Works are listed in reverse chronological order.
This list is not comprehensive, omitting numerous songs, rock and jazz compositions, collaborations, works written for specific projects with other artists, and works that are included in books or collections.
Most of the works listed below are available from Leisure Planet Music. Some are designated as "unpublished", usually for practical reasons.
ENDLESS BUMMER, Parts I, II & III (1999 - 2003) bass and guitar; 12 string electric guitar, bass, soprano voice or monophonic keyboard, 2 male voices; 2 guitars. Duration open ended (much repetition is possible).
RAKE (2003) unaltered real-time ambient recording. 30 minutes
TIMEPEACE - a piece for a time for peace (2003) amplified analog time pieces and assorted small sounds. 1 hour or more
THE INVISIBLE GUY - a real soundtrack for an imaginary spy film (2003) music for 2 guitars (sometimes guitar & bass), keyboards, drum set/percussion, occasional vocals, with accompanying texts. 45 minutes
NIGHTHAWKS - a staged song cycle on paintings by Edward Hopper (2002) keyboards, guitar, acoustic bass, euphonium & trombone, male and female voices (sung and spoken), with stage set and projections. 50 minutes
TANGO SUBURBIO (2002) string quartet. 6 minutes
SYMPHONY FOR BROKEN STRINGS (2002) 3 (or multiples of 3) electric guitars. 10 minutes
SUMO I - VII (2002) a suite of very short pieces for tenor saxophone, piano, electric bass, and drum set. 2½ minutes total
ONE TO TANGO (Twylyte's Theme, from The Invisible Guy) (2002) piano solo. 2½ minutes
SGT. PEKKER, the Complete Scores (2001) 30 humorous songs in the manner of the Beatles (all of the music and lyrics from the Sgt. Pekker CD, with complete orchestrations. 56 minutes
APARTING, for piano (2000) performance installation for piano and technician(s). ca. 12 hours
TUACA - outdoor ritual music for 3 percussionists (2000) 3 simantrons. 10 - 12 minutes
A CONSPIRACY OF CROWS (2000) 3 oboes or members of the oboe family (similar or different). 20 minutes
CARBON, 1999 (1999) bass clarinet solo with two digital delays, or 3 bass clarinets. 11 minutes. (This is an adaptation of CARBON, for bass clarinet solo, from 1982)
AMBULANT MUSIC, FOR ERIK SATIE: A Journal In Music,
1999 (1999) 365 entries for the year, including
fragments, sketches, jokes, songs, miniatures, visual works, and independent
pieces for piano solo and chamber ensembles, some of which are listed separately
in this page.
SERIOUS IMMOBILITIES, Petit (1999) 84 variations on Satie's Vexations. Piano solo, mostly culled from SERIOUS IMMOBILITIES Part One. 75 minutes
DREAM CRUSH MUSIC: RAW (1999) 2 organs, electric violin, percussion (2 "kick" drums, concert bass drum, chromatic bell plates). 12 minutes
FOUR ROSICRUCIAN PRELUDES (1999) piano solo. 8 minutes
THREE GYMNOPÉDIES (1999) violin or viola, piano, percussion (vibraphone & crotales). 12 minutes
ENDLESS BUMMER, Part I (1999) bass and guitar. 3 minutes to...(lots of repetition possible, even desirable)
THE FLUTE OF SHAME (1999) flute solo. 8 minutes. Note: there is no written score for this work, which was conceived for transmission by oral tradition.
LITTLE HUMILIATIONS (1999) selected variations from Serious Immobilities (1997). 2 speaking and singing pianists. 20 minutes
THE HOLE-FLOW SYMPHONY (1997) first realization for live electronics, violin, bass clarinet, trombone, harmonica. 35 minutes
SERIOUS IMMOBILITIES, Complete (1997) 840 variations on Satie's Vexations. Piano solo with occasional spoken and sung texts. 24 hours
SERIOUS IMMOBILITIES, Part One (1997) 210 variations on Satie's Vexations. Piano solo with occasional spoken and sung texts. 6 hours
NO BLUES (1997) chromatic harmonica solo with digital
delay. 7 minutes. NOTE: There is no written score for this. It was realized
and performed by the composer on various occasions, and recorded on Erase
the Fake (Some Over History, O.O. Discs)
[no score published]
PIZZICATO (1996) cello solo. 6 minutes
WHITE LIGHTS LEAD TO RED (1996) fl, b.cl, pno, 2 perc, vln, vc. 10 minutes
BROKEN OSTINATO (1996) 2 pianos, left hand, OR 2 guitars (electric, acoustic, or classical). 8 minutes
OUT OF THE BLUE (1996) solo for 8 tuned steel bell plates, or chimes. 3 minutes
ISOLUMINARIES (1995) fl, b.cl, perc, pno, vln, vc. 12 minutes
SOLVING, FOR X(tet) (1995) fl, b.cl, bsn, perc, pno, hp, vln, vla, vc, cb. 2 minutes
THE MEANING OF THE TREAT (1995) piano solo. 8 minutes
CHASING THE DEVIL (1995) 4 melody instruments, perc, low instrument, bass instrument. 12 minutes
MICROSCOPERAS (1995) electric chord organ, recitation. 8minutes
THE ATEN (1995) vln (or clarinet), pno, bass (acoustic
or elec), drum set/gongs. 8 - 20 minutes
(Through-composed version is 8 minutes. Improvisation optional in some sections)
BE GOOD TO YOUR FINGERS AND THEY WON'T KILL YOU (1994) cl, bsn, vla, cb, perc. 8 minutes
TYPOPERA (backseat driving with a Kurt Schwitters
roadmap) (1993-94) composed in collaboration
with Eve Beglarian and James Rohrig. Text-sound, music, and theater. 3
or more performers.
GOD B's LULLABY (from TypOpera) (1994) voice (any register) and piano.Text by James Merrill. 4 minutes
BREAKING THE CHINK (1993) sop sax, bari sax, b.cl, tbn, kbd, 2 perc, vln, vla, 2 elec gtrs, elec bass. 13 minutes
GHATAM (1992-93) composed in collaboration with Robert Fernandez and M.B. Gordy for handmade ceramic instruments by Stephen Freedman. 55 minutes
BONG'S OTHER GARBO (from Ghatam) (1993) percussion trio, unspecified unpitched instruments. 6 minutes
BONG'S GARBO (1993) trio for hand-held gongs. 4 minutes
JALTARONG (from Ghatam) (1992) percussion trio for 26 porcelain bowls or flower pots. 12 -15 minutes
TOYS DO NOT WALK AND TALK (1992) amplified violin, electric guitar, electric bass, bass clarinet. Later revised and recorded in a version for amplified violin, electric bass, bass clarinet, and trombone. 7 minutes.
CLEAN YOUR GUN - version for string quartet (1992) 5½ minutes
THE MODULUS OF ELASTICITY (1992) viola (solo) and chamber ensemble: vln, krummhorn (or ob), perc, b.cl, bsn, vc. 16 minutes
LITTLE DEATHS (1991) three readers and television set. Texts by Stephen Freedman. 7 minutes
CLEAN YOUR GUN (1991) violin, chromatic harmonica, cello, baritone saxophone (all amplified). 6 minutes
PHILIFOR HONEYCOMBED WITH CHILDISHNESS (1991) oboe (solo) and chamber ensemble: picc, b.cl, pno, 3 perc, vln, vc, cb. 20 minutes
TRIO WITH TIME MACHINES (1990) 3 glocks, 3 ratchets, 3 kitchen timers (3 players). 12minutes
BENCH ADS WORK (1990) slide guitar. 1 minute
THE PACES OF YU (1990) berimbau and homemade percussion instruments. 5 players. 19 minutes
THE VULTURE'S GARDEN (1990) fl/picc, cl/bs cl, pno, 2 perc, vln, vc. Some re-orchestration possible. 13 minutes
THE QUEEN OF SPAIN (1988-90) 2 electronic hpschds
(midi kybds), 2 perc (bass drums, crotales). 3 movements. 13 minutes.
1st mvmt may be performed alone (2 kbds, 1 bass drum). 6 minutes
EDIBLE BLACK INK (1989) 3 duets: elec gtr, elec bass; OR mba, elec bass. 4 minutes
MURPHY-NIGHTS (a coda to "Johnny Sprays") (1989) bari sax, perc, synth, elec vln, elec bass, optional solo instrument. 12 minutes
GOLDBEATER'S SKIN (1988) version for violin. 8½ minutes
THE FIFTEEN FINGERS OF DOCTOR WU (1987) oboe. 6 minutes
GOLDBEATER'S SKIN (1987) bsn (or b.cl), ratchet, glock, synth, vln, vc. 8½ minutes
GOLDBEATER'S SKIN (1987) clarinet or bass clarinet. 8½ minutes
35½ MINUTES FOR GAYLORD MOWREY (1987) solo
performer, amplified prepared piano, live and pre-recorded video, and refreshments.
[unpublished] - although it could be realized with a new video tape
THE SEVEN GOLDEN VAMPIRES (1987) 2 pianos. 9 minutes
EGYPTIAN TWO-STEP (1986) picc (b.fl), chrom. harm, bari sax, pno, mba, 2 spray cans, elec bass. 6 minutes
A BOOK OF FIVE RINGS (1986) pno, prepared pno, perc (1 or 2 players). 14 minutes
MASS DEATH OF A SCHOOL OF SMALL HERRING (The Natural History of "Deductible Rooms") (1986) chamber orchestra: picc, b.fl, e flat cl/b flat cl, b.cl, bsn/cbsn, hn, tbn, tba, 2 perc, stgs (4/4/3/3/2). 11 minutes
ELECTRIC JESUS (1985) large ensemble and juvenile piano soloist: b.fl, ob, 2 b.cls, bsn/cbsn, tpt, hn, tbn, b.tbn, tba, 3 perc, pno, vln, vla, 2 vc, elec bass. 35 minutes
IVAN, WHERE ARE YOU RUNNING TO? (1985) bass clarinet,
harmonica, percussion, piano, organ, cello, electric bass, steel pipes,
texts, and amplified heartbeats. 9 players. 14 minutes.
ADULT PARTY GAMES FROM THE LEISURE PLANET (1975-85) a collection of hard-to-categorize works, including instrumental solos, structured improvisations, conceptual pieces, and texts that could motivate performance.
DEDUCTIBLE ROOMS (1982) marimba. 7 minutes
CARBON (1982) bass clarinet. 11 minutes
RAISON D'ETRE (1981) marimba and vibraphone (1 player). 6½ minutes
PROSTHESIS (1981) "false piece" for anything or nothing. No duration to infinity
THE DOOR THAT DOESN'T OPEN (1981) marimba solo
with amplified heartbeat. ca. 5 minutes
[unpublished] - although it has been performed a couple of times. It just presents some peculiar physical and technological challenges, so it's not for everyone.
VISCOUS LININGS (1981) clste, vla, b.cl, perc. 13 minutes
MERCURY AT RIGHT ANGLES (1980) celeste. 6 minutes
SOLUBLE FURNITURE (1980) piano. 6½ minutes
THROUGH BIRDS, THROUGH FIRE, BUT NOT THROUGH GLASS (1979) percussion quartet (including piano). 12 minutes
VOTE OF CONFIDENCE (1979) trio for amplified triangles.
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Leisure Planet Music


Tommy Roe's Greatest Hits on MCA is a fine 18-track collection that serves up the bubblegum icon's best songs and very little filler. Unlike a large number of Roe collections, this disc contains all original recordings made during his prime. And what a prime it was! Between 1962 and 1969, Roe was responsible for some of the brightest, snappiest bubblegum on the planet. From the funky breakbeats of "Dizzy" to the hushed romanticism of "It's Now Winter's Day" to the swampy groove of "Jam Up and Jelly Tight," there are enough hits here to make you think twice about calling Roe anything less than Hall of Fame material. A couple of collections have come along since the release of this to challenge it's worth, but they are each flawed in their own way. Until the perfect Roe collection comes along, this is a fine purchase.
Beat music, British beat, or Merseybeat (after bands from Liverpool and nearby areas beside the River Mersey) is a pop and rock music genre that developed in the United Kingdom in the early 1960s. Beat music is a fusion of rock and roll (mainly Chuck Berry guitar style and the midtempo beat of artists like Buddy Holly), doo-wop, skiffle and R&B. The genre provided many of the bands responsible for the British Invasion of the American pop charts starting in 1964, and provided the model for many important developments in pop and rock music, including the format of the rock group around lead, rhythm and bass guitars with drums. The Beat Of The Pops - excellent selection of beat tracks.
Lovers can often be tongue-tied when attempting to express their feelings. Luckily, generations of songwriters have provided ready-made examples of what to say or sing when affairs of the heart have us at a loss for words. With three discs full of timeless rock'n'roll love songs, there is sure to be a 'special song' here in this compilation for everyone to enjoy. Truly, this is the soundtrack of our lives.
Compilation CD's. Those Classic Golden Years - An Essential collection the second half of the sixties and the early seventies…
The Dreamboats & Petticoats brand has been developed to be synonymous with everything from the late 50/60's. Selling over 3.5 million copies across the album series, and boosted by the hit musical (sold over 1 million tickets), Dreamboats & Petticoats has now become cross generational with 'all the family' appreciating the iconic pop songs from this golden era.
This is a great collection of rare and hard to find tunes compiled by Jeffrey Glenn. Hundreds of odds & ends by little known groups, famous singers, and famous singers before they became famous.
Another quality Time-Life music collection with 500 originals from the period 1955-1964, the so called "Rock'n'Roll Era". In addition of this wonderful classics' parade, you will acquire a R'n'R encyclopedia, since each CD comes with an extensive description and historical data, in a 6 page booklet, scanned at 600 dpi. Enjoy excellent music and artwork.
The Fab Sixties 12 CD Box set, never opened CD's are still cellophane wrapped. Bands include the likes of The Searchers, Van Morrison, Hermans Hermits, Mama's & Papa's, Buddy Holly and The Troggs plus many many more over 150 songs.


Abraxis - Abraxis (CD)
Regular price €11,90 (Tax included. Shipping calculated at checkout.)
CD reissue 2015 Paisley Press
Digitally remastered !
Abraxis is a jazz/fusion band from Brussel, Brussels Hoofdstedelijk Gewest, Belgium with well implementation of some classical music elements.
The band's eponymously titled LP was recorded in December 1976, and released on the I. B. C. (International Bestseller Company) subsidiary of EMI-Benelux.
Several of the bandmembers played in other Belgian jazz-rock groups such as Placebo, Waterloo, Cos and Pazop.
This album is a cross between flute jazz, Canterbury inspired fusion and 70s funk. Somewhere between Chris Hinze, Cos, Cortex and Herbie Hancock is where you'll find the sound of Abraxis. Flute drives the melody and solo lines, but there's plenty of introspective piano sections as well. Which play nicely against the ferocious electric guitar.
Dirk Bogaert - Flute
Paul Elias - Guitar
Jean-Paul Musette - Bass
Charles Loos - Keyboards
Jack Mauer - Drums
Tony Malisan - Drums (only on 2,4,5)
1) Clear Hours (Ch. Loos) 2:30
2) Valse De La Mort (Ch. Loos) 16:12
2a) A Boire
2b) Et à
3) Sweetank (Ch. Loos) 4:24
4) Billy The Keith (Ch. Loos) 3:52
5) Jeronimo (J.-P. Musette) 1:56
5a) Bolle Winkel (Ch. Loos) 5:44
5b) Arhumba (Ch. Loos) 1:42


1 Jun - 72 min - Uploaded by Kosmik Music Album Name: Mandolin U. Srinivas Plays Maestro Ilaiyaraaja's Song Name: Varnam. 27 Apr - 45 min - Uploaded by Carnatic Classical Listen to Best of aparicioarquitectura.comas Carnatic Classical Jukebox Lyricist and Composed by Thyagaraja. MusicIndiaOnline · Classical · Carnatic · Instrumental; Ilaiyaraaja's Eka Dhantham Ilaiyaraaja's Eka Dhantham (). Mandolin Srinivas. Instrument: Mandolin.
Get this from a library! Mandolin Srinivas plays Ilaiyaraaja's classics.. [Iḷaiyarājā.; U Srinivas; S D Sridar; Guruvayur Durai; Madurai T Srinivasan; E M. Listen free to U. Srinivas – Ilaiyaraaja's Classics (Ekadantam - Raja Cahasi, Sri Shivasuta - Rukmambari and more). 4 tracks (). Discover more music. Mandolin aparicioarquitectura.comas Play's "IlaiyaRaaja's Classics". Rs Add to Whishlist. Mandolin aparicioarquitectura.comas Play's "IlaiyaRaaja's Classics" Code AVM CD
Mandolin Srinivas plays Ilaiyaraaja's classics. Iḷaiyarājā · Save to Lists Subjects. A limited number of items are shown. Click to view More. Mandolin music. Listen to and buy Mandolin U Srinivas music on CD Baby. Download Ilaiyaraaja's Eka Dhantham by Mandolin U Srinivas on the independent record store by. Cover Mandolin U. Srinivas Plays Maestro Ilaiyaraaja's Carnatic Compostions Adi Thyagaraja Mandolin U. Srinivas South Indian Classical Music; Cover . Uppalapu Srinivas (28 February – 19 September ) was an Indian mandolin player in Carnatic classical music and composer. He was widely regarded as the Mozart of classical Indian music. . He recorded a CD of Carnatic compositions by Ilaiyaraaja called Ilaiyaraaja's Classics in Mandolin. In , U Srinivas.
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Matt Nakoa w/Louisa Stancioff & Edith Gawler
Event has passed
Award-winning songwriter, singer and multi-instrumentalist Matt Nakoa, last seen on our stage with folk music icon Tom Rush, returns to the Camden Opera House, 29 Elm St., for a solo show blending his pop, soul and classical influences. Locals Louisa Stancioff and Edith Gawler open this special evening. Tickets are $26 in advance/$30 day-of-show; choose your own reserved seat online/next-best-available assigned at door. Tickets via camdenoperahouse.com.


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Friday, May 06, 2016
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Cat Songs by Vera Mohrs
“Cat Songs” is a delightful collection of twelve narrative musical stories about the kitten that Timmy gets… read more May 2nd
New Contemporary A Cappella
recommended by Jen Sper, School Choral Music Specialist Contemporary a cappella music gets more and more popular every… read more
… read more May 5th
¡Feliz Cinco de Mayo! #stantonssheetmusic #beethoven #cincodemayo… read more
Can't attend one of our clinics? Visit Stanton's Virtual Workshop.
In just a few minutes you can have your favorite song printed and ready to play.
Title: I Hear A Voice A-Prayin'
Publisher: Shawnee Press Inc
Composer: Bright, Houston
Catalog #: 35010124
Description: A Cappella Price: $1.95
i-Link Sound File
This a cappella Shawnee Press Classic, by composer Houston Bright has been a staple in choral libraries for many years. In 2011, this voicing has been reengraved and edited for today's choral standards. Suitable for developing voices and smaller choirs retaining the vocal finesse. Discover, again, this great choral work. Available separately: SSAB, a cappella; SATB, a cappela; SSAA, a cappella; TTBB, a cappella. Duration: ca. 2:17.
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Drymill Road loves to play festivals and music venues but did you know we are also available to play weddings and private events?
Each year Drymill Road plays dozens of weddings, corporate events, and private parties!
Our wedding services include (if needed):
Ceremony music: We can suggest songs and take personal requests.
Cocktail Hour: Usually a time for laid back music that will not over power your guests. Drymill Road has just the right set list!
Reception: Drymill Road can handle the announcements, first dance, father-daughter dance, or any other request you may have!
We can set the tone for your reception that will keep your guests happy and entertained for the duration of the party!
You can check music off your list of worries if you choose Drymill Road for your next event!
Please read our reviews on this page and see just how pleased our clients are!
If you would like the perfect music for you next event just contact Drymill Road at 202.596.0342 or firstname.lastname@example.org
“We couldn’t have been happier with Drymill Road!! The band was referred to us by our wedding venue, House Mountain Inn, and after listening to a few of their tunes on Google Play I was in love and praying they were still available for our date. Robert was super responsive via email, easy to work with, and the only one of our vendors to contact me first the week of the wedding to check in before the big day. What we really liked about Robert was that he was both professional but also easy-going which we didn’t necessarily get with other band prospects and was important for the overall vibe we wanted. We already had a DJ booked for the reception, so we had the band come to play before and during the ceremony and then for the cocktail hour. For the location and duration I felt the pricing was very fair, but honestly we had such a good experience with them I feel like it was a steal. The range of music the band played was impressive and appropriate for all the wedding feels–light-hearted, romantic, upbeat, chill. I had a few requests from their original music and a Beetles song, and then Robert suggested some superb classic bluegrass tunes that we went with for the ceremony. They played so beautifully–my husband and I both burst into tears when they played the song I walked down the aisle to and that started a chain reaction among our guests (it was a real tear jerker:) We asked them to play acoustically, which worked out great in going with the natural vibe of an outdoor ceremony, and it seemed to be easy enough for them to transfer locations to the happy hour. The guests raved about the band and I only wish we had planned to have them play longer. They were definitely a highlight of the wedding. My husband and I have gone to hear the band when they’ve played locally and will definitely be going to see them again. Can’t sing their praises enough!”
Christina S., 1/29/2017, Wedding, Lexington VA
“Dry Mill Road is really good. We’ve seen them play four times: once at a concert and three times at private events. People rave about them every time.
They are great technicians with real passion for their music. The play a nice blend of Dead/Jerry covers, originals, and bluegrass staples. And — importantly — they also do bluegrass takes on songs that you know well but wouldn’t expect to hear as bluegrass. It all works great together.
They are perfect for a party because they operate right at the intersection of mellow and vibrant. They flat out sparkle and basically take the party to another level. These guys have a low-key warmth and charisma that charms everyone.
Do yourself a favor: check Dry Mill Road out next time they play near you.
Bill H., 6/15/2016, Private Event, Malvern PA
“Drymill Road played for our backyard party celebrating an engagement and an anniversary in June 2016. Robert Mabe was great to work with, responded to several email questions promptly, and sent a songlist so that we could make requests. The band was the perfect choice for our event – great musicians, versatile, and flexible about the music choices and set-up. They are able to play a mix of traditional bluegrass, some country and cover songs, and a few oldies such as Beatles, Bob Dylan, and Grateful Dead. They were willing to play at a volume which still allowed for conversation and was not too disruptive for the neighbors. Our guests raved about the music, which really made the evening special. Absolutely no complaints or downsides. Would highly recommend!”
Carol S., 6/8/2016, Private party, Arlington VA
Drymill Road was absolutely fantastic. We hired them to play for our wedding ceremony and cocktail hour, and I am so happy we did. Robert was my main point of contact, and he was always easy to get a hold of by phone or email. The weeks before the wedding we spoke several times to go over the plans and ceremony songs. On the wedding day, Drymill Road arrived very early to set up, and they started playing as people arrived to the ceremony site. In the middle of our ceremony they played an acoustic version of “Swept Away” by the Avett Brothers. I swear people in the audience had tears in their eyes! It was perfect! We walked out to a lively waltz they had suggested. It set a great mood for the rest of the evening. After the ceremony the band moved quickly to our cocktail hour location. Throughout the evening a ton of our guests commented how great the band was. I only wish we had hired them to play for the rest of the evening!
I listened to dozens of bands online before selecting Drymill Road. I know I made the right decision in choosing them for our wedding. The guys of Drymill Road are true professionals, easy to work with and excellent musicians. I recommend them highly without reservation. You will not be disappointed!
Jessica M., 5/14/2016, Wedding ceremony/cocktail party, Thurmont MD
What a great group of musicians and music! Our private party of over 150 people here in Spring Lake, Michigan were totally thrilled to listen to Drymill Road and their talented, energizing, songs, both original Newgrass hits and traditional bluegrass sounds – filled with bluegrass instruments: banjo, mandolin, bass and guitar all played by a group of great guys, great original songs, and harmonious vocals. Everyone had such a great time listening, dancing, and just enjoying some great down home music! I was so happy that this group played here at our celebration of life cook out with family and friends. Everyone wanted to know, “Where did you find thes guys?” “They are great!” “I found them online at, drymillroad.com”. I was able to listen to some of there songs and became so excited to hear them play LIVE. They are so good! I was so pleased to hear them and even more to hear that everyone that attended loved their music, whether they listened or knew anything about bluegrass music. I wish we could’ve had them here all weekend every weekend. We were all very blessed to have them com here and play! Thank you so much Robert for being able to come here at our celebration. Please pass our thank you to the other guys in the band. Totally Awesome!
Dan W., 5/28/2016, Private party, Spring Lake MI
We hired Drymill Road for our wedding (pre-ceremony cocktail hour, ceremony, cocktail hour, and reception – the whole thing!) after seeing them play live. Robert was so easy to work with from a business perspective before the wedding; he was super responsive and organized.
The band did a fantastic job playing throughout our wedding evening. The ceremony music was beautiful – I had never heard an all-strings version of “Here Comes the Bride,” but it was wonderful and exactly what we wanted. They played a great upbeat fiddle tune as we walked out at the end of the ceremony. The reception was amazing – the music was tons of fun; everyone danced and had a blast. The band even accommodated our super last minute request for a song and let my grandma sing with them.
We loved having Drymill Road be part of our wedding festivities and would recommend them to anyone!
Ann I., 6/15/2015, Wedding ceremony/reception, Lexington VA
We hired Drymill Road to play six shows during the Congressional City Conference, March 7-11 in Washington, D.C. This conference brings together more than 1,000 elected and appointed city leaders to focus on the federal policy issues that are important to local governments. Drymill Road brought life to the conference during breakfast at 8 a.m. and during happy hour at 5 p.m. They had mayors from all over the country clamoring to bring the band to their cities, towns and villages. They had Councilmen and Councilwomen buying CDs and dancing! Robert, Sean and the guys were extremely professional, gracious and shared our supplied talking points with both confidence and charm. I would highly recommend them to any interested event or organization.
Lauren W., 3/16/2015, Congressional Conference, Washington DC
To start, I am a huge fan of different types of music and go to several music festivals each year. Other than the bride and the food, the music was the most important part of our wedding. Drymill Road was immediately responsive to our questions and took the time to understand the type of music we liked and what we wanted for our wedding. Essentially, we wanted upbeat bluegrass with some covers which would keep the crowd lively and dancing. They also played non-traditional music for the ceremony, which was exactly what we were looking for.
As for the ceremony and the reception, Drymill Road knocked it out of the park. They made the wedding lively, fun and had everyone on the dance floor. Everyone raved about the band throughout the night, and when they were about done, everyone was chanting “2 more songs, 2 more songs…”. My now wife already told them she wants to book them again in the future.
Shaun P 10/24/2014, Wedding Ceremony / Reception, Banner Elk, NC
I will promise you that you will not be disappointed in hiring Drymill Road for any event. We look forward to working with them in the future.
We hired Drymill Road for our wedding and could not have been happier. We spent a while looking at bands in the area and after seeing Drymill Road perform live, we know they would be perfect for us. We hired them to play the ceremony, reception (including doing the announcements) and even an after party and they were fantastic throughout the whole day.
Robert was great to work with before the wedding. We discussed the wedding details, announcements and song selections over emails and phone calls. They were able to perform all of our requests and provided several great suggestions that we ended up using including the bride’s entrance. We were a little nervous about our first dance as we wanted Bob Marley’s Stir it Up, but had never heard it in a slow dance tempo. Drymill Road played it beautifully and everyone in the reception was blown away.
Chris F, 10/11/2014, Wedding Ceremony / Reception, Haymarket, VA
They were truly the best band we could have had at our wedding. Everyone commented after, from the oldest guests to our younger friends, that they were great. We really enjoyed them and are already thinking of future events where we might be able to have them perform.
Dry Mill Road exceeded all expectations at our wedding. These guys are serious musicians who know how to manage the atmosphere at a party. They had the dance floor full all evening. We heard nothing but praise for them all throughout the night and ever since. We had requested that one of our wedding party sing a song with them, and they had no qualms with it. Dry Mill also learned our wedding song and played it beautifully. They are accommodating, professional, and most importantly, a phenomenal band.
Dan N, 9/20/2014, Wedding Ceremony / Reception, Pine Grove, PA
Hiring a band I had never seen in person for our wedding was a nerve wracking experience. We listened to recordings and relied on the numerous glowing reviews we read. Robert was extremely professional and helpful during the long distance planning. I could not have been more pleased with the performance they gave! Everything was better than I could have imagined. My friends and family all commented how wonderfully the band complimented our event. Drymill Road was the perfect choice for our wedding and rehearsal music. We can’t thank you guys enough for being part of our special day.
Summer & Stan F., 9/27/2014 Wedding Ceremony / Reception, Covington VA
The first thing I did in planning our wedding party was to book Drymill Road! And that was one of the best and easiest decisions I made. Not only were they incredibly easy to work with in the planning phases, their music made the party memorable and so, so special. I received many positive comments about their music and one guest even asked me “How did you get Drymill Road” to play? I hear they’re really busy”. But the truth is that getting this fabulous band only took an e-mail! Thanks to Drymill Road for making our celebration special!
Drymill Road played at my daughter’s wedding reception last night. The next day Anna thanked me for finding “a kick-ass band” for the big night. They’re excellent musicians with fine vocalists and an impressive range of material in their repertory. They’re also consummate professionals. They handled all of the announcing that needed to be done; traveled with their own sound system, so I didn’t have to rent one; responded to all of my questions thoroughly, graciously, and with lightning speed; and worked hand-in-glove with our wedding planner. They’re a turn-key group. From my first conversation with Robert Mabe, I knew that signing this band would mean that I wouldn’t have a moment’s worry about the music, and I didn’t.
Debbie M, 9/28/2014, Wedding Reception, Raleigh, NC
Drymill was the highlight of our wedding ceremony and reception! Robert had great recommendations for songs. Nothing about my wedding went as planned. Drymill kept everything together. The ceremony started late and Drymill kept our guests happy and entertained by playing lovely music during the waiting period. They did a wonderful job playing our first dance song! We had our wedding in a barn on a sweltering summer day. All of the guests quickly ventured outside after dinner. Drymill actually moved the party outside and kept the reception rolling! I would recommend Drymill to ANYONE and EVERYONE! Don’t hesitate, book now!
I could have written much more, but there was a character limit! These guys are really great. One of our guests said “there really should have been thousands of people there to listen to them, they were THAT good!”
Erin R, 6/28/14, Wedding Ceremony / Reception, Pittsburgh, PA
My now-husband and I saw Drymill Road play their bluegrass/newgrass music at various local venues and events during the last couple years. Once I found out they also do weddings, there was never any doubt that we would have them play our wedding. They provided our ceremony, cocktail hour, and reception music. They were professional, honest (pointing out that I accidently overpaid them and returning the overage!), provided great entertainment, and are all-around great guys. I think their style of music could fit with any venue (ours was in a modern art museum). I received several compliments from guests. My maid of honor said she got chills from their version of “Hallelujah” (in the style of Jeff Buckley) during the processional; for me, it was the perfect musical backdrop to a very emotional moment. Their music is one of my favorite memories from our wedding.
Stephanie D, 7/12/14, Wedding Ceremony / Reception, Roanoke, VA
We could not have been happier with Drymill Road at our wedding ceremony and reception. They are so talented, played a wonderful mix of Americana, bluegrass and “newgrass” both acoustically for the ceremony and then set up for the well-played reception. They were very professional and Robert maintained communication with me all along the way from a year before the wedding to the day of, and they have enough experience with weddings and gigs they were able to make everything flow seamlessly! They made our beautiful wedding amazing! Thank you Drymill Road, you guys were a BLAST!
Terri P, 7/20/13, Wedding Ceremony/Reception, International Falls, MN
My husband and I were so excited to have Drymill Road perform for our wedding ceremony and cocktail hour. We are huge fans of bluegrass and classic rock and after listening to some songs on their website and reading their reviews, we felt great in our selection. After contacting Robert, he sent us their song list – what a great mix of classic bluegrass, awesome covers (Beatles, Grateful Dead, Dylan, etc.) and original songs. Working with Robert was so easy – he is flexible, timely and responsive, and gave me great confidence that all would go smoothly, and it did! Despite a surprisingly windy day, the band played on and even learned a song for us! The processional music was beautiful and the recessional music was even better! Our friends loved the band and the music. I highly recommend Drymill Road for a wedding or other event!
Bonnie M, 5/4/13, Wedding Ceremony/Reception, Falls Church, VA
“Drymill Road provided the music for my wedding reception. They were fantastic! Robert from Drymill was my main point of contact and he was incredibly responsive, and followed up with me throughout the planning process, which really helped me out! He even accommodated a complete time change for the reception and even came early to set up a PA system through which we played some quiet background music during dinner before the band went on.
Drymill Road learned a special song for us for our first dance that was outside of their song list, and they did a fabulous job. They played the night away, and guests danced and loved the tunes. They also MC’d the entire event, announcing the bridal party, first dance, cake cutting, bouquet toss, etc and were so accommodating. I think they were a great wedding band, and I would high recommend them for anyone looking for some awesome bluegrass/newgrass band with excellent customer service! Thanks guys!”
Emily D – 4/6/2013, -Wedding Reception – Berkeley Springs, WV
We booked Dry Mill Road for our post-wedding party and they were great! From little kids dancing, to grandparents asking what bluegrass is, everybody loved the music. Several musician friends asked for the band’s info because they were so impressed. The band was also extremely easy to work with, since Robert is extremely responsive and on top of things. If we ever decide to entertain 180 people again (a big IF), we’re calling Dry Mill Road!
Dan S – 5/26/2013. – Wedding Party – Washington, DC
My wife, Sarah, and I had the pleasure of having Drymill Road perform at our wedding outside of Pittsburgh in August. Robert and his fellow performers were very accommodating with our time frame and song preferences and truly set the tone for the evening. The music (and dancing) was enjoyed by all of our friends and family of all ages (and dancing abilities). Nearly all of our guests continue to tell us about how much they enjoyed the music as well as the friendly and out-going personalities of the band members. Sarah and I have already recommended Drymill Road to many of our friends and family and will continue to do so. Drymill is simply one of the finest bluegrass bands and one of the best decisions we made for our wedding.
Tom C – , 9/7/2012, – Wedding reception – Washington, PA
Drymill Road played for our wedding ceremony and reception. Outstanding musicianship! Fantastic diverse song repertoire inlcuding well crafted exciting original songs. Drymill Road exudes positive energy and play their instruments effortlessly. Our guests had so much fun dancing and loved every moment with the band. The band seemed to have had just as much fun as our guests. They have high quality sound equipment. They were very accomodating, respectful, and friendly. I would hire them for any event and I would buy tickets to one of their shows in a second. Check out their new album and book them while they still have the time to play your event.
Ty C, 6/12/2012, - Wedding ceremony/reception – Princeton, NJ
THIS BAND IS AMAZING. Seriously!
I am a music snob. So when it came time to picking a band for our wedding, I didn’t just check out a few bands. I previewed scores of bluegrass bands online. After narrowing down to about six or seven amazing bands (really, these bands were all incredible–any of them would have been great), Drymill Road just rose to the top of the pack.
Part of it was their sound–rich and warm, and just really fantastic–but part of it was their great communication and flexibility. I came to Robert Mabe, the bandleader, with a very specific vision, and more than a few requests–and the band more than rose to the occasion.
The band was wonderful, professional, had a strong presence when they were getting everyone on the dance floor (imagine a rousing bluegrass Hava Nagila), and a great mellow background sound when they played the cocktail hour. They played “I Will” by the Beatles when we came into the cocktail hour, and they learned a special request “Wildflower” by Tom Petty for our first dance.
We loved this band so much that we plan to check their tour schedule and to try to catch them live when they play festivals or clubs. The friends at the wedding who are musicians themselves have made a point of telling us (even after the wedding) how great the band was.
If you want a bluegrass band–or perhaps a band that will play great music that’s not all bluegrass (Beatles, Dead, Dylan) but with a gorgeous bluegrass sound–don’t think twice about booking them.
-Debra S, 4/1/2012, Wedding Ceremony/Reception, Baltimore, MD
The Drymill Road Band played for our wedding ceremony and reception. They did a great job with both! Everyone at our wedding loved the music and we got a lot of compliments on our choice of bands. Robert was very helpful leading up to our wedding. We had a number of phone calls to go over the order of events and song requests. The band learned all the songs we requested and Robert made some great suggestions for music, as well. The whole band was easy to work with on the day of the event. I would recommend them to anyone. The Drymill Road Band really made our wedding an exceptional event.
-Leah K, 9/25/2011, Wedding Reception, Baltimore, MD
Drymill Road was amazing. Everyone our wedding reception commented on how great they were. They looked great, sounded great and were incredibly accommodating (I think I heard them play Wagonwheel at least twice as a result of requests). I would absolutely recommend them to anyone. Ryan and Alex
-Ryan C, 6/25/2011, Wedding Cocktail Hour, Poolesville, MD
Fantastic group! Attendees were very impressed and a couple folks even asked for contact information to book the group for other events. They were outstanding and obviously very talented performers. I would recommend them highly to anyone desiring great music for their event!
-Jim F, 6/11/2011, Fundraiser, Nokesville, VA
Drymill Road is a great band!! We loved the music, their responsivemness to our requests, and their sensitivity to the audience. All of our guests raved about them. We would definitely ask them back!
-Susan D, 6/4/2011, Private Party, Baltimore, MD
The DMR guys are amazing and made our wedding and New Year’s Eve celebration so special! These guys are so good, their sound, their vocals, and their new grass/bluegrass style is right on and exceeded our every expectation. We have heard nothing but great things from our guests about DMR. I would recommend DMR to anyone. Thanks guys…we are so happy. You are on the verge of something big, and we are glad we will be able to say we knew them when… Cheers, Mike & Eloy
-Eloy D, 12/31/2010, Wedding Reception, Washington, DC
Drymill Road helped make our wedding event very memorable. They showed up early, and played our favorite song as we walked down the isle as husband and wife for the first time. They have a diverse repertoire and a quality sound. They were easy to communicate with leading up to the big day and very accommodating. Thank you! Our guests loved you!
-Jackie L, 10/23/2010, Wedding Cocktail Hour, Carlisle, PA


Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.
Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.
‘Monks Gate’ was adapted from an English folk tune by Ralph Vaughan Williams (1872–1958), who compiled and edited The English Hymnal of 1906. He began collecting English folk tunes in 1902 and used them to great effect in a number of his compositions. Vaughan Williams wrote many original hymn tunes including ‘Down Ampney’, which is sung to Come down O Love Divine and some of his best-known adaptations of folk tunes are ‘Easter Song’ (All creatures of our God and King), ‘Quem pastores laudavere’ (Jesu good above all other) and ‘Forest Green’ (O little town of Bethlehem).
from notes by Sarah Langdon © 1999
|Praise my soul|
Subtitled 'Favourite hymns from Jesus College Cambridge', this programme celebrates the rich and living tradition of hymnody through the exalted voices of the college's two chapel choirs and the thunderous voicings of the 2007 Kuhn organ.» More
|Praise to the Lord|
‘Exemplary’ (Gramophone)» More
|The English Hymn, Vol. 4 - All things bright and beautiful|
‘The boy and girl descants are on fine form’ (Classic FM Magazine)» More


Unison/2-part choir, organ and congregation (with optional 2 trumpets)
Composed by Michael Helman. Hymns of Faith Series. Sacred Anthem. Octavo. Published by Chorister's Guild (CG.CGA1156).
Item Number: CG.CGA1156
Especially suited for older children's choirs or any choir of treble voices, this setting of the familiar 19th-century hymn text by Robert Grant abounds with strength and energy. A stately organ accompaniment, along with a regal part for 2 trumpets, highlights the hymn's majestic tune, LYONS, attributed to Johann Michael Haydn. In the final stanza, the choir and congregation join together to declare confidence in God's omnipotent power and enduring faithfulness.


To obtain this Royalty Free Music in high quality and without watermark, please Purchase it!
Three-voice natural yodel recorded in Switzerland. This version has a files a subtle atmospheric sound in the background. The sound can be described as mystical and is well suited to add a fascinating sound of centuries-old tradition to your project. The basic tuning is Ab major.
This is a short version only. The complete file with full lenght is also available here


Quantity: 1 available
Book Condition: As New
Illustrated card covers in As New condition. Fifth edition, b&w illustrations and written music throughout, bibliography, index. This is a new edition of Roderick Cannon's classic work, a definitive and critically acclaimed history of the origins and music of Scotland's most famous instrument. The eminently readable text will be of interest not only to pipers but to all those music lovers world wide who are intrigued to know more about the character and extraordinary history of the legendary pipes. The author covers both Ceol Mor and Ceol Beag, Piobaireachd, dance music, martial music, music for competitions and music for pleasure, music for pipe bands as well as a commentary on the state of piping today. Updated from its last paperback edition, this book is the only comprehensive history of piping in print and has never been surpassed. S36.


Dear Music Publishing Cat,
I just opened up a coffee shop in my hometown. If we know that it is a customer’s birthday we give them a free latte and muffin and the staff will gather around and sing “Happy Birthday.” One of my lawyer friends told me that I’m asking for big trouble by doing this and that I can be sued for singing that song. Can my coffee shop REALLY be sued for singing or playing the “Happy Birthday” song?
Scared in Schenectady
To somewhat oversimplify things, yes you can. Ok, the chances that there’s going to be a lawyer at your door ready to hit you with a lawsuit before the candles get blown out are rather slim, but you can’t just use music in your business without following the rules.
Whether you play a cd, stream from the internet, or someone plays music live, those are all considered “Public Performances” since your coffee shop is recognized as a place of public accommodation (just like a bar or restaurant). The law states that any public performance of a copyrighted musical work must be licensed and a royalty paid to the songwriter and publisher. Since you can’t possibly know who or how much to pay for each and every song, the law also created organizations to handle all of this for you. These are called “Performing Rights Organizations.” Maybe you’ve heard of ASCAP, BMI, and SESAC? These three organizations issue licenses to shops like yours that allow you to legally use music in your business.
Because each of the organizations represents different music, a business that wants to use music must get licenses from all three organizations. The cost of the licenses is based on what kinds of music you want to use (live, recorded, streaming), how often, and the physical size of your business. If the size of your business is under a certain threshold, and you meet a few other conditions, you might even be exempted from paying any fees at all!
Getting your business properly licensed isn’t really a very difficult process. Each organization has the information you need on their websites: http://www.ascap.com/licensing/licensefinder , http://www.bmi.com/licensing , and http://sesac.com/Licensing/Licensing.aspx . If need assistance, you can call on my consulting partners at SSA Music Publishing who can guide you along for a nominal fee.
SSA Music Publishing
SSA Music Publishing focuses on the artists, music and array of opportunities available in today’s music business. SSA Music Publishing is Preparing, Pitching, Protecting & Paying Artists. Learn more about SSA Music Publishing services, consulting and opportunities, options at: visit: http://SSAMusicPublishing.com/


The Bolshoi Ballet
The Bolshoi Ballet is an internationally renowned classical ballet company, based at the Bolshoi Theatre in Moscow, Russia. Founded in 1776, the Bolshoi is among the world's oldest ballet companies. The performance style of the Bolshoi Ballet, is typically identified as being colourful and bold, combining technique and athleticism with expressiveness and dramatic intensity.
Tickets: $20 for an adult | $16 Senior/Students | $12 for children


Ipswich, UK (January 11, 2019) — Celestion, the premier manufacturer of guitar and bass loudspeakers whose classic guitar tones have made the company famous as the voice of rock and roll, is pleased to announce their new line of Bass Impulse Responses. The new Bass IR line beginning with the new collections of 10-inch PULSE10 and 15-inch PULSE15 speaker tones, is available for audition and download at CelestionPlus.
“Guitar players who create their tone with amp modellers and emulators or direct into DAWs know that we are there to help them deliver great classic Celestion tone with our acclaimed range of Impulse Responses,” says Nigel Wood, Managing Director at Celestion. “We are very pleased to introduce our new Bass IRs so that bass players can have tones designed just for them.”
Celestion has recorded the new Bass IRs with selections of microphones popular for bass guitar recording, and include 2×10, 4×10 1×15 cabinets, plus options for IRs that are tailored to specific playing styles. For each Celestion bass speaker, the IRs feature the most appropriate cabs for the speaker size. And for each cab type, the IRs have been recorded using three industry standard microphones, placed in the same positions relative to the speaker’s cone to produce a range of different tones – balanced, dark, dark 2, bright, fat and thin. The Bass IRs also include a range of mic mixes and room mic recordings, for additional tonal variety, creating an extensive IR library for each speaker. An HF horn driver recording is also included, which can be mixed together with the cone driver IRs to add additional treble to the tone. The Bass IR collections include a range of different bass style mixes to get you up and running fast: Finger Basic; Finger Warmth Detail; Slap; Plectrum (Pick) Basic and Plectrum (Pick) Aggressive.
Celestion’s PULSE10 bass speaker IR collection has been designed to provide a rock solid bass performance, with all the dynamic control you’d expect from a 10-inch speaker. Whether at home, in the studio, or live onstage, the PULSE10 collection offers a wide tonal and stylistic variety. The PULSE10 collection contains both cabinet options: 2×10 (ported) and 4×10 (closed). These cabinet options can be bought separately, or together as a collection, which is supplied with the five style mixes for a substantial saving. Alternatively you can include a PULSE10 cabinet in a Pick & Mix selection.
The new PULSE15 IR collection is a powerhouse which provides powerful, deep bass tone, designed with Celestion technology built-in to hold down the bottom end. With Celestion technology built in, this superbly designed sonic artillery includes a host of forward-thinking features in the cone, voice coil, chassis and suspension system that combine to provide an exceptionally linear performance free from unwanted distortion, but full of rich musicality. , Explore the enormous style and tonal options whether live, at home, or in the studio with the PULSE15. The PULSE15 are available as single cabinet IRs or as a collection along with the five style mixes as a bonus.
The PULSE10 and PULSE15 single cabinets can also be included in a Pick & Mix selection.
The new PULSE10 and PULSE15 Celestion Bass Impulse Responses join the acclaimed guitar speaker IRs in the ever-growing collection, including A-Type, Celestion Blue, Celestion Cream, Celestion Gold, Classic Lead 80, Heritage G12H 55Hz, Heritage G12M, G12K-100, G12-35XC , G12T-75, G12-50GL Lynchback, G12-H150 Redback, G12M Greenback, G12M-65 Creamback, G12M-75 Creamback, G12H Anniversary, G12-65, Neo Creamback, V-Type, Vintage 30 and Suhr’s classic cabinet IRs models.
The Pick & Mix option allows customers to select combinations of either 3 or 5 cabinets from the company’s full range of original IRs, offering flexibility in building a personal IR library at a significant savings compared to purchasing individual IRs.
About Celestion Impulse Responses
Celestion IRs, which capture the essential behavior of the cabinet in the specific space in which it was recorded, including the frequency and phase response of single drivers as well as the interaction of multiple speakers, offer the user significant benefits. In both recording and live production, Celestion IRs enable the desired tone to be precisely and consistently reproduced regardless of the music recording or live sound environment. And IR users can escape the limitations of a single mic and cabinet setup and explore a universe of possibilities to create the perfect tone. Once you find a tone that you love, it can be precisely recreated, in the studio or on the road, time after time. And the IRs allow Celestion customers to audition specific models before purchasing one or more physical speakers.
Celestion IR digital downloads are available in uncompressed, industry standard .WAV format at 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz sample rates at 24 bit depth, in lengths of 200 and 500 milliseconds Once the files are downloaded and unzipped, users simply load the IRs into a convolution plug-in in their DAW or into other processing hardware. These formats will work in all known hardware capable of loading IRs, and for the most popular hardware Celestion have already grouped together the correct formats. Guitar processor manufacturers supported include Atomic Amps, Fractal Audio Systems, Kemper, Line 6, Logidy, Positive Grid, Two Notes, Headrush and Yamaha. The Celestion IR files may be downloaded in the sample rate and length appropriate for the hardware being used or as a complete package of all rates and lengths. Certain third party hardware requires the files to be converted into a proprietary format before use. Celestion Plus.
About Celestion and Celestion Guitar Speakers
An important element to essential British guitar tone since the birth of Rock & Roll, Celestion Guitar Speakers are famous for their lively and vocal midrange character with plenty of sparkle and chime. With worldwide headquarters in Ipswich, England, Celestion design, develop and manufacture premium guitar and bass loudspeakers, and high-quality professional audio drivers for sound reinforcement. These world-renowned speakers are used onstage and in clubs, theatres and other venues the world over. Contact Celestion at: email@example.com and visit us on Facebook at www.facebook.com/celestion.


2.Very intensive and powerful – excellent for soloists.
3.Exceptional playability and outstanding response at any of the dynamic levels.
4.They resonate beautifully and have a silvery, sweet, noble and full tone.
5.The sound is complex, rich with overtones based on a brilliant core sound.
6.Expressive, great nuances.
7.Enormous dynamic range.
Full set 4/4
E- Silver steel E ball end
A- Aluminum wound synthetic core
D- Silver wound synthetic core
G- silver wound synthetic core


View credits, reviews, tracks and shop for the Vinyl release of "Trak" on Discogs. TRAK-1, Marc Thor Band - Trak album art, Marc Thor Band · Trak (7", Single), Indy Records (2), TRAK-1, US, , Sell This Version. The Marc Thor Band: Trak - band members and album connections. Trak / Love Sucks, a Single by The Marc Thor Band. Released in on Indy (catalog no. TRAK-1; Vinyl 7"). Genres: New Wave. Featured peformers: Marc Thor. Marc Thor discography and songs: Music profile for Marc Thor. Marc Thor. Cover art for Trak / Love Sucks by The Marc Thor Band · Trak / Love Sucks. Marc Thor Band –Trak/ Love Sucks - Indy Records NR (US ) I first came across Marc Thor on the Live At The Rat (Rat Records US. Marc Thor Band - Love Sucks/Trak - Music. Performer: Marc Thor Band · Title: Trak · Genre: Rock · Cat #: TRAK-1 · Label: Indy Records · Country: US · Date of release: · Style: New Wave, Indie Rock. A: Trak. Artist: The Marc Thor Band Composer: M. Thor Producer: Nola Rezzo. B: Love Sucks. Artist: The Marc Thor Band Composer: N. Rezzo, M. Thor. Marc Thor Band - Trak FLAC version. downloads at 31 mb/s. Download Marc Thor Band - Trak FREE. Written-By – M. Thor. Thor, N. Rezzo. Complete your Marc.
Download Marc Thor Band Trak mp3 flac full album vinyl rip
22.10.202122.10.2021 | 1 Comments | 22:12


Sir Gawain and the Green Knight
This collection of five original lever harp solos by Carol Wood is inspired by a Middle English poem associated with King Arthur and the Knights of the Round Table. Says the composer, “Although this music can stand by itself, it might be helpful to intersperse selections from the poem or short explanations of the literary references when using the music for a performance.” None of the pieces contain accidentals; one piece is in the key of G, and the rest are key of C. Included are:
“Christmas at Arthur’s Court”
“The Green Man”
“Three Hunts and Three Temptations”
“At the Green Chapel”
This collection is a PDF download available for $14.00.
Length: 19 pgs.; individual pieces are 2-6 pgs.


We help you locate a Ulverston baritone horn teacher. Baritone Horn tuition are a great way to learn a fun new hobby, acquire a new talent and attain confidence in baritone horn. Use our service to find Ulverston baritone horn teachers and determine which best matches your needs so you can enjoy your baritone horn lessons in Ulverston straight away!
This is the only place to find Ulverston baritone horn teachers in the UK, helping you discover Ulverston baritone horn lessons close to you and Ulverston teachers to help with any instrument such as piano, violin or guitar. We can help you find Ulverston baritone horn lessons or a Ulverston baritone horn tutor to prepare for baritone horn exams and improve your baritone horn skills! We order Ulverston baritone horn tutors in your area by their tuition prices and distance from you.
If you are a baritone horn teacher and would like to offer your baritone horn tuition services in Ulverston or throughout the UK, please register with First Tutors: Music or find out more about us here. Becoming a Ulverston baritone horn tutor is a brilliant way to re-affirm your own skills by providing baritone horn tuition while helping someone else, all in Ulverston!


Review: Cory Allen – The Great Order and Pearls
http://quietdesign.us/ and http://www.cory-allen.com/
Musicians: Cory Allen: Piano, Mike Vernusky: Bowed Classical Guitar, Nick Hennies: Bowed and Struck Vibraphone, Brent Fariss: Double Bass, Henna Chou: Cello
The Great Order: A: Movement I: 17:53; B: Movement II: 15:38
I enjoy listening to the Quiet Design podcasts with Cory Allen and Mike Vernusky (available free through iTunes). They discuss observations on art, the world around, how music affects them and their sources of inspiration as well as the musicians and artists they interview, to date: Lawrence English, Simon Scott, Duane Pitre, Taylor Deupree, Sun Hammer, Wide Sky and others. The topics are wide-ranging, often very entertaining and thought provoking. I also appreciate the reflective consideration that Cory Allen brings to the development of his work, and to his experimentation with instrumentation (extant and invented).
From the first sedate piano note of The Great Order, to the almost shy conversation between guitar, vibraphone, cello, and double bass, there is a respectful and somber discipline, a regimen to this largo in two movements. It is evident that there is a prescribed yet restrained foundation to this all-acoustic instrumental work. This is an album about relationships and exploration: the musicians to their instruments, the instruments with each other and how the sounds sustain and resonate both in the recording and ultimately in the listening space (or headphones) and the ears of the listener. No one instrument dominates, and it’s as much about the spaces between the music as it is about the sound. The first movement is somewhat hushed, and the second movement has a slightly increased density of statement-response and layering among the instruments. This is an album that also cleanses the mind and encourages contemplation. The recording has a clarity and live presence that feels as if one is sitting in the room with the musicians, making it all the more intimate.
The album art and design are by Cory Allen, who has done an impeccable job with the entire package (the covers printed by Stumptown Printers in Portland, Oregon). The limited edition LP is pressed in translucent clear vinyl. Also, in conjunction with the release of The Great Order, Cory Allen has issued an LP version of his serene, beautiful and introspective album Pearls (from late 2010). The first 100 copies of Pearls are pressed in white vinyl and 400 copies in black vinyl. For a limited time, both LPs can be purchased at a special price from the Quiet Design website. I’m also looking forward to Cory Allen’s ongoing experiments with his recently created multi-stringed instrument (a sound sample is below).
Pearls: A: Strange Birds, Lost Energizer 17:09; B: Isozaki Clouds, Blue Eyes 18:52
Pingback: Cory Allen – The Source | wajobu


Bob Marley, Ub40, Lucky Dube, Alpha Blondy Greatest Hits Best Of Reggae Music Songs 2018
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I am a musician with many years of professional band and orchestral experience and will show you the way to play.
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This famous opera with Richard Strauss' music and Oscar Wilde's story is a controversial but popular piece. Salome is famous for its "Dance of the seven veils" and wherever performed makes a strong impression on its audience. This biblical story with its lovely arrangement, diverse rhythm and great harmonies will have you appreciating Strauss' technical brilliance as a composer and Oscar Wilde's gripping and intelligent story.
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|Los Angeles, California, USA Dorothy Chandler Pavilion Salome||Only a few tickets left|


POWERFUL PLAYER ENGINE
Control amazing, sampled instruments
Advanced Sound design options
Expand your sound with 3500+ instruments / 16+ GB..
Infiniti Player is a powerful rompler Engine built for modern music production. Whether you create in a studio or on the go. Infiniti Player is always prepared to perform.
Its impressive builtin factory sound library contains over 500 multi sampled acoustic and synthesized instruments. Infiniti Player purchasers will receive 2 free expansion packs.
Infiniti Player comes with advanced synthesis controls that are perfect for sound designers. Activate LFO, select Waveform and control its destination.
The Chord Section allows you to play any major, minor or diminished chord type. Music theory can some times be a challenge so we added controls to add a 7th, 9th or 11th to your chord structure. Infiniti Player has an advanced arpeggiator. With the first ever 3x up, up down & down up arp types.


Yamaha CTS-0234B 10″, 12″, 13″, 14″ Intermediate Ser Concert Tom Set
8-ply birch/mahogany concert toms are constructed using the Yamaha Air Seal System to produce a quality drum and to achieve the distinct Yamaha sound. Birch provides attack and clarity, while the mahogany provides warmth and fullness of sound. The concert tom systems come with WS-850 heavy-duty stands. The stands feature double braced legs for stability.Due to the size of this item, shipping charges will be added. Please call us toll free at 888-368-7770 for a quote.
Eagletone Premium cymbal set 14" Hi hats & 18" Crash
||Sabian 16" HHX Evolut O-Zone Crash Brilliant $259.00||Vic Firth American Classic 5AW Wood Tip Drumsticks $9.25||
BadAax Cymbal Bag
|Remo Remo's Tone Control Ring Pack 10",12",14",16" $12.95||B.C Rich Fitted Widow Bass Case $166.86||Oscar Schmidt OG1TR 3/4 Size Acoustic Guitar (High Gloss Red) $109.00||Paco Rectangular Bass Case Nickel Hardware $84.99|


Need a gift for a gifted musician?
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My Facebook - http://www.facebook.com/profile.php?id=100002026093479
My Twitter - @victorlacorte
My WEBSITE - http://victorlacortee.blogspot.com.br/
I'm brazilian, 18 years old, rapper,
I started to listen to rap music when I was 13, and then I learned english to sing and understand the songs
and now I write and sing all my songs
and now I present shows in Brazil,
this is my friend Mr.Drama, check this out - http://soundcloud.com/mr-drama


Can a piano kill you?
Can a piano kill you?
Yes, Falling Pianos Really Can Kill You.
What is the best way to buy a used piano?
When shopping for a used piano, it’s important to consider: The Piano Brand – Look for quality brands such as Yamaha used pianos, Bösendorfer, Steinway & Sons, Kawai, and Wm. Knabe & Co. A higher quality piano means higher quality parts that won’t degrade as quickly over time.
Can a piano be Untunable?
It happens. If your piano is old, was poorly manufactured, neglected, or some combination of the three, your piano might be untunable. This is most often a repairable problem. If our technician has deemed your piano to be untunable, we will follow up with a written estimate for repair.
What happens if a piano is not tuned?
Letting a piano get very far out of tune isn’t good for it, but the harm is rarely irreversible. A piano adjusts to the tension of its strings (typically 38,000 pounds of pressure!). When a piano is allowed to go out of tune, string tension is reduced, and the piano settles to the new lower tension.
How much does a piano tuner get paid?
An experienced Piano Tuner with 10-19 years of experience earns an average total compensation (includes tips, bonus, and overtime pay) of $38,365 based on 7 salaries. In their late career (20 years and higher), employees earn an average total compensation of $49,132.
How much does it cost to service a piano?
It’s part of the cost of ownership. The average price to tune a piano ranges from $65 to $225, and the cost can increase by several hundred dollars if the piano requires multiple tuning sessions or repairs. Piano tuning is a skill that only experienced professionals should do.
Why do my piano keys squeak?
Often, a squeaky key is the result of debris stuck between the keys or a dirty piano inside. Step 2 Insert a soundboard steel between the sides of the keys, and attempt to dislodge anything that may be stuck between the sides of the keys. Even a small splinter will cause squeaks.
Can a piano be too old to tune?
Q: My piano has not been tuned in years. Can it be tuned? A: The great majority of pianos can be tuned. On very old pianos with rusty strings, first tuning the piano to itself is sometimes advisable to test the condition of the piano before adding greater tension.
What do piano teachers earn?
Piano Teacher Salary
Can piano wire kill you?
Absolutely. You could kill someone with piano wire, and it has been historically done. For example, one of the July 20 Plot conspirators was hanged with piano wire.
Who needs a free piano?
The Beethoven Foundation accepts piano donations depending on condition of the piano. If your donation is accepted, they pick up your piano for free. Plus, you get a receipt with your donation for a tax deduction. Pianos for Education will pick up a piano in all 50 states for free.
How do you tell if a piano can be tuned?
For most notes on the piano, a hammer strikes two or three strings tuned to the same pitch. If one of those strings is off the note will sound wrong. The notes on a piano should sound sweet and clear, not buzzy or twangy. If your ear is telling you that something’s wrong, it’s time to tune the piano.
How often should a piano get tuned?
Almost all piano manufacturers suggest tuning a new piano four times in the first year and then twice a year thereafter. At a minimum, a piano should be tuned at least once a year.
Does moving a piano put it out of tune?
They’re built to withstand up to 20 tons of string tension and decades of heavy usage, so the physical movement of a piano usually has very little effect on its tuning or other adjustments. It’s the climate change associated with the move, rather than the actual move itself, that makes pianos go out of tune.
Why do you put water in a piano?
Too much water in the air can cause the wood pieces of your piano to swell. One way to do this is by installing the Piano Life Saver System, that is essentially an interior humidifier for your piano.
Are older pianos better?
The answer is: it depends. Old pianos can continue to sound wonderful for many years with regular maintenance and care, but even pianos that have deteriorated can often be restored to their former glory, and in many cases made to sound even better than when they were new.
How long does a piano last?
40 to 50 years
How can I get a free piano?
I’m here to tell you how to get one for free… or nearly free.
- Craigslist. People are lining up to give away pianos for free or super cheap.
- Ebay. A rarely-used (by me, at least) Ebay search setting could be the key to your free piano.
Why do piano notes have 3 strings?
The three strings for middle pitch and high pitch notes are not only intended to increase the volume during play, but also enrich the quality of the sound.
How long should a piano sit before turning?
Though there’s no harm in waiting longer, the average instrument needs a minimum three- to five-day acclimation period before it’s tuned. Because it takes time for the instrument to settle, it’s quite likely that it will be knocked out of tune once more.
Is Piano tuning dangerous?
That may be an atypical incident in the piano tuning world, but the business isn’t without its dangers. The wire strings of a piano are tightened to a collective 17 to 20 tons of tension. Sitting right next to a piano sounding board exposes them to over 100 decibels the level at which permanent damage can set in.
What is a piano tuner called?
Also Called. Piano Technician, Piano Tech. Piano tuners make small adjustments to the tension of a piano’s strings, aligning the intervals between their tones so that the instrument is in tune. Some piano tuners are also piano technicians, providing repair and restoration services.
Should you tip a piano tuner?
No, it is not the custom to tip the piano tuner.


I need sheet music of Billy Squier's "The Stroke"greenspun.com : LUSENET : Free Music : One Thread
Hello, Does anyone have any copies of Billy Squier's "The Stroke"? Arrangement is basic piano/guitar/voice. A photocopy from an '80s music book would be fine too. Thank you very much!!
-- Betty LaChaussee (firstname.lastname@example.org), August 23, 2003


- This event has passed.
Arizona Repertory Singers Presents Rejoice and Be Merry!
December 8, 2019 @ 7:30 pm - 9:00 pm$18 – $20
Arizona Repertory Singers returns to its choral roots this December with traditional holiday favorites and fun and festive new music. The 45-member choral ensemble will usher in the holiday spirit with songs like Hark! In 7/8 by Steven Landau and Bring Us In Good Ale by Gustav Holst alongside stunningly beautiful classics by Francis Poulenc, Ola Gjeilo, and up-and-coming composer Connor Koppin. Tickets are $18 in advance, $20 at door. For group ticket discounts ($15 each for groups of 10 or more), email us at firstname.lastname@example.org. Students are free.


Wilkinson m Series "Vari-Gauss" Ceramic 4-String P-Bass Pickup
The most widely used style of bass pickup ever .Designed by Leo Fender himself for use in what has become the “iconic” bass of all time.“M” series pickups have now taken this classic to a new level with the use of our “Vari-Gauss”Technology. Bass frequencies keep their deep growl whilst the treble sounds are smoother but still defined. This will make your “P” style bass stand out from the crowd.
- Classic tone with our new Var-Gauss technology: Bass frequencies keep their deep growl while the treble sounds are smoother but still defined
- 4.Magnet: Ceramic. D.C. Resistance: 8.5K. Two conductor wires, black wire is ground, white wire is hot
We Also Recommend
Bourns 250k / 500k NO LOAD Potentiometer Linear Taper 3/8 Tall Bushing US Size 24 Spline Split Shaft High Torque


Starburn is back under the dome!
Every opportunity to play Stargazers is a wonderful time! This time we get to open for The Petty Hearts a nationally touring Tom Petty act. As always doors at 7:00 and the music starts at 8:00. Advance tickets $15 day of show $20. Ticketing fees apply.


Unlike most of music schools consist of lesson pros, we offer you lessons with professional musicians who are active in Tokyo's frontline music scenes. Our students includes from beginners to pro-oriented students.
An optimized combination between private lessons and school lessons
Although the lessons we offer are basically private lessons, instructors share information about each student's progress and teaching know-hows to provide better lessons for each. Therefore we offer you the best lessons between personally optimized private lessons and systematic school lessons.
Alyways for the students' sake - our attitude to teach
Most important thing for us is to give the lessons match to student's personality, preferences, skills and practice environment to fulfil student's wishes. As one of services to realize it, for every single lessons we make lesson notes (consists of each lesson's assignments, points, upcoming lesson plans, etc. ) and send it to the student after the lesson.
We help you out to make music friends through jam sessions
To improve your performance skills, we think it is very important to play music with another players, play music in the front of people, as well as the personal practice at home. As earlier you obtain the chances to do it, you can learn music more deeply, improve your skills quicker, enjoy music better.
We help you out to make your personal demo recordngs
We give you lessons about theory, composition, arranging and sequencing by using sequencing softwares. Upon your wish, we can offer you demo recording production service with our colleague company Natura Sounds with a good price.
We help you out for your study oversea music schools
Most of our instructors have studied music in Berklee College of Music, one of the best music schools of the world. Upon your wishes we help you out to prepare for enrolling in these schools along with normal lessons, write a recommendation letter for you.


Advantages Of Hiring A Live Band For Your Occasion
When you have an occasion, apart from enjoying the moment you also would like to remember how good it was even after years. As the event organizers make plans of a colorful occasion they always have to create space for music that makes the event even more colorful. You can choose any DJs to play the music but you should have a better experience with a live band. Live bands may seem like a traditional thing but with the acceptance, they are receiving today you ought to try them in your occasion. If you are thinking of inviting a live band, this article will give you some of the advantages of hiring a band to your occasion.
A live band gives your function a touch of elegance than any other option. Not many events have invited live bands to perform on their occasion, so when you hire a band your occasion will have a special standard and it will always remain special to everyone around you.
A live band will always meet your entertainment needs and your guest will enjoy. Since the live band know they kind of music you want them to play, they will always make you enjoy the occasion as you listen to your best mixtures, learn more about hiring bands by clicking here.
A live band has experience in the field and knows best how to make your guest enjoy the event. Hire a band which has been long in the field, and you will enjoy how they will make your occasion memorable and colorful.
With the various beautiful voices that make a band, hiring one for your occasion will guarantee quality music. As the band is performing they know they have potential clients in the crowd, they will always do their best to deliver and attract more clients and in this way your occasion is colorful.
A live band a little more energy to the song they are playing more than what a recorded song has, so it gives your guests more energy to enjoy the party.
As the band entertains the guests, they set a free atmosphere where your guests can join in and it helps bring that beautiful mood that everyone will enjoy.
Hiring a live band, you relax and leave the entertainment task to them so you relax and enjoy the function even more without worrying about what you listen to because it’s all taken care of.
When you finally decide to hire a live band, make sure you do that early enough to allow them to practice for the songs you want.


Instant and powerful …
Gross beat is perfect for real-time or rendered gating, glitch, repeat, scratching and stutter performances. Gross Beat stores audio in a 2-bar rolling buffer under the control of 36 user definable time and volume envelopes, giving you unlimited creative control.
Live or automated performance
Gross Beat Time and Volume presets can be linked to a keyboard, pad controller or automation source for on-the-fly changes to the preset. Preset slots can be set to momentary (key-held), return to base (slot 1) or hold mode on a per-preset basis. Preset-change synchronization can be set from immediate through to 4 beats (1 bar).
Gating & volume effects
In addition to the gating possibilities afforded by the spline based envelope, Gross Beat is perfect for side-chain effects without the need to link to an audio source. Just select one of the ducking-style presets for instant side-chain pumping.
- Powerful MIDI controlled envelopes
- 2 bar audio buffer
- Real time effect, perfect for live performance
- 36 volume/gating envelopes with user-controlled smoothing
- Linked or independent volume & gating slot operation
- A large number of creative presets ready to go
Gross Beat in FL Studio
- Gross Beat works inside FL Studio both under Windows and macOS
- General FL Studio system requirements apply
- ATTENTION: NO VST version sold at this time


The Traveler Ultra-Light Nylon Acoustic Electric Guitar is the smallest, lightest full-scale classical acoustic/electric travel guitar ever made. Complete with a Shadow acoustic piezo pickup and a lightweight detachable lap rest frame, the nylon string guitar weighs just three pounds and is only 28 inches long. The Ultra-Light Nylon guitar fits into an included high-quality gig bag that stows easily in airline overhead compartments. The Traveler Guitar Ultra-Light Nylon is the perfect solution for traveling players looking for the smallest, lightest solution available.
Traveler Ultra-Light Nylon Acoustic Electric Guitar Features
- The smallest, lightest full-scale classical acoustic/electric travel guitar ever
- Shadow acoustic piezo pickup for accurate sound reproduction
- Weighs just 3 lbs and is only 28 inches long
- Includes high quality gig bag
- Uses standard nylon acoustic guitar strings


Asked by: John Rooney
Connecting a MIDI keyboard to an audio interface
- Connect your interface to your computer and ensure it is recognized. A driver might be required. …
- Set it to your DAW’s MIDI input. …
- Connect the MIDI output of your keyboard to the MIDI input of your audio interface.
- Load up an instrument capable of using this MIDI signal.
Can you plug a keyboard into an audio interface?
So when we connect a keyboard to the audio interface. We aren't going to need any boost in our signal. And usually on an audio interface.
How do I connect my old keyboard to audio interface?
So what we're going to do is take one end of a MIDI cable. And plug it into the out port. Here now you can only plug it in one way it's impossible to put it in the wrong way.
How do you connect a MIDI keyboard to a Focusrite 2i2?
And then we will need to just connect the typical USB port or USB cable to the adapter. And then you'll get a warning saying like. It doesn't have enough power to power the 2i2.
How do I connect MIDI to interface?
Plug one end of the MIDI interface cable into the interface (if applicable). Plug the other end into the USB or serial port on the back of your Mac. Plug one end of a MIDI cable into the MIDI keyboard port marked MIDI In. Plug the other end into the MIDI interface port marked MIDI Out.
Do I need audio interface for MIDI keyboard?
The USB MIDI keyboards come with a built-in interface, which means you can use your MIDI keyboard with your recording software without a dedicated audio interface. In simple terms, you won’t be needing an audio interface for your MIDI keyboard to function.
Can you use MIDI with Focusrite Scarlett 2i2?
Other USB audio MIDI interface units
The interface I usually recommend – the Focusrite Scarlett Solo or Scarlett 2i2 do NOT have any MIDI I/O. The Focusrite Scarlett 2i4 interface, however. DOES have MIDI capability. So make sure you do your research.
How do I connect my Yamaha keyboard to audio interface?
And it simply consists of two quarter-inch jacks which would go straight into the quarter inch jack outputs of them at the back of a keyboard.


Voted second on Modern Drummer's list of 25 Greatest Drum Books in 1993.
Progressive Steps to Syncopation is one of the most versatile and practical works ever written for drums. Created exclusively to address syncopation, these drum lessons have earned their place as a standard tool for teaching beginning drummers syncopation and strengthening reading skills. This instructional book includes many accented eighths, dotted eighths and sixteenths, eighth-note triplets and sixteenth notes for extended solos. In addition, teachers can develop many of their own examples from it.


Learn To Play The Violin - SONG BOOK 1 | Download Only
PLEASE NOTE: THESE BOOKS ARE DOWNLOAD ONLY.
THERE IS NO BOOK 1, AS FREE PDFs HAVE BEEN PROVIDED FOR THESE 'VIDEO LESSONS 1-10'.
|Format:||100% Downloadable PDF|
|Type:||Song Book - 10 songs|
|Series:||'Learn To Play The Violin' series.|
Learn To Play The Violin - Song Book 1 follows on from the Violin Video Lessons 1-10, and before you go onto lesson 11 with book 2.
It contains 10 well known classical and original pieces that have been written and arranged especially to go with the Violin Video Lessons 1-10.
So, if you fancy playing a few more pieces at the level you are currently at, rather than hunt around for books that are either too hard or too easy, then this is the book for you!
The book contains 16 pages that can be printed out on single sheets, or will fit nicely printed out on both sides, the bound together as you see fit.
Pieces in this book:
- Ode To Joy
- Country Gardens
- Blue Danube
- Leaving For The Last Time
- Minuet in G
- Air from Water Music Suite
- Alla Hornpipe from Water Music Suite
- Frohlicher Landmann
- Drunken Sailor
SORRY - BUT NO REFUNDS ON DOWNLOADABLE PRODUCTS.
PLEASE BE SURE YOU HAVE THE CORRECT ITEM BEFORE PURCHASE.
Thanks you for the great lessons Ms. Sparrow. Just finished lesson 10 . Still have a long way to go and will be starting lesson 11 soon. Thanks for the book.
Well composed for us beginners of violin. Alison Sparrow does good work.
The book is very handy to build your repertoire.
This is an excellent companion to Alison Sparrows level 1 series for violin. Interesting pieces that enforce what was learned. Fun to play and a great variety.
Thank you so much for all pieces of music that were nicely set in the book. I just can't stop playing ^^.
This book is worth the money. Really fun to play the songs that are in it.
Looks interesting, I'm looking forward to being able to play. I'm a super beginner, so fingers crossed.
Thank you so much for teaching!
Thank you for your violinlessons. And the low price on your books. Then everybody can start to play violin. And the songs are god, I like that you have chosen classic songs. Not only twinkle little star


This work is cataloged as BWV 532. Prelude fugue Fugue in G minor, BWV 861 is No. 2 in D Major, BWV 532 free sheet bwv music. Prelude and fugue in d major bwv 532 sheet music. Download sheet music plus arrangements; Printable sheet music scores for piano orchestra, choir prelude many classical instruments. This is a Performer' s Reprint, which is a digital bwv reprint of historical editions.
bwv Transcribed for Woodwind Quartet by John W. From the Bärenreiter edition of Bach' s complete organ works. Return to the Product List. fugue For bwv instant access to the printable sheet music of pices by Busoni and thousands of. Prelude BWV 532: From Eight Short Preludes , Fugue In D Major Fugues. Prelude and Fugue in D Major- - BWV 532 11.
His music combines profound expression with clever musico- mathematical feats,. Prelude and fugue in d major bwv 532 sheet music. 2 in D Major, BWV prelude bwv 532. Browse: Bach BWV532 This page lists all sheet music of Prelude & Fugue in D major, J S - Prelude & sheet Fugue in D major BWV532 by Johann Sebastian Bach. Download Johann Sebastian Bach Prelude and Fugue No. BWV 566a — Toccata and Fugue in C major ( earlier sheet version of BWV 566) BWV 567 — Prelude in C major ( by Johann Ludwig Krebs ) BWV prelude 568 — Prelude in G major.
Free music score of Prelude and Fugue No. fugue Printed sheet music to the work Prelude and Fugue in D major by Johann Sebastian Bach. Busoni - Piano Music. He spent most of his life as a church organist and a choir director. Among the big Bach organ fugues, BWV 532 is unusually well suited to woodwind quartet. The prelude opens with a rhapsodic passage initiated by a rising scale in the pedals.
Score Parts PDF $ 21. Showing 1 - 10 of 15 results. The Artist: One of the greatest composers of all time. Free Mp3 fugue Js Bach Prelude fugue major Deezer, , Lyric Js Bach fugue Prelude , Get Js Bach Prelude , Itunes, bwv Google Play, Fugue In D Major Bwv 532 Chord Guitar, Fugue In D Major Bwv 532 Hiqh Qualtiy prelude audio from Amazon, Fugue In D Major Bwv 532 major Download, Free Ringtone Js Bach Prelude , Spotify, Fugue In D Major Bwv 532 Download Youtube. 16 in Johann Sebastian Bach ' s Well- Tempered Clavier Book I fugues in every prelude fugue major , keyboard music consisting of 24 preludes minor key. Prelude and sheet fugue Fugue prelude in D Major - BWV 532 $ 2. Prelude and bwv Fugue in D Major- - BWV 532 10. Open- source edition of the Well- Tempered Clavier Book I available in MuseScore bwv . Organ Sheet Music Classical Style 18th Variation from Rhapsody on a Theme of Paganini.Prelude Fugue In D Major BWV 532 Organ Solo Musicnotes Edition: This digital sheet music was either arranged by Musicnotes. Prelude fugue Fugue in G minor BWV 861 topic. Page prelude size is 12 bwv × 9 inches. Home / Organ sheet music / Organ sheet music / Prelude and Fugue in D Major. Prelude and Fugue in D Major- - BWV 532 12. Instead the D major prelude , features bwv bwv major a lengthy, complex, BWV 532, major fugue self- contained fugue preceded by a multisectional prelude. 5: Prelude bwv Fugue in D major BWV 874. Bach Complete Works for Organ.
Prelude & Fugue for Organ ( BWV 532) prelude D Major: 1888:. Bach wrote hundreds of pieces for organ choir as well as many other instruments. About ' Prelude and bwv Fugue in D Major- - BWV 532 prelude '. com' s staff of professional arrangers composers it is a new engraving of the composition' s original printed arrangement. Publish buy , sell, download sheet music performance licenses!
The Goldberg Variations, BWV 988, is a musical composition for harpsichord by Johann Sebastian Bach, consisting of an aria and a set of 30 variations. First published in 1741, the work is one of the most important examples of the variation form. It is named after Johann Gottlieb Goldberg, who may also have been the first performer of the work. Print and download Prelude and Fugue in D Major, BWV 532 sheet music composed by Johann Sebastian Bach arranged for Organ. Instrumental Solo in D Major. Musicnotes Pro Send a Gift Card.
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חינם Bach Busoni Prelude And Fugue In D Major BWV 532 With Sheet Music Score. J S Bach Prelude And Fugue In D Major BWV 532 MP3.


Kawai MP6: The Evolution Continues
Following in the footsteps of its popular predecessor, the MP6 is a powerful, yet portable, 4-zone MIDI controller and stage piano. Updated with new sound technology and keyboard action, plus USB audio, the MP6 is ideal for the pro on the go.
TouchThe MP6 employs the new Responsive Hammer (RH) action with Let-off and Ivory Touch key surfaces. It's an 88-note, graded hammer action with superb feel and sensitivity.
ToneThe MP6 utilizes Kawai's new Progressive Harmonic Imaging Sound Technology with 88-key sampling to create its impressive collection of new concert grand piano sounds. In all, the MP6 has 256 instrument sounds.
Vintage Electric PianosThe MP6 offers new vintage Tine, Reed and Clavi sounds painstakingly sampled from actual instruments. The new amp simulator adds to the richness and authenticity of these sounds.
Tonewheel Organ GeneratorIn addition to sample based drawbar organ sounds, the MP6 boasts a new Tonewheel Organ generator. Dial up your favorite classic setting and add in the Rotary Speaker effect and you're ready to rock.
USB AudioNew USB Audio functionality provides the ability to record and play both MP3 and WAV audio files using a USB device. This is perfect for recording a sudden inspiration or performing along with prerecorded backing tracks.
4-Zone ControllerThe MP6 functions as a 4-zone controller keyboard. Each zone can control an internal or external zone, or both simultaneously. Internal zones can be freely transposed (+/- 36), split, layered and velocity switched, as well as offering many other editable parameters. Faders control a zone's volume in real time.
Control KnobsWith 4 real time control knobs you can adjust the keyboard's EQ, effects and sound parameters, or send MIDI control change commands to external devices.
Reverb & EffectsThe MP6 comes with a host of studio quality reverbs and digital effects, from chorus, flanger and delay, to distortion and rotary speaker.
256 SetupsSettings and assignments for all four zones can be saved into any one of 256 User Setups for instant recall during a performance.
JacksBoth the 3 MIDI jacks and USB jack are useful for connecting with other musical instruments and computers. USB can also be used to save and record user data as well as MIDI song data. The instrument also has stereo Line Out jacks along with connections for an assignable footswitch and an expression pedal.
Headphone JackA headphone jack allows the player to listen to the instrument in privacy.
PedalsIncluded with the MP6 is the F10H damper (with half-dampering) pedal . The F20 damper (with half-dampering) and soft pedal assembly is available as an option.
Music RackA heavy duty metal rack, which conveniently mounts on top of the instrument, is also included.
No Frequently Asked Questions to show.
Have your own question about the Kawai MP6? Email us and we'll research it for you.


Just to say the guitar is even more perfect for me than I could have dreamed, it just fits my style of playing beautifully. Gets better and better as I play it, I think it has been travelling all these years just trying to find me...and ended up almost sat on my doorstep!
Barry, Bucks, UK
Martin Acoustic OM-28-VR
The epiphone arrived first thing this morning Everything ok guitar as described first class Just what I was looking for I am more than happy I would definitely buy again.
Tommy. Lancashire, UK
Epiphone Joe Pass


Dating a thomas organ crybaby
Thomas organ patented the wah circuit design but by the time the patent was granted dunlop cry baby gcb-95 wah modifications. Thomas organ crybaby schematic i've just bought a dunlop crybaby for 30 bucks, but when i opened it up to see the guts i find that they were almost the same that thomas organ's ones had: a stack of dimes 03 inductor and. Does it really make much difference for a longtime back in my guitar days i used a thomas organ company crybaby and it sounded pretty good but the pot went bad and i retired it. Vintage thomas int corp wah question with cab, and this a thomas international corporation cry baby to clarify,thomas organ had plants in calif and. Cybaby fasel inductor wah discussion in 'the do they still make 'em new, or do i need to track down a vintage one i know thomas organ made a cry baby. Home » dunlop jb95 joe bonamassa signature cry baby pedal and the circuit placed in an organ’s to the spec of his original thomas organ. See more like this dunlop cbm95 crybaby mini wah pedal cry baby includes delivery with vintage cry baby wah model 95-910511 thomas organ of california original. Find great deals on ebay for thomas organ cry baby wah in wah and volume here's a thomas organ crybaby wah pedal dating from the early 1970s and in good overall.
I have an old thomas organ wah that has the brown square tdk inductor it has a scratchy pot that i could not fix by cleaning replaced the pot and. How to date a thomas organ i came across this post a few days ago searching for some information since i just came into possession of a cry baby [thomas organ. How to date a wah - posted in effects i think it may be an original crybaby, i just want to know thomas organ co sepulveda, ca pats pending serial # 1975032.
The dunlop cry baby is a popular wah-wah pedal, manufactured by dunlop manufacturing, inc the name cry baby was from the original pedal from which it was copied, the thomas organ/vox cry baby wah-wah, first manufactured in 1966. Vox: other models (an assorted odd easily pre-dating modern rap coffins by two the back of the organ has a socket for a thomas leslie 300 with 2 control tabs.
True bypass for thomas/dunlop wahs these instructions apply to us-made vox v846, king vox, thomas organ crybaby and early dunlop crybaby pedals. Vintage 1970s thomas organ cry baby wah pedal model 95-910511 this is the highly sought after thomas organ version with a silver pedal & black body. Zakk wylde zw45, for sale, zw-45, deals, buy dunlop prices, cry baby wah pedal serial numbers, thomas organ co cry baby wah wah serial numbers, dating thomas organ patents pending cry baby, cry baby wah pedal serial numbers, brand dunlop, model zakk wylde zw45, mpn zw-45, review mpn:2014450 for sale 2014450 wah pedal thomas vintage serial.
When you step on a cry baby, you’re given the same freedom of expression that inspired some of the most classic songs and solos of all time guitar gods ranging from hendrix to slash have all used it as an integral part of their voice and tone. Description of a dunlop crybaby with thomas organ parts a transition crybaby description of a transition dunlop wah owned by [email protected] Organ service company, inc the plate is most often located on a shelf in the rear of the organ or in the lower right hand corner of the cabinet in the back of. The guitar magazine the vox v846 appeared in 1967, followed by the first cry baby in 1968, and soon the thomas organ and vox wahs were being made by eme in italy.
Dating a thomas organ crybaby
Find great deals on ebay for thomas organ wah in wah and volume guitar here's a thomas organ crybaby wah pedal dating from the early 1970s and in good overall. I have a thomas organ co cry baby m#95-910511 s#2033862 i was just wondering if you could tell me what year it was made. In our dunlop original cry baby wah pedal i don’t know where you got the info that the dunlop crybaby is completely true to the original thomas organ design.
Jen mister cry baby super wha, original,70's ex++ early wah's were made in california, but joe benaron, president of thomas organ, wanted to move production to italy to reduce costs. Thomas organs by frank pugno edward g thomas founded the thomas organ company in 1875 their first instruments were pipe organs and they later manufactured reed organs as well. Thomas organ cry baby wah-wah pedal (dunlop crybaby 535q) used a hammond organ in conjunction with a wah-wah pedal, placed on top of the organ and operated by.


The Children's Concert Series at the Old Town School of Folk Music always features the best artists who perform for young people, which explains why they are often sold out. So plan ahead and order single tickets or a subscription for Josh White Jr. on Feb. 25, Tom Chapin on March 3, Ella Jenkins on April 28 and the Arkansas duo Trout Fishing in America on May 19. Tickets for individual performances are $8; the package price for all four concerts is $25; 312-525-7793.
Nancy Maes. Special To The TribuneCHICAGO TRIBUNE
Copyright © 2018, Chicago Tribune


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Lossy Audio Bootlegs
The complete radio broadcast of U2´s famous ZooTV from Sydney show which also includes the song “Trying To Throw Your Arms Around The World” .
This recording is NOTan audio rip from the official vhs / dvd release or from the fanclub cd release!!
1. Intro Show