Mixing & Mastering Engineers who worked with Low Flow Records
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Going with the name Garry “Spectrum” Mkrtchyan I have refined audio since 2008 focusing mainly on mastering within the electronic dance music scene alongside with TV commercials and my own production which is published using my artist moniker Fabien Kamb.
Grammy and TEC award-winning producer/engineer Ed Cherney is especially known for his work with a wide array of artists, among them Iggy Pop, Bob Seger, Bonnie Raitt, Eric Clapton, Jann Arden, Jackson Browne, Bob Dylan, and the Rolling Stones, to name just a few.
So, you've got a song and it sounds good. You wrote it, spent hours on mic positions, recorded, re-recorded, spent a lot of energy, and perhaps even money while tweaking it, bringing it to perfection. making your song sound as good as it can. as good as you imagined it. Is sounds good, but it's not perfect yet. That's where I come in...
I'm a musical, quirky, creative mind that has experienced every side of the music industry. The proof is in the pudding. I signed three separate record deals by age 24, toured all of North America multiple times by 26, finished recording arts college by 30, and pressed "record" for some of country, rock, and pop's stars in Nashville by 35.
"I've worked with several mix engineers but Sefi really stands out from the crowd and... will make your music better too!"
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"The experience of working with François Michaud at Wild Horse studio has proven to be professional and highly skilled. The man knows his sound and gear. He mixed and mastered our song to the level that none of us expe..."


A persistent underlying rhythm gives this setting of the Langston Hughes poem a powerful, mysterious drive. "Bring me all of your dreams, you dreamers. Bring me all of your Heart melodies, that I may wrap
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Homeward Bound, a favorite with choral directors for many years, is now available for young choirs! This heartfelt piece is elegant in its simplicity and memorable in its warmth and sincerity. It
This jubilant, accessible original will add flourish and excitement to your performance. The strong opening theme leads to a colorful contrasting middle section, and the buoyant recapitulation propels the
Written especially for two-part choirs, this inquisitive piece features lyrical unisons, echo singing, and sensible duet harmonies. A haunting piano motive represents the moon throughout as the childlike
Your young voices will really shine on this uplifting, spirited adaptation of the duet from the oratorio "Judas Maccabaeus." Brief yet impressive, with an interesting, supportive accompaniment, it will be
Conservative vocal lines combine with a spirited accompaniment to capture the energetic spirit of Walt Whitman's Leaves of Grass, making this work an attractive piece for a wide variety of mixed or


The topic for May is "The Perfect Supergroup." We each played god and imagined what would make a perfect supergroup. Looking at the wide range of metal styles, time periods, and skill levels, the choices and line-up possibilities are endless. To keep things consistent, here’s the guardrails we used for our selection process:
1) Musician can be either alive or living.
1) One musician per instrument, except for guitar (you can choose up to two).
2) For the musicians in your supergroup, you can choose from a particular era if you like.
Who would be in your ‘super group’?


© Premiere Dance Company, August 3, 2016
Please note: ALL company dancers will wear any color leotards or sports tops, tights, and shorts, leggings, or skirts. For ballet, dancers MUST have a black leotard (no tops and shorts), ballet pink tights and pink ballet shoes (skirts are optional). Dancers must also have Bloch Spark tan jazz shoes for all group rehearsals, tap shoes for tap, and sneakers for hip hop. Dancers MUST have their hair in a bun for ALL classes. Dancers will have occasional rehearsals wearing all black attire.
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Pure Prairie League is a long-running country-rock band with numerous personnel changes over the years that became famous during the mid 1970s. The band was named after a fictional 19th century temperance group from the 1939 Western, "Dodge City," starring Errol Flynn. Formed in Columbus, Ohio in 1970, the band's co-founders and other key early members included Craig Fuller, Tom McGrail, Jim Caughlan, John David Call, George Ed Powell, Phil Stokes, Robin Suskind, and Jim Lanham. Later members included country great Vince Gill who served as the lead singer from 1979-1981.
Pure Prairie League made its national debut in 1975 on the Pop/Rock charts with "Amie" which became a Top 40 hit and one of the band's best known songs. The band's string of hits, which continued through 1981, also included "Let Me Love You Tonight" (1980) with Gill as the lead vocalist, plus "I'm Almost Ready" (1980) and "Still Right Here In My Heart" (1981). Pure Prairie League also had a minor hit in 1976 on the Country charts with its version of the Buddy Holly classic, "That'll Be The Day."
Disclosure: The following links will take you to various online merchants outside of allbutforgottenoldies.net that sell recordings and other merchandise for the performing artist featured on this page. Please note that these are referral or affiliate links from which allbutforgottenoldies.net may receive, at no additional cost to you, a commission if you should make any purchases through them.
- Pure Prairie League - CDs, vinyl, & more - Amazon.com
- Pure Prairie League - CDs, vinyl, & more - CDUniverse.com
- Pure Prairie League - Digital music - Amazon.com
- Pure Prairie League - Rare vinyl, CDs, & more - MusicStack.com
To listen to a song clip, click any song title that has a speaker icon. This will take you to a list of links to CD and/or MP3 product pages from one or more online merchants that have sound samples.
Pure Prairie League
- Amie 1975
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Since Chanh Manh started in showbiz in Vietnam in 2009, he has focused on developing a raw and edgy Hip Hop style, a rarity in Vietnam. Over the past year he has made a strong impression with audiences that have had the opportunity to hear him perform, especially for the younger generation.
Opens as a funky Vietnamese dance track, youthful and energetic, male rapping and vocals, before settling into more familiar mid tempo pop song territory. Mixed Vocals, Vietnamese Music, Vietnamese Dance
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Thanks so much for playing at the wedding. You were great! And thanks for putting up with all the changing times etc…I’d recommend you to anyone who’s looking for a ceilidh band or a dj.
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"I'm Sitting on Top of the World" Sheet Music by Ray Henderson
Scored For: Piano/Vocal/Chords
Composers: Ray Henderson
This product supports transposition and digital playback
This product is part of a folio of similar or related products. For more info: click here.
Publisher: Novato Music Press
Digital Sheet Music for I'm Sitting on Top of the World by , Ray Henderson, Samuel M. Lewis, Joseph Young scored for Piano/Vocal/Chords; id:116495


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About: This jazz group features a vocalist, trumpet, sax and full rhythm section including drums! We usually come as a 5 piece group with singer but are able to perform in many guises from trios up to small big bands. Our repertoire is varied and includes classic swinging numbers to modern funky tunes plus
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- Live in Texas - October 6, 1973
- Artist: Captain Beyond
- Format: LP
- Release Date: 6/18/2013
A never before released full length concert album from one of the greatest undiscovered gems of 70s rock, Captain Beyond! Formed in 1971 by members of Deep Purple, Iron Butterfly & Johnny Winter s band, Captain Beyond is heavy, spacey and most definitely FAR OUT! This show was recorded just after the release of the band s second album, Sufficiently Breathless, during the their tour with King Crimson!


How To Make A Polyphonic Synthesizer Monophonic
Published: December 11, 2023
Learn how to convert a polyphonic synthesizer into a monophonic one with our step-by-step guide. Unlock new creative possibilities with your synthesizer!
(Many of the links in this article redirect to a specific reviewed product. Your purchase of these products through affiliate links helps to generate commission for AudioLover.com, at no extra cost. Learn more)
Table of Contents
Welcome to the world of synthesizers, where creativity knows no bounds. Synthesizers have been a staple in music production for decades, allowing musicians to create an infinite range of sounds and melodies. Among the different types of synthesizers available, polyphonic and monophonic synthesizers offer distinct features and capabilities.
While polyphonic synthesizers allow for multiple notes to be played simultaneously, monophonic synthesizers are limited to playing only one note at a time. Both types have their own unique qualities and can be used to great effect in various musical genres and styles.
However, there may be times when you want to convert your polyphonic synthesizer into a monophonic one. Perhaps you want to achieve a specific sound or emulate the vintage analog synths of the past. Whatever your reason may be, this article will guide you through several methods to make a polyphonic synthesizer monophonic.
Understanding the Difference Between Polyphonic and Monophonic Synthesizers
Before we dive into the methods of making a polyphonic synthesizer monophonic, let’s first understand the fundamental differences between these two types of synthesizers.
A polyphonic synthesizer is capable of playing multiple notes simultaneously, allowing for the creation of chords and complex harmonies. It typically has multiple oscillators, envelopes, and filters that can be assigned to different voices or notes. This makes polyphonic synthesizers ideal for playing melodies and harmonies in a wide range of musical genres.
On the other hand, a monophonic synthesizer can only play one note at a time. It has a single oscillator, envelope, and filter, which gives it a unique and focused sound. Monophonic synthesizers are often associated with classic analog synths and are favored for their ability to create powerful lead sounds and basslines.
The decision to choose between a polyphonic or monophonic synthesizer depends on the specific needs of your music production. If you’re looking to create complex arrangements and lush soundscapes, a polyphonic synthesizer would be your go-to choice. However, if you’re aiming to create driving basslines, mesmerizing lead melodies, or vintage-inspired sounds, a monophonic synthesizer will be your best bet.
Now that we have a clear understanding of the differences between these two types of synthesizers, let’s explore the reasons why you might want to make your polyphonic synthesizer monophonic.
Reasons for Making a Polyphonic Synthesizer Monophonic
While polyphonic synthesizers excel in creating rich chords and intricate harmonies, there are several reasons why you might want to convert your polyphonic synthesizer into a monophonic one:
- Focusing on Lead Parts: By making your polyphonic synthesizer monophonic, you can prioritize and accentuate the lead melodies in your compositions. Monophonic synthesizers have a distinct character that allows lead parts to cut through the mix and grab the listener’s attention.
- Emulating Vintage Analog Synths: Many classic analog synthesizers from the past were monophonic. If you’re aiming to recreate the sounds and textures of these iconic synths, converting your polyphonic synthesizer to monophonic will help you achieve that nostalgic and vintage vibe.
- Creating Unique Soundscapes: Monophonic synthesizers have a certain rawness and purity that can be harnessed to create unique and unconventional soundscapes. By limiting yourself to a single note at a time, you can experiment with complex modulation and sequencing techniques to sculpt captivating sonic textures.
- Enhancing Synth Performance: Converting your polyphonic synthesizer to monophonic can free up system resources and increase the overall performance of your synthesizer. This can be particularly beneficial when using resource-intensive virtual instruments or plugins in a live performance or studio recording setting.
- Exploring Sound Design Possibilities: Monophonic synthesis allows you to delve deeper into sound design techniques and explore the intricacies of creating compelling timbres. By focusing on a single voice, you can experiment with different modulation sources, filters, and envelopes, resulting in more adventurous and unique sound design outcomes.
Now that you’re aware of the reasons for making a polyphonic synthesizer monophonic, let’s explore the various methods you can use to achieve this transformation.
Method 1: Disabling the Oscillators
If you want to convert your polyphonic synthesizer into a monophonic one, one method is to disable the oscillators. The oscillators are responsible for generating the sounds in a synthesizer, and by disabling them, you can limit the synthesizer to playing only one note at a time.
Here are the steps to follow:
- Locate the oscillator section of your synthesizer. This can typically be found in the sound generation or voice section of the synthesizer’s control panel.
- Identify the controls or settings that allow you to turn off or mute the oscillators individually or collectively.
- Disable all but one oscillator. This will ensure that only one note can be played at a time.
- Adjust the settings of the remaining oscillator to achieve the desired sound. Experiment with different waveforms, tuning, and modulation options to create a captivating monophonic sound.
This method works well for synthesizers that have individual control over each oscillator. However, some synthesizers may not have the option to disable individual oscillators, especially if they are designed primarily for polyphonic playability. In such cases, you may need to explore other methods to make your synthesizer monophonic.
Remember to consult your synthesizer’s manual or documentation for specific instructions on how to disable the oscillators, as the process may vary depending on the make and model of your synthesizer.
Now that you know how to disable the oscillators, let’s explore another method to make your polyphonic synthesizer monophonic.
Method 2: Restricting the Voices
Another method to convert a polyphonic synthesizer into a monophonic one is by restricting the voices. Voices refer to the number of simultaneous notes that can be played on a synthesizer. By limiting the number of voices to one, you essentially create a monophonic playing capability.
Here’s how you can restrict the voices on your synthesizer:
- Access the voice settings or polyphony parameters on your synthesizer. These settings determine how many voices can be played simultaneously.
- Set the maximum number of voices to one. This will ensure that only one note can be played at a time.
- Adjust any other voice-related settings such as voice stealing algorithms or voice priority to suit your preferences.
- Experiment with the envelope, filter, and modulation settings to shape the character and behavior of the monophonic sound.
Restricting the voices is a common method used by synthesizer enthusiasts and performers who want to transform their polyphonic synthesizers into monophonic instruments. By limiting the number of voices, you can achieve tighter control over the sound and focus on creating expressive lead melodies and basslines.
Keep in mind that some synthesizers may have a fixed number of voices, and may not offer the option to restrict or adjust the polyphony. In such cases, you can explore other methods to achieve a monophonic result.
Now that you’re familiar with the second method, let’s move on to explore another technique to make a polyphonic synthesizer monophonic.
Method 3: Modifying the Circuitry
If you’re comfortable with electronics and have a good understanding of synthesizer circuitry, modifying the circuitry of your polyphonic synthesizer can be an effective method to make it monophonic. This method requires technical knowledge and skill, so proceed with caution and at your own risk.
Here are the steps involved in modifying the circuitry of your synthesizer:
- Identify the components in the synthesizer that are responsible for generating and controlling the polyphony, such as voice allocation circuitry.
- Study the schematics and documentation of your synthesizer to understand how the polyphonic voices are managed.
- Make the necessary modifications to disable the polyphonic functionality. This might involve removing or bypassing certain components or rewiring connections.
- Test the modified synthesizer to ensure it operates as a monophonic instrument.
- Adjust and fine-tune any parameters or settings to achieve the desired monophonic sound and performance.
Modifying the circuitry of a synthesizer requires advanced knowledge and skills in electronics and should only be attempted by experienced individuals. If you’re not confident in your ability to safely perform these modifications, it’s best to seek the assistance of a professional technician or avoid this method altogether.
Additionally, it’s important to note that modifying the circuitry of a synthesizer may void any warranties and could potentially damage the instrument if not done correctly. Take proper precautions and consult the manufacturer’s guidelines before proceeding with any modifications.
Now that you’re familiar with the circuitry modification method, let’s explore another technique to make your polyphonic synthesizer monophonic.
Method 4: Using External Devices
If modifying the internal circuitry of your synthesizer seems too complex or risky, you can achieve monophonic functionality by utilizing external devices in conjunction with your polyphonic synthesizer. This method allows you to expand the capabilities of your synthesizer without making any permanent modifications.
Here’s how you can use external devices to make your polyphonic synthesizer monophonic:
- Connect a MIDI or CV/Gate sequencer to your synthesizer. This device will control the playback of notes and ensure that only one note is triggered at a time.
- Configure the sequencer to play a single note per step. This will enforce monophonic playback and restrict the number of simultaneous voices.
- Set the sequencer’s gate length to ensure that each note has a precise duration and does not overlap with other notes.
- Experiment with the sequencing patterns, tempo, and modulation options to create dynamic and expressive monophonic compositions.
By using an external sequencer, you can have precise control over the monophonic playback of your synthesizer without making any internal modifications. This method also opens up additional creative possibilities, allowing you to experiment with intricate sequences and rhythmic patterns.
In addition to sequencers, you can also explore the use of external MIDI controllers or performance devices that offer monophonic playing capabilities. These devices can be connected to your polyphonic synthesizer, giving you greater control over the monophonic aspects of your sound.
Remember to consult the documentation and user manuals of your external devices and synthesizer to ensure proper connectivity and compatibility.
Now that you’re familiar with the external devices method, let’s conclude our exploration.
Converting a polyphonic synthesizer into a monophonic one can open up a world of new sonic possibilities and creative opportunities. Whether you’re looking to focus on lead melodies, emulate vintage analog synths, or explore unique soundscapes, there are several methods to achieve this transformation.
We discussed four methods to make your polyphonic synthesizer monophonic:
- Disabling the oscillators
- Restricting the voices
- Modifying the circuitry
- Using external devices
Each method has its own advantages and considerations. Disabling the oscillators and restricting the voices are straightforward approaches that can be accomplished within the settings of your synthesizer. Modifying the circuitry requires a deeper technical understanding and should only be attempted by experienced individuals. Utilizing external devices allows for monophonic functionality without permanently altering your synthesizer.
Remember, always refer to the documentation and user manuals of your specific synthesizer to ensure you’re following the correct instructions for implementing these methods.
Choose the method that aligns with your skillset, goals, and comfort level. Whether you’re a synth enthusiast, musician, or sound designer, transforming your polyphonic synthesizer into a monophonic instrument can provide you with newfound creative possibilities and unique sonic textures.
So go ahead, experiment with these methods, and let your monophonic synthesizer take your musical journeys to new heights!


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Don Solaris, Gearslutz member, has released Roland TR-606 sample pack, a collection of 28 samples recorded from Roland TR-606 drum machine.
"I built this set because i was not satisfied with existing 606 sets. They sounded not so much like the real 606 – probably too much processing & stuff. This set is exactly as it is, 100% identical original sound.
There is some difference on how 606 will sound depending how much you drive its mixing (output) stage. That’s why i included two sets in here:
- Normal: TR-606’s output volume was set at medium position for more transparent sound.
- Max: These were recorded at TR-606’s max volume, thus producing a bit of (intentional) saturation in 606’s mixer circuit."
- 28 Roland TR-606 Drum Samples


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for SATB and piano Happy the man's gentle pace, tender harmonies, and flowing piano accompaniment perfectly capture the reflective and uplifting message of John Dryden's text: 'Happy the man...He who, secure within, can say; Tomorrow do thy worst, for I have lived today'. Featuring stirring climaxes, expressive vocal lines, and a fluid piano part, this piece will give rise to a moving performance. Happy the man is featured on the Wroclaw Philharmonic Choir's CD of Bob Chilcott's music.
Happy the man
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Gibson Hardshell Case A guitar collection is essentially similar to an energetic microphone coil. For many years, energetic microphones have now been wired with the style coil mounted on the principal of the microphone's transformer, and perhaps not introduced to soil (‘floating'). The microphone's case is typically connected to the cable guard, which is linked to the microphone amplifier's surface (see Rane's web site for more discussion).
By and large, energetic microphones are very calm devices as a result of the mixture of transformer isolation and balanced, floating indication lines for the duration of, as well as protected, humbucking coils.
So why don't you instruments? Instruments are notoriously affected by noise. Humbucking pickups are just an incomplete (though crucial!) solution. The most obvious answer would be to move practicing the guitar pickup to a healthy output, just like a microphone. An identical strategy was published that 2001 patent request like this Gibson Hardshell Case?


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Stump the band....What are these pegs from?
Nice old Minnesota farmer's fiddle in the shop - 4/4 size. The question is, what instrument was robbed of these two pegs. Almost fit the co…
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Power chord guitar lesson
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Welcome to the latest dance craze Bachata, the freshest and fastest growing Latin dance in the world. We hold regular dance classes for adults, including accelerator workshops and other Latin events in Maidstone, in Tunbridge Wells and in Canterbury, Kent. Whether you’re a novice or an experienced dancer, adult or young child, even those with disabilities, there’s a dance class at Allegro Performing Arts Academy for you! We offer a wide variety of dance styles - from Ballet to Hip Hop, Tap to Theater, and more - to match your taste. Online dance class.
in Chatham, Kent If you are looking for adult dance classes, Fitness classes, Pilates or Personal Training to increase your strength, flexibility and fitness, as well as improve and learn new skills please contact us. Cliffe Woods Community Centre, 9 Parkside Parade, Parkside, Rochester, ME3 8HX, Kent Classes In Ballet, Tap, Modern Theatre & Street, Shows Every 2 Years, ISTD Syllabus & ExamWork, Classes From Age , Qualified Staff Who Are DBS Checked (18 Ratings).
Franklin School of Dance is a premium dance studio in downtown Kent, OH providing recreational dance lessons for ages 3 & up. We offer a fun, nurturing environment for children, teens and adults of all skill levels. Private & group lessons available in.


Hire Frank Sinatra Tribute in North Tawton
Browse Frank Sinatra Tributes
About: Dave Taylor's Sinatra and friends is a one man show featuring the classic songs of Frank Sinatra and his friends such as Tony Bennett, Bobby Darin, Nat King Cole and many others. Dave only uses quality backing tracks made by his own live band and uses only the best P.A equipment. Dave can also do a
About: Band of Gold is one of the UK's top Wedding, Party and Festival bands led by Award Winning Musician Jeremy Huggett on saxes, flute & vocals. Formed in 1997 the band has performed at the UK's major music venues & festivals and appeared on BBC TV and radio. Band of Gold appeals to all musical taste
Recent review: Thank you, Antony and Nikki it was amazing. Mum really enjoyed it, she was quite surprised! Everyone commented on how good Antony’s voice was and the performance. It was thoroughly enjoyed by all. Thank you for a top quality service and professional performance. We would definitely recommend
Recent review: Thanks Tony for making my Mother- in- Law's party a huge success! Your music was enjoyed by all ages and encouraged many to get up and dance. Your singing sounded very professional and you listened to and followed our requests. You were very pleasant and flexible and certainly good value for money!T
Recent review: Dean was an absolute star. So glad I booked him. World class performer. He engaged with the audience. Best I have ever seen. Will be using him for all my functions.
Recent review: Paula played at our volunteer social event and she was brilliant. Every attendee loved her! She is a true gem and will accommodate to your needs and musical tastes. Paula is an extremely talented and warm person and it was a pleasure working with her. We would definitely love to see her performing i
About: Imagine if the eras had coincided and Frank Sinatra and Michael Buble had performed together on one stage...well you need not imagine anymore as experienced Frank Sinatra tribute Morgan Perkins and new-to-the-scene crooner Gareth John take on the roles of Sinatra and Buble respectively in this brand
Recent review: What an amazing day my father had for his birthday. Antony was outstanding. A fabulous talent. Everyone was dancing and singing along. Wished we had booked him for longer. Dad wanted him back for another party. Antony made my dad's party to be a great success. Thoroughly professional and a tr
About: Experience the sparkle and glamour that define the style, class and sophistication of that magical era. Recognised as one of the finest crooners in the business Alan Becks re-creates and breathes life into authentic performances with his stunning solo tribute to The Rat Pack & the Legends of Swing.
About: Clubland Entertainments are an Entertainment Agency based in Lancashire and Cumbria. We have been established for over 20 years. We provide all types of entertainment throughout the UK including DJ'S, Singers, wedding entertainment, Live Bands, Comedians and after dinner speakers.
About: 21 Entertainment is a modern, creative and innovative entertainment agency. Our aim is simple. To provide you with the highest standard of entertainment for your next party, event, function or wedding. We do this by working with some of the UK's finest musicians, bands, entertainers and performers a


We have violins for rent as well as violas and cellos.
We stock the best music brands for musical accessories such as guitar strings, guitar cables, drumsticks. Come in and get set up with Casio, Fender, Snark, Ernie Ball, D'Addario and more at our music store!
We stock keyboards, acoustic guitars, ukuleles, small electric guitars and electric guitar amps, violins, and harmonicas, from Bristol, Amahi, Casio, Suzuki, Teton, Catala, Austin, and Cremona at our music store!
Music Masters is proud to stock Casio keyboards in our South Eugene music store. We have Privia, CTK, WK, and SA models available.
Picks, Instrument cables, Metronomes, Tuners, Instrument straps:
These essentials are always in stock.
We carry guitar and ukulele string packs as well as singles. Choose from nylon or steel strings. Brands we carry are D'Addario, Ernie Ball Slinky, Earthwood, and Aquila.
We carry Vic Firth drumsticks and pads as well as drum heads from REMO.
Band Instrument Supplies:
We carry Rico Royal reeds for clarinet and saxophone, valve oil, and rosin for stringed instruments.


Mp3 Massaro, Mckee, Perez - Mystic Journeys A musical odyssey incorporating acoustic and electronic instruments. The songs are dynamic, innovative and strongly influenced by world music.... 1. The Messenger 2. Madame La Lune 3. Spirit Flight 4. Mother of Fishes 5. Mirage 6. Dance of the Two Guardians 7. View from the Dragon's Back 8. Eternal Spring 9. Fragrant Jewels of Rain 10. N'sasi's Fire Feast 11. La Mora del Rio 12. The Creation of Clear Quartz .:oO more Oo:. 54.1 MB Download 8.99 USD X The seller music offers you 12.0% on each sale!


This is 8-bit sound app. ========== Tone ========== - Square wave (Duty cycle 12.5%, 25.0%, 50.0%, 75.0%) - Triangle wave - White noise (Long cycle, Short cycle) - Wave instrument * 6 (32 sample wave * 16 amplitude) - 1 octave to 8 octave - Hardware envelope - Sweep control - Wave instrument...
Battery Notify is very simple app. Display the battery level on the status bar (notification bar). [ SETTINGS ] - Display the battery level - Automatic startup - Actions of the notification area [ BATTERY INFORMATION ] - Battery information - Battery usage


Piano, 1 Piano, 4 Hands - SMP Level 7 (Late Intermediate)
Piano Duet. Composed by Peter Ilyich Tchaikovsky (1840-1893). Edited by Constantin Strenberg and Constantin Sternberg. Arranged by E. Langer. Piano Duet. Classical Period. Piano duet (features primo and secondo parts). 72 pages. G. Schirmer #LB1359. Published by G. Schirmer (HL.50258750).
Item Number: HL.50258750
ISBN 0793553008. 9x12 inches.
One Piano, Four Hands.
About SMP Level 7 (Late Intermediate)
4 to 5-note chords in both hands and scales in octaves in both hands.


Blackbird Fest 2023 is our first annual festival fundraiser.
Join us Saturday, August 5th
for a day of live music, good eats, and fun activities. All proceeds benefit our student rock band program, Blackbird Rock Co., to purchase sound equipment and instruments.
Performances by Blackbird Rock Co.
Demo Class with Guitarist Darren Mill
Food & Drinks
Karaoke with the Band!


⭐ Candlelight concerts bring the magic of a live, multi-sensory musical experience to awe-inspiring locations never before used for this purpose in Melbourne. Buy your tickets now to discover the music of Queen at Astor Theatre under the gentle glow of candlelight.
📍 Venue: Astor Theatre
📅 Dates and times: 9 July at 6:30 p.m. and 8:30 p.m. (select during purchase)
⏳ Duration: 65 minutes (doors open 30 mins prior to the start time and late entry is not permitted)
👤 Age requirement: 8+. Anyone under the age of 16 must be accompanied by an adult
♿ Accessibility: this venue is wheelchair accessible
❓ View the FAQs for this event here
✔ Safety measures will be in place throughout the experience
🪑 Seating is assigned on a first come first served basis in each zone
🕯 If you would like to book a private concert, please click here
- Another One Bites the Dust
- We Will Rock You
- Radio Gaga
- Don't Stop Me Now
- Crazy Little Thing Called Love
- Under Pressure
- I Want To Break Free
- Somebody To Love
- Who Wants To Live Forever
- Love of My Life
- Killer Queen
- Bohemian Rhapsody
- We Are The Champions
- String quartet - Eclective Strings (formerly known as Vivace Collective - violin, viola, cello)
💬 Angela Z. ⭐⭐⭐⭐⭐: "Absolutely fabulous! Such talent and beautifully played. The musicians dispositions really made the night extra special."
💬 Lisa S. ⭐⭐⭐⭐⭐: "A very enjoyable evening! The music & the decor were wonderful and all the CDC safety guidelines were followed! Looking forward to the next one!"
💬 Nadia L. ⭐⭐⭐⭐⭐: "Absolutely amazing time!! with it currently being so hard to figure out a date night, this was such a great and safe time. the only thing missing was being able to dance, otherwise, perfect!"


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Yamaha YCL-681II Eb Clarinet (Professional model with Grenadilla body and Silver-plated keys)
|Keys||Type||17 Keys, 6 Rings|
|Keys||Silver-plated nickel silver|
|Key of Instrument||Eb|
|ToneHoles||Type||Tapered tone holes with hand-tapered undercut|RM21,300.00
The perfect choice for an entry level professional Eb clarinet
The YCL-681II has an attractive warm sound and is ideal for doubling players who need a top quality professional instrument at an affordable price.
One-piece grenadilla wood body
Resistant to temperature and humidity fluctuations
Tapered tone holes with hand-tapered undercut
Each tone hole is individually hand-tapered and undercut for optimum tone quality, intonation, and uniform response throughout the instrument’s range
Inset tone holes
Made of the same select grenadilla as the instrument’s body and hand-adjusted for a perfect fit. Inset tone holes contribute to a clear, focused sound.


(Originally written by -Nicolas-/translated from Audiofanzine FR)
I'm a drummer and I use them to hear the metronome. Sound quality was not my main concern, I wanted a good sound isolation (excellent).
I'm not fully satisfied:
- Too loud lows. When I'm not playing and I only want to listen to music I must set the low control to 0 and the high control to max. to get a decent sound... Otherwise it feels like listening to music under watter...
- Lows are overemphasized compared with standard headphones... I don't know why. I bought a mini-amp to use it live on stage and to get a louder metronome signal... But as soon as I play a cymbal I can't here it anymore, in spite of the good sound isolation (and I'm not stupid: I only use reasonable levels to protect my ears).
- Nastiness Drummers sweat. The sweat goes through the membrane protection grill... I don't want to imagine how it looks like behind it... It probably alters the sound and it might also contribute to the lack of high frequencies...
I don't recommend them to drummers and/or for stage applications. They are ok to ride the subway or a bus, when you don't eat, or walk, and don't touch the cable a lot...
You cannot open them to clean them up, they are extremely breakable and not hygienic. Very bad.
precision for info: infra-ear headphones have a default quality and very special, it's true that a great isolates of the collection's outdoor, like ball-quis! but the return is that you hear everything going on the indoor (breathing, chewing, no noise when you walk down the street, everything is amplified to get used) and then biensr the noise level to be careful, because the sound comes directly (but very directly) in the ear is better to set a volume limit and rsister the temptation to increase as the collection's outdoor environment is too noisy
consideration is that the sound is really good, especially the low
I try to be careful with (it's those little delicate bx)
I am a drummer and I use these headphones to put my mtronome. The sound quality did not interest me, I rather be on the insulation (copy).
Except I was not super happy:
- So low, normment low, almost as low. Mtronome out if I want to listen to some music on the computer I have to rgler all the bass and treble to 0 at the max for a dcent ... if a given the effect of cost the underwater music ...
- The volume is low compared trs headphone ... incomprhensible classic. I bought one for miniampli scne and boost a little clik ... nothing, THE FIRST cymbal I shoot radio silence Malagasy insulation (I'm not a nag and I treating my ears with sound smart level).
- Dirt. Drummer sweat. The sweat seeps into the grille of the membrane ... I dare not immagine what has accumulated derrire dernire this ... the sound is very trs and ALTR s probably the abscence of high frquences this is the dirt ...
Deprecated drummers, and in scne gnral. Council for the metro, or bus, if you do not eat (I join the opinion above), if not work, and if you touch the wire too.
Indmontable cleaning, extremely fragile, little hygine. Zero.


Subject: I have found a CD that I think you would enjoy
Genres: Special Interest, Pop, Soundtracks, Classical, Broadway & Vocalists
Similarly Requested CDs
A wonderful Christmas present from Josep.
PhantomOfTheOpera | Norway | 09/09/2005
(5 out of 5 stars)
"It's not easy getting hold of this cd, but if you happen to find it somewhere hold on to it with your life!!! I just received the cd in the mail today after waiting for 3 months, but I can tell you it was more than worth the wait. And now I'm looking forward till Christmas when this cd no doubt will be played 24/7. I've already played it a dozen times even if Christmas is still another 3 months away and I've managed to pick some favourites.
In my opinion this is a "well balanced" Christmas album with traditional songs as well as those more popular. Of course, it is a matter of taste, but I'm just so fed up of those Christmas songs I heard another reviewer refer to as "Grandma-got-run-over-by-a-reindeer" type of songs and I was looking for an album that could bring forth that long lost Christmas spirit. And now I've found it. Thank you, Josep.
It was recorded in 1985/-86 and José's voice sounds heavenly, rich and honeyed with a wonderful ringing top. I can also add warm and sensual and spine-tingling! (The more reviews I'm writing the harder it gets describing his voice without repeating myself.) In my opinion some of the finest tracks on this disc are "Ave Maria", "Mille Cherubini", "Once again it's Christmas time" and "Navidad".
"Mille Cherubini" is sung with all the ardour and passion we're so used to coming from him and I think it's his finest rendition of this song ever. The same goes for "Ave Maria". "Navidad" is a really beautiful Spanish song. It's obvious that he feels at home in songs like this. No one sings Spanish like Carreras and it doesn't matter that I don't understand what he's singing. He's still giving me goose-flesh all over....
I suspect that this album will not be a Christmas album only. I don't think I have the willpower to let the album sit in the shelf for 11 months a year. My neighbours will probably think I've gone ga-ga when they hear "once again it's Christmas time this year" or "Jingle Bells" in September or July, but who cares? Merry Christmas Josep!"


The performance marks the launch of OnStage at Stevens, a new series that presents music, dance, literary arts and other artistic and cultural productions. The local community concert takes place at the DeBaun Auditorium, 24 fifth Street, Hoboken.
“For decades, Stevens Institute of Technology has been known as a powerhouse for engineering, science, and technology,” said Dr. Nariman Farvardin, president of Stevens. “Situated in one of the most vibrant cultural epicenters of the world, we are proud to introduce OnStage at Stevens which expands our reach and impact by bringing premier arts and cultural events to Stevens, Hoboken, and the surrounding communities.”
The OnStage at Stevens series for 2016-17 will be three NJSO concerts. The second and third concerts will be announced soon, along with other programs planned for the 2017-2018 season.
The program for the December 17 premiere concert includes the followings:
- VIVALDI Concerto No. 4 in F Minor, Op. 8, RV 297, “Winter” (“L’inverno”)
- PIAZZOLLA Oblivion for Flute and String Orchestra
- VIVALDI Concerto for Flute, Oboe and Bassoon
- COPLAND Quiet City for Trumpet, English Horn and Strings
- RESPIGHI “Adoration of the Magi” from Trittico Botticelliano
- TRADITIONAL Holiday Medley.
Tickets are now on sale. Admission is $20 for general admission and $10 for students and seniors. The event is not recommended for children under the age of 8 years old.
In addition, $50 supporter tickets are available. The supporter package includes early seating and a VIP Post-Concert Reception with Stevens President Nariman Farvardin and members of the NJSO.
For more information or to buy tickets, visit stevens.edu/campus-life/arts-campus/onstage-stevens, or contact OnStage at Stevens at (201) 216-5111 or email email@example.com.


Dobie Gray"Drift Away" DECCA DL7-5397Dobie Gray "Drift Away" DECCA DL7-5397 Rainbow Decca 1st Press. STILL IN SHRINK. This album has superior sound. From a nice big batch of all types of music that I recently acquired from an audio...17.00
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You are about to download the Yubidy Music v1.2.9 for iPhone and iPad (Require iOS 11.0 or Later): Yubidy Music is a free and fun Music game. Yubidy Music Video Streamer, Music Streamer & Video Player.
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Sting - Sacred Love Piano/Vocal/Guitar Artist Songbook P/V/G
Our matching folio to Sting's eighth solo album features all ten sophisticated, world music-influenced tracks, including the hit single Send Your Love, his beautiful duet with Mary J. Blige Whenever I Say Your Name, and: Forget About the Future, Sacred Love, This War and more. Also features guest vocalists Anoushka Shankar and Vicente Amigo.
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The Best Jazz Standards Ever - 3rd Edition Piano/Vocal/Guitar Songbook
The French Song Anthology - Accompaniment CDs The Vocal Library Low Voice 2 CDs
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Sonata "Funtasies" for Tenor Saxophone and Piano
This composition was composed for Jeffrey Kyle Hutchins, saxophone and EunHye Grace Choi, piano. It is in four movements. The first movement “Boisterous” is not in the classical sonata form, however, it does reflect sonata-like qualities with contrasting themes. It is very rhythmic and uses the interval of the fourth for its melodic and harmonic material. The second movement “Whimsical’ is in a moderate tempo with five beats per measure. It is very playful as it alternates diatonic with chromatic passages with outbursts of musical laughter. Movement 3 "Witty" is in a scherzo style. The melody and harmony are based on thirds but are not in any clear key because the thirds will freely vary between major and minor creating an atonal quality. Contrast between staccato and legato is another way the movement is witty. The last movement is called "Teasing" and is in a modified Rondo form ABACBA. The teasing occurs in many different ways. The first appearance is the way the movement seems to stop and start as if promising a longer line, but not delivering. In the B section, the left hand of the piano plays a syncopated idea consisting of wide intervals and frequent rests. The right hand inserts a jeering four-note motive. The saxophone plays a melodic idea centered around a descending minor third, the universal teasing chant interval. The C section is in 7/8 and acts as a chase scene, as if a game of tag is being played. The ending continues the teasing by avoiding a strong cadence with deceptive chords and melodic lines of vague tonality/modality.
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Powerhouse brings the sounds of punchy Electro House with 60 digital drum kits and 51 fully mapped sampled synth instruments. The kits include lots of bold kicks, big snares, tight hihats and shakers, claps both big and subtle, nuanced percussion and toms, and one shots from stabs and blips to impacts and sweeps.
And for the first time in an Uppercussion expansion pack, sampled instrument patches are included in the library, with bold huge leads and low aggressive basses and pads. All instruments are mapped across the full keyboard range and are available in all supported formats that allow playable instrument patches.
*Battery and Geist formats only include the drum kits as these platforms do not support instrument patches.


Fairly obsessed with this pair. I’ve only had them for a week or so but I think I’ve already worn them 4 or 5 times. So comfortable - definitely wanna get more! Fingers crossed for more colors and patterns someday!
These are my new favorite!! They are so soft and fit great! I will absolutely be ordering more and look forward to new colors as I’m a color pop guy!
I am a professional dancer and these are very comfortable to dance in. Keeps everything in place!!


- The Charlatans
Between 10th & 11th: Limited Expanded Edition Clear Vinyl 2LP
Beggars Arkive is excited to announce the reissue of Between 10th and 11th, the second album by The Charlatans.
Available on double clear vinyl and double CD, the reissue contains the original album plus remastered tracks from the oft-bootlegged live show from Chicago in 1991, known as Isolation 21.2.91, a holy grail amongst fans.
Between 10th and 11th was originally released in 1992 and feature the UK Top 20 hit (and biggest US single) “Weirdo”, as well as singles “Tremolo Song” and “I Don’t Want To See The Sights”
“A certifiable classic” - PopMatters
- Beggars Arkive
- Vinyl LP


Gallardo, Alfonso. Con el sol a plomo : manual para el oyente de música de concierto. / Alfonso Gallardo ; acompañamiento de Marilú Parrodi. Mexico: Ediciones y Punto, 2015. 193 pages. 17 cm. Bibliography: pages 188-189, illustrations, portrait. (Prometheus: Operas Primas, 4) ISBN: 9786078402052
Notes, observations, facts, figures and dates about music and dance and their creators. Author was public official who dabbled in many areas. These notes were converted into book that was published posthumously. Includes chapters on elements of music, musical form, symphonic music, styles, song, dance, music in Mexico, and others. Includes 40 pages of musical biographies (in alphabetical order) and glossary of musical terms. Edition limited to 500 copies.
1 in stock (can be backordered)
Con el sol a plomo : manual para el oyente de música de concierto.


Alhambra 6PRef.: 490
Alhambra 6P. Conservatory series. Solid Cedar Top (body width like Concert series). Price includes gig bag.
STRINGS: Nylon, High Tension. D’Addario EXP44
COLOR: Natural. Gloss Finish.
TOP: Solid Cedar (Body width 100-100mm)
SIDES: Indian Rosewood
BACK: Indian Rosewood
NECK: Mahagony with Ebony reinforcement
NUT: Width 52mm
TUNERS: Golden A
INCLUDES: Gig Bag
COUNTRY OF ORIGIN: Spain
A guitar made of Indian Rosewood and concert measures. Robust, comfortable and with great sound where the powerful bass are highlighted.
In the 6 P model of Alhambra Guitars we find a guitar with the high quality of traditional methods, where we profit from the qualities of a selected cedar top, obtaining a warm sound, with rounded tones and powerful volume.
Due to its features, the 6 P model must be categorized as a concert guitar.
This guitar has a comfortable string action and a soundboard designed with concert width, which makes a powerful and deep sound, in which we must highlight the quality of the bass.
The long distance between the strings and the top is really striking. This design reminds us of the guitars used by the great guitarist Andrés Segovia, which contributes to enhance the qualities of this instrument, getting a good projection and sustain.
A very high quality construction to get a comfortable playability
High quality construction
Regarding the materials and finishes of the 6 P model, it is worth mentioning the selected solid cedar top, a double line in the profiles of the top and the back next to a beautiful Indian Rosewood and an Ebony fingerboard, material that is also has used to reinforce the neck.
Natural ebony is not always black and produces beautiful contrasts in the fingerboard due to the wood grain.
With the 6 P model of Alhambra Guitars you get a robust, comfortable instrument with great sound quality where the powerful bass are highlighted.


Finding your ideal violin teacher is the first step to becoming a skilled performer, but if you’re completely new to the world of music lessons, where do you start?
The violin is the baby of the string instrument family, making it incredibly popular among musicians who crave the sound of bow on string, yet who don’t want to deal with the impracticality of a bulky cello.
It can be difficult to get in touch with potential violin teachers if you’re not familiar with your local music community – that’s why Superprof is here to help!
Whether you’re looking for a one to one violin tutor who can teach you at home, or you’d prefer to take violin lessons in a music school, this guide to finding the perfect violin teacher to suit your needs will point you in the right direction to learn how to play the violin.
Find Violin Tutors in Classified Ads
When you’re starting your search for a violin teacher for beginner violin lessons, why not do it the good old-fashioned way?
If you’re looking for music teachers who offer services in your local area, the local press and advertising outlets should be your first port of call!
Private music teachers often rely on local advertising to get their name out in the local community, so why not start by consulting noticeboards and shop windows in your area?
Supermarkets have a particularly high amount of notices from other shoppers which you can usually find on store entrances and exits, so who knows? Maybe you’ll pop out for a pint of milk and end up discovering an amazing violin teacher!
Another great place to look for music teachers within a suitable radius is in the local press.
The classifieds section of newspapers and magazines is usually full of teachers and tutors eager to share their knowledge with the rest of their community, so it’s well worth a look!
Bear in mind that the first violin teacher you contact may not be the right one for you. If you’re serious about learning to play the violin, it’s important that you ask potential teachers plenty of questions before you arrange a lesson.
Asking violin teachers about their teaching methods, the possibility of taking exams in the violin, their lesson arrangements and their pricing for violin lessons will give you a good idea of whether their teaching will be appropriate for you.
It’s also important that you are clear about your previous musical experience and your objectives when it comes to learning the violin, as this will help teachers to tailor their music instruction to your needs as a violinist.
If you’re worried about calling the numbers of every violin teacher whose contact you find only to discover that they won’t be suitable for you, rest assured that the advertisements and flyers you pick up will have plenty of information on the availability, pricing and levels taught by each musician – so you won’t have to waste too much time making phone calls.
Ask Around to Find Private Violin Teachers
Another good old-fashioned way to find violin teachers near me is to rely on word-of-mouth!
Simply asking your peers and other people who have an interest in music for recommendations will mean that you get honest reviews of local music teachers from trusted sources.
So, if you’re a mum at the school gates or a teen with musical friends, it’s always worth asking around! This way, you can weigh up the pros and cons of each teacher that is recommended to you without the pressure to book a lesson that comes with contacting music teachers directly.
Even if someone you know has music lessons in the piano, flute, trumpet, clarinet, saxophone or guitar, you can still ask them for their teacher’s contact number! Music communities tend to be incredibly close-knit, so if no one you know can put you in contact with a violin teacher, other music teachers will.
Learn Violin at a Music School
If you would prefer to take lessons outside of your home, there are plenty of organisations which offer musical instruction at independent music centres and schools.
Learning to play a musical instrument, having voice lessons or learning music theory at a music academy is the perfect option for beginner and intermediate students who want a taste of violin classes in a relaxed environment where they can experience the wider world of music and what it means to play in an ensemble. It also means that they might have some equipment for the violin you can try out before buying your own.
Every music school is different, but there is one thing you can be sure of: the quality of the teaching.
Music centres attract the best of the local musical talent, so you can be sure that your music classes will be taught by encouraging, enthusiastic individuals with a true passion for performing.
Learning how to play the violin at a music school isn’t just about learning to play a new instrument; it’s also about learning to perform as part of a musical ensemble. Whether it be a violin group, string quartet or a symphony orchestra, most UK music centres offer group sessions in addition to lessons.
You may even develop a taste for the stage!
Since music schools tend to follow school term dates, they often host an end-of-term recital where students showcase what they have been working on during their rehearsals. Performing in concerts as part of a group is a brilliant way to improve your self-confidence and get used to playing violin in front of a crowd.
So, if you’d like to find a violin teacher through a music school, try approaching primary and secondary schools first, as they are often where music centres are held if they don’t have their own premises.
Find interesting beginner violin lessons here on Superprof.
Take Violin Lessons at School
For aspiring violinists who are of school age, taking violin lessons at school is a great option.
The music services that are responsible for giving music lessons during school hours are usually run by county and city councils, so you don’t have to worry about the quality of the teaching, as the vetting has already been done for you!
Another advantage to having violin lessons at school is that lessons are generally more reasonably priced than those of private violin tutors.
As one of many students who want to learn to play the violin, you’ll also have the option of having group lessons. There are usually around 2-4 learners of the same level in each group lesson, but the option of one to one sessions is also available in most schools.
To find out about school violin lessons, ask your school’s music department for details.
Find Your Ideal Violin Instructor Online
In the digital age, it’s easier than ever to find what you’re looking for with the help of the internet.
The World Wide Web is full of information on where to find your ideal violin teacher, and it can even serve as a learning platform for those who wish to learn via Skype.
So, which corners of the internet are the most useful when it comes to finding music teachers online?
The answer to this question depends on your expectations as a student. Before beginning your search, there are a few things you should consider, such as:
- Would you be open to learning from an online violin teacher via a webcam connection?
- How much previous teaching experience should your teacher have?
- How far are you willing to travel for your violin lessons?
There are several avenues you can explore depending on your answers to these questions.
Firstly, if you’re purely interested in taking lessons in-person, you can have a look at the online classifieds for your local area. Even though they’re usually used solely for buying and selling goods, websites such as Gumtree and UK Classifieds often feature music teachers.
There are many platforms which specialise in putting students in contact with tutors such as Superprof and MusicTeachers.co.uk.
Online platforms which are specifically designed for teachers and tutors are the often the most reliable source of information on music teachers in a given area.
For example, the music teachers who advertise their services through Superprof are able to create a profile detailing their experience, interests and expertise in the field of music. In addition, our platform also provides a facility for students to rate tutors and leave verified feedback about the instruction they receive.
Being about to find out about teachers before you decide to contact them will save you time and money, as doing your research means that you will have a better chance of finding your ideal teacher first time around!
This is particulary important for advanced violinists who want to work on their technique and improve their bowing, vibrato, intonation and sight reading.
Don't forget to practice outside your violin lessons to keep up your skills!
Superprof is available to both in-person and online tutors, so if you can’t find a suitable violin teacher in your area, you can always browse teachers who deliver their lessons via webcam.
Although taking music lessons on Skype may seem a little unusual, there are some fantastic advantages to learning via an internet connection:
- Save time: Everyone has a computer, webcam and a Wi-Fi connection. By learning to play the violin online, you don’t have to think about journey times! As soon as your lesson is finished, you can return to what you were originally doing.
- Cross borders: It doesn’t matter where in the world you live, if you have a Wi-Fi connection, you can talk to anyone. So, whether your violin tutor lives in Edinburgh, Paris or Toronto, the only problem you may have to discuss is the time difference!
- Hire the best: When you remove the physical limitations of travelling to see your music teacher, you open the door to a world of violin professionals, so you can focus on hiring the best without worrying about the logistics.
Finding the perfect violin teacher for you is not an easy task. Regardless of your level of musicianship, the right teacher can make all the difference to your performance as a violinist.
Find interesting online violin lessons here on Superprof.
The platform that connects tutors and students


12 in F major, Opus 96 ('American')", "Complete Slavonic Dances - Piano, Four Hands", Hungarian and Slavonic Dances for String Quartet, "Dvorak, Rimsky-Korsakov and More - Volume V (Violin)", "Gypsy Songs. pieces. still good though, This sounds wonderful! Don’t be in such I watched this because I need to play this for an orchestra 3 In F Major Adagio; Allegro; Largo; Allegro – Handel, Suzuki Book 6 Viola – Sonata No. Definitely going to check it out!, Suzuki Book 1 Violin – Twinkle Twinkle Little Star Variations, Suzuki Book 1 Violin – Go Tell Aunt Rhody, Suzuki Book 1 Violin – O Come, Little Children, Suzuki Book 2 Violin – Chorus From Judas Maccabaeus (G. F. Handel), Suzuki Book 2 Violin – Hunter’s Chorus From “Der Freischutz”, Suzuki Book 2 Violin – The Two Grenadiers, Suzuki Book 2 Violin – Theme From “Witches Dance”, Suzuki Book 2 Violin – Gavotte From “Mignon”, Suzuki Book 2 Violin – Minuet In G -Beethoven, Suzuki Book 2 Violin – Minuet – Boccherini, Suzuki Book 3 Violin – Gavotte In G Minor – Bach, Suzuki Book 3 Violin – Humoresque – Dvorak, Suzuki Book 3 Violin – Gavotte In D Major – Bach, Suzuki Book 4 Violin – Concerto No. Ole Bull – Violin Concerto In A Major (“Grand Concerto”), Op. 12 – Allegro Risoluto – Seitz, Suzuki Book 6 Viola – Sonata No. I’m playing this in about a month or so for some For violin I and violin II (Violin). the popular music riffs.
Preucil, Suzuki Book 8 Viola – Concerto In B-flat Minor – A. Vivaldi/D. Accent: ... By Antonin Dvorak (1841-1904) and Nikolay Andreyevich Rimsky-Korsakov (1844-1908).
1, No. Arrangements of this piece also available for: All 8notes.com PDF files, all 8notes.com Subscription Only
23 – Squire, Suzuki Book 6 Cello – Rondo From Concerto No. Allegro Moderato – Seitz, Suzuki Book 4 Viola – Concerto In D Minor, Op.
3 – Hummel, Suzuki Method Viola Book 9 – Andante E Rondo Ungarese.
come in, Technically accurate, but non-emotive. :D, My viola was made by Mark Womack, and I use Evah Pirazzi strings., very good.
9 – Vivaldi, Suzuki Book 6 Cello – Tarantella Op.
85, Meadowmount School Of Music Cello – Stravinsky: Suite Italienne, Meadowmount School Of Music Cello – Kodály: Sonata For Solo Cello, Meadowmount School Of Music Cello – Prokofiev: Sinfonia Concertante In E Minor, Op. Originally for piano solo. 8 Live 1982. Preucil, Suzuki Book 8 Viola – Fantasia VII – Telemann/D. For soprano voice solo and piano accompaniment. 35, Meadowmount School Of Music Violin – Shostakovich: Concerto For Violin In A Minor, Op. Well done , Do you know of any place I could get sheet music for the piece from? 101, No. 3, No. 4 In D Major – Allegro; Andante Cantabile; Rondeau – Andante Grazioso, Allegro Ma Non Trappo – Mozart/Joachim, Suzuki Book 1 Viola – Twinkle, Twinkle Little Star Variations, Suzuki Book 1 Viola – O Come, Little Children, Suzuki Book 1 Viola – The Happy Farmer – Schumann, Suzuki Book 2 Viola – Chorus From “Judas Maccabaeus” – Handel, Suzuki Book 2 Viola – Long Long Ago – Bayly, Suzuki Book 2 Viola – Huntet’s Chorus From “Der Freischiitz” – Von Weber, Suzuki Book 2 Viola – The Two Grenadiers – Schumann, Suzuki Book 2 Viola – Gavotte From “Mignon” – Thomas, Suzuki Book 2 Viola -Minuet In G – Beethoven, Suzuki Book 2 Viola – Minuet – Boccherini, Suzuki Book 3 Viola – Gavotte In G Minor – Bach, Suzuki Book 3 Viola – Humoresque – Dvorak, Suzuki Book 3 Viola – Minuet, K. 439 – Mozart Arr. your heart into it. Preucil, Suzuki Book 8 Viola – Song Without Words, Op. amzn_assoc_ad_type = "smart"; Preucil, Suzuki Book 8 Viola – Fantasie For Viola And Orchestra – J. N. Hummel/D. 109 – F. Mendelssohn/D. 4 In D Major – Allegro; Andante Cantabile; Rondeau – Andante Grazioso, Allegro Ma Non Trappo – Mozart, Suzuki Book 10 – Concerto No. No. With Smetana, Fibich and Janáček he is regarded as one ofthe great nationalist Czech comp…
Dvořák - Humoresque sheet music for Viola-Cello Duet. sounds fun! Tempo: Poco lento e grazioso q = 60 BPM . amzn_assoc_search_bar = "true"; 3 – Bach; Suzuki Book 3 Viola – Bourree – Bach; Suzuki Viola Book 4 One writer says "the seventh Humoresque is probably the most famous small piano work ever written after Beethoven's Für Elise." amzn_assoc_linkid = "3eadd7b356d3c8a38ee0f8ce37781a62"; 7, Classical Viola-Cello Duet Free Sheet Music, The Four Seasons Summer, First Movement Theme, "Four Romantic Pieces For Violin And Piano, Op. 1 In A Major Andante; Allegro; Adagio; Allegro – Handel, Suzuki Book 7 Violin – Concerto No. 2 In D Major, Op. amzn_assoc_tracking_id = "tigerdad-20"; 24 – Faure, Suzuki Book 8 Cello – Scherzo Op. 101, No. 2, 3rd Mvt, Allegretto Moderato – Seitz, Suzuki Book 4 Viola – Concerto No. 4, Op. Access to any in-copyright popular music, in particular, full versions of
Right now, be 68, No. Preucil, Suzuki Book 9 Viola – Sonata For Viola And Piano, Op. Czech composer, whose influences include Brahms, Wagner and folk music from his nature land. amzn_assoc_default_search_phrase = "suzuki book 3 viola"; Preucil, Suzuki Book 8 Viola – Sonata In D Major (for Violin And Piano), Sarabande – Leclair/D. 2 In D Major – Breval, Suzuki Book 6 Cello – Allegro From Concerto In G Minor For Two Cellos, RV 531 – Vivaldi, Suzuki Book 7 Cello – Largo And Allegro, From Sonata In G Minor – Eccles, Suzuki Book 7 Cello – Bourrees, From Suite In C Major, BVW 1009 – Bach, Suzuki Book 7 Cello – Gavotte, Op. amzn_assoc_region = "US"; Dvořák, Antonín Humoresque Op. I Viola Classical Viola Classical Viola Subscription Sheet Music Dvořák - Humoresque Dvořák - Humoresque sheet music for Viola ... Song to the Moon from Rusalka "By Antonin Dvorak (1841-1904). Preucil, Suzuki Book 3 Viola – Gavotte From Orchestral Suite No. 85 – M. Bruch/D. 1 In A Minor Allegro; Andante; Allegro; Assai – Bach, Suzuki Book 8 Violin – Sonata In G Minor Grave: Courante – Allegro Con Spirito; Adagio; Vivace – Eccles, Suzuki Book 8 Violin – Tambourin – Gretry, Suzuki Book 8 Violin – Largo Espressivo – Pugnani, Suzuki Book 8 Violin – Sonata In E Minor – Ritornello – Largo; Allegro Con Fuoco; Minuet; Gavotte – Allegro; Gigue – Presto, Suzuki Book 9 Violin – Concerto No. 3 – Bach, Suzuki Book 4 Viola – Concerto No. Classical Dvořák Humoresque Viola version. 1 In G; Prelude; Gigue; Courante – Bach, Suzuki Book 5 Viola – Moto Perpetuo – Bohm, Suzuki Book 5 Viola – Concerto No.
been playing this for like three weeks? 7. AntoninDvorakwas a Czech composer, born in 1841 anddied in 1904.
amzn_assoc_marketplace = "amazon"; The Orchestra Musician's CD-ROM Library. 187), is a piano cycle by the Czech composer Antonín Dvořák, written during the summer of 1894. 77, Niccolo Paganini Hilary Hahn – Paganini – Caprice 24, Pablo De Sarasate – Zigeunerweizen (1904), Arcangelo Corelli (1653-1713) – 12 Concerti Grossi Opus VI – COMPLETE.
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Concert band - Grade 3.5
Composed by Alfred Reed (1921-2005). Arranged by Andy Clark. Build-A-Band. Extra full score. Composed 2010. Duration 5 minutes, 9 seconds. Published by C.L. Barnhouse (CL.026-3978-01).
Item Number: CL.026-3978-01
Alfred Reed's' "Two Bagatelles" was first published as a trombone quartet, then enlarged to a brass choir and finally to a full concert band setting. Andy Clark has taken it back to its beginnings and adapted it for the Barnhouse Build-A-Band Series, so that students in very small bands will get a chance to perform music by this master composer. Sounds great if the four basic parts are covered among the instruments present.
About Build-A-Band Series
The Build-A-Band Series provides educational and enjoyable music for bands with incomplete or unbalanced instrumentation. Written using just four or five parts (plus percussion), these effective arrangements will work with any combination of brass, woodwind, string and percussion instruments as long as you distribute the parts so that each of the five parts is covered. All of the publications in the Build-A-Band Series have been arranged to be playable with any instrumentation as long as each part is used: 1st Part, 2nd Part, 3rd Part, 4th Part, and Bass Part. (Please note: In some of these arrangements the 4th Part, and the Bass Part are the same, making it possible to play those arrangements with only 4 parts.)
Customers Who Bought Two Bagatelles Also Bought:


A collection of Adele's most well-known tracks in a book and CD instructional set.
- Series: Piano Play-Along
Format: Softcover with CD
Hal Leonard Adele Piano Play-Along Volume 118 Book/CD
Play 8 of your favorite songs with sound-alike CD tracks with the Piano Play-Along Series. Each volume in this series comes with a CD of orchestrated arrangements. The music in this book matches these recorded orchestrations. There are two tracks for each – a full performance for listening, plus a separate backing track which lets you be the soloist! The music even includes a separate vocal staff, plus guitar frames, so you or your friends can also sing or strum along!
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
- Inventory #HL 00312307


Here's a BeatBuddy interview with the CEO David Packouz during the 2016 Winter NAMM. The company which founded David has launched a drum machine pedal which allows any guitar player to play along a rich drum track which he can control right from his pedalboard. For us guitar players who are not usually very good at playing in rhythm (let's admit it), the BeatBuddy is a super cool tool to play and to practice. Plus it's much more fun to play to a cool drum track than with a metronome.
BeatBuddy website: www.mybeatbuddy.com
BeatBuddy interview with the CEO David Packouz
In the Paris, France area and want to try the BeatBuddy? A Backstage Pass benefit!
In fact The Guitar Channel has a review unit available to all the people in the Paris, France area and with an active Backstage Pass. The pedal has already been tried several times by backstagers who are very happy to have the opportunity to experience themselves this piece of gear.
Two conditions to borrow the pedal:
- You have to live in the Paris, France area (to avoid shipping charges)
- Your Backstage Pass must be valid
Contact me by mail if you are interested to get the pedal for a maximum of 2 weeks.


Europa - Earth's Cry Heaven's Smile
Tenor saxophone solo (at concert pitch) and piano accompaniment - Difficulty: medium
By Gato Barbieri. By Tom Coster and Carlos Santana. This edition: Piano/Vocal/Chords with Sax Solo. Artist/Personality; Sheet. Original Sheet Music. Latin Jazz. Saxophone/piano single. 6 pages. Published by Alfred Music (AP.9041ESMX).
Item Number: AP.9041ESMX
9x12 inches. Key: G minor.
About Original Sheet Music Edition
Each ORIGINAL SHEET MUSIC EDITION has been arranged for piano by Alfred's talented staff of arrangers. Every effort has been made for the arrangement to be playable on the piano and to sound as close to the original recording as possible. If there are lyrics, a separate vocal line is used so that singers can easily sing along, and all lyrics as heard on the original recording are always included. Almost all arrangements are written in the original key in which they were recorded.


( www.vir2.com , $399.95 street)
Fig. 6. The popular Kontakt Player includes sophisticated scripting options and effects.
Percussion samples tend to be short, so do the math: There’s 19GB of content, representing over 250 orchestral instruments including timpani, snares, orchestra bass drum, mallets, triangles, chimes, and gongs, as well as FX and some ethnic/world instruments.
Orchestral percussion is a natural for soundtracks, but there’s enough percussion here to provide fodder for various types of music. The Kontakt 2 player (Figure 6) provides the audio engine, so EOP takes advantage of its scripting features to allow for articulations (flams, chokes, rolls, and the like), randomization, and other realismenhancing elements. Even better, these scripts are exposed; for example, you can edit the velocity, smoothness, and pitch for rolls with a stepsequencer- type interface, and edit triggering characteristics—although the well-chosen defaults generally obviate the need for editing.
The program also includes convolution impulses for rooms and halls, implemented in the appropriately- named EZRoom—basically just a drop-down menu with lots of ambience choices and wet/dry controls. Thirtytwo effects are available for insert effect slots or the four aux buses (inserts and aux buses handle up to four effects each), and there’s overall 3-band parametric EQ per instrument.
EOP is a good example of why large libraries apply even to percussion: Having alternate samples for triggering and articulation makes a huge difference in terms of creating realistic, satisfying sounds. If you need only basic orchestral percussion, the samples included with samplers and general-purpose orchestral libraries will probably do the job; but for the full meal deal, EOP represents a comprehensive, well-thoughtout collection.