE OF NAME;ASSIGNOR:BPO ACQUISTION CORP.;REEL/FRAME:004473/0501
Effective date: 19840612
|Jun 25, 1990||AS||Assignment|
Owner name: BALDWIN PIANO & ORGAN COMPANY, F/K/A/ BPO ACQUISIT
Free format text: RELEASED BY SECURED PARTY;ASSIGNOR:SECURITY PACIFIC BUSINESS CREDIT, INC., A CORP. OF DE.;REEL/FRAME:005356/0321
Effective date: 19890616
Owner name: FIFTH THIRD BANK, THE, A OH BANKING CORP., OHIO
Free format text: SECURITY INTEREST;ASSIGNOR:BALDWIN PIANO & ORGAN COMPANY, A CORP. OF DE.;REEL/FRAME:005356/0333
Effective date: 19890615


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Black and White World
A Perfect Plan
Stay With Me/Left-Hand Arrangement
Step Into Their Shoes
You're the Best Thing That Ever Happened to Me
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