A quantity of parents have commented to me that locating suitable musical toys and instruments for babies, toddlers and young children is very difficult. The two main issues facing parents are realizing what to appear for and where they can be identified. Another difficulty is figuring out no matter if a particular toy or instrument is really suitable for the age of the child and whether it is fully secure. Typical questions such as these are commonplace: Are these maracas as well heavy for my eight month old kid? Is this drum sturdy sufficient for my four year old boy? Can we play Twinkle, Twinkle Tiny Star on this xylophone? How old ought to he be to play a full sized guitar? Are the painted castanets secure? What is the distinction between a xylophone and a glockenspiel? The remedy is pretty simple. Don’t settle for any shop when looking for musical toys and instruments for your small ones. You should obtain a trustworthy music shop that is specifically catering for babies and young youngsters. The greatest specialist music stores for babies and young kids can be located on the web.
If we believe about purchasing habits in common we can understand why some men and women get into difficulty when seeking for specialist or niche items. I will give you an illustration. My husband is a keen amateur astronomer and demands various telescopes and lenses to meet the demands of his hobby. Now we have a quantity of camera shops and photography provide shops exactly where we live. They every single stock a couple of fairly basic telescopes suitable maybe for an individual starting out with an interest in astronomy. The employees in these shops know completely nothing about astronomy and just a little much more than that about the use of the telescopes they stock. Now my husband would not dream of purchasing for any of the issues he wants at these stores. He goes on the net and gets on the telephone and contacts a specialist optical supplier. So what’s the distinction? The simple answer is – a far greater range, at a far cheaper cost, and the specialist expertise about the stock. Take yet another instance. If I want to purchase an electronic keyboard suitable for teaching and playing myself I go straight to the music shop that specializes in keyboards. Now K-Mart, Dick Smith, even Myer or Harvey Norman all stock keyboards as well. I could go there but I know it would not be a wise option. Why? The answer is the similar as prior to: a improved variety, a improved price and an specialist functioning understanding of the instruments. This can only be found at the specialist shop.
So coming back to our dilemma of getting musical toys and instruments for the incredibly young child, there are basically these alternatives for parents: the toy section in a significant department store, a toy shop, a musical instrument shop, an on-line toy store, or an on line specialist children’s musical instrument and musical toy store. It is only the final one of these that can really give you the very best result. You will waste a lot of time otherwise and possibly a lot of revenue. I recommend you appear for these characteristics when selecting which on-line music retailer to shop at:
1. A shop that specializes in musical toys and musical instruments rather than a common toy shop
two. Employees that have musical capability and understanding so they know how a distinct instrument really should be played
three. Staff that have expertise and know-how of early childhood and young children’s development
four. A excellent range of merchandise suitable for children from infancy via to upper main school
5. A range of reduce priced excellent good quality small percussion instruments as nicely as larger priced instruments
6. Private service. Do not be reluctant to telephone and/or e-mail. A prompt response is a fantastic sign
7. Safe on line ordering as effectively as selections to order by mail/phone/ e mail
eight. guitar stores sydney and prompt delivery
I am extremely proud of the service supplied, and the quality and range of the instruments in our on-line shop. I make frequent checks with regional music shops and toy shops to make sure that we are quite competitive. Early childhood is such an vital time for the development of your kid, and music plays such a pivotal role in that improvement. So why shop with any individual but the professionals in that area?
For all your baby musical toys and children’s musical instruments next time you shop make the wise decision and go to Kids Music Toys, a specialist on the web music shop catering for the desires of babies and really young young children.


The Decemberists Travelling On EP A 5-song EP from the indie-folkers The Decemberists. Collecting a set of b-sides from the sessions that produced their eighth studio album I'll Be Your Girl. "Every band needs to refresh and reconsider its sound sooner or later, no matter how sharp it's gotten over the course of a long career - even The Decemberists, a band whose records have always come bursting with verve... 'I'll Be Your Girl' captures a collaborative spirit that keeps the band sounding vibrant and alive... As a lyricist, Meloy seems emboldened" - NPR Music Rough Trade 10" | CD
Soak Grim Town Indies exclusive LP includes a bonus 7". Artwork to come soon! SOAK returns after 4 years with a new album, bringing with her 4 years worth of growth, introspection and understanding. The result is Grim Town, the follow-up to her Mercury Music Prize-nominated debut Before We Forgot How To Dream, which saw her win the prestigious Choice Music Prize for Album of the Year, the Northern Irish Music Prize, and the European Border Breaker Award, in addition to being shortlisted for a Q Award. Rough Trade Records CD | LP
The Hold Steady Sequestered In Memphis An awesome, limited single from the super iconic punk-rock / americana band The Hold Steady, released way back in 2008 on the album Stay Positive. Rough Trade 7"
Belle And Sebastian The Third Eye Centre A collection of rarities, collectibles and non-LP tracks from over the last ten years from the Glaswegian band Belle And Sebastian, including tracks from the albums Dear Catastrophe Waitress, The Life Pursuit and Write About Love and brand new track Your Cover’s Blown remixed by Miaoux Miaoux. https://www.facebook.com/pages/Belle-and-Sebastian/298021908499 Rough Trade Records CD | LP


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Gardena CA Italian Entertainment
When one thinks of Italian Entertainment, many associations come to mind: from the classical music of Giacomo Puccini and Giuseppe Verdi to "The Opera of Bellini", to the music of The Godfather, to the sounds of Frank Sinatra. Get all this and more from these great Italian Entertainers we have listed on GigSalad! Take your event to the streets of Rome or to the canals of Venice with authentic Italian Entertainers setting the tone with sounds of opera, strings, or crooning notes of Ol' Blue Eyes. Bring the sounds of Italy to your event by booking Italian Entertainment today! Search for Italian Entertainment in Gardena, California above.
Please note that these Italian Entertainment may also travel to Lawndale, Monaco, Del Aire, Manhattan Beach, Hermosa Beach, Harbor City, North Long Beach, Lomita, El Segundo, Wilmington, Ladera Heights, Rolling Hills Estates, Palos Verdes Estates, Vernon, Maywood, Playa Del Rey, Playa Vista, Signal Hill, Palos Verdes Peninsula, Rolling Hills, Marina Del Rey, Commerce, San Pedro, Venice, Santa Fe Springs, Artesia, Century City, Hawaiian Gardens, West Los Angeles, and Rossmoor.


Bond girl Honor Blackman, famous for her role as Pussy Galore in 1964’s Goldfinger, will be the guest of honour at an upcoming James Bond-themed concert later this year.
Blackman will host the ‘Licenced to Thrill’ concert, which will take place on Sunday, 12 July as part of Llangollen 2009 in Wales. Songs such as ‘Goldfinger’ and ‘You Only Live Twice’ among others are slated to be performed.
Licenced To Thrill
Carl Davis presents the music of James Bond 007.
Featuring the Orchestra of Welsh National Opera, vocalists Mary Carewe and Simon Bowman, and hosted by Honor Blackman.
A glittering evening of fabulous orchestral sounds and favourite melodies under the baton of Carl Davis.
Honor Blackman a.k.a. Pussy Galore hosts the evening, introducing two of the most talented singers from the West End stage and television. Including Goldfinger, You Only Live Twice and the iconic Bond Theme.
Plus a firework display finale
Tickets for this Bond-themed concert vary in price from £16 to £39. The concert will begin at 7:45pm.
To purchase tickets or for further information, visit the official website.
As always, keep watching CommanderBond.net for all the latest on James Bond-related events happening around the world.


Turn back the clock and enjoy the top 10 hits of the '80s! This outstanding collection includes the #1 hit of the decade "Midnight Cry" (Gold City), plus "Coming Soon" (The Florida Boys) and "We Shall See Jesus" (The Cathedrals). Liner notes feature artists interviews!
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Customer Reviews for Southern Gospel Greats of the 80's CD
Review 1 for Southern Gospel Greats of the 80's CD
Date:April 4, 2003
ARVIN E. WYNN
This is a wonderful cd of the best songs of the 1980's. This cd has some great groups, and a true southern gospel sound. 100 percent classic gold gospel, you can't go wrong with this various artists cd.


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Humboldt Latin Dance and Music Festival
The Humboldt Latin Dance Collective invites you to their annual 4-day Humboldt Latin Dance and Music Festival October 6th through 9th at Redwood Raks in the Creamery District, Arcata. This event features award winning instructors traveling to Arcata to teach 20+ workshops in Salsa, Bachata, and Cuban dances suitable for beginners through advanced dance enthusiasts! Three late night dance parties on Thursday with the Latin Peppers, Friday with Tropiqueño and Saturday night with a bar and DJs. All access wristbands are available presale online or at the door. All Parties and workshops open to the public! For more information go to www.HumboldtLatinDance.com.
- $18 / $55 Advanced Pass / $125 All Workshop Pass / $75 Beginners Pass / $20 Sat Party
- Ages: 18+
- Phone: 707-816-2809
- Email: firstname.lastname@example.org
- Web site


In order to make music that no one else has ever heard before at this current point in time, you first need to go about selecting a musical instrument that you can start using on a more or less regular basis. Guitar is a relatively easy and intuitive instrument to play, and as a result of the fact that this is the case many people opt for it since it is also pretty versatile and can help you create songs that are catchy and that everyone can sing along to.
That said, you can’t just pick up a guitar and start playing it expecting to make the next great master work. Quite on the contrary, you would need to invest some money into renting a Memphis TN limo service and then go about practicing various kinds of techniques. The limo can help give you enough comfort and privacy that you can practice without feeling self conscious, and when you start practicing techniques you will notice that you are getting better rather quickly. Your right hand technique is especially crucial if you want to learn to play guitar, and the highest form of right hand technique would involve flamenco strumming.
This is an incredibly complex form of strumming without a shadow of a doubt and it can really improve your hand strength in an incredible way. Not only would it help you to diversify your sound, it will also make you capable of moving on to further advanced techniques as well. Eventually you will come to a point where guitar is just too easy for you play and you might start thinking about experimenting with other instruments as well all in all.


In acoustic guitars, string vibration is transmitted through the bridge and saddle to the body via sound board. The sound board is typically made of tone woods such as spruce or cedar. Timbers for tone woods are chosen for both strength and ability to transfer mechanical energy from the strings to the air within the guitar body. Sound is further shaped by the characteristics of the guitar body's resonant cavity. In expensive instruments, the entire body is made of wood. In inexpensive instruments, the back may be made of plastic.
You don't have to be a virtuoso guitarist to touch people's hearts with your music! Guitar teacher Samuel B. shares a few of his favorite great-but-not-that-great famous guitar players... Towards the end of Johnny Cash's autobiography, you'll find the following paragraph: As to my musical future, my prospects look good. I can whack on a guitar as incompetently as I could a year ago, probably more so. I can sing just as well, or as badly, as I ever could. And I've got more songs trying to
The shape of the neck (from a cross-sectional perspective) can also vary, from a gentle "C" curve to a more pronounced "V" curve. There are many different types of neck profiles available, giving the guitarist many options. Some aspects to consider in a guitar neck may be the overall width of the fretboard, scale (distance between the frets), the neck wood, the type of neck construction (for example, the neck may be glued in or bolted on), and the shape (profile) of the back of the neck. Other types of material used to make guitar necks are graphite (Steinberger guitars), aluminum (Kramer Guitars, Travis Bean and Veleno guitars), or carbon fiber (Modulus Guitars and ThreeGuitars). Double neck electric guitars have two necks, allowing the musician to quickly switch between guitar sounds.
Modern pickups are tailored to the sound desired. A commonly applied approximation used in selection of a pickup is that less wire (lower electrical impedance) gives brighter sound, more wire gives a "fat" tone. Other options include specialized switching that produces coil-splitting, in/out of phase and other effects. Guitar circuits are either active, needing a battery to power their circuit, or, as in most cases, equipped with a passive circuit.
When playing seventh chords, guitarists often play only subset of notes from the chord. The fifth is often omitted. When a guitar is accompanied by a bass, the guitarist may omit the bass note from a chord. As discussed earlier, the third of a triad is doubled to emphasize its major or minor quality; similarly, the third of a seventh is doubled to emphasize its major or minor quality. The most frequent seventh is the dominant seventh; the minor, half-diminished, and major sevenths are also popular.
The implementation of musical chords on guitars depends on the tuning. Since standard tuning is most commonly used, expositions of guitar chords emphasize the implementation of musical chords on guitars with standard tuning. The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments.
Learn a D major. This chord only requires the bottom four strings. Place your index finger on the 3rd string, 2nd fret. Your ring finger then goes on the 2nd string, 3rd fret, and your middle finger is the 1st string, second fret. You'll form a little triangle shape. Only strum these three strings and the 4th string -- the open D -- to sound out the chord.
If you’re interested in playing lead guitar or performing guitar solos, you’ll want to check out the Lead Guitar Quick-Start Series. It’s a collection of 12 lessons that cover everything you need to know to start exploring lead guitar. You’ll learn basic picking technique, the major scale, the major pentatonic scale, the minor pentatonic scale, how to play a guitar solo, and much more.
For the longest time I have "messed around" with my guitar. I bought a book on Jazz guitar chords many years ago and found that those fingerings were way above my skill level. I decided to get a basic chord book to reinitiate myself. This is that book. Going through these pages has re-ignited my lust to learn more about playing my guitar. One chord at a time. Simple. Skip to another key just as simple. Actually, I haven't realized how many chords I really know how to play. I just need to learn the name of those chords. This book will help with that too. Give it a try.
Students can earn a Certificate in MI’s Performance Studies program for Guitar. With an innovative 360-degree approach to music education, MI Certificates are centered on Harmony, Theory and Ear Training, with core subjects in Reading, Technique and Performance. This Certificate program provides students with a broad foundation of knowledge and practical experience, encouraging the rapid development of skills in preparation for a range of professional music performance situations.


A look into the next three months of music near campus.
The outdoor concert halls are closing up shop until warmer days roll back around, but that doesn’t mean the concert scene is going into hibernation. There’s plenty of big name superstars and popular local acts putting on shows the next few months, and here are the highlights.
1.12 G Herbo
Newport Music Hall | Price: $35
Swervo..Swervo…Swervo, this rapper will be at Newport this month. He has a grimey and quick flow that works well with his trap beats. With features on his songs from Chief Keef to YBN Nahmir, it’s a safe bet that you’ll be in for a rapper’s delight this night.
1.24 Party Favor | TRISM | Price: $15
There’s a reason Party Favor is named what it is: his music sounds like a damn party. The EDM sound is in your face, loud, and downright perfect for moshing. And what better place to enjoy all this than TRISM’s open dance floor?
1.25 Jesse McCartney| Newport Music Hall | Price: $28
Let this pop artist take you back to middle school at Newport this month. I know you still know all the words to “Beautiful Soul.” You don’t have to lie.
1.26 Ohio Winterfest featuring Juice WRLD and Kevin Gates | The Celeste Center | Price: Varies
Juice WRLD’s come up in the SoundCloud rap era has been filled with emo trap bangers and big name features from artists like Future. His solo album, Goodbye & Good Riddance, gave us hits like “Lucid Dreams,” while the other headliner, Kevin Gates, has turned out chart toppers like “I Don’t Get Tired,” or “2 Phones.” It should be a good mix of new wave emo trap hip hop and new school grimey rap.
2.2 4th. Ave. | A&R Music Bar | Price: $10
Under 21 and worried about getting in? Don’t worry; all the members of 4th Ave. haven’t even hit 20 yet. This boy band from LA mixes trap beats with pop and R&B creating catchy music.
2.7 Rainbow Kitten Surprise | Express Live | Price: $35
This band’s name does not match its sound, this band does an amazing job crossing the rock/folk genre. They rode some wild success last time in the city as they sold out the Newport, so this time they moved into some bigger space at Express Live.
2.12 Excision | Express Live | Price: $42.50
Excision makes headbanging electronic music and complements it with crazy visuals and graphics. Make sure you take an extra Advil after the show because odds are high you’ll have a headache and a sore neck. Fun Fact: the festival Lost Lands is presented by Excision.
2.13 Space Jesus | Skully’s Music-Diner | Price: $20 (+$10 for anyone under 21)
Space Jesus works more in the realm of dubstep than anything. While many of the artists on this list provide a high-energy show, Space Jesus is all about the chill vibes, man. Look out LoFi Hip-Hop Beats To Chill/Study/Relax To, there’s a new sheriff in town, and he’s straight chillin’.
2.14 Bas | The Basement | Price: $19.50
Part one of the Dreamville rappers hitting the Bus in the month of love. Bas came onto the scene quietly and has quickly gained popularity with his songs like “Tribe” featuring J. Cole or “Boca Raton” featuring ASAP Ferg. His music has a good mix of upbeat and fun songs as well as conscious rap.
2.15 Dillon Francis and Alison Wonderland | Express Live | Price: $45
This duo is teaming up for a show that will be a memorable one. At this point in time, both artists are EDM titans. Their style is very similar as it works more in the pop realm with vocals in the songs, plus they are known for really nice drops and pretty awesome visuals.
2.16 Anderson East | Newport Music Hall | Price: $20
Don’t confuse Anderson .Paak with Anderson East; they are two completely different artists. East’s voice is somewhere between Fergie and Jesus, and his music is somewhere between rock and R&B. Check out the artist whose song, “All In My Mind,” was recently nominated for a Grammy.
2.17 Donna Missal | A&R Music Bar | Price: $12
She can cross genres with ease that others cannot. She reminds me a little of Lana Del Rey with that power in her voice that reaches your soul. Plus, tickets are cheap as hell.
2.18 Dr. Dog | Newport Music Hall | Price: $25
Oh, Nellie! Has it really been 20 years since this band first started? This psychedelic rock band will be stopping by Newport to play from its newest album Critical Equation; the band’s first album in five years.
2.19 JID | Skully’s Music-Diner | Price: Varies (+$5 for 21 and under)
If there’s any rappers prime to hit a huge glow up in 2019, it’s JID. His newest album, DiCaprio 2, showcases his versatility as a rapper, singer, and how comical he can be with his word play. The Dreamville rapper has gained comparisons to Kendrick Lamar and it’s always a good thing to compared to one of the greats.
2.20 Brother’s Osborne | Express Live | Price: $34
This Country Music duo is on the rise after a successful second album Port Saint Joe, which came out back in April. Just make sure to rock a cowboy hat like lead guitarist, John Osborne.
2.20 G Jones | Skully’s Music-Diner | Price: $20
G Jones goes hard. This bass heavy EDM artist has shows that probably could be heard from miles away if it wasn’t under a roof. Don’t believe me? Stroll past Skully’s on this specific Wednesday evening and find out for yourself.
2.22 Luke Combs | The Schottenstein Center | Price: Varies
Yee’s will be haw’d at this show. Luke Combs is on his “Beer Never Broke My Heart Tour,” and although there isn’t an official announcement of a new album in 2019, Combs isn’t slowing down with making music with his latest hit “She Got The Best of Me.”
2.24 Travis Scott | The Schottenstein Center | Price: Varies
Coming off the hype of his latest album, Astroworld, Travis Scott is opening up a second leg of the tour and stopping off in Columbus. His futuristic trap wave vibes have set a standard for his contemporaries, and his shows are known for being absolutely insane. “It ain’t a mosh pit if there ain’t no injuries.”
3.1 Hippie Sabotage | The Bluestone | Price: $20
They are an EDM group and they have all the tell tale signs of a good show. There are some instruments used lived, specifically the guitar, and there’s a smoothness to their sound more than anything. Although their show is very high energy, it’s not as intense as some of the others on this list.
3.2 Vince Staples| Newport Music Hall | Price: $14
This man has got his own unique sort of style, he doesn’t really match what’s considered the mainstream of the industry right now, but it works for him. His songs include “Norf Norf”, “Blue Suede” and BagBak”. Opening up will be another unique rapper, JPEGmafia, at Newport Music Hall.
3.11 Mumford and Sons | Nationwide Arena | Price: Varies
After their most recent album, Delta, came out in November, Mumford and Sons are on the road. Their sound has moved away from folk to alternative rock, but I am sure their show will include their older work. I mean they can’t just not perform “I Will Wait”, right?!
3.19 Weezer and Pixies | The Schottenstein Center | Price: Varies
Back from their killer first tour together, these two make a second round of shows nobody’s going to forget. Weezer has changed their style over the years, and their show is a variety of their songs from “Island In The Sun” to “Say It Ain’t So,” and of course their cover of “Africa.” The Pixies might be one of the best bands to never have a traditional radio hit, but that hasn’t stopped them from climbing their way up the rock industries over the last 30+ years.
3.23 Jukebox the Ghost | Newport Music Hall | Price: $14
This tour follows after the indie pop band’s 2018 album Off To The Races which included the hit “Everybody’s Lonely” that will make you think about life and perspective. What’s a good concert without a few existential crises?
3.28 Zomboy| Newport Music Hall | Price: $25
The dead will be brought back to life with this show, Zomboy is a very intense style EDM. I recommend that if you go in, you go all in. Zomboy will possibly be tearing the roof off of Newport.
3.29 Dierks Bentley | Nationwide Arena | Price: Varies
Country music might get a bad rep, but Dierks Bentley makes some damn infectious country music. Songs like “Drunk On A Plane” and “Somewhere On A Beach” take you to a place of vacation, and with this concert coming in the middle of the semester, we’ll all be thinking about a place bright and sunny.


C02 - Pencil Condenser Microphones
The C02 is a pencil style condenser microphone that excels in both live performance and recording applications. Equipped with a linear frequency response for superior reproduction, it is also designed to withstand high sound pressure levels. Extremely sensitive, it employs a tight super-cardioid pattern to reduce feedback. A special shock-mounted mic holder is included to minimize noise and provide additional protection.
Gold-plated XLR connectors
Carry Case & shock-mounted mic clips included
Sold as stereo pair


With First Tutors: Music you can locate a Garndolbenmaen harp tutor. Harp lessons are the perfect method to learn a fun new hobby, acquire a new skill and attain confidence with harp. Try our site to find Garndolbenmaen harp tutors and choose which suits your requirements so you can start your harp lessons in Garndolbenmaen immediately!
This is the best place to contact Garndolbenmaen harp tutors in the UK, helping you discover Garndolbenmaen harp tuition in your area and Garndolbenmaen teachers to assist with any instrument such as piano, violin or guitar. We can help you find Garndolbenmaen harp tuition or a Garndolbenmaen harp teacher to prepare for harp grades and develop your harp skills! Our search will order Garndolbenmaen harp teachers local to you by their hourly prices and proximity to you.
If you are a harp tutor and would like to offer your harp tuition services in Garndolbenmaen or anywhere else across the UK, please register with First Tutors: Music or learn about us here. Becoming a Garndolbenmaen harp teacher is a great way to re-affirm your own knowledge by giving harp lessons while assisting someone else, all in Garndolbenmaen!


|Music & MP3 Information|
Is Your Child Capable of Composing Music? Maybe the Next Mozart?
We've all heard of them. Child prodigies who begin composing music at some ridiculously young age. For instance, history reports that Mozart was writing minuets by the time he was five years old. Amazing. At five years of age, I'm not sure that I knew the difference between my finger and my thumb and I certainly wasn't composing music.
Now there is no doubt that the fact that Mozart was composing music by the age of five does not prove that any of the rest of us ever could compose music, but a number of studies conducted over the past fifty or so years indicates that most children can begin composing music as long as they are given both guidance and opportunity.
True, in the vast majority of the cases the end product is not going to rival anything that Mozart put out, but just because you (or your child) may not be the best there ever was at composing music doesn't mean the attempt is not worth the effort. If we follow that reasoning why would a child learn to walk or run when he or she knows he could never walk or run as well as, say, Michael Jordan? Why would they learn to talk if they knew they could never speak as well as Bill Clinton or Ronald Reagan?
Similarly, imagine if Mozart's parents had not given him the opportunity to be exposed to music and then the formal training that gave him the tools to begin composing music. The world would be a poorer place without the input of this musical genius.
In Mozart's situation, he began formal training on the keyboard at the age of four and within a year he was composing music ? though I'm sure that it wasn't of the caliber of his later works. In the case of the average child, however studies have shown that if given the opportunity and the education (i.e. instruction on an instrument, a little bit of music theory, etc) average children can begin composing music somewhere around the age of nine.
Give your child the opportunity and training he or she needs to begin composing music. In most cases it will develop their mind, round out their education, and give them a creative outlet. Eventually, however, of all the children composing music who might not have otherwise, the next Mozart will spring and if it's your child, the world will thank you. And if not, at least your child has been exposed to some good music and had his or her mind stretched a bit.
I am extremely thankful that my parents had the good sense to expose me to music by way of piano lessons starting when I was about 7. And even though it didn't "take" until I was an early teenager, when it did I had the background in music theory and technique to where I could progress rapidly from then on. And while I'm a country mile from Mozart's class, I do well enough to enjoy my self and make a living in music.
Duane Shinn is the author of over 500 music books and music educational materials such as DVD's, CD's, musical games for kids, chord charts, musical software, and piano lesson instructional courses for both children & adults. His book & DVD course entitled "Classical Piano For Adult Beginners!" is used by adults around the world. He holds advanced degrees from Southern Oregon University and was the founder of Piano University in Southern Oregon. He is the author of the popular free 101-week online e-mail newsletter titled "Amazing Secrets Of Exciting Piano Chords & Sizzling Chord Progressions" with over 58,800 current subscribers.
How to Create an Original Melody
Here's a method I use that works. First, sit down at your piano or keyboard and just improvise. I suggest improvising first because music that is created in this way is at its freshest. It's not adulterated or thought up. It is pure inspiration. Now, there will come times during improvisation where you may say to yourself, "this is nice and I'd like to develop it." You see, now you have an original melody to develop.
3 Quick & Easy Steps To Playing Music by Ear
Playing by ear is the ability to play a piece of music (or, eventually, learn an instrument) by simply listening to it repeatedly. The majority of self-taught musicians began their education this way; they picked up their instrument and began playing an easy melody from a well-known song, slowly picking out the notes as they went along. And even after these musicians master their instruments or a particular song, playing by ear still plays a large role. Many pop and rock bands don't play or write their songs based on sheet music, they figure the songs out by playing by ear. It's even common among non-musicians. Ever sit down a piano and mindlessly pick out the tune to "Mary Had a Little Lamb"? What about grabbing a guitar and suddenly finding yourself playing the opening licks to "Smoke on the Water"? That's playing by ear. You're able to play part of the song just because you've heard it so often.
Interested in Improving the Sound of Your Stereo? Consider Records
Introduced in 1982, the compact disc was intended to provide better sound than the 40-year-old long-play record album, popularly known as the LP. Using a laser rather than a diamond needle for playback the compact disc was smaller, more convenient to use, and less susceptible to damage than the LP. A bonus was that the format was said to offer "perfect sound forever." "Forever" isn't that long these days; improvements in digital sound have come along in the last twenty years and the music industry introduced two new formats this decade that are designed to improve upon the "perfect" sound of the compact disc. Those formats are the Super Audio Compact Disc (SACD) and DVD Audio (DVD-A.) Over the years, various audio publications have criticized the sound of compact discs, describing the sound as "harsh", "brittle" or "sterile" compared to the sound of the LP. After years of research, SACD and DVD-A were introduced several years ago and introduced sound that was said to be cleaner and more natural than that of the compact disc. In addition, these formats offered multi-channel sound, and artists such as Pink Floyd offered special multi-channel versions of their albums to entice sales. It hasn't worked, and sales of both formats peaked in 2003. What is interesting, however, is that both formats still trail the LP in sales!According to the Recording Industry Association of America, the combined sales of SACD and DVD-A were less than those of the LP in 2004. The music industry is in a slump at the moment, and sales of all formats were down last year. But sales of LPs were down 13% from 2003, while combined SACD and DVD-A sales were down 33%. It would appear that the new formats are failing, even though they are said to be superior to the compact disc. The LP, on the other hand, continues to have steady sales. While the major labels are still somewhat hesitant to release new product in LP form, labels that specialize in reissuing older material, such as Classic Records, are releasing as much product as their manufacturing capacity will permit. It is worth noting that much of this reissued product comes in the form of high-quality, limited edition LP pressings that often carry premium prices of up to $50 per title. Why are records continuing to sell while the new formats fail? There are several reasons why records are outselling the new, "superior" digital disc formats: Format wars. Like VHS vs. Beta in the 1970's, the SACD and DVD-A formats are largely incompatible. While players have been introduced that will play either one, most players play either one format or the other. Worse, neither one will play on a traditional CD player. You must replace your player to play either one.Multichannel sound is difficult to use and requires purchasing new amplification equipment. SACD and DVD-A both have multichannel capabilities, but neither format's players have digital outputs. Both must be connected to amplifiers or receivers with special SACD or DVD-A analog inputs. Most of the music fans who preferred the sound of records to compact discs still prefer the sound of records to either SACD or DVD-A. Most will agree that while the new formats sound better than compact discs, the unique "digital" sound of compact discs is still there. Many listeners aren't interested in sound quality. Arguments can always be made about the sound of compact disc vs records vs SACD vs DVD-A, but millions of consumers are content to listen to music in MP3 format on portable players. MP3 format is inherently inferior in sound quality to all of the other formats, but MP3 players are selling as fast as companies can make them.The day will never come when records again become the dominant music format. The convenience of portable players for CD, SACD, and DVD-A discs and MP3 files outweighs the advantages in sound quality that records offer over those formats. Nevertheless, it appears that a small but steady market for records remains very real, and that that market exceeds that of the new "improved" SACD and DVD-A formats, which will probably soon go the way of the forgotten Elcassette, Minidisc, and 4 track tape formats of the past.
Self-Expression Without Criticism
When I was 9 years old I played the Saxophone and thought I was pretty good at it. Unfortunately, I had a teacher who didn't think so and he went out of his way to make sure I knew how he felt.
An Interview with Angus Young of ACDC - Why He Plays a Gibson SG
Steven:Maybe more than any other guitarist ever, you're inextricably linked to the Gibson SG? What was the evolution that brought you to this particular instrument?
Establishing Your Mix
Now that you've spent hours and days and weeks and months recording your musical masterpieces (and you've also read my article "Tips for a Great Recording Session"), you have arrived at my favorite time in the studio; The Mixdown.
Spectral Muses Revisited: The Channeled Melodies of Rosemary Brown
Rosemary Brown (1916-2001) was a middle-aged South London widow, making ends meet as a grade school kitchen assistant, who rocketed to international fame in 1968 through a BBC broadcast recounting her purported collaborations with long-dead composers. These included Liszt, J.S. Bach, Handel, Beethoven, Schubert (who of course no longer needs spectacles), Monteverdi, Rachmaninoff, Debussy, Brahms, Robert and Clara Schumann, Mozart, Grieg, and Poulenc. And after he died in 1971, Igor Stravinsky joined them.
How to Make $30,000 with Your Music Before Years End
As an independent musician and/or recording artist, if you did *NOT* earn $30,000 (or more) with your music alone last year, let's jump right in and get you started with doing so this year.
Flaming Guitars! Minarik Fuels The Excitement Of A New Generation Of Musicians
Celebrating an endorsement between G-Man Music and the fiery axe-makers known as Minarik Guitars, Scott G (The G-Man) reviews the Minarik Inferno X-treme.
Bagpipe Lessons In Your Own Home !
Bringing Bagpipe Tuition to Everyone, Everywhere.
Record Collecting Still Thriving in the Twenty-first Century
It may surprise many to find that the hobby of record collecting, long thought dead after the introduction of the compact disc, is still alive and well. Granted, many music fans have long replaced their records with CDs, but for many Baby Boomers and Generation X-ers, the hobby of buying and collecting record albums and singles continues to be a focal point in their lives.Records offer the tactile sense of a substantial product, unlike the CD. The seven-inch, 45 RPM single often came with a picture sleeve that has no equivalent among compact discs. The nostalgia of records draws many back to their younger days. And records still sound great. A recent check of the Bay auction site showed 959,857 records for sale. That's just under one million records!These records aren't selling at garage-sale prices, either. At any given time, there might be six thousand records by the Beatles for sale, some of which have sold for up to $40,000. Elvis isn't far behind; his first five singles, issued on the small Memphis-based, Sun label, routinely bring $2000 at auction in nice condition. Other artists, such as the Rolling Stones, Pink Floyd, Led Zeppelin, James Brown, or Madonna have issued records that not only command sky-high prices, but also draw a lot of bids. The greatest interest in record collecting is in artists of the 1960's and 1970's, but newer bands, such as Nirvana, draw a lot of attention from younger collectors. Nivrana's first single, Love Buzz issued in 1988, sells for up to $2000 and there are several other bands, such as the Misfits, that have released numerous records that sell for more than $1000. What do collectors do with these records? Some play them, some frame them, some simply put them on the shelf. There are collectors who only buy records that they intend to play and others that simply want anything that was ever commercially released by the artist that interests them. There is no pigeonholing a collector; they come in all shapes and sizes. For them, finding a long-unavailable single that has eluded them for years is like winning the lottery.For those who are interested, there are literally thousands of Websites devoted to artists, records, and record collecting. There are well-known magazines, like Goldmine , Discoveries, and in the UK, Record Collector. Anyone who thinks they might be interested in collecting records has more resources available to them than ever before. Twenty years ago, people thought that records would be long forgotten by now. They couldn't have been more wrong.
How To Dress Up Naked Music On The Piano
What in the world is "naked music?"
Vintage Guitar Collectors Can Still Find Deals
If you're a recent vintage guitar collector, the stories you've heard are true. You once could step into pawn shops or flea markets and find vintage Gibson Les Pauls and Fender Stratocasters for $50 to $100. True. These guitars now sell for thousands of dollars on Ebay and Gbase.
Bang on Your Drum All Day Long - Without Annoying Your Neighbors!
Bang! Bam! Bang! Have you always wanted to play the drums, but are afraid your neighbors would call the police on you?
Review: Audioslave - Out of Exile
Every once in a while a band comes along that really changes the way you perceive music, for me one of these bands was Rage Against the Machine. I'll be the first to admit that I, like most angsty teenagers was lured into Rage's music by their anti-authoritarian songs, and honestly dude, they said "fuck" a whole lot. Not only did the vulgar language lure me in but instead of writing about girls and cars, they took the time to write music about something that actually mattered, politics. Gimmick or not, the music was compelling. Soon after I first heard Bulls on Parade on the radio I started to really question why I was listening to a lot of the other music that interested me at the time. Slowly I began to drift away from happy songs about love and sunshine, and turned to songs that really had a purpose. That being said, I was very excited when I first heard that one of my favorite bands of all time was going to reform, and motherfucking Chris Cornell is going to be their singer. It was like some sort of early-90s rock wet dream. Soundgarden and Rage against the Machine coming together to form a band that would revolutionize rock! Or so they all said.
Piano on the Right-Side of the Brain
Some of you may remember a book titled "Drawing on the Right-Side of the Brain" by Betty Edwards.
To Record or Not To Record - At Home, That Is
I will be honest. I am addicted to music recording. I love moving faders, adjusting levels, panning, reverberating, sequencing, you name it. I especially love all that software, and the colorful ways that they show the music as a waveform. It is just cool.
What is Guitar Tablature and Can I Find It Online?
The guitar is one of the most popular musical instruments and the online guitar community probably the most popular of its kind. There are thousands of guitarists connected via online communities sharing guitar tabs, tips and stories and there are many of websites dedicated to sharing guitar music, tablature and even guitar lessons. Some you have to pay for, but there's a lot out there for free.
Guitar Practice (Part 2) - Does Practice Make Perfect?
You've probably heard the saying "practice makes perfect" and it sounds true enough, but is t really? We all know the importance of practicing a new skill in order to become proficient at it. This is especially true when it comes to playing the guitar, or any other musical instrument for that matter. But, practicing incorrectly can actually be a detriment to your progress.
Creating Your Own Compositions
The idea of actually creating a complete piece of music to play frightens many students. They just don't understand how someone could come up with something, put it down on paper, and call it their own.
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Le Dernier Evangile - V Hymnes pour un prologue
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- Material: Partition
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- Number of pages: 144pp
- Publication date: 2004
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Square Shoulder Dread
The Martin style Dreadnaught guitar shape has been around since roughly 1915 and has been copied and reimagined by many, even Martin. In 1931 the guitar was reintroduced with the Martin X brace and two tone bars which has become the traditional bracing pattern, but not the only one, on most flat top guitars today. These guitars can be simply built, or appointed to a very high level. The wood choices do matter but for most guitars difference in tone is always in the quality of the wood, and the skill and care taken during construction. This is a wonderful and time tested design.


Mixing & Mastering Engineers who worked with Courtnie
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We function as a full service music production company. We handle everything from instrumental creation, top line writing, vocal producing/comping/tuning, mixing/mastering. We produced numerous artists EPs and albums as well as placing music with brands such as Fossil Watches, Five Four clothing and various TV Shows.
My taste of sound lean towards the more organic, but as your producer / engineer I will work with you to get your music to it's best version of itself regardless of preferences. Love working with independent bands that really thrives from what they create.
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My work Restaurant is holding a local fundraising event in aid to raise as much money for our chosen charity ( maternity unit at Wishaw general hospital ). The date of even will be on Monday 2nd may. We are having a ' family fun day ' which includes face painting and bouncy castle. We are looking for something a bit extra and different and would love to have your balloon making services. We are looking for a quote if possible.
We're getting married in Glasgow 5 mins from the city centre on the 4th March 2017.
I was hoping to surprise my wife to be with a band to restart the party after the break in the evening for about 30 mins. With such a short set I was hoping for an acoustic set to maximise the surprise.
She loves Mariachi bands, as well as the Mariachi covers of modern songs (like the Dorito adverts). Its a bit of a long shot at this late stage and this might not be possible at all. But was just looking for a quote, as you can imagine planning and paying for a wedding is costly!
The venue is German themed, so a german band may work if mariachi isn't available, if they can do covers.
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Wedding is 14 Oct 2017 in dunkeld.
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Yet they do not have to work as hard as you do for strength and foot control in pointe shoes.
You can practice this simple pointe shoe exercise at home every day, (well, rest one day), even if buying ballet toe shoes is still a couple of years away for you.
Ballet teachers, you can teach this right now to your dance students who have hyper-mobile ankle joints.
The "banana" foot in ballet is one which is very flexible at the ankle, and in all the foot joints. The shape is much admired, yet is problematic for many working with these fashionable feet.
The exercise is simply this:
- in a small second position, rise onto demi pointe, but not all the way.
- stop when the ankle joint is in line with the toe joints.
Normally, you would keep going, and your ankle joint would be arched out in front of your toe joints.
Use a mirror if you cannot feel this position, you will have to get used to it, as you develop the muscle memory.
Now do a small, slow demi plie, without changing the position of your ankle joints.
Straighten and plie again, eight times, then press down and relax with a demi plie, or shake your legs out before you start again.
I recently heard from a teacher who has a student whose feet are so flexible, she cannot even find a pointe shoe to work in.
Usually it is the dancers who want to get more flexible in the ankles who may be told "you simply cannot dance in pointe shoes".
If you are already taking pointe classes, you would press up, stopping when you are completely on the platform, or end of the pointe shoe, but with the ankle joints over the platform, not pressing forward to your full arch.
You will now plie, not deeply, holding the position of the ankle and foot firmly. And repeat as above.
This is the position you would do hops on pointe in.
While your working foot is beautifully pointed, your supporting foot must hold this position, without fail.
Students in contemporary dance classes would benefit from this as well. Ballet foot control prevents dance injuries. When the time comes to buy dance pointe shoes, you can be ready!
Get the expert dancers guide, THE PERFECT POINTE BOOK for BALLET POINTE EXERCISES.
(cite Fair use of this image owned by The National Ballet of Canada).
Notice the difference in the supporting foot and the presented foot, performed by Karen Kain, with Frank Augustyn in Giselle.
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Mixing & Mastering Engineers who worked with European Jazz Expo
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Meet Karan, a recording engineer, guitarist and a composer based out of Los Angeles. With a degree in Audio Engineering from Musicians Institute in Hollywood and 15 years of live performances and session guitar playing experience, he has a lot to offer from Music Production, Recording, Mixing and Composing. He works out of K Loft Studios.
NYC based engineer/mixer/producer with over 15 years of experience with a vast discography of credits, spanning many different genres. Beastie Boys, Gogol Bordello and Phoenix all have something in common, they worked with me.
20+ years producing electronic, pop & rock music. Songwriting & composition. Conservatory trained studio musician (Grade): Classical guitar (10) Piano (8) Cello (6) Violin (3) Accordion (Chromatic), Orff (4) (all four wooden recorders, xylophone, marimba, mellophone, arrangement), hand drums (4,bongos, darabouka, doumbek, castanets)
I am a Beat Maker, Music Producer and I am new to the music industry and I hope to gradually improve as I go with making beats etc. I have currently finished my first Drill type beat and i am gradually improving as i go. You can check the beat out on https://soundcloud.com/c_fbeats/drilltypebeat.
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Synthesis is all around us. Synthesizers have become so commonplace in music that we often don’t even realize that we’re hearing them, and the concepts that drive synthesis have permeated every other field of music technology over the past 50 years.
Even so, the basic concepts of synthesis can sometimes be a little hazy. With the current renaissance of modular synthesis, we as musicians can find ourselves in a do-it-yourself world that’s both exciting and confusing; there are so many creative possibilities, but also many ways to lose hours of creative time to technical confusion.
If you ever end up second-guessing yourself while you build synth patches, read on. If you just want to brush up or get another perspective on synthesis, read on. The following paragraphs will walk through the core concepts of synthesis in a clear and straightforward way, with audio and pictorial examples that should help to cement your understanding of synthesis, whether you’re a total neophyte or a synthesis expert.
Before we go on, I do want to make one point: the type of synthesis we’re dissecting here is subtractive synthesis. Subtractive synthesis is the most commonly used category of synthesis, and it’s defined as a method of sound synthesis in which partials of an audio signal (often one rich in harmonics) are attenuated by a filter to alter the timbre of the sound. This is the type of synthesis you see employed in analog, analog-modeling, and wavetable synths, and concepts of subtractive synthesis are present in FM, granular, and sample-based synthesis as well.
One other term we need to cover before we dive in is control voltage, or CV. Control voltage is, more or less, the internal language of analog synthesizers. This voltage does not represent audio but controls different elements of a synthesizer that create audio. For instance, the keys on an analog synth keyboard send different control-voltage values to the oscillator in order to change the oscillator’s pitch.
We are going to make this a stripped-down, practical guide rather than an in-depth guide that is steeped in theory (for the latter, check out The 4 Element Synth by Rob Papen). Let’s start by examining the most common modules found in an analog synthesizer. In the case of synthesizer keyboards or all-in-one synthesizer units, these individual modules are all built into the synthesizer and already connected to one another in a sensible order. In the case of modular synthesizers like the popular Eurorack modular synths you may be familiar with, these modules are all separate pieces of hardware that you patch together with external cables. OK, let’s dig in.
If anything is the heart of a synthesizer, it’s the oscillator. It produces a raw, unfiltered sound wave. In a garden-variety analog synthesizer, an oscillator will generate a saw wave, square wave, sine wave, triangle wave, or noise. In digital synthesizers, the core of the oscillator can be a wavetable or even a recorded sample. The sound sample below is a saw wave, the way you would hear it if you directly tapped the audio output of an analog oscillator.
Note that it just keeps going. Forever. The behavior of vintage analog synths, and synths that emulate vintage analog synths, is that the oscillator is free-running, meaning that it’s oscillating at all times.
In a synthesizer, the pitch of the oscillator is modified by a control voltage (CV) generated by a sequencer or keyboard. Here’s what that might sound like.
But pitch CV doesn’t give us any separation between notes. That’s fine for a moment, but listening to an oscillator that just doesn’t stop would get tiring pretty quickly. That’s why we need an…
Every synthesizer has an amplifier, or more accurately, a variety of amplifiers. Often seen abbreviated as VCA (voltage-controlled amplifier) and DCA (digitally controlled amplifier), the amplifiers are the components that determine exactly how much signal from the oscillator gets passed on to the next part of the synthesizer.
The name “amplifier” is a bit misleading and confusing, though. Technically speaking, an amplifier is part of a circuit that boosts signal, but in synthesizers, the amplifier actually attenuates, or reduces, any signal coming through it. Got that?
In most analog and analog-modeling synthesizers, each oscillator is fed into an amplifier that keeps the oscillator signal completely attenuated until the amplifier is stimulated by an incoming control voltage (CV). That way, we only hear the oscillator when the amplifier is activated somehow. That’s how we get separation between notes rather than a constant tone.
Generally speaking, synthesizers have a keyboard that generates a gate signal when a key is pressed, which triggers an envelope, which then stimulates the amplifier to allow signal to pass through. Here’s what that sounds like, if you were to tap the output of an amplifier that is responding to a gate signal generated by a keyboard or a sequencer.
It’s probably worth noting that different synthesizers give the user different levels of control over the amplifier. Minimally, you can control the amplifier by shaping the envelope that affects the signal level, which changes the attack time (A), decay time (D), sustain level (S), and release time (R), in a section often labeled amp EG (amplifier envelope generator). Envelope controls are typically labeled ADSR.
In the context of a synthesizer, a filter is a module that removes certain frequencies from the audio signal, much like an equalizer on a stereo or a recording console. The most commonly found filter types on an analog synthesizer are lowpass (LP) filters, which filter out high frequencies and let low frequencies pass (hence the name) and highpass (HP) filters, which filter out low frequencies and allow high frequencies to pass. You may also see bandpass (BP) and all-pass filters on certain synths.
Filters are used to alter the timbre or tone of a sound. Minimally, a synthesizer will give you control over the cutoff frequency of the filter (the frequency at which the filter starts cutting off) and the resonance of the filter, which is a boost or bump that occurs at the cutoff frequency.
It may make sense if you just hear it. Here’s the sound of a synth being played with the filter completely disengaged.
Here’s a sample with a lowpass filter engaged with zero resonance, and I’ll move the filter’s cutoff frequency up and down to highlight the effect.
Here’s that exact same passage but with the filter’s resonance control turned almost all the way to max.
And here’s a sample with a lowpass filter engaged with an envelope generator altering the cutoff frequency. You will hear the filter resonance increase as the sample goes on, resulting in a squelchy or squeaky sound.
We’ve been throwing the term “envelope” around in this article a bit, and it bears a little more explanation.
An envelope generator is a module that alters incoming voltage over time. This can be used in a lot of ways, such as to open up an amplifier circuit in order to give a volume contour to a sound. Listen to the difference between an oscillator going through an amplifier circuit that’s simply being opened and closed by a gate signal
compared with an oscillator going through an amplifier circuit that’s being opened and closed by an envelope generator that’s reacting to that same gate signal.
Most synthesizers have multiple envelope generators — minimally one that controls the amplifier, and thus the volume of each note over time, and one that controls the filter and the frequency content of each note over time. However, some synthesizers, specifically modular synthesizers, allow you to patch envelope generators into practically anything.
When it comes to envelopes, they come in many shapes and sizes, but most frequently you’ll see envelopes represented by the letters ADSR when they appear on synthesizers.
A: Attack. This is the time it takes for the envelope to reach its maximum value after the note begins its attack. This audio sample begins with the filter envelope attack value set to 0.00ms, and the attack will increase to about 150ms over time, then fall back down to zero.
D: Decay. This is the time it takes for the envelope to fall from maximum value to the sustain level. The decay stage does a lot to define whether a sound is snappy and transient or long and flowing. In this sample, the filter envelope begins with a snappy decay value of 150ms, goes up to 3 seconds, and backs down again to almost zero.
S: Sustain. This one is tricky, because it’s the only part of the envelope that’s a measure of amplitude rather than time. The sustain level is the value at which the envelope rests after the decay stage, until the key is released. This is often expressed as a percentage of maximum value. When it comes to amplitude and filter envelopes, patches emulating plucked or struck instruments like drums or mallets would have zero sustain. Bowed instruments and brass and woodwind sounds, on the other hand, would have a higher sustain value.
In the next audio sample, you’ll hear a synth patch in which the filter envelope has a snappy, short attack and a pretty short decay of 150ms, and we will move the sustain value from 0 at the beginning to 100% and back down.
R: Release. Release is the time it takes for the envelope to fall back to zero after the key is released (or technically, after the gate signal ends). Think of an acoustic guitar — this instrument would have a very sharp attack, a short decay stage, zero sustain, but a long release when strummed as the strings slowly lose energy and volume. On the other hand, a marimba would have a much shorter release time. An aggressive modern synth bass or lead patch might have essentially zero release.
In this last sample of the envelope section, we will mess around with release. Here’s a patch that has a very short attack, a medium (300ms) decay value, and a sustain set at 70%, and we will start with zero release, raise it up to 20 seconds briefly, then go back to zero.
Key Concept: Gate and Trig
These terms often throw people off. What the heck is a gate? Why do I need it? To oversimplify it a little bit, gate signal tells the synthesizer when a note starts and when it ends. Here’s an example — a keyboard can generate a gate signal, which begins when the key is pressed and ends when the key is released. A sequencer could generate gate signals, and it could have various ways of controlling the length of the signal (and thus the length of the note, provided that the gate signal is patched to the gate input of an envelope generator that’s connected to the CV input of an amplifier).
So what the heck does it mean when I see “trig” on a synthesizer? That stands for trigger. A trigger resembles a gate signal, but instead of having an element of time to it, it’s instantaneous. Put another way, a gate opens at one time and closes later, for instance, when you take your hand off a key. A trigger signal is an instantaneous pulse. For this reason, trigger signal is seen frequently on analog sequencers designed to drive drum machines and isn’t as suitable for melodic instruments.
The final primary module you’ll find in an analog synthesizer is a low-frequency oscillator (LFO). An LFO generates control voltage, not sound. Like a normal oscillator, the voltage from an LFO oscillates, or goes up and down, but typically it’s too low to actually be perceived as pitch. Technically, the definition of an LFO is an oscillator that generates frequencies lower than 20Hz.
LFOs are frequently used to control pitch, filter cutoff frequency, pulse width, amplitude, and a variety of other parameters in order to add movement to a sound over time.
To tie this all together, I’ll leave you with a simple block diagram showing a synthesizer with one oscillator, one amplifier, one envelope (controlling the amplifier), a lowpass filter, and an LFO modulating the cutoff frequency of the filter. This should give a solid visual reference for all the concepts we’re talking about.
And here’s what that sounds like:
Hopefully you found some helpful information in this basic rundown of synthesis concepts. To the uninitiated, this may seem like a lot of information, but I promise you, there’s a whole lot more where that came from. The limitless flexibility of synthesizers is one of the things that makes them so appealing, and the huge variety of synthesizer modules available today allows every individual to create his or her own unique instrument — and then add, subtract, and modify modules endlessly. It’s a lot of fun, and the sonic potential is infinite. If you haven’t already gotten your feet wet with synthesizers, why not dive in now?
If you have any questions about synthesizers, don’t hesitate to reach out to your Sweetwater Sales Engineer at (800) 222-4700.


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Hi, my name is Anna. As an orphan, I grew up in Hungary in a foster home. At a very young age I was already exposed to music. It kind of blew me away. I didn't know how something could be so beautiful, and it was like a miracle for me. Then and there, I knew that something special was waiting for me ahead. When I was 3, I didn't talk for a long time, but I did do one thing: sing. At that point my life has totally changed. I began my long journey. My foster parents got me in to a music school, called Janos Patzay Music School. I knew immediately what I wanted to be. I built my whole life on music. It always filled up a very special place in my heart,it still does, and it always will. I started to learn the violin when I was 5 years old. Being in a music environment always gave me strength, made me feel safe, and made me stronger as a person. I decided to learn more, and to grow, I must never give up on my dreams. After elementary school, in 1998, I went to Bela Bartok Music High School,and graduated in 2002. I continued studying music at the University of Miskolc Bela Bartok Institute of Music trough 2004-2008. Those four years were some of the best years of my life. In college, I changed my major to viola instead of violin. I am never going to forget the day of my diploma concert (April 27,2008, Sunday). It was wonderful. All the hard work and studying got me here to this point. I had no family being for me all these years, nothing really, only God and music. Knowing the fact what I wanted kept me going in the hard times. In 2003, I met with a pastor from the United States who were on a mission trip in Hungary, in the orphanage I lived. Nothing can describe it, not even words what we had. I felt like I always knew her. I used to say I was born in a wrong place in a wrong time. After my diploma concert she and her husband adopted me. Today I am able to say that I have a family,a real family with true love. So, I came here to study English (ESL) at the University of Minnesota for a year and a half. Not having time for me to practice and not have music around me for a little over than a year,it made me really sad. I was depressed, and I thought I am going to get crazy. Music was totally cut out from my life. In 2009, I finally had my music back. I was enrolled in Crown College for 2 years. I attended the school's chamber orchestra and quartet, and I also attended other classes as well ( English, drawing, painting, and piano). I have been in different chamber groups through all of my schools (duet, trio, quartet, symphony orchestra, chamber orchestra). I also studied how to teach violin ( teaching techniques) for four years in college. I observed teaching methods at the Beni Egressy Music School once every week. In my fourth year of college, I was also teaching little ones, and after my diploma concert I also had to do a diploma teaching.
I live in Shakopee, and I've been married for over three years now. I made a little music studio in my home, that's where I teach most of my students. I have a couple of music stands, and I have my own instruments (violin, viola). I will be able to teach in Shakopee, and in Victoria. I would be teaching from published repertoire, and my own as well. I would be more than happy to answer any question as it appears. I'll be always available at my email.
It was a long and hard journey, but I never gave up. I became what I wanted to be, what I always dreamed of. With God's love and with music, everything is possible.
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Performers:BAIBA SKRIDE violin, Estonian National Symphony Orchestra, Conductor OLARI ELTS.
Overture to Die Gezeichneten
BAIBA SKRIDE violin
Estonian National Symphony Orchestra
Conductor OLARI ELTS
Olari Elts and Baiba Skride – double energy supported by fifteen years of working together on
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Tickets in Tallinn: 22 € / 16 €
Tickets in Tartu 19 € / 14 €
Produced by ENSO


Music festivals are all the rage nowadays. And it’s perfectly sensible as to why! The birth of a community surrounded by beautiful art, amazing people, great food and fantastic music would attract any reasonable person. But what separates the American River Music Festival from the rest? Take those said characteristics and plug in some beautiful riverfront scenery, memorable camping and the option of a thrilling Class III whitewater rafting trip…well, you have one hell of a weekend awaiting you. Go to Americanrivermusic.org and purchase your campground tickets now! Your admission grants you Friday, Saturday and Sunday camping in one of three designated areas, admission to all three days of the music festival featuring amazing rock/blues/folk bands and free shuttle rides. Camping check-in is 9 a.m. on Friday and check-out is Monday at 11 a.m. It’s total emersion into the music festival experience, and it’s not to be missed! Go to their website for ticket purchasing and more information, including a list of all the bands playing, what to bring, festival maps, etc. Snag your spot at the American River Resort, Camp Lotus, or Earthtrek soon before all the spots fill up!


20 years ago today, the biggest rock band in the world released their third studio album. Here’s one of the best known tracks from that album:
To celebrate the anniversary they’ve released an extended 3-disc version of the album, containing 60 tracks. It includes some of the original Steve Albini masters of their two week long studio-recording session, as well as newly mixed 2013 versions and a disc of Live and Loud tracks. Click this link to order the album on iTunes: In Utero – 20th Anniversary Super Deluxe – Nirvana. I can’t wait to get my grubby paws on it too.


Utah Symphony: Mendelssohn's Italian Symphony
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In The Sims 4, you can do just about anything you want to do or be any type of Sim you want. You can become a werewolf, a baby, or even a musician! Here’s how to write a song (and sell it) to launch your music career into high gear.
How do you write a song in The Sims 4?
To write a song in The Sims 4, you need to gain skill with any kind of musical instrument. You can do this by playing that instrument as often as your Sim can. If they have any musical traits or perks, your Sim can accomplish this faster than usual.
If you already have the option to select the action to write a song, you’ll see it when you click on the instrument. From there, your Sim will begin meticulously writing a song. Be warned that the Sim will take hours to write the song, usually about 12 hours.
What Skill Level do you need to Write a Song in The Sims 4?
To be able to write a song in the first place, you need to improve your musical skill to level eight. This does not mean a general music skill, but rather a skill for that specific instrument. This means you cannot have a level eight skill in guitar but write a song on the piano. Your skill level needs to correspond to the instrument you’ll write a song with.
Related: How to speed up pregnancy & choose the baby’s gender in The Sims 4
How to License or Sell a Song in The Sims 4
You can sell your song after you write it, but you’ll need to level up a bit more again. Reach level 9 in skill on that instrument. After you’ve reached this level, go to your mailbox at your Sim’s home lot and choose the option that says License Song. This will have you earn royalties for your music every day. You’ll be able to license one song per instrument each week.
Want to read more about The Sims 4? If so, check out Can you have Polygamy in The Sims 4? on Pro Game Guides.


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In addition to the four remixes bundled into this release you get the perfectly respectable Malente & Dex original version of 'Hyperactive' plus the comparably deformed buzzing synth jibber jabber of 'Heatwave'. Bird Peterson's remix retains much of the lunacy of the original, embracing the ear-searing, hacksaw tones of its synth line and drawing even more masochistic pleasure out of its general unpleasantness. Next comes a slightly more conventional modern club mix from Bobmo, full of big chord changes and fastidious beats. Next, much like the line dance MC style of Skepta's 'Rolex Sweep', Riva Starr's remix featuring Jammer and Frisco features some slightly ridiculous vocal commands and sub bass silliness to match, although the big rave-up stabs of the original are left in there for good measure.


I found my cort in a little used guitar store named Kitts Music in montreal and I fell in love with it. it has the combination of humbucking pickups and single coil pickups so you can have a gibson sound and a fender sound. I paid 350$ canadian for this guitar.
the combination of a gibson sound with the two humbuckers and the fender sound with the single coil pickup is perfect. This guitar was made to play de blues. the fretboard just lets you fly. In the first position, you can throw walls down. its a full sound perfect for rythm guitar and the bridge pickup is perfect to play lead it sounds like youre tearing down time itself. the single coil pickup is a good addition if you want to sound like SRV. excellent for blues.
the single coil doesn't sound so good so I had to change it for a fender lace pickup, it was made to play on this guitar. the wilkinson bridge has to be lowered to the max ether else the extensive use of the wammy bar untunes the guitar completly
the guitar is unbreakable i droped it once and it didn't ever scratched it
I will never sell this guitar I am going to give it to my son when he starts playing guitar and he will do the same for his son


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String Quartets in Saudi Arabia
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The Artifact (album demo). 3 years ago 3 years ago. Trance. Follow Sensorica and others on SoundCloud.
07 Sensorica - The Artifact album - Equilibrium3:03.
Sensorica album The Artifact. Listen to the songs from album The Artifact.
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Sensorica, The Artifact. Composed by Alexander Shukaev. Album was composed by Alexander Shukaev and was released on January 1, 2007. Soundtrack consists of 10 tracks tracks with duration over more than hour. Album was released by Tranceport Recordings. CD 1. 1. Introduction.
|Train Of Thought||8:45|
|TRCD 0002||Sensorica||The Artifact (CD, Album)||Tranceport Recordings||TRCD 0002||Russia||2007|
|TPDD005||Sensorica||The Artifact (File, MP3, 320)||Tranceport Recordings||TPDD005||Russia||2007|