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Nux Cerberus Multi Function Effects
Cerberus is a multi-function effect pedal which can be used standalone or with the 4 cable method and comes packed with extraordinary features including inside routing, IR loader, analog overdrive & distortion and digital effects NUX Ceberus Official Link
NUX DS-3 Distortion
- NUX DS-3 is an analog distortion pedal perfect for classic rock and heavy blues.
- Vintage brown sound, warm but wild, if you like Eddie Van Halen, get it !
- Level, Gain and Tone knob help you adjust your favorate tone easily
- High gain and large adjustability rang, suit for various music styles
- 9V DC power supply adapter ( negtive inside ,not included) or battery
NUX MG-20 Modeling Processor
MG-20 is the floor guitar processor with 32bit float point DSP equipped and True Simulation of Analog Circuits (TSAC) technology. Up to 60 models, 60's looper, sample-based drum machine and MP3/WAV player, sophisticated user interface and big colorful LCD display, MG-20 is the pro solution for guitarist who wants to nice tone and function. The multi-purpose CTL pedal allows you to switch effects on and off, boost volume for solo, TAP the delay time and modulation speed, or play/stop backing track! With an extensional pedal and the built-in Expression pedal, you are going to have superb control on stage! Lots of possibilities! With the USB port, you are able to update the system and edit tone on your computer!
- A total of 55 models; Up to 8 can be used simultaneously.
- 13 classic amp models with true simulation of analog circuit(TSAC)technology.
- Vintage 3-band passive EQ modeling for every amp model.
- 6-band graphic EQ designed specifically for electric guitar. (100Hz,200Hz,400Hz,800Hz,1.6kHz,3.2kHz)
- 12 cabinet models provided.
- The time of presets switching is seamless and quick.
- Built-in drum machine with CD quality PCM sounds.
- 56 drum patterns including rock, pop, funk, jazz etc, and metronome.
- Up to 70 seconds phrase loop with sound on soundadds more playability.
- Loop sound can be played with drum machine's rhythm beat synchronously.
- The AUX IN jack makes it easy to practice alone with MP3, CDs and other inputs.
- Large color TFT LCD panel (160x128), graphic interface making the overall operation easy and intuitive.
- A total of 72 presets, 36 factory+36 user presets.
- New generation 32-bit DSP, high performance 24Bit 44.1kHz AD/DA converter.
- Runs on batteries and AC adaptor. Six AA/LR6 alkaline batteries can be continuous used for 8 hours.
Zoom G5 Multi-FX Pedal
- An all-in-one guitar effects and amplifier modeling pedal you can use to get any tone you need, anywhere
- A perfect live multi-effects rig for any guitarist who needs to cover a lot of musical ground
- Powerful multi-effects DSP engine lets you play with up to nine effects at once, including amplifier modeling
- Intuitive layout with 4 x large LCD screens and streamlined 3-knob controls sections provide pedalboard-style simplicity
- Straightforward user interface makes creating, saving and rearranging your own effect chains a breeze
- Footswitchable Tube Booster section lets you saturate your tone with the sound of a genuine 12AX7 preamp tube
- Z-pedal expressing adds left and right foot controls, allowing you to manipulate up to 3 parameters at once
- Includes 20 effects specifically designed to take full advantage of the Z-pedal's 3-axis control
- Advanced DSP and tube emulation technology provide added realism to the feel, response, and sound of the G5's effects
- 22 x super-real amp models provide you with everything from vintage British models to cutting-edge Californian high-gain monsters
- Each amp model includes its own distinct cabinet model you can use to alter its tone
- Pick and choose the amplifier and cabinet models you like and design your own custom digital rig
- Amp models are great for both live performance and studio recording
- Loaded with 123 world-renowned stompbox effects, including some of the world's most popular guitar pedals and rack-mounted processors
- Effects includes distortion, compression, modulation, delay, an amazing HD reverb, and much more
- Store up to 297 (99 banks x 3 patches) of your original creations
- ZFX-IV DSP effects processor uses 32-bit floating-point processing to produce amplifier sounds that are extremely realistic
- Looper function with 60-second phrase recording and infinite sound-on-sound overdubbing
- Built-in drum machine lets you choose from over 40 different rhythm patterns, including 4, 8 and 16-beat, shuffle and many others
- Tap key makes it easy to set tempo and start a jam session anytime
- USB audio interface connection lets you record with your DAW software
- Included Steinberg Cubase LE recording software lets you create original music on your Mac or PC
- Direct monitoring capability eliminates latency issues, making DAW recording easy and headache free
- Balanced XLR output lets you connect directly to live mixing boards or your studio recording equipment
- Brightly back-lit built-in tuner provides easy tuning on any stage
- Amazing 1.6ms patch change speed ensures that you will never miss a beat
- Add an additional optional expression pedal and footswitch for even more performance flexibility
- Free Edit&Share software for Mac/PC lets you create, edit, save, and share your own effects settings with a wide network of other G5 users
Behringer DR400 Digital Reverb/Delay
- 24-bit stereo reverbs and delays in a single pedal
- Stereo output for feeding your signal to two amplifiers
- Use reverb and delay by themselves or together
- Delay times go from 32ms to 2000ms
- Reverb types include small room, big room, concert hall, and plate reverb
- Status LED tells you when the pedal is in use
- Powered by a 9V battery or DC adapter
Behringer DD400 Digital Delay
- Mode, Time, Feedback and Level controls
- 24-bit high-resolution stereo delay/echo
- Delay time up to 1.3 seconds
- Tap tempo feature
- Blue status LED for On/Off and battery check
- First-class electronic On/Off switch
- Exceptionally rugged construction ensures long life
Behringer DD600 Digital Delay
- 11 modes—comparable to state-of-the-art studio processors
- Real Sound Modeling (RSM) combines state-of-the-art DSP technology with sophisticated algorithms to emulate real acoustic environments
- 24-bit high-resolution stereo delay/echo/panning with delay time up to 2 s
- Dedicated Mode, Delay Time, Feedback and Level controls
- Status LED for effect on/off and battery check
- Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included)
- First-class electronic On/Off switch for highest signal integrity in bypass mode
- High-quality components and exceptionally rugged construction
Behringer V-Amp Pro Guitar Multi Effects Processor
- 100 MIPS DSP for amazing subtlety of tone
- 32 classic and modern amp styles
- 15 cab simulations
- 16 editable high-end stereo effects including noise gate, compressor, wah-wah, modulation effects, delay, and reverb
- 125 memory locations divided into 25 banks of 5 presets each
- 15 rear-panel connections allow comprehensive routing and suit virtually every conceivable application
- Additional unparalleled authentic cabinet simulation with sound design by Juergen Rath
- Stereo headphone output with adjustable volume
- Adjustable chromatic tuner
- Internal power supply
- MIDI implementation
- Adjustable aux stereo
- Intuitive interface with lighted dials
- Editable with SoundDiver


The DD1PLUS Electronic Drum Kit is a full featured electronic kit #44; ready to play right out of the box. A great first electronic kit #44; the DD1PLUS comes complete with ddrum #39s DD1M Module that has 30 editable onboard kits so that you can go from a hard rock groove to a Caribbean beat or a custom groove with a simple push of a button.
- Finish: Black With Red Appointments
- Kit Configuration: Ride and Crash Cymbal Pads High Hat Pad w/Controller (4) Single Zone Pads Bass Drum Pad With Stand Bass drum pedal included
- Specs (Other) DDRUM Sound Module with Aux In Includes Rack System Cable Harness Dual Line Out (9) Inputs Midi Out Reverb, Gain, 30 Stock Kits 215 Total sounds 50 Play along songs 20 Pre set kits 10 user kits DD1 rack is rock solid with high grade components. We have (9) inputs, 1/4", midi out, aux in/out, (30) on board kits, gain and reverb control, high hat controller, and bass drum pedal included. Includes the cable harness as well. Full color carton, retail ready, and the red/black look of the kit helps you sell it. It visually POPS on the floor. Perfect for the smaller church market.


Known as DJ Double D, Denis Doric has been mixing it up since 2001. Has appeared several times throughout clubs in DC and VA Beach, as well as Southern Florida. Has traditionally been mixing Hip Hop/Rap, Techno/Trance, Rock and Top40.
DJ Dub D (Denis Doric) offers the following services
DJs / Disc Jockeys, Karaoke, DJ Services, Master of Ceremonies, Video Dance Party, Wedding DJ
DJ Dub D (Denis Doric) is available for the following events
Cities Served by DJ Dub D (Denis Doric)
People who searched for DJs / Disc Jockeys also searched the following categories:
Master of Ceremonies, Mobile Music Entertainment, Video Dance Party, Karaoke, Lip-Sync, DJ, Wedding DJ, DiscJockeys


Enjoy Sunday brunch and live jazz music with friends of the Brookline Arts Center, as we celebrate another successful Crafts Showcase and honor former Board President Carol Hall with our Art Treasures Award. Food will be provided by local Brookline-area restaurants and businesses, and BAC instructor and jazz musician Tom Pendergast will be performing.
After brunch, stick around to view this year's Crafts Showcase, a sale of handmade crafts made by artists all over the country--a great way to find unique gifts for the holidays. Money raised by art sales wil help to support art classes, scholarships and cultural events at the Brookline Arts Center.
Tickets to the Jazz Brunch are $35 in advance, $40 at the door. Call the BAC at 617-566-5715 to purchase tickets ahead of time.
Added by bacbrookline on October 23, 2006


Organisers of The UK Drum Show are thrilled to welcome Canadian drum builders Ebenor for 2023, complimenting new and returning exhibitors to the UK’s largest drum gathering at the ACC Liverpool.
EBENOR PERCUSSION, is a daring and passionate drum company, manufacturing beautiful and very unique drums in Saint-Sebastian-de-Frontenac, Quebec, Canada.
Growing up, company Artisan and founder William Leclerc, had a dream of one day owning his own company manufacturing drums, and in September of 2014, he officially launched Ebenor Percussion, making his dreams come true!
EBNEOR PERCUSSION specializes in high-end drum manufacturing, using premium materials, like apple wood, copper, brass, cast bonze and aluminum, striving to source raw materials from only local Canadian Suppliers. All of their Ebenor signature brass lugs ans bronze hoops are 100% manufactured in their humble shop.
As creators of unique sounds, Leclerc sees EBENOR’S role, as one of bringing a higher level of musical experience of their clients, according to their personal sound identity and desire.
Check out Todd Sucherman playing his Noranda copper snare.
For further information on Ebenor visit www.ebenorpercussion.com


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Wedding DJs in Beaconsfield, QC
What's a wedding reception without some music? The first dance, father/daughter, mother/son, and dollar dances are all fairly traditional elements of most wedding receptions. And a professional wedding DJ is just what you need for those special moments. Wedding DJs provide all of your favorite hits and get your guests out on the dance floor to kick your heels up and SHOUT! So if you want to get a little bit louder now, book the best wedding DJ on GigSalad for an unforgettable wedding reception. Search for Wedding DJs in Beaconsfield, Quebec above.
Please note that these Wedding DJs may also travel to Baie-d'urfe, Senneville, L'ile-perrot, Isle-perrot, Sainte-Anne-des-Plaines, Sainte-Genevieve, Sainte-geneviève-de-pierrefonds, Pierrefonds, LIle-Bizard, LIle-Perrot, Pincourt, Terrasse-Vaudreuil, Pointe-Calumet, Roxboro, Les Cedres, Roxboro, Dorion-vaudreuil, Notre-Dame-de-lIle-Perrot, Point Claire, Point Claire, De Lery, Derval, Pointe-des-Cascades, Lery, Melocheville, Châteauguay-centre, Sainte-dorothée, La Trappe, Laval-ouest, and Saint-Joseph-du-Lac.


The steel-string guitarist will perform his flat-picking style of bluegrass and old-time melodies and rhythms from the ’30s — made famous in the ’60s by Doc Watson and Clarence White — at 7:30 p.m. Wednesday, Jan. 16, in Headwaters Hall at the GEOS Institute, 84 Fourth St., Ashland.
Advance tickets cost $18 and are available at Music Coop. Tickets will cost $20 at the door; $10 for ages 12 through 18. Kids 11 and younger get in free, space permitting. Call 541-488-0679 or email email@example.com.


HEN OGLEDD - Hen Ogledd
"The story of Hen Ogledd (Welsh for Old North), one of Britain's more colorful and unusually unpredictable contemporary bands, begins with this duo recording of Richard Dawson and Rhodri Davies, first released in 2013 on an LP in an edition of 250 copies by the Alt.vinyl imprint. This Streamline edition is its first-ever CD release. Hailing from Newcastle, Richard Dawson should not need any introduction, as he has made his name with numerous solo and collaborative outings, while Welshman Rhodri Davies, known for his involvement with the British school of reductionist free improvisation, has collaborated with and performed for a great number of improvisers and composers. Guitar playing singer/songwriter Dawson met with Davies (who is featured here on pedal harp, amplified lap harp, electric harp, percussion and electronics) to produce these five pieces of heavily distorted improvisation that veer refreshingly away from any academic background one might expect at such an encounter. Instead, we find a highly energetic blend of lo-fi rock, improvisation and imaginary folklore that suggests jam sessions between Captain Beefheart's legendary Magic Band and Northern English noise champions The New Blockaders. While this analogy does not seem fully satisfactory and one struggles for words for an appropriate reference, the uniqueness of Hen Ogledd becomes apparent once again. The fact that Hen Ogledd has already become its own best reference here should speak for itself. Hen Ogledd has been remastered for CD from the original source recordings by Jim O'Rourke and is presented in mini-LP sleeves replicating the original LP artwork." - Streamline.
- Regular price $15.00


Guitar Lesson Deals in Orange County
While endlessly playing "Twinkle Twinkle" on the piano and singing rounds of "Row, Row, Row Your Boat" once charmed your child, perhaps it's time to expand his or her repertoire with today's deal from The Music Abode: Pay $39 for four 30-minute private music lessons (a $115 value). Bring the joy of music into your home with lessons in piano, guitar, drums, or voice. These lessons are an enriching after-school activity for kids as young as 3 years old, and each session is taught by a knowledgeable, professional music instructor at The Music Hall in Anaheim. During each positive, encouraging, one-on-one lesson, your child will learn how to read music, play by ear, strum chords, or belt out a tune -- and don't worry, you can still sing along in a round.
The Fine Print
Limit 1 per customer, additional as gifts • Limit 1 per student • Reservations required and subject to availability • Merchant cancellation/re-scheduling policy of 24 hours applies; voucher subject to forfeiture • Valid for ages 4+ • All classes must be redeemed by same customer
At Orange County Music School -- which is steeped in European tradition -- award-winning instructors teach budding stars ages 4 and up the key notes of rhythm, harmony, theory, and performance, setting your youngsters up for true achievement and success: • $29 ($60 value) for two 30-minute private music classes • $39 ($80 value) for four 60-minute group music classses • Instruction is available in piano, violin, voice, and guitar for all ability levels "My daughter has been taking lesson since July 2012, and I am amazed at how much she has learned in just a short amount of time. I am even more surprised how much she looks forward to lessons." - Proud Parent Orange County Music School's Website


Ultra-compact, Super-accurate Tuning!
It's easy to get into perfect tune, with Korg's ultra-compact Pitchjack. This great little tuner plugs right into your instrument's output jack, so you get the ultimate in convenience. The Pitchjack is also small enough to keep on your keyring! But don't let the handy size fool you; this is a very accurate, fully featured tuner that works on guitars and basses. In fact, you can even tune 7-string guitars and up to 6-string basses! You also get a flat tuning mode. An integrated flashlight makes the Pitchjack a must-have for dark stages.Korg Pitchjack Compact Chromatic Tuner Features:
- A guitar and bass tuner that plugs directly into your instrument jack
- Flat tuning mode allows for tuning seven semitones below original pitch
- Tunes 7-string guitars and 6-string basses
- Simple and portable design that you can attach to your keychain or fit in your pocket
- LED flashlight for onstage illumination
Korg's Pitchjack tuner plugs straight into your guitar and gets you in tune quickly and easily!
|Reference Pitch||A4 - 440Hz|
|Tuning Range||B1 to B6 (guitar), B0 to B5 (bass)|
|Power Supply Included||Battery Included|
|Batteries||1 x CR2032|
|Inputs||1 x 1/4" phono plug for direct connection to guitar or bass|
|Manufacturer Part Number||GB1BK|


A Motown Christmas Returns To Fox Cities P.A.C.
A Motown Christmas celebrates the holiday season in a family-oriented spectacular at the Fox Cities Performing Arts Center on Saturday, December 21 at 7:30 p.m.
Tickets for A Motown Christmas start at $39 and go on sale Thursday, September 19 at 10 a.m. Tickets can be purchased at the Fox Cities P.A.C. ticket office in person, or through Ticketmaster online or by phone at (800) 982-2787. Additional fees may apply. Performance schedule, prices and cast are subject to change without notice.
A Motown Christmas features a world-class vocal group assembled from past and present members of three of Motown's most legendary groups: The Temptations, The Miracles and The Capitols. A Motown Christmas is a powerful show combining Motown's greatest hits with everyone's favorite holiday classics. The show features the trademark dazzling choreography, and unforgettable harmonies all performed in that memorable, soulful Motown style.
The group features Dave Finley a veteran of more than 25 years performing with Smokey Robinson and The Miracles: Charles Franklin formerly with Ali Woodson's Temptations; Doug Gaddy, also formerly of Ali Woodson's Temptations and The Dramatics and George Wilson, an original member of The Capitols who performed with the group for more than 20 years.
This is a return visit of the show to the Fox Cities is part of the groups' annual Holiday tour that includes performances in Maryland, Pennsylvania, Minnesota, Ohio and New York.
Over the course of their career, the Temptations have released four Billboard Hot 100 number-one singles and 14 Billboard R&B number-one singles. Their material has earned them three Grammy Awards. Like its "sister" female group, The Supremes, the Temptations' singer lineup has changed frequently over the years.*
The Miracles have charted over 50 Billboard hit singles between 1959 and 1978, including 26 Top Ten Billboard R&B Hits, with four R&B # 1's. Sixteen of their songs reached the Top Twenty of the Billboard Hot 100, with seven songs reaching the Top Ten, and two, 1970's "The Tears of A Clown" and 1975's "Love Machine", reaching number one, with a third song, "Shop Around", reaching #1 on the Cash Box magazine Top 100 pop chart .*
Formed in 1962, The Capitols went directly to the front of the R&B and Soul sounds with "Cool Jerk". Issued on Karen Records in the spring of 1966, "Cool Jerk" cracked the pop Top Ten and hit number two on the R&B charts and has made many best-of lists, including "100 Greatest Rock Bass Performances" (#70) and "VH1's 100 Greatest Dance Songs" (#48).
On stage with these performers is an orchestra is made up of seasoned musicians who have performed for hundreds of Motown, Nostalgia, Classic Rock and Doo Wop shows around the country. They have both live performance and recording credits with a veritable who's who of popular music artists from the 50's through the 70's.


|Publication number||US7423208 B2|
|Application number||US 11/837,931|
|Publication date||Sep 9, 2008|
|Filing date||Aug 13, 2007|
|Priority date||Jan 14, 2005|
|Also published as||US7256336, US20060156894, US20080022836|
|Publication number||11837931, 837931, US 7423208 B2, US 7423208B2, US-B2-7423208, US7423208 B2, US7423208B2|
|Inventors||Gary O. Muncy, James Norman Griffitts|
|Original Assignee||Muncy Gary O, James Norman Griffitts|
|Export Citation||BiBTeX, EndNote, RefMan|
|Patent Citations (60), Referenced by (1), Classifications (4), Legal Events (7)|
|External Links: USPTO, USPTO Assignment, Espacenet|
This Application is a divisional application of U.S. patent application Ser. No. 11/035,618, filed on Jan. 14, 2005.
1. Field of Invention
This invention relates to stringed instruments. More specifically, the present invention is related to a fretted stringed instrument and a method for mapping the desired location of string contact regions along the length of a fret of a stringed instrument.
2. Description of the Related Art
Fretted stringed musical instruments typically employ equal temperament tuning, equal temperament tuning being a system of musical tuning wherein the octave is divided into a series of equal steps. For example, conventional guitars utilize a twelve-tone equal temperament system wherein the twelfth fret defines the octave. The frets are typically perpendicularly disposed along the length of the fret board, and parallel to one another. The spacing of frets along the fret board is commonly calculated in accordance with a mathematical formula referred to as the “Rule of Eighteen”. Pursuant to the “Rule of Eighteen” as originally derived the vibrating length of the string (the length of the string between the points at which the string contacts the bridge and nut of the instrument) was divided by 18, with the quotient being the distance between the point at which the string initially contacts the nut and the apex or leading edge of the first fret, thereby determining the position of the first fret relative to the nut. The vibrating length of the string between the first fret and the bridge was then divided by 18 to determine the position of the second fret, with the positions of the remaining frets being determined in like manner. Subsequently, the “Rule of Eighteen” was refined to utilize 17.817 as the denominator rather than 18 (hereinafter referred to as the “modified Rule of Eighteen”). Whereas the modified “Rule of Eighteen” has been helpful in determining fret placement, and is utilized with respect to most conventional fretted instruments utilizing equal temperament tuning, it has long been recognized that the “Rule of Eighteen” is imprecise and does not provide perfect intonation of each string at each fret location. In this regard, the “Rule of Eighteen” does not take into consideration that strings are not under constant tension when a fretted stringed instrument is being played. By depressing a string, the tension on that string is increased which translates into a change in pitch, or sharpening, of the note being produced. Moreover, the amount of the increase in tension on the string increases as the fretted position gets closer to one of the structures supporting the string, i.e. the nut or the bridge. Accordingly, the pitch deviation are greater as notes are played farther from the octave, the octave being the twelfth fret where a twelve-tone equal temperament system is utilized.
Efforts have been made over the years to lessen the intonation deviations inherent in the use of the “Rule of Eighteen” system. For example, guitars and other fretted instruments have been provided with adjustable bridges, and/or adjustable nuts, which at least allow the vibrating length of individual strings to be positioned over the frets to minimize pitch deviations. E.g. U.S. Pat. No. 5,481,956. However, whereas adjustable bridges, and/or adjustable nuts, can be used to insure proper intonation at the octave or some other selected fret location, intonation deviations at other fret locations will remain due to the changing tension on the strings at other fret locations. It has long been recognized that these deviations can be compensated for by repositioning the fret along their length at individual string location. For example, early fretted instruments utilized gut string frets that were tied around the neck of the instrument and could be moved to fine tune the accuracy of the instrument. Of course, such individual adjustment of frets was difficult and the use of gut strings for frets impractical. More recently the use of frets which are angled or curved across the fret board, as opposed to traditional straight, perpendicularly disposed frets has been proposed. U.S. Pat. No. 6,069,306 discloses the repositioning of frets to compensate for intonation errors inherent in instruments utilizing fret boards constructed in accordance with the “Rule of Eighteen.” However, the resulting fret board is radically different from a traditional fret board with radically differing fingering positions for the various notes. As a result the proposed instrument is extremely difficult to play. In view of the above, it will be recognized that the prior art fails to provide a practical fretted instrument offering precise intonation at each fret position without substantially compromising the playability of the instrument.
Other patents addressing the question of improving the accuracy of intonation in a fretted instrument include U.S. Pat. Nos. 3,787,600; 5,063,818; 5,750,910; 5,760,322; 5,814,745; 6,114,618; 6,426,454; 6,433,264; 6,583,346; and 6,706,957. Further patents disclosing the construction of fretted instruments include U.S. Pat. Nos. 4,064,780; 4,982,640; 5,631,432; and 6,825,406.
The present invention provides a fretted stringed instrument which achieves accurate intonation at each fret position along each string. The instrument includes a body provided with a bridge for supporting a plurality of strings, and includes a neck secured to the body. The neck is provided with a nut proximate its distal end for supporting the plurality of strings, and includes an fret board extending longitudinally along a substantial portion of the neck. The fret board is provided with a plurality of frets having offset string contact regions along their length whereby accurate intonation of a note is achieved when a string is brought into contact with one of the string contact regions and a note is played. In one embodiment of the invention the fret board defines periodic transversely oriented facets which undulate along the length of the fret board. As a result the fret board defines a playing surface which rises to high points where the frets are located, and inclines to low points disposed between adjacent frets.
The present invention also provides a fret mapping method for determining the proper location for the string contact regions of the frets of an instrument of the present invention. The method utilizes a test instrument having a body provided with a bridge for supporting a plurality of strings and having a neck which includes a nut for supporting such strings. The neck of the test instrument is provided with a fret board that defines a distal edge and that is longitudinally movable toward and away from the nut of the test instrument. The fret board also includes a plurality of frets positioned at known distances from the distal edge of the fret board. In accordance with the method of the present invention, and in summary, the strings are tuned to a desired open tuning, and the fret board is positioned such that the distal edge of the fret board is a known distance from the nut. A note is played on a string at a preselected fret and it is determined whether such note is sharp or flat. If the note is sharp or flat, the intonation error is corrected by longitudinally moving the fret board with respect to the nut such that the fret at which the note was been played is moved to a position to produce the correct intonation. The corrected position of the fret is then recorded such that the recorded data can be used in the construction of a stringed instrument in accordance with the present invention. This procedure is repeated with respect to each fret position on each string, thereby allowing the desired string contact regions of an entire fret board to be mapped.
The above-mentioned features of the invention will become more clearly understood from the following detailed description of the invention read together with the drawings in which:
A stringed instrument in accordance with the present invention is illustrated generally at 10 in the drawings. As discussed in detail below, the stringed instrument 10 incorporates a neck with a fret system which corrects the intonation inaccuracies found in conventional fretted stringed instruments utilizing straight, parallel frets which are disposed perpendicular to and along the length of the longitudinal axis of the fret board of the instrument. Whereas, a guitar incorporating various features of the present invention is disclosed in the drawings and discussed herein, it will be understood that various other stringed instruments could incorporate the present invention.
The stringed instrument 10 includes a body 12 (see
In one preferred embodiment the playing surface of the fret board 20 is formed with periodic transversely oriented facets 30 (see
As best illustrated in
Whereas the contact regions 36 of the frets 21 can be defined by frets which are curved along their length, in the preferred embodiment of the instrument 10, the contact regions 36 define linear sections which are substantial perpendicular to the longitudinal axis of the fret board 20, with the adjacent contacts regions 36 of a fret 21 being joined by a transition section 37. (See
It will be recognized that the longitudinal displacement of the contact regions 36 over the length of a fret 26 could be accomplished by contouring the body of the fret over its length and providing a contoured slot in the fret board to receiver the contoured fret. However, as best illustrated in
It is contemplated that the frets 21 could be made from various strong durable metals. Further, where a metal is used, various manufacturing methods could be used to configure the frets 21, but it is contemplated that one suitable method would be to utilize coining die technology to shape the contact regions 36 in the upper portions 40 of the frets 21. It is also contemplated that minerals such as natural or synthetic ruby, sapphire or other hard, durable gem stones could be used. In this regard, it will be understood that various gem stone materials are strong and durable, and frets made from such materials can enhance the appearance of the resulting instrument. Further, it is contemplated that the frets 21 could be made from various ceramic materials. It will also be noted that the frets 21 with their contact regions 36 can be integrally formed with the fret board 20. For example, the fret board 20 with the integrally formed frets 21 can be made of aluminum or other strong durable metal or graphite materials. Where aluminum is used, the fret board surface is preferably hard coat anodized to ensure that the integrated frets and playing surface are sufficiently strong and durable.
As illustrated in
In order to further minimize the displacement of the contact regions 36 along a given fret 21, in one preferred embodiment of the instrument 10 the nut 22 is contoured such that the vibrating length of individual open strings varies. Also, the bridge 24 is adjustable such that the vibrating length of individual strings can be adjusted. Those skilled in the art will recognized that adjustable bridges, such as the bridge 24, are commonly used to allow the vibrating length of individual strings to be adjusted such that correct intonation can be set at the octave (the twelfth fret on a typical guitar). In this regard, being able to adjust the vibrating length of a string allows the exact middle of the string to be placed over the contact point of the octave fret such that intonation is correct at the octave. The bridge 24 (see
It will be recognized that in order to preserve the precise intonation offered by the fret board configuration of the instrument 10 it is desirable to have a stable neck structure, and to have a junction between the neck 14 and the body 12 of the instrument which is as stable and durable as possible. Therefore, as illustrated in
Further, in the preferred illustrated embodiment the junction between the body 12 and the neck 14 is reinforced with a mortise and tenon joint to stabilize the position of the neck 14 with respect to the body 12. As illustrated in
The present invention also provides a fret mapping method for mapping the contact regions 36 on a fret board in order to facilitate the construction of an instrument 10. As illustrated in
As illustrated in
It will be recognized that by longitudinally sliding the fret board 62 with respect to the rest of the neck 14′ the frets can be moved at any given fret and string position to place the fret in position for accurate intonation. For example, and as will be discussed in greater detail below, the fret board 62 can be initially positioned such that the frets are in a known position relative to the nut and bridge, such as in accordance with the modified “Rule of Eighteen”. The open strings can then be accurately tuned using a frequency measuring device such as a tuner, and a note can be played at, for example, the first fret 64′ on the low E string with the intent being to produce an F note. Intonation can be tested with a frequency measuring device such as a tuner (preferably a precision tuner), and if the intonation is incorrect and the desired F note is not produced, the fret can be moved either toward, or away from, the nut 67 to correct the intonation error. Once the fret has been positioned to provide accurate intonation, the position of the fret relative to the nut 67 or the bridge can be recorded, such recorded position being the desired contact point for producing an F on the low E string at the first fret 64′. The procedure can be repeated with respect to each fret position for each string resulting in the mapping of the desired positions for the contact regions 36 along each fret 64 on the fret board 62. This data can then be used to configure and position the frets on an instrument 10 of the present invention.
In one embodiment of the fret mapping method of the present invention the method incorporates a position measuring system which facilitates the locating of desired fret contact regions 36, and facilitates the determination of the position of such regions 36 relative to the nut 67 of the test instrument 61. As discussed above, the fret board 62 is shortened a known distance between the first fret 64′ and the distal edge 66 of the fret board 62. For example, the distance can be 0.25 inches, such that when the distal edge 66 is spaced 0.25 inches from the leading edge of the nut 67 the first fret 64′ is positioned in accordance with the modified “Rule of Eighteen”. This spacing of the distal edge 66 from the nut 67 can be facilitated by inserting a precision ground gauge pin 70 having a diameter of 0.25 inches between the distal edge 66 of the fret board 62 and the leading edge of the nut 67. A plurality of gauge pins having different diameters either greater or less than 0.25 inches are also provided to allow the fret board 62 to be selectively spaced known distances from the nut 67 to correct intonation errors which are detectable when the 0.250 inch gauge pin is utilized. For example, use of a smaller diameter gauge pin 70 will move the particular fret being tested toward the nut 67 to correct a sharp condition detected while using a spacing of 0.250 inches. In this regard, reducing the gauge pin size from 0.250 inches to 0.243 inches will move the fret being tested 0.007 inches closer to the nut 67 resulting in a 1 cent frequency correction. Thus, by selectively using gauge pins 70 having different known diameters of either greater or less that 0.250 inches, corrections can be made to the fret position, and the known diameter of the particular gauge pin 70 which results in proper displacement for accurate intonation provides the data necessary to determine the corrected position of desired contact region 36.
In light of the above it will be understood that in one application of the fret mapping method of the present invention wherein the fret positions of a guitar are being mapped, the test instrument 61 is provided with a plurality of strings 26′ of a known gauge composition. In this regard, because the string surface irregularities resulting from the helical windings on a wound string can cause intonation discrepancies due to irregular contact with the frets, flat wound strings are preferably used for mapping the fret contact regions 36.
The fret board 62 is then positioned with a 0.250 inch gauge pin between the leading edge of the nut 67 and the distal edge 66 of the fret board 62. The desired playing action or playing height of the strings is then set, this being the height of the strings above the frets. It will be understood by those skilled in the art that the playing height of the strings is a matter of preference and it is typically adjusted by adjusting the height of the bridge or the height of the individual bridge saddles which support the strings. To facilitate the setting of the desired playing height, in one application of the method of the current invention a gauge block 72 of known thickness is placed on the fret board 62 underneath the string being set such that the gauge block 72 spans the 12th and 13th frets 74 and 76, respectively. For example, if a playing height of 1.5 millimeters is desired, a gauge block 72 having a thickness of 1.5 millimeters is positioned beneath the string and the string height is adjusted such that the bottom of the string is at the level of the upper surface of the gauge block 72. Of course, as illustrated in
Once the playing height of each string has been set, the open strings are tuned to produce the desired open notes. Where the instrument in question is a guitar the first string will typically be tuned to E, the second string to B, the third string to G, the fourth string to D, the fifth string to A and the sixth string to E. To insure the accuracy of the tuning, a frequency measuring device such as a tuner is preferably used. One suitable device is a strobe tuner such as the Peterson strobe tuner Model 490. Once the open strings have been accurately tuned, the required displacement of the frets to achieve accurate intonation is mapped. For example, the high E string is depressed to contact the first fret 64′ and the note is played, the desired note being an F. The frequency of the note is measured to determine if the note is sharp or flat. If, for example, the note produced is sharp, the 0.250 inch gauge pin can be replaced with a gauge pin having a smaller diameter thereby allowing the fret board 62 to be moved toward the nut 67 a known distance and thereby flattening the note produced at the first fret. If the note produced is flat a gauge pin having a larger diameter can be used to move the fret away from the nut 67 and sharpen the note. It will be recognized that the substitution of multiple gauge pins 70 of various diameters may be necessary in order to determine the precise fret displacement to provide accurate intonation, but the gauge pins 70 provide an accurate measure of the necessary displacement thereby insuring that the position of the fret contact region 36 is accurately determined.
It will be understood that the above described process of testing the accuracy of the note at a particular fret position, and determining the required displacement of the fret contact region for proper intonation, is repeated with respect to each fret along the length of each string. As a result, the required displacement distances for positioning the fret contact regions 36 can be mapped as illustrated in
In light of the above, it will be recognized that the present invention provides a stringed instrument 10 having great advantages over the prior art. The instrument 10 provides accurate intonation at each fret position along each string, and does so without radical repositioning to the frets. Accordingly, the instrument 10 is played like a conventional stringed instrument without the necessity of learning new finger positions to produce the desired notes or chords. Further, fret mapping method of the present invention allows the desired fret contact regions to be located with sufficient accuracy to allow the intonation of the instrument at all fret locations to be certified and traceable to the Physics Laboratory: Time and Frequency Division, at the National Institute of Standards and Technology, Washington, D.C., where a specified gauge of flat wound strings are used. Even where other types and/or gauges of strings are used the intonation deviations at all fret positions can be substantially eliminated.
While the present invention has been illustrated by description of several embodiments and while the illustrative embodiments have been described in considerable detail, it is not the intention of the applicant to restrict or in any way limit the scope of the appended claims to such detail. Additional advantages and modifications will readily appear to those skilled in the art. The invention in its broader aspects is therefore not limited to the specific details, representative apparatus and methods, and illustrative examples shown and described. Accordingly, departures may be made from such details without departing from the spirit or scope of applicant's general inventive concept.
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|Apr 23, 2012||REMI||Maintenance fee reminder mailed|
|Sep 9, 2012||LAPS||Lapse for failure to pay maintenance fees|
|Sep 9, 2012||REIN||Reinstatement after maintenance fee payment confirmed|
|Oct 30, 2012||FP||Expired due to failure to pay maintenance fee|
Effective date: 20120909
|Jul 14, 2014||FPAY||Fee payment|
Year of fee payment: 4
|Oct 27, 2014||PRDP||Patent reinstated due to the acceptance of a late maintenance fee|
Effective date: 20141027
|Feb 26, 2016||FPAY||Fee payment|
Year of fee payment: 8


Classics Concert: Scheherazade with San Luis Obispo Symphony at Christopher Cohan Center
Join the San Luis Obispo Symphony for 1,001 tales of music, mystery and more. On Saturday, February 2 at 8 pm, Maestro Nowak has an amazing evening with the orchestra planned for Classics III: “Scheherazade.” The Symphony will present 1,001 Arabian Nights set to music in Nikolai Rimsky-Korsakov’s colorful and exotic “Scheherazade”. Mozart’s “Great G minor Symphony” will round out this romantic night of classics with the Central Coast's favorite Symphony orchestra. Tickets for Scheherazade range from $20-$75 and are available by calling the Performing Arts Center’s ticket office at (805) 756-4TIX (4849) or online at slosymphony.com. A No Ties Allowed! FREE Dress Rehearsal is open to the public, including young children, at 1 pm.


Specializing in the authentic sounds of swing that only a full 16 piece jazz ensemble can produce, the Moonlight Express Big Band features some of Southern California's best jazz musicians performing swing and dance standards of the 40's, 50's and 60's. With both male and female vocalist's, the Moonlight Express promises a musical event seldom experienced today.
Led by Christopher Jean, the Moonlight Express presents five saxophones, three trombones, four trumpets, piano, bass and drums, plus female and/or male vocalists. This ensemble has enthralled audiences throughout Southern California since 1995. The Moonlight Express invites you to experience a time when "popular music was good, and good music was popular."
Past performance venues include Steamers Cafe, Disneyland, the Queen Mary, the Balboa Bay Club, the Regal Biltmore, the Pan Pacific Hotel, the South Coast Westin Hotel, the Renaissance Hotel LAX, Descanso Gardens, Orcutt Ranch and the Orange County Fair. Concerts have been performed for the Cities of Anaheim, Brea, Buena Park, Calimesa, Claremont, Downey, Duarte, Huntington Beach, Irvine, Newport Beach, Placentia, San Juan Capistrano, Tustin, Westminster, Whittier and Yucaipa.
The Moonlight Express offers one to four hour performances at very reasonable cost anywhere in Orange County, as well as in nearby areas of Los Angeles, San Diego, Riverside and San Bernardino Counties. We can often negotiate fees and services to stay within your operating budget. The Moonlight Express can provide a high quality sound system capable of covering audiences up to 2,000 people. The band's attire consists of tuxedos for formal and upscale events or Hawaiian shirts over black pants for more casual events. The desired attire is specified by the client.
Most importantly, the Moonlight Express Big Band is very aware that not every event goes exactly according to schedule. Moonlight Express will remain flexible and willing to alter its planned performance to match the actual schedule of your event.


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Label: Vertigo - 528 113-2 • Format: CD Compilation, Reissue, Remastered • Country: UK & Europe • Genre: Rock • Style: Hard Rock, Classic Rock
View credits, reviews, tracks and shop for the CD release of "Wild One - The Very Best Of Thin Lizzy" on Discogs/5(6).
Discover releases, reviews, track listings, recommendations, and more about Thin Lizzy - Wild One - The Very Best Of Thin Lizzy at Discogs. Complete your Thin Lizzy collection/5().
That's not a criticism, but the Very Best Of should incorporate all albums, maybe a good approach would be to take one or two songs from every album he made, that'd be a balanced Very Best Of, in my opinion. The only thing I found odd is that they called the album Wild One: The Very Best of Thin Lizzy, but they didn't put that track on the album/5().
This cd contains some of the best rockin music that I have ever heard. All the songs are well written and very well performed, with awesome guitar solos and this band really rocks hard together, with Phil Lynott's excellent singing and bass playing to top it off/5().
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Kamouflage - Eric Kupper Presents K-Scope (2) - Instant Music (CD) Bach: Jesu, Joy of Mans Desiring (for two pianos) - Various - Almanac 1992 - Highlights Of The Year Cryin Every Day - Bee Gees - Living Eyes (Vinyl, LP, Album)


At Sound Exchange Music, you can find a wide variety of instruments, audio rental equipment, and special event items. A soundboard, also known as a mixing board or mixer, is an important piece of audio equipment that takes multiple input signals and combines them into one output signal. This output signal can then be sent to speakers, amplifiers, or other audio devices.
Looking for a particular item? Contact us and we will be happy to assist you!


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Category: Piano - Piano Accompaniment
World-renowned violinist David Cerone has produced a recording of the music from this volume of the immensely successful Suzuki Violin School. The CD features an exquisite rendition of the violin part with piano accompaniment.
Titles include: Gavotte (P. Martini), Minuet (J. S. Bach), Gavotte in G Minor (J. S. Bach), Humoresque (A. Dvorak), Gavotte (Jean Becker), Gavotte in D Major (J. S. Bach), Bourree (J. S. Bach)
Hoffmann Strings is Buffalo Grove's Favorite Violin Shop Serving the community quality music Since 1997. We are your Only choice in Quality Instruments! Stop in and come visit our staff to make that great selection to help you in our many great choices.View Hours & Location
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The Music Of Lou Harrison
by Various Artists
Rare & Hard-To-Find Audio CDs (series)
16 copies available
|You Save:||$15.01 (75% Off)|
Available: Usually ships in 1-3 business days
- Released: May 2, 1994
- Originally Released: 1991
- Label: Phoenix
Song previews provided courtesy of iTunes
The major work here is "Pacifika Rondo", for a typically Harrisonian combination of far eastern and western instruments, with the emphasis on the percussion section. The music mixes all sorts of styles as it travels around the Pacific rim, and even contemplates The Bomb in a twisted atonal idiom. It's both humorous and disturbing at once. The other instrumental pieces are all attractive essays in Harrison's contemplative vein.
John BrowningBarber - Sonata for Piano / Cumming - 24 Preludes (CD)
Utah Symphony OrchestraYardumian - Symphony No. 2 "Psalms" / Armenian Suite (CD)
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The Best of the 1910 Fruitgum Company: Simon Says (CD)(17)
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88-key fully weighted, hammer-action keyboard with aftertouch for expressive melodic creativity
MIDI output over USB, bus powered, class compliant: plug and play with one USB cable
Includes VIP3.0 - the ground-breaking, award-winning music software platform that provides musicians and composers with a powerful hands-on control solution for their virtual instrument and virtual effect collection.
Key Split enables two different sounds from the same keyboard
Works with virtually all MIDI recording, sequencing, and performance softwarehttps://www.youtube.com/watch?time_continue=1&v=IWolSHAX_Xo


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Rolling Stone Magazine Exclusive: Elvis Presley
“I Just Can’t Help Believin” Previously Unreleased Performance
The transformation of Elvis Presley from pop idol to authoritative rock and roll showman was best captured in Elvis: That’s The Way It Is, a fascinating 1970 documentary and accompanying studio-and-live album.
On August 5 2014, RCA Records/Legacy Recordings launches a definitive look at the summer Elvis took a Las Vegas residency by storm, with Elvis: That’s The Way It Is (Deluxe Edition) 8CD/2DVD box set featuring six complete concerts—half of which are previously unreleased.
That’s The Way It Is (Deluxe Edition) is the most ambitious Elvis Presley restoration package ever created, bringing together the album, the theatrical and home video versions of the film, six full-length concerts (featuring previously unreleased performances), rehearsal highlights and other rare recordings in one astounding and essential package. The result of a historic partnership between Sony Music and Warner Brothers Home Video, the deluxe set combines the video and audio assets of Elvis: That’s The Way It Is with unique and previously unreleased material.
The set centres on the six complete shows recorded and partially filmed by MGM. Two of the shows are released for the first time in their entirety; two more have only been available only through the mail-order Elvis fan-club network. The original RCA album is expanded with the four single sides from the period, and a selection of “fly-on-the-wall” outtakes from the June Nashville sessions that produced the majority of tracks for the album. Completing the audio section, a separate disc of insightful rehearsal highlights, featuring unusual song selections showcases both the hard work and the playful atmosphere that governed Elvis’ relationship with his musicians.
The original Elvis: That’s The Way It Is includes fiery renditions of “You Don’t Have To Say You Love Me,” previously a hit for Dusty Springfield; “You’ve Lost That Lovin’ Feelin,’” made famous by The Righteous Brothers, and a show-stopping rendition of Simon & Garfunkel’s “Bridge Over Troubled Water.” The original album and singles will fill Disc One of the new edition, with six CDs worth of concert performances and one of rehearsal takes from the Summer of ’70 International Hotel residency.
That’s The Way It Is (Deluxe Edition) puts the original RCA album and the 1970 MGM documentary feature together in a single package for the first time. It includes both the original theatrical DVD version (1970) and the re-edited and extended DVD version from 2000.
Exclusively at Rolling Stone, you can stream a previously unreleased take on “I Just Can’t Help Believin.'”


Jhay Cortez, Skrillex - En Mi Cuarto Ableton Remake (Dance)
💻 A deconstructed Ableton Remake version of "En Mi Cuarto", by Jhay Cortez in collaboration with Skrillex. A track with a lot to learn about Transitions, Drums, Beatmaking, Sub Basses, Synths, Song Structure, Vocals, and many more modern Dance Music Production Elements.
🎹 The Template was made for Ableton Live making use of Stock FX and Stock Instruments, also Xfer's Serum v1.334 (or higher), Nicky Romero's Kickstart Vst Plugins. Dance Style samples for beginners are included, with a full arrangement Beat. Both fully Mixed and Mastered, ready for you to download and start playing it!
📌 File size: 33.9 MB
📌 Software, DAW: Ableton Live 10.1.25 (or higher).
📌 VST Plugins: Xfer's Serum v1.334 (or higher), Nicky Romero's Kickstart Vst Plugins Required.
📌 Song Key: F# Min
📌 Time Length: 3:34
📌 Genre: Dance
📌 Drums: All Drum Samples are part of this zipped project. You can find them there.
REVIEW OF THE Ableton TEMPLATE PROJECT
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Malaa - How it is Ableton Remake (Tech House)
CID & Will K - OoooH Ableton Remake (Tech House)
George Ezra - Green Green Grass Ableton Remake (Dance)
Noizu - Moon Groove Ableton Remake (Dance)


To all experience sound experts,
In live performance (stage), what type of sound system arragement, mono or stereo, do you frequently set up for the best result in both power and sound quality?
As for most live concerts you have seen on TV, what type of setup they usually have? Stereo or Mono?
Thanks for your feedback.


SAVOY HEYDAY (1936-1950)
Fifth CD by the Billy Bros. Swing Orchestra, produced in October 2020, dedicated to the fantastic Black Orchestras who performed at the Savoy Ballroom in Harlem, N.Y., between 1936 and 1950.
Recorded in a vintage style, the featured 13 songs will make you travel through time with their irrepressible rhythm! Download the songs online Spotify or order the precious CD with illustrative booklet directly to our email address (Request CD).


We thought this was curious enough to share – a Fender Rhodes stage piano with a full set of green wound pickups. Outside of very early sparkle top era production, all of the Rhodes piano pickups that we have encountered use a red or orange copper-colored pickup wire.
This particular instrument dates from the 44th week of 1973. So far we have heard from just one other tech (our friend Ken Rich) that had an instrument stamped in the exact same week with the same green pickups. Other than that, these are the only examples we know of! They sound great, but we are unaware of why the green coil wire used in the mid to late 1960’s made a reappearance for such a short period of time in 1973. Manufacturing mistake? Red wire out of stock? ‘Creative’ assembly line technician? We may never know, but it is still a cool look at a very brief little slice of Rhodes history.
Drop us a line at firstname.lastname@example.org if you have a piano with these green coiled pickups!


Playing Music Without a Licence in the UK
If you’re looking for music that you can play in the UK without a music licence then you have come to the right place!
We specialise in supplying royalty free music. That’s music you can play in your business without the need for a music license. You can do this because the PRS and PPL do not need to collect royalties for our artists. It’s PRS and PPL who operate TheMusicLicence, which you need to play commercial music. Instead, our artists get paid for the use of their work by a music licensing agency.
Playing royalty free music in your business is a great way for you to harness the power of background music. All without the expense of buying a music license.
Our customers save at least £150 per annum after swapping from paying for a license to using our service. Customers with large premises save £100’s!
Music You CAN play without a Music Licence
So how can you access our royalty free music? You set up a subscription paying on a monthly or annual basis. Monthly gives you the flexibility to cancel anytime. An annual subscription offers you a saving.
Once you have your subscription you can then use our royalty free playlist library as much as you like. The playlists are all profiled into styles and genres and come with a description.
Many of our customers choose to play several playlists across the week. There’s a wide variety of styles and genres covers and we regularly add new music.
Let’s look at how the music player works…
The Background Sounds Music Player
You can stream your chosen playlist using a PC, laptop, tablet or mobile device. Loging into your account to browse the playlists available. Once you have made your choice you press play! It’s that easy.
Playlist library features
You will have a great choice of playlists and regular music updates. Along with key features to ensure you pick a great background sound for your business!
Tempo Indicators: Low, mid, or high. These help you ensure the pace of your music is going to create the required atmosphere.
Genre Tabs: Filter playlists so you can review those of interest.
Sector Tabs: These tabs give you playlist recommendations for your specific business sector.
Using a specialist provider for your background music is the very best way to use royalty free music. Not only do you save on the cost of playing music, but you also get…
- High-quality royalty free music
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- Playlists designed for use as background music
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If all of this sounds good we recommend you take a free 7-day trial with us. There’s no obligation and you don’t have to add your credit card details. It’s the very best way to try out our music in your business.
Need a little more guidance or have questions? We’re happy to answer any questions you may have about using our service. You can contact the team at firstname.lastname@example.org
Updated 19th October 2021.


Classical / Opera
Multiplex (MPX) (Full Vocals On/Off)
Full Vocals (Always On)
Songs With 'If I Said You Had A Beautiful Body'
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You can also create a Custom Karaoke Disc or Download songs or albums at www.picknmix.com.au.
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SONKEN KA-11 KARAOKE MIXING AMPLIFIER
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The Take it away scheme makes it easy for young people to realise their musical dreams.
Take it away is an Arts Council England initiative created to help young people to get involved in learning and playing a musical instrument. To be eligible the applicant must be a UK resident, working at least 16 hours per week, and be either 18-25 years old, or over 18 and buying an instrument for a child under 18.
Under the Take It Away scheme an application can be made for up to £2,000 of interest free credit for the purchase of any kind of musical instrument. A 10% deposit is required with the balance paid in 9 equal monthly instalments by direct debit, completely interest free.
Equipment, accessories and music books can be included as part of the purchase so the player will have everything necessary to get started.
Please call us on 01708 442748 for further details.


Brand - Repetto
Repetto: Timeless Elegance in Dance and Fashion
Founded in 1947 by Rose Repetto, the Repetto brand has become synonymous with elegance, grace, and unparalleled craftsmanship in the world of dance and fashion. With its origins deeply rooted in the art of ballet, Repetto has transcended the boundaries of the dance studio to become a global symbol of refined style and sophistication.
Repetto's dancewear collection embodies the brand's commitment to the art of movement. From leotards and tights to skirts and warm-up attire, each piece is thoughtfully designed to support dancers in their pursuit of perfection. The brand's attention to detail ensures that every seam, fabric, and fit is optimized for dancers' needs, providing the freedom and flexibility required for fluid and expressive motion.
In addition to its traditional dancewear, Repetto has ventured into contemporary designs, offering a fusion of fashion and function. Dancers and movement enthusiasts can choose from a variety of innovative pieces that seamlessly transition from the studio to the street. These modern designs not only prioritize comfort and performance but also reflect Repetto's signature aesthetic – a blend of timeless elegance and contemporary flair.


There are currently no upcoming events for The Hives. Please check back with us soon!
The Swedish rock band, The Hives, have been on the music scene since 2000. Known for their energy and trendy black-and-white ensembles that make them look more like they are part of the mafia than rock and roll musicians, The Hives have taken their early garage band roots to an international level. Experience a lively performance with The Hives concert tickets. Search for The Hives cheap tickets here! When you see The Hives play live you will be one of the lucky ones who watch a rousing performance of “Hate to Say I Told You So." This is easily one of The Hives’ greatest hits, which you can hear live when you order tickets for The Hives.
The Hives are famously recognized for having one of the most energetic shows on any stage around the world. They were recently ranked as the 8th best live band in the genre of rock and roll by the prestigious Spin magazine--quite a feat for a former garage band! Band members keep the party stomping with stage diving into the crowds. The lead vocalist Pelle Almqvist along with brother and guitarist Nicholaus Arson are the showboats of the band. They are constantly interacting with fans, making sure that everyone is having a raging good time. No one has the chance to leave unsatsified when they are entertained by this fabulous rock group. The Hives find it normal to take a climb up on their guitar amps. Most shows include the brothers in the band performing flamboyant scissor kicks. Check out the upcoming performances with The Hives concert tickets. What is certain to be a riot, tickets for The Hives can be ordered from us here.
Live shows starring The Hives are always full throttle. The band is notorious for refusing to leave the stage as they continue to play simply because they are having such a great time with the audience. Experience the super fly energy of The Hives; tickets to any upcoming shows can be found here. The Hives have a reputation of being one of the must see live rock performers on the modern day music scene. Don’t miss out on this hot act! Search for The Hives cheap tickets here.
The band has played at a wide variety of concerts, festivals, and venues all around the world. They’ve played in Belgium at Rock Werchter Festival, as well as several secret shows throughout Stockholm including Debaser Slussen and Debaser Medis. The Hives have hit up the Coachella Valley Music Festival, as well as London’s historic Borderline performance venue. They’ve even made their way onto the late night show circuit with a 2012 performance on Jimmy Kimmel Live. Tickets for The Hives can be ordered here using our trustworthy and simple ticket ordering service. Whenever The Hives concert tickets go on sale though, they are sure to sell out. So make it a priority to order your tickets early; fortunately we sell The Hives cheap tickets for your convenience.


I am a singer/songwriter currently performing in and around Maryland, looking to increase my performance rate and gain a following for my music.
I can promise your clients an interesting and original concert experience; my use of accompanying, real-time looping technology creates more than just one voice and guitar. While I am a solo act, my songs take on brand new life when played on stage.
I've got professional lighting and sound equipment, as well as the musicianship and material to back it all up. This is my passion, and I'd really like the chance to perform on a much more consistent basis.
I look forward to hearing from you!
Merry Land // Greg Pfeiffer
Price Range: Contact for rates
Past Booked Events
|June 29, 2013||Other|
Recent review: Eric Ray performed for my husband's 60th Birthday Party which was wonderful. His list of songs…
Recent review: David was a perfect addition to our corporate event at Cana Winery & Vineyard in Middleburg,…
Takoma Park, MD
Recent review: Aren and his band came to our church to lead our youth retreat for a weekend, and in my five…
Virginia Beach, VA
Recent review: Joe was a pleasure to work with and provided great entertainment for our event. Our client was…


New work from Artistic Director Gerry Morita. A performance that combines improvised dance, live music, and haircutting/aesthetics across Jan 27, Mar 3, and Apr 21.
In collaboration with Tony the Venetian Barber who’ll bring good grooming to our audiences. Other services may be available at a discounted price.
Jan 27 features Gerry Morita, Jeannie Vandekerkhove, and live music from Pyramid // Indigo
$15 members, $20 non-members
Pre-cuts 6:30 PM to 8 PM
Dance 8 PM to 11:30 PM
For more information, visit the Facebook event: https://www.facebook.com/events/311085576064399/
Advance tickets available on Eventbrite: https://www.eventbrite.ca/e/night-cuts-dance-music-hair-tickets-41357374019?aff=efbeventtix


NEW YORK (CNNfn) - A group of more than 100 music and consumer electronics companies have agreed on a set of standards for preventing the spread of pirated music in digital format.
The Secure Digital Music Initiative (SDMI), a consortium of music and technology firms, adopted a two-step process that will lead to new portable devices that include protection against pirated music.
The specifications will, however, allow future players to play unprotected music in the popular MP3 compression format, which produces relatively small, near-CD-quality music files for easy downloading from the Internet.
The agreement works out as a compromise between the makers of portable devices and record industry executives, who fear widespread piracy -- and lost profits -- because of unprotected digital music files.
Under the plan announced Monday, Phase I devices will go on the market that can play all digital music formats, whether protected or unprotected. Phase II devices will play music in the protected SDMI format as well as MP3.
With Phase II devices, consumers will be able to make a copy of CD recordings and download unprotected music onto SDMI-approved portable devices. Consumers will not, however, be allowed to pass copies of songs to others.
SDMI did not specify a timetable for either phase.


TheatreWorks Silicon Valley’s production of “The Pianist of Willesden Lane” is set to run through Feb. 16 at the Mountain View Center for the Performing Arts, 500 Castro St.
A young Jewish pianist escapes Vienna and arrives in England at the outset of World War II. Concert pianist Mona Golabek recounts her mother’s saga of hope and resilience, underscored with music from Bach, Beethoven and many more.
Performances are slated 7:30 p.m. Tuesdays and Wednesdays, 8 p.m. Thursdays and Fridays, 2 and/or 8 p.m. Saturdays and 2 and/or 7 p.m. Sundays.
Tickets are $45-$105; discounts are available for seniors, students, educators and children.
For tickets and more information, call 903-6000 or visit mvcpa.com.


Organ Fugue in G Minor
Orchestra - Grade 4
Little. Composed by Johann Sebastian Bach (1685-1750). Arranged by Bob Cerulli. Score; SmartMusic; String Orchestra. Belwin Concert String Orchestra. Form: Fugue; Transcription. Baroque; Masterwork Arrangement. Published by Belwin Music (AP.33677S).
Item Number: AP.33677S
A lovely transcription sure to delight audiences and students. (3:22) This title is available in SmartMusic.
List/syllabus: TX UIL PML: Orch, Strings, Guitar
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MIDI sequence and analysis ©1992-2000 by Joe Monzo
Mahler, 7th Symphony, 1st movement
My book-plus-CD package is available for US $90.00, plus postage -- contact me.
- book: Mahler 7th/1: an analytical reduction score, and speculations on the "hidden program", of the first movement of Gustav Mahler's Seventh Symphony,
- CD: an mp3 of my computer realization of the 1st movement of the symphony (26 minutes), retuned by Gene Ward Smith in his bifrost tuning, a 12-tone circulating well-temperament,
I've never been completely happy with any recording or performance I've heard of this work. It's often cited as being Mahler's worst symphony, and I think that opinion is a result of there not being any proper interpretations of it available on recording.
I think my years of Mahler studies, and of the circumstances surrounding the composition of this symphony in particular, give me a perspective on this piece that, in my opinion, makes this interpretation of the first movement the best available (except for the fact that I continue to work on it to make it even better).
I began working on the MIDI of this movement in 1988, using Texture sequencer software. In 1992 i switched to Cakewalk, and have continued to refine the tempos and phrasing up to 2003.
Table of Contents pages 1 - 2 ... Introductory comments 2 - 4 ... The influence of Strauss 4 - 8 ... The influence of Schoenberg 8 - 9 ... Literary influences 9 - 12 ... Rembrandt's The Night Watch and dream-states 12 - 13 ... A Note on Keys and Tonality 13 - 15 ... Counterpoint and dissonance in Mahler's 7th 15 ... A note about my score of Mahler 7th/1 15 - 16 ... A note about my CD of Mahler 7th/1 16 - 21 ... Analysis and "secret program" of Mahler 7th/1 by measure number 22 - 24 ... References cited 25 ... Monzo's Analytical diagram of Mahler 7th/1 27 - 79 ... Score of Monzo Analytical Reduction of Mahler 7th/1
Below are samples of 1st and last pages of my "analytical reduction" score.
first page of Monzo "analytical reduction" score
last page of Monzo "analytical reduction" score
(see my book-length webpage A Century of New Music in Vienna for detailed further background info)


to our complete listing of Books - Electric Bass Instruction
CD - LET'S JAM! CD FOR BASS by Peter Vogl CLEARANCE PRICED! SAVE $2.95! Now bass players can practice with a full band without all of the pressure and effort of a rehearsal. This CD covers a wide variety of music including rock, blues, reggae, pop, and funk. Includes two versions of each song: a short track with bass to show what can be played, and a 3 to 4 minute version without bass you can jam with. Booklet includes chord charts.
- Electric Bass Instruction
CD - LET'S JAM! CD FOR BASS
56-31......list $9.95.....our price $7.00 buy
also see Electric Bass...
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Josephine Foster / The Victor Herrero Band - Anda Jaleo album download
Anda Jaleo by Josephine Foster & Victor Herrero Band, released 04 October 2010 1. Los Cuatro Muleros 2. Los Pelegrinitos 3. Las Morillas de Jaen 4. Anda Jaleo 5. Las Tres Hojas 6. Los Mozos de Monlean 7. Sevillanas del Siglo XVIII 8. Los Reyes de la Baraja 9. El Cafe de Chinitas 10. Zorongo 11. Nana de Sevilla Federico Garcia Lorca's popular folk song collection "Las Canciones Populares Espanolas" was banned under Franco's dictatorship and today the music survives but marginally within the Spanish sub-conscious.
Arranged By – Josephine Foster, Victor Herrero. These arrangements of the "Popular Spanish Songs" were made by Josephine Foster & Victor Herrero, inspired by both the original harmonizations of Federico García Lorca as well as his 1931 recording with La Argentinita. They appear here in a new adaption made by Josephine Foster and Victor Herrero. Recorded live in Mecina Bombarón, Granada, August 2009
In gatefold cardboard sleeve with 16 pp. booklet & card inner sleeve.
Home Latin, French, Italian Josephine Foster Josephine Foster & The Victor Herrero Band - Anda Jaleo (2010). Josephine Foster & The Victor Herrero Band - Anda Jaleo (2010). The performances (laid down live in Mecina Bombaron, Granada last summer) come across as very highly accomplished (at least to an outsider's ears) and Foster's unique, witchy vocal sounds just as compelling in Spanish as it does in her native tongue. Anda Jaleo is a collection of songs based on the work of legendary socialist poet Federico García Lorca
Anda Jaleo, the first of these albums, was recorded mostly live in the studio and features Foster singing songs from poet Federico Garcia Lorca's 1931 collection of mysteriously beautiful flamenco tunes Las Canciones Populares Espanolas. The 11 songs here brim over with spirit and romance, while Foster's wandering, wavering voice offering up Spanish-sung lyrics over a host of lively foot stomping, handclapping rhythms, castanets, and traditional flamenco instrumentation. The Victor Herrero Band, Josephine Foster.
On Anda Jaleo, recorded live in the Grenadine Sierra with the Victor Herrero Band, she returns to more traditional material. The album features songs from poet Federico Garcia Lorca's folk collection Las Canciones Populares Espanolas. As genre exercises go, however, Anda Jaleo is extremely well-executed
Released by: FIRE RECORDS.
Josephine Foster/ Anda Jaleo. by Josephine Foster, The Victor Herrero Band - 11 Tracks - 39:24. Release date 09/23/2014.
|1||Los Cuatro Muleros (The Four Muleteers)||The Victor Herrero Band / Josephine Foster||2:59|
|2||Los Pelegrinitos (The Little Pilgrims)||The Victor Herrero Band / Josephine Foster||5:20|
|3||Las Morillas De Jaén (The Moorish Girls of Jaén)||The Victor Herrero Band / Josephine Foster||3:03|
|4||Anda Jaleo||The Victor Herrero Band / Josephine Foster||3:02|
|5||Las Tres Hojas (The Three Leaves)||The Victor Herrero Band / Josephine Foster||2:15|
|6||Los Mozos De Monleón )The Lads from Monleón)||The Victor Herrero Band / Josephine Foster||6:51|
|7||Sevillanas Del Siglio XVIII (Eighteenth Century Sevillanas)||The Victor Herrero Band / Josephine Foster||3:18|
|8||Los Reyes De La Baraja (Kings of the Cards)||The Victor Herrero Band / Josephine Foster||2:30|
|9||El Café De Chinitas (At the Café De Chinitas)||The Victor Herrero Band / Josephine Foster||2:35|
|10||Zorongo||The Victor Herrero Band / Josephine Foster||4:06|
|11||Nana De Sevilla (Lullaby from Seville)||The Victor Herrero Band / Josephine Foster||3:45|
- Daniela Herrero - El Espejo album mp3 flac
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- Josephine Foster - I'm a Dreamer album mp3 flac
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- Josephine - Unfinished Life album mp3 flac
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- Liliana Herrero - Maldigo album mp3 flac
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Darlington Orchestra give their family concert, Promz 4 Kidz, at Darlington Arts Centre on Saturday, January 20, at 7.30pm.
The concert is an adventure in orchestral music for family audiences of all ages.
Conductor David Plews said: "This is the orchestra's 60th season and after the success of our Around the World in 80 Minutes concert earlier in the year we wanted to finish our diamond anniversary celebrations with something even more exciting!
"Promz 4 Kidz features thirty local young musicians. These young people will join forces with the Darlington Orchestra in an ensemble of over 70 players to perform the world premiere of Andy Jackson's Passing Time in Good Company. We'll throw in some Mozart and Handel for good measure."
Tickets cost £5/3 for the Promz 4 Kidz concert performance, ring 01325 486555.


The missing app between Pandora/Spotify & YouTube music videos is finally here!
Listen with more clarity & depth, based on your individual hearing needs.
The world's #1 DJ app: remix songs, make music & record amazing mixes on the go.
Find concert tickets & get pre-sale access. Plus, order food/drinks at the show.


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CALEDONIA WOODWIND ENSEMBLES
Whether you’re a fan of the flute or relish in the sounds of a saxophone, a Woodwind Ensemble works well on any occasion: weddings, birthdays, anniversaries, corporate functions, and more. Search from our listing of talented musicians in the Caledonia, OH area book today!
Please note these Woodwind Ensembles
will also travel to Martel, Edison, Iberia, Marion, Galion, Bucyrus, Mount Gilead, Cardington, Waldo, Fulton, Crestline, Shauck, Oceola, Morral, Green Camp, Ashley, Sulphur Springs, Harpster, Nevada, Prospect, Chesterville, Lexington, New Bloomington, Tiro, Marengo, Radnor, Upper Sandusky, Kilbourne, Chatfield, New Washington


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RIDGE SPRING CHAMBER MUSIC DUOS
If you’re in need of musical entertainment, book a Chamber Music Duo from the listing of performers below. Their sophisticated sound will appeal to the guests at any upscale event. Come see who’s available for private parties in the Ridge Spring, SC area.
Please note these Chamber Music Duos
will also travel to Monetta, Trenton, Johnston, Ward, Batesburg, Wagener, Edgefield, Graniteville, Aiken, Montmorenci, Leesville, Warrenville, Gloverville, Langley, Windsor, Saluda, Bath, Gilbert, Perry, Clearwater, Salley, New Ellenton, Pelion, North Augusta, Beech Island, Williston, Springfield, Clarks Hill, Augusta, Jackson


Catalogue No: BA10506b
Shop Product Code: 2465058
Barenreiter Urtext BA10506b: Gioachino Rossini Il barbiere di Siviglia/The Barber of Seville Commedia in due atti. Edited by Patricia B. Brauner. Piano Reduction by Rasmus Baumann. English translation by Amanda Holden (Ital/Eng) Vocal score. Rossini’s The Barber of Seville is without doubt the composer’s best-known work and one of the most frequently performed operas in the entire repertoire. This vocal score corresponds with the recently published and highly acclaimed Urtext critical edition.
Write a Review. The best reviewer each month wins 20% off their next order!
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REQ: Patchpool Takeover 2.0 for Vengeance Sound Avenger
From the Web site:
Takeover 2.0 for VPS Avenger is an expanded version of my first Avenger library released in February 2017, expanded in 2019 making use of several features which weren't present in the first version of Avenger (granular synthesis, cross-FM, tuned comb-filter). This sound library provides a broad palette of timbres suitable for a wide variety of musical styles:
Monumental, epic, dramatic soundscapes with a cinematic flavor.
Heartwarming, fragile, lush, elevating pads.
Ethereal, fascinating and otherworldly textures.
Dark and massive drones.
Expressive lead synths and juicy bass sounds.
Beautiful string instruments (guitars, plucked piano, cello derivatives).
Bells and pluck sounds.
Synthetic vocal textures.
Epic brass swells (horns, trombones, sousaphone).
Drum/percussion sounds for the drum sampler, dry and processed.
Playful, edgy and minimal sequences.
Evolving, rhythmical, often tempo-synced animations of timbre, amplitude and filters.
132 patches (including 8 variations).
92 wavetables, also derived from the re-synthesis function in Avenger.
83 sample maps (multi-samples) and one-shots (44.1 Khz - 24 Bit), 2+ GB (before lossless compression in Avenger).
35 granular sources.
13 single cycle waveforms (shapes).
Library size in total: 953.3 MB (936 MB download).
All patches have the modulation wheel and the three Macros assigned, most also use Macro switches, many also use aftertouch.
Comes in the native avenger format, easy import/installation.
Patch categories (12 sub-folders):
Arp - Sequencer (17 including 6 variations)
Bass (8 including 1 variation)
Bells - Plucks (13)
Drums - Percussion (8)
String (7 including 1 variation)
Vocal Synth (7)


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Singing Guitarists in Marlborough, MA
Some events require just a little extra class. Whether it’s a wedding, holiday party, or corporate event, singing guitarists can set the tone without breaking your budget. These professionals come with a vast repertoire of songs in dozens of musical genres so it’s easy to create a song list that’s perfect for your event! Not only can singing guitarists provide variety, but they’re also very versatile. These solo artists take up little venue space and can easily entertain a full room or stroll around performing for your guests. Make your event memorable by hiring a professional singing guitarist! Search for Singing Guitarists in Marlborough, Massachusetts above.
Please note that these Singing Guitarists may also travel to Southborough, Fayville, Berlin, Stow, Northborough, Bolton, Maynard, Woodville, Ashland, Clinton, Hopkinton, Wayland, Boxborough, Boylston, South Lancaster, Lancaster, Harvard, Still River, Holliston, Sherborn, North Grafton, Weston, West Boylston, Lincoln, Upton, Grafton, Village Of Nagog Woods, Sterling, Littleton, and Fort Devens.


Mark Smith is a highly regarded British bassist and educator, best known as the founder of Talkingbass.net, a popular online bass education resource. He has been playing bass guitar for over 30 years and has a wealth of knowledge and experience in various genres of music, including rock, pop, funk, jazz, and more.
Smith’s teaching style is highly praised for its clarity and accessibility, and he has helped thousands of bass players around the world improve their skills through his online courses, tutorials, and lessons. His website, Talkingbass.net, offers a wide range of resources for bass players of all skill levels, including free lessons, paid courses, and a community forum where bass players can connect and share their experiences.
In addition to his work as an educator, Mark Smith is an accomplished performer and recording artist. He has played bass on numerous albums and toured with a variety of artists, including British rock band The Bluetones. His playing style is known for its precision, groove, and musicality, and he is highly respected by his peers in the bass playing community.
BECOS pedals used
You NEED To Check Out This CRAZY SMALL Compressor Pedal! It might be small but this pedal packs a bunch of studio grade features, and it sounds great! I have used this pedal on several video lessons and it sounded really sweet and it had a really crisp top end. I’ve never seen a compressor this small period and with all those features, it’s insane. It is a bunch of compression controls, all in a very tiny pedal.


What note do you tune a bass drum to?
A good pitch relationship for the drum heads is to tune the lug pitch of the bottom head a perfect fifth higher than the top head (1.5 times higher in frequency, see Appendix).
How does a Drumdial work?
The dial scale is indicating is the distance of the drum head from the surface of the aluminum base, not the tension. Since increasing the tension of the drum head decreases the amount of pressure countering the needle spring, the distance decreases and is reflected in the reading on the dial scale.
Is a bass drum tuned or untuned?
The bass drum is built like a very large snare drum, although without the snare; it is also an untuned instrument.
What Hz is bass drum?
The frequency range of the bass and drums overlaps in the low frequency range through the low midrange. The attack of the bass is heard between 700 – 1000Hz, while the attack of the kick drum presents information at 3000 to 4000Hz.
Is there a free drum tuning app?
Free Android Drum Tuner app A chromatic tuning app allows you to tune almost any instrument to fundamental notes. This is how you can tune your drums with a chromatic tuning app: If you are a new drummer, here’s a tutorial on how you can do that with a chromatic tuner [14.5 mins video]:
What is a drumdial™ drum tuner?
DrumDial™ drum tuners accurately tune all drums by measuring drum head tension NOT tension rod torque. Measure drum head tension directly from the drum head faster than ever before. Get the tuner that really works, get a DrumDial™ drum tuner and make it possible for your drums to consistently sound great!
What can drumdial be used for?
DrumDial can be used to tension equally both tuned and untuned membranophones. While most drums with heads are classified as instruments of indefinite pitch, DrumDial can aid in maintaining the “relative pitch” you desire once the pressure values are established to your liking.
How can I make my drums sound better?
Measure drum head tension directly from the drum head faster than ever before. Get the tuner that really works, get a DrumDial™ drum tuner and make it possible for your drums to consistently sound great! How to use DrumDial tuners, calibration videos, banjo tuning and more.
Why would a timpanist want to retune a drum set?
This would be extremely advantageous in a symphonic setting where a timpanist has to retune various drums for progressive sections of a composition. Tuning a complete drumset is a matter of personal preference, and tensions may vary based upon the player’s style, head selection, type of music, and the drum mounting system.


Tuesday, 19 July 2016
With the musical fast approaching and rehearsals well underway, the CD is being recorded. With all of the students who have songs having to go to the Junior Campus to record their songs. The music is sounding amazing! Hope you are all planning to purchase the CD when you come to the show… see you soon!
Thursday, 26 May 2016
In 2016 Gardenvale Primary School presents a wonderful musical called
‘An Absolutely Unreal Deal’
And so the deal is set… the three school bullies must spend ONE night in the House of Terror, or face the consequences! Meanwhile, three little ghosts are having troubles of their own.
Can three ghosts and three bullies somehow work together, help one another and learn a few major lessons about life along the way? Let’s hope so!
An Absolutely Unreal Deal is an energetic and colourful musical for the young and the young at heart that will have you singing in the aisles and all the way home.
OPENING NIGHT: Tuesday 6th September – 7.30 p.m Besen Centre, Burwood
MATINEE : Wednesday7th September- 11.00 a.m Besen Centre, Burwood
SECOND NIGHT: Wednesday 7th September- 7.30pm Besen Centre, Burwood
CLOSING NIGHT: Thursday 8th September – 5.30 pm Besen Centre, Burwood
Ticketing will be available through www.trybooking.com and sales will commence from Monday 8th August. Tickets will not be available via the school.