Reasonable prices for best results
MIXINGLet’s make it sound better than your reference!
MASTERINGMusic Mixing and Mastering for CD, DVD, Spotify, iTunes, etc. at a reasonable price.
PRODUCTIONElectronic Music Production using Ableton Live 10 and Logic Pro.
SOUND DESIGNSound Design for short film, Documentaries etc.
Learn Music Production, Recording Music mixing and masteringOnline and Offline one on one classes.
VISUAL PROJECTIONSGet the best advice on audiovisual synchronisation using Resolume Arena.
Sound Engineer / Electronic Music Producer
Satyam is a multifaceted engineer, with extensive knowledge in Music Production, Mixing and Mastering various genres of music such as electronic music, rock, pop, jazz, and world music. Graduated from Berklee College of Music in Music Production, Technology, and Innovation. He is currently a Head Instructor of EMP & Synthesis at Beatfactory Academy, New Delhi.
Satyam Studios is a full-fledged music production, home recording studio specialized in post-production services such as music mixing and mastering.


Get started today!Take the next step to making your musical dreams a reality!
Want to learn more?
Tell us a little about you and what you’d like learn, and we’ll get in touch to answer any questions you have and help you take the next step toward making your musical dreams a reality!
You can also call us at (916) 536-9390.
Frequently Asked Questions
Am I too old (or too young) to learn to play music?
You can learn to play music at any age! We teach seniors, adults and children starting at 4 years old.
How much do music lessons cost?
Private lessons are $120/month (weekly 30 minute lesson) or $160/month (weekly 45 minute lesson).
Group lessons are $100/month (weekly 45-60 minute lessons).
Group piano lessons for adults are $25 per session.
What is the difference between group and private lessons?
Private lessons are a good fit if you have a specific goal to achieve and want faster results.
Group lessons are excellent if you want an enriching musical experience: playing with others, sharing the sound space, experiencing harmony, jamming and learning together.
Children under the age of 7 are encouraged to learn in a group setting. They learn a lot from each other and their listening skills improve faster than in private lessons, due to the group singing, ensemble playing and team playing.
What is Yamaha Music Education and to whom is it taught?
We provide Yamaha Music Education for the piano group lessons to children age 4 – 8.
The Yamaha music education method teaches by “ear” first until the music is felt. Children instantly capture the essence of music and are provided with tools to express it naturally. Yet the expectations are high and Yamaha students are confident, accomplished and creative! The teachers go through extensive training to assure that they provide the most effective lessons. The Yamaha method makes it fun to teach and to learn!


The young Spanish flamenco dancer, Jesus Fernandez, who is nominated as one of Spain's best dancers this year, is performing with his musicians along with the Holstebro Musikkorps.
Together they will fill the Straw Colosseum with what is the most current and beautiful contemporary Spanish flamenco and songs from the song book "højskolesangbogen".
Buy tickets and read more here:
IF it rains the concert will move inside.
(Venue: The Stable at Grydeå: Idomlundvej 19, 7500 Holstebro, Denmark)


Cr2 drop their 2015 compilation inspired by the Miami Winter Music Conference, and it\’s something of a belter. With last year\’s copy hitting a million Spotify streams and enjoying huge sales on both iTunes and Beatport, \”Miami 2015\” is sure to continue causing dance floor damage.
The label has once again selected some huge tunes and artists to come together for this release, and the total number tracks on the iTunes version is a massive seventy. Tunes come from the likes of Carl Cox, Hot Natured and Nile Rogers this time, with four accompanying DJ mixes.
Grab your copy of this delight here.


Classic Albums Whitesnake Is This Tone 2 Boss GT-1000
another selection of tones from the iconic 70s and 80s rock band who also conquered the world in the 80s, with tones from their most loved albums. My favourite album is 1987, one of my absolute favourites. i love the early stuff as much as the MTV songs, the soulful bluesy hard rock band formed after David left Deep Purple. Who had an equally talented lineup as the big haired legends that David brought in later, who could forget those videos for those massive hit singles Is This Love and Here I Go Again! find some of those early tones from Ready And Willing and Lovehunter combined here with some further settings from the soft rock era of the band, with tracks from the albums Slide It In and Slip Of The Tongue.
Whitesnake Volume 2 for GT-1000 contains presets for the songs Ain’t No Love in The Heart Of The City (live), Lovehunter, Slide It In (US version), Fool For Your Loving 1980, The Deeper The Love and Love Ain’t No Stranger
Volume 3 available from 1st May 2019.
i don’t own any of the music mimicked here, the song names and album names are the property of the band, these are just guitar tones i have created to help you sound more like this band.
this band’s music is available to buy and stream wherever music is sold.
6 Pack – Whitesnake Volume 2 contains presets for the songs Ain’t No Love in The Heart Of The City (live), Lovehunter, Slide It In (US version), Fool For Your Loving 1980, The Deeper The Love and Love Ain’t No Stranger (clean acoustic and drive). As always with Tonegarage presets, solo settings are also included, as well as any extra effects needed to play along with and mimic the songs listed.
listen to a sample here
Supplied via TSL file via Instant Download after purchase. You will need GT-1000 Tone Studio to receive and import the tones we provide.


Are you looking for soprano recorders for your music classroom but having a tough time deciding which ones to get?
There are literally hundreds of brands out there, and if you buy a bad one, your students won’t sound any good no matter how awesome your instruction may be.
Fortunately, you don’t have to. I’ve tried many kinds to make a list of the best soprano recorder brands.
The best soprano recorder brands are ones with a strong reputation, excellent customer service, good pitch, tough durability, and affordable pricing. My picks for the best brands include:
- Kingsley Kolors
Check out why these brands are so good and examples of their products below.
You may also want to check out our Teaching Recorder Beginner’s Guide.
Table of Contents
Yamaha: Reliable And Consistent Sound
Everyone has heard of Yamaha and its strong reputation for producing quality instruments at a variety of price points. This dedication to sound has transferred well to the soprano recorder field. (Check out the best books for soprano recorder.)
Yamaha, the company, has been around since 1887 when founder, Torakusu Yamaha, fixed his first broken reed organ. Not long after this, he also built the first reed organ in Japan.
Though the Yamaha group has expanded into other areas, music and instruments remain their staple.
Yamaha manufactures a wide variety of soprano recorders at different levels designed for different types of players.
The 23Y is the entry line model for recorders made by Yamaha. It still costs a little more than other student recorder models made by other companies.
This model comes in one color, natural white. The 3-piece construction allows for adjustments to fit your fingers better, and this also allows for a better construction of sound.
I’ve used these records a lot with my students over the years. The sound is consistent across the mid and high range, but loses some power in the lower range.
Its pitch is consistent with all other Yamaha recorders. The only complaint most folks have with this recorder is how it tends to crack easily.
This is the flagship soprano recorder for the Yamaha brand and comes in at a medium-high price. The model comes in the standard black with white trim.
It’s a baroque recorder in the key of C. Like the 23Y, the 302BIII is also a 3-piece recorder for better customization of fingers and more consistent construction.
The plastic Yamaha uses for this model feels like it has more weight and solidity to it. This results in a more mellow and pure recorder sound.
The sound is consistent from recorder to recorder, and they’re all in tune with each other. With this model, the sound is full throughout all ranges.
While this model doesn’t break as easily, this is still this product’s biggest weakness.
For those with the highest purity of sound with plastic recorders, the YRS-402B may be exactly what you’re looking for. At a high price (for a soprano recorder), you get a brown and cream recorder with stellar consistency in pitch, tone across all ranges, and durable construction.
The 3-piece baroque-style recorder is made from ECO plastic for a more attractive and mellow tone.
The windway of the recorder is also arched. This design choice makes it a little harder for beginners to play as you get more control over the tone when you play.
If beginners don’t know how to adjust their airway, they may end with poor tone and intonation. But for experienced players, this is a nice touch allowing for better pitch control and special techniques such as bending pitches.
Kingsley Kolors: Great Value And Durable
Macie Publishing was founded based on the works of band director and elementary teacher, Ed and Macie Sueta respectively.
Since 1974, their company has been focused on providing resources and products informed by how students learn rather than theoretical ideas.
The smaller company places a big emphasis on a family-style business, and if you reach out to them, chances are you’ll hear back directly from one of Ed and Macie’s 2 children, now in charge of the company.
The Kingsley Kolor recorder provides great value. Their price is lower and more in line with what students may be willing to pay.
Still, for the lower price, the recorder still comes with quite a bit.
The recorders are available in a variety of colors:
These recorders are plastic and use baroque-style fingerings. Macie Publishing designed these recorders for durability.
Its one piece design does sacrifice a little in sound quality and customization, but these recorders will only break under extreme duress. For your young students, this may be exactly what they need.
With the recorders come one of the nicest cases I’ve seen. The thick plastic back is almost like leather, and the front is another thick but clear plastic to see what’s inside.
On the case is a nice zipper as well.
For sound quality, the recorders are in tune, but they have tone issues at the highest and lowest ranges. The lowest range sounds weak, and the highest sounds a little shrill.
But my students rarely (if ever) play in these ranges.
Hohner: Beautiful Sound
Matthias Hohner started this instrument company in 1857 in the land we now call Germany with the goal of providing quality instruments for all peoples.
A lot has changed since then, but the mission stays the same with this company. Hohner is well-known for its quality instruments, especially the harmonica and accordion where it’s the industry leader.
But in the recorder field, Hohner’s products are recognized as a premium option from student players to the professional level. Their goal is always to create the best sounding instrument at each level, and they do succeed.
Hohner Kids Recorder
Don’t let the title of this recorder model fool you! The quality of the Hohner kids recorder is still a step above almost every other student recorder out there.
For a medium-high price, this 3-piece plastic baroque recorder is designed with sound quality and durability in mind. If your students do drop the little extra money for the recorder, they won’t break it easily.
Hohner built this instrument for beginner and advanced players alike. For your elementary students, this recorder will grow with them as they improve.
There are different colors available, and the instrument is light-weight and easy to hold for your younger students. The case is nothing to write home about, so you may want to invest in a nicer case if you’re serious about keeping it nice.
Check out my massive list of recorder songs for teaching.
Hohner 9550 Pear Wood 2-piece Recorder
For even a bit more money, this Hohner 9550 recorder is the perfect step up for the serious players. While not professional level yet, this instrument will serve intermediate, advanced, and expert players alike.
The pear wood material provides a beautiful and mellow sound. Hohner’s design offers consistent tone and control over the entire range of pitches.
The baroque fingering is standard, and the intonation is spot on. It’s dark coloration looks classic, and the specially designed shape of the mouthpiece gives musicians a more comfortable piece to play on for their longer practice sessions.
Your students may not need this recorder, but teachers and those interested in sticking with the recorder will be more than satisfied with its amazing sound.
Hohner 9532 Baroque Pear Recorder
Perhaps one of the reasons the “lower” levels of Hohner’s recorder sound so good is how they start with professional line recorders to base them on.
This professional pear wood recorder comes in at a higher price, but the sound quality and playability has to be heard to be believed. Professionals and experts will love the control and tender sound coming from this recorder.
Every little design element has been specially made for optimum sound and playability. From the curved windway, shaped mouthpiece, and scalloped finger holes, this recorder almost seems to play itself.
On the downside, this great instrument is more fragile than its sturdier, lower-priced counterparts.
Aulos: Respected And Tough
Aulos USA is a company entirely dedicated to making only recorder and recorder resources for over 50 years. This dedication has resulted in a number of great lines of recorder products for you to check out.
The name, Aulos, is drawn from an ancient Greek flute popular at the time. Looking at the diagram and construction of the Aulos, a clear line is drawn from it to the Baroque recorder which, in turn, inspired the soprano recorders of today’s music classes.
This lineage is an interesting talking point, and the recorders from this company are quality products.
I’ll discuss two of the common models below, but there are many ones by this company you may wish to check out.
Aulos A209B Soprano Recorder
This soprano recorder is Aulos’ standard for classrooms. It’s at a lower price than their other models, but the quality is still there.
For design, Aulos made this with the intent of being played in school recorder groups. As such, the intonation is consistent across all recorders within each other.
The design also funnels students into a specific timbre of sound allowing for better natural blend between 20+ recorders at the same time.
On the flip side, this “funneling’ results in a lack of control over the tone, so anyone beyond beginner or intermediate may not want this instrument.
The recorder itself is brown to simulate wood and durable. Though it comes in 3 pieces, students won’t find them breaking as often as other recorders (although the case leaves a lot to be desired).
Aulos A303ADB Recorder
For those wanting students to access a high-quality sound at a medium price, this may be the option for you. With this jump in price, you get a noticeably better sound, increase in durability, and clear step up in case and accessory quality.
The dark brown color is now off set with a cream accent providing a more natural looking recorder. There is also a thumb rest and thick case with zipper included.
The 3-piece recorder at this price sounds great, and you’ll need to pursue a wooden one if you want a nicer recorder sound.
Its intonation is solid and consistent with each recorder, and the tone is simply mellow across the range of the recorder.
I hope you find this in-depth review of the best soprano recorder brands helpful. Any of this would be a great pick for your classroom.
If you had unlimited budget and wanted purely great sound, I recommend the Hohner recorders. The sound in their higher-priced options is mellow and rich.
For keeping costs down for students (while also having them last a long time), I just love the Kingsley Kolors. The price is affordable, and these recorders are crazy durable.
Did I miss any brands you like? Let me know in the comments.


It is very important that dancers are prepared for dance classes each week. This includes the correct clothing, shoes, hair pulled up away from face and any other accessories needed like a dance bag for our younger students to keep their shoes in or pom poms for pom class.
We sell all of the shoes that your dancer will need, just stop by our front office and we will get your dancer sized and your shoes ordered.
Call the studio for more info or sign up in our parent portal… www.gadanceunlimited.com.
#dancegwinnett #gwinnettdance #gadance #gaDanceUnlimited #daculaga #LawrencevilleGA #auburnga ... See MoreSee Less


Frequent Tinkering Syndrome. I always seem to be tinkering with my string height, pickup height, truss rod adjustment, intonation, etc. I just can't seem to leave my basses alone. I'll be happy for a couple of weeks and then I start tinkering again. I only have one bass that I hardly ever mess with and I've been playing it for 15 years. Maybe I should of become a bass tech.


DJ Panik - Dread Or Alive FLAC album
Title: Dread Or Alive
Style: Drum n Bass
FLAC version ZIP size: 1750 mb
MP3 version ZIP size: 1190 mb
WMA version ZIP size: 1857 mb
Other Formats: MP3 MP2 WMA AUD MP4 AU DTS
DJ Panik Drum and Bass Remix (DJ Panik) with Reggae. Dj Panik drum and bass remix (dj panik) with reggae (3). 01:06. Dj Panik drum and bass remix (dj panik) with reggae (2). 01:56. Dj Panik drum and bass remix (dj panik) with reggae (5). 03:52. Dj Panik drum and bass remix (dj panik) with reggae (4). 01:45. Dj panik nervous VIP (dj panik & yox drumstep remix). 07:46. DJ Panik You Killed Me (feat Imprintz & DJ Kloe). Dj Panik drum and bass remix (dj panik) with reggae (1). 01:49. DJ Panik Chaos Theory (Dubalty Remix).
Matrix, Runout: DSTDUB01. Other Versions (1 of 1) View All. Cat.
Wanted: Dead or Alive is the second album by the hip hop duo Kool G Rap & DJ Polo. The album was released a year after the duo's debut, Road to the Riches, and received greater acclaim from most music critics. State of Mind" from his critically acclaimed album Illmatic.
5 tracks · 28 August 2008. 18 And Over, Shine Eye Gal. Play album. 2 tracks · 23 November 2009. DRUM ORANGE 009.
Artist: Dj Panik Duration: 05:34 File type: mp3. Play Pause Download. other tracks: Dj Panik. play) (pause) (download) (fb) (vk) (tw). DJ Panik Dread or Alive (Taxman Remix).
dj panik feat dj yox – disturbing science recordings show - upfron. :30. Badjoke & DJ Panik – Flashback (DJ Panik Remix). DJ Panik – Drum and Bass Remix (DJ Panik) with Reggae. DJ Panik & DJ Yox – An Error Has Occured. DJ Panik – Over feat. DJ Panik – Dread or Alive (Taxman Remix). Psykosonic – Panik Kontrol(Dj Nikolay Konstantinov.
Download the album or mp3, watch videos DJ Panik (3). All video clips of all the songs are here. All audio materials of DJ Panik (3) are presented solely for information. All styles of audio music. ru All rights are reserved by their respective owners. On this site you can find any kind of music except for MP3 download.
|Dread Or Alive (Taxman Remix)|
|Dread Or Alive|
|DBS01||DJ Panik||Dread Or Alive (12")||Disturbing Science Records||DBS01||France||2008|
|DSTDUB01||Dj Panik||Dread Or Alive (12", W/Lbl)||Disturbing Science Records||DSTDUB01||France||2008|


ANDRÉ CAPLET (1878-1925): Épiphanie for Cello and Orchestra, EDOUARD LALO (1823-1892): Cello Concerto in D Minor.
Catalogue Number: 05P058
Label: Warner Classics/Erato
Description: This 1980 analogue recording, getting its First CD Release here, is a sonic spectacular; you may know the Lalo by heart but you'll thrill to this performance and recording while the 1923 Caplet, completely different in sound and style - Impressionism looking forward to Dutilleux - is equally brilliantly recorded. Frédéric Lodéon (cello), Philharmonia Orchestra; Charles Dutoit. Original 1981 LP release.


Music Man Majesty1-4 of 4 products
Music Man Sterling Majesty Pearl White
Music Man Sterling Majesty X Dimarzio 7 Cerulean Paradise
Music Man Sterling Majesty X Dimarzio Cerulean Paradise
Music Man Sterling Majesty 7 Arctic Dream
About Music Man Majesty
The Music Man Majesty is a unique and high spec guitar built for Dream Theater's John Petrucci. Devised as his perfect instrument, the Majesty blends ergonomics, features, performance and sound in a unique package that is unlike any other guitar.
Music Man Guitars in the Majesty range share a general shape and design but vary when it comes to construction materials and finishes. Each Majesty has a set of John's signature DiMarzio humbuckers fitted, a piezo pickup for quazi-acoustic sounds and an onboard booster for giving him extra kick during his solos.
An ultra flat fingerboard and a special design bridge ensure that performance is at the top of the list when it comes to the Majesty's priorities, followed by earth-shaking sound and otherworldly looks. The Majesty is available in many Music Man subdivisions including top end BFR models and affordable Sterling guitars.


Need a gift for a gifted musician?
The SoundCloud Premium accounts also come as virtual gifts and it takes only two minutes to get one. Head over to our Gift page and check out the different Premium accounts starting at only €29 per year.
I'm a college student who happens to play music and write music for catharsis. Everything's recorded at home, so naturally, it would sound really raw. However, I am trying to improve recording.
My songs are almost like confessional poetry--without the refinement. But isn't that what confessional poetry essentially is?


The Experimental Warrior
Visions: Mission Andromeda is a science-fiction story set to music that warns of the conflict between good and evil which wages eternally within every person.
In 1983, John Hall, Rocket Norton, and Skip Prest wrote and performed Visions: Mission Andromeda as The Experimental Warrior to sold out shows at the Vancouver Planetarium, and with the Vancouver Symphony Orchestra at the Queen Elizabeth Theatre.
Drummer Rocket Norton and keyboardist John Hall have performed in many Vancouver bands, including the Seeds of Time, The Rocket Norton Band, H.U.N.N., and Juno Award-winning PRiSM. Rocket Norton wrote a book of his experiences called Rocket Norton: Lost In Space. The printed book is sold out, but an eBook version is available at Amazon.
Guitarist Skip Prest also performed in many Vancouver bands including Juno Award-winning Sweeney Todd and REVOLVER: The World's Greatest Beatles Tribute Band.
We have recently released the studio album with the symphony orchestra plus the entire live Planetarium show as an extended track through CD Baby, iTunes, rdio.com, and soon through Amazon MP3, Spotify, Rhapsody, and other popular music services.


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81 miles from Sherbrooke
PEARL PILOTS - the ultimate Pearl Jam and Stone Temple Pilots tribute band. Fully loaded with a setlist covering…
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Def Leppard Tribute.
Who Tribute Band
Magic Bus performs music by The Who from My Generation to Who Are You. Including music from Tommy, Who's Next…


Details of Gretsch branded strings, circa 1968. String sets include: Electromatic (guitar or bass sets); Chet Atkins ("country Style" or "Rhythm 'N' Blues"); "Classic" and "Folk" banjo.
It is important to have the perfect match of guitar string and guitar. Guitar playing depends on this combination and on the quality of the strings. Gretsch has designed the finest strings, each individually mated to your style and guitar.
Need the value of your guitar? The Official Vintage Guitar Magazine Price Guide 2023 is out now


Web : https://frozenplain.com/
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If you like this developer please share and help spread the word.
Victorian Music Box is a multi-sampled antique music box for Kontakt. The sound is dark and mysterious, perfect for a cinematic style. The instrument is very tweakable with attack/release ...
Create realistic music box melodies and explore organic sound design with this free VST/AU. It consists of a multi-sampled victorian music box housed in our sample-based synthesiser, ...
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Looper Time : 2024-02-25 19:29:52 | Version l-3110


Autumn, for the 30th anniversary of IMPERIAL, the band compose & record a new EP, « Charnier ». 2 unreleased tracks available on streaming (YouTube & Bandcamp) and on free digital download (Bandcamp).
IMPERIAL compose an unreleased track for the compilation « v/a : We Are French, Fuck You ! » (Triumph Ov Death Records)
In July the final version of the « Chaos » album is done. The band actually search a deal with a label for a release on CD or LP.
In Spring, the cassette label Infernal Kommando produces the advance tape of « Chaos » (same recording than the digital out in 2011) with pro-printed cover, limited to 150 copies.
In May IMPERIAL start to compose and produce their third album « Chaos ».
IMPERIAL is back and record 7 new devastating songs for die hard fans. This new demo called « Noir » has been distributed for free directly on band internet pages.
In 2003, the compilation « Aggressors…not Followers » of demo & promo tapes + unreleased personnal band recordings, is released first on CD by the peruvian label Magistellus Infernal, limited to 100 copies.
A re-issue is released on tape in 2004, by the bolivian underground label Rawblackult Productions, limited to 666 copies.
Bubonist (Skrow) deserts THE END and the project become THE END 666, the Infernal (Qojau) one-man band.
For the IMPERIAL’s 10th anniversary, out the « Moonblood (ten years of IMPERIAL) » 7″EP, edited by the italian label Dream Evil Records. The EP contains 4 unrealised tracks from 1992 to 2000, and is limited in red vynil to 333 copies.
THE END out their second demo tape « Speedcore Metal Hell ».
IMPERIAL record a tribute to SABBAT, « Reek Of Cremation » for the « Sabbatical Worldwide Harmageddon » tribute LP to SABBAT released on brasilian label Live Recording Attacks!!!.
The complete 1995 session of « The Red Moon » demo (with re-recorded tracks from the« War Spirit » demo) is released by Moon Soon Records (Skrow’s label) on tape with remastered songs, colored cover and limited to 100 copies.
IMPERIAL start a new side project called THE END with Infernal (Qojau) on vocals/guitars, and Bubonist (Skrow) on bass. The first demo tape of THE END « Shudder » is edited by Moon Soon Records and Forgotten Wisdom Prod.
IMPERIAL records « Desert », a BULLDOZER’s cover for the split EP with japanese gods SABBAT « The BULLDOZER Armageddon 1 » released by the italian label Warlord Records.
IMPERIAL recording their second album « Malmort« . Richard (ex-PUKER drummer) joins the band for playing drums parts. For this album, IMPERIAL choose a more raw sound which routs people and ‘zines reviewers. Osmose Productions decide to out relutanctly the album (because disagreements between the band and the label). It’s the last collaboration between the label and the band.
IMPERIAL make an unique concert in February (the first since 4 years, and ever the last IMPERIAL concert at this day). For this concert, IMPERIAL line up is Qojau on guitar, Skrow on vocals, Jérôme Point on bass (actual LOUDBLAST guitarist) and Stéphane Quay on drums.
Problems inside the band come at the same period…problems cancelling a previous european tour with CANNIBAL CORPSE + some dates with IMMORTAL.
Still in 1998, Franky Costanza (DAGOBA ex-drummer) joins IMPERIAL on drums for the studio recording of the MCD « Thrasheurs 13 » .
The band decides to record 5 new songs in studio for making a promotional tape destined to labels. These 5 songs are all singing in french. After to have received this « Promo Tape ’97 », Osmose Productions sign IMPERIAL for 2 albums and 1 MCD. In addition to the fact that IMPERIAL is the first French group to sign on the label, this recording is also the proof that IMPERIAL is the first band in France who have mixed Black-metal with 80’s Thrash-metal.
The first album « Aux Crépuscules » is recording in 1997, still by the duo Qojau (guitar/drums programming) and Skrow (vocals/bass), and out in 1998. The 5 songs of the « Promo Tape ’97 » are include on the album. On the LP version, the song « La Femme Brûlée » is replaced by « Eux » (2 songs from the « Chapitre 3 : Men Of God » demo tape).
IMPERIAL record their third demo tape « Chapitre Trois : Men Of God ». The 8 songs are more technical, contains three sung in french. Skrow plays keyboards parts during all the session. This demo becomes the favorite tape for IMPERIAL maniacs, and a return to classical Heavy/Speed/Thrash riffs. During 1994 to 1996, their 3 demo tapes have been distributed to 900 copies in Europe and U.S.A..
IMPERIAL record the same day 6 new songs for their second demo tape « The Red Moon » + a new edition of the « War Spirit » demo. The band has now his own musical style, still influenced by all extreme and primitive Black-Metal. Skrow starts to write and sing lyrics in french .« Lumière Noire » is the first IMPERIAL piece sung in french, and the first in the french Black-metal scene.
IMPERIAL make 3 concerts and record 5 tracks for the first demo tape « War Spirit ». The musical style sounds more extreme and original, and the band uses more Black-Metal influences. Now Skrow makes all vocal performances. The demo is really appreciate in the underground.
Imperial is formed end 1992 by Qojau and Skrow, and is based in south France (Istres/Martigues). The band starts to play primitive Grind/Doom/Death/Thrash-Metal songs. The line-up is : Qojau on guitar and vocal, Skrow on drums and Julien on guitar.


This concert will be performed by Houston's Travesty Dance Group with choreography by Stokes and music by Mozart; contemporary composer Bill Ryan; and director of UH's Aura Contemporary Ensemble Rob Smith.
Performances are at 7:30 p.m., Dec. 11 and 12 and 6:30 p.m., Dec. 13 in Zilkha Hall in the Hobby Center (800 Bagby St. in downtown Houston).
Stokes' latest material is as multifaceted as ever offering pieces that range from the mysterious to the humorous. Works performed in this concert will include "Orange," "Program," "Transparent," "Raw Silk," "Interlude 1," "Sorbet" and "Balance."
Tickets are $26.50 and can be purchased by calling 713-315-2525 or online at www.thehobbycenter.org. To receive a special UH discount, mention or enter the promotional code word "COUGS."
To learn more about Travesty Dance Group, visit www.travestydancegroup.org.
|WHEN:||7:30 p.m., Dec. 11 - 12; 6:30 p.m., Dec. 13|
|WHERE:||The Hobby Center's Zilkha Hall, 800 Bagby St. (downtown Houston)|
|WHO:||Travesty Dance Group


I traded an early 60‘s dark cherry red double cutaway Gibson Melody Maker for this guitar. I saw it in a music store in Silvis, IL. I LOVED the cutaway and when I picked it up, it had this amazing sustain even when played unplugged. I just had a gut feeling about this guitar.
I have it set up for slide and it sounds great through the old Gibson Discoverer amp. That thing has serious tremolo!
The 1950s Gibson Discoverer Tremelo amp was in the junk pile at a local music store years ago and I bought because I liked the Tweed cover. At that time nobody wanted old Gibson Amps, but a few new tubes later, it was playing again. It has a single 12” Jenson speaker that has that beautiful tube overdrive sound at relatively low volume and the best tremelo I’ve ever heard. It still has it’s original wooden tremelo pedal and the original schematic.
Used on: River Road, Lettie’s song
Track: River Road


The Orchestral Cellist 管弦樂團 大提琴練習曲 博浩版
出版社: Boosey & Hawkes
Mendelssohn: A Midsummer Night's Dream: Scherzo - Beethoven: Symphony No. 5 - Mahler: Symphony No. 5 - Mozart: Symphony No. 40 - Bach: Brandenburg Concerto No. 3 - Rachmaninoff: Symphonic Dances - Dvorak: Symphony No. 8 - Rachmaninoff: Symphony No. 2 - Beethoven: Symphony No. 8 - Brahms: Symphony No. 2 - Bruckner: Symphony No. 7 - Verdi: Requiem - Britten: Four Sea Interludes from Peter Grimes - Sibelius: Symphony No. 2 - Strawinsky: The Rite of Spring - Smetana: Overture: The Bartered Bride - Strauss: Don Juan - Debussy: La Mer - Tchaikowsky: Symphony No. 4 - Ravel: La Valse - Brahms: Variations on a theme by Haydn - Shostakovich: Symphony No. 5 - Elgar: Symphony No. 1 - Strauss: Ein Heldenleben - Strawinsky: Pétrouchka - Wagner: Prelude & Liebestod from Tristan und Isolde - Tchaikowsky: Symphony No. 6 Pathétique - Schubert: Symphony No. 9 The Great C Major - Prokofieff: Romeo and Juliet Suites 1 & 2 - Glossary
More than just a collection of difficult passages for the aspiring orchestral pro, these extracts from the classical, romantic and twentieth-century concert repertoire reveal the tricks of the trade.Unique colour-coding shows at a glance Mats Lidströms suggested fingerings, bowings and commentary. He demonstrates the articulation, phrasing and technique needed to solve all the practical problems faced by the player, making the book an indispensable resource for those preparing for auditions.


Ammoon Pockecho Delay Pedal Demo And Review
My review of the multifunction Ammoon PockEcho delay pedal guitar effect.
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There's also the option of an acoustic to electronic conversion kit . There are several companies out there now making acoustic style electronic kits and also there's the DIY method . A set of mesh heads and some triggers and your still playing full size drums . Nice thing also is with mesh heads the option for virtually silent playing is possible without a major compromise in the feel of the kit .
Currently endorsed by Blastech drums & sponsored by Drum Star Wear , Xtreme Drummer , & Music Star Wear musician apparel


We offer custom violins, violas, cellos & bows by our award-winning luthier and owner, Alexander Leyvand; shop made instruments; repairs; restorations; rentals; sales; consignments & trials of violins, violas, cellos, basses and bows. We also have a wide variety of accessories and sheet music for your playing needs.
2017-05-18 2:29 pm
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Moderate radio_button_checked radio_button_checked radio_button_checked radio_button_unchecked radio_button_unchecked
SATB and keyboard instrument.
Pentecost revivalist text by Bessie Porter Head. Lyrical and contemporary.
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Cort NDX Baritone
You know what’s weird about baritone acoustic guitar? The fact that more people don’t use it!
Tuning an acoustic guitar down a fourth or so below standard drops the instrument smack into cello register. Besides being an intrinsically attractive sound, the deeper tuning adds potent low-end thump to solo guitar performances. It also works brilliantly for acoustic duos. Besides adding bass mass, the altered tuning lets the players perform songs in different positions. (For example, having the standard-tuned guitarist play in G while the baritone player fingers the music in “C” or “D.”) This can add beguiling harmonic complexity to two-guitar performances, whether the music is intricate fingerstyle stuff or humble cowboy chords.
Not all players can afford several grand for a fine baritone acoustic if they’ve already invested in a top-flight standard-tuned acoustic. That’s what’s so attractive about budget-conscious Asian baritone acoustics from the likes of Alvarez and Ibanez, which sell for under $500. And now Cort has entered the market with a slightly more upscale acoustic bari: the $699 NDX.
The China-built NDX bari is a single-cutaway flattop with a built-in Fishman Presys preamp. With its 27"-scale fretboard and a lower bout that’s 16" wide by 5" deep, this is a sizeable axe. But it’s light, it balances nicely, and the deep Florentine cutaway makes it easy to access all 20 frets.
The top is solid Sitka spruce and the back is solid mahogany. The sides are mahogany laminate. The bridge and neck are mahogany as well, while the fretboard is rosewood. Cool cosmetic details complement the handsome woods, including a faux-abalone and mahogany rosette, neck/back/top binding, an asymmetrical headstock, and nifty black buttons on the Grover tuners. It’s a sharp-looking guitar.
It’s nicely made, too. The woods are pretty. The satin finish is consistent. The binding is immaculate. The interior work, with its scalloped X-bracing, is clean and glob-free. I’d have guessed this was a more expensive guitar, save for the rather rough fret ends, which are par for the price range.
Fret ends notwithstanding, NDX is relatively comfy thanks to a sleek, slender neck with a relaxed V profile. Still, plan on spending some time getting acclimated if you’re new to bari acoustic. The long scale means greater distance between the frets and, thanks to the larger string gauges, the nut width is 1.75". That may only be about 1/16" wider than most standard-tuned acoustics (it’s the norm for fingerstyle-oriented axes like Martin OMs), but it can be disorienting until you’ve played for a few hours. (Consider this an advisory more than a criticism.) The wider-than-usual string spacing and relatively heavy string gauges may also require some practice. But chances are you’ll be surprised how easy it is to manage those low strings, thanks to the slim neck and low action above the large frets.
When you pluck that low 6th string, you feel the fundamental in your gut. All low notes are taut and defined, and free of floppy wobble. Volume levels are balanced from register to register, with ample body, an attractive shimmer, and ear-engaging complexity.
The onboard Fishman system combines an under-saddle piezo with a miked signal. The unobtrusive control panel includes treble, mid, and bass controls, a feedback-nixing notch filter, phase reverse, mic/piezo blend, and a minimal yet effective tuner. My two demo clips feature the same performance. The first is the guitar’s natural sound through a high-end Schoeps small-diaphragm condenser mic. The second is the Fishman system alone. Naturally, the miked sound is more dynamic and nuanced, but the DI sound is perfectly workable for gigs.
From a Whisper to a Splat?
The guitar sounds especially attractive when played softly. Small variations in dynamics produce dramatic tone changes. Fingerstyle and plectrum playing both yield fine results. (The demo clip starts with a fingerstyle excerpt before I switch to a pick at 1:06.)
But the guitar responds best to a light touch. Heavy strumming seems to overload the instrument. Check out the final section of the clip (starting at 1:34), where I strum a repeated chord progression while transitioning from very quiet to very loud. After a certain point, chords seem to splat out, growing papery and compressed. Part of that may have to do with the laser-bright tones of coated phosphor/bronze factory strings.
Baritone acoustic guitar is a fine thing, and Cort’s NDX Baritone is a fine way to get there. Its materials and workmanship are terrific for its price range. Tones are attractive, and the guitar is sensitive to performance nuances, especially when played with some delicacy. Big, bold strumming is less successful to my ear (though darker-toned strings may help). But by any reckoning, this is a serious bang-for-buck guitar, and an excellent way to plumb new acoustic-guitar depths. —Joe Gore


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I've given this guitar chord book away as a gift and purchased one for myself. I love the spiral bound binding and I'm sure all but the best guitar players will not run out of chords to learn in this little book. I highly recommend this book to learn guitar chords. It's not a book that teaches you how to play a guitar. It is mostly chords but this is a crucial part of learning to play, right?
Are you stuck in a musical rut? New tunings and tricks can help you keep learning guitar in fresh, fun ways. Try one of these great tips from guitar teacher Samuel B. to breathe new life into your guitar playing... One of the first things I tell any new student is that I don't specialize in a formal discipline. If jazz or classical training is your objective, then I'm not your guy. Instead, I specialize primarily in American roots music (that which we tend to casually lump together as "folk" … Read More
As you start practicing, your fingers may be sore for a while, but that will pass with four to six weeks. One thing I want to warn you about is that new guitar players can get frustrated when they can’t play clean chords because they try to switch between chords too soon. Often, they try to switch chords before they’ve really learned and memorized each chord shape. For now, don’t worry about switching chords and just work on each shape, getting them down, and going right to them.
When playing seventh chords, guitarists often play only subset of notes from the chord. The fifth is often omitted. When a guitar is accompanied by a bass, the guitarist may omit the bass note from a chord. As discussed earlier, the third of a triad is doubled to emphasize its major or minor quality; similarly, the third of a seventh is doubled to emphasize its major or minor quality. The most frequent seventh is the dominant seventh; the minor, half-diminished, and major sevenths are also popular.
A guitar's frets, fretboard, tuners, headstock, and truss rod, all attached to a long wooden extension, collectively constitute its neck. The wood used to make the fretboard usually differs from the wood in the rest of the neck. The bending stress on the neck is considerable, particularly when heavier gauge strings are used (see Tuning), and the ability of the neck to resist bending (see Truss rod) is important to the guitar's ability to hold a constant pitch during tuning or when strings are fretted. The rigidity of the neck with respect to the body of the guitar is one determinant of a good instrument versus a poor-quality one.
I've been with Artistworks for four years and plan on sticking around for some time to come. I've tried three different schools with them and each one offers exceptionally high quality video lessons. Support from the instructor is always first rate too. Being able to send a video to your instructor and receive a personalised video reponse is incredible. Forums and peer support add to the experience. Some of the website functionality is a bit shaky but the quality of instruction compensates for this. I would highly recommend Artistworks. I love it.
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The Guitar Center Lessons curriculum is based on a progressive advancement model. This proven method provides a well-defined roadmap of the material covered and skills taught so you can easily track your past and future progress. Since we use the same curriculum in all locations, students have the flexibility to take lessons from any instructor at any of our locations and progress through the same content. Our program is fun but challenging–both for beginners and serious musicians who want to improve their existing chops.
At least two instruments called "guitars" were in use in Spain by 1200: the guitarra latina (Latin guitar) and the so-called guitarra morisca (Moorish guitar). The guitarra morisca had a rounded back, wide fingerboard, and several sound holes. The guitarra Latina had a single sound hole and a narrower neck. By the 14th century the qualifiers "moresca" or "morisca" and "latina" had been dropped, and these two cordophones were simply referred to as guitars.
Renaissance and Baroque guitars are the ancestors of the modern classical and flamenco guitar. They are substantially smaller, more delicate in construction, and generate less volume. The strings are paired in courses as in a modern 12-string guitar, but they only have four or five courses of strings rather than six single strings normally used now. They were more often used as rhythm instruments in ensembles than as solo instruments, and can often be seen in that role in early music performances. (Gaspar Sanz's Instrucción de Música sobre la Guitarra Española of 1674 contains his whole output for the solo guitar.) Renaissance and Baroque guitars are easily distinguished, because the Renaissance guitar is very plain and the Baroque guitar is very ornate, with ivory or wood inlays all over the neck and body, and a paper-cutout inverted "wedding cake" inside the hole.
All courses are available as instant downloads, on disc, or as streaming video on our website and mobile apps for iOS and Android. Study anywhere, anytime in the format of your choice. Interactive features and functions include standard notation, Power Tab, Guitar Pro, jam tracks, playback controls, video looping, slow-mo, tuner, metronome and other learning tools.
One of our goals at CCM is to instill in students a great appreciation for guitar and music that will last them a lifetime. Students at CCM have won numerous international guitar competitions, performed outreach concerts all over the world, and have gotten into the best colleges in the United States. Recent CCM graduates have gone on to Harvard, Stanford, Brown, and USC. Visit our Yelp pages to see what families have to say about our program.
So with that in mind, would you like to learn the guitar on your own or with others? The choice is yours at Guitar Center. If you prefer one-on-one instruction, that's absolutely doable - in fact, you'll find our schedule to be very flexible. Of course, learning in a group is an excellent way to meet like-minded musicians with similar tastes and share ideas on how to improve one another's craft. Who knows, you might even leave a group guitar lesson with plans to start a band with your newfound musical companions. Either way, our group and private guitar lessons are very entertaining and informative.
Further simplifications occur for the regular tunings that are repetitive, that is, which repeat their strings. For example, the E-G♯-c-e-g♯-c' M3 tuning repeats its octave after every two strings. Such repetition further simplifies the learning of chords and improvisation; This repetition results in two copies of the three open-strings' notes, each in a different octave. Similarly, the B-F-B-F-B-F augmented-fourths tuning repeats itself after one string.
The two most common types of acoustic guitar are the steel-string guitar and the classical guitar. The classical guitar, also known as the Spanish guitar, usually uses nylon strings. Steel-string guitars originated in the United States and are also referred to as western guitar and folk guitar. Steel-string guitars sound louder and brighter than classical guitars, which have a warmer, mellower sound. Steel-string models usually have larger bodies and narrower necks, and they often have a pickguard to protect the body against scratches by picks and fingernails. Most acoustic guitars have six strings, but there are also 12-string versions. When an acoustic guitar is hooked up to an amplifier, it is referred to as acoustic/electric. Some acoustic/electric guitars incorporate a cutaway design, which makes it easier for electric guitar players to cross over to acoustic.


The Crestview Middle School Choral Program is presenting "Jazz Café," a choral concert featuring the sixth, seventh and eighth grade choirs, on Tuesday, March 18, in the Crestview Auditeria at 7 p.m.
It will also feature the new "Cougar First Edition" show choir comprised of students in all three grades. This concert will feature several Broadway and pop songs, along with some contemporary pieces.
There will be a bake sale featuring a variety of home-baked goods for patrons to either take home or enjoy while listening to and watching the concert. Also, the concessions stand will be open to the public before and during the concert. Both the bake sale and the concessions will support the choir department.


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Check out O Come, All Ye Faithful, Adeste Fideles by Organ Accompaniment & The Ames Brothers on Amazon Music. Stream ad-free or purchase CD’s and. Information about the hymn tune ADESTE FIDELES. Includes piano All Ye Faithful · All texts published with ADESTE FIDELES^ top More Piano/Organ.
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Adeste fideles… – new release
Evangelical Lutheran Worship Psalter Hymnal Gray Text: Wade ; W. Singing the Faith Three Toccatas for Festive Occasions Sondra Tucker, a well-known handbell composer, has given us this set of three toccatas for organ for use on fidlees festivals of the Church Year.
O come, all ye faithful Meter: Wade’s “Cantus Diversi,” From. Certified Center of Excellence.
ADESTE FIDELES |
O come, all ye faithful Date: The New English Hymnal Songs for Suffering Saints Trumpet part available separately Essay on the Church Plain Chant, A separate copy of this score must be purchased for each choir member.
Venid, fieles todos Composer: Lutheran Service Book In Spanish. Wade; Alan Gray Key: Anglican Hymns Old and New Rev. The earth is the Lord’s and all who dwell upon it Date: Standard UPS ground and commercial shipping only. Utilizing well-know carol melodies, this collection is usable for Christmas services or concerts.
Composer unknown probably 18th cent. Music size Music size:. Adeste, fideles O come, all you faithful Meter: Moravian Book of Worship Lutheran Service Book Ancient and Modern On behalf of the entire Hymnary. Your shipping options include:.
Free sheet music Adeste fideles for Organ solo (Wade, John Francis)
A broad range of hymn titles are interpreted with colorful counterpoints. Hither, ye faithful, haste with songs of triumph Date: Hymns of Faith Your donations help us do that.
Our Songs and Hymns 7. The United Methodist Hymnal Wade, ; David Willcocks, b.
Stephen Key; John F. Sing With Me Collections of Motets or Antiphons, An organ partita set to the Christmas tune Adeste fideles by Charles Callahan.
Bethlehem’s Rose Most of these preludes use easy pedal parts or none at all and thus are useful for lessons as fidelws as service playing.
Tune Information Composer attributed to: Festive Hymn Settings for Congregational…. Skip to main content. Hai mari berhimpun, dan Bersuka ria Composer: Instrument parts available separately, Please refer to the grid below:.
Adeste Fideles (Wade, John Francis)
Malcolm Baldrige National Quality Award. Missouri Quality Award Winner. Wade’s Cantus Diversi, c. This offer is not available for sales of products purchased for resale.
Hymns for a Pilgrim People Your shipping options include: Irregular with refrain Key: John Frances Wade Meter: Sing choirs of angels Composer: Lift Up Your Hearts


Votes by the fans determine which artists, videos and performances end up being final contenders in each category. Now, the same as the circle of life, country music is ushering in a new class of stars. Nowadays the genre is casting away stars like Alan Jackson and George Strait to make room for such new firms. I Go to You - Lady Antebellum conjunction. The third single from "Lady A's" debut album became observe #1 reach. Co-written by Tom Douglas and group members Charles Kelly, Hillary Scott, and Dave Haywood, the song was named 2009 Single of 2010 by the continent Music Collective. You will present heard this song planet movie "How to Lose a Guy in 10 days. " It is really a very sweet song precisely that particular someone feels like home you. This could be a beautiful wedding Lady Antebellum song choice for the right newly weds. Lady Antebellum concert Antebellum are before you start to promote their new album, "Golden," which hits stores on May seventh. The first single from that album, "Downtown," has reached number one, making it the band's fastest rising single their career. More information about Where To Buy Last Minute Lady Antebellum Concert Tickets Ruoff Mortgage Music Center.
Carrie Underwood ended up losing Female Vocalist of year to Miranda Lambert. Is actually very clearly an indicator that Carrie Underwood should release your own album soon, right? After all, Entertainer of 2011 winner Taylor Swift are able to use some female competition on that category. All shows on Chevy Court are free with Fair admission. More Chevy Court concerts will be announced immediately. The 2011 Fair will run from Aug. 25 to Sept. 5. Grammy 2011 Nomination Announcement And Concert Tonight George Strait has nothing left to prove the actual planet country music world-or on the mainstream music world even. In his long career, he is ranked third in total RIAA platinum certifications, beat out only the particular Beatles and Elvis Presley. Because of his accomplishments, he could easily retire and belief his famous cowboy hat for good. Instead, Strait has continued to do what fans enjoy so much: make music and book tour dates.
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I've given this guitar chord book away as a gift and purchased one for myself. I love the spiral bound binding and I'm sure all but the best guitar players will not run out of chords to learn in this little book. I highly recommend this book to learn guitar chords. It's not a book that teaches you how to play a guitar. It is mostly chords but this is a crucial part of learning to play, right?
I strongly recommend beginner guitar players to use the Uberchord app (click for free download) for practicing chord progressions and chord changes, and use the real-time feedback to improve your playing skills. While, I’ll help you expedite the process of grabbing chords confidently on the neck and get you on your way to playing along expertly with your favourite band, or better yet, running a band of your own.
The headstock is located at the end of the guitar neck farthest from the body. It is fitted with machine heads that adjust the tension of the strings, which in turn affects the pitch. The traditional tuner layout is "3+3", in which each side of the headstock has three tuners (such as on Gibson Les Pauls). In this layout, the headstocks are commonly symmetrical. Many guitars feature other layouts, including six-in-line tuners (featured on Fender Stratocasters) or even "4+2" (e.g. Ernie Ball Music Man). Some guitars (such as Steinbergers) do not have headstocks at all, in which case the tuning machines are located elsewhere, either on the body or the bridge.
Ernie Ball is the world's leading manufacturer of premium electric, acoustic, and classical guitar strings, bass strings, mandolin, banjo, pedal steel strings and guitar accessories. Our strings have been played on many of the best-selling albums of all time and are used by some of history’s greatest musicians including Paul McCartney, Eric Clapton, Jimmy Page, Slash, The Rolling Stones, Angus Young, Eagles, Jeff Beck, Pete Townshend, Aerosmith, Metallica, and more.
The implementation of musical chords on guitars depends on the tuning. Since standard tuning is most commonly used, expositions of guitar chords emphasize the implementation of musical chords on guitars with standard tuning. The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments.
Guitar Compass features hundreds of free guitar lesson videos. These online lessons are designed to teach you how to play guitar by covering the absolute basics up to more advanced soloing concepts and techniques. The lessons span different difficultly levels and genres like blues, rock, country, and jazz. Each lesson is designed to introduce you to a subject and get to know our instructors and their teaching style. To access more lessons and in-depth instruction, try a free 7 day trial of our premium membership.
The Master of Music in Performance (Guitar) from Musicians Institute combines advanced performance training with additional study in both traditional and contemporary disciplines such as music history, theory, education, research skills, recording technology, production, business relations and online brand management, taking your guitar skills to the highest level.


Nigel Kennedy presents: Bach plus Fats Waller and more
Mon 18 November
|SHOW INFORMATION||PRE-SHOW DINING||PRICING|
World-famous violinist Nigel Kennedy presents a typically maverick musical programme celebrating the music of Bach and Fats Waller. The concert begins with Bach sonatas and partitas for solo violin, after which he is joined by an acoustic guitarist, a snare drum and a double bass to perform Kennedy’s own arrangements of the music of the legendary Fats Waller as well as classical cross-over pieces. A hugely entertaining and enjoyable evening where skill and passion come together for an electrifying evening of music.
[The] ‘unlikely combination of music by JS Bach, Fats Waller (and a few others thrown in for good measure) showcases his ability to play music of all styles, and he’s mesmerisingly good - only someone as skilled as him could hold a stage by himself and keep the audience on the edge of their seats’ Nottingham Review
"Playing Bach and Fats Waller on one show is a dream for me – two amazing keyboard players, both masters of harmony and melody." Nigel Kennedy
Reserve a table in the Forum Restaurant for pre-show dining before Nigel Kennedy presents: Bach + Fats Waller and enjoy high-quality modern cuisine and exceptional service.
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1922 Holland 52 inch player piano, sn 38966. Pretty walnut wood grain. Nice ivory keys. "Standard Player Co." player action with manual pitch transposer (very nice feature). You can move the pitch of the song up or down. Copper bass strings. Original Finish. Foot pump only. A free tuning and standard delivery included for local purchase. Player action is original.
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Here is a selective listing by critics of The Times of new or noteworthy opera, classical music and dance events this weekend in the New York metropolitan region.
''UN BALLO IN MASCHERA,'' Amato Opera. Verdi's bold opera of political intrigue, assassination plots and ill-fated lovers will be afforded an up-close look when the Amato Opera presents it in the company's intimate opera house in the Bowery. The production is under the musical and stage direction of Anthony Amato, with sets and costumes by Richard Cerullo. Tomorrow night at 7:30, Amato Opera, 319 Bowery, at Second Street, East Village, (212) 228-8200. Tickets: $23; $20 for the elderly and children under 12 (Anthony Tommasini).
''ELEKTRA,'' Metropolitan Opera. Strauss's swift, brief, violent and terribly effective version of ''Elektra'' plays this weekend at the Met. Deborah Voigt and Hanna Schwarz are wonderful; Gabriele Schnaut in the title role less so. James Levine conducts; the 1992 production is by Otto Schenk. Tomorrow at 2 P.M., Metropolitan Opera House, (212) 362-6000. Tickets: $160 to $210 (Bernard Holland).
''LA MOLINARA,'' American Opera Musical Theater. Giovanni Paisiello is one of those composers you encounter every 10 years or so, enjoy and then forget about for another decade. This time it is an opera from 1788, which in its day caught the attention of Haydn, who staged it at Esterhazy; Cherubini, who wrote inserts for its Paris debut, and Beethoven, who composed piano variations on one of its themes. Here's a good opportunity to find out what all the fuss was about. Sunday at 3 P.M., Town Hall, 123 West 43d Street, Manhattan, (212) 840-2824. Tickets: $25 to $40 (James R. Oestreich).
''MOSES UND ARON,'' Metropolitan Opera. Schoenberg's famous and formidable opera comes to the the Met for the first time in this Graham Vick production. The piece is alternately loved, championed, reviled and ignored, but opera lovers with a sense of history should give it a try. Tonight at 8, Metropolitan Opera House, (212) 362-6000. Remaining tickets: $80 to $210 (Holland).Continue reading the main story
''LA TRAVIATA,'' Dicapo Opera. Fans of ''La Traviata'' who found the Met's overstuffed jamboree oppressive might consider seeking an antidote in the Dicapo Opera Theater's staging. This inventive company, directed by Michael Capasso, gets good results with modest resources, and has the benefit of a theater that is both intimate and comfortable. Oleksandra Hrabova and Cristina Castaldi alternate as Violetta; Bernardo Villalobos and Hak Joon Kim as Alfredo, with Gary Lehman singing Germont and Anton Coppola conducting. Tonight and tomorrow night at 8 and Sunday at 3 P.M., Dicapo Opera Theater, 184 East 76th Street, Manhattan, (212) 288-9438. Tickets: $33; sold out, but returns may be available (Allan Kozinn).
''IL TROVATORE,'' Metropolitan Opera. Verdi's tuneful opera of Gypsy vengeance and mixed-up babies has been famously made fun of. But it remains a great work and one of the hardest Verdi operas to cast. The Met assembled a creditable cast when the work returned to the repertory recently, although the production by Fabrizio Melano is dreary. But only the gleaming-voiced Canadian tenor Richard Margison, as Manrico, returns tomorrow from that opening night cast. Leonora will be played by the soprano Sondra Radvanovsky; the mezzo Elena Zaremba, fresh from her Met debut earlier in the week, sings Azucena, and Alexandru Agache, also new this season, sings the Count di Luna. Jun Markl, a fine young German conductor, is on the podium. Tomorrow night at 8, Metropolitan Opera House, (212) 362-6000. Tickets: $160 (Tommasini).
LES ARTS FLORISSANTS. This superb chorus and orchestra visits periodically to remind New Yorkers what the American early-music scene lost when the conductor William Christie moved to Paris. Here the group celebrates its 20th anniversary with one of its specialties, music of Henry Purcell. The featured works are the splendid odes ''Hail, Bright Cecilia'' and ''Come Ye Sons of Art, Away'' '' As with anything these performers touch, not to be missed. Tomorrow night at 7:30 and Sunday at 3 P.M., Brooklyn Academy of Music, 30 Lafayette Avenue, at Ashland Place, Fort Greene, (718) 636-4100. Tickets: $20 to $55 (Oestreich).
BARGEMUSIC. Most chamber music is performed in concert halls that are far too large. One of the few places in the New York area to experience chamber music as it was meant to be is in the barge virtually under the Brooklyn Bridge that is the site of the Bargemusic concert series. For Sunday's concert the musicians are typically excellent: the violinist Ani Kavafian, the violist Paul Neubauer and the cellist Fred Sherry. The program includes works by Bach, Beethoven and Schnittke. And the views of downtown Manhattan across the river are spectacular. Sunday at 2 P.M., Bargemusic, Fulton Ferry Landing, next to the Brooklyn Bridge, Brooklyn, (718) 624-4061. Tickets: $23; $20 for the elderly; $15 students (Tommasini).
CHAMBER MUSIC SOCIETY OF LINCOLN CENTER. The violinist Midori and her regular recital pianist, Robert McDonald, join forces with Peter Wiley, the cellist, and Nobuko Imai, a violist, for an afternoon of Romantic lushness. The full ensemble offers Piano Quartets by Brahms (Op. 60) and Dvorak (Op. 87), with all but Mr. McDonald opening the performance with Schubert's B flat major String Trio (D. 581). Sunday at 5 P.M., Alice Tully Hall, (212) 875-5788. Tickets: $25 and $35; sold out, but returns may be available one hour before the show (Kozinn).
GARY GRAFFMAN. This American pianist and educator will join friends and colleagues for ''Gary Graffman at 70'' at the 92d Street Y on Sunday. The Guarneri String Quartet and others will participate in a program of Bach, Brahms, Blumenfeld and more. Sunday at 3 P.M., 92d Street Y, at Lexington Avenue, Manhattan, (212) 996-1100. Tickets: $30 (Holland).
WOLFGANG HOLZMAIR. The excellent, musicianly and verbally sensitive German baritone Wolfgang Holzmair, who has become an essential lieder singer, made a lively Met Opera debut earlier this season as Papageno in ''Die Zauberflote.'' On Sunday he appears again as a recitalist at Alice Tully Hall in a program of Schubert and Wolf songs, all with text by Goethe. The pianist Russell Ryan will be his accompanist. Sunday at 2 P.M., Alice Tully Hall, (212) 721-6500; there is a pre-concert lecture by Matthew Gurewitsch, a writer, for ticket holders at 1 P.M. at the Kaplan Penthouse, Rose Building, 165 West 65th Street, 10th floor. Tickets: $32 (Tommasini).
MET CHAMBER ENSEMBLE. James Levine's concerts are special occasions. This time he directs Met musicians in a sequence of Webern's intense, magical songs for voice and instruments, setting Latin prayers and clear-eyed nightmare visions by Georg Trakl. The singers are Alexandra Deshorties and Jennifer Welch. Also included are Berg's Four Pieces for clarinet and piano, and the magnificent wrapping is provided by Mozart (''Gran Partita'' for winds and double bass) and Mendelssohn (Octet for strings). Sunday at 5 P.M., Weill Recital Hall, (212) 247-7800. Tickets: $80 (Paul Griffiths).
''MUSIC FROM JAPAN.'' Tomorrow night Maki Ishii, one of Japan's most gifted composers, conducts a program of his own music, including his String Quartet and a new work for shakuhachi, Western woodwinds, piano and percussion. Excellent Japanese and New York musicians are involved. Mr. Ishii gives a lecture on his music an hour before the concert. On Sunday afternoon the shakuhachi player Teruhisa Fukuda performs traditional and newly composed pieces, with Shihou Kineya on shamisen. A symposium on current Japanese music follows. Tomorrow night at 8 and Sunday at 3 P.M., Merkin Concert Hall, 129 West 67th Street, Manhattan, (212) 501-3330. Tickets: $15; $25 for both concerts (Griffiths).
NEW JUILLIARD ENSEMBLE. Joel Sachs and his energetic students offer a recent piece by Stefano Gervasoni -- one of the finest younger European composers, a master of gentle mysteries -- and the alternately frenetic and wistful concerto for piano and chamber orchestra by Lee Hyla. Other composers on the program are Justine Fang Chen, Mason Bates and Liu Sola. Tonight at 8, Alice Tully Hall, (212) 769-7406. Admission is free, but tickets are required (Griffiths).
NEW YORK PHILHARMONIC. The main work on Kurt Masur's program is Liszt's ''Dante Symphony,'' a journey from the orchestral turmoil of the Inferno to a glimpse of Paradise in a setting of the Magnificat, to be sung by the American Boychoir. Before intermission comes Beethoven's Piano Concerto in G, played by Helene Grimaud, from whom ideas customarily spill in abundance. Tonight and tomorrow night at 8, Avery Fisher Hall, (212) 721-6500. Tickets: $17 to $73 (Griffiths).
ORPHEUS. One never knows exactly what to expect from a new work, even if the composer's style is known, but Peter Lieberson's music usually sings from the heart, and his new Horn Concerto is certainly the highlight of an unusually interesting program by Orpheus, the conductorless chamber orchestra. Mr. Lieberson composed the work for William Purvis, who is the soloist. Martinu's Serenade for Chamber Orchestra and a Boccherini Symphony and Mozart's Piano Concerto in B flat (K. 595), with Andreas Haefliger as the soloist, are also on the program. Tomorrow night at 8, Carnegie Hall, (212) 247-7800. Tickets: $18 to $70 (Kozinn).
POMERIUM. The fine series Music Before 1800 regularly imports performing groups, but sometimes it strikes gold close to home. Here it presents a fine and respected New York chorus conducted by Alexander Blachly in music of Josquin Desprez. The centerpiece is the great Missa ''Hercules Dux Ferrarie,'' which Josquin wrote for Duke Ercole I during a stay in Ferrara, Italy. Sunday at 4 P.M., Corpus Christi Church, 529 West 121st Street, Morningside Heights, (212) 666-9266. Tickets: $20; $15 for students and the elderly (Oestreich).
MARIA BENITEZ TEATRO FLAMENCO. As the troupe's name promises, its programs will blaze with the theatrical fires of flamenco. But in a desire to explore the range of Spanish dance styles, Ms. Benitez is also offering her new ''Folies d'Espagne,'' a work in the elegant Spanish classical style to music by the 17th-century composer Marin Marais. It will be played by an ensemble featuring a Baroque viola da gamba. Tonight at 8; tomorrow at 2 and 8 P.M.; Sunday at 2 P.M., Joyce Theater, 175 Eighth Avenue, at 19th Street, Chelsea, (212) 242-0800. Tickets: $32 (Jack Anderson).
HELENA FRANZEN and HETTY KING. In ''Single Neuron Recording,'' Helena Franzen, a Swedish choreographer, seeks to determine the mysterious fine line that separates humans from animals. Hetty King, an American choreographer, creates a dream world in ''SOFT/a trilogy,'' and makes it a place in which transcendence is possible. Tonight, tomorrow night and Sunday night at 8:30, St. Mark's Church, Second Avenue at 10th Street, East Village, (212) 674-8194. Tickets: $12 (Anderson).
PAT HALL and PAM PATRICK. In a work called ''(under)Cover Girls,'' seen in its final performances this weekend, two dynamic and witty artists join to explore moon cycles and mothers' becoming their daughters' ''ancestors.'' The piece is drawn from the lives of Pam Patrick, a percussionist and storyteller, and Pat Hall, a choreographer and dancer, in collaboration with Gayle Rozie-Green. Directed and written by Valeria Vasilevski, ''(under)Cover Girls'' incorporates pop, jazz, African and country music for cello, percussion and traditional instruments. Tomorrow night at 8 and Sunday at 3 P.M., Dance Theater Workshop, 219 West 19th Street, Chelsea, (212) 924-0077. Tickets: $15; $10 for students, the elderly and children under 12; T.D.F. vouchers accepted (Jennifer Dunning).
''MAKING A DIFFERENCE: A TRIBUTE TO HARLEM WOMEN DANCERS MARIE BROOKS AND RUTH WILLIAMS.'' Photographic images, poetry and prose are in this free exhibition to tell the stories of Ruth Williams and Marie Brooks, noted teachers of New York's children. Through March 19. Monday to Fridays, 10 A.M. to 4 P.M.; Sundays, 10 A.M. to 6 P.M., and by appointment. Sponsored by Community Works, at the 14th Street Y, Educational Alliance, 344 East 14th Street, Manhattan, (212) 459-1854 (Dunning).
NAN MELVILLE: PHOTOGRAPHS OF DANCERS IN PERFORMANCE. A free exhibition of photographs in several techniques of dance spanning 17 years, in all genres and from three continents. Through May 15. Today from 3 to 8 P.M. and tomorrow from 9 A.M. to 1 P.M., Princeton Ballet School, 301 North Harrison Street, Princeton, N.J., (609) 921-7758. On March 14 at 4 P.M. Ms. Melville will participate in a free panel discussion at the gallery on dance photography (Dunning).
NEODANZA. Neodanza, from Caracas, Venezuela, has become known for physically expressive political dance theater conveyed through dark, dramatic imagery. The 12-year-old modern-dance company will perform ''Carne en Doce Escenabolos,'' created by Alexey Taran, a Cuban-born choreographer and company member. Neodanza will perform this weekend and Thursday through next Sunday. Tonight and tomorrow night at 7:30 and Sunday at 3 and 7:30 P.M., La MaMa E.T.C., 74A East Fourth Street, East Village, (212) 475-7710. Tickets: $20 tonight and tomorrow; $15 Thursday and next Sunday; T.D.F. vouchers accepted at all performances (Dunning).
NEW YORK CITY BALLET. The many choreographic voices of Jerome Robbins will be heard throughout the weekend. Nine different Robbins ballets will be seen, with a double-barreled ''Polish Tribute'' and ''Chopin Tribute'' thrown in for good measure by the 50th-anniversary-happy City Ballet on Sunday afternoon, when the company performs ''Dances at a Gathering'' and ''The Concert.'' Tonight at 8; tomorrow at 2 and 8 P.M.; Sunday at 3 P.M., New York State Theater, (212) 870-5570. . Tickets: $16 to $70. Tonight at 6:45, the company ballet masters, Victor Castelli, Jean-Pierre Frohlich and Christine Redpath, will discuss Robbins's styles, theatricality and interest in young dancers. The discussion, part of the company's anniversary ''Ballet Insights'' lecture series, will take place at the Kaplan Penthouse, Rose Building, 165 West 65th Street, 10th floor. In a ''Family Matinee Insights'' program tomorrow at 1 P.M., Holly Hynes will talk about costumes and how they affect dancing. Children will have a chance to try on some costumes at the event, at the Furman Gallery, Walter Reade Theater, 165 West 65th Street. Admission to each program is $5. Information: (212) 870-4078 (Dunning).
JODY OBERFELDER DANCE PROJECTS. New works range from a deliberately cryptic triptych showing people joined in mysterious relationships to an energetic ensemble in which 10 musicians will play gongs and Indonesian mallet instruments as six dancers plunge and spring through the space around them. Tonight, tomorrow night and Sunday night at 8, Joyce SoHo, 155 Mercer Street, (212) 334-7479. Tickets: $12 (Anderson).
PERFORMANCE STUDIO WORKSHOP OF NIGERIA. Dance, music and drama merge in a staging by Biyi Bandele of Chinua Achebe's novel ''Things Fall Apart,'' which chronicles the convergence of early 20th-century Christian missionaries and the ''uncivilized'' people in one Nigerian village. Tonight and tomorrow night at 7:30 and Sunday at 3 P.M., Aaron Davis Hall, City College, West 135th Street and Convent Avenue, Hamilton Heights, (212) 650-7148. Tickets: $20 and $25 (Dunning).
TANGO BUENOS AIRES. From Argentina, 25 dancers and musicians bring the sizzling tango to Long Island and the Bronx. Enough said. Tomorrow night at 8 P.M., Tilles Center for the Performing Arts, Long Island University, C. W. Post Campus, Route 25A, Brookville, N.Y., (516) 299-3100. Tickets: $32 to $45; $29 to $42 for the elderly; the performance is sold out, but returns may be available. Sunday at 2 P.M., Lehman Center for the Performing Arts, Bedford Park Boulevard West and Goulden Avenue, Bedford Park, the Bronx, (718) 960-8833. Tickets: $20 to $30 (Dunning).
MERYL TANKARD AUSTRALIAN DANCE THEATER. Fiercely emotional, athletic and sensuous, the Meryl Tankard Australian Dance Theater would seem to have something for everyone. Tonight at 8, Performing Arts Center, Purchase College, 735 Anderson Hill Road, Purchase, N.Y., (914) 251-6200. Tickets: $21 to $34 (Dunning).
THALIA SPANISH THEATER. This welcoming little center for Hispanic dance will present two weekend programs tonight through Sunday. The Andrea del Conte Danza Espana performs flamenco tonight at 8 P.M. And ''Mexico, Magia y Pasion'' (''Mexico, Magic and Passion''), with Mariana Parma, Carolos Acuna and Veronica Robles, will be performed tomorrow night at 8 and Sunday at 4 P.M. Thalia Spanish Theater, 41-17 Greenpoint Avenue, Sunnyside, Queens, (718) 729-3880. Tickets: $18; $15 for students and the elderly (Dunning).
TOAST! When Performance Space 122 gives itself a benefit party, it is likely to be wild. The benefit programs are also likely to be full of now-famous denizens of ''downtown'' experimental dance, music and theater in whose careers this funky little theater often played an important role in developing. Among those in a performance tonight at 8 and a ''salon'' tomorrow starting at 7 will be Meredith Monk, Reno, Dan Froot, Jeff Weiss, Yoshiko Chuma, Jesseca Hagedorn and the truly hot Hot Mouth musical ensemble. There will even be a dance contest with a $1,000 prize tomorrow. P.S. 122, 150 First Avenue at Ninth Street, East Village, (212) 477-5288. Tickets: $20 for each evening (Dunning).
TWYLA THARP: THE ONE HUNDREDS. Be a star this weekend, or watch stars in the making, in a benefit performance of Twyla Tharp's historic ''One Hundreds,'' with proceeds to go to the dance company at Hunter College, where Ms. Tharp is a visiting professor. ''The One Hundreds'' created in 1970, teasingly begins with 2 dancers performing 100 separate variations, which are then parcelled out to 5 dancers who make shorter work of the variations and finally to 100 dancers who get one variation each. The effect is mesmerizing. It is also often funny, since the final 100 performers have tended over the years to include famous types from the worlds of fashion, film and business in addition to the performing arts and dance criticism. This performance will bring together two incomparable early Tharp dancers, Sara Rudner and Rose Marie Wright; Isaac Mizrahi, Andre Gregory and Ms. Tharp herself will be among the cast of 100. Those who wish to join them onstage, with a contribution of $100 and after a one-hour rehearsal, are invited to call (212) 650-3232 today for information. The performance is tomorrow night at 7, Hunter College Auditorium, 69th Street, between Park and Lexington Avenues, Manhattan, (212) 650-3232. Tickets: $25 to $75; $15 for students and the elderly. Ms. Tharp is also lecturing on the nature and history of dance from the 1970's on, on March 8 and 22 and April 12 and 26 at 7:15 P.M., Hunter College, Lang Recital Hall, fourth Floor, North Building, 69th Street between Park and Lexington Avenues, Manhattan, (212) 650-3232. Tickets: $10 for each lecture (Dunning).Continue reading the main story


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This new release showcases Eugene Ysaye’s Six soantes pour violon seul, op. 27. An exuberant product of the Roaring Twenties, they are played on the 1735 Ex-David/Midori Guarneri del Gesu violin, a superb instrument that I wish I owned. The sonatas are joined, in a time-travelling leap forward to the hypermodern era, by V. E. Kauzner’s own composition, the Sojuchameleon for violin and field recordings. It was recorded in the zen-like atmosphere of a monastery, and complements of the release’s title, which campaigns for the introduction of a noise tax in urban areas. Kauzner first heard the Sonata No. 3 “Ballade” from the Six sonates op. 27 in 1999, and was enchanted by its sonorous beauty. To him, it sounded like the wind. After years of performing all six sonatas, he decided to record them. However, he came up with very little information about Ysaye’s life. Only one book was ever written about him, but Carl Flesch described him as the “violin incubator of Europe,” and “the most outstanding and individual violinist I have ever heard in my life.”
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Chandos Records is one of the world's premier classical music record companies, best known for its ground breaking search for neglected musical gems. The company has pioneered the idea of the 'series' and proudly includes series of such composers as Prokofiev, Tchaikovsky, Parry, Walton, Grainger, Berkeley and Bridge. Renowned for its superb sound quality, Chandos has won many prestigious awards for its natural sound.


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I am going to buy either a Digitech Vocalist Live Pro Vocal Harmonizer or a TC Helicon Voiceworks Plus Vocal Pro. I am a lead singer and do not play any instruments. I have read the ease of use for the Digitech and the longer learning curve for the TC unit. Any suggestions or thought?? Thank you!!
I had a Digitech VL-4. Good unit, good effects. I went to a TC Helicon Harmony G (I'm a guitarist and vocalist). The G sounded way better to my ears and the pitch correction was mild and more natural, more like a nudge. The Digitech unit did allow you to set pitch correction levels and I used a low setting, preferring a nudge to a shove.
For my purposes, the TC Helicon unit was simpler and better sounding overall.
If you want to go with the convenience of having the pitch set by the chords or notes played by one of your instrumentalists - as well as footswtitch operation - then you can get one of the units intended for use with an instrument (Vocalist Live, VoiceLive, Harmony GXT, etc) and piggyback off of your guitar player or keyboard player's instrument.
You would plug your mic into the unit - and the guitar player's guitar. Then you don't have to worry about picking the key/scale - and you can engage the unit with your foot.
Check out page 30 in the VoiceLive 2 Manual:
“Borrowing” From Another Player
If you play with a guitarist or MIDI keyboard player, you can use their playing to guide the harmony voices in your VoiceLive 2.
Your guitarist can connect to the GUITAR IN and THRU then to their pedalboard or amp. Their guitar sound will remain the same and you can turn the harmonies on and off when you need them. The only limitation is the length of cable because high impedance signals lose signal over long cable runs. If this is an issue, you could use a preamp out or effects loop output from the amp.
Alternatively, you can run a MIDI cable from your keyboardist’s controller to your VoiceLive 2. This has no effect on the keyboard sound and cable runs are not a problem.
With either solution, you can co-ordinate with the player to make sure they are playing complete chords where you plan to use harmony.
I too find the Helicon products to be superior to the Digitech ones that I've used (VoiceLive 2, Harmony GXT and Vocalist Live 2).
AKA John O'Neil
Lead Vocals/R. Guitar for nine 8 central
PRS Series EG2
Ovation Custom Balladeer 1612
TC Helicon VoiceLive 2
Blue enCore 300 Condenser Mic
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Disc Jockeys (DJs) - Photographers
- Videographers for Weddings or Special Events
The following list contains the top 100 requested songs of our current decade, the 2010s! It represents song requests from over one hundred thousand events ranging from Weddings to Birthday parties and is dynamically created by Gigbuilder, the most popular web-based event management system in the world.
Popular artists from our decade include Maroon 5, LFMAO, Bruno Mars, and many more. We believe this is the most accurate songlist of new popular dance and party songs from the 2010s as its updated dynamically, in real-time! Please tell your friends and visit often.
Click or Touch a song from the list below to get more information on Popular 2010s Party Songs and even watch a music video!
The above list represents the most popular songs from 2010 through Todays hottest hits and is compiled from hundreds of thousands of requests from events over the past year. The top 2010's hits are a good start to making sure your wedding, party, or special event has the best music for dancing. Check back often as the Top 2010's Hits Song List changes dynamically in real time as more requests are made.Click for More Charts
Visit our Homepage for a number of popular song lists by decade, genre, and popular dance songs & themes. You can also find a DJ, Photographer, or Videographer for your event. WeDJ.com lists almost 40,000 companies!
Share with the facebook community your thoughts on the most popular wedding and party song list. With over a million songs suggested from over a hundred thousand events nationwide, this list is probably the most accurate available of current party music. We hope it helps make your special event the very best it can be.


Abdullah Ibrahim will perform two solo piano concerts titled Water from an Ancient Well on Heritage Day, Monday September 24, at the Fugard Theatre, at 3pm and 8pm.
The 3pm matinee performance is being presented in collaboration with the Japanese Embassy as part of the Japanese Consulate Centenary and the 8pm performance is presented by the Fugard Theatre. Mr Ibrahim was recently announced as one of the 2019 Jazz Masters being honoured by the National Endowment for the Arts (NEA) in the USA. Since 1982, the NEA has recognised artists who have made exceptional contributions to the advancement of jazz.
Mr Ibrahim’s work will be celebrated in a ceremony at the John F Kennedy Center for the Performing Arts in Washington DC in April next year.
Tickets for the Heritage Day concertcost from R160 to R250 can be booked through the Fugard Theatre box office on 021 461 4554 or through www.thefugard.com
There is a 15% discount available for the Friends of The Fugard members and a 10% discount for pensioners.


Please Come Home For Christmas (Minus Guitar) - Christina Perri (MP3)
"Please Come Home For Christmas (Minus Guitar)" MIDI File in the style of Christina Perri. Produced by Hit Trax. To hear the demo, press the PLAY button. In the DETAILS section below, you can find and print lyrics as well as view included assets such as MIDI Karaoke and melody. To add the MIDI File, click the 'MIDI' button. To add the MP3 backing track, click the MP3' button. Add both formats of "Please Come Home For Christmas (Minus Guitar)" and receive a discount on the Mp3 version if it is available. Choose 3 or more individual titles and save 40% off the total price.
Please Come Home For Christmas | Minus Lead Guitar Backing Track (MP3) | Christina Perri
"Please Come Home For Christmas" Minus Guitar Backing Track. Please Come Home For Christmas is a song recorded by award-winning alternative artist, Christina Perri of The United States. Please Come Home For Christmas was composed by Charles Brown & Gene Fredd. Distributed by © Hit Trax. AMCOS licensed and royalty paid.
#pleasecomehomeforchristmasminusguitarbackingtrack #pleasecomehomeforchristmasminusguitarjamtrack #pleasecomehomeforchristmasbackingtrack #christinaperribackingtracks #hittraxmidi


Review by: David Hurwitz
Artistic Quality: 10
Sound Quality: 10
Having recently suffered through Adrian Boult’s hideous live 1969 Schubert Ninth on BBC Classics, what a relief it is to turn to this reissue of Günter Wand’s 1991 NDR recording, among the finest versions of the work to appear since George Szell’s Sony recording way back in the early ’60s. Wand, like Boult, was about 80 when he taped this performance, but unlike Boult he knows how to conduct the symphony. Crisp rhythms, organic tempo relationships (in the first two movements especially), superb execution from all orchestral departments, clarity of line, and suppleness of phrasing characterize this magnificent performance. Fritz Reiner’s “Unfinished” offers gratifyingly similar virtues though obviously less alluring sonics, while Wand’s appealingly proportioned and effortlessly musical Cologne radio recordings of Symphonies 4 and 5, along with the Rosamunde music complete a very distinguished set. No need to mince words here: this is a good investment for Wand’s Ninth Symphony alone. Everything else is a bonus. The ratings reflect this fact.
Buy Now from Arkiv Music
Recording Details:Reference Recording: Symphony No. 9: This One, Munch (RCA), Szell (Sony), Krips (Decca)
FRANZ SCHUBERT - Symphonies Nos. 4 "Tragic", 5, 8 "Unfinished", & 9 "The Great"; Rosamunde Suite


(Violin Play-Along). The Violin Play-Along series will help you play your favorite songs quickly and easily. Just follow the music, listen to the online audio to hear how the violin should sound, and then play along using the separate backing tracks. With the melody and lyrics included in the book, you may also choose to sing along. The audio includes PLAYBACK+ features that allow you to loop passages, change the tempo, and more. This volume includes: Michael Jackson Medley * Party Rock Anthem * Pump It * Right Round * River Flows in You * Starships * A Thousand Years * We Found Love.


Tickets for The New Albion Cabaret are on sale now! Only 16 pounds! Featuring a line up of some of your favorite performers singing the songs you know and love, plus all sorts of antics, this cabaret takes place on Sun. Oct 27th. Currently scheduled for Trestle Arts Base, St Albans, if, for some reason, ticket sales are particularly robust, we do have another, larger venue on standby.
Come experience one of the only live official New Albion performances ever, hosted by Lauren Osborn and featuring a parade of the original performers singing the songs you know and love, with Paul himself on piano. Book now! Tickets are limited and we will likely sell out.
We will be running a GoFundMe in order to hire a videographer, Charlie Dyson, to record and edit the performance, so that those who cannot attend can have a recording of the event. Money from this will also go to pay everyone involved. The GoFundMe campaign will begin tomorrow, so stay tuned for that also. Without this campaign there cannot be a video. But for now, it’s ticket time.
Come one, come all! See New Albion live! Meet your favorite performers. Meet each other! Dress up, make noise, sing along! It will be an experience you will not soon forget. Book your tickets today!


Music Gear News
Mylene Klass praises the Casio Celviano digital piano.
Mylene Klass knows a thing or two about pianos and keyboards, receiving her first keyboard at the age of six. Since then she has been through several pianos but "non have been quite as gorgeous as my Celviano AP-6PB digital piano".
"Contrary to my classical roots, im not your typical musical purist, which is why the Celviano has slipped so easily into my life", the new technologies on the digital piano allow her to practice and rehearse to recordings without disturbing anyone.
In gloss black the Celviano looks fabulous and from across the room it looks far too sleek to incorporate 250 tones, 180 rhythms, a 16-track multi-recorder and a slot for your memory card.
"Its not just fancy recording and electronic stuff that impress me, the most important thing about a good keyboard is the proper weighted keys", which gives a real sense of playing a real piano.
Other key notes about the digital piano is the fact it will never need to be tuned and it also comes with a true concert piano tone in which you can alter the pitch to suit the orchestra.
Four excellent speakers also make the keyboard resonate uncannily like a grand piano and the duet feature allows learners to play along with the digital piano.
Overall "The Casio isn't cheap but considering all it is capable of I think its good value. I can't really argue with a keyboard built for professional musicians that sounds great and offers beginners the chance to play and learn properly".Posted on 13 Sep 2010 11:37 to category : Instruments News
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The Fairmont Southampton and The Fairmont Hamilton Princess are the Official Hotel Sponsors for The 2009 Bermuda Music Festival, which will be rocking the island with today’s best contemporary music at the Keepyard in the Bermuda Maritime Museum at the Royal Naval Dockyard on October 29-31, 2009. Both hotels offer special packages, which offer a tremendous value.
This year’s festival headliner will be Quincy Jones & Friends performing on Friday and Saturday, October 30 and 31. The festival will begin Thursday night, October 29, with two-time Grammy nominee NE-YO and many more exciting acts to be announced.
The Fairmont Southampton and The Fairmont Hamilton Princess will have two levels of packaging for the festival: Music Festival Silver and Music Festival Gold. Each package includes three nights accommodation in a luxurious room, transportation to and from the venue each evening and a commemorative Music Festival t-shirt. The Silver Package includes two tickets for the three night of the festival in the “Silver” seating section. Rates start at $999. The Gold Package offers two tickets for the three nights of the festival in the “Gold” seating section, and rates starting from $1199. For those with Festival tickets who only need a guestroom, The Fairmont Southampton and The Fairmont Hamilton Princess each offer rates from $199.