<svg xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" width="393" height="852" viewBox="0 0 393 852"><g id="html1"><g data-tag="head" id="head1" data-z-index="auto" data-stacking-context="true" aria-owns="script1"><g data-tag="script" id="script1" data-z-index="auto" data-stacking-context="true"/></g><g data-tag="body" id="body1" data-z-index="auto" data-stacking-context="true" role="document" aria-owns="span1 style1"><g data-tag="span" id="span1" data-z-index="auto" data-stacking-context="true"><text color="rgb(76, 76, 75)" dominant-baseline="text-after-edge" font-family="Georgia, serif" font-size="17px" font-size-adjust="none" font-stretch="100%" font-style="normal" font-variant="normal" font-weight="400" direction="ltr" letter-spacing="normal" text-decoration="none solid rgb(76, 76, 75)" text-anchor="start" text-rendering="auto" unicode-bidi="normal" word-spacing="0px" writing-mode="horizontal-tb" user-select="auto" fill="rgb(76, 76, 75)"><tspan xml:space="preserve" x="0" y="19" textLength="390.765625" lengthAdjust="spacingAndGlyphs">score, in Boston specifically (1901). Equally, nobody had</tspan><tspan xml:space="preserve" x="0" y="39" textLength="390.90625" lengthAdjust="spacingAndGlyphs">played as a soloist with orchestra before in Paris (1904) –</tspan><tspan xml:space="preserve" x="0" y="59" textLength="366.78125" lengthAdjust="spacingAndGlyphs">or in France, for that matter–, and it is an even greater</tspan><tspan xml:space="preserve" x="0" y="79" textLength="381.4375" lengthAdjust="spacingAndGlyphs">merit due to the fact that she was a woman and for them</tspan><tspan xml:space="preserve" x="0" y="99" textLength="377.375" lengthAdjust="spacingAndGlyphs">to play reed instruments like the saxophone was largely</tspan><tspan xml:space="preserve" x="0" y="119" textLength="389.71875" lengthAdjust="spacingAndGlyphs">frowned upon. Her influence does not end there either, as</tspan><tspan xml:space="preserve" x="0" y="139" textLength="314.890625" lengthAdjust="spacingAndGlyphs">she transcends to a more substantial plane: the</tspan><tspan xml:space="preserve" x="0" y="159" textLength="335.46875" lengthAdjust="spacingAndGlyphs">construction of her country. Her work is a perfect</tspan><tspan xml:space="preserve" x="0" y="179" textLength="387.75" lengthAdjust="spacingAndGlyphs">example of the efforts being made in the United States to</tspan><tspan xml:space="preserve" x="0" y="199" textLength="390.90625" lengthAdjust="spacingAndGlyphs">consolidate the young nation through identitary resources</tspan><tspan xml:space="preserve" x="0" y="219" textLength="358.78125" lengthAdjust="spacingAndGlyphs">that came from culture, copying Europe and then, by</tspan><tspan xml:space="preserve" x="0" y="239" textLength="331.859375" lengthAdjust="spacingAndGlyphs">transforming the material, breaking away from it</tspan></text></g><g data-tag="style" id="style1" data-z-index="auto" data-stacking-context="true"/></g></g></svg>
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<body><span style="font:17px Georgia, serif; color:#4C4C4B;">score, in Boston specifically (1901). Equally, nobody had played as a soloist with orchestra before in Paris (1904) –or in France, for that matter–, and it is an even greater merit due to the fact that she was a woman and for them to play reed instruments like the saxophone was largely frowned upon. Her influence does not end there either, as she transcends to a more substantial plane: the construction of her country. Her work is a perfect example of the efforts being made in the United States to consolidate the young nation through identitary resources that came from culture, copying Europe and then, by transforming the material, breaking away from it</span></body>

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