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Are you looking for a 60s band in Derbyshire, Derbyshire? Our catalogue includes 20 acts available for hire in Derbyshire. We also recommend to see: function bands, jazz bands, string quartets, swing bands
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“It (Oliver Sean’s Music) is like the Eagles have hired Jack Johnson for some lessons on lightening up” - Rolling Stone Magazine With over 5000 gigs under their belt, Oliver Sean and his band are the No.1 Classic Rock party bands in town. Oliver Sean performs hits from every decade that guarantees to fill a dance floor and is suited for any event where people are looking to let their hair down and dance the night away. With a repertoire of hit songs from the 60’s, 70’s, 80’s, 90’s to today’s top 40 Hits including Oliver Sean’s MTV/Vh1 Hits added to the mix, there is something in there for everyone’s taste and guaranteed to get your feet moving on the dance floor. No event is too big or too small - from concerts of 40,000 people (where Oliver Sean has been a headliner at the International film festival) to a private event or a house party with close friends down the road - each gig is given the same attention to detail and a 100% perfor...
Available in Derbyshire from £750. Based in Leicestershire
With an outstanding repertoire of Rock 'n' Roll Classics, and Classic Rock covers spanning the 60s, 70s and 80s, Revival has become one of the most sought-after Function Bands in the North Wales, Cheshire and Shropshire. Providing entertaining set-lists suitable for a wide range of events including Private Parties, Milestone Birthdays, Weddings and Corporate Functions etc, Revival is a five-piece collective that aims to deliver great music that will get any crowd up on their feet dancing - No more, No Less.The priority of Revival is to give the guests at your event a great musical experience and we will always, where possible, aim to work within your budget. Revival usually performs 2 x 45 minute sets with a break of around 30 minutes in between, when your own selection of recorded music can be played through our own PA system. Revival supply their own PA System and Lighting Equipment. All equipment is EU Compliant and PAT Tested. Revival is f...
Available in Derbyshire from £450. Based in Cheshire
As recently seen on BBC Midlands today, BBC Children in Need and BBC WM! Based in The West Midlands, The Breakfast Club have built a reputation for performing the classic eighties songs, that most other live bands are too scared to even try, with style and passion. The Breakfast Club 80s band have been performing at weddings, birthday parties and corporate events for nearly 16 years playing both in the UK and abroad in Ibiza! The Breakfast Club have a 2.5kw PA system enabling them to play to crowds of up to 500 people, Stage lighting, Sprinter van and iPad (for music to be played between our live sets, saving the client money on an additional DJ) Previous client testimonials: "Thanks guys for an amazing night, the rain didn't damper anyone's spirits and it felt like a mini festival!! Everyone said how amazing you were and we couldn't agree more, once again thank you" Julie and Pete Comment by: Julie phasey 31 July 2017 "We...
Available in Derbyshire from £630.00. Based in Birmingham
Rock and Roll Jukebox, the Midlands finest traditional rock and roll band, is a 6 piece band playing rock and roll numbers from the 50s, and occasionally early 60s. Our line-up comprises current and former professional musicians playing Guitar, Bass, Keyboard, Sax, Trumpet, Drums and Glockenspiel, yes really, Glockenspiel! We cover artists as diverse as Bill Hayley, Fats Domino, The Big Bopper, Jerry Lee Lewis and many, many more. We are proud of our stage appearance and full authentic sound giving us a unique stage presence. The band works hard to deliver a polished show which gets the audience on their feet and joining in to create a true rock and roll party atmosphere. This is what others say about us: Everyone loved the evening and your music - as you could tell! Many thanks to you and all the band for creating such a great atmosphere. Cheers for now, and thanks again Toby Gee - Walcott Hall - Shropshire - April 2017 Rock...
Available in Derbyshire from £500.00. Based in Worcester
Morning Town are a dynamic six piece live music tribute show, celebrating the music of two great bands from the 60s and 70s .THE SEEKERS AND THE NEW SEEKERS. The band consists of two lead female vocalists Sue and Danielle, who happen to be mother and daughter, Ben who plays lead/rhythm guitar, and lead vocals. Steve on Multi keys, Ian on bass guitar/vocals and Andy on drums. The band are all local to Manchester and surrounding areas. The show is full of 60s and 70s songs that audiences will remember. The show is upbeat coupled with some funny moments along the way that all adds up to a great entertainment package. Morning Town endeavour to faithfully re-create the atmosphere and sound of the 60s and 70s with great vocal harmonies and full costume Some songs in the show are firstly by The Seekers an Australian band, with lead singer Judith Durham, they sang songs such as……. Georgy Girl, I’ll never find another you, A wor...
Available in Derbyshire from £1200. Based in Stockport
The Maestros are a professional band who love to get your guests dancing and singing along. We play classics from across the decades suitable for generating a party atmosphere. Our equipment is PAT tested and we have Public Liability insurance. We work to the client's requirements and have 5 star feedback ratings from previous clients and testimonials from Leeds United FC, hotels chains etc. Professionally trained, The Maestros Band perform rock and pop classics, tried and tested to fill the dancefloor, from the 60s to modern day. 4-piece band lineup with male vocals, drums, bass, guitars, keyboard, P.A. system and our own lighting. Clear sound and entertaining performance. Please see our videos and testimonials. We can usually learn the first dance song (for weddings if requested).
Available in Derbyshire from £900. Based in Bradford
Music available for weddings ( afternoon,evenings)/corporate events/functions. Full band,trio,duo( various combinations available - 1 guitar / 2 guitars / guitar keyboard / full band / full band including sax etc. Most genres covered - background-easy listening /.Jazz/pop / rock /blues etc Covers(50's 60's 70's 80's 90's00's). Tribute band including 50's, 60's. E.G 'Chuck Berry' Tribute. NEW....! SPECIALIST NORTHERN SOUL DISCO/DJ, INCLUDES 100% VINYL DISCO. Please contact Leekbrookmisic for full details. JL
Available in Derbyshire from £50. Based in Stoke-on-Trent
Let me introduce us, we are a five piece Rock ‘n’ Roll style band who cover songs from the 1950’s and 1960’s. We cover songs from many artists and we perform many different styles from back in the day including Rock ‘n’ Roll, Doo Wop, Rockabilly and the odd 60’s rock and pop songs. We are all young 32 being the oldest and 19 being the youngest, we are a young band playing old songs, songs which were originally performed by the younger generation and because of that we are unique and have that slight edge on most other bands playing this kind of music because we bring it back to life with us being young and passionate about, not only the music but everything surrounding this time period too. We have much experience playing many different venues and events from playing in a small café to motorbike events at race circuits in front of very large audiences. The Del Sharron’s have been together for over 6 years with extensive gigging all around th...
Available in Derbyshire from £1000. Based in Leicester
Top class Sixties Band. The Casuals were a four piece British pop group in the 1960's and early 70's, best known for their hit "Jesamine" which reached No.2 in the UK in 1968. Johnny Deaville, who had a spell working with AlanTaylor from the original band, which unfortunately broke up in 1976, has searched "high and low" to find the right blend of talent to bring together The new Casuals who now perform a selection of hits from the 1960's in the most unforgettable way.
Available in Derbyshire from £900. Based in Stoke-on-Trent
Spirit of the Sixties are based around Grantham. The band are totally live and play music from the sixties from well known artists such as the Beatles, Cliff and the Shadows, The Monkees,The Drifters and Spencer Davis Group - to name but a few! We also provide a visual show with videos, photos and facts on the era and we can also provide a sixties disco to make a complete themed night
Available in Derbyshire from £400. Based in Grantham
From an early age Johnny loved to sing and first took to the stage at the tender age of nine where he had a lead role in a school musical production. Since then he has not looked back, joining the choir in high school and then forming his first band in 1979 at the age of fifteen. In the years that followed Johnny has fronted some of the top covers bands in the midlands including Devoted to Rock and Tranzam alongside his solo career. Johnny now concentrates entirely on his solo work and specializes in vintage style songs from the swing, rock and roll and 60's era's, but with thirty plus years in the music business he has built up a massive repertoire from the 1920's to present day and can tailor his set to suit most needs. Johnny performs at Weddings, private parties, social clubs, restaurants, hotels, pubs and anywhere else in need of live entertainment.
Available in Derbyshire . Based in Birmingham
The Mercy have been on the U.K. music scene since 2005 performing at a host of different occasions across the West Midlands. Their membership consists of two guitarists, one bassist and one drummer. The Mercy perform hits spanning the decades from the 50’s right through to the present day. They perform hits from Oasis, Razorlight, Buddy Holly, The Rolling Stones, The Searchers, The Kinks, Queen, The Beatles & many more. Ideal for any event including birthdays, weddings, corporate events, outdoor events/festivals, private members clubs and public houses. They can tailor an entertainments package to suit your needs; whether it be a relaxed acoustic afternoon or a headline spot at a music festival.
Available in Derbyshire . Based in Tamworth
Are you looking to book a fun and exciting covers band for your wedding or function? If the answer is yes then Stanley Park are the band for you! The three band members are top professional musicians and all graduates from the world renowned Liverpool Institute Of Performing Arts! They have now come together to form a fresh looking and sounding band with a stunning live show that will make your party one to remember! Stanley Park's repertoire features the best dance floor fillers from 60s to current chart, including classics by the likes of Van Morrison, Jackie wilson, The Beatles & Sugar Hill Gang, as well as recent chart toppers by Killers, Kings Of Leon, Lumineers, Mumford & Sons and many more!
Available in Derbyshire from £1289. Based in Birmingham
The Harmonettes are a sensational female vocal harmony trio in the style of the legendary Andrews Sisters. With a set list packed full of golden hits from the 40s & 50’s, as well as current chart toppers with a vintage twist, this trio are a great addition to any vintage or 1940s/50s themed event!
Available in Derbyshire from £1118. Based in Chester
We are The Retrobeats - an experienced four piece live band formed in 2007 playing a wide range of songs from the late 1950s through to the early/mid 1970s with the accent on music to dance to. Re-living the great hits of yesteryear, we feature both male and female lead vocals and we play the hits you remember and some you've forgotten too. Covering artistes from Elvis Presley to The Beatles, Connie Francis to Dusty Springfield, The Drifters to The Turtles and a host of one hit wonders too, we perform a truly varied range of great songs from a golden era of popular music. We can do specific rock n roll or sixties sets if required. We encourage audience participation and regularly get people to join us on stage to sing backing vocals or play along on an inflatable guitar!We are a self contained band with compact high performance equipment, including lighting, if required. We are public liability insured and all our equipment is PAT tested. We e...
Available in Derbyshire from £400. Based in Cheshire
Chrissie Cadillac offers a fun-filled afternoon/evening of 50's and 60's hit songs plus a disco with lighting as part of her fantastic package (no need to book a seperate DJ!). Her act also includes scene setters and props at no extra charge so that your themed event looks spectacular! Choose from two or three sets of live singing. Chrissie also provides a free photo projector hire service for family photos or retro video footage from the 50's and 60's eras. Chrissie is happy to cater to playlists in the disco part of the evening. All decades of music can be played in the disco to create a fun and diverse event. Chrissie is great with children and will happily organise party games or dances for any little ones at your party. Feel free to request Chrissie's vintage games package for a small additional fee of £30. Chrissie's act is perfect for themed events or vintage weddings. Chrissie has great reviews and testimonials. She is the numbe...
Available in Derbyshire from £180. Based in Cambridgeshire
Sandy and The Secrets are a professional sixties cover band playing all the big hits you know and love. From early Beatles to the sound of Cliff and The Shadows, we deliver an authentic sixties experience whatever your event. Blending high quality musicianship with modern technology, we faithfully reproduce the best tracks of the decade and we pride ourselves on getting everyone, from the young to the only slightly older, to dust off their moves and twist the night away. Your event is our priority and our first class service ensures every detail is covered, providing you with a hassle-free experience, from prompt replies to your calls and emails to liaising with your production manager or event organiser. However you want your event to roll, we’re here to make it happen.
Available in Derbyshire from £1100. Based in Altrincham
The High Tones are a Young ,Energetic Four Piece Midlands based Act, recreating the sounds of the 1960’s era, strictly 1960-1969 All the great Bands are covered with passion and integrity from The Beatles, The Stones, The Kinks, The Monkees, Van Morrison, The Hollies The small Faces & many more …. The Quartet have over the years worked alongside many musicians, as well as TV Appearances and Radio in various projects, Performing, recording & Touring Europe. Over the last couple of years we have had some great opportunities , recently playing The Cavern in Liverpool , Various 60's festivals completed sharing the bill with the Original name acts with more booked this year, we are also booked to play the Nec caravan Show later this year & Newbury Motorhome show this summer. The High Tones were formed with the Aim to develop an act that plays homage to the great sounds of the 1960’s Decade. All our Members bring together to this ...
Available in Derbyshire from £650.00. Based in Nuneaton
Hugely popular Duo based in Lincolnshire with many shows available: ** ABBA Tribute Duo ** 1940s War-Time Duo ** 1950s Pin-up & Petticoats ** 1960s Swinging Sixties ** 1970s Disco Fever ** 1980s Back 2 The 80s ABBA DUETTA - Stunning harmonies, super dance routines and amazing professional ABBA costumes! We love the music of Abba and it really shows when were performing. A TRIBUTE TO THE WAR - Nostalgic harmonies, captivating harmonies, fun dance routines and lots of laughs! Our 1940s show is famous in parts of Lincolnshire. With plenty of audience participation- you will not be disappointed. Also available for full (30-45 minute) sets or mixed sets of 50s, 60s, 70s or 80s. Mix and match sets for your event: PIN-UP AND PETTICOATS 1950s - Spinning around in fabulous dresses from the 50s era. We have lots of well known songs for you to jive too. One of our longest running decade sets - still as popular as when we started...
Available in Derbyshire from £275. Based in Lincolnshire
I-Generation Band is the perfect music choice for your Wedding or Private Party. We are the perfect Entertainment for any event and have been together for 4 years performing up & down the whole of the UK. We have a great set of Rock, Pop & Classic Indie songs to rock any Wedding, Party, University or Corporate Event.
Available in Derbyshire from £800. Based in Birmingham
Sinnerboy are simply the best Rory Gallagher tribute band in the world - and that's the official opinion of Donal Gallagher, Rory Gallagher's brother. They've played Rory Gallagher conventions all over Europe, and the ultimate accolade - in Rory's hometown in Ireland. Guitarist and singer Barry Barnes is one of Europe's most active enthusiasts working to keep alive the music and memory of Rory Gallagher. For this tour, Sinnerboy play the "Irish Tour '74" with Jan Sperhake on piano.
Available in Derbyshire . Based in Greater Manchester
The Kasuals are a 4 piece eclectic 1960’s inspired band consisting of Alex, Colin, Lee and Kevin. Our band’s collective musical influence and depth is steeped in the 1960’s and includes ex members of high profile 1960’s bands. Following on from extensive rehearsals in 2016 we are ready to entertain young & old alike with our personable blend of on-stage humour and classic 60’s songs. The Kasuals play at all the major holiday parks around the UK, Butlins, Warner Holiday Villages, Haven, Park Resorts, Britannia Hotels and the Pontin’s group are just some of our clients. We also appear at various 60’s revival festivals that are staged in and around the UK. Predominantly we cover classics by The Searchers, The Troggs, The Kinks, Cliff Richard & The Shadows, Billy J Kramer & The Dakotas, The Merseybeats, Roy Orbison, The Hollies and The Beatles amongst many. Our extensive musical anthology ensures there is something for everyone. The K...
Available in Derbyshire from £900. Based in Preston
Sonic Boom - we are a high energy function band with many years of experience performing at weddings and other events across the UK. With all our own PA system and lighting we are fully self contained and offer a friendly, reliable, affordable and professional service. We have three members who all sing and play the drums, bass and guitar so you are assured you are booking a 100% live band.
Available in Derbyshire from £750. Based in Shropshire
An experienced trio, guitar, keys and male and female vocals deliver a dynamic and diverse selection of classic songs from 60's, 70's, 80's, 90's and 00's including: Bowie, Elton John, Stevie Wonder, The Kinks, The Faces, Gladys Knight, The Pretenders, Tom Petty, Squeeze, Beatles and many more. Guaranteed to keep your evening on its feet!
Available in Derbyshire from £400. Based in Coventry
The Lollipops are a professional vintage inspired vocal trio, with a passion for the music and the fashion of the era! Specialising in Wartime and vintage themed events! The group cover a wide range of repertoire from the 1940s up to the 60s and also cover 70s - modern songs with authentic 3 part harmony arrangements. The Lollipops formed through their love of harmonies. Bound the please the crowd with their authentic choreography, close sweet harmonies and fantastic outfits. They take inspiration from artists such as The Andrew Sisters, The Puppini Sisters, The Chordettes, The Shirelles, That Marvelettes, Bette Midler and many more! They are available for a variety of events such as weddings, birthday parties and private functions, and deliver a fantastic and enjoyable experience with a nostalgic and vintage twist!
Available in Derbyshire from £640. Based in London
I booked anthony for my 65th birthday party, and he did not disappoint, very professional, i liked the fact that he made a site visit to look at the venue which was very reassuring. His recommendation of songs was just what I wanted, his voice is fantastic, and he really made the party go with a swing. I would definitely book him for your event. After the performance the compliments didn't stop coming, he was very very popular, I'm thinking of having another party just so i can book anthony again. Thanks Anthony for a great evening.
Hi Daniel, Gaby, Harrison and the rest of the incredible band, We just wanted to say a HUGE thank you for performing at our wedding!!! You are honestly the best wedding band we have ever seen!!!! Everyone has been raving about you ever since! I am already trying to get you lined up for my friend's wedding ☺thank you for taking the time to prepare with Lizzie for our first dance and for performing The Seed with Alex ☺☺☺ Adrian was so chuffed that you reserved Blue Train until he was there. He was also so grateful to Harrison for twinkling away when there was no obligation to and finally to all of you guys for genuinely looking like you had a great time too. We will definitely be coming to see you guys play live in the future! Ps if you want any footage for your website, we're happy to share! Thanks so much again, Emma and Adrian
Just a little message to thank you all for last night, what a great performance. Joe and Ruths vocals are one of the best we have had hear, exeptional singer, especially the green day songs.
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Alexander's Ragtime Band
Composed by Irving Berlin. Arranged by Don Besig and Nancy Price. This edition: SoundTrax CD. Choral Octavo. Choral Designs. Nostalgia; Secular. Accompaniment and performance CD. Published by Alfred Music (AP.3703).
Item Number: AP.3703
What a combination! Irving Berlin's classic song with a new partner-melody by Don Besig and Nancy Price. A real winner for 2-part choirs. The optional SoundTrax CD adds a true ragtime sound.
Movement and Staging; Partner Song; Recorded Acc. Available.
About Alfred Choral Designs
The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.


Melodia Sacra; Anthems and Services from Dublin Cathedrals
1819; including pieces from Handel's Messiah
First edition, hardback, bound with leather spine and printed covers. 37 × 26.5cm, vi + 110pp
Full title: Anthems and Services, in Score, as Performed in the Cathedrals of Christ Church and St Patrick; and in the Chapel of Trinity College, Dublin. Melodia Sacra, Second Volume.
A collection of music on lovely engraved sheets, and engraved dedication page to Charles, Lord Bishop of Kildare. The music includes pieces from Handel's Messiah and Edward Blake's I Have Always Set God Before Me. Each piece id arranged, with the original figured bass and an accompaniment for the organ or piano by David Weyman, himself a composer.
A heavily worn copy, with the binding in a weakened state. One page is detached and the rear board is nearly detached. the boards edges and spines are heavily worn, the pages tanned but remaining attractive. Quite a scarce title.
If you have any special requirements, please send us an email and we'll do all we can to help.


To obtain this Royalty Free Music in high quality and without watermark, please Purchase it!
A Hip Uplifting Instrumental created for a Modern Contemporary Media Production. Acoustic guitar rhythm, finger snapping hand clapping percussive background, electric piano riff, electric guitar melody with a steady electric bass guitar. This 30 second adventure is perfect for t.v. commercials, corporate media/videos, web, network, film. Appealing music genre for most age groups.


This retro lounge/jazz song is based on a nice bass/percussion groove, which is the fundament for instruments like organ, wah wah guitar, piano and brass instruments. Suitable for bars, lifestyle and partys.
You couldn't find a license for your type of project, please use our contact form or call +49 (0)711 - 217 202 291.US customers please write to firstname.lastname@example.org or call +1 (347) 403-3971.
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Gorgon City & DRAMA - You've done enough Ableton Template (Dance)
A deconstructed Ableton Remake version of You've done enough, by Gorgon City, in collaboration with DRAMA. And released by Positiva Records. A track with a lot to learn about Transitions, Drums, Beatmaking, Sub Basses, Piano, Plucks, Fx, Song Structure, Vocals, and many more of modern Dance Music Production Elements.
The Template was made for Ableton Live 10.1. Using Xfer's Serum v1.334 (or higher), and Nicky Romero's Kickstart Vst Plugins. Also making use of, Stock FX and Stock Instruments. Dance Style samples for beginners are included, with a full arrangement Beat. Both fully Mixed and Mastered, ready for you to download and start playing it!
📌File size: 101 MB
📌Software, DAW: Ableton Live 10.1.25, or higher.
📌VST Plugins: Xfer's Serum v1.334 (or higher), and Nicky Romero's Kickstart external Vst Plugins required.
📌Song Key: C Min
📌Time Length: 3:31
📌Drums: All Drum Samples are part of this zipped project. You can find them there.
REVIEW OF THE ABLETON TEMPLATE PROJECT
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Example - Do It So Well Ableton Remake (Tech House)


This is a must-have for all rock'n' roll fans out there - the Rolling Stones original master recordings box set, featuring their greatest hits. Made of vinyl material, this box set is a great addition to any music collection. With the iconic Rolling Stones label, Rolling Stones Records, this record set will surely take you back to the golden age of rock'n' roll. Perfect for vinyl record lovers and collectors alike, this box set contains everything you need to relive the legendary sounds of Mick Jagger and his band mates. Get your hands on this Stone original master recordings box set now and experience the electrifying music of the Rolling Stones.


With First Tutors: Music you can locate a Llantwit Major melodeon teacher. Melodeon lessons are a great way to learn a fun new hobby, pick up a new talent and attain confidence with melodeon. Please use our site to find Llantwit Major melodeon teachers and choose which suits your requirements so you can enjoy your melodeon lessons in Llantwit Major today!
First Tutors: Music is the best way to find Llantwit Major melodeon tutors in the UK, helping you discover Llantwit Major melodeon lessons in your area and Llantwit Major teachers to help with any instrument such as piano, violin or guitar. We can help you find Llantwit Major melodeon tuition or a Llantwit Major melodeon tutor to prepare for melodeon grades and develop your melodeon skills! Our search will order Llantwit Major melodeon teachers in your area by their lesson prices and proximity to you.
If you are a melodeon teacher wishing to offer your melodeon tuition services in Llantwit Major or anywhere else across the UK, please register with First Tutors: Music or find out more about us here. Becoming a Llantwit Major melodeon teacher is a fantastic way to re-affirm your own knowledge through giving melodeon tuition while helping others, all in your local Llantwit Major area!


Designed by Kim Dongyeon, Musicrug is originally a picnic rug, so that you can carry your music wherever you want. But, I am sure it won’t hurt you or the rug if you use it on your terrace, in your garden or may be even your room. The rug has a speaker on each of its side, making the number total four. You can play the music by connecting the rug to an MP3 player or via Bluetooth and by folding up the corners, giving way to the sound of music. When you want to turn off the music, all you have to do is fold down the four speaker corners.


Add a touch of class to your event with live jazz by Chris Vasi. With over 20 years experience playing every type of event, from concerts and festivals to dinners and receptions.
Chris Vasi is available as a solo guitarist, a duo (with upright bass), or a jazz trio (guitar/bass/drums). Jazz stand
Sojorn is a dynamic Hampton Roads duo, showcasing an impressive blend of island music, classic rock, and new country - spanning the spectrum from the sixties through today.
Presenting intricate harmonies backed by excellent musicianship and a warm stage presence, Sojorn highlights every era with
Innovative event and production solutions provider. We have quality entertainment for your loved ones and guests. Providing live talent for Casting Agencies, Magazine Ads, Store openings, Birthdays, Anniversaries, Weddings, Receptions, Family Reunions, Church events, Holidays, Funerals, School fun
AWESOME show and dance band. With over 20 years of musical experience, these professional musicians perform for all ages. As SPECIALIST in wedding receptions, corporate and private events, reunions, festivals and outdoor concerts, this MAGNIFICENT BAND travels with a full production of sound and li
Savannah is a Norfolk, Virginia based band that has been together since 1977. They have performed in over 30 states throughout the country.
The group consists of studio quality musician/entertainers and is among the most consistent and versatile bands in the nation. They are known for their authe
Entertaining Charlottesville for Over 30 Years!
EastCoast Entertainment - Music and a Whole Lot More! Did you know ECE begin nearly 35 years ago as a small, local music agency? Today, across the country, we employee nearly 100 full time agents, specialized event producers and support staff. Our Nat
Award-Winning Acoustic Guitar Duo in Raleigh NC, Musicians specializing in a fun variety of music for a business dinner or corporate event, college party, BBQ, wedding ceremony, rehearsal dinner, or reception. Professional musicians that have been performing for special events for nearly ten years.
Bam-Jazz is one of the region's most professional and versatile musical groups playing jazz, blues, cajun, R&B, Reggae/Ska, Latin and more with a New Orleans feel. For sound files and song list visit our website!
Deep South Entertainment is an award winning, world class talent buying agency. With over 20 years of experience, Deep South has contracted with a wide variety of celebrities for events both large and small. Including major corporations, concert venues, municipalities, fundraisers, weddings, and spe


by Danielle Marconi, Suzuki Niagara violin teacher
Stringed instruments are some of the few instruments that are available in multiple sizes, to suit the needs of students of all ages and physical builds. If you are reading this, you may be in the process of searching for an instrument for your child. Common sizes available are, from smallest to largest: 1/10, 1/8, 1/4, 1/2, 3/4, and 4/4 or full-size. First I will begin with what I CAN'T tell you about instrument sizing. I can't tell you through a blog what size to buy. Please do not try to pair your child with an instrument according to age, or arm length. You cannot simply measure your child's arm, or use his/her age and then find the corresponding violin size on a chart somewhere and be certain that you've found the right size.
So let's move on to what I can tell you.
Personally, I can tell you that playing a stringed instrument, whether it be violin, viola, cello, or bass, is an amazing experience. From the first note played, to the first polished song performed at a recital, to the moment you've mastered a concerto you've always wanted to play, you must be able to be "one" with your instrument, and this requires the right size! You need to feel comfortable playing your instrument, be able to move with it, support it, and not be physically strained or sore after playing. You will not enjoy playing if you are not able to hold the instrument with ease, or if you experience pain after playing for only 15 minutes. Your instrument should not dominate you, rather, you should be able to feel in control of it and use it for your musical expression.
Children grow at different rates, and have different builds. Just look at a classroom of children who are in the same grade and are the same age. Not all of these children will be the same height, have the same size arms/legs/hands/fingers, or have the same strength in their neck, back and core. So here are some things to consider when looking for an instrument.
1. Consult a professional (preferably a teacher or a luthier). Ask someone who has experience sizing instruments, and someone who will be able to see easily if an instrument "fits" or not. Please keep in mind that staff at local music stores are not always trained in this area. Your teacher is the best person to consult, or someone who specializes in making/repairing the instrument (who is trusted by your teacher).
2. Try a few different sizes and brands to be sure you've found the right fit. Instruments of the same size can still vary from one to the next. Personally, when I was looking for the full size violin that I play now, I tried about 20 different options before I found one that fit me the best!
3. Hold the instrument in playing position (with the help of your teacher). Check arm reach, finger length, and range of motion with the bow. There are many mechanics involved with playing a stringed instrument, and all of these require ease of motion, being able to get where you need to be without straining.
4. The size of the instrument should be comfortable! When your child is trying out a violin for example, he or she should be able to support the instrument with ease without hands! That means that the weight of the instrument should be supported on the shoulder, using the weight of the head.
5. Smaller is better. When in doubt, go with a smaller size. Many injuries can result from playing on an instrument that is too large. We do not "grow into" instruments, rather we "grow out" of them.
Keep in mind that with the sizes available, and considering how many years ahead your child may have of playing, that they may end up using one size for a few years. Or, if they have a year with an incredible growth spurt, that may initiate a move to a larger size sooner. Please keep in communication with your teacher about this and do not make a decision about changing instrument size without him/her. Students are often eager to move "up" a size because they often see this change from one size to the next as a mark of progress; but that is NOT so! I have seen many very young children playing on small violins who are much more advanced than students on larger instruments. Keep progress and instrument size separate. Sometimes students are also eager to move to a bigger violin once they have discovered that the tone of a larger instrument is "better". I've put that into quotations because tone can be improved and mastered on a small instrument, and often tone is a matter of the quality of the instrument that you have, not its' size.
Finding the right sized instrument is a lot like finding a perfectly fitting pair of shoes or a dress. Take your time, try out the instruments, and find one that speaks to you!


Label: Cezame Music Agency - BIB043,Bibliotheque Music LTD - BIBTQ043 • Format: 36x, File MP3, Compilation 320 kbps • Country: France • Genre: Folk, World, & Country, Stage & Screen • Style: Soundtrack, Folk
Listen to Ludwig Van Beethoven Symphony No. 6 In F Major, Op. 68, „pastoral“: III Merry Gathering Of Country Folk MP3 song. Symphony No. 6 In F Major, Op. 68, „pastoral“: III Merry Gathering Of Country Folk song from the album Milestones Of A Legend - Lorin Maazel, Vol. 7 is released on Apr The duration of song is
Download MP3 Celtic Dawn Serenity by Mark Woollard. Deep, ethereal music featuring various Celtic and ethnic instruments. The strangeness of the sounds is the key suggesting vibe of mystery and otherworldliness. Ideal for meditation, relaxation, alternative medicine, and pastoral scenes or historical presentations. Download MP3 Clouds Surfing by AG Music.
Download MP3 Healing And Meditation Mood by AG Music. An atmospheric new-age ambiance with soft atmospheres pads fills out the arrangement. Spacey, Dreamy, flowing, positive with Healing and meditation mood. This beautiful track has a pastoral and great for .
· · Classical period music mp3 download list. Gluck, Dance of the Blessed Spirits (from ‘Orpheus and Eurydice’) This gently pastoral Dance “Dance of the Blessed Spirits” is a serene interlude from Gluck’s opera “Orpheus and Eurydice” about Orpheus’ journey to Hades, the realm of the dead, in search of his departed wife Eurydice.
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- The Wonderful Widow Of Eighteen Springs - John Cage - The 25-Year Retrospective Concert Of The Music


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In this article, we will demonstrate exactly what it is about the Yamaha DGX 660 digital piano that makes it so prominent. We will begin with a description of its most impressive features and then will weigh the positive aspects of this piano against any possible negative characteristics it may have. After a discussion of the impressions of a range of users, you should be able to form your own balanced judgment of this particular instrument. Continue reading to learn all about the Yamaha DGX 660 digital piano.
The Yamaha DGX 660 Digital Piano – Main Features
The Yamaha DGX 660 digital piano is similar to an acoustic grand piano not only in sound, which was recorded from the Yamaha CFIIIS 9-foot concert grand, but also in the touch of the keys. Like an acoustic piano, the lower keys of the Yamaha DGX 660 keyboard require a heavier touch while the higher keys require a lighter touch.
Unlike an acoustic piano, however, this digital piano allows you to select which kind of piano you will play and in what sort of room, changing the effects accordingly. In addition, it has not only the exciting ability to connect to a microphone, but it also offers band accompaniment, song recording, and even lessons.
Yamaha DGX 660 Digital Piano Specifications
- Width: 55 inches (139.7 centimeters)
- Height: 5.75 inches (14.61 centimeters)/30 inches (76.2 centimeters) with stand
- Depth: 17.5 inches (44.45 centimeters)
- Weight: 46 pounds 5 ounces/61 pounds 12 ounces with stand
- Keyboard: Graded Hammer Standard
- Keys: 88
- Key Size: Standard
- Key Style: Piano
Power, Connectivity, and Memory
- Power: AC adapter
- Connectivity: USB/MIDI
- USB Connectivity: 1 to device, 1 to host
- Headphone jacks: 1
- Pedal inputs: 1
- Microphone Jack: 1
- AUX Input: 1
- Automatic Shut-Off: Yes
- Internal Memory: 1.7 MB
- External Drive: USB Flash
- Tones: 151 plus 15 Drum/SFX Kits plus 388 XGLite
- Preset songs: 100
- Accompaniment styles: 205
- Music Database: 320
- One Touch Setting: Yes
- Smart Chord: Yes
- Style Recommender: Yes
- Polyphony: 192
- Damper Resonance: Yes
- Reverberation: 41 types
- Chorus: 44 types
- Intelligent Acoustic Control: Yes
- Panel Sustain: Yes
- Pitch Bend: Yes
- Tempo Control: Yes
- Other Functions: Dual, Split, Transpose, Tuning
- LCD Display: Yes
- Speakers: Yes
- Metronome: Yes
- Recording/Playback: Yes
- Lesson Guide: Yes
- AC adapter: Depends on area where sold
- Music Stand: Yes
- Stool: No
- Piano stand: Yes
- Warranty: 3 years, limited
|The sound of the Yamaha DGX 660 is as nearly authentic to an acoustic grand piano as possible. Careful sampling has reproduced the sound of one of Yamaha’s famous concert grand pianos. In addition, damper resonance mimics the complexity of the acoustic piano’s tone.||This piano has so many features that it is complicated to use. It requires much manipulation of the buttons to perform different actions. This could easily discourage some people from using it.|
|The graded hammer standard keyboard is ideal for teaching and learning piano. Its touch closely mimics that of an acoustic piano, which helps to properly develop muscles and technique while playing.||In spite of all its features, it does not have a sampling feature. While this may seem a minor point, such a gap could be viewed as a defect, as some competitors do have this feature.|
|The Yamaha DGX 660 is perfect for singing along with. After attaching a microphone to the piano through the designated jack, you can adjust the settings of the microphone and choose a performance situation.||The Yamaha DGX 660 digital piano may or may not come with a power cord, depending on the seller’s location. The necessity for an extra purchase can be frustrating and may deter some purchasers from choosing this particular piano.|
|The ability to store recorded songs on a USB flash drive allows the creation of a large library of recordings as well as eases transfer to a computer.|
Most users were thrilled with the Yamaha DGX 660. They praised the sound as authentic and rich and the touch of the keys as perfect. Users also appreciated the clarity and strength of the speakers. As for the features, several people remarked positively on the versatility of the instrument and said they enjoyed using its different functions.
On the other hand, though pleased with all the features and options this digital piano offers, several users commented that it was difficult to master the use of them. Some users in particular pointed out how complicated this instrument is and objected to how many buttons it is necessary to push in order to perform simple functions. A number of people objected to the sound the keys themselves make when depressed, and a few labeled some of the notes as “tinny.”
Playing the Yamaha DGX 660 digital piano is an experience full of possibilities. In this video, Yamaha showcases all that its instrument can do.
The Yamaha DGX 660 digital piano is a beautiful and versatile instrument which any level of musician can enjoy. If you are familiar with this piano or have any reflections on our observations, please share your thoughts and insight with us below.
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The Cordoba Iberia Requinto 580 1/2 Size Classical Acoustic Guitar
is handmade with a solid cedar top and mahogany back and sides. The hand-inlaid all-natural wood rosette and Indian rosewood detailing distinguishes the Iberia Requinto 580 from other guitars in this price range. It is designed with the traditional 5-fan Torres style bracing to produce a rich Spanish sound in spite of its diminutive string length. Ideal for children learning how to play nylon string guitars.
The Requinto comes strung with high tension Savarez guitar strings, which are meant to be used in standard E tuning. Because the scale length of this guitar is slightly shorter than a full size guitar, the tension will be slightly lower than a full sized guitar as a result, but will still play very well in standard tuning. The Requinto can be tuned up as high as a minor third up to G standard tuning, which will increase the tension, but any tunings higher than this are not recommended, as the added stress of the higher string tension of these tunings will compromise the long term health of the instrument.CALIFORNIA PROPOSITION 65 WARNING
WARNING: Cancer and Reproductive Harm - www.P65Warnings.ca.gov.


A Jazzy Christmas Book 2 is the great follow up to the popularA Jazzy Christmas Book 1for solo Piano, containing a further 13 jazz arrangements of more of your favourite Christmas classics. This book is the next instalment in the s. Apr 26, 2013В В· Songs about Christmas Bells. Sign in now to see your channels and recommendations! Performed by Jefferson and Washington's 8th grade band 2007 winter concert About" The Bells Of Christmas" Digital sheet music for concert band, complete collection.
Based on traditional holiday favorites, but loaded with a creative mix of styles and treatments, here is an outstanding production number for winter concerts. Buy The Bells of Christmas (Additional Score ) a at jwpepper. com. Orchestra The bells of christmas band Music. The distinctive and creative style of Bob Krogstads arrangin.
Mr Christmas 1991 Santa's Marching Band 8 Musicians 16 Bells 35 Christmas Carols 5. 0 out of 5 stars - Mr Christmas 1991 Santa's Marching Band 8 Musicians 16 Bells 35. Nov 18, 2016В В· The fact that soldiers cannot play Jingle Bells on a banjo inside a church is absurd.
But the fact that soldiers are denied religious liberty is downright offensive. This masterful adaptation for band includes: Ding Dong! Merrily on High! ; Carol of the Bells; Silver Bells; I Heard the Bells on Christmas Day and Jingle Bells.
A string of 8 musicians turn and strike 16 different brass bells to play 35 different Christmas Carols in 4 part harmony. One of the band members is missing the little ball that makes bell ring but mu. Gary Hoey, arr. for Concert Band by Steve Hodges. Concert Band Conductor Score& Parts.
Carol of the Bells is a classic Christmas song that has been. The Bells Of Christmas - F Horn 4 Ted Ricketts Concert Band. Prints:. Arrangement Concert Band Publisher Hal Leonard; Length. Dec 20, 2011В В· SOUSA The Stars and Stripes Forever The President's Own" U. S. Marine Band - Duration: 4: 43. United States Marine Band 4, 678, 486 views Name That Christmas Carol. Name That Christmas Carol, which uses only 6 notes from concert.
Angels in the Bleak Midwinter (Band). The Bells of Christmas. A string of 8 musicians turn and strike 16 different brass bells to play 35 different Christmas Carols in 4 part harmony. One of the band members is missing the little ball that makes bell ring but mu. " I Heard the Bells on Christmas Day" is a Christmas carol based on the 1863 poem" Christmas Bells" by American poet Henry Wadsworth Longfellow. Tin Jingle Bells with Star Cutouts - Christmas Farmhouse Sleigh Bells.
Charmed large size Christmas star cutout jingle sleigh bell ornament 3" pack of 6 (Silver) by Charmed. Every bell band has 4 bells. Christmas Door Hangers - Set of 3 Jingle Bell Hangers - Red, Silver and Gold Finish - Christmas Decorations. by Banberry Designs. Buy The Bells of Christmas arr. Bob Krogstad at jwpepper. com. Orchestra Sheet Music. The distinctive and creative style of Bob Krogstads arranging is appar 5822 items. (Based on Ukrainian Bell Carol).
Composed by Robert Buckley. Hal Leonard Concert Band Series. Holiday, Christmas. Published by Hal Leonard. Shop the bells of christmas sheet music, music books, music scores& more at Sheet Music Plus, the World's Largest Selection of Sheet Music. The Bells Of Christmas: Ted Ricketts Based on traditional holiday favorites, but loaded with a creative mix of styles and treatments, here is an outstanding production number for winter concerts.
A list of the free Christmas. The Star Spangled Banner- Free Sheet Music For Band Inst. Jingle Bells- Free Sheet Music and Lyrics Free Christmas Sheet Music And. Stanton's offers sheet music for concert band, jazz, choral, vocal, piano, guitar tabs, methods, solos& ensembles. Sheet music downloads available online. While remaining within playable ranges, " The Bells of London" challenges young band students to switch keys.
This well-known song, dating back to seventeenth century England, musically mimics the sounds of several church bells" speaking" to each other. Big Band Christmas - Jingle Bells. by Big Band Christmas. Listen with Unlimited. or buy MP3 album for $9. 49. Jingle Bells (Dance Remix) by The Laurie Berkner Band. Listen with Unlimited. or buy MP3 album for $1. 29. Jingle Them Bells. by The University Of North Texas Symphonic Band.
Bells of Christmas. 147 likes В· 22 were here. Farm Market and Christmas Store. Proudly making live wreaths, roping, swags, and kissing balls for 5. The Bells Of Christmas sheet music - Full Orchestra sheet music by Bob Krogstad: Hal Leonard. Shop the World's Largest Sheet Music Selection today at Sheet Music Plus.
Arr. Michael Story. Concert Band Conductor Score& Parts. Subtitled Ding Dong! Merrily on High, this delightful holiday tune presents the melody by every section.
It is now strongly associated with Christmas because of its new lyrics, which reference bells, caroling, and the line" merry, merry, merry, merry Christmas".  Buy The Bells Of Christmas Sheet Music. Arranged by Krogstad/Ricketts. For Concert Band Sheet Music. Published by Hal Leonard Publishing Corp.
( ) Buy The Bells of Christmas by adpt. Ted Ricketts at jwpepper. com. Concert Band Sheet Music. Based on traditional holiday favorites, but loaded with a crea


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Q. Since the schools are not doing enough with music can you recommend any music classes in South OC? Many of them are so expensive, but I would love to have my daughter play piano and there is no way she is going to learn that in elementary school. She is young, almost kindergarten. Are there any classes around here for her?
A. I can highly recommend the Music Ed 4U program with Carol Clark. My two very young boys are taking piano with her and it is not expensive. She is great with the kids and her method of teaching is perfect for young children. She has a whole bunch of summer session specials beginning the last week of June through August. Give her a call at 949-246-5815 and tell her you heard about the program from my column.
Contact the writer: Do you have a question about your child’s education? Carol Veravanich is an experienced teacher and assistant principal who answers readers’ questions each week. Contact her at http://www.goasktheteacher.org or e-mail directly to email@example.com.


I've had Betas for 7 years. Set up according to the manual with no mods. They are very amplifier sensitive. Suggest Audio Research tube amps for the mid/twt columns and - believe it or not - QSC PLX 3002 for the bass. The QSC can be purchased for less than $1000 new at musical instrument dealers. It beat out Krell, Bryston, etc. by taking bloom out of the bass and adding "punch". 900 W/ch @ 4 ohms.
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This is a Virtual Sheet Music high-quality digital item that includes:
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"My first violin teacher, Aaron Sten, said, "Billy (I was10 years old), Some day you will play the Mendelssohn Concerto! And,only 70 years later, Teacher Caroline said, "Let's start working on the Mendelssohn next week!"..." [show more] About "Concerto in E minor"High-quality Digital sheet music for violin and piano, Op.64, New Edition, violin fingerings included.
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Cantique de Jean Racine was written in 1865 during Faure's final year at the Ecole Niedermeyer, winning him the first prize for composition, and this elegant work now holds a cherished place in the choral repertory for both sacred and secular occasions. Presented with an English singing translation in addition to the original French, John Rutter's edition includes an accompaniment for organ or piano, and the work may also be performed with thetranscription for harp and strings (available separately), compatible with the instrumentation for the OUP edition of the Faure Requiem in its 1893 version. Complete orchestral and vocal material is available on hire/rental and on sale. This arrangement for upper voices remains as faithful to the original aspossible.
Cantique de Jean Racine
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Dating acoustic guitars
Acoustic guitars are used in types of music ranging from classical to rock and roll, to bluegrass and folk. Nylon strings are typically used for classical and related styles of music.
Steel strings are typically used for most other styles.
It is usually played with a plectrum and sometimes with the fingers.
The sounds build up inside the guitar's body, going out through a sound hole.
A: All handmade Avalon’s are constructed using top quality solid timbers from around the world.
The Korean made Silver series had solid wood soundboards and laminated back and sides.
Since 1994, The Music Zoo has been a destination for musicians around New York City and on Long Island.
From 2007 Richard Thompson and Alex de Grassi Signature models.However, since production numbers were so very small in those days, the math is not all that difficult.Please select from the list below the design of your Lowden's label or Serial Number to find out more about your guitar. Down, Northern Ireland These guitars were built 1974 to 1980 in the very first workshop in Bangor, Northern Ireland by a hand picked and personally trained team of 4, under the direct supervision of George Lowden.A: Standard string height at the 12th fret is 2.4mm (Bass) and 1.8mm (Treble), measured from the top of the fret to the bottom of the string.Q: My Avalon guitar has a Lifetime Warranty, it needs a new set of strings, do you supply and fit them for free? Nice try but no, strings are not covered by the Limited Lifetime Warranty.
Q: I can feel the fret ends when playing my guitar, what has happened?


How The TMB Tone Stack Works
By Rob Robinette
The FMV or TMB (Fender/Marshall/Vox Treble Mid Bass) tone stack has been around since the 1950's and has become a staple with Fender and Marshall amps. When Marshall copied the Fender 5F6-A Bassman almost verbatim to create the JTM45 amplifier the Fender TMB tone stack came with it and it's still being designed into new amps today.
The 5F6-A Bassman and AB763 Blackface TMB Tone Stack
On this page I use the 5F6-A Bassman's tone stack but all the stack's component values can vary in other amps. To see how component values affect the tone stack's output you can use the Duncan Amps Tone Stack Calculator program discussed below.
The TMB tone stack is passive, meaning it can only remove frequencies, not boost them. The TMB stack is made up of several low and high pass audio filters that work together to work their magic. It's a relatively low impedance circuit (high load) so it works best when fed by a low impedance source such as a cathode follower like in the 5F6-A, JTM45 and many other amplifiers but it still works well when fed by a tube plate such as done in the AB763 blackface amps.
Part of what makes a Fender amp a Fender amp is the phase shift created in the Fender tone stack. When an audio signal flows through a capacitor there is a slight delay as the cap fills and drains. This delay is called "phase shift." The 5F6-A Bassman, blackface and silverface amps use a large .1uF bass cap that induces quite a bit of phase delay compared to the very small 250pF treble cap so lower frequencies are phase shifted more than high frequencies. The treble pot blends the treble and bass signals with their phase differences which generates harmonic and intermodulation distortion and creates the "Fender Shimmer". It's kind of like having two guitars, one playing mid and high frequencies and one playing mid and low frequencies but they are slightly off on their timing. It is also similar to having a built-in chorus pedal for mid frequencies. Maximum shimmer occurs around an equal treble and bass volume mix so think of the treble control as also being the "shimmer control". Play with it to create the famous Fender shimmering clean tone.
The seemingly simple TMB tone circuit is surprisingly complex due to the interactive nature of its four audio filters and phase shift distortion. I will attempt to describe how it works in the most simple way possible. We'll start with an overview of the tone stack then examine the Treble, Bass and Mid filters separately in detail.
The Fender 5F6-A Bassman Tone Stack
Guitar AC signal voltage enters the tone stack at upper left and flows through all three tone caps. Note the Bass Pot is wired as a variable resistor while the Treble and Mid Pots are wired as potentiometers. In typical amp circuits all three tone caps also function as coupling caps to prevent high voltage DC from flowing downstream.
Duncan Tone Stack Calculator Graph of 5F6-A Tone Stack
All three tone controls are set to their mid point. Note the mid scoop (dip in graph) at 500Hz. Fender used the mid scoop to compensate for typical guitar pickups which over emphasize mid frequencies.
The free Duncan Tone Stack Calculator program is a free, very cool and easy to use Windows program that will help you understand how interactive the tone controls really are. Not only can you move the tone pot sliders and see how the frequency response graph changes but you can also double-click any component in the schematic and change its value. For example you can double-click on the tone slope resistor and see what changing its value does to the slope of the frequency response graph. Resistor R5 is not part of the tone stack, it represents the downstream load. We use an output load of 1M (R5 at far right of the Duncan schematic above) to simulate the next gain stage 1M grid leak resistor. For the 5F6-A Bassman, which feeds the tone stack with a cathode follower, we use a Zsrc (source impedance shown at far left on schematic) of 1.3k. If you want to simulate a tone stack fed by a normal gain stage plate, such as in the AB763 blackface, then use a Zsrc from of 38k.
Table of Contents
Quick Audio Filter Review
An RC (resistance-capacitance) low pass filter has a resistor first followed by a capacitor connected to ground. A low pass filter allows low frequencies to pass but high frequencies are blocked. The TMB tone stack has only one low pass filter. A CR (capacitance-resistance) high pass filter has the capacitor first followed by a resistor connected to ground. A high pass filter allows high frequencies to pass but blocks low frequencies. The TMB tone stack has three high pass filters.
One low pass and three high pass filters make up the tone stack. Note how the bottom high pass filter formed by the Mid Cap + Mid Pot varies from 318Hz (Mid Pot at max) all the way up to infinity (Mid Pot at min). With an infinitely high cutoff frequency no audio frequencies will pass--they will all be blocked. Note the Tone Slope Resistor does not form a low pass filter with the Bass Cap because they are connected in series. The Tone Slope Resistor + Mid Cap form the only low pass filter.
The guitar audio signal enters at upper left and encounters the Treble cap and Tone Slope resistor. The Tone Slope Resistor works as a frequency divider with high frequencies passing around it to the Treble Cap and low and mid frequencies passing through it to the Bass and Mid Caps. A larger value Tone Stack resistor will pass fewer bass and mid frequencies so its value changes the balance or "slope" of the tone stack's frequency response.
The treble high pass filter made up of the Treble Cap + Treble Pot blocks frequencies below approximately 2400Hz and allow higher frequencies to pass. The high frequencies are sent to the top terminal of the Treble Pot. The bass and mid frequencies that pass through the bass and mid filters flow to the Treble Pot's lower terminal so the Treble Pot is a balance control that allows you to select between the high and low frequencies at its outside terminals.
The Tone Slope Resistor + Mid Cap low pass filter works with the bass and mid high pass filters formed by the Bass Cap + Bass Pot and the Mid Cap + Mid Pot to form band pass filters. Band pass filters remove frequencies above and below the desired band of frequencies. The bass and mid band pass filters are made up of a low pass filter that removes high frequencies and a high pass filter that removes bass & mid frequencies to leave a band of frequencies that pass through the tone stack.
The Tone Slope + Mid Cap low pass filter's cutoff frequency is a very low 80Hz so how do any mid frequencies pass on to the Treble Pot? The Mid Pot's resistance (below the wiper) comes after the low pass filter, which reduces the low pass filter's effectiveness so some mid & high frequencies pass through the filter and on to the Treble Pot.
The bass control's high pass filter cutoff frequency varies between 1.6Hz and 64Hz. With the Bass Pot full up the bass high pass filter only blocks frequencies below 1.6Hz so all guitar and bass frequencies get through. With the Bass Pot full down the filter blocks frequencies below 64Hz so low bass is filtered out.
The mid control's high pass filter cutoff frequency varies between 318Hz to infinitely high. With the Mid Pot full up the mid high pass filter only blocks frequencies below 318Hz. With the Mid Pot full down the mid filter blocks all frequencies.
The TMB tone stack will interact with a high impedance driving stage such as the plate of a 12AX7 as in Fender blackface amps. The TMB stack's high load (low impedance) loads down the guitar signal coming off the tube plate causing attenuation. In other words the TMB stack's low impedance is in parallel with the driving tube's plate load resistor which lowers gain.
The Treble Pot has high frequencies at its upper terminal and mid and low frequencies on the lower terminal. Turning the Treble Pot changes the balance between the two frequency groups.
The Treble Control
Treble Cap + (Treble Pot resistance of 250k + Mid Pot resistance) = high pass filter, so high frequencies flow across the top of the tone stack. Tone Slope Resistor + Mid Cap = low pass filter, so bass and mid frequencies flow through the Tone Slope Resistor and Bass Cap around to the Treble Pot.
The Treble Cap + Treble Pot high pass filter blocks frequencies below 2313Hz (with the Mid Pot at max) to 2548Hz (with the Mid Pot at minimum).
Turning the Treble Pot does not change the Treble Cap + Treble Pot high pass filter cutoff frequency because the Treble Pot's full 250k of resistance is always in the filter's path to ground--moving the Treble Pot's wiper does not change this. Turning the Treble Pot adjusts the balance between high frequencies on the top side of the Treble Pot and Bass & Mid frequencies on the bottom side of the pot.
As mentioned above, the tone stack's low pass filter cutoff frequency is a very low 80Hz but the Mid Pot's resistance below the wiper comes after the low pass filter, which reduces the low pass filter's effectiveness so some mid and high frequencies pass through the filter to the Treble Pot.
The Mid Pot's resistance below its wiper is added to the treble high pass filter's resistance. The treble high pass filter's resistance ranges from 250k with the Mid Pot set to minimum which gives a cutoff frequency of 2548Hz, to 275k ohms with the Mid Pot at Max and a cutoff frequency of 2313Hz.
The Bass Pot setting has no effect on the treble high pass filter cutoff frequency because the treble filter's path to ground can flow through the Bass and Mid Caps to flow around the Bass Pot.
The Tone Slope Resistor got its name because its resistance affects the balance between high frequencies that flow across the top of the tone stack and bass & mid frequencies that flow below through the rest of the tone stack. A smaller Tone Slope Resistor will tilt the frequency balance toward bass frequencies by reducing treble and increasing bass. A larger resistor will tilt it toward high freqs and less bass. A larger Tone Slope Resistor will also reduce the Tone Stack's load (raise its impedance). That's one of the reasons the Fender blackface amps use a 100k Tone Slope resistor.
The Bass Control
Slope Resistor + Mid Cap = low pass filter, so bass and mid frequencies flow on to the Bass Cap. Bass Cap + (Bass Pot + Mid Pot 25K resistance) = high pass filter, so the Bass Pot blocks low frequencies.
By filtering the guitar audio through a low pass filter followed by a high pass filter (Bass control) a variable band pass filter is created that only affects bass frequencies.
With the bass high pass filter's resistance of 1M Bass Pot + Mid Pot 25K = 1.025M with the Bass Pot at max gives a cutoff frequency of 1.6Hz.
With the bass high pass filter's resistance of 0 Bass Pot + Mid Pot 25K = 25K with the Bass Pot at minimum gives a cutoff frequency of 64Hz.
As mentioned above, the tone stack's low pass filter cutoff frequency is a very low 80Hz but the Mid Pot's resistance below the wiper comes after the low pass filter, which reduces the low pass filter's effectiveness so some mid and high frequencies pass through the filter to the Bass Cap.
The Bass Pot has no effect when the Mid and Treble Pots are full down.
The Mid Control
The Tone Slope Resistor + Mid Cap low pass filter passes bass and mid frequencies to the Mid Cap. The Mid Cap + Mid Pot resistance = high pass filter. The combination of the low pass and high pass filters creates a band pass filter so only mid freqs make it through.
The Mid Pot is a band pass filter that functions like a mid frequency volume control. At higher Mid Pot settings the control acts as a simple high pass filter which blocks low freqs but allows mid freqs through. As you turn down the Mid Pot, the mid filter's cutoff frequency increases. The cutoff frequency runs from 64Hz with the Mid Pot at max to infinitely high with the Mid Pot full down.
A high pass filter with an infinitely high cutoff frequency blocks all frequencies so no audio will pass.
As mentioned previously, the tone stack's low pass filter cutoff frequency is a very low 80Hz but the Mid Pot's resistance below the wiper comes after the low pass filter, which reduces the low pass filter's effectiveness so some mid and high frequencies pass through the filter. But dial the Mid Pot full down and the Tone Slope + Mid Cap's low pass filter really does cut off all frequencies above 142Hz so only low bass frequencies make it to the lower side of the Treble Pot.
In some amps the Mid Pot is replaced by a simple resistor with a typical value of 6.8k. In the AB763 blackface amps Fender used either a 6.8k resistor or a 10KA (audio or log) Mid Pot wired as a variable resistor (with input and wiper terminals jumpered). A quirk of wiring the Mid Pot as a variable resistor causes a complete dropout of the guitar signal when all three tone controls are turned full down.
All of the tone stack filters use the Mid Pot ground connection as their ground so if you disconnect the Mid Pot's ground then impedance goes to infinity, all filtering of the tone stack stops and the tone stack load disappears which gives a large jump in gain. This is how a "Raw Switch or Tone Cut" works. It breaks the tone stack's ground connection so all, unfiltered guitar audio flows out the Treble Pot wiper. The Raw Switch can also be replaced by a 100KA pot wired as a variable resistor for a "Raw Control" for a variable tone stack cut--more Raw Pot resistance = less tone stack, higher impedance, less load and less signal loss. Less Raw Pot resistance = more filtering, lower impedance, more load and more signal loss. My preferred option is to change the Mid Pot to a 100KA (audio taper) pot which will function as a Mid/Raw Pot. At higher settings all filtering is reduced for less load, less signal loss, more gain and a more "tweed-like" flat frequency response.
Tone Stack Phase Shift & Fender Shimmer
The following by Tim Breeden is a very good overview of how the Fender tone stack and its large .1uF bass cap cause frequency dependent phase shift which causes "the Fender Shimmer." When an AC audio signal enters a capacitor there is a slight delay as the cap fills and drains. This delay is called "phase shift". The larger the cap value the more delay so in the tone stack bass frequencies are phase shifted more than treble frequencies. Fender Shimmer is caused by this differing phase shift between treble (goes through a tiny 250pF treble cap) and bass (goes through large .1uF cap). The shimmer occurs where the treble and bass frequencies overlap--the mid highs to mid lows. The treble control acts as a mixer for the treble and bass and maximum shimmer will occur near the treble control mid point when bass and treble are most balanced. The effect is similar to two guitars playing, one playing treble and one playing bass and they are slightly out of time which creates a nice, fat mid frequency tone. As guitar notes decay their harmonic overtones cause varying amounts of phase shift which causes the actual wavering "shimmer" effect.
By Tim Breeden
I read a lot of articles about tone stacks that are centered around the frequency response of the circuit and how to trick it out. Unfortunately, it is one of the most misunderstood circuits out there and these articles only deal with half of the story. Almost any other tone circuit out there can outperform the tone stack in terms of quality of signal and band control. The Fender Tone Stack is unique because of the special effect it creates, the Fender Shimmer. And it does this through specialized, intentional, phase distortion.
The Fender tone stack revolutionized the tone of electric guitars. Leo had been experimenting with various tone controls throughout the 1950s. When he came across the tone stack circuit, he found the magic spark that created the Fender shimmer and everybody copied him. The shimmer is a blending of tones from the treble control, creating the effect of two guitars playing, one up high and one down low, through the midrange. When the note decays, it interpolates the harmonics from the two signals with additions and subtractions of phase interaction: the shimmer. It only occurs where the bass and treble capacitor frequency response overlaps at equal volumes.
The tone stack capacitors and slope resistor control the characteristics of the shimmer, its center point, maximum width and bandwidth as well as normal tone functions. A .02uF bass cap such as the one found in the Fender Blues Junior will not have as much shimmer as the Fender blackface AB763 standard .1uF, as it doesn't have as much phase delay. A change in the slope resistor will change the amount of bass but also shift the Shimmer to a different center point almost a full octave higher. It may also narrow the frequency overlap and reduce shimmer intensity.
The tone stack calculators found online do not account for or describe phase interactions yet it is the most important feature of that circuit. Most other tone circuits try to minimize phase shift and interaction but the Fender tone stack shimmer celebrates it. Take a closer look at your mods to ensure you don't chase it away.
The greater the difference in capacitance between the treble and bass caps, the greater the shimmer. The 5F6-A tweed Bassman and Blackface AB763 tone stacks with their large .1uF bass caps, tiny 250pF treble caps and 100k tone slope resistors seem to work best at maximizing the shimmer effect. A lower 56k tone slope resistor raises the point of maximum shimmer a full octave. AB763 tone stack Fender Shimmer is one of the main reasons blackface amps are considered the high water mark of Fender amps. The shimmer added the missing ingredient needed to make the then new solid body electric guitar sound its best.
Note: The original 5F6-A tweed Bassman schematic and layout show a small .02uF bass cap and 56k tone slope resistor. Every real tweed Bassman I have seen actually came with a .1uF bass cap and 100k tone slope resistor--just like the blackface AB763. Even Fender's modern Bassman reissues have these tone stack values. This implies that Leo Fender discovered the Fender Shimmer during the development of the Bassman and changed its tone stack after the schematic and layout were created. He may have intentionally left the incorrect component values in the amp documentation to prevent someone (Marshall) from stealing the shimmer. When Marshall copied the 5F6-A Bassman to create the JTM-45 he did in fact copy the schematic's small .02uF bass cap value (suckah!). He also changed the tone slope resistor to a very low 33k. The lower bass cap and tone slope values reduce shimmer and move it almost two octaves higher in frequency than the AB763 tone stack.
Mid Pot Wired as Potentiometer or Variable Resistor?
The TMB tone stack's Mid Pot can be wired as a potentiometer as in the 5F6-A Bassman or as a variable resistor (with input and wiper terminals jumpered together) as they are in the Fender AB763 blackface amps. The difference is subtle but wiring the Mid Pot as a potentiometer shows the treble and bass high pass filters a resistance to ground that does not vary as you adjust the Mid Pot so there is less interaction between the tone controls.
With the Mid Pot wired as a variable resistor treble frequencies drop off more when the mid control is turned down. When the Bass Pot is turned down the mid control will also cut bass frequencies as it is turned down. With the Mid Pot wired as a variable resistor a complete dropout of the guitar signal occurs when all three tone controls are turned full down.
Mid Control Wired as Potentiometer
Bass and Mid pots set to minimum. Note the Mid Pot, R4 at bottom center of the schematic wired as a potentiometer.
Mid Control Wired as Variable Resistor
With the Mid and Bass Pots both full down high frequencies are 4dB lower and bass frequencies are severely cut.
Annotated 5F6-A Schematic With Signal Flow and Component Function
Note the TMB Tone Stack at the center of the schematic. Guitar signal path shown in yellow. What do all those parts do? Click on the graphic to see the full size and readable schematic. Note: Production 5F6-A Bassman amps left the factory with a 100k tone slope resistor and .1uF bass cap even though the schematic and layout show 56k and .02uF.
Four terminal strip terminals to support the components. A Raw control or switch would be inserted between the Middle pot and the ground terminal.
The Middle pot has been replaced with a 6.8K resistor.
The James (or passive Baxandall) Treble/Bass tone stack allows more control with less quirks than the Fender/Marshall/Vox TMB tone stack. Unlike the Fender tone stack you can achieve a mid hump by setting the treble and bass controls low. The Baxandall does not generate the TMB "Fender Shimmer" effect. More info on the Baxandall circuit here.
Duncan Tone Stack Calculator Graph of Baxandall
Flat frequency response with no mid scoop with bass and treble set to 5. Turn up the bass and treble for a traditional "mid scoop," turn down the bass and treble for a "mid hump." Tone stack input is at Zsrc (source impedance) on the left of the schematic, output is at "Out" at lower-center-right. Guitar open E string is 82Hz, two lines to the left of 100Hz on the bottom of the graph. Resistor R5 is not part of the tone stack, it represents the downstream load.
The passive Baxandall or James tone stack acts very differently than the Fender TMB tone stack. With the treble and bass controls set to mid resistance you get an almost perfectly flat frequency response. You can even get a "mid hump" emphasizing mid frequencies that is impossible with the Fender tone stack. The two tone controls have almost no interaction with one another which is another big difference from the Fender tone stack.
The Baxandall tone stack cannot act as a coupling cap as the Fender tone stack does so you must put a coupling cap between a tube plate and the Baxandall input to keep high voltage out of the tone pots. You can feed this tone stack from a tube plate (38k typical impedance) or a cathode follower (1.3k typical) with little effect on the circuit. I do not recommend replacing a Fender/Marshall/Vox tone stack with a James/Baxandall tone stack because it does not generate "Fender Shimmer." The component values shown on this page are from an Ampeg guitar amp with a center frequency around 400Hz. The Baxandall is an excellent tone control for stereo audio amps but different component values are needed to move the center frequency up to 1,000Hz.
A Raw control or switch can be inserted to effectively remove the tone circuit from the amp. When you remove the circuit's ground all the tone shaping and circuit load disappear and you get a flat frequency response and huge 22dB jump in output. If you want to reduce the volume jump from normal to raw you can place a resistor between the bottom left and mid left switch terminals. A resistor value between 2.7k (small volume change when switching) to 1M (big volume change) can be used. You can also use any DPDT switch for the raw switch.
By Rob Robinette
RCA Corporation, RCA Receiving Tube Manual, RC30.
Merlin Blencowe, Designing Tube Preamps for Guitar and Bass, 2nd Edition.
Merlin Blencowe, Designing High-Fidelity Tube Preamps
Morgan Jones, Valve Amplifiers, 4th Edition.
Richard Kuehnel, Circuit Analysis of a Legendary Tube Amplifier: The Fender Bassman 5F6-A, 3rd Edition.
Richard Kuehnel, Vacuum Tube Circuit Design: Guitar Amplifier Preamps, 2nd Edition.
Richard Kuehnel, Vacuum Tube Circuit Design: Guitar Amplifier Power Amps
Robert C. Megantz, Design and Construction of Tube Guitar Amplifiers
Neumann & Irving, Guitar Amplifier Overdrive, A Visual Tour It's fairly technical but it's the only book written specifically about guitar amplifier overdrive. It includes many graphs to help make the material easier to understand.


Old Shady Grady debuted on Uzuri back in 2015, and for this second release, he/she hooks up with the equally obtuse Neighbourhood Character. What follows are tracks composed for late night sessions. "The Queen of Bubbles" sets the tone with wonderfully cinematic keys and a low-tempo, complex rhythm. On "Of Two Minds", a similarly offbeat aesthetic prevails, with the mysterious pair integrating hypnotic bells and a dirgey undercurrent. The tempo picks up on "Fig Jam" as stepping drums provide a dance floor focus of sorts, but this remains a home listening affair as the dreamy, vocal-sampling tones of "Woman's Heels" so effortlessly demonstrates.
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Old Shady Grady & The Neighbourhood CharacterOff Minor
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What kind of strings come on my Sterling by Music Man guitar and bass?
We proudly use Ernie Ball strings for the best tone!
Guitars use 9-42 or 10-46 sets. The very first shipments used 9-42 sets. We made a running change and upped the gauges to 10-46 for better tone and consistent set ups.
4 string basses use .045, .065, .080, .100
5 string basses use .045, .065, .080, .100, .130
How do I adjust the neck/truss rod?
Sterling by Music Man instruments use a spoke style wheel adjustment which is located at the end of the neck (where it meets the body). Any skinny metal stick (screwdriver, allen key) will fit into the holes and turn the spoke wheel to the desired position. This is the same style that the Music Man instruments use and does not require a specialized tool to adjust the truss rod. We provide each instrument with a chrome truss rod adjuster.
Have an instrument in need of service? What is the best thing to do?
Contact us at 714-532-6657 or by email Sterling By Music Man Service Center to obtain a Return Authorization number. We can also provide some assistance by phone or email, but if your instrument does require service you will need to ship it to us with all freight costs prepaid to:
Praxis Musical Instruments Inc.
1850 W. Collins Ave
Orange, CA 92867
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